Letteratura scientifica selezionata sul tema "Dramatic criticism – history"
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Articoli di riviste sul tema "Dramatic criticism – history"
EVANS, PETER W. "GOLDEN-AGE DRAMATIC CRITICISM NOW". Seventeenth Century 2, n. 1 (gennaio 1987): 49–53. http://dx.doi.org/10.1080/0268117x.1987.10555260.
Testo completoEllenzweig, Sarah. "Rhyme's Contrapuntal History in Early Dryden". ELH 91, n. 2 (giugno 2024): 377–404. http://dx.doi.org/10.1353/elh.2024.a929153.
Testo completoShapoval, Mariana. "The intellectual's artistic biography in S. Rosovetskyi's dramatic". Synopsis: Text Context Media 26, n. 1 (2020): 1–10. http://dx.doi.org/10.28925/2311-259x.2020.1.1.
Testo completoElam Jr., Harry J. "Making History". Theatre Survey 45, n. 2 (novembre 2004): 219–25. http://dx.doi.org/10.1017/s0040557404000171.
Testo completoKnowles, Richard Paul. "CTR and Canadian Theatre Criticism: Constructing the Discipline". Canadian Theatre Review 79-80 (giugno 1994): 10–13. http://dx.doi.org/10.3138/ctr.79-80.002.
Testo completoCatană, Elisabeta Simona. "History as Story and Parody in Julian Barnes’s the Noise of Time". Romanian Journal of English Studies 16, n. 1 (1 novembre 2019): 25–31. http://dx.doi.org/10.1515/rjes-2019-0004.
Testo completoÖzmen, Özlem. "Identity and Gender Politics in Contemporary Shakespearean Rewriting". European Judaism 51, n. 2 (1 settembre 2018): 196–204. http://dx.doi.org/10.3167/ej.2018.510226.
Testo completoÖzmen, Özlem. "Identity and Gender Politics in Contemporary Shakespearean Rewriting". European Judaism 51, n. 2 (1 settembre 2018): 196–204. http://dx.doi.org/10.3167/ej.2017.510226.
Testo completoBenson, Eugene, e L. W. Conolly. "English-Canadian Theatre". Canadian Theatre Review 57 (dicembre 1988): 90–91. http://dx.doi.org/10.3138/ctr.57.020.
Testo completoHarp, Gillis. "Hofstadter's The Age of Reform and the Crucible of the Fifties". Journal of the Gilded Age and Progressive Era 6, n. 2 (aprile 2007): 139–48. http://dx.doi.org/10.1017/s1537781400001973.
Testo completoTesi sul tema "Dramatic criticism – history"
Li, Siu Leung, e 李小良. "Toward a theory of dramatic adaptation: with special reference to Shakespearean and Ming Qing adaptations". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1986. http://hub.hku.hk/bib/B31207352.
Testo completoWright, Elizabeth Helena. "Virginia Woolf and the dramatic imagination". Thesis, St Andrews, 2008. http://hdl.handle.net/10023/510.
Testo completoLaReau, Brandon. "Dramatic Themes: Active Learning and Thematic Teaching in the Theatre History Classroom". VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5755.
Testo completoAllingham, Philip Victor. "Dramatic adaptations of the Christmas books of Charles Dickens, 1844-8 : texts and contexts". Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28615.
Testo completoArts, Faculty of
English, Department of
Graduate
Carson, Jo. "Teller Tales: Histories". Digital Commons @ East Tennessee State University, 2007. http://amzn.com/082141753.
Testo completohttps://dc.etsu.edu/alumni_books/1018/thumbnail.jpg
LAW, Ching. "高行健之戲劇 : 理論與實踐". Digital Commons @ Lingnan University, 2006. https://commons.ln.edu.hk/otd/17.
Testo completoWeiss, Katherine. "Haunted by the Blitz: History, Trauma and Noel Coward’s Blithe Spirit". Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/2257.
Testo completoChoate, Catie. "The Action to the Word, The Word to the Action: Teaching Shakespeare as Performance Litearture". VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4234.
Testo completoBen-Shach, Jane Respitz. "The false Messiah in Yiddish literature : a comparison between two dramatic works". Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59384.
Testo completoThe figure of the Messiah in Jewish religious imagination signifies the prophetic yearning for redemption at the end of days, but it also provoked hopes in a strong leader who will bring about social and political redemption. Based on historical models, literature from the twelfth to the twentieth century addressed these "false Messiahs" and in the modern period used them to define and illustrate contemporary catastrophe.
Shlomo Molcho by American Yiddish poet Aaron Glanz-Leyeles and Prince Reuveni by Soviet Yiddish author David Bergelson are two twentieth century poetic historic dramas based on two messianic figures of the sixteenth century. These two modern works are compared in relation to the respective authors' life and times, political and aesthetic outlook, and dramatic powers. The comparison shows the usefulness of the "false Messiah" in dramatizing and expressing difficult contemporary issues.
Yantolo-Sotyelelwa, Betty Matase. "The portrayal of characters through dialogue and action in isiXhosa drama : dramatic and cultural perspectives". Thesis, Stellenbosch : University of Stellenbosch, 2005. http://hdl.handle.net/10019.1/3361.
Testo completoThis study aims at highlighting one of the crucial aspects of Xhosa drama: how women have been regarded by a variety of communities as being inferior to men. This stereotype pervades almost all spheres of life. The low status assigned to women find its way into literature as well. Ngewu’s drama “Yeha mfazi obulala indoda” and Taleni’s drama “Nyana nank’uNyoko” has been examined. In most Xhosa literature, women are portrayed as submissive, obedient and minor characters. The advent of Ngewu’s work changed this scenario by portraying women as independent characters. This has led to great conflict with male characteristics and this demonstrates clearly that partriarchal domination is deep rooted in Xhosa culture.
Libri sul tema "Dramatic criticism – history"
Austin, Gayle. Feminist theories for dramatic criticism. Ann Arbor: University of Michigan Press, 1990.
Cerca il testo completoCardullo, Bert. Dramatic considerations: Essays in criticism, 1977-1987. New York: P. Lang, 1991.
Cerca il testo completoUniversity of Florida Department of Classics Comparative Drama Conference (1985). Within the dramatic spectrum. Lanham, Md: University Press of America, 1986.
Cerca il testo completoHanbery, MacKay Carol, a cura di. Dramatic Dickens. Basingstoke: Macmillan, 1988.
Cerca il testo completoByron, Glennis. Dramatic monologue. London: Routledge, 2003.
Cerca il testo completoHanbery, MacKay Carol, a cura di. Dramatic Dickens. New York: St. Martin's Press, 1989.
Cerca il testo completoLynn, Hulse, e Malone Society, a cura di. Dramatic works. Oxford: Published for the Malone Society by Oxford University Press, 1996.
Cerca il testo completoNwabueze, Emeka. Studies in dramatic literature. Nigeria: ABIC Books, 2011.
Cerca il testo completoEkstein, Nina C. Dramatic narrative: Racine's récits. New York: P. Lang, 1986.
Cerca il testo completoJürgen, Wolter, a cura di. The Dawning of American drama: American dramatic criticism, 1746-1915. Westport, Conn: Greenwood Press, 1993.
Cerca il testo completoCapitoli di libri sul tema "Dramatic criticism – history"
Cannan, Paul D. "Introduction: On Writing the History of Early English Criticism". In The Emergence of Dramatic Criticism in England, 1–17. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-137-03717-6_1.
Testo completoSaber, Fathieh Hussam. "Shellyseer: A Literary Evolution". In Gulf Studies, 365–80. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-7796-1_22.
Testo completo"Criticism and Destiny: Kundera and Havel on the Legacy of 1968". In 1948 and 1968 – Dramatic Milestones in Czech and Slovak History, 193–212. Routledge, 2013. http://dx.doi.org/10.4324/9781315879413-13.
Testo completoMitchell-Boyask, Robin N. "Dramatic Scapegoating: On the Uses and Abuses of Girard and Shakespearean Criticism". In Tragedy and the Tragic, 426–37. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198149514.003.0028.
Testo completoGoldhill, Simon. "Representing Democracy: Women at the Great Dionysia". In Ritual, Finance, Politics, 347–69. Oxford University PressOxford, 1994. http://dx.doi.org/10.1093/oso/9780198149927.003.0022.
Testo completoGraziosi, Barbara. "Performing Epic and Reading Homer". In Epic Performances from the Middle Ages into the Twenty-First Century, 16–30. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198804215.003.0002.
Testo completoHershinow, David. "Coda". In Shakespeare and the Truth-Teller, 225–28. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474439572.003.0007.
Testo completoJones, Polly. "Perestroika and Post-Soviet Afterlives". In Revolution Rekindled, 229–66. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198804345.003.0006.
Testo completoDailey, Alice. "Dummies and Doppelgängers". In How to Do Things with Dead People, 77–104. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501763656.003.0004.
Testo completoMilder, Robert. "The Broken Circle: Mardi and (Post-)Romanticism". In Exiled Royalties, 27–49. Oxford University PressNew York, NY, 2006. http://dx.doi.org/10.1093/oso/9780195142327.003.0002.
Testo completoAtti di convegni sul tema "Dramatic criticism – history"
Zlotnikova, Tatyana. "Power in Russia: Modus Vivendi and Artis Imago". In Russian Man and Power in the Context of Dramatic Changes in Today’s World, the 21st Russian scientific-practical conference (with international participation) (Yekaterinburg, April 12–13, 2019). Liberal Arts University – University for Humanities, Yekaterinburg, 2019. http://dx.doi.org/10.35853/ufh-rmp-2019-pc02.
Testo completoBrand, Anthony. "The ChatGPT Effect: Rethinking Architectural Pedagogy in the AI Age". In 112th ACSA Annual Meeting. ACSA Press, 2024. http://dx.doi.org/10.35483/acsa.am.112.56.
Testo completoBrand, Anthony. "The ChatGPT Effect: Rethinking Architectural Pedagogy in the AI Age". In 112th ACSA Annual Meeting. ACSA Press, 2024. http://dx.doi.org/10.35483/acsa.am.112.55.
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