Tesi: "Dreams in literature"

1

Dowling, Meghan L. "In Doubtful Dreams of Dreams". Fogler Library, University of Maine, 2009. http://www.library.umaine.edu/theses/pdf/DowlingML2009.pdf.

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2

Harmon, Threatt Elizabeth A. "The Dreams of Daughters". University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337264211.

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3

Zhang, Mingming. "Dwelling in dreams a comparative study of "Dream of the Red Chamber" and "Finnegans Wake" /". Diss., [Riverside, Calif.] : University of California, Riverside, 2009. http://proquest.umi.com/pqdweb?index=0&did=1957365421&SrchMode=2&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1269372200&clientId=48051.

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Thesis (Ph. D.)--University of California, Riverside, 2009.
Includes abstract. Available via ProQuest Digital Dissertations. Title from first page of PDF file (viewed March 23, 2010). Includes bibliographical references (p. 144-151). Also issued in print.

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Emmelhainz, Nicole M. "Dreams of Her Mother". Ohio University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1213210293.

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5

Wynn, Samantha M. "Dreams and Other Things". Cleveland State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=csu1400009486.

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6

Law, Wai-han Grace. "Dreams and their significance in romanticism". [Hong Kong : University of Hong Kong], 1989. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12752174.

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7

Clerici, Nathen. "Dreams from below : Yumeno Kyūsaku and subculture literature in Japan". Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44643.

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Since the middle of the 2000s and the rise of Cool Japan, manga, anime, video games, Japanese horror films and J-Pop music are more popular than ever throughout the world. Both in Japan and abroad, these popular culture products are often synonymous with subculture. Sabukaruchā, as it is known in Japan, is a hot topic even as the concept itself remains unresolved. In this context, what role does literature—a field no longer atop the cultural hierarchy—have to do with the ongoing negotiation of what subculture means in modern Japan? The elements of what we now consider subcultural media and narratives have roots in the literature of past decades, and in this dissertation I explore the possibility of a new analytical framework: “subculture literature.” By thinking of subculture as a reception category—not unlike cult film—rather than in terms of concrete genres such as manga or anime, I adopt the concept of “subcultural affects” to examine notions of marginality and how society defines itself (and responds to external definitions). Similar to what might be considered narrative elements in a literary context, subcultural affects are the aspects of a text that are drawn out by readers to form affective constellations predicated on minorness. As a case study, I turn to the texts and reception of Yumeno Kyūsaku (1889-1936), a writer of mystery fiction who, despite achieving modest popular success in the late 1920s and early 1930s, was largely forgotten until his writing was revived in the context of 1960s sub- and counter-culture. For a politically-engaged youth, Kyūsaku offered an alternative model of being in the world: romantic and darkly comic, and engaged with questions of authority and madness. But how was his work received when it was written? Using the subcultural affects of henkaku, nansensu and dochaku, I consider the long-term reception of Kyūsaku’s work as a way to begin to bridge not only the gaps between historical eras, but between center and margin, major and minor, and popular and elite.

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8

Lettau, Lisa. "Conscious constructions of self dreams and visions in the Middle Ages /". Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 314 p, 2008. http://proquest.umi.com/pqdweb?did=1605114991&sid=1&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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9

Law, Wai-han Grace, e 羅慧嫻. "Dreams and their significance in romanticism". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31949496.

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10

Lasanté, Paul. "A king's dreams : a study of the second chapter of Daniel within the context of dreams in canonical and non-canonical sources". Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32924.

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In the following paper I will attempt to define the genre of Daniel 2 according to its dream characteristics. To demonstrate that this literary style is not unique to Daniel 2 but was widespread in the ancient near east over a long period of time, I will survey what I believe to be parallel dream narratives from the Old Testament as well as from Sumerian, Akkadian, Hittite, and Egyptian texts. The numerous similarities of these narratives will not only provide a sufficient base for positing a dream genre, but will also clarify the fundamental theme of Daniel 2 which has many times been cluttered or overlooked by its identification with other overlapping genres. By including details from most of the dream narratives of antiquity, I believe it will become clear that Daniel 2 is not so much about wisdom, courts, or even an apocalypse, so much as it is about the acknowledgement of an ultimate power who is omniscient and lord over kingdoms past and future.

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11

Smith, Nathanial B. "Dreams of influence embodied reading in late medieval and Renaissance English literature /". [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3330817.

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Abstract (sommario):

Thesis (Ph.D.)--Indiana University, Dept. of English, 2008.
Title from PDF t.p. (viewed on Jul 22, 2009). Source: Dissertation Abstracts International, Volume: 69-10, Section: A, page: 3963. Adviser: Judith H. Anderson.

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12

陳貝枝 e Pui-chi Chan. "An analysis of the dream motif in Liaozhai zhiyi". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B43209300.

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13

Kramer, Emily Marie. "Wandering: Dreams, Memory, and Language in Poetry". Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1525179650285217.

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14

Mitchell-Foust, Michelle. "The five dreams of the body /". free to MU campus, to others for purchase, 1996. http://wwwlib.umi.com/cr/mo/fullcit?p9821345.

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15

Dawson, T. "Dreams, myths, and fictions : Jungian psychology and the interpretation of novels". Thesis, University of East Anglia, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372366.

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16

Zhao, Yingzhi. "Realm of Shadows and Dreams: Theatrical and Fictional Lyricism in Early Qing Literature". Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11597.

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Early twentieth-century Chinese literary critics create a model of literary development that highlights leading genres for each dynasty. For the Ming and the Qing dynasties, these are drama and fiction. This model relegates other genres of the period, especially poetry and lyric, to a second-class status, and accounts for their less visibility in scholarly research until today. The aim of my dissertation is not to reverse the hierarchy of genres, but to break the boundaries of genres, examining the ways in which the aesthetic sensibility connected to drama and fiction is transposed to other genres and renews their conventions. The cross-genre approach used in my dissertation is supported by an overview of the literary scene of the period, when literati took up diverse roles from scholar-officials to professional dramatists, novelists, and painters, when the boundaries between "high" and "low" genres became more fluid and literati wrote across elite and popular genres, and when illustrations of printed plays and fiction, thanks to the rise of print culture, circulated widely and inspired the literati's cross-media imagination. Social practices of Ming and Qing literati, such as going to the theater, reading and writing commentary on drama and fiction, appreciating illustrations of printed plays and fiction, or listening to story-telling, translated into an awareness of the commensurability of life and theater (theatrum mundi), bringing role play, playfulness, staging, and fictional time and space to the reading and writing of other genres, creating textual and aesthetic hybridity in these latter genres. I use the term theatrical/fictional lyricism to refer to the ways in which drama and fiction, commentary on drama and fiction, and illustrations to drama and fiction change the conventions of reading and writing poetry and prose in terms of rhetoric and theme. The term also draws attention to the textual and aesthetic hybridity in these genres. Theatrical/fictional lyricism is a new form of lyricism, in which role play gives a twist to the genuine poetic voice, the records of real events gives way to self-conscious fictionality, and normal time and space merges with staged, illusory time and space.
East Asian Languages and Civilizations

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17

Hemingway, Ben. "The dream in classical Greece : debates and practices". Thesis, University of Oxford, 2009. http://ora.ox.ac.uk/objects/uuid:d0d272ee-e293-44bf-b8c2-02b68304d22f.

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This thesis aims to address the Greek attitude to their dream experience in the classical period, as it was conceived in theories and engaged with in dream practices. The emphasis is on the relationship between these elements and the wider cultural frames which surrounded them, in order both to illustrate the manner in which culture influences the conception of dreams, and also to use dreams themselves as a mirror to reflect parts of Greek culture. As a study it has been heavily shaped by the approaches to dreams developed by anthropologists, outlined in Chapter 2, who have emphasised the importance of studying dreams intra-culturally. In Chapter 3 I analyse the language that the Greeks used to express their dreaming experience, drawing from it the important way in which language was both determined by, and determined, the Greeks' understanding of the phenomenon. This forms a base for engaging with dream theories in Chapter 4, both the implicit allusions in literature and explicit explanations proposed by philosophers and medical writers. I then explore the theories at work within Greek culture via dreams as we see them active in the lived religion of the polis: I examine in Chapter 5 the dedications set up by individuals on account of spontaneous dreams, and in Chapter 6 the practice of incubation. I then turn to examine specific relationships: in Chapter 7, the association of dreams with status, i.e. the possibility that powerful people would have equally powerful dreams; in Chapter 8, dreams and gender, assessing the possibility that women considered their dreams to be more important than their male counterparts. In Chapter 9, I position dreams within the context of the other divinatory practices of the period, which allows us to see the unique ways in which dream practices functioned in comparison to the other divinatory forms.

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18

Chan, Pui-chi. "An analysis of the dream motif in Liaozhai zhiyi "Liao zhai zhi yi" meng jing yan jiu /". Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43209300.

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19

Dale-Jones, Barbara. "An examination of dreams and visions in the novels of Virginia Woolf". Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002266.

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This thesis explores the importance of the visionary experience in five novels by Virginia Woolf. In her fiction, Woolf portrays the phenomenal world as constantly changing and she uses the cycles of nature and the passing of time as a terrifying backdrop against which the mutability and transience of human life are set. Faced with the inevitability of change and the fact of mortality, the individual seeks moments of permanence. These stand in opposition to flux and lead to the experience of a visionary intensity. Woolf's presentation of time as a qualitative phenomenon and her stress on the importance of memory as a function which allows for the intermingling of past and present make possible the narrative rendering of moments which contradict perpetual change and the rigours of sequential time. Moments of stillness 'occur in the midst of and in spite of process and allow for individual contact with an experience that defies the relentless progression of time. Necessary for this experience is not only memory but also the imagination, a faculty which has the power to perceive patterns of harmony in the midst of the chaos that characterises the phenomenal realm. Fundamental to Woolf's writing, however, is the acknowledgement that visions are fleeting, as are the glimpses of meaning that emerge from them. Therefore, while several of her novels describe the artistic effort to create a structured order as a defense against change, Woolf uses the artist's struggle as a metaphor for the difficulties attached to describing the enigma that is life. None of her artist figures is able to formulate a construction that either sums up life or provides a permanence of vision. This study presents a chronological examination of the novels in order to demonstrate that the changing forms of Woolf's fiction trace the evolution of a style that accurately portrays both the workings of the human mind and the insubstantial and fragmentary nature of life. The chronology also reveals that her novels develop in terms of their presentations of the visionary experience. Woolf's final novel incorporates into its central vision the paradoxical fact of the permanence of time's progression and acknowledges that, beyond the individually mutable life, is a continuum that links pre-history to the future. This notion, which is explored in part in the earlier novels, but developed completely in Between the Acts, suggests that consolation can be found in the greater cycles of existence despite the fact of individual mortality.

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20

Ahlstone, Daisy M. "Thylacine Dreams: The Vernacular Resurrection of an Extinct Marsupial". DigitalCommons@USU, 2019. https://digitalcommons.usu.edu/etd/7563.

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This thesis explores the folk resurrection of the thylacine through artwork and symbolic interaction. The thylacine, better known as the Tasmanian tiger, is a marsupial that suffered a government-sanctioned massacre leading to its extinction in 1936. The thylacine’s status as a hidden animal has inspired what folklorists call “ostensive practice”; people not only actively seek out the thylacine in the wilderness of Tasmania today and share their sightings online, but they have also incorporated the thylacine as a symbol of hope and perseverance into various forms of folk art. There have been upwards of five thousand documented sightings of the thylacine since its extinction. This documentation can take the form of amateur or phone-recorded films, or sightings described in interviews for local news agencies. Some people have even found alleged biological remains of the thylacine and have described hearing its unique call. In addition to these types of legend-tripping activities, the thylacine is also represented in a variety of folk-art forms, including digital, painted, and hand-drawn artwork, written fiction, fiber arts, and costuming. This content is shared widely across the internet. Keeping the thylacine alive through the creation of folk art and legend-tripping search parties helps thylacine enthusiasts cope with the guilt for having lost an ecologically important animal due directly to ignorance and financial gain. If the thylacine is resurrected, whether literally or figuratively, people can symbolically undo some of the damage they have caused the natural world. Thus, the vernacular resurrection of the thylacine, understood through a folklorist lens, offers a model for comparing some of the vernacular ways that people are presently dealing with the general loss of wildlife due to climate change.

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French, Francesca B. "People on the Edges of Dreams". PDXScholar, 1995. https://pdxscholar.library.pdx.edu/open_access_etds/5170.

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This thesis is composed of a collection of twelve short stories, varying in length from 2 to 14 pages. Each story contains its own discrete theme, but fits as well within the overarching theme of the collection as a whole. This overarching theme is what gives the collection its cohesiveness. The main theme of the larger work can be found in the title of the collection, People on the Edges of Dreams. In many of the stories dreams, or dream-states, figure in the lives of the protagonists. In addition to the dream-state theme there is a less obvious theme, which has to do with the extent to which most or all of the main characters in the stories are faced with a kind of inescapable compassion for others. For example, the selfinvolved, self-gratifying protagonist in Matador cannot help but feel compassion first for Pearl, the woman he insults, and second for the "bums" on whom his livelihood depends. The theme of inescapable compassion can, I believe, be found to varying degrees in each of the stories in this collection.

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22

Murphy, Fiona Louise Mary. "From Bluebeard's castle to the white world of dreams : constrictions and constructions in Angela Carter's prose fiction". Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285246.

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23

Kreglinger, Gisela Hildegard. "George MacDonald's Christian fiction : parables, imagination and dreams". Thesis, St Andrews, 2008. http://hdl.handle.net/10023/576.

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Fretz, Claude. "Remaking genre : dreams and sleep in Shakespeare's comedies and tragedies (c.1591-1606)". Thesis, University of Birmingham, 2016. http://etheses.bham.ac.uk//id/eprint/6489/.

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My thesis investigates the functions of dreams and sleep within Shakespeare’s wider design of comedy and tragedy. Methodologically, it combines its focus on genre with a strong historicist component in order to reconstruct the early modern understanding of dreams and sleep that influenced Shakespeare’s approach to this material. Comparing Shakespeare’s representations of dreams and sleep with those in classical culture, from which dramatic genre, dream theory, sleep theory, and the deployment of dreams within comic and tragic structures originally derive, I argue that Shakespeare uses devices of dreams and sleep to support his deviation from those classical conventions of comedy and tragedy that he found incompatible with his aspiration towards a fuller, darker, and more complex representation of human nature, behaviour, and character. To that effect, I discuss how dreams and sleep in Shakespeare’s comedies introduce tensions that are neither resolved nor absorbed by the respective endings; and I show how dreams and sleep in the tragedies and tragic histories help emphasise human agency and responsibility at the expense of the ideas of fortune and supernatural determinism found in classical tragedy.

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Woodward, Jennifer. "A kinship of dreams and nightmares : anxiety and wish fulfilment fantasy in British disaster fiction, 1898-1939". Thesis, Edge Hill University, 2013. http://repository.edgehill.ac.uk/6185/.

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This thesis presents an in-depth analysis of the major British disaster novels published before World War II. Focussing on Wells’ The War of the Worlds (1898), Shiel’s The Purple Cloud (1901), Conan Doyle’s The Poison Belt (1913), Connington’s Nordenholt's Million (1923), Fowler Wright’s Deluge and Dawn (1927 and 1929) and Sherriff’s The Hopkins Manuscript (1939), it makes a significant contribution to the literary and contextual understanding of these narratives. Furthermore, it responds critically to the often imprecise employment of the term ‘disaster’ to describe related but distinct works of catastrophe, apocalyptic, postapocalyptic, entropic or prophetic fiction. It does so by presenting a precise terminology with which to discuss disaster narratives featuring a catastrophic event. Such texts, termed ‘transformative’ disaster narratives, range from ‘transfigurative’ examples, which frame the disaster as an opportunity for positive social change, to ‘deteriorative’ texts, in which the disaster has long-term negative consequences. By analysing pre-World War II British transformative disaster narratives, the thesis avoids the ambiguities of previous studies that have often favoured broad discussions over sustained close analyses. It argues throughout that these transformative disaster novels were unanimously ‘transfigurative’, as all present catastrophe as opportunity. Each narrative satisfies contemporary anxieties by providing a wish fulfilment fantasy concerned with the correction or improvement of its cultural context. Responding to concerns around Victorian complacency, social degeneration, or increasing technologisation, the novels enlist catastrophe as a means of effecting cultural and/or political change. Taken collectively, they are united by their wish fulfilment responses to an increasing disillusionment in the first half of the twentieth century. The Hopkins Manuscript distinguishes itself from its predecessors by presenting a transfigurative cataclysm followed by a deteriorative catastrophe. Accordingly, it initiates the post-World War II movement away from transfigurative disasters towards pessimistic deteriorative scenarios, thereby marking the end of a significant period in British disaster fiction.

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Ngo, Chinh. "A Fire Stronger than God: Myth-making and the Novella Form in Denis Johnson's Train Dreams". ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/1982.

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Using concepts of cognitive evolutionary theory, the author explores how narrative storytelling manifests itself in Denis Johnson's novella Train Dreams. The novella form is also discussed, focusing on its manipulation of linear time, its naturalization of supernatural elements, and its deconstruction of dichotomous relationships. Utilizing the novella's distinct structural and thematic elements, Johnson's text shows the myth of American expansionism and industrial progress and that of Kootenai holism in collision, resulting in a narrative renegotiation that seeks to affirm coexistence and complexity.

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Cowan, Yuri Allen. "William Morris and the Middle Ages : two socialist dream-visions /". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ55498.pdf.

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28

Bessebs, Véronique. "Un train en cache un autre, suivi de, Rêves et récit onirique chez Milan Kundera /". Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33272.

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Various characters tell the story of their participation in a series of events that take place in and around a casino, in a strange, almost magical atmosphere. The narration deals with the theme of illusion, as well as that of the danger and beauty of dreams and reality merging.
The second part of this master's thesis is a critical paper that focuses on the way in which dreams and oeniric writing unfold in the works of Milan Kundera. The method entails understanding and defining dream writing through a typology that categorizes the different types found according to their function. The varying degrees culminate when dreams and reality merge: how does the line that distinguishes the two become blurred? Can it be defined or delimited, and above all, on which thematic ground?

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Abelin, Bruna Arozi. "A SIMPLICIDADE MORDENTE DE UM PROTAGONISTA-ESCRITOR OUTSIDER: ESTUDO DE ASK THE DUST E DREAMS FROM BUNKER HILL DE JOHN FANTE". Universidade Federal de Santa Maria, 2015. http://repositorio.ufsm.br/handle/1/9934.

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Abstract (sommario):

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
In Ask the Dust (1939) and Dreams from Bunker Hill (1983), John Fante (1909-1983) represents the obliterated side of American life during the Great Depression by making use of an apparently simple narrative style. Besides focusing on the importance of the marginal side of the United States in the 1930s, Fante presents young Arturo Bandini as the protagonist who survives in Los Angeles during the economic crisis and aims at becoming a great writer that contends for space in the cultural market of the metropolis of entertainment. Through obscene vocabulary and scenes, Fante represents the most negative aspects experienced by those who live in a metropolis, such as isolation, solitude, vice, and madness. Therefore, Fante s fiction has thematic and formal aspects that allow us to establish relations with the New Realism, a movement of the Arts in the first half of the twentieth century, which also crudely explored the negative aspects of life in the United States. Thus, this study discusses the potential meaningfulness of thematic and aesthetic aspects of Ask the Dust and Dreams from Bunker Hill, two novels that present the relation established by the writer, who is an outsider, with the city, the people, and the craft of writing in modern times.
Em Ask the Dust (1939) e Dreams from Bunker Hill (1983), John Fante (1909-1983) representa o lado esquecido da vida estadunidense durante o período da Grande Depressão por meio de uma estética aparentemente simples. Além de dar enfoque e devida importância ao lado marginal dos Estados Unidos da década de 1930, Fante apresenta como protagonista o jovem Arturo Bandini que, durante a crise econômica, sobrevive em Los Angeles com a ambição de ser um grande escritor que disputa espaço em meio ao mercado cultural da metrópole do entretenimento. Por meio de vocabulário e cenas marcadas por obscenidade, Fante cria representações dos aspectos mais negativos que a vida na metrópole pode proporcionar aos sujeitos, tais como isolamento, solidão, vícios e loucura. Assim, sua obra apresenta aspectos temáticos e formais que permitem aproximá-la do Novo Realismo, movimento das artes plásticas da primeira metade do século XX que também explorou de forma crua os aspectos negativos da vida nos Estados Unidos. Desse modo, discutem-se neste estudo significados potenciais dos aspectos temático-estéticos de Ask the Dust e Dreams from Bunker Hill, romances que abordam a relação do escritor outsider com a cidade, as pessoas e o ofício da escrita nos tempos modernos.

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Sundkvist, Patrick. "Dreams of Democracy within Extreme Dystopias : A Study of the Imperium of Man". Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur (from 2013), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-84245.

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Abstract (sommario):

The purpose of this essay is to analyse several of the extreme dystopian elements found in the Warhammer: 40000 megatext and reveal how these elements display critique towards authoritarian policies and philosophy. I opted for a close reading of several texts and analysed several characters’ relationship to the galactic empire known as the Imperium of Man and found themes of suppression of thought, self-existential crises and wishes for freedom. Through my analysis of the megatext of Warhammer: 40000, I argue that it is the governance of the Imperium of Man that creates these humanitarian issues, and, while not an explicit reference, has been influenced by our own human history.
Syftet med denna uppsats är att analysera ett flertal dystopiska element som existerar i det fiktiva universumet Warhammer: 40000 och påvisa hur dessa element avslöjar kritik riktad mot auktoritär politik och filosofi. Jag valde en fördjupad läsning av ett antal texter och analyserade karaktärernas relation till det galaktiska imperiet Imperium of Man och fann områden vars fokus var förtryck mot yttrandefrihet, existensiella kriser och drömmar om frihet. I min analys av Warhammer: 40000 argumenterar jag att styrelseskicket som etablerats i Imperium of Man skapar dessa humanitära kriser, vilket till viss del blivit inspirerat av mänsklighetens egen historia.

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31

Canvat, Raphaël. "On Mad Geniuses & Dreams In the Age of Reason in French Récits Fantastiques". Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1343124370.

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32

Lotze, Cynthia Grier. "From Below Table Mesa". VCU Scholars Compass, 2006. http://hdl.handle.net/10156/2018.

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33

Kramer, Kirstin M. "Telling Freud's Story: The Fictionalization of Freud". Thesis, Boston College, 2005. http://hdl.handle.net/2345/393.

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Abstract (sommario):

Thesis advisor: Robin Lydenberg
The figure of Sigmund Freud haunts the modern consciousness, but popular culture too often reduces Freud to a simplistic set of concepts or a figure of fun. The popular image of Freud is a reduction, a caricature – a fiction. The fictionalization of Freud is hardly a new development, however: the first person to fictionalize Freud was Freud himself. In writings such as The Interpretation of Dreams and the Dora case, Freud tells his own story, as well as the stories of his developing theory of psychoanalysis and his patient Ida Bauer. Writers like Hélène Cixous continue in Freud's own tradition as they probe Freud's unconscious mind and challenge his public persona, creating a portrait of Freud that is not a reductive caricature, but a thoughtful meditation on his personality and ideas. The following paper examines the ways that telling Freud's story can be meaningful and fruitful. Exploring the fictionalization of Freud suggests that any attempt to turn a real person into a text is in some sense a fictionalization and that this process is an essential part of the way that human beings understand others and the self
Thesis (BA) — Boston College, 2005
Submitted to: Boston College. College of Arts and Sciences
Discipline: English
Discipline: College Honors Program

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Holland, Ailsa. "The city of dreams and the city of stern reality : British literature and the experience of Vienna in the 1930s". Thesis, University of Southampton, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268633.

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35

Dula-Manoury, Daiana. "Le rêve dans la littérature française du XXème siècle Queneau, Perec, Butor, Blanchot /". Villeneuve-d'Ascq : Presses universitaires du Septentrion, 2000. http://catalog.hathitrust.org/api/volumes/oclc/50339039.html.

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36

Miller, Lynette. "The sound of dreams : Toru Takemitsu's Far Calls. Coming, Far! and James Joyce's Finnegans Wake". Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21242.

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Abstract (sommario):

Toru Takemitsu (1930--96) composed several musical works which adopt as their titles quotations from James Joyce' s final and most revolutionary novel, Finnegans Wake. In this thesis I focus on one of these compositions, Far Calls. Coming, Far! (1981) for solo violin and orchestra. I explain the ways in which Takemitsu and Joyce possess similar philosophies and aesthetics, and examine their mutual interest in the phenomena of dreams. The Wake explores one night of a family's unconscious sleep activity and is heavily influenced by Freud's The Interpretation of Dreams. I argue that Takemitsu composes Far Calls. Coming, Far! as a "dreamwork" modelled after Joyce's similar literary endeavour. Accordingly, I categorize the analogous dream structures between Takemitsu's music and Joyce's text. These are: The Dreamer, Language, Time and Water, which I discuss in turn.

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Buechsel, Mark Peter Fulton Joe B. ""Sacramental Resistance" to pastoral dreams : the Midwestern land in the works of Sherwood Anderson and his contemporaries /". Waco, Tex. : Baylor University, 2006. http://hdl.handle.net/2104/4892.

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38

Basfar, Rana Khalid. "The Nights’ Dreams: Shahrazad and Her Stories in Modern Human Rights Textual and Visual Narratives (1994-2014)". OpenSIUC, 2020. https://opensiuc.lib.siu.edu/dissertations/1781.

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Abstract (sommario):

This dissertation stands at the intersection between human rights, contemporary postcolonial literature, and medieval folkloric texts, specifically the One Thousand and One Nights, also known as the Nights, by an unknown author. The Nights was first translated to French by Antoine Galland, when it appeared as a series from 1704 to 1715. This was followed by subsequent English translations and other translations into many other languages. Today, the Nights continues to captivate the world’s literary imagination. The dissertation focuses on selected popular textual and visual human rights narratives published from 1994 to 2014. These narratives are by celebrated human rights artists and authors from different parts of the globe: they are both non-Western and Western, but all have spent a significant portion of their personal lives and careers preoccupied by rights and social justice issues, both locally and universally. I focus on the following texts: Dreams of Trespass: Tales of A Harem Girlhood (1994) by Moroccan author and feminist Fatima Mernissi; Women Without Men (2009) by the exiled Iranian artist and director Shirin Neshat; Women Without Men by exiled and celebrated Iranian novelist called Shahrnush Parispur; Habibi (2011) by novelist Craig Thompson; and The Dream of Shahrazad (2014) by Emmy-Award-winning South African documentary film maker/director François Verster. The varied texts tackle human rights issues such as colonization, wars, human trafficking, rape, violence, torture, women’s subjection, environmental justice; freedom of speech and movement; forms of classism; and racism. I attempt to explore how and why these works are employing the Nights’ narrative model, as well as its formal and aesthetic aspects, to enable modern human rights narratives. While the direct connection to the Nights is obvious, I also trace obscure references to the Nights’ stories, genres, and themes. I focus on how “The Story of King Shahryar and Shahrazad” and its plot about storytelling to heal and save lives interplays with a modern sense of rights issues such as violence, genocide, trauma, healing, and legal appeals for justice. I offer a reading of the Nights’ stories referenced in each work to theorize why human rights artists and authors include them directly or obscurely within their narratives. I conclude that these stories from the Nights were chosen for their themes of social justice, discrimination, trauma, torture, judicial discourse, and feminist empowerment. I also conclude that contemporary human rights artists and authors incorporate elements from the Nights in intertextual ways that enable them to construct currently applicable allegories of human rights advocacy.

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39

Shinners, Keely. "On Trauma, or, How To Bear Witness to the Quiet Violence of Dreams". Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1104.

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Abstract (sommario):

This thesis explores South African author K Sello Duiker's The Quiet Violence of Dreams (2001) as a narration of personal and national trauma. This narration of trauma, as a disruption of the past in the present, provides insight to an imagination of recursive temporality. Through the temporal insights trauma introduces, it understands a shared history which is outside of modern, linear progression, a history which is always happening, not needing to prove itself but begging to be witnessed. It is this imagination of a collective, recursive history which translates, in the text, towards a decidedly decolonial witnessing.

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40

Williams, Sadie. "An Analysis of Tim O'Briens Storytelling Techniques in Going After Cacciato, The Things They Carried and In the Lake of the Woods Using Sigmund Freud's Dream Theory from On Dreams". Ohio Dominican University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=odu1470686569.

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41

Wright, Michelle. "Time, consciousness and narrative play in late medieval secular dream poetry and framed narratives". Thesis, University of South Wales, 2017. https://pure.southwales.ac.uk/en/studentthesis/time-consciousness-and-narrative-play-in-late-medieval-secular-dream-poetry-and-framed-narratives(7cbf5e12-c655-4177-84f8-1445f1ffef85).html.

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Abstract (sommario):

This thesis considers time and narrative play in dream poems and framed narratives. It begins with a chapter on the history of time perceptions and time-telling, and explores how ideas about time influenced medieval writers. It also surveys some modern views on the history of time-measurement a nd its influences on culture and the collective consciousness. Chapter two, after analysing the treatment of time in the Roman de la Rose, surveys some of the ways in which modern criticism has evaluated and conceived the genre of secular dream literature that developed from the Roman de la Rose. Chapter three examines the innovative use of the convention of beginning a poem with a seasonal opening and theorises that this becomes a `language' open to adaptation and variation. Chapter four looks in detail at Froissart's L`Orloge amoureus and discusses the clock as a new object which, contrary to the views of cultural historians, was embraced by medieval writers, religious and secular, to symbolise a range of virtues, qualities and ideas. I argue that the clock inspired creativity rather than heralding a rationalisation of the mind that would stifle imaginative responses to this new technology. Chapter five explores metafictional and self-reflexive devices in Froissart's Joli Buisson de Jonece and Chaucer's House of Fame. I consider how these texts play with narrative time and sequence by writing the genesis of the text into the poem. Finally, chapter six examines ideas of closure in medieval dream poetry and looks specifically at the reciprocity and inconclusiveness of the Judgement poems of Guillaume de Machaut. Because the second poem reverses the decision of the first poem, it brings into question the authority of the text and the unity of the authorial voice.

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Harder, Hans. "Fiktionale Träume in ausgewählten Prosawerken von zehn Autoren der Bengali- und Hindiliteratur". Halle (Saale) : Institut für Indologie und Südasienwissenschaften der Martin-Luther-Universität Halle-Wittenberg, 2001. http://catalogue.bnf.fr/ark:/12148/cb38987404v.

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43

Ledwick, Lisa-Mari. ""Soliloquy: the untold story of Sleeping Beauty's dreams"; a re-vision of Charles Perrault's "The sleeping beauty in the woods."". Thesis, Nelson Mandela Metropolitan University, 2015. http://hdl.handle.net/10948/3155.

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Abstract (sommario):

Taken as a whole, the purpose of the practical and theoretical components of this research aims to contextualise and present a contemporary fairy tale heroine who recuperates and re-values traditional aspects of femininity within a feminist context.

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Murray, Kylie Marie. "Dream and vision in Scotland, c.1375-1500". Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669934.

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45

HUDSON, KEVIN ROY. "LES FLEURS BLEUES: HERMÉTISME ET PROTOTYPE D´HOLOROMAN OULIPIEN". University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1016655425.

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46

Hunt, John V. "A phenomenological study of the dream-ego in Jungian practice". Thesis, View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/32090.

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This study is textual in its resource rather than empirical, and is applied to the experiential nature of the dream-ego. It is conceptual in its application, and its domain of inquiry is focussed on redescribing and reinterpreting the Jungian literature in order to further inform the understanding of the role of the dream-ego in analytical psychological practice. The major underlying assumption which forms the primary foundation for this study is that ‘mind is the subjective experience of brain’ and this statement serves the purpose of positioning the study as being anchored in biological science but not biological in scope. The statement also implies there is no conflict in the conclusions of neurobiological studies and phenomenological studies and positions these realms as correlates of each other. The subjective experience of brain is the realm in which our lives are lived and in which all our perceptions, ideas and feelings are experienced and so the phenomenological approach of the study is a consequence of that fact. The focus is on the dream-ego itself, using a selection of Jung’s own recorded dreams as vehicles to support, describe and reinterpret concepts from the literature in order to elucidate the dream-ego’s function in psychological health. If the dreaming state were exclusively an innocuous epiphenomenon of neurological processes with no experiential function, then it would be expected that the images generated would be quarantined from consciousness entirely, for reasons of psychic stability and hence then cease to be images, but the commonality and regularity of the dream-ego experience indicates an evolved psychic phenomenon with a definite relationship to the waking-ego. The remarkable images and associations experienced in dreams are expressions of the psyche’s uncompromising experiential authenticity and although these dream experiences may be profoundly complex, the dream-ego is seen to have an underlying naivety whose nature is captured by the title of Charles Rycroft’s (1981) book “The Innocence of Dreams”. When the dream-ego is contrasted to the waking-ego it becomes clear that the major difference is in this ‘innocence’ which is a consequence of the attenuation of rationality and volition for the dream-ego. This weaker rationality and volition prevents the dream-ego from talking or walking its way out of confrontation with unconscious content which manifests before it. The dream-ego experience is based on feelings and emotions which were the original reasons and criteria driving the censorship of the ‘feeling toned complexes’, as Jung describes them. The experience of unconscious material by the vulnerable dream-ego and the subsequent transfer to the waking-ego provides the option for the waking-ego to ‘reconsider’ or to make decisions based on the authentic feelings of the psyche. The fact that mammals exhibit REM sleep, and the strong case for mammals dreaming during that period, complicates the understanding of human dream function. In non dreaming sleep the ego is annihilated but is underwritten by the neural networks which constitute the ego when ‘active��. Since neural networks are known to atrophy with disuse, the sequestered ego is at risk of loss of fidelity on manifestation, and therefore may mismatch the environmental context. The study presents the dreaming state as the periodic partial activation of the ��neural ego�� to prevent atrophy and to maintain ego retrieval fidelity. This concept has applicability also to the animal case, since they must maintain their behavioural fluency and environmental congruence. Once the evolved dreaming state is established in mammals it may be subject to further evolutionary possibilities and subtleties in the human case. A consequence of this study is the presentation of the dream-ego as the partial arousal of the waking-ego, rather than the normal wording of the dream-ego as the half asleep waking-ego, since the dream-ego is seen as the psyche rehearsing its ego. The defining phenomenology of the dream-ego is found in its vulnerability to the feelings and emotions of the psyche, but paradoxically this vulnerability is its strength in its role as the feeling nexus between the unconscious and conscious mind. The waking-ego which may misconstrue its role in the psyche’s scheme of things and become aloof in its mentations believing all problems are intellectual, has the innocence of the dream-ego experience as its lifeline to the psyche’s authenticity. It is the intent of this study to contribute to the understanding of the role of the dream-ego experience in therapeutic practice, and placing the dream-ego as the protagonist of the study, to be attentive to the power of its innocence.

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47

Hunt, John V. "A phenomenological study of the dream-ego in Jungian practice". View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/32090.

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Thesis (Ph.D.)--University of Western Sydney, 2008.
A thesis submitted to the University of Western Sydney, College of Arts, School of Psychology in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliography.

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48

Santos, Bruno Miranda. "A persistência das sombras: sonhos, devaneios e lembranças em O Lustre, de Clarice Lispector". Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-13122016-130428/.

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O trabalho aqui proposto consiste na realização de uma leitura de O Lustre, de Clarice Lispector, publicado em 1946 e uma de suas obras menos estudadas pela crítica. O segundo romance da autora narra a história de Virgínia, moça do campo que cresce no casarão da família, localizado nas terras de Granja Quieta. Após atingir a idade adulta, a personagem parte para a cidade grande. Nosso foco está em estudar aspectos da configuração de Virgínia que persistem e são retomados, ao longo do enredo, por meio de sonhos, devaneios e lembranças, com especial atenção para os traços do passado que retornam e permanecem, com alterações, no presente. Nessa direção, quando a estrutura do texto permitir, aspectos teóricos da psicanálise, analogicamente, serão de grande valia para sua interpretação. Além disso, outras questões importantes e recorrentes na obra de Clarice Lispector serão abordadas, tais como a morte, a infância, o desejo e, no que diz respeito à estrutura da narrativa, o modo como o narrador muitas vezes assume o ponto de vista da personagem, confundindo-se com ela.
This research aims to analyse O lustre, by Clarice Lispector, published in 1946 and one of her works less studied by critics. The authors second novel tells the story of Virginia a countryside girl who grows up in the family mansion, located in the grounds of Granja Quieta. After reaching adulthood, the character part to the big city. Our focus is on studying aspects of Virginias configuration that persist and are retaken along the plot, through dreams, daydreams and memories, with special attention to the traces of the past that return and remain, with changes, in the present. In this direction, when the structure of the text permits, theoretical aspects of psychoanalysis, by analogy, will be of great value for its interpretation. In addition, other important and recurring issues in the Clarice Lispectors work will be addressed, such as death, childhood, desire and, concerning the narrative structure, the way the narrator often takes the point of view of character, confusing himself with her.

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Wallerich, Nazanin Leila. "Melancholy and the Infinite Sadness: A Mental Therapy Retreat". Thesis, Virginia Tech, 2013. http://hdl.handle.net/10919/51162.

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In America alone, 19 million people live with depression. Untreated depression is the leading cause of suicide in the United States and the third leading cause of death between 18-25 year olds. The aim of the project was guided based on the idea that we could take sadness as a manifestation in order to allow the possibility of controlling and manipulating it. The idea was based on a well documented understanding that melancholia creates a permeable boundary between consciousness and unconsciousness. In melancholia there is an internalization of behaviors that insulate and isolate the individual. With this level of introspection also comes an underlying gift of deep passion, curiosity and cognition. This gift brings a deep understanding to the workings of the world. It is in this dual reality that lies a realm of complexity and possibility. This understanding of depression led me to believe in how powerful and how necessary the simple yet essential feeling of hope was. The concept of hope seems like an illusion but sometimes it\'s the only thing you have. The hope is what keeps you going and allows a tangible identity to sanity. How can architecture reflect hope and how can a space help the weary hearted? These questions pleaded for answers and this thesis is a result of the search. The search for a better place in our minds. The desire for a hope that we are not prisoners to our sadness The quest for answers laid its journey on a cliff edge on the Olmsted Island of Great Falls, MD ; a site amplified with majestic soaring views and soundscapes of water and nature that accentuate the program of an alternative mental therapy retreat.
Master of Architecture

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50

Barone, Jason B. "The Search for the Jungian Stranger in the Novels of Haruki Murakami". Case Western Reserve University School of Graduate Studies / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=case1207319408.

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Tesi sul tema "Dreams in literature"

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