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Articoli di riviste sul tema "Deutonomistic history (Biblical criticism)"

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Lambe, Patrick J. "Critics and Skeptics in the Seventeenth-Century Republic of Letters". Harvard Theological Review 81, n. 3 (luglio 1988): 271–96. http://dx.doi.org/10.1017/s0017816000010105.

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The literature on the history of biblical criticism is voluminous, but remarkably consistent in its postulation of the Reformation and the Enlightenment as the two mainsprings of modern biblical criticism. That this history is written almost exclusively by heirs of the liberal Protestant tradition ought to sound a warning bell, especially since the extremely rare dissenting accounts of biblical criticism come from the Roman Catholic camp.
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Boer, Roland. "A Titanic Phenomenon: Marxism, History and Biblical Society". Historical Materialism 16, n. 4 (2008): 141–66. http://dx.doi.org/10.1163/156920608x357756.

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Marxist contributions to biblical criticism are far more sustained and complex than many would expect. This critical survey of the state of play, with a look back at the main currents that have led to that state, deals with Marxist contributions to the reconstructions of biblical societies and the interpretation of the literature produced by those societies. It begins by outlining the major Marxist positions within current biblical criticism and then moves on to consider two possible sources of further insight from outside biblical criticism: Western-Marxist studies of the ancient world (Karl Kautsky, Perry Anderson and G.E.M. de Ste. Croix) and the long and neglected tradition of Soviet-era Russian work on the ancient Near East. I conclude by pointing to a number of lingering problems: the unreliability of the literature for historical purposes; the lack of fit between juridical distinctions in the literature and class distinctions in the ancient world; the question as to whether the state can be a class; and the viability of imposing on the ancient world Marxist categories developed in very different situations.
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Olbricht, Thomas H. "Rhetorical Criticism in Biblical Commentaries". Currents in Biblical Research 7, n. 1 (ottobre 2008): 11–36. http://dx.doi.org/10.1177/1476993x08094023.

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Biblical commentators through history have employed various methods to facilitate interpretation, including rhetorical criticism, with emphasis on classical rhetoric. Despite a resurgence of interest in rhetoric in the past two decades, only a few commentators in the New Interpreter's Bible and the Hermeneia series have undertaken in-depth rhetorical analysis. Most observations of these commentators are derived from the rhetorics of Aristotle, Cicero, and Quintilian and the Rhetorica ad Herennium. This essay sets forth and evaluates the various methods of rhetorical analysis and their employment in the two above-mentioned commentary series.
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Hurth, Elisabeth. "William and Ralph Waldo Emerson and the Problem of the Lord's Supper: The Influence of German ‘Historical Speculators’". Church History 62, n. 2 (giugno 1993): 190–206. http://dx.doi.org/10.2307/3168143.

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The studies by Julie Ellison, Barbara Packer, and Wesley T. Mott demonstrate that Emerson's exposure to German biblical criticism worked steadily on his religious mind. While the former studies focus on the problem of the relation of faith to history and the more inclusive problem of the shift away from an evidentialist christology, the present study wants to show that the confrontation with German biblical criticism issued in the case of William and Ralph Waldo Emerson in a decisive change of profession and a break with the ministerial office. Moreover, this study also sets out to demonstrate that Ralph Waldo Emerson's appropriation of German biblical criticism presented an important anticipation of the intuitional doctrines of Transcendentalism. When William Emerson, following the example of such American Göttingen students as George Ticknor and Edward Everett, journeyed to Göttingen in 1824 he experienced a professional crisis triggered by the critical methods of the Göttingen exegetes J. G. Eichhorn and J. D. Michaelis. The biblical criticism which prevailed in Göttingen posed a threat for Unitarians not so much because of the depreciation of supernatural revelation as because of the very method with which this disparagement was brought about. The questioning of the historicity of the biblical narratives characteristic of the so-called “higher criticism” practiced at Göttingen cut against the grain of the Unitarian biblical tradition which regarded the biblical narratives as a factually reliable repository of “the history of Christ.” “There is no other theory,” Andrews Norton observed with regard to higher criticism, “in which propositions ready to weaken man's faith in the genuineness of the Gospels, are so elaborately and plausibly introduced.”
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Spangenberg, Izak (Sakkie) J. J. "Reading the Bible in post-apartheid South Africa: The contribution of Gerrie Snyman". Old Testament Essays 36, n. 1 (13 luglio 2023): 14–40. http://dx.doi.org/10.17159/2312-3621/2023/v36n1a3.

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Modern historical criticism came to South Africa in the third decade of the twentieth century. However, analysing biblical books like human documents was not acceptable to church authorities. The historical-critical study of the Bible thus suffered a blow. It took four decades before some reformed biblical scholars felt at ease to reintroduce historical criticism. However, during the seventh decade of the twentieth century, overseas biblical scholars were already experimenting with the research tools of modern literary studies. Some South African biblical scholars followed suit, and soon narrative criticism and reader-response criticism were part of the package of methods for reading and studying the Bible. Gerrie Snyman was one of them, and reader-response criticism assisted him in reflecting on how he as a white Afrikaans speaking male, can continue doing biblical research in the post-apartheid era. He developed a hermeneutic of vulnerability and argued that readers should take responsibility for their readings of biblical texts.
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Perry, Peter. "Biblical Performance Criticism: Survey and Prospects". Religions 10, n. 2 (18 febbraio 2019): 117. http://dx.doi.org/10.3390/rel10020117.

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Biblical Performance Criticism (BPC) analyzes communication events of biblical traditions for audiences. Every communication event of a tradition has four aspects: a communicator, traditions re-expressed, an audience, and a social situation. This essay surveys the history of BPC and its current prospects and points to the future work of developing a fine-grained theoretical foundation for its work. In the analytical mode, a scholar gathers and examines data from a past performance event to describe it, and its effects, in detail. In the heuristic mode, a performer presents a tradition to an audience in order to better understand its dynamics. In the practical mode, a person reflects on the performance of biblical traditions in daily life. In these ways, BPC reunites biblical scholarship fragmented by critical reduction, and bridges the academic and popular use of biblical traditions.
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Emerton, J. A., e J. H. Tigay. "Empirical Modes of Biblical Criticism". Vetus Testamentum 37, n. 4 (ottobre 1987): 508. http://dx.doi.org/10.2307/1517603.

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Green, Joel B. "Rethinking "History" for Theological Interpretation". Journal of Theological Interpretation 5, n. 2 (2011): 159–73. http://dx.doi.org/10.2307/26421422.

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Abstract In recent years, theological interpretation of Christian Scripture has often been distinguished by its wholesale antipathy toward history and/or to historical criticism. Working with a typology of different forms of "historical criticism," this essay urges (1) that historical criticism understood as reconstruction of "what really happened" and/or historical criticism that assumes the necessary segregation of "facts" from "faith" is inimical to theological interpretation; (2) that this form of historical criticism is increasingly difficult to support in light of contemporary work in the philosophy of history; and (3) that contemporary theological interpretation is dependent on expressions of historical criticism concerned with the historical situation within which the biblical materials were generated, including the sociocultural conventions they take for granted.
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Green, Joel B. "Rethinking "History" for Theological Interpretation". Journal of Theological Interpretation 5, n. 2 (2011): 159–73. http://dx.doi.org/10.2307/jtheointe.5.2.0159.

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Abstract (sommario):
Abstract In recent years, theological interpretation of Christian Scripture has often been distinguished by its wholesale antipathy toward history and/or to historical criticism. Working with a typology of different forms of "historical criticism," this essay urges (1) that historical criticism understood as reconstruction of "what really happened" and/or historical criticism that assumes the necessary segregation of "facts" from "faith" is inimical to theological interpretation; (2) that this form of historical criticism is increasingly difficult to support in light of contemporary work in the philosophy of history; and (3) that contemporary theological interpretation is dependent on expressions of historical criticism concerned with the historical situation within which the biblical materials were generated, including the sociocultural conventions they take for granted.
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HOWARD,, DAVID M. "Rhetorical Criticism in Old Testament Studies". Bulletin for Biblical Research 4, n. 1 (1 gennaio 1994): 87–104. http://dx.doi.org/10.2307/26422104.

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Abstract Rhetorical criticism in Old Testament studies—indeed, in biblical studies in general—had its origins in a self-conscious way in 1968, when James Muilenburg issued his now-famous call to go beyond form criticism and focus upon the unique features of a text. Since then, biblical rhetorical criticisms have flourished. However, in Old Testament studies, rhetorical criticism has tended to be primarily a literary concern, with emphasis upon stylistics. Classical and contemporary rhetorical criticisms are very different, however. These focus particularly upon the suasive aspects of spoken discourse. This paper reviews the history of rhetorical criticism in Old Testament studies and in the field of speech and rhetoric, comparing and contrasting approaches. It then issues a call to biblical scholars to practice a truly "rhetorical" criticism, based upon speech and persuasion.
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Tesi sul tema "Deutonomistic history (Biblical criticism)"

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Ohm, Andrew Taehang. "Two faces of Manasseh : a comparative reading of 2 Kings 21:1-18 and 2 Chronicles 33:1-20". Thesis, Available from the University of Aberdeen Library and Historic Collections Digital Resources. Online version available for University member only until Dec 1, 2013, 2008. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=25472.

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Geoghegan, Jeffrey C. "Until whose day? : a study of the phrase "until this day" in the Deuteronomistic history /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1999. http://wwwlib.umi.com/cr/ucsd/fullcit?p9945687.

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Meir, Amira. "Medieval Jewish interpretation of pentateuchal poetry". Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28842.

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This dissertation studies parts of six medieval Jewish Torah commentaries in order to examine how they related to what we call Pentateuchal poetry. It examines their general approaches to Bible interpretation and their treatments of all Pentateuchal poems. It focusses on qualities we associate with poetry--parallelism, structure, metaphor, and syntax--and explores the extent to which they treated poems differently from prose.
The effort begins by defining Pentateuchal poetry and discussing a range of its presentations by various ancient writers. Subsequent chapters examine its treatment by Rabbi Saadia Gaon of Baghdad (882-942), Abraham Ibn Ezra of Spain (1089-1164), Samuel Ben Meir (1080-1160) and Joseph Bekhor Shor (12th century) of Northern France, David Kimhi of Provence (1160-1235), and Obadiah Sforno of Italy (1470-1550).
While all of these commentators wrote on the poetic passages, none differentiated systematically between Pentateuchal prose and poetry or treated them in substantially different ways. Samuel Ben Meir, Ibn Ezra, Bekhor Shor, and Kimhi did discuss some poetic features of these texts. The other two men were far less inclined to do so, but occasionally recognized some differences between prose and poetry and some phenomena unique to the latter.
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Leatherman, Donn Walter. "An analysis of four current theories of Hebrew verse structure /". Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35906.

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This dissertation tests and evaluates four current theories of the verse structure of biblical Hebrew poetry. These theories are: the counting of minimal units, such as poetic feet, stresses or syllables, practiced in various forms since antiquity, and recently employed by D. N. Freedman, F. M. Cross and others, the analysis of poetic line-forms proposed by Terence Collins, the syntactic structural analysis proposed by M. O'Connor, and the semantic analysis practiced by Willow van der Meer, Johannes de Moor and a group of scholars associated with the Kampen School of Theology. All of these theories purport to identify and explain the fundamentals of biblical Hebrew verse structure. Each of these theories is presented comprehensively. These presentations include a review of literature relevant to the field of Hebrew verse structure studies in general, and to these four current theories of verse structure in particular.
These four theories are applied to four poetic passages from the Hebrew Bible: Judges 5:2--31, Isaiah 5:1--7, Lamentations 1 and Psalm 126. These applications show how each of these theories describes the verse structure of each of the poems. Following this, the theories and their applications to these passages are compared to determine which, if any, of these theories are effective in distinguishing poetry from prose, distinguishing one poem from another, predicting the form of a poem, and prescribing rules for the composition of poetry. The strengths and weaknesses of each theory are identified. In addition, the reasons for the failure of these theories to provide an adequate description of the verse structure of biblical Hebrew poetry are indicated.
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Phelan, Joseph Patrick. "The limitations of original history : the use of documentary evidence in the work of Clough, Arnold and Browning". Thesis, King's College London (University of London), 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342968.

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Nicholas-Twining, Timothy. "Biblical criticism and confessional division from Jean Morin to Richard Simon, c. 1620-1685". Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/264155.

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This thesis aims to make a significant contribution to our understanding of the history of biblical criticism in the seventeenth century. Its central objective is to put forward a new interpretation of the work of the Oratorian scholar Richard Simon. It does so by placing Simon's work, above all his Histoire critique du Vieux Testament (1678), in the context of the great increase in critical study of the text of the Bible that occurred after 1620. The problems and questions that confronted European scholars at this time were profound, as new manuscript discoveries combined with existing learned and polemical debates in such a way that scholars were forced reconsider their opinions on the history and text of the Old Testament. Rather than study these works solely in the discrete tradition of the history of scholarship, however, this thesis shows why they have to be considered in the context of the print culture that made their production possible, the confessional divisions that shaped and deepened the significance of their philological arguments, and the intellectual cooperation, exchange, and disagreement that determined how contemporaries understood them. The results of this research contribute to existing scholarship in several significant ways, of which four stand out for special emphasis. First, through extensive archival research it markedly revises our current understanding of the work of Jean Morin, Louis Cappel, Johannes Buxtorf II, and Richard Simon. Second, it shows that the history of biblical criticism must consider the work of Catholic scholars in the same level of detail as Protestant scholars. Third, it breaks the link between innovative philological and historical work and radical theological or political thought. Fourth, it calls into doubt the current consensus that seventeenth-century scholarly life is best understood through the concept of the international and inter-confessional 'Republic of Letters'.
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Ranum, Benedikte Torkelsdatter. "Typecast Victorians : uses of biblical typology in late nineteenth-century literature". Thesis, University of Stirling, 1996. http://hdl.handle.net/1893/2007.

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This thesis examines the literary uses of biblical typology in the last three decades of the nineteenth century. It aims to show how late Victorian writers, having opted out of the orthodox Christian beliefs of the age, were still writing from within a cultural discourse shaped by, and based upon, such faith. Covering works as diverse as Sartor Resartus, De Profundis, and The Island of Doctor Moreau, and discussing writers who range from Mary Augusta Ward via Hardy to Strindberg and Dostoevsky, my contention is that these writers not only used the structure, terminology, and imagery of biblical typology to express their religious doubts, but that they 'reclaimed' what was strictly seen as a mode of exegesis and transformed it into a richly suggestive signifying system. Through this reconstructed mode of expression, they could offer to their readers ideas of a new 'religion' or, at least, a possible way out of the despair caused by the ultimate failure of Christian faith. The thesis is presented in three parts, the first of which briefly details the various available definitions of biblical typology itself. Following this, each sub-section of Part One traces a different aspect of late Victorian typology usage. Parts Two and Three deal with what I claim to be the two major strains of the late nineteenth century's secular use of typology - those concerned, respectively, with the 'imitation of' or 'association with' biblical types in their relation to literary characters. The changes made to the traditional biblical typology by late Victorian writers, as examined in this thesis, brought the biblical anti-type closer to the Jungian archetype, just as it brought the Nineteenth Century closer to our twentieth-century view of our religious and textual inheritance.
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Pfeiffer, Kerstin. "Passionate encounters : emotion in early English Biblical drama". Thesis, University of Stirling, 2011. http://hdl.handle.net/1893/3575.

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This thesis seeks to investigate the ways in which late medieval English drama produces and theorises emotions, in order to engage with the complex nexus of ideas about the links between sensation, emotion, and cognition in contemporary philosophical and theologial thought. It contributes to broader considerations of the cultural work that religious drama performed in fifteenth- and early sixteenth-century England in the context of the ongoing debates concerning its theological and social relevance. Drawing on recent research in the cognitive sciences and the history of emotion, this thesis conceives of dramatic performances as passionate encounters between actors and audiences – encounters which do not only re-create biblical history as a sensual reality, but in which emotion becomes attached to signs and bodies through theatrical means. It suggests that the attention paid to the processes through which audiences become emotionally invested in a play challenges assumptions about biblical drama of the English towns as a negligible contribution to philosophical and theological thinking in the vernacular. The analysis is conducted against the background of medieval and modern conceptions of emotions as ethically and morally relevant phenomena at the intersection between body and reason, which is outlined in chapter one. Each of the four main chapters presents a detailed examination of a series of pageants or plays drawn mainly from the Chester and York cycles and the Towneley and N-Town collections. These are supplemented, on occasion, with analysis of individual plays from fragmentary cycles and collections. The examinations undertaken are placed against the devotional and intellectual backdrop of late medieval England, in order to demonstrate how dramatic performances of biblical subject matter engage with some of the central issues in the wider debate about the human body, soul, and intellect. The second chapter focuses on the creation of living images on the stage, and specifically on didactically relevant stage images, in the Towneley Processus Prophetarum, the Chester Moses and the Law, and the N-Town Moses. The third chapter shifts the focus to the performance of the Passion in the N-Town second Passion play and the York Crucifixio Christi, concentrating on the potential effects of the perception of physical violence on audience response. The subject of chapter four is the emotional behaviours and expressions accorded to the Virgin Mary in the Towneley and N-Town Crucifixion scenes, and those of her precursors, the mothers of the innocents, in the Digby and Coventry plays of the Massacre of the Inncocents. In chapter five, the analysis finally turns to dramatisations of the Resurrection, examining its realisation on stage in the Chester Skinners’ play, as well as staged responses to the event by the apostles and the Marys in the N-Town The Announcement to the Three Marys; Peter and John at the Sepulchre and the Towneley Thomas of India. These four central chapters pave the way for a summary, in the conclusion, of the central problematic underpinning this thesis: how the evocation of emotion in an audience is linked to embodiment in theatrical performance, and tied to a certain awareness, on the part of playwrights, of the popular biblical drama’s potential as a locus of philosophical-theological debate.
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Gillingham, Susan E. "Personal piety in the study of the psalms : a reassessment". Thesis, University of Oxford, 1987. http://ora.ox.ac.uk/objects/uuid:0267b635-59d5-4bf4-a453-6c9e054648e5.

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The thesis concludes that because the cult-centred approach has been so concerned with the cultic functions of the psalms, it has failed to appreciate the personal contributions of the psalmists, and in so doing has often misinterpreted the primary purpose of a psalm. A life-centred reading of the Psalter is therefore a vital component in correcting this imbalance in psalmic studies today.
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Machado-Matheson, Anna-Maria. "Madness as penance in medieval Gaelic sources : a study of biblical and hagiographical influences on the depiction of Suibne, Lailoken and Mór of Munster". Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609646.

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Libri sul tema "Deutonomistic history (Biblical criticism)"

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The tragedy in history: Herodotus and the Deuteronomistic history. Sheffield, England: Sheffield Academic Press, 1997.

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Reventlow, Henning. History of biblical interpretation. Atlanta: Society of Biblical Literature, 2009.

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Reventlow, Henning. History of biblical interpretation. Leiden: Brill, 2009.

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Henning, Reventlow. History of biblical interpretation. Leiden: Brill, 2009.

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Franziska, Reventlow. History of biblical interpretation. Atlanta: Society of Biblical Literature, 2009.

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Franziska, Reventlow. History of biblical interpretation. Atlanta: Society of Biblical Literature, 2009.

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Reventlow, Franziska. History of biblical interpretation. Leiden: Brill, 2009.

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Trigg, Joseph Wilson. Biblical interpretation. Wilmington, Del: Michael Glazier, 1988.

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J, Hauser Alan, e Watson Duane Frederick, a cura di. A history of biblical interpretation. Grand Rapids, Mich: William B. Eerdmans Publishing Company, 2003.

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J, Hauser Alan, e Watson Duane Frederick, a cura di. A history of biblical interpretation. Grand Rapids, Mich: William B. Eerdmans, 2003.

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Capitoli di libri sul tema "Deutonomistic history (Biblical criticism)"

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Bultmann, Christoph. "Chapter Thirty-six. Early Rationalism and Biblical Criticism on the Continent". In Hebrew Bible / Old Testament: The History of Its Interpretation, 875–901. Göttingen: Vandenhoeck & Ruprecht, 2008. http://dx.doi.org/10.13109/9783666539824.875.

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Barr, James. "Biblical Criticism". In History and Ideology in the Old Testament, 32–58. Oxford University Press, 2000. http://dx.doi.org/10.1093/0198269870.003.0003.

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Jeffrey, David Lyle. "Biblical scholarship and literary criticism". In The Cambridge History of Literary Criticism, 602–22. Cambridge University Press, 2013. http://dx.doi.org/10.1017/cho9781139018456.040.

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Walsh, Marcus. "Biblical scholarship and literary criticism". In The Cambridge History of Literary Criticism, 758–77. Cambridge University Press, 1997. http://dx.doi.org/10.1017/chol9780521300094.032.

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Tov, Emanuel. "The History of the Biblical Text". In Textual Criticism of the Hebrew Bible, 155–97. BRILL, 2005. http://dx.doi.org/10.1163/9789004502734_012.

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Johnstone, William. "Biblical Criticism in the Nineteenth Century". In The History of Scottish Theology, Volume II, 342–58. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198759348.003.0024.

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Against the background of the Enlightenment and the weakening of the restrictions imposed by the Westminster Confession, this chapter seeks to trace the development of biblical interpretation in Scotland in the nineteenth century, in terms of the evolution of ‘lower criticism’ focusing on philological and textual evidence and of ‘higher criticism’ aiming to identify the social and historical contexts within which the biblical writers operated. The chapter begins with the pioneering work of Alexander Geddes (1737–1802) and considers Scottish participation in the culmination of ‘lower criticism’ in the production of the Revised Version (1870–95) and of ‘higher criticism’ in the work especially of William Robertson Smith (1846–94).
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"Historia sacra and historical criticism in biblical scholarship". In History and Religion, 407–18. De Gruyter, 2015. http://dx.doi.org/10.1515/9783110445954-025.

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"Atheism and the Rise of Biblical Criticism". In A Short History of Atheism. I.B.Tauris, 2010. http://dx.doi.org/10.5040/9780755625352.ch-005.

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Levenson, Jon. "“The Hebrew Bible, the Old Testament, and Historical Criticism”". In Theology, History, and Biblical Interpretation. Bloomsbury T&T Clark, 2015. http://dx.doi.org/10.5040/9780567663269.ch-016.

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Popkin, Richard H. "Biblical Criticism and the Beginning of Religious Scepticism". In The History of Scepticism, 219–38. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195107678.003.0014.

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Abstract Another important kind of scepticism developed out of Bible studies in the sixteenth and seventeenth centuries. Exploring problems of ascertaining the correct text of Scripture and the status of Scripture as a source of truth, it raised many problems, some that became very important in creating doubts about religious positions. After the beginning of printing there was a need to stabilize and codify texts that had come down through manuscript traditions. The most important for the overall society was, of course, the Bible. The many new manuscripts that became available to Western scholars in the Renaissance led to attempts to establish criteria for best texts and accurate texts. Erasmus’ edition of the New Testament in Greek, at the beginning of the sixteenth century, showed that the best scholarly examination of available manuscripts could raise questions about the source of key religious doctrines. Erasmus had omitted the proof texts about the doctrine of the Trinity and instead noted that this text did not appear in the earliest known manuscripts of the New Testament or in citations from the early Church Fathers. He did not publicly question whether the doctrine was, in fact, part of Scripture or whether it was true.
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Atti di convegni sul tema "Deutonomistic history (Biblical criticism)"

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Golubchikov, YUriy. "Methodological potential of the teleological principle of purpose". In International Conference "Computing for Physics and Technology - CPT2020". Bryansk State Technical University, 2020. http://dx.doi.org/10.30987/conferencearticle_5fce27705d8750.02429694.

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Abstract (sommario):
The cognitive capabilities of the teleological paradigm of purpose are discussed. An inquiring mind everywhere sees that inanimate matter serves for living, and that, in turn, serves for a man. However, such a concept as “purpose” turned out from the contemporary science, although for a long time it went along the path of becoming the doctrine of purpose determination, or nomogenesis. The history of the substitution of the main paradigm of science from purpose to chance is traced. The overcoming of the catastrophic representations of Cuvier by the provisions of actualism and evolutionism is considered. From the middle of the 19th century, public opinion began to strengthen that every new scientific achievement casts doubt on religious beliefs. Criticism of biblical history began with the events of the Great Flood, as the key one in the Bible. The negative attitude to catastrophism in the Soviet scientific literature and the importance of ideology in the methodology of science are considered. The anthropic principle predetermines a radical restructuring of the general scientific methodology. It finally comes closer to religious knowledge. The anthropic principle is teleological and contains that goal (“eidos-entelechia”) in the structure of matter that impels it. In this light, the power of science is again seen not in confrontation with religion, but in harmonization with it.
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