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Articoli di riviste sul tema "Cyberfeminism"

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Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 4 marzo 2023

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1

Afanasov, Nikolai B. "Cyberfeminism as Science Fiction. Drawn in Japan". Galactica Media: Journal of Media Studies 4, n. 1 (21 marzo 2022): 71–95. http://dx.doi.org/10.46539/gmd.v4i1.248.

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In the 80’s representatives of the second wave feminist theory nurtured hopes that new technologies would become an effective instrument of liberating from binary oppositions of patriarchal culture. Donna Haraway saw the potential of social transformations in cybernetic technologies. The fusion of biological, mechanical and cybernetic was to have led to the emergence of new cyborg subjectivity. It should be capable of creating its own culture as well as a new world. Later this narrative would be widely criticized, but in this optimistic form it greatly affected science fiction of the period. The author makes an attempt to present the theoretical components of cyberfeminism as science fiction that engenders cognitive estrangement. Catchy images of cyborgs were born in the performative framework of cyberfeminist theory and popular culture. They continue to affect imagination to the present day. Japanese animation stood at the vanguard of this cultural process. The article considers the visions drawn in Japan as a narrative that represents historical evolution of cyberfeminism. The end of anime’s “golden age” meant the end of a thorough work with cyberfeminism in the language of popular culture. The findings of the study reveal that cyberfeminism is a part of general theory that has subsequently become a part of global discourse of a new posthuman subject. The article emphasises the other part of the phenomenon – cyberfeminist practice – that has successfully adapted to the modern world.

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Letícia Demétrio, Amanda, e Alessandra Brustolin. "OBSTETRIC VIOLENCE". Revista Gênero e Interdisciplinaridade 3, n. 03 (4 luglio 2022): 23–54. http://dx.doi.org/10.51249/gei.v3i03.816.

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The work approaches the lack of legislation to regulate acts of obstetric violence. The analysis is carried out from the perspective of the demands of the cyberfeminist movement in Brazil. Therefore, the research consists of verifying whether the Bills in Process in Brazil from 2015 to 2021 meet the requirements of cyberfeminism. For the analysis, specific criteria were determined, based on the understanding of the movement. The demands of cyberfeminism point to the need for a conception of obstetric violence, in legal documents that define and criminalize it, which will help in identifying and holding the driver responsible, in addition to public policies in favor of restraint. Therefore, it was possible to see that most of the Projects partially meet the requirements of cyberfeminism, and it is possible to note that law project No. 878/2019 is the one that best suits the specificities of the movement.

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Alatas, Salim, e Vinnawaty Sutanto. "Cyberfeminisme dan Pemberdayaan Perempuan Melalui Media Baru". Jurnal Komunikasi Pembangunan 17, n. 2 (1 luglio 2019): 165–76. http://dx.doi.org/10.46937/17201926846.

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In the era of new media, every individual and social, cultural, economic and political groups must require themselves to interact actively with new media. This is done not only to express the identity of individuals or groups, but more importantly how then each group uses new media as a means of communication to empower or liberate themselves. Feminism as a liberation movement for women has included new media and their application as important issues in their movements; cyberfeminism is an important outcome of this application. New media in the view of cyberfeminism has provided a large area, a region with an arena of objectives of cyber space, namely a process of technology that is rendered, by empowering women through techno-culture. Cyberfemists argue that women are naturally suitable for using new media. Cyberfemists also make efforts to work towards empowering women through new media by fighting various male-dominated discourses that surround technology use. This paper generally wants to discuss the concept of "cyberfeminism" and how feminists (cyberfeminists) use new media as a vehicle to empower and free themselves from male-dominated discourses. This paper also wants to provide alternatives about how women should be optimally use new media for empowerment. The approach of this research is qualitative-descriptive by conducting library research, this study specifically wants to describe how the concept of cyberfeminism is used by women's groups in the context of liberation and empowerment.

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Kember, Sarah. "Reinventing cyberfeminism: cyberfeminism and the new biology". Economy and Society 31, n. 4 (novembre 2002): 626–41. http://dx.doi.org/10.1080/0308514022000020724.

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Mondloch, Katie. "Reloading Cyberfeminism". Afterimage 30, n. 1 (luglio 2002): 15. http://dx.doi.org/10.1525/aft.2002.30.1.15.

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Wahyudi, Dedi, e Novita Kurniasih. "Cyberfeminism dan Isu Gender dalam Arus Teknopolitik Modern". SETARA: Jurnal Studi Gender dan Anak 4, n. 01 (5 luglio 2022): 25. http://dx.doi.org/10.32332/jsga.v4i01.4523.

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Abstrak Era new media yang membaawa dunia baru yang disebut dengan dunia virtual. Pada dunia virtual baru yang dibawanya, mengharuskan manusia setiap orang untuk meniscayakan dirinya mampu berinteraksi dengan berbagai media baru secara aktif. Hal ini bukan semata dilakukan sebagai penyaluran ekspresi identitas individu atau kelompok, akan tetapi yang lebih penting adalah bagaimana setiap individu atau kelompok memanfaatkan media baru sebagai tempat untuk melakukan bermacam gerakan dan pembebasan atas dirinya. Fenomena media baru tidak dapat sepenuhnya dipahami tanpa membawa masalah gender di dalamnya. Kebebasan yang ditawarkan media baru di tengah struktur sosial masyarakat memberikan pengaruh kepada produktifitas ruang dan gender. Feminisme telah menemukan peluang dalam media baru sebagai jalan perjuangan mereka menembus patriarkhi dan dominasi maskulinitas dengan merealisasikannya sebagai cyberfeminism. Cyberfeminism berupaya memberi gambaran yang jelas mengenai relasi antara teknologi dengan peran perempuan di dalamnya. Media baru telah memberikan ruangan besar dan luas bagi cyberfeminism dengan arenanya cyberspace. Menggunakan pendekatan kualitatif deskriptis, dengan menjadikan sumber-sumber kepustakaan (library research) sebagai sumber data primer dan sekundernya, maka tulisan ini bertujuan hendak memberikan gambaran mengenai konsep cyberfeminism baik di dunia maupun cyberfeminism di Indonesia khususnya berikut dengan isu, tantangan dan peluang yang dapat diambil perempuan dalam memainkan perannya di tengah iklim teknopolitik modern. Kata Kunci: Cyberfeminism, Feminism, New Media, Cyberspace, Gender Abstract The new media era brought a new world called the virtual world. In the new virtual world that it brings, it requires everyone to be able to interact with various new media actively. This is not only done as an expression of individual or group identity, but what is more important is how each individual or group uses new media as a place to carry out various movements and liberate themselves. The phenomenon of new media cannot be fully understood without bringing gender issues into it. The freedom that new media offers in the midst of the social structure of society has an influence on the productivity of space and gender. Feminism has found opportunities in new media as a way of their struggle to penetrate patriarchy and masculinity domination by realizing it as cyberfeminism. Cyberfeminism seeks to provide a clear picture of the relationship between technology and the role of women in it. New media has provided a large and wide room for cyberfeminism with the arena of cyberspace. Using a descriptive qualitative approach, using library research sources as the primary and secondary data sources, this paper aims to provide an overview of the concept of cyberfeminism both in the world and cyberfeminism in Indonesia in particular along with issues, challenges and opportunities that can be taken. women in playing their role in the midst of the modern technopolitical climate. Keywords: Cyberfeminism, Feminism, New Media, Cyberspace, Gender

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7

Suchman, Lucy. "Wajcman Confronts Cyberfeminism". Social Studies of Science 36, n. 2 (aprile 2006): 321–27. http://dx.doi.org/10.1177/0306312706058828.

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Batmanghelichi, K. Soraya, e Leila Mouri. "Cyberfeminism, Iranian Style". Feminist Media Histories 3, n. 1 (1 gennaio 2017): 50–80. http://dx.doi.org/10.1525/fmh.2017.3.1.50.

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The June 2009 uprising following Iran's presidential election sparked the immediate scattering of its women's rights leaders across the globe. Activists living in exile took their activities online to pursue on-the-ground projects, initiating online campaigns and raising feminist awareness. Seven years later, this transition to cyberspace has had innumerable consequences for Iran's feminist movement. This article examines five Iranian rights-based platforms—Bidarzani, Women's Watch, Feminism Everyday, My Stealthy Freedom, and ZananTV—and their use of social media to vocalize and extend women's rights advocacy. Given the flourishing of cyberfeminist projects, it is worth investigating both the methodologies employed and the unforeseen constraints and costs that have emerged. For instance, do these undertakings challenge women's political and economic status in Iran? Is their activism a new and unique form of feminism? This paper explores their move online, tracing the shifts in Iran's women's rights movement, its current challenges, and its potential vulnerabilities.

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9

Mazur, Elizabeth. "Book Review: Cyberfeminism 2.0." Psychology of Women Quarterly 37, n. 3 (29 luglio 2013): 411–12. http://dx.doi.org/10.1177/0361684313492951.

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Champion, Sarah. "Book Review: Cyberfeminism 2.0". Media International Australia 147, n. 1 (maggio 2013): 165–66. http://dx.doi.org/10.1177/1329878x1314700126.

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Gillis, Stacy. "Cyberfeminism and Artificial Life (review)". NWSA Journal 17, n. 3 (2005): 209–10. http://dx.doi.org/10.1353/nwsa.2005.0061.

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Gajjala, Radhika, e Annapurna Mamidipudi. "Cyberfeminism, technology, and international 'development'". Gender & Development 7, n. 2 (luglio 1999): 8–16. http://dx.doi.org/10.1080/741923122.

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Gajjala, Radhika. "'Third World' perspectives on cyberfeminism". Development in Practice 9, n. 5 (novembre 1999): 616–19. http://dx.doi.org/10.1080/09614529952774.

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Wise, Patricia. "Review: CyberFeminism: Connectivity, Critique and Creativity". Media International Australia 100, n. 1 (agosto 2001): 190–92. http://dx.doi.org/10.1177/1329878x0110000123.

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Brophy, Jessica E. "Developing a corporeal cyberfeminism: beyond cyberutopia". New Media & Society 12, n. 6 (9 febbraio 2010): 929–45. http://dx.doi.org/10.1177/1461444809350901.

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16

Puente, Sonia Núñez. "From cyberfeminism to technofeminism: From an essentialist perspective to social cyberfeminism in certain feminist practices in Spain". Women's Studies International Forum 31, n. 6 (novembre 2008): 434–40. http://dx.doi.org/10.1016/j.wsif.2008.09.005.

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Jessie Daniels. "Rethinking Cyberfeminism(s): Race, Gender, and Embodiment". WSQ: Women's Studies Quarterly 37, n. 1-2 (2009): 101–24. http://dx.doi.org/10.1353/wsq.0.0158.

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18

Conley, Verena Andermatt. "Whither the virtual slavoj žižek and cyberfeminism". Angelaki 4, n. 2 (agosto 1999): 129–36. http://dx.doi.org/10.1080/09697259908572041.

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19

Wilding, Faith, e Critical Art Ensemble. "Notes on the Political Condition of Cyberfeminism". Art Journal 57, n. 2 (1998): 46. http://dx.doi.org/10.2307/778008.

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Wilding, Faith. "Notes on the Political Condition of Cyberfeminism". Art Journal 57, n. 2 (giugno 1998): 47–60. http://dx.doi.org/10.1080/00043249.1998.10791878.

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21

Umami, Rizka Hidayatul. "Cyberfeminisme: Counter atas Komodifikasi Tubuh Perempuan di Media Baru". Martabat: Jurnal Perempuan dan Anak 4, n. 1 (1 settembre 2020): 111–36. http://dx.doi.org/10.21274/martabat.2020.4.1.111-136.

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Keberadaan media baru telah mendorong setiap individu untuk ikut aktif berinteraksi di dalamnya. Cyberfeminisme merupakan salah satu gagasan penting yang lahir dari keberadaan media baru tersebut. Di mana media baru menjadi isu krusial yang diharapkan bisa menjadi wadah perempuan mencapai pembebasan. Namun, hadirnya media baru tidak lantas bisa secara otomatis menghapuskan adanya ketidakadilan gender di ruang publik. Problem baru muncul dari adanya usaha perempuan untuk secara total berdaya lewat ruang techno-budaya. Masalah tersebut hadir dalam bentuk komodifikasi tubuh perempuan dalam media baru, yang dilakukan oleh perempuan sebagai subjek. Sehingga yang terjadi justru pelanggengan patriarkhal dan kuasa pikiran laki-laki dalam media. Hal ini tentu menjadi pekerjaan rumah baru bagi para cyberfeminis. Tulisan ini fokus menguraikan bagaimana peran cyberfeminis dalam upaya meng-counter massifnya komodifikasi tubuh perempuan dalam media baru, yang juga terus dibayangi oleh diskursus maskulinitas atau dominasi laki-laki. Metode yang digunakan dalam penelitian ini adalah deskriptif-analitis, dengan menggunakan cyberfeminisme sebagai alat analisis. Adapun hasil penelitian ini mengungkapkan bahwa cyberfeminis setidaknya berhasil membuat jaringan literasi berbasis feminisme, eksis di media sosial sebagai upaya konter ideologi dari adanya discounted feminism oleh kapitalisme. Kata kunci: cyberfeminisme, media baru, komodifikasi, tubuh perempuan.

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Gruber, Sibylle. "Communication Gone Wired: Working Toward a "Practiced" Cyberfeminism". Information Society 15, n. 3 (agosto 1999): 199–208. http://dx.doi.org/10.1080/019722499128501.

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Standish, Paul. "ONLY CONNECT: COMPUTER LITERACY FROM HEIDEGGER TO CYBERFEMINISM". Educational Theory 49, n. 4 (dicembre 1999): 417–35. http://dx.doi.org/10.1111/j.1741-5446.1999.00417.x.

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Asenbaum, Hans. "Making a Difference: Toward a Feminist Democratic Theory in the Digital Age". Politics & Gender 16, n. 1 (31 gennaio 2019): 230–57. http://dx.doi.org/10.1017/s1743923x18001010.

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ABSTRACTThis essay asks how the democratic ideal of inclusion can be achieved in societies marked by power asymmetries along the lines of identity categories such as gender and race. It revisits debates of difference democracy of the 1990s, which promoted inclusion through a politics of presence of marginalized social groups. This strategy inevitably entails essentializing tendencies, confining the democratic subject within its physically embodied identity. Difference democrats did not take notice of the parallel emerging discourse on cyberfeminism exploring novel identity configurations on the Internet. This essay augments the politics of presence with digital identity reconfigurations. Neither difference democrats nor cyberfeminists distinguish between various participatory sites. Drawing on conceptions of participatory spaces from development studies and deliberative democracy, this essay generates a typology differentiating between empowered spaces such as parliaments, invited spaces such as citizens' assemblies, and the claimed spaces of social movements. The democratic functions these spaces fulfil are best facilitated by three different modes of identity performance: identity continuation, identity negation, and identity exploration. A pluralization of participatory sites and modes of identity performance facilitates inclusion while tackling the essentializing tendencies in difference democracy.

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Islam, Md Shafiqul. "Augmented Reality and Life in the Cyberspace in William Gibson’s Neuromancer". Advances in Language and Literary Studies 12, n. 4 (29 agosto 2021): 30. http://dx.doi.org/10.7575/aiac.alls.v.12n.4.p.30.

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This paper attempts a cybercritical reading of William Gibson’s novel Neuromancer (1984) to explore the genesis of cyborgs in the novel, address issues pertaining to cyberpunks and scrutinize the portrayal of a cyberculture set in the futuristic dystopian city of Chiba. The relationship between humans and machines has gone through multiple phases of changes in the recent past. That is why instead of satirizing machinized-humans, science fiction writers have embraced different dimensions of man-machine relationships during the past few decades. ‘Cyborg’ is no longer represented as the ‘mutation of human capabilities’, but as ‘machines with Artificial Intelligence’. Gibson’s Neuromancer, a landmark piece of literary work in the sphere of Sci-Fi literature, specifically predicts a new height of man-machine relationship by employing both human and cyborg characters at the center of his story line. This paper shows how Gibson accurately prophesizes the matrix of machine-human relationship in his novel. It also explores Gibson’s depiction of female characters through the lens of cyberfeminist theories. In view of that, this paper uses contemporary critical and cultural theories including Donna Haraway’s idea of cyberfeminism, Baudrillard’s simulation and simulacra, Foucauldian discourse analysis, Jeremy Bentham’s concept of tabula rasa and other relevant theoretical ideas to examine and evaluate the transformative changes.

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Amy Chan Kit Sze. "When Cyberfeminism Meets Chinese Philosophy: Computer, Weaving, and Women". Gender, Technology and Development 7, n. 3 (novembre 2003): 379–97. http://dx.doi.org/10.1177/097185240300700304.

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Sze, Amy Chan Kit. "When Cyberfeminism Meets Chinese Philosophy: Computer, Weaving, and Women". Gender, Technology and Development 7, n. 3 (gennaio 2003): 379–97. http://dx.doi.org/10.1080/09718524.2003.11910088.

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Ajjan, Haya, Stefanie Beninger, Rania Mostafa e Victoria L. Crittenden. "Empowering Women Entrepreneurs in Emerging Economies: a Conceptual Model". Organizations and Markets in Emerging Economies 5, n. 1 (30 maggio 2014): 16–30. http://dx.doi.org/10.15388/omee.2014.5.1.14239.

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Cyberfeminism is a woman-centered perspective that advocates women’s use of new information and communications technologies for empowerment. This paper explores the role of information technologies, in particular the role of social media, in empowering women entrepreneurship in emerging economies via increased social capital and improved self-efficacy. A conceptual model is offered and propositions are explicated.

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Figueroa, Libertad. "Experimental Sound Creation, Cyberfeminism and Virtual Communities in Latin America". Feminist Review 127, n. 1 (marzo 2021): 114–18. http://dx.doi.org/10.1177/0141778920963767.

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Lestari, Nicky, Andi Nur Fadilah e Eka Wenats Wuryanta. "Empowered Women & Social Media: Analyzing #YourBeautyRules in Cyberfeminism Perspective". Jurnal ASPIKOM 5, n. 2 (15 luglio 2020): 280. http://dx.doi.org/10.24329/aspikom.v5i2.664.

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Everett, Anna. "On Cyberfeminism and Cyberwomanism: High‐Tech Mediations of Feminism’s Discontents". Signs: Journal of Women in Culture and Society 30, n. 1 (settembre 2004): 1278–000. http://dx.doi.org/10.1086/422235.

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Benítez-Eyzaguirre, Lucía, e Sandra Arencón-Beltrán. "Epistemología feminista y digital en el análisis de la comunicación del ciberfeminismo". Revista científica de información y comunicación, n. 17 (2020): 369–94. http://dx.doi.org/10.12795/ic.2020.i17.16.

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Las movilizaciones feministas más recientes muestran la emergencia de la demanda de la justicia y la igualdad de las mujeres con la ocupación sistemática y cada vez más intensa del espacio digital y el espacio público. Para el análisis de este fenómeno, se busca un marco conceptual coherente, a partir de la epistemología feminista y digital como una revisión crítica y sistemática del conocimiento racionalista y de la investigación positivista

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Stephens, Miari Taina. "Black Feminist Organizing and Caribbean Cyberfeminisms in Puerto Rico". Open Cultural Studies 6, n. 1 (1 gennaio 2022): 147–66. http://dx.doi.org/10.1515/culture-2022-0149.

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Abstract This article centers Black feminist organizing in Puerto Rico, highlighting social media as a tool for racial and gender justice. Collaboration between Puerto Rican feminist organizations on social media platforms amplifies their on-the-ground work and demands. Mapping Caribbean Cyberfeminisms (2016) theorizes Caribbean cyberfeminisms as “knowledge-producing spaces of political thought and action” online by Caribbean feminists. I argue that through content creation and curation, reposting and sharing, commenting and captioning, broadcasting live, Black feminist collectives, organizations and projects in Puerto Rico use digital and virtual technologies to extend their Black feminist organizing and collaboration, building a Caribbean cyberfeminist network in the process.

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Sierra-Rivera, Judith. "Afro-Cuban Cyberfeminism: Love/Sexual Revolution in Sandra Álvarez Ramírez’s Blogging". Latin American Research Review 53, n. 2 (2018): 330–43. http://dx.doi.org/10.25222/larr.323.

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Sádaba, Igor, e Alejandro Barranquero. "The social networks of cyberfeminism in Spain: identity and action repertoires". Athenea Digital. Revista de pensamiento e investigación social 19, n. 1 (1 gennaio 2019): 2058. http://dx.doi.org/10.5565/rev/athenea.2058.

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Gur-Ze'ev, Ilan. "CYBERFEMINISM AND EDUCATION IN THE ERA OF THE EXILE OF SPIRIT". Educational Theory 49, n. 4 (dicembre 1999): 437–55. http://dx.doi.org/10.1111/j.1741-5446.1999.00437.x.

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James, Robin. "Sonic Cyberfeminisms, Perceptual Coding and Phonographic Compression". Feminist Review 127, n. 1 (marzo 2021): 20–34. http://dx.doi.org/10.1177/0141778920973208.

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I argue that sound-centric scholarship can be of use to feminist theorists if and only if it begins from a non-ideal theory of sound; this article develops such a theory. To do this, I first develop more fully my claim that perceptual coding was a good metaphor for the ways that neoliberal market logics (re)produce relations of domination and subordination, such as white supremacist patriarchy. Because it was developed to facilitate the enclosure of the audio bandwidth, perceptual coding is especially helpful in centring the ways that patriarchal racial capitalism structures our concepts and experiences of both sound and technology. The first section identifies sonic cyberfeminist practices that function as a kind of perceptual coding because they subject ‘sound’ and/or ‘women’ to enclosure and accumulation by dispossession. The second section identifies a type of sonic cyberfeminism that tunes into the parts of the spectrum that this perceptual coding discards, building models of community and aesthetic value that do not rely on the exclusion of women, especially black women, from both humanist and posthuman concepts of personhood. Here I focus especially on Alexander Weheliye’s ‘phonographic’ approach to sound, technology and theoretical text. This approach, which he develops in his 2005 book of that title and in recent work in collaboration with Katherine McKittrick, avoids fetishising tech and self-transformation and focuses on practices that build registers of existence that hegemonic institutions perceptually code out of circulation. I conclude with examples of such phonographic compression, including Masters At Work’s ballroom classic ‘The Ha Dance’ and Nicki Minaj’s ‘Anaconda’.

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MUNSTER, ANNA. "Is there Postlife after Postfeminism? Tropes of Technics and Life in Cyberfeminism". Australian Feminist Studies 14, n. 29 (aprile 1999): 119–29. http://dx.doi.org/10.1080/08164649993371.

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Sefyrin, Johanna. "Cyberfeminism in Northern Lights: Digital Media and Gender in a Nordic Context". Information, Communication & Society 12, n. 6 (settembre 2009): 961–62. http://dx.doi.org/10.1080/13691180902866026.

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SHAW, RHONDA. "'Our Bodies, Ourselves', Technology, and Questions of Ethics: Cyberfeminism and the Lived Body". Australian Feminist Studies 18, n. 40 (marzo 2003): 45–55. http://dx.doi.org/10.1080/0816464022000056367.

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Matos, Carolina. "New Brazilian feminisms and online networks: Cyberfeminism, protest and the female ‘Arab Spring’". International Sociology 32, n. 3 (17 marzo 2017): 417–34. http://dx.doi.org/10.1177/0268580917694971.

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In the last decades, the region of Latin America has been through many changes, with the reduction of inequality levels and a political trend which has seen the election of female politicians throughout the continent, including a revival of gender politics and feminist movements. Countries like Brazil are still home to gender discrimination and inequality, with high levels of domestic violence towards women, low levels of political representation, a culture of machismo and the predominance still of stereotypical gender representations in the media. Questions asked include how the media can better contribute to assist in gender development and nation-building. How can online platforms make a difference? This article provides a critical summary of feminist theoretical perspectives on the potential of online communications for the advancement of women’s rights, further providing a brief case study of contemporary Brazilian feminism and the mobilization around women’s rights, particularly in 2015.

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McAdam, Maura, Caren Crowley e Richard T. Harrison. "Digital girl: cyberfeminism and the emancipatory potential of digital entrepreneurship in emerging economies". Small Business Economics 55, n. 2 (7 gennaio 2020): 349–62. http://dx.doi.org/10.1007/s11187-019-00301-2.

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Luvizotto, Caroline Kraus, Carolina Bortoleto Firmino, Ana Carolina Trindade e Heloísa Souza dos Santos. "CIBERFEMINISMO EM HOLLYWOOD". Revista Relicário 7, n. 13 (6 marzo 2021): 152–73. http://dx.doi.org/10.46731/relicario-v7n13-2020-158.

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Resumo O ciberativismo oferece ao movimento feminista ferramentas e possibilidades de expansão e conscientização. #MeToo e Time’sUp se tornaram símbolos contra a cultura do assédio em Hollywood. A partir da análise de enquadramento, analisam-se publicações da Revista Marie Claire quanto a proposta editorial e aos conteúdos acerca dos movimentos. Palavras-chave: Ciberfeminismo. Assédio. #MeToo. Time’s Up. Abstract Cyberactivism offers the feminist movement tools and possibilities for expansion and awareness. #MeToo and Time’s Up have become symbols against the culture of harassment in Hollywood. From the framework analysis, publications from Revista Marie Claire are analyzed regarding the editorial proposal and content about the movements. Keywords: Cyberfeminism. Harassment. #MeToo. Time’sUp.

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Koo, JiHae. "South Korean cyberfeminism and trolling: the limitation of online feminist community Womad as counterpublic". Feminist Media Studies 20, n. 6 (10 giugno 2019): 831–46. http://dx.doi.org/10.1080/14680777.2019.1622585.

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Hoofd, Ingrid. "Xenofeminist Hope and Dread, or How to Move Beyond Patriarchal Technocapitalism". Hypatia 37, n. 1 (2022): 210–15. http://dx.doi.org/10.1017/hyp.2021.73.

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Who said manifestos are dead? Some thirty years after the publication of Donna Haraway's illustrious A Cyborg Manifesto (Haraway 1991), fifty years after Valerie Solanas's angry and delightful SCUM Manifesto (Solanas 1967), and 170 years after Karl Marx and Friedrich Engels's influential Communist Manifesto (Marx and Engels 1848), a new manifesto in town in fact bears traces of all these and then some: The Xenofeminist Manifesto. This manifesto, which comes in a gorgeously designed booklet version as well as in a colorful and nostalgic 80s computer-culture website with nerdy hexadecimal page numbers and related Twitter account, is a work from the “xenofeminist” collective Laboria Cuboniks. The name of this collective, whose members are from various parts of the globe, is actually an anagram of “Nicolas Bourbaki,” a largely French collective of mathematicians in the early 1900s who sought to affirm abstraction, rigor, and generalization (Laboria Cuboniks 2014). Together with a firm foot in cyberfeminism and a strong penchant for the abstract and universal by way of the logic of computing against the arguably flawed universal of “nature,” the manifesto also clearly bears the marks of feminist ecocriticism, new materialism, queer theory, and technological accelerationism. The two books under review bring various activisms and insights together in an original way, and do so clearly with an eye toward reviving the cyberfeminist spirit through, among others, ideas from Shulamith Firestone's Dialectics of Sex (Firestone 1970). This pairing certainly had me excited, since, as I argue elsewhere, I am, together with Haraway's original cyborg manifesto, firmly of the opinion that feminisms of all kinds should intervene in and contribute even more radically to contemporary techno-culture and philosophy of technology. This is because clearly, new media and genetic technologies are at present some of the most powerful techniques by which we live and probably will live in the near future, and because these technologies are intimately interwoven with Eurocentric masculinism, heterosexism, militarism, and capitalism (Hoofd 2016, 225, 229).

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Clark, Meredith D., e Adam J. Banks. "Introduction: Thinking of a Black Digital Ethos". Social Media + Society 8, n. 3 (luglio 2022): 205630512211175. http://dx.doi.org/10.1177/20563051221117568.

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This special issue offers a series of cross-disciplinary perspectives from a network of Black scholars in sociology, technology, media studies and humanities living through economic, political, social, and technological paradigm shifts that prompt us to revisit Stuart Hall’s question, “What is this Black in Black popular culture?” in the context of Black Digital Culture. We take up the challenge to center Black technocultural production on social media platforms through an intersectional lens. Using critical approaches including Black Feminist Thought (as articulated by Patricia Hill Collins, Sylvia Wynter, bell hooks, and Kimberlé Crenshaw among others), Black Cyberfeminism (Kishonna Gray, Catherine Knight Steele, and Tressie McMillan Cottom), and Andre Brock’s Critical Technocultural Discourse Analysis, we investigate how race, gender, and digital media technologies have informed and influenced Black digital culture.

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Suh, Kyungsook. "Woman Digital Literary Texts and Cyberfeminism - Focused on Texts of Young-Hae Chang Heavy Industries." Modern Studies in English Language & Literature 64, n. 4 (30 novembre 2020): 51–75. http://dx.doi.org/10.17754/mesk.64.4.51.

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McAdam, Maura, Caren Crowley e Richard T. Harrison. "Correction to: Digital girl: cyberfeminism and the emancipatory potential of digital entrepreneurship in emerging economies". Small Business Economics 55, n. 4 (19 febbraio 2020): 1179. http://dx.doi.org/10.1007/s11187-020-00321-3.

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Gallindo, Erica L., Hobson A. Cruz e Mário W. L. Moreira. "Critical Examination Using Business Intelligence on the Gender Gap in Information Technology in Brazil". Mathematics 9, n. 15 (2 agosto 2021): 1824. http://dx.doi.org/10.3390/math9151824.

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In the early 1990s, cyberfeminism emerged as an area of knowledge to discuss the connection between gender and technology. According to UNESCO, women are underrepresented in the field of science, technology, engineering, and mathematics and less than a third of women worldwide work in scientific research and development. However, this number has grown and this reality is constantly changing. In this context, using business intelligence techniques, this study analyzes data from the computer and information and communication technology market to characterize the impact of the performance of women in these areas. It is expected to show that this performance in the highlighted fields is still a challenge in Brazil. Based on this hypothesis, results indicates that public policies must be focused on the base, i.e., to encourage young women to work in STEM areas. This study could encourage policymakers to find solutions to the challenges presented in this research.

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Board, WPCC Editorial. "‘Intersectionality Went Viral’: Toxic Platforms, Distinctive Black Cyberfeminism and Fighting Misogynoir – An Interview with Kishonna Gray". Westminster Papers in Communication and Culture 15, n. 1 (2020): 68–73. http://dx.doi.org/10.16997/wpcc.367.

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