Bibliografie tematiche / Cyberfeminism

Letteratura scientifica selezionata sul tema "Cyberfeminism"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 4 marzo 2023

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Articoli di riviste sul tema "Cyberfeminism"

Afanasov, Nikolai B. "Cyberfeminism as Science Fiction. Drawn in Japan". Galactica Media: Journal of Media Studies 4, n. 1 (21 marzo 2022): 71–95. http://dx.doi.org/10.46539/gmd.v4i1.248.

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In the 80’s representatives of the second wave feminist theory nurtured hopes that new technologies would become an effective instrument of liberating from binary oppositions of patriarchal culture. Donna Haraway saw the potential of social transformations in cybernetic technologies. The fusion of biological, mechanical and cybernetic was to have led to the emergence of new cyborg subjectivity. It should be capable of creating its own culture as well as a new world. Later this narrative would be widely criticized, but in this optimistic form it greatly affected science fiction of the period. The author makes an attempt to present the theoretical components of cyberfeminism as science fiction that engenders cognitive estrangement. Catchy images of cyborgs were born in the performative framework of cyberfeminist theory and popular culture. They continue to affect imagination to the present day. Japanese animation stood at the vanguard of this cultural process. The article considers the visions drawn in Japan as a narrative that represents historical evolution of cyberfeminism. The end of anime’s “golden age” meant the end of a thorough work with cyberfeminism in the language of popular culture. The findings of the study reveal that cyberfeminism is a part of general theory that has subsequently become a part of global discourse of a new posthuman subject. The article emphasises the other part of the phenomenon – cyberfeminist practice – that has successfully adapted to the modern world.

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Letícia Demétrio, Amanda, e Alessandra Brustolin. "OBSTETRIC VIOLENCE". Revista Gênero e Interdisciplinaridade 3, n. 03 (4 luglio 2022): 23–54. http://dx.doi.org/10.51249/gei.v3i03.816.

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The work approaches the lack of legislation to regulate acts of obstetric violence. The analysis is carried out from the perspective of the demands of the cyberfeminist movement in Brazil. Therefore, the research consists of verifying whether the Bills in Process in Brazil from 2015 to 2021 meet the requirements of cyberfeminism. For the analysis, specific criteria were determined, based on the understanding of the movement. The demands of cyberfeminism point to the need for a conception of obstetric violence, in legal documents that define and criminalize it, which will help in identifying and holding the driver responsible, in addition to public policies in favor of restraint. Therefore, it was possible to see that most of the Projects partially meet the requirements of cyberfeminism, and it is possible to note that law project No. 878/2019 is the one that best suits the specificities of the movement.

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Alatas, Salim, e Vinnawaty Sutanto. "Cyberfeminisme dan Pemberdayaan Perempuan Melalui Media Baru". Jurnal Komunikasi Pembangunan 17, n. 2 (1 luglio 2019): 165–76. http://dx.doi.org/10.46937/17201926846.

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In the era of new media, every individual and social, cultural, economic and political groups must require themselves to interact actively with new media. This is done not only to express the identity of individuals or groups, but more importantly how then each group uses new media as a means of communication to empower or liberate themselves. Feminism as a liberation movement for women has included new media and their application as important issues in their movements; cyberfeminism is an important outcome of this application. New media in the view of cyberfeminism has provided a large area, a region with an arena of objectives of cyber space, namely a process of technology that is rendered, by empowering women through techno-culture. Cyberfemists argue that women are naturally suitable for using new media. Cyberfemists also make efforts to work towards empowering women through new media by fighting various male-dominated discourses that surround technology use. This paper generally wants to discuss the concept of "cyberfeminism" and how feminists (cyberfeminists) use new media as a vehicle to empower and free themselves from male-dominated discourses. This paper also wants to provide alternatives about how women should be optimally use new media for empowerment. The approach of this research is qualitative-descriptive by conducting library research, this study specifically wants to describe how the concept of cyberfeminism is used by women's groups in the context of liberation and empowerment.

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Kember, Sarah. "Reinventing cyberfeminism: cyberfeminism and the new biology". Economy and Society 31, n. 4 (novembre 2002): 626–41. http://dx.doi.org/10.1080/0308514022000020724.

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Mondloch, Katie. "Reloading Cyberfeminism". Afterimage 30, n. 1 (luglio 2002): 15. http://dx.doi.org/10.1525/aft.2002.30.1.15.

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Wahyudi, Dedi, e Novita Kurniasih. "Cyberfeminism dan Isu Gender dalam Arus Teknopolitik Modern". SETARA: Jurnal Studi Gender dan Anak 4, n. 01 (5 luglio 2022): 25. http://dx.doi.org/10.32332/jsga.v4i01.4523.

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Abstrak Era new media yang membaawa dunia baru yang disebut dengan dunia virtual. Pada dunia virtual baru yang dibawanya, mengharuskan manusia setiap orang untuk meniscayakan dirinya mampu berinteraksi dengan berbagai media baru secara aktif. Hal ini bukan semata dilakukan sebagai penyaluran ekspresi identitas individu atau kelompok, akan tetapi yang lebih penting adalah bagaimana setiap individu atau kelompok memanfaatkan media baru sebagai tempat untuk melakukan bermacam gerakan dan pembebasan atas dirinya. Fenomena media baru tidak dapat sepenuhnya dipahami tanpa membawa masalah gender di dalamnya. Kebebasan yang ditawarkan media baru di tengah struktur sosial masyarakat memberikan pengaruh kepada produktifitas ruang dan gender. Feminisme telah menemukan peluang dalam media baru sebagai jalan perjuangan mereka menembus patriarkhi dan dominasi maskulinitas dengan merealisasikannya sebagai cyberfeminism. Cyberfeminism berupaya memberi gambaran yang jelas mengenai relasi antara teknologi dengan peran perempuan di dalamnya. Media baru telah memberikan ruangan besar dan luas bagi cyberfeminism dengan arenanya cyberspace. Menggunakan pendekatan kualitatif deskriptis, dengan menjadikan sumber-sumber kepustakaan (library research) sebagai sumber data primer dan sekundernya, maka tulisan ini bertujuan hendak memberikan gambaran mengenai konsep cyberfeminism baik di dunia maupun cyberfeminism di Indonesia khususnya berikut dengan isu, tantangan dan peluang yang dapat diambil perempuan dalam memainkan perannya di tengah iklim teknopolitik modern. Kata Kunci: Cyberfeminism, Feminism, New Media, Cyberspace, Gender Abstract The new media era brought a new world called the virtual world. In the new virtual world that it brings, it requires everyone to be able to interact with various new media actively. This is not only done as an expression of individual or group identity, but what is more important is how each individual or group uses new media as a place to carry out various movements and liberate themselves. The phenomenon of new media cannot be fully understood without bringing gender issues into it. The freedom that new media offers in the midst of the social structure of society has an influence on the productivity of space and gender. Feminism has found opportunities in new media as a way of their struggle to penetrate patriarchy and masculinity domination by realizing it as cyberfeminism. Cyberfeminism seeks to provide a clear picture of the relationship between technology and the role of women in it. New media has provided a large and wide room for cyberfeminism with the arena of cyberspace. Using a descriptive qualitative approach, using library research sources as the primary and secondary data sources, this paper aims to provide an overview of the concept of cyberfeminism both in the world and cyberfeminism in Indonesia in particular along with issues, challenges and opportunities that can be taken. women in playing their role in the midst of the modern technopolitical climate. Keywords: Cyberfeminism, Feminism, New Media, Cyberspace, Gender

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Suchman, Lucy. "Wajcman Confronts Cyberfeminism". Social Studies of Science 36, n. 2 (aprile 2006): 321–27. http://dx.doi.org/10.1177/0306312706058828.

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Batmanghelichi, K. Soraya, e Leila Mouri. "Cyberfeminism, Iranian Style". Feminist Media Histories 3, n. 1 (1 gennaio 2017): 50–80. http://dx.doi.org/10.1525/fmh.2017.3.1.50.

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The June 2009 uprising following Iran's presidential election sparked the immediate scattering of its women's rights leaders across the globe. Activists living in exile took their activities online to pursue on-the-ground projects, initiating online campaigns and raising feminist awareness. Seven years later, this transition to cyberspace has had innumerable consequences for Iran's feminist movement. This article examines five Iranian rights-based platforms—Bidarzani, Women's Watch, Feminism Everyday, My Stealthy Freedom, and ZananTV—and their use of social media to vocalize and extend women's rights advocacy. Given the flourishing of cyberfeminist projects, it is worth investigating both the methodologies employed and the unforeseen constraints and costs that have emerged. For instance, do these undertakings challenge women's political and economic status in Iran? Is their activism a new and unique form of feminism? This paper explores their move online, tracing the shifts in Iran's women's rights movement, its current challenges, and its potential vulnerabilities.

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Mazur, Elizabeth. "Book Review: Cyberfeminism 2.0." Psychology of Women Quarterly 37, n. 3 (29 luglio 2013): 411–12. http://dx.doi.org/10.1177/0361684313492951.

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Champion, Sarah. "Book Review: Cyberfeminism 2.0". Media International Australia 147, n. 1 (maggio 2013): 165–66. http://dx.doi.org/10.1177/1329878x1314700126.

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Tesi sul tema "Cyberfeminism"

Nichols, Kathryn A. "Female Flights: A Contemporary Approach to Cyberfeminism". Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/cmc_theses/559.

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This thesis problematizes early cyberfeminist claims that heralded the Internet as a liberating space for women. Cyberfeminism emerged in the early 1990s, at the dawn of the “Internet Age,” and is heavily influenced by Donna Haraway’s 1985 “A Cyborg Manifesto.” Haraway theorized a new way of looking at the nature of female identity, using the figure of the cyborg found in science fiction literature and films. Traditionally, women have been explained in terms of sexual difference and have been forced to uphold a gender binary that privileges men. By contrast, Haraway argues that the cyborg, a hybrid of human and machine, escapes binary logic, thereby resisting categories and hierarchies, and embraces a more fluid understanding of identity. This model contains powerful ramifications for women. Every day, we become more like Haraway’s cyborgs as our physical bodies become increasingly intertwined with modern technologies, specifically in our ever-growing relationship with the Internet. In online interactions, users are no longer confined to their physical bodies and are free to play with identity. Early cyberfeminists believe that this leads to a more fluid understanding of identity and, more importantly, allows for the deconstruction of gender. These claims, however, do not apply in practice as well as they do in theory. From the anonymous text-based spaces that early cyberfeminists describe to social networking sites like Facebook, Internet spaces tend to polarize the gender binary rather than blur it, and women are now colonized on a new front. This becomes increasingly dangerous as the boundaries between our virtual and real lives continue to blur.

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Milford, Trevor Scott. "Girls' Online Agency: A Cyberfeminist Exploration". Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/24926.

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Cyberfeminist scholars have identified the Internet as a site where feminist issues are substantiated. This exploratory study investigates young women’s lived experiences of agency within online social networking, also looking at the ways in which their assertion of agency is constrained. Analysis identified four biographically consistent identity narratives within which participants experienced online agency, each with a unique operationalization of agency, constraints upon agency, and role of a heteronormative boyfriend. Identity narratives tended to invoke socially- and media-entrenched representations of how to ‘properly’ perform ‘girl’ online, including stereotypes of girls vigilantly managing online risk or portraying themselves as professional, ethically sensible, family-oriented, or popular and celebrity-oriented. However, these representations were also inherently conflictual, presenting incompatible expectations that were difficult to simultaneously negotiate. In conclusion, this study recommends that future research and policy abandon patriarchal, neoliberal underpinnings in favour of deconstructing problematic stereotyped representations of femininity within online spaces.

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Sayers, Tamara Michelle. "Cyberfeminism in Canada, women, women's organizations, the women's movement and internet technology". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0014/MQ31248.pdf.

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DONKOR, DORCAS A. "The Rise of Cyberfeminism in Africa: Pepper Dem Ministries’ Take on Ghana". Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1597260157867617.

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Wyer, Sarah. "Folk Networks, Cyberfeminism, and Information Activism in the Art+Feminism Wikipedia Edit-a-thon Series". Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22752.

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This thesis explores how the Art+Feminism Wikipedia Edit-a-thon event impacts the people who coordinate and participate in it. I review museum catalogs to determine institutional representation of women artists, and then examine the Edit-a-thon as a vernacular event on two levels: national and local. The founders have a shared vision of combating perceived barriers to participation in editing Wikipedia, but their larger goal is to address the biases in Wikipedia’s content. My interviews with organizers of the local Eugene, Oregon, edit-a-thon revealed that the network connections possible via the Internet platform of the event did not supersede the importance of face-to-face interaction and vernacular expression during the editing process. The results of my fieldwork found a clear ideological connection to the national event through the more localized satellite edit-a-thons. Both events pursue the consciousness-raising goal of information activism and the construction of a community that advocates for women’s visibility online.

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Kubik, Erica. "From girlfriend to gamer negotiating place in the hardcore/casual divide of online video game communities /". Bowling Green, Ohio : Bowling Green State University, 2010. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1260391480.

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Nasir, Sumaiya. "Finding voice through social media? : a critical analysis of women's participation in the online public sphere in India". Thesis, University of Canterbury. School of Language, Social and Political Sciences, 2014. http://hdl.handle.net/10092/9679.

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This thesis assesses the effectiveness of social media platforms, specifically Facebook and blogs, in facilitating women’s participation in the online public sphere in India. Discussion provides a literature review of the internet as a new public sphere and its impact and influence in enriching the existing public sphere in India. The study also reviews the relationship between the online public sphere and the role women play in this sphere through social media in India. The research is supplemented by a review study of the ‘India Against Corruption’ movement in order to demonstrate the case for the online public sphere. Moreover, the present study also provides a snap shot of how some blogs and Facebook pages are used by women. Taking as a case study the 2012 ‘Delhi gang rape’ incident, through a topical network analysis of the Facebook pages and blog articles, this research attempts to understand the role of these media in allowing women to discuss social issues and participate in the public sphere. Drawing from the analysis of blog contents and examining Facebook pages I demonstrate how the women’s voices inhabiting the online sphere are limited to a certain class and region. In the cases studied here respondents appeared to be predominantly urban and middle class. While the scope of the research is small, this is one of the first studies in the area, and the findings suggest that social media are becoming a significant communicative tool in India and that women are increasingly appropriating these technologies. The study also demonstrates that women are discussing issues which were previously considered as taboo like rape and sexual violence, albeit in small numbers. Lastly, I identify challenges limiting women’s participation in the emerging online public sphere in India.

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Mapes, Margarethe. "GLOBALIZED BACKLASH: WOMEN AGAINST FEMINISM’S NEW MEDIA MATRIX OF (ANTI) FEMINIST TESTIMONY". OpenSIUC, 2016. https://opensiuc.lib.siu.edu/dissertations/1163.

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Feminisms are oftentimes confronted with dissonance, resistance, and backlash. Invested in criticizing the cultural and institutional emergence of patriarchy and calls to re-order structures of inequality make feminism threatening to status quo power dynamics. “Women Against Feminism”—a social media phenomenon and space for women to post anti-feminist messages—began gaining notoriety in 2013. By 2015, “Women Against Feminism” expanded to multiple social media platforms, gained thousands of anti-feminist submissions, and received ample support and criticism across news outlets. This study explores “Women Against Feminism” as a potential site of 21st feminist backlash, noting nuanced rhetorical strategies that rely on fearing feminism, declarations of interpersonal and intrapersonal love, and co-opting feminist ideology to propagate anti-feminist narratives. I situate backlash as a communicative phenomenon of perception rather than a clear-cut movement reacting toward a stated goal of progress by a social group. In this way, feminist progress functions as an illusory cultural script where backlash reacts toward the perceived enactment of a feminist goal, rather than (although not excluding) the successful feminist execution of that goal. Thus, this study dually investigates what backlash strategies are used while also uncovering how differing audiences perceive feminism. Finally, I set forth a series of suggestive practical methods for feminist engagement across dissonance and difference.

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Van, der Schyff Karlien. "Screen bound/skin bound : the politics of embodiment in the posthuman age". Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/4139.

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Thesis (MA (English))--University of Stellenbosch, 2010.
ENGLISH ABSTRACT: The end of the second millennium saw a sudden return to corporeality, especially within feminist scholarship, where embodiment and issues surrounding the body were, for the first time, made explicit. This study examines the corporeal body in relation to technology and the impact that newly emerging virtual technologies have on our understanding of the body, not only through examining representations of the technologically modified body, but also by exploring how contemporary cultural practices produce corporeal bodies that view themselves as somehow integrated with technology. It focuses on the material artefacts of contemporary culture in relation to explicitly virtual technologies, both arguing for a return to corporeality and contesting the pervasive trope of disembodiment that characterises so-called “posthuman” age. This study thus takes one of the most popular metaphors for the relationship between the corporeal body and technology as its starting point, namely Donna Haraway’s cyborg figures. Following the publication of Haraway’s “A Manifesto for Cyborgs” (1985), the female cyborg became an icon of emancipation for many feminist scholars, who utilised Haraway’s cyborg discourse as a means of discussing the cultural practices that both construct and limit female gendered identity. Through closely examining the metaphor of Haraway’s cyborg figures in relation to cultural representations of female cyborg bodies, this study argues that, ultimately, the metaphor of the cyborg is inherently neither challenging nor liberating. It then examines the failure of the cyborg as an icon of postgenderedness in terms of its negation of the corporeal, as cyborg figures paradoxically only strengthen the same Cartesian dualism Haraway’s cyborg discourse attempts to deconstruct. It explores representations of three female cyborg figures found in contemporary popular culture to illustrate how the cyborg body’s negation of the corporeal only results in the reiteration of conventional gendered stereotypes, rather than liberation from oppressive gendered practices. Finally, this study examines the crucial interplay between the corporeal and the technological, not only when speaking of more imaginary cyborg configurations and tropes, but also when speaking of the physical reality of lived bodies and embodied experiences. By examining the increasingly embodied nature of cyberspace, this study explores possible alternatives to the figure of the hypersexualised and disembodied cyborg, through investigating new figurations with which to describe the embodied postmodern subject and his/her dependence on technology. Since the central task for a feminist ethics of embodiment would be grounded in the project of representing the female body, in such a way that it constructs autonomous women’s representations without falling prey to patriarchal, stereotypical or estranging images of women’s bodies, this study concludes with more useful methods of representing the corporeal body in relation to virtual technology through an appeal to an ethics of embodiment.
AFRIKAANSE OPSOMMING: Die einde van die tweede millennium het ‘n skielike belangstelling in beliggaamdheid ontlok, veral binne feministiese vakgeleerdheid, waar beliggaamdheid en kwessies rondom die ligaam vir die eerste keer eksplisiet gestel is. Hierdie studie ondersoek die stoflike liggaam in verhouding tot tegnologie en die invloed wat nuwe, virtuele tegnologiëe op ons begrip van die liggaam het, nie slegs deur voorstellings van die tegnologies-gemodifieërde ligaam te ondersoek nie, maar deur ook te kyk na hoe kontemporêre kulturele praktyke beliggaamde subjekte produseer wat huself op een of ander wyse as geïntegreerd met tegnologie sien. Die studie fokus op die materiële artefakte van kontemporêre kultuur in verhouding tot eksplisiet virtuele tegnologiëe. Dit bevorder ‘n terugkeer tot beliggaamdheid, terwyl dit teen die sogenaamde “postmenslike” era se mees kenmerkende troop van ontliggaamdheid argumenteer. Die studie begin dus deur een van die mees populêre metafore vir die verhouding tussen die liggaamlike en die tegnologiese te ondersoek, naamlik Donna Haraway se siborgfigure. Sedert die publikasie van Haraway se “A Manifesto for Cyborgs” (1985), het verskeie feministiese vakgeleerdes die vroulike siborg-figuur beide as ’n ikoon vir emansipasie beskou en gebruik om die kulturele praktyke wat vroulike geslagsidentiteit gelyktydig konstrueer én beperk te bespreek. Deur Haraway se siborg-figure met kulturele voorstellings van vroulike siborg-liggame te vergelyk, kom hierdie studie tot die gevolgtrekking dat die metafoor van die siborg inherent nóg uitdaagend nóg bevrydend is. Gevolglik ondersoek die studie die onbevoegdheid van die siborg-figuur as ‘n ikoon vir postgeslagtigheid in terme van die siborg-liggaam se negering van beliggaamdheid, aangesien siborg-figure op ‘n paradoksale wyse die selfde Cartesiaanse dualisme versterk wat Haraway se siborg-diskoers wou dekonstrueer. Dit ondersoek voorstellings van drie vroulike siborg-figure in kontemporêre populêre kultuur om te illustreer hoe die siborgliggaam se negering van beliggaamdheid slegs konvensionele geslagstereotipes versterk, eerder as om ons van beperkende, patriargale geslagspraktyke te bevry. Ten slotte ondersoek hierdie studie die deurslaggewende tussenspel tussen die ligaamlike en die tegnologiese, nie slegs in terme van meer denkbeeldige siborg tropes nie, maar ook in terme van die fisiese reailiteit van konkrete, beliggaamde lewenservaringe. Deur die toenemend beliggaamde kwaliteit van kiberruimtes te ondersoek, stel hierdie studie moontlike alternatiewe maniere voor om die postmoderne subjek en sy/haar afhanklikheid van tegnologie te beskryf, eerder as om op ontliggaamde en hipergeseksualiseerde siborg-figure staat te maak. Aangesien ‘n feministiese beliggaamde etiek gegrond is in ‘n projek om die vroulike liggaam op só ‘n wyse voor te stel dat patriargale, stereotipiese of vervreemdbare beelde van die vroulike liggaam vermy word, eindig hierdie studie met meer nuttige metodes om die stoflike liggaam in verhouding tot virtuele tegnologie voor te stel deur ‘n beroep tot ‘n meer beliggaamde etiek te maak.

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Seeger, Loren A. "The rest is still unwritten : female adolescents' cultivation of gender from MTV's reality television series "The Hills" through celebrity gossip blog commentary". Thesis, Manhattan, Kan. : Kansas State University, 2009. http://hdl.handle.net/2097/1482.

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Libri sul tema "Cyberfeminism"

Oesterhagen, Line. Cyberfeminism. London: LCP, 2001.

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Cyberfeminism 2.0. New York: Peter Lang Pub., 2012.

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Claudia, Reiche, e Kuni Verena, a cura di. Cyberfeminism: Next Protocols. New York: Autonomedia, 2004.

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Cyberfeminism and artificial life. New York: Routledge, 2003.

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1951-, Hawthorne Susan, e Klein Renate 1945-, a cura di. Cyberfeminism: Connectivity, critique and creativity. North Melbourne: Spinifex Press, 1999.

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Gelado, Rocío Gago. Ciberfeminismo en España: Discurso teórico y prácticas digitales. Sant Vicent del Raspeig: Instituto Universitario de Investigación de Estudios de Género, Universidad de Alicante, 2019.

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Lenhard, Monika. Netzöffentlichkeit in Russland: Die Nutzung des Internet durch die russländische Frauenbewegung. Bremen: Forschungsstelle Osteuropa an der Universität Bremen, 2003.

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Lagesen, Vivian Anette. Extreme make-over?: The making of gender and computer science. Trondheim: NTNU, 2005.

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Paterson, Nancy. Cyberfeminism: Mediaworks by Nancy Paterson : the Art Gallery of Peterborough, April 23-May 28, 1995. Peterborough, Ontario: The Gallery, 1995.

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Bonder, Gloria. The new information technologies and women: Essential reflections. Santiago, Chile: ECLAC, Women and Development Unit, 2003.

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Capitoli di libri sul tema "Cyberfeminism"

Hall, Kira. "Cyberfeminism". In Pragmatics & Beyond New Series, 147. Amsterdam: John Benjamins Publishing Company, 1996. http://dx.doi.org/10.1075/pbns.39.12hal.

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Silverman, Marissa. "Cyberfeminism and “Creativities”". In The Routledge Companion to Creativities in Music Education, 22–32. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003248194-4.

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Ramírez, Sandra Abd’Allah-Álvarez. "Practices of resistance and cyberfeminism in Cuba". In Practices of Resistance in the Caribbean, 215–26. Abingdon, Oxon ; New York, NY : Routledge, 2018. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315222721-12.

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Paasonen, Susanna. "From Cybernation to Feminization: Firestone and Cyberfeminism". In Further Adventures of the Dialectic of Sex, 61–83. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230109995_4.

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Weber, Jutta, Irene Aterido, Iskra Dimitrova, Claudia Draude, Miriam Engelhardt, Monika Graus, Martina Kenk et al. "Cyberfeminism Crossover: Talking about Intercultural and Interdisciplinary Experiences". In Feminist Challenges in the Information Age, 135–46. Wiesbaden: VS Verlag für Sozialwissenschaften, 2002. http://dx.doi.org/10.1007/978-3-322-94954-7_11.

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Gillis, Stacy. "Neither Cyborg Nor Goddess: The (Im)Possibilities of Cyberfeminism". In Third Wave Feminism, 185–96. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230523173_16.

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Cunningham, Carolyn M., e Heather M. Crandall. "Social Media for Social Justice: Cyberfeminism in the Digital Village". In Feminist Community Engagement, 75–91. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137441102_5.

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Patterson-Stephens, Shawna, e Nadrea R. Njoku. "What Black Cyberfeminism Teaches us about Black Women on College Campuses". In Black Feminist Epistemology, Research, and Praxis, 59–64. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003184867-8.

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Matsutoya, Mari. "Queering Miku. Cyberfeminism and the Art of Queering a Virtual Pop Star". In Jahrbuch für Musikwirtschafts- und Musikkulturforschung, 115–32. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-29706-0_7.

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Reiche, Claudia. "Cyberfeminismus, was soll das heißen?" In Gender Revisited, 173–87. Stuttgart: J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02878-5_9.

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Atti di convegni sul tema "Cyberfeminism"

Gorgodze, Tatiana Evgenievna, Anastasia Valerievna Dektyareva e Anastasia Nikolaevna Slavkina. "ABOUT THE ACTIVITIES OF FEMINISTS IN THE INTERNET SPACE (CYBERFEMINISM)". In Российская наука: актуальные исследования и разработки. Самара: Самарский государственный экономический университет, 2021. http://dx.doi.org/10.46554/russian.science-2021.02-1-169/174.

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Kandou, Alura Stacia, e A. G. Eka Wenats Wuryanta. "GENDER ENOUGH?: Cyber Identity and Gender Integrity in Cyberspace with Cyberfeminism Perspectives". In International Conference on Anti-Corruption and Integrity. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0009400100760081.

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