Letteratura scientifica selezionata sul tema "Culture populaire – France – 1990-2020"
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Articoli di riviste sul tema "Culture populaire – France – 1990-2020"
Berthold, Étienne, e Marie-Josée Verreault. "Vivre l’objet patrimonial. Les fêtes de la Nouvelle-France". Recherche 47, n. 1 (3 ottobre 2006): 95–114. http://dx.doi.org/10.7202/013643ar.
Testo completoMaldavsky, Aliocha. "Financiar la cristiandad hispanoamericana. Inversiones laicas en las instituciones religiosas en los Andes (s. XVI y XVII)". Vínculos de Historia. Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, n. 8 (20 giugno 2019): 114. http://dx.doi.org/10.18239/vdh_2019.08.06.
Testo completoFlores, Silvana. "Otros modos de escribir la historia del cine: la cinematografía mexicana según tres documentales de los últimos años". Fotocinema. Revista científica de cine y fotografía, n. 20 (29 gennaio 2020): 165. http://dx.doi.org/10.24310/fotocinema.2020.v0i20.7598.
Testo completoBelozerov, Vasily K. "Clausewitz, War, and Meaning Formation: Raymond Aron’s Experience of Philosophical Reflection". Russian Journal of Philosophical Sciences 63, n. 1 (27 maggio 2020): 40–65. http://dx.doi.org/10.30727/0235-1188-2020-63-1-40-65.
Testo completoAntropova, Nataliya D. "HISTORICAL AND PHILOSOPHICAL ASPECTS IN THE RENEWAL OF THE LANGUAGE OF CHURCH MONUMENTAL PAINTING IN FRANCE AT THE TURN OF THE 20th CENTURY ON THE EXAMPLE OF PAINTINGS BY MAURICE DENIS". Architecton: Proceedings of Higher Education, n. 3(71) (29 settembre 2020): 21. http://dx.doi.org/10.47055/1990-4126-2020-3(71)-21.
Testo completoByrnes, Joseph F. "Reclaiming the Sacred: Lay Religion and Popular Politics in Revolutionary France. By Suzanne Desan. Ithaca, N.Y.: Cornell University Press, 1990. xv + 262 pp. $33.50." Church History 63, n. 1 (marzo 1994): 120–21. http://dx.doi.org/10.2307/3167863.
Testo completoBajnai, László, e Attila Józsa. "A Few Chapters of the Earlier History of Operational Urban Development in Central Europe". Acta Universitatis Sapientiae, European and Regional Studies 18, n. 1 (1 febbraio 2020): 11–28. http://dx.doi.org/10.2478/auseur-2020-0008.
Testo completoGibson, Ralph. "Reclaiming the Sacred. Lay religion and popular politics in revolutionary France. By Suzanne Desan. (The Wilder House Series in Politics, History, and Culture.) Pp. xv + 262 incl. frontispiece, 3 ills and 5 maps. Ithaca-London: Cornell University Press, 1990. $35.50. 0 8014 2404 6". Journal of Ecclesiastical History 43, n. 4 (ottobre 1992): 672–73. http://dx.doi.org/10.1017/s0022046900002244.
Testo completoLacerda, Wania Maria Guimarães. "Estudantes de camadas populares e a afiliação à universidade pública (Students from working classes and their affiliation to the public university)". Revista Eletrônica de Educação 13, n. 2 (10 maggio 2019): 572. http://dx.doi.org/10.14244/198271992541.
Testo completoPablo González, Juan. "Editorial". Contrapulso - Revista latinoamericana de estudios en música popular 5, n. 2 (10 novembre 2023): 1–3. http://dx.doi.org/10.53689/cp.v5i2.227.
Testo completoTesi sul tema "Culture populaire – France – 1990-2020"
Pattieu, Sylvain. "Mouvement syndical et tourisme populaire en France (1945 – années 1980) : le cas de "Tourisme et travail"". Paris 8, 2007. http://www.theses.fr/2007PA083724.
Testo completoThe confluence of French trade union confederation and tourism through social tourism associations linked to them was part of the instauration of a wage-earning society that reached its peak during “les Trente Glorieuses”, the thirty-year boom period after World War II. From 1945 on to the 1980s, to meet the new needs of the workers, trade unions set up a system of association-based holyday organisation, in a form influenced by the experience of Tourisme et Travail, closely linked to CGT. They tried to assign tourism a meaning beyond a mere leisure activity and in collaboration with elected workers’ councils, endowed themselves with installations and equipments in France and abroad; in this undertaking, they were supported by growing investments of public authorities. A small militant elite coming from trade unions specialised in tourism and was in charge with providing nominal earnings to its working-class users. Acting both as service providers and protest movements, at the crossroads between trade-unionism and the tourism market, these associations had to manage the contradictions between the initial project of popular education and re-appropriation by users. In the 1980s, changes in the social, political and economical situation led to serious difficulties. Enjoined to choose between a cultural project – at the expense of a social concern – and their role in assisting the poorest, associations had to give up their objectives of popular education. Tourisme et travail, going bankrupt, turned into a commercial company. The market, in the context of social or solidarity economy, then represented a way to change activity for individuals or organisations coming from the trade union movement and social tourism
Bazin, Maëlle. "Dessiner la liberté d'expression face au terrorisme : sémiotique et sociologie des pratiques graphiques en hommage aux victimes des attentats de « Charlie Hebdo » (France, janvier 2015)". Electronic Thesis or Diss., Université Paris-Panthéon-Assas, 2023. http://www.theses.fr/2023ASSA0078.
Testo completoCombining contributions from the semiotics of images, the anthropology of the written word and media studies, this research focuses on a corpus of several hundred drawings produced in response to the Islamist terrorist attacks of January 2015 in the Île-de-France region. It establishes the extent to which the drawing, as an auxiliary and subject of discourse of popular mobilisations, constitutes a vector of cohesion between French people. The first part of the thesis shows how the attacks of January 2015 constitute a pivotal moment in remembrance practices in France and explains the connections and originality of this doctoral research. Following on from work on the sociology of the attacks, this thesis focuses primarily on the visual dimension of the messages, an aspect that has been little explored until now. The second part examines the media treatment of the attacks, looking at how the framing of an attack on freedom of expression affects the ways in which the French press and television engage the public. The third part analyses a large amount of empirical material from a number of French public and private archives. It takes account of the plurality of graphic practices and forms of politicization in three specific communication devices: ephemeral memorials in three provincial towns, walls in the capital and letters sent to the editorial staff of Charlie Hebdo
Sayegh, Pascal. "Nationalism as a s social imaginary : negotiations of social signification (dis) integrating discourses in Britain, France and Poland". Thesis, Lyon 3, 2011. http://www.theses.fr/2011LYO30010/document.
Testo completoSince 1989, nationalism has once again become a major discursive theme in European public and political spaces. Nationalism has thus become “banalised” (according to Michael Billig), relegating the complexities of social histories to mere cultural ‘Others’. The common origin of the resulting social and symbolical tensions can be found in the promotion of State-centred nationalist discourses. The dominant discourse on national identity aims for the reproduction of a continuity of traditional national values and histories in reaction to the threat it perceives in the presence of multiple ‘Others’. This transversal study presents a social-historical analysis of the endurance of national imaginaries and of the modern paradigm of exclusion they reproduce. By elaborating a theoretical framework as an open system (Edgar Morin) to make sense of the complex relations between texts, ideology and the social imaginary, the aim of the thesis is the analysis of the dynamic symbolic promotion, expression and contestation – negotiations of social signification – of national imaginaries. Basing on the study of texts expressing these negotiations, the formation and consolidation of British, French and Polish national imaginaries in the late modern period is articulated through this framework. The analysis then focuses on mainstream political discourses in Britain, France and Poland between 2004 and 2009 which is contrasted with the analysis of contemporary texts of popular culture
Etiemble, Angélina. "Familles et filles marocaines à Rennes : enjeux et jeux de miroirs : ethnicité et culture". Rennes 2, 2002. http://www.theses.fr/2002REN20013.
Testo completoThe Moroccans are the most important foreign group in Rennes. Located in circumscribed enough sectors of the city, their sociability show a real community life, often felt as in a heavy burden by the girls. They know a family socialization which is largely "ethnicized" by the first generation, mothers especially in charge for their well-educated. In the migratory context, the parental injunctions concerning respect of the "marocanity" ("In our country, the Moraccan women act in such and such way", "You are not a Frenchwoman") draw the "internal" face of the Moroccan ethnicity, while the stereotypes of the French society related to the "Arab" girls (or "Muslim women", "North African women") constitute the "external" face of it. Defining themselves as Moroccan women descendants of immigrants are keen through their behaviour to show conformity with the family standards and values. This is particularly obvious in the field of "exits", leisure, practice of "Islam" or "choice of the spouse". But the fieldwork and the interviews with theses girls provide more informations on their ethnicity : it is built following the "double ascription" principle, on the one hand, the parents'directives and, on the other hand, the French society (girls "locked up", "submissive", "married by force" or, on the contrary, "in rebellion"). Firstly their constant references to "modern" Morocco (more permissive than "traditional" Moroccan immigrants) enable them to legitimate their "misconducts" without betraying their membership of a minority society. Secondly, when confronted to stigmatizing stereotypes of the majority society on the importance of Islam and marriage in their life, they refuse either to reject their families values or to support them and, finally, they adopt an "emotional" register ("the respect due to their parents", "the protection of their honour") to solve this dilemma
Rakotonoelina, Florimond. "Un modele d'analyse linguistique des representations des cultures a partir des textes de la culture informatique (presse et manuels)". Paris 3, 2000. http://www.theses.fr/2000PA030169.
Testo completoMontillet, Louis. "Jean Vilar, de la tradition théâtrale à l'utopie nécessaire : contribution à l'étude de la pensée de Vilar conduite à la lumière de ses textes". Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR3ET01/document.
Testo completoThe image of the man of the theatre Jean VILAR remains quite reductive today. It can besummed up in two words: Avignon, TNP. The study aims erasing this caricature, it tries to recover VILAR’s course in full: getting out of the legend and back to history. Training, influences, hesitations, deadlocks, difficulties all along his way before he met the theatre. In other words, revealing the itinerary of a man and not a mere icon. An itinerary as well, that of the practitioner and of the thought that grew out of a twenty five years’ career in theatrical work. Within the three components he considers as the very main points of his art – repertoire, creation, audience – does VILAR display a univocal thought or on the contrary does he let one have an inkling of breakings or even of contradictions? Led from his texts – both written and oral – published or unpublished, the study shows a VILAR who is much more complex than the image that remains of him allows one to suspect. Sometimes rather difficult to grasp, built up on doubts and certitudes, ill-being and self-assurance, shyness and pride, failures and successes, such is the man who left an indelible mark on the theatre of the middle of the twentieth century
Lechaux, Bleuwenn. "Scènes et répertoires des engagements des mondes du théâtre : une comparaison New York-Paris". Rennes 1, 2011. http://www.theses.fr/2011REN1G037.
Testo completoThis research deals with theatre professionals’ involvements in political causes, in France and the United States (mainly Paris and New York), specifically since the 1990s. Our main argument consists in demonstrating that the involvements of theatre artists are professionally structured. This questioning enables us to cast light both on involvements through the prism of theatre professions, and on theatre professions through the prism of involvements. The thesis aims to demonstrate that the types (« professional », « peri-professional », « extra-professional »), the modalities (individual, collective) and the forms of involvements (petition, artistic street action, « activist » play, « political » play) can be explored through the lens of the double positioning of artists, both in the theatre field (professional hierarchies, differentiated systems of legitimization and artistic recognition, etc. ), and within their artistic career (beginning of career, « ascending career », well-established career). By inviting analysis of transversal and idiosyncratic realities, comparative research enables us to put theoretical hypotheses to the test, and, thereby, makes possible the transition from a descriptive to an analytical point of view. The architecture of the thesis combines the dimensions of the professional structuration of involvement in different ways : first, the macro-structural level, both historic and spatial (part I) ; then, the level of trajectories and professional and involvement careers (part II) ; and finally, the level of the artistic forms of involvement (part III)
Tannouri, Fadi. "La communauté libanaise en France, diversité ethnique et adaptation". Paris 5, 2000. http://www.theses.fr/2000PA05H050.
Testo completoGosselin, Ronald. "Les almanachs républicains : traditions révolutionnaires et culture politique des couches populaires de Paris (1840-1851)". Doctoral thesis, Université Laval, 1990. http://hdl.handle.net/20.500.11794/17628.
Testo completoGeorges, Pierre-Marie. "Ancrage et circulation des pratiques artistiques en milieu rural : des dynamiques culturelles qui redessinent les ruralités contemporaines". Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE2156/document.
Testo completoBy drawing attention to new objects and actors, artistic practices are a fruitful entry point for rethinking current dynamics of French rural life. This thesis interrogates cultural development in relation to recent social and institutional changes in rural areas, without isolating such areas from social relations or the geographical spaces that underlie them. If culture appears as a distinction argument in a context of territorial competition, it intersects with a residential logic and an openness of rural actors to the cultural field. This, in turn, can initiate dynamic interactions with artists and various professionals. Such “creatives,” always on the search for new living and working spaces, are increasingly moving to rural areas, where they cooperate with the latter’s respective associations and amateur practices. Thus, contrary to a sectoral methodology, we consider this topic with a multipolar approach of culture, in order to understand how artistic actors distinguish territories, and how these territories become, in return, renewed living spaces. To overcome the usual boundaries of local development, we have chosen to put forward the multiple scales of rurality by considering artists as actors in motion, who play with various territorial resources. The microsocial approach makes here possible to think the local in its interfaces, its networks and its mobilities. And this return to the site shows the impact that artists can have on the definition of rurality itself, thus engaging to a broader reflection on the status of rural space in society. One of the originalities of this thesis is to use a qualitative method centered on artists’ analyses of their own positioning and strategies, vis- à-vis contemporary transformations of knowledge, spaces and creative practices in rural areas. Through an approach that correlates rural contexts and scales of analysis, this thesis shows the role of art spaces in the rural fabric and the way they contribute to the emergence of new articulations between rural areas and metropoles
Libri sul tema "Culture populaire – France – 1990-2020"
1950-, Gaffney John, e Kolinsky Eva, a cura di. Political culture in France and Germany. London: Routledge, 1991.
Cerca il testo completourdu. mehreen, 2010.
Cerca il testo completoGaffney, John, e Eva Kolinsky. Political Culture in France and Germany: A Contemporary Perspective. Taylor & Francis Group, 2014.
Cerca il testo completoGaffney, John, e Eva Kolinsky. Political Culture in France and Germany: A Contemporary Perspective. Taylor & Francis Group, 2014.
Cerca il testo completoGaffney, John, e Eva Kolinsky. Political Culture in France and Germany: A Contemporary Perspective. Taylor & Francis Group, 2016.
Cerca il testo completoPolitical Culture in France and Germany: A Contemporary Perspective. Taylor & Francis Group, 2014.
Cerca il testo completoJohansen, Bruce, e Adebowale Akande, a cura di. Nationalism: Past as Prologue. Nova Science Publishers, Inc., 2021. http://dx.doi.org/10.52305/aief3847.
Testo completoCapitoli di libri sul tema "Culture populaire – France – 1990-2020"
Madden, Oneil, e Anne-Laure Foucher. "Connecting cultures and participation through WhatsApp: assessing students’ perception in the ClerKing telecollaborative project". In CALL for widening participation: short papers from EUROCALL 2020, 201–7. Research-publishing.net, 2020. http://dx.doi.org/10.14705/rpnet.2020.48.1189.
Testo completo"Within this field of serial fiction, American product leads, French ranks second, and British third. This triangular force field explains Neighbours’s anomalous position in the French market. American serial fiction is, in the form of Dallas especially, very well known in France. Such American imports are treated with a culturally characteristic ambivalence: admiration for the narrative drive and polish of American product counterposed by distaste for its spectacularization and superficiality. As seen with reference to the American market, a serial fiction market dominated by Dallas and Santa Barbara offers a less than congenial soil for a Neighbours to take root. French serial fiction production offers few more televisual referents to make Neighbours accessible/familiar/popular on French screens. Crucial here is a long history of French distaste for continuous television serial fiction: “you might say that French serial fiction quickly runs out of steam” (Bianchi 1990: 92). One French forte in this field is the series, the sequence of narratively discrete stories engaging the same characters (more or less) across (usually) weekly transmissions for some months. The best known examples are Les cinq dernières minutes, dating from 1958, Commissaire Moulin, and Maigret. Besides the series, the other forte of French television serial production is the mini-series. And the reasons underpinning the dominance of these two modes, especially the mini-series, will explain both the limited field of the French soapscape and the difficulties for a Neighbours. First, a cultural snobbery attaches to the mini-series, indicated by one critic’s sneering at the genre as representing “a serial of interminable insipidity, the television equivalent of the photo-novel or romance, destined above all to housewives [sic]” (Oppenheim 1990: 43; the sexism of this account may further point to certain assumptions about soaps among French television executives). High(er) cultural literature, in other words, commonly supplies the mini-series’ source material and cultural cachet. Second, then, French television scriptwriters have long traditions of the skills of literary compression and visualization of the psychological, skills which would be seen as wasted on scripting soaps. A further occupational/industrial factor working against the imminent success of soaps focuses on the reluctance of directors of mini-series and longer series to cede the dominant creative role to scriptwriters, the major creative force in continuous serials. And finally, actors in a country with vibrant film and theater industries are loath to commit themselves to the lengths of term required by soaps (Bianchi 1990: 96). These factors militate against the continuous fictional serial which involves a large number of characters engaged by multiple, interweaving plot strands of indeterminate duration and with limited resolution at the end of any given episode (usually 30 minutes long, and often stripped across three–five days weekly). Thus there were, at the time of Neighbours’s launch on French television, only four home-grown French soaps, of which the longest-running, Voisin, voisine, launched by La Cinq in September 1988, ran to only 360 episodes; contrast the British Coronation Street which started in 1960 and is still going! French soaps, then, “were far from proven successes” (A.W. 1989: 7). “The French have been uneasy about soaps” (Pélégrin". In To Be Continued..., 126. Routledge, 2002. http://dx.doi.org/10.4324/9780203131855-28.
Testo completoRapporti di organizzazioni sul tema "Culture populaire – France – 1990-2020"
BONJOUR, Lucas, Myriam STERNBERG e Élisabeth VEYRAT. Study of Cod reserves from the La Hougue Battle Shipwrecks (1692) through ichthyofauna remains: Supply and food aboard. Honor Frost Foundation, 2023. http://dx.doi.org/10.33583/mags2021.02.
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