Letteratura scientifica selezionata sul tema "Dramaturges dans la littérature"
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Articoli di riviste sul tema "Dramaturges dans la littérature"
Perron, Judith C. "Théâtre de Collège, Théâtre et Collège: Une Interdépendance Précaire en Acadie". Theatre Research in Canada 12, n. 2 (settembre 1991): 131–40. http://dx.doi.org/10.3138/tric.12.2.131.
Testo completoGÜRSES ŞANBAY, Selin. "Le théâtre de Molière comme pratique de cour". RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, Ö13 (23 ottobre 2023): 1181–88. http://dx.doi.org/10.29000/rumelide.1379325.
Testo completoFrench, French. "Revendication et expression de liberté dans les dramaturgies africaines postcoloniales chez Sony Labou Tansi et Bottey Zadi Zaourou". Voix Plurielles 17, n. 2 (12 dicembre 2020): 126–38. http://dx.doi.org/10.26522/vp.v17i2.2605.
Testo completoFrappier, Louise. "Le conflit des publics dans le théâtre tragique imprimé de Théodore de Bèze et de Louis Des Masures". Renaissance and Reformation 42, n. 1 (5 luglio 2019): 67–94. http://dx.doi.org/10.33137/rr.v42i1.32850.
Testo completoThérésine, Amélie. "Sony Labou Tansi, précurseur de nouvelles écritures dramatiques ?" Études littéraires africaines, n. 41 (31 ottobre 2016): 25–37. http://dx.doi.org/10.7202/1037788ar.
Testo completoMacé-barbier, Nathalie. "Onirisme et dramaturgie chez Inoesco. (L'Homme aux valises et Voyages chez les morts)". Revue d'histoire littéraire de la France o 97, n. 4 (1 aprile 1997): 649–81. http://dx.doi.org/10.3917/rhlf.g1997.97n4.0649.
Testo completoΔημητρούλια, Τιτίκα. "Ο μεταφραστής Γιώργης Σημηριώτης: στοιχεία κοινωνιογραφίας". Σύγκριση 29 (8 novembre 2020): 16–69. http://dx.doi.org/10.12681/comparison.24653.
Testo completoTurk, Boštjan Marko. "La première traduction slave de Molière et la naissance du théâtre slovène". Acta Neophilologica 41, n. 1-2 (19 dicembre 2008): 81–86. http://dx.doi.org/10.4312/an.41.1-2.81-86.
Testo completoForestier, G. "Une dramaturgie de la gageure". Revue d'histoire littéraire de la France o 85, n. 5 (1 maggio 1985): 811–19. http://dx.doi.org/10.3917/rhlf.g1985.85n5.0811.
Testo completoGonçalves, Philippe-Alexandre. "FANTASY COMME ADJUVANT À LA TRANSFICTION : PROLONGEMENT DE L’UNIVERS THÉÂTRAL DE GIL VICENTE PAR LE ROMAN". Jangada: crítica | literatura | artes 1, n. 19 (30 giugno 2022): 130–43. http://dx.doi.org/10.35921/jangada.v1i19.378.
Testo completoTesi sul tema "Dramaturges dans la littérature"
Toubiana, Dany. "Dramaturgies d'expression française : des théâtres de la subversion". Paris 3, 2002. http://www.theses.fr/2002PA030058.
Testo completoFrench is spoken by more 200 millions people throughout the world. Since the sixties, many french speaking theatres arose with their own specificities. They squeeze out subversion in ancient colonized countries like Subsaharian Africa, Maghreb but also Quebec and some overseas french departments like french West Indies and La Réunion. Subversion is the link between all these french speaking theatres. How do the plays respond to one another in these different countries? Every theatre is a place for subversion but through politics and History, french speaking theatres are proposing an other view of it. Women, lunatics and ghosts who are common characters in many plays crush this subversion in a new way. Last part of this survey will study how french speaking theatres transform space and time but also theatrical patterns like tragedy and language, playing with this subversive posture
Goma, Valérie. "Dramaturgies de l'espace carceral : de Genet à Bond". Paris 3, 2005. http://www.theses.fr/2005PA030064.
Testo completoApart from Calderon with La vie est un songe, the western catalogue hasn't known any representation of the prison space before the writing of Haute surveillance by Jean Genet, whose first known version dates back to 1942. The following study delves into the occurence of the prison theme in dramatic art through a thematic corpus of eight emblematic plays : Haute surveillance ; Moi, Ulrike, je crie (Dario Fo) ; La passion du jardinier (Jean-Pierre Sarrazac) ; Roberto Zucco (Bernard-Marie Koltès) ; Maison d'Arrêt (Edward Bond) ; Sas (Michel Azama) ; Appelez-moi chef (Alphonse Boudard) ; The island (Athol Fugard, John Kani, Winston Ntshona). Put under the light of the real in dramatic art for their critical reference to penitentiary verisimilitude settled into contemporary times, they outsketch shutting-up spaces which span well beyond the sole prison perimeter. Thus this corroborates Michel Foucault's vision of a general partitioning of society. In that perspective, action as in the Aristotelian logic, has disappeared from the fable in most cases and even when it is represented it remains inoperative – all it does is protract a prior situation of seclusion
Py, Maéna. "Littérature scène et musique dans les œuvres scéniques de Benjamin Britten". Thesis, Tours, 2009. http://www.theses.fr/2009TOUR2020.
Testo completoBenjamin Britten’s operas are witness to their author's commitment to a renewal of the stage and dramaturgy in the 20th century. Through working with the theatrical avant-garde (stage music, radio dramas, music for documentary films), Britten knew how to take advantage of the outstanding innovations of the beginning of the century, becoming a wonderful conduit of the theories and dramatic aesthetics of that period. While he put this apprenticeship into practice in his lyric works, these works also suggest and experiment with new scenic dramatic arts. Britten's dramaturgy did not leave the public indifferent; keenly appreciated by the great European theatre directors, it jostled the French out of their habits and their prejudices against English music
Liazidi, Hamid. "Les oeuvres de Zakes MDA : Idéologie, dramaturgie et théâtralité". Nice, 1997. http://www.theses.fr/1997NICE2018.
Testo completoThe objective of this work is to determine the ideological and esthetic qualities as well as the distinctive features of mda's works by comparison to those by the other black south african writers. We have provided an ecclectic and comparative approach in order to demonstrate mda's innovation and distinction. The first part is devoted to the relation between mda's mode of writing and commitment. It shows on the one hand mda's moderate and liberal thought in his analysis of the theme of oppression-liberation and on the other hand his use of various techniques in order to mediate dramatic discourse and situations. The predominance of the ideological properties on the esthetic ones in the panafricanist works stands in contrast to the constant balance mda maintains. The second part focuses on the structural and technical components of mda's works. It demonstrates his avant-gardiste thought, his innovation and contribution to the evolution of the south african writing. MDA has adapted the techniques borrowed from the modernist tradition to the socio-political context in south africa. His implementation of elements from the traditional culture is intended to create a diversity of themes and situations rather than to construct an indigenuous dramatic theory
Roche, Virginie. "L'unité perdue : poétique du mythe dans l'œuvre du dramaturge irlandais Brian Friel". Paris 4, 2003. http://www.theses.fr/2002PA040183.
Testo completoThe purpose of this study is to present the mythic nature of Brian Friel's theatre so as to show how the playwright succeeds by exploring a theatre rooted in specific Irish problematics, in showing human nature. Friel's poetics, structurally and thematically based on the myth builds up around the idea of a unity, which is geographically, mentally and linguistically lost. This loss of unity is analysed through a study of the myths of Dionysos, Apollo, Thanatos and Eros. We then show how Friel looks for an answer to his metaphysical quest in silence, absence, darkness and in the image of the Doppelgänger. And Finally, we show how Friel tries to transcend the religious, political and cultural divisions by denouncing sectarianism, colonial oppression and national extremism. The theatre of Brian Friel revitalizes a theatre of words, where myth offers itself as an alternative solution to the metaphysical cry of man when faced with the unreasonable silence of the world
Dobby-Poirson, Florence. "Le pathétique dans l'œuvre de Robert Garnier". Paris 10, 1995. http://www.theses.fr/1995PA100176.
Testo completoPathos is the main feature of the theatre of Garnier. Influenced by eloquence and Aristotle’s poetics, it represents grieves provoked but great misfortunes, in order to instruct and delight. A national disaster constitutes the terrible and pitiable subject of the play. The dramatic techniques Garnier builds up are likely to produce pathos. Many deadly events, following on an earlier disaster, occur in a very short time, but in a place where different points of view can easily be exposed by opposite characters. The scenery sets up an atmosphere of fear. The structure of the play emphasizes the predicament daused by emergency, lack of communication and defeat. But the heroes can overcome their fate when they conquer their inner liberty. The show and the dialogue constantly interact. Themes, style and prosody emphasize the physical signs of passion. As the chorus and most of the characters bewail their lot, lamentation spreads to the whole text. Pathos helps also to instruct : the public is requested to take part to the universal grief of man, liable to passion and to unsteady fortune, and who tries to guess the aims of transcendence
Cicekoglu, Oya. "Le conflit des générations dans la dramaturgie de Jean Anouilh". Université Nancy 2, 1986. http://www.theses.fr/1986NAN21027.
Testo completoCouderc, Christophe. "Le systeme des personnages de la "comedia" espagnole (1594-1630) : contribution a l'etude d'une dramaturgie". Paris 10, 1997. http://www.theses.fr/1997PA100148.
Testo completoThe first part of this study is a descriptive one, that tries to propose a classification of the texts, and examine examples of recurrent changes realized by french dramatists that adapted the spanish golden age comedy on the french stage of the xviith century. The second part present some modulations of the relationships between the characters of the spanish comedia : the simple formula of these relationships, the more complex constructions, and the significative variations of the socio-dramatic status. In the third part, an assessment is made of this functionnalistic analysis of the spanish comedy : it is possible to define a few archetypical figures for male and female characters, and to explain their relationships thanks to the notion of sequence. The study concludes with a hypothesis of historical and formal evolution
Bérard, Stéphanie. "Au carrefour du théâtre antillais : littérature, tradition orale et rituels dans les dramaturgies contemporaines de Guadeloupe et de Martinique". Aix-Marseille 1, 2005. http://www.theses.fr/2005AIX10107.
Testo completoHodant, Jean-Philippe. "Rhétorique et dramaturgie musicales dans l'oeuvre de Jean Guillou". Paris 4, 1993. http://www.theses.fr/1993PA040120.
Testo completoThrough the prism of three of the works of Jean Guillou, La chapelle des abimes, Judith-symphonie, Hyperion ou la rhétorique du feu, these experimental pieces attempt to demonstrate and bring out the aesthetic light of the composer. Each one of the works retained presents a different problem which is related to the literary text, a latent text, a text which is present in the musical tissue, a text absent or virtually issue of the musical discourse. These three examples bring to light a musical rhetoric which is comparable with a literary discourse which contains dramatic stylized gestures
Libri sul tema "Dramaturges dans la littérature"
1862-1949, Maeterlinck Maurice, e Maeterlinck Maurice 1862-1949, a cura di. Dramaturgie de la mort chez Maurice Maeterlinck: Essai. Paris: Eurédit, 2006.
Cerca il testo completoDethurens, Pascal. Le théâtre et l'infini: Métamorphose du sacré dans la dramaturgie européenne de 1890 à 1940. Saint-Pierre-du-Mont: Eurédit, 2000.
Cerca il testo completoMcKenna, Antony. Molière dramaturge libertin. Paris: Champion, 2005.
Cerca il testo completoLeavitt, Richard Freeman. Tennessee Williams and the South. Jackson, Mississippi: University Press of Mississippi, 2010.
Cerca il testo completoF, Leavitt Richard, a cura di. Tennessee Williams and the South. Jackson: University Press of Mississippi, 2002.
Cerca il testo completoParis, Bernard J. Bargains with fate: Psychological crises and conflicts in Shakespeare and his plays. New York: Plenum Press, 1991.
Cerca il testo completoGollapudi, Aparna. Moral reform in comedy and culture, 1696-1747. Farnham, Surrey: Ashgate, 2011.
Cerca il testo completoChristiane, Benardeau, a cura di. Napoléon dans la littérature. Paris: Nouveau monde, 2004.
Cerca il testo completoPujade-Renaud, Claude. L'ÉCOLE DANS LA LITTÉRATURE. Paris: Editions L'Harmattan, 2006.
Cerca il testo completoChristiane, Bénardeau, a cura di. Napoléon dans la littérature. [Paris]: Nouveau Monde, 2004.
Cerca il testo completoCapitoli di libri sul tema "Dramaturges dans la littérature"
Daros, Philippe. "Discours anthropologique et littérature". In Interactions dans les Sciences du Langage. Interactions disciplinaires dans les Études littéraires, 230–42. Београд: Универзитет у Београду, Филолошки факултет, 2019. http://dx.doi.org/10.18485/efa.2019.11.ch17.
Testo completoMourlan, Lou. "Humanisme et littérature d’après-guerre". In Interactions dans les Sciences du Langage. Interactions disciplinaires dans les Études littéraires, 337–47. Београд: Универзитет у Београду, Филолошки факултет, 2019. http://dx.doi.org/10.18485/efa.2019.11.ch25.
Testo completoPaquet, Dominique. "Du genre merveilleux dans la dramaturgie du théâtre jeunesse". In Littérature de jeunesse au présent, 151–66. Presses Universitaires de Bordeaux, 2015. http://dx.doi.org/10.4000/books.pub.34167.
Testo completoRICHARD, Jean-Pierre. "Pour une traduction performative". In Performance dans les Amériques, 73–90. Editions des archives contemporaines, 2024. http://dx.doi.org/10.17184/eac.8118.
Testo completoSib, Bebe. "Théâtre du réel, construction d’une fresque politique dans la dramaturgie de Kossi Efoui". In Aux carrefours de la langue, de la littérature, de la didactique et de la société : la recherche francophone en action, 59–72. Observatoire européen du plurilinguisme, 2021. http://dx.doi.org/10.3917/oep.agbef.2021.01.0059.
Testo completoKouassi Kan, Mathieu. "Esthétique de la (dé) construction du personnage dramatique dans comme des flèches de Koulsy Lamko". In Aux carrefours de la langue, de la littérature, de la didactique et de la société : la recherche francophone en action, 391–406. Observatoire européen du plurilinguisme, 2021. http://dx.doi.org/10.3917/oep.agbef.2021.01.0391.
Testo completoMARTIN, Éléonore. "Peut-on parler d’un théâtre mythologique chinois ?" In Théâtre Mythologique, 209–24. Editions des archives contemporaines, 2022. http://dx.doi.org/10.17184/eac.4713.
Testo completoAmewu, Seexonam Komi. "Du récit biblique a l’aventure scientifique et technique : une analyse comparatiste autour de conscience de tracteur de Sony Labou Tansi". In Aux carrefours de la langue, de la littérature, de la didactique et de la société : la recherche francophone en action, 317–37. Observatoire européen du plurilinguisme, 2021. http://dx.doi.org/10.3917/oep.agbef.2021.01.0317.
Testo completo"Littérature". In Journalisme et littérature dans la gauche des années 1930, 147–48. Presses universitaires de Rennes, 2014. http://dx.doi.org/10.4000/books.pur.49712.
Testo completoWalter, Roland. "Littérature panaméricaine:". In Le nouveau récit des frontières dans les Amériques, 73–90. Presses de l'Université Laval, 2005. http://dx.doi.org/10.2307/j.ctv32nxxvz.6.
Testo completoAtti di convegni sul tema "Dramaturges dans la littérature"
Petitier, Paule, e Claude Millet. "L’histoire dans tous ses états". In Littérature et histoire en débats. Fabula, 2013. http://dx.doi.org/10.58282/colloques.2104.
Testo completoDebaene, Vincent, e Jean-Louis Jeannelle. "Où est la littérature ?" In L'idée de littérature dans les années 1950. Fabula, 2004. http://dx.doi.org/10.58282/colloques.66.
Testo completoPoels, Géraldine. "La littérature dans les collections de l’INA". In Mémoire audiovisuelle de la littérature. Fabula, 2023. http://dx.doi.org/10.58282/colloques.9231.
Testo completoMurat, Michel. "Progrès dans le roman assez lents". In Jean Paulhan et l’idée de littérature. Fabula, 2012. http://dx.doi.org/10.58282/colloques.1712.
Testo completoDitche, Élisabeth Rallo. "Voix et émotions dans DanielDeronda de George Eliot". In L'émotion, puissance de la littérature. Fabula, 2014. http://dx.doi.org/10.58282/colloques.2333.
Testo completoRobinson, Jenefer. "L’empathie, l’expression, et l’expressivité dans la poésie lyrique". In L'émotion, puissance de la littérature. Fabula, 2014. http://dx.doi.org/10.58282/colloques.2329.
Testo completoVérilhac, Yoan. "Science et sensationnalisme dans Détective (1928-1940)". In Séminaire PéLiAS (Périodiques, Littérature, Arts, Sciences). MSH Paris-Saclay Éditions, 2023. http://dx.doi.org/10.52983/ieub4478.
Testo completoAbramovici, Jean-Christophe. "Les traces littéraires dans La Fable mystique". In Michel de Certeau et la littérature. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5058.
Testo completoFroidefond, Marik. "Commentaires sur la place des études de prosodie poético-musicale dans la recherche musico-littéraire". In Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1258.
Testo completoVaugeois, Dominique. "« Faire son cinéma » : la citation audiovisuelle dans le texte critique". In Mémoire audiovisuelle de la littérature. Fabula, 2023. http://dx.doi.org/10.58282/colloques.9165.
Testo completoRapporti di organizzazioni sul tema "Dramaturges dans la littérature"
Belkaïd, Meryem. Figures de la marginalité dans la littérature policière française contemporaine. Edicions de la Universitat de Lleida, 2018. http://dx.doi.org/10.21001/luc.21.22.14.
Testo completoReverdy, Thomas, e Alicia Roehrich. Incertitude et résilience dans les projets technologiques. Fondation pour une culture de sécurité industrielle, gennaio 2016. http://dx.doi.org/10.57071/582prj.
Testo completoAlaoui, Siham, Nadia Naffi e Simon Collin. Les technologies éducatives en milieu scolaire et universitaire. Observatoire international sur les impacts sociétaux de l'IA et du numérique, giugno 2023. http://dx.doi.org/10.61737/nvtm1722.
Testo completoMaubert, Camille, Jeremy Allouche, Irene Hamuli, Eustache Kuliumbwa Lulego, Gauthier Marchais, Ferdinand Mushi Mugumo e Sohela Nazneen. Le pouvoir d’action des femmes et la protection humanitaire au Nord et au Sud-Kivu, RDC. Institute of Development Studies, marzo 2023. http://dx.doi.org/10.19088/ids.2023.015.
Testo completoAlexis, Alex, e Alexandra Bahary-Dionne. Réduire les impacts de la fracture numérique sur les populations marginalisées : leçons apprises de la littérature à la portée des organismes communautaires. Observatoire international sur les impacts sociétaux de l'IA et du numérique, settembre 2022. http://dx.doi.org/10.61737/ctfe9118.
Testo completoBellwood-Howard, Imogen, Peter Taylor, Aminata Niang, Kaderi Bukari, Eric Kioko, Peter Wangai, Lansine Sountoura, Bronson Eran’Ogwa e Mohammed Yamusah. Les arts dans le dialogue et la communication sur l’environnement en Afrique de l’Ouest et de l’Est. Institute of Development Studies, agosto 2023. http://dx.doi.org/10.19088/ids.2023.037.
Testo completoScarpini, Celeste, Oyebola Okunogbe e Fabrizio Santoro. Les promesses et les limites des technologies de l’information dans la mobilisation fiscale. Institute of Development Studies, aprile 2023. http://dx.doi.org/10.19088/ictd.2023.019.
Testo completoGaillard, Irène. Facteurs socio-culturels de réussite du REX industriel par l'analyse bibliographique. Fondation pour une culture de sécurité industrielle, giugno 2005. http://dx.doi.org/10.57071/867rex.
Testo completoGobeil-Proulx, Julien. Recension des besoins en compétences suscités par le développement et la mise en oeuvre de l'IA. Observatoire international sur les impacts sociétaux de l’intelligence artificielle et du numérique, 2021. http://dx.doi.org/10.61737/hsuj4131.
Testo completoLucinda, Cazdow, Martin Hearson, Frederik Heitmüller, Katharina Kuhn, Okagna Okagna e Tovony Randriamanalina. Une coopération fiscale internationale inclusive et efficace : Points de vue des pays du Sud. Institute of Development Studies, dicembre 2023. http://dx.doi.org/10.19088/ictd.2023.059.
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