Tesi sul tema "East Asian Philosophy"

Thesis (Ed.D) -- University of Western Sydney, Nepean, 1999.<br>"Submitted for the degree of Doctor of Education 1999, School of Lifelong Learning and Educational Change, University of Western Sydney Nepean" Includes bibliographical references.

Religion<br>Ph.D.<br>Since its inception in the 1960s, the scientific research of Buddhist-based meditation practices have grown exponentially with hundreds of new studies every year in the past decade. Some researchers are using Buddhist teachings, such as not-self, as an explanation for the causal mechanism of meditation’s effectiveness, for conditions such as stress, anxiety, and depression. However, there has been little response from Buddhist studies scholars to these proposed mechanisms in the growing discourse surrounding the engagement of ‘Buddhism’ and ‘Science.’ I argue that the mechanistic causal explanations of meditation offered by researchers provide an incomplete understanding of meditative practices. I focus on two articles, by David Vago and his co-authors, that have been cited over nine hundred and three hundred times. I make explicit internal criticisms of their work from their peers in neuroscience, and offer external criticisms of their understanding of the cognitive aspects of meditation by using an extended, enactive, embodied, embedded, and affective (4EA) model of cognition. I also use Chinese Huayan Buddhist mereology and causation to provide a corrective for a more holistic understanding. The constructive aspect of my project combines 4EA cognition with Huayan mereology and causation in order to propose new directions of research on how meditative practices may lead to a changing sense of self that does not privilege neurobiological mechanisms. Instead, I argue a fruitful understanding of change in ethical behavior is a changing sense of self using support from a consummate meditator in the Japanese Zen Buddhist context: Dōgen and his text Shoakumakusa. Contemporary research looking for mechanistic causation focuses on the physical body, specifically the brain, without considering how the mind is involved in meditative practices. The group of researchers I focus on reduce the senses of self to localized parts of the brain. In contrast, according to Mahayana Buddhist terminology, Huayan offers a nondualistic understanding of the self that does not privilege the brain. Rather, Huayan characterizes the self as a mind-body complex and meditation is understood to involve the whole of the person. My critique notes how the methodology used in these studies focuses too much on the localized, explicit, and foreground, but not enough on the whole, implicit, and background processes in meditative practices. Bringing in Huayan also offers a constructive aspect to this engagement of Buddhist studies and neuroscience as there are implications of its mereology for a more complete understanding of not just meditation, but also of neuroplasticity. To be clear, the corrective is only meant for the direction of research that focuses on neural-mechanistic explanations of meditation. Surely, there is value in scientific research on meditative practices. However, that emphasis on neural mechanisms gives a misleading impression of being able to fully explain meditative practices. I argue that a more fruitful direction of engagement between Buddhist traditions and scientific research is the small but growing amount of experiments conducted on how meditative practices lead to ethical change. This direction provides a more complete characterization of how meditative practices changes the senses of self.<br>Temple University--Theses

This study traces the development of Tibetan 'treasure' texts and practices in contemporary times via the life-story and scriptural revelations of the Tibetan 'treasure revealer' (gter ston) Kun bzang bde chen gling pa (1928-2006). It examines how his revelations (gter ma) rooted in the historic spirituality of Tibet, continue and adapt into the twenty first century. The study is important in order to understand the ways this Asian religious concept develops and coalesces in North America. With the dramatic advances in communication through digital technology, it examines how gter ma texts and practices reach a modern audience. Also discussed are the implications of centuries old debates surrounding Buddhist lineage, transmission and ‘authenticity’ as well as concepts such as liberty, equality and authority. All of which are culture-specific constructions that differ radically when seen from a variety of perspectives. The main conclusion drawn from this research is that as a Western Vajrayāna ‘tradition’ emerges and intersects with older Tibetan forms, both must attempt to find a middle path between their differing applications and interpretations if they are to avoid drifting into an arena of extensive commercialisation, dilution and distortion.

Avec le développement des échanges mondialisés, les interactions sexuelles et/ou amoureuses entre Occident et pays en développement deviennent de plus en plus fréquentes. A travers l’étude comparative des relations entre Occidentaux et Thaïlandais ou Malaisiens nous verrons comment, par le biais des hiérarchies de genre, de classe et de « race », les acteurs occidentaux et orientaux tentent de revaloriser leur capital économique, culturel, social et symbolique. Si en Thaïlande les femmes issues d’une classe défavorisée peuvent espérer une certaine assurance financière, dans le pays voisin les femmes d’un milieu aisé souhaitent accéder à davantage de liberté face à l’emprise de la culture et de la religion locales. Ce désir de l’autre cache souvent chez les Occidentaux un rejet des dites « valeurs occidentales », notamment l’égalité des sexes, et une volonté de retour vers des valeurs considérées plus « stables », « traditionnelles » et « hiérarchisées ». Nous verrons ainsi comment les interactions amoureuses mondialisées sont un instrument de valorisation du capital bourdieusien et un moyen de redéfinir les hiérarchies sociales<br>With the development of globalized exchanges, sexual and/or sentimental relationships between Occident and developping countries become more and more frequent. Through the comparative study of occidental people and thai or malay people relationships we will see how, with hierarchies of gender, class and race, occidental and oriental actors try to valorise their economic, cultural, social and symbolic capital. If in Thailand lower class women can acceed to financial stability, in the neighbour country upper class women can aspire to freedom from local culture and religion. This desire of the other often hide among occidental men a reject of « occidental values », especially sexual egality, and a return to values considered more « stable », « traditional », and « hierarchized ». Thereby we will see how globalized love interactions are an instrument to valorise Bourdieu’s capital and a way to redefine social hierarchies

Based on ethnographic fieldwork conducted in Seoul from July 2012 until July 2013, this dissertation offers a novel perspective on human-animal interactions and public discourses regarding livestock versus pet moral boundaries in contemporary Korea. I aim to explore how Koreans struggle to make sense of the tension between the emergence of animal welfare and the perpetuation of traditional health behaviours that involve animal processing. The focus will be on why participants in my study, whether activists or not, defended both animal ethics and cat and dog meat consumption, while including Korean animals in fluid and instrumental conceptions of Koreanness. I have analysed a variety of discourses produced by both Korean and non-Korean, academic and non-academic stakeholders, in order to reveal the on-going tension between these powerful ubiquitous ideas and the lived experience of Koreans today. Moreover, I examine how the aesthetics of cruelty and empathy is employed in order to singularize livestock into companion animals thereby transgressing cultural taboos regarding Western ethics of species separation. I also demonstrate that converging and conflicting economic, political, social and cultural agendas are responsible for making Korea’s public discourses about animal welfare very unsettled. My research thus contributes to key anthropological debates about the cross-cultural circulation and cross-fertilisation of moral values that impact the ethics of post-industrial human-animal interactions; and about the influence of policy dialogue, at both national and international levels, on applied animal ethics, cultural stigmatization and the reinforcement of national sentiment.

Thesis (Ph.D.)--State University of New York at Buffalo, 2006.<br>Title from PDF title page (viewed on Mar. 09, 2007) Available through UMI ProQuest Digital Dissertations. Thesis adviser: Tedlock, Dennis. Includes bibliographical references.

The chapter “Regulations of a King” 王制 illustrates a new pragmatic form of governance through morality around five issues. First, the chapter practically discusses three modes of statecraft, detailing which mode of statecraft is most effective and why. Next, it discusses the importance of the existence of law fa 法. Third, it transforms the concept of ritual as a tool of governance and an extension of law. Fourth, it describes rewards and punishments as political tools to reinforce an educational and transformational program for moral quality. Finally, it discusses perhaps the most unique tool of governance, definitive judgment lei 類. Through the examination of these five issues in “Regulations of a King”, I intend to show that the chapter “Regulations of a King” illustrates a new pragmatic form of governance through morality by displaying a more practical style of rhetoric and political tools for effective administering of a state.

It is consistently documented in the literature that Asian Indians are at high risk of coronary heart disease and this risk is exacerbated among migrant Asian Indians globally. Asian Indians have a premature, markedly severe and malignant course of coronary heart disease. This study was built on the premise that in order to provide culturally competent and sensitive care for migrant Asian Indians with coronary heart disease in a multicultural society such as Australia, it is important to explore migrant Asian Indians’ experiences, risk factor knowledge and health beliefs and behaviours in relation to coronary heart disease. Findings indicate the need for health promotion and cardiac illness prevention programs that use intervention models of health behaviour change and are sensitive to the needs of migrants from Asian Indian culture. The major limitation of the study was that the data obtained were from a group of tertiary-educated migrant Indians. Future studies should explore the coronary heart disease perspectives of migrant Indians with different education levels and from the perspective of second-generation Indians in Australia.

The purpose of the exegesis is to explain the space-time sensibility and an inner listening process that lies behind my creative process and its six scores. Its focus is a discussion of how my compositional space-time sensibility encountered three aesthetic aspects, of non-musical coastal architectural mathematics, East Asian aesthetics and Steiner spirituality, that together had a revitalizing effect that propelled my work towards a new genesis. I argue that implementing a three-pronged approach of incorporating the non-musical mathematics of architecture, East Asian spatial aesthetics and Steiner spirituality into my music creates oku inner space sonically. The structure of the exegesis commences with a compositional Credo to a cultural Journey to an Analysis. The Credo outlines my Steiner spirituality and Christian ethos through metaphor, a description of a mediation process and a spiritual fingerprint of eight dimensional concepts that pervade my work. The Journey describes the development of an Australian space and time sensibility that was developed and broadened through an interaction with the Asia-Pacific region for more than twenty years, in which I experienced resonances with key composers from Japan, Korea, the Philippines and New Zealand. The Analysis describes how I have operated from the aesthetic perspective of a ‘butterfly modernist’; through applying a space-time sensibility and an inner listening process with three interactive dimensions. In this, my inner listening intuitively guided the processing of these elements within the fuzzy realm of my creative psychological space towards a reinvigoration of my compositional practice. The PDF attachment also includes the following compositions: The Aspern Papers (2015), Sydney Opera House (2012), Deep in Summer (2016), The Banquet of Cleopatra (2014), In a Corner of the MacIntyre (2014), Stars (2016), Sydney Opera House (2016), The Aspern Papers - Chamber Version Selections (2016).

My dissertation traces the contemporary American assimilation of Asian enlightenment traditions and discourses. Through a close reading of three communities, I consider how Asian traditions and ideas have been refracted through the psychological, political, and economic lenses of American culture. One of my chapters, for example, discusses how the American Insight community has attempted to integrate the enlightenment teachings of Theravada Buddhism with the humanistic, democratic, and pluralistic values of the European Enlightenment. A second chapter traces the American gum Andrew Cohen's transformation from a Neo-Advaita teacher to a leading proponent of "evolutionary enlightenment," a teaching that places traditional Indian understandings of nonduality in an evolutionary context. Cohen's early period shows the further deinstitutionalization of traditional Advaita Vedanta within the radically decontextualized Neo-Advaitin network, and evolutionary enlightenment engages and popularizes another less-known but influential Hindu lineage, namely that of Sri Aurobindo's integral yoga. a A third chapter examines contemporary psychospiritual attempts to incorporate psychoanalytic theory into Asian philosophy in order to reconcile American concerns with individual development with Asian mystical goals of self-transcendence. In conclusion, I argue that the contemporary American assimilation of Asian enlightenment traditions is marked by a number of trends including: (I) a move away from the rhetoric and privileging of experience that scholars such as Robert Sharf have shown to be characteristic of the modem Western understanding of Asian mysticism; and (2) an embrace of world-affirming Tantric forms of Asian spirituality over world-negating renouncer traditions such as Theravada Buddhism and Advaita Vedanta. I also reflect on how the cultural shift from the modem to postmodern has affected East-West integrative spiritualities.

My dissertation thesis seeks to explore some specific social aspects of the dialogue between traditional Chinese art and thinking and Czech art scene after the February1948, when the Communist party took power in former Czechoslovakia. I am mainly interested in the problematic of inspiration from traditional Chinese calligraphy and Daoist philosophy on Czech painting, visual poetry and literature in the 1950s and 1960s. I will argue that the appropriation of selected Chinese philosophical and artistic themes helped Czech artists, working under the communist repression, to express their innermost human emotions in relation to home, culture, freedom, and one's artistic and human destiny. The communist regime meant to many artists the end of their official artistic career. Life in seclusion outside the main political and social streams became for some of them an opportunity to display pent-up feelings of affinity with the life stories of the ancient Daoist thinkers. In this context, focus is primarily placed on an analysis of several distinctive visual and literary works by Czech leading artists of the period, especially on the selected works by the visual artists Emil Filla, Jiří Kolář, Vladimír Boudník, Jan Kotík or Zdeněk Sklenář and the novelist Bohumil Hrabal (1914 - 1997) and his world famous...

Indiana University-Purdue University Indianapolis (IUPUI)<br>Many authors, critics, and policy makers question the presence of a unified grand strategy with which the United States has striven toward in recent years. This is a topic worthy of pursuit since such a strategy is responsible for identifying how this nation intends to accomplish its goals. This thesis defines what, if any, grand strategy the United States is currently pursuing. It observes several prominent theories of grand strategy, from both the realist and liberal perspectives. This analysis is set in context of historical grand strategy decisions since World War II and uses the framework of Taiwan as the case study. The thesis then compares the three theories, Selective Engagement, Offshore Balancing, and the Liberal Milieu and their recommendations to real-world activities of the United States with a focus primarily on military deployments and national objectives. The study reveals that of the three in question, the Liberal Milieu grand strategy is the only one that is supported by ongoing deployments in the East Asia region as well as by the national rhetoric which define our policy objectives.