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Libri sul tema "Domestic objects"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 9 febbraio 2022

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1

Brain-Tyrrell, Anita. Objects of necessity: An examination of the boundaries within domestic life as defined by objects. [London]: Middlesex Polytechnic, 1989.

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2

Ottman, Jutta. The 50s and the 90s: Gendered objects in the domestic sphere. London: LCPDT, 1998.

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3

Gillman, Rayna. Create your own hand-printed cloth: Stamp, screen & stencil with everyday objects. Lafayette, CA: C&T Pub., 2008.

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4

Gillman, Rayna. Create your own hand-printed cloth: Stamp, screen & stencil with everyday objects. Lafayette, CA: C&T Pub., 2008.

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5

Miville-Deschênes, François. The soldier off duty: Domestic aspects of military life at Fort Chambly under the Frenchrégime as revealed by archaeological objects. Ottawa: Environment Canada - Parks, 1987.

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6

Symbolic houses in Judaism: How objects and metaphors construct hybrid places of belonging. Surrey, UK, England: Ashgate, 2011.

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7

The soldier off duty: Domestic aspects of military life at Fort Chambly under the French Reǵime as revealed by archaeological objects. Ottawa: National Historic Parks and Sites, Environment Canada, Parks, 1987.

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8

Loring, John. Tiffany's Palm Beach. New York: Harry N. Abrams, 2005.

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9

Leslie, Geddes-Brown, a cura di. Dolls' houses: Domestic life and architectural styles in miniature from the 17th century to the present day. London: Mitchell Beazley, 1997.

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10

Bristol, Olivia. Dolls' houses: Domestic life and architectural styles in miniature from the 17th century to the present day. London: Mitchell Beazley, 1997.

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11

Ironia domestica: Ironie der Objekte / [Kuratorin, Letizia Ragaglia]. Bolzano: Velag Folio, 2007.

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12

Derèze, Gérard. Une ethnosociologie des objets domestico-médiatiques: Médias, quotidien, et troisième âge. Louvain-la-Neuve: CIACO, 1994.

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13

Preghiera e diletto: Immagini domestiche a Pisa nel Seicento. Pisa: PLUS-Pisa University Press, 2011.

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14

Krekotnev, Sergey. State policy in relation to cities and regions with mono-specialization: experience and priorities. ru: INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/1098273.

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The monograph analyzes the policy in relation to cities and regions with monospecialization as one of the priority directions of state policy. The article considers the specifics of single-industry cities and regions as socio-political phenomena and objects of state regulation. The main principles, directions, mechanisms and tools for the implementation of state policy in relation to single-profile spatial formations are studied. Special attention is paid to the political and comparative analysis of foreign and domestic experience in the formation and implementation of this direction of state policy, as well as to identifying the degree of applicability of its main models in modern conditions. For specialists in the field of political science and related sciences, as well as anyone interested in this issue in its theoretical and applied dimensions.
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15

B, Davidson Marshall, e Stillinger Elizabeth, a cura di. The American Wing at the Metropolitan Museum of Art. New York: Harrison House, 1987.

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16

B, Davidson Marshall, e Stillinger Elizabeth, a cura di. The American Wing at the Metropolitan Museum of Art. New York: The Museum, 1985.

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17

Quackenbush, Jamie. When your pet dies: How to cope with your feelings. New York: Simon & Schuster, 1985.

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18

Quackenbush, Jamie. When your pet dies: How to cope with your feelings. New York: Simon & Schuster, 1985.

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19

Turner, Dennis C. Companion animals in human health. A cura di Wilson Cindy C e Turner Dennis C. 1948-. Thousand Oaks: Sage Publications, 1998.

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20

Kelly, Mij. ¿Quien ha visto mi orinal? Barcelona: RBA Libros, 2009.

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21

The human-animal bond: An annotated bibliography. Metuchen, N.J: Scarecrow Press, 1985.

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22

Handbook on animal assisted therapy: Theoretical foundations and guidelines for practice. San Diego, Calif: Academic, 1999.

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23

National Museum of the American Indian, George P. Horse Capture e Emil Her Many Horses, a cura di. Song for the Horse Nation: Horses in Native American Cultures. Golden, CO: Fulcrum Publishing, 2006.

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24

Marasco, Rose. Domestic Objects Past and Presence. University of Southern Maine, 2004.

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25

Wright, Frank Lloyd. Frank Lloyd Wright Domestic Architecture and Objects. Preservation Pr, 1991.

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26

Wright, Frank Lloyd. Frank Lloyd Wright Domestic Architecture and Objects. Wiley, 1995.

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27

Pink, Sarah. Home Truths: Gender, Domestic Objects and Everyday Life. Taylor & Francis Group, 2020.

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28

Home Truths: Gender, Domestic Objects and Everyday Life. Berg Publishers, 2004.

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29

Pink, Sarah. Home Truths: Gender, Domestic Objects and Everyday Life. Taylor & Francis Group, 2020.

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30

Home Truths: Gender, Domestic Objects and Everyday Life. Berg Publishers, 2004.

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31

Domestic Plane: New Perspectives on Tabletop Art Objects. Miller & Company, Gregory, 2018.

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32

Pink, Sarah. Home Truths: Gender, Domestic Objects and Everyday Life. Taylor & Francis Group, 2020.

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33

Domestic Plane: Tabletop Objects from Art and Craft. Black Dog Publishing Limited, 2019.

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34

Pink, Sarah. Home Truths: Gender, Domestic Objects and Everyday Life. Taylor & Francis Group, 2020.

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35

Early Modern Italian Domestic Interior, 1400-1700: Objects, Spaces, Domesticities. Taylor & Francis Group, 2013.

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36

Campbell, Erin J., Stephanie R. Miller e Elizabeth Carroll Consavari. Early Modern Italian Domestic Interior, 1400 1700: Objects, Spaces, Domesticities. Taylor & Francis Group, 2016.

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37

Create Your Own Hand-Printed Cloth: Stamp, Screen, and Stencil with Everyday Objects. C&T Publishing, 2008.

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38

Auslander, Leora, e Tara Zahra, a cura di. Objects of War. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501720079.001.0001.

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Abstract (sommario):
Historians have become increasingly interested in material culture as both a category of analysis and as a teaching tool. What new insights can historians gain about the past by thinking about things? A central object (and consequence) of modern warfare is the radical destruction and transformation of the material world. And yet we know little about the role of material culture in the history of war and forced displacement: objects carried in flight; objects stolen on battlefields; objects expropriated, reappropriated, and remembered. This book illuminates the ways in which people have used things to grapple with the social, cultural, and psychological upheavals wrought by war and forced displacement. Chapters consider theft and pillaging as strategies of conquest; soldiers' relationships with their weapons; and the use of clothing and domestic goods by prisoners of war, extermination camp inmates, freed people, and refugees to make claims and to create a kind of normalcy. While studies of migration and material culture have proliferated in recent years, as have histories of the Napoleonic, colonial, World Wars, and postcolonial wars, few have focused on the movement of people and things in times of war across two centuries. This focus, in combination with a broad temporal canvas, serves historians and others well as they seek to push beyond the written word.
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39

Geier, Ted. Introduction: ‘A condition more abject …’ Meat City and Nonhuman Objects. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424714.003.0001.

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Engages with literature negotiating population and domestic spaces to articulate a biopolitical form. Suggests an anthropocentric ‘improvement’ trope of diet and animals. Introduces the multispecies urban proximities and abjection of London that literary works negotiated in diverse ways.
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40

Pennell, Sara. Material Culture in Seventeenth-Century ‘Britain’: The Matter of Domestic Consumption. A cura di Frank Trentmann. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199561216.013.0004.

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This article focuses on three issues: the historiographies which have made the period prior to that in which Neil McKendrick confidently told us a ‘consumer revolution’ occurred both a necessary staging post en route to revolution and a prelapsarian era in striking contrast to it; the relative absence of ‘mundane materiality’ within these accounts; and consumption as a matter of practice, rather than as an abstract phenomenon in the ‘long’ seventeenth century in Britain (c .1600–1720). In this, it follows Joan Thirsk in her important 1975 Oxford University Ford Lectures, in accepting Jacobean and Stuart Britain (or at least England) as very much concerned with production for the ends of domestic consumption, in both senses of the word ‘domestic’. Through the case studies of objects very rarely found in public museum displays thanks to their ‘everyday’ qualities, the article then argues for a re-evaluation of non-elite consumption within the domestic sphere as significant within any story we might wish to tell of changing consumption practices and material culture in Britain across the seventeenth century.
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41

Bristol, Olivia, e Leslie Geddes-Brown. Dolls' Houses: Domestic Life and Architectural Styles in Miniature From the 17th.... Mitchell Beazley, 1998.

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42

Luc, Baboulet, e Pavillon de l'Arsenal (Paris, France), a cura di. Le Paris des maisons: Objets trouvés. Paris: Pavillon de l'arsenal, 2004.

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43

Brundin, Abigail, Deborah Howard e Mary Laven. Sacred Stuff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816553.003.0005.

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Abstract (sommario):
Inventories have long been used by historians as a source for investigating ‘worldly goods’; here, they are scrutinized anew for evidence of devotional practices in the home. Rosaries, little crosses, Agnus Dei, and coral are just some of the material objects that served to sacralize the home. These same items, densely recorded in the inventories of workshops and private households also figure in dowry contracts and registers of pawned goods. Such documents, drawn up by notaries, afford us new insights into the significance of material things at key moments in the life-cycle. Often invested with amuletic powers, many of the objects under investigation blur the boundaries between religion and superstition and draw attention to the profoundly protective role of domestic devotion.
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44

Barrett, Caitlín Eilís. Domesticating Empire. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190641351.001.0001.

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This book is the first contextually oriented monograph on Egyptian imagery from Roman households. The author uses case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: domestic gardens. Through paintings and mosaics depicting the Nile, canals that turned the garden itself into a model “Nile,” and statuary depicting Egyptian gods, animals, and individuals, many gardens in Pompeii confronted ancient visitors with images of (a Roman vision of) Egypt. Simultaneously far away and familiar, these imagined landscapes transformed domestic space into a microcosm of empire. In contrast to older interpretations that connect Roman “Aegyptiaca” to the worship of Egyptian gods or the problematic concept of “Egyptomania,” a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of “foreign” and “familiar,” “self” and “other.” Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as cosmopolitan, sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and “Romanizing” once-foreign images and objects. That which was once alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be “Roman.” Through participatory multimedia assemblages evoking landscapes both local and international, the houses examined in this book made the breadth of empire compatible with the familiarity of home.
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45

Carter, Sarah Anne. Object Lessons in Race and Citizenship. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190225032.003.0005.

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This chapter considers the racial implications of object-based pedagogy at the Hampton Normal and Agricultural Institute in Virginia. At Hampton, African American and Native American students were taught via a variation of object lessons and were referred to as living object lessons. At Hampton, this metaphor was employed to argue for the economic and political citizenship of its graduates and other educated African Americans and Native Americans, based on their appearances rather than their inherent civil rights. Object lessons were closely related to the school’s manual labor philosophy. This allowed the approach to be adapted for young children attending Hampton’s practice schools as well as for its own students. For example, the Kitchen Garden, a variation of object lessons organized around manual training and modeled on kindergarten, trained young children to become domestics. This chapter employs the photographs of Frances Benjamin Johnston, among other historical sources, to explore these topics.
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46

Munro, James. Carbon Units as ‘Investments’ under International Investment Agreements. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198828709.003.0007.

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Abstract (sommario):
Chapter 7 assesses the extent to which carbon units constitute objects subject to the disciplines of international investment law. While carbon units are capable of constituting ‘investments’ where all parties to an international investment agreement define the units as ‘property’ under their domestic legal systems and where an investor has acquired and owns the units with a requisite degree of durability and permanence related to some other economic activity in the host state, they would be less likely to qualify where one or more parties to an IIA confer no proprietary status on carbon units, or where the units are not acquired in the context of a meaningful economic activity in the host state.
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47

Brundin, Abigail, Deborah Howard e Mary Laven. House and Home. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816553.003.0003.

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Abstract (sommario):
Households in Renaissance Italy varied greatly in size and composition. This chapter introduces the idea of home as a social unit and considers this in relation to its physical characteristics, size, and the layout of rooms. Private chapels were rare except in elite families, but in every home, however modest, it was possible to designate a special corner or small table (altarino) for family prayers. The life of the Holy Family, as narrated in popular texts, provided a model for the pious home. The camera or bedroom, which was also a living room, seems to have been the usual site of domestic worship, and household inventories of the period suggest that devotional objects were often located around the bed. Practices varied between town and country.
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48

Gallo, Ester. The Illam and Its Dispersion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199469307.003.0005.

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Abstract (sommario):
Chapter four examines Nambudiri houses and the place they hold in the material phenomenology of kinship memories. Houses are understood here not only as ‘private domestic’ places but as domains where families’ engagement with political history is expressed, visualiszd (or hidden) in internal spatial dispositions, in the presentation of objects, in the daily routine, and in consumption practices. Indeed, houses are conceived as sites where kinship is ‘made’ by either reproducing the past, or by searching a distance from it. The social and symbolic significance of past Illams architecture (Nambudiri ancestral houses) is contrasted with the meanings ascribed to present middle-class dwellings and to the way people choose to inhabit the latter. The relation between gender, class mobility, and kinship will be developed by comparing middle-class Nambudiri men and women narratives.
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49

Ashton, Paul, Kresno Brahmantyo e Jaya Keaney. In the Service of the State. A cura di Paula Hamilton e James B. Gardner. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199766024.013.28.

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Abstract (sommario):
Public history in Indonesia today faces considerable challenges. Despite the downfall of the New Order regime, its nationalist history program and agenda remain powerful in the culture. Nowhere is this more apparent than in the construction and use of authorized monuments and memorials. Monuments and memorials are evocative and affective; they promote and perpetuate emotional bonds. Drawing on familiar materials and symbols, they are aimed at particular audiences in specific contexts, and they are intended to be efficacious. As objects with the potential to affect communities or whole societies, they are also contestable. This chapter draws on what are arguably two of the most prominent public monuments and memorials in Indonesia—the Sacred Pancasila Monument (Monumen Pancasila Sakti), which speaks primarily to an internal or domestic audience, and the memorial to the victims of the Bali bombing in Kuta, which is primarily aimed at an international audience.
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50

Malone, Caroline, e Simon Stoddart. Figurines of Malta. A cura di Timothy Insoll. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199675616.013.036.

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Abstract (sommario):
Figurative art developed in the Maltese islands during the Neolithic, as part of the Temple Culture that flourished c.3500–2500 bc. Anthropomorphic and zoomorphic figurines, carved from stone or modelled in terracotta represented, not only a distinct Maltese identity but also significant artistic competence. From very large to very small, the material ranges from objects used in burials to immense statues that decorated temple interiors. Some anthropomorphic figures are dressed, others naked, some obese, others stick-like, and another category associated with mortuary sites is represented lying and sitting on elaborate beds. The figurative art appears to fall into distinct categories of anthropomorphic and domestic creatures, alongside more speculative representations that focus on cold-blooded reptiles and fish, or feathered birds. The potential to interpret this ‘art’ as representative of a layer cosmology is explored within the context of a Neolithic island society.
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