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Letteratura scientifica selezionata sul tema "Cultural policy"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 29 luglio 2024

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Articoli di riviste sul tema "Cultural policy"

Ooi, Vicki. "The best cultural policy is no cultural policy: Cultural policy in Hong Kong". European Journal of Cultural Policy 1, n. 2 (aprile 1995): 273–87. http://dx.doi.org/10.1080/10286639509357986.

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TROTTER, R. "Cultural Policy". Year's Work in Critical and Cultural Theory 5, n. 1 (1 gennaio 1995): 256–73. http://dx.doi.org/10.1093/ywcct/5.1.256.

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TROTTER, R. "Cultural Policy". Year's Work in Critical and Cultural Theory 7, n. 1 (1 gennaio 1997): 238–64. http://dx.doi.org/10.1093/ywcct/7.1.238.

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TROTTER, R. "Cultural Policy". Year's Work in Critical and Cultural Theory 8, n. 1 (1 gennaio 2001): 155–71. http://dx.doi.org/10.1093/ywcct/8.1.155.

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Campbell, Tom. "Cultural policy". Cultural Trends 24, n. 1 (2 gennaio 2015): 93–94. http://dx.doi.org/10.1080/09548963.2014.1000595.

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Mercer, Colin. "Cultural Policy". Media Information Australia 73, n. 1 (agosto 1994): 16–22. http://dx.doi.org/10.1177/1329878x9407300106.

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Dunn, Kevin M. "Cultural Geography and Cultural Policy". Australian Geographical Studies 35, n. 1 (marzo 1997): 1–11. http://dx.doi.org/10.1111/1467-8470.00002.

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Hesmondhalgh, David, e Andy C. Pratt. "Cultural industries and cultural policy". International Journal of Cultural Policy 11, n. 1 (marzo 2005): 1–13. http://dx.doi.org/10.1080/10286630500067598.

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Hadley, Steven, e Eleonora Belfiore. "Cultural democracy and cultural policy". Cultural Trends 27, n. 3 (27 maggio 2018): 218–23. http://dx.doi.org/10.1080/09548963.2018.1474009.

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Chung, Hong Ik. "Cultural Policy and Development in Korea". Korean Journal of Policy Studies 7 (31 dicembre 1992): 1–7. http://dx.doi.org/10.52372/kjps07001.

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Abstract (sommario):

Although the importance of interfacing development with culture had long been recognized by policy makers and development planners, analysis of national development plans and activities shows that many developing countries have not accorded to culture a central place either as an object or an instrument of development. Korea has not been an exception to this. The typical thinking among the early policy planners in fact was that traditional values and institutions have placed too much emphasis on the spiritual, cultural aspect of a person or society to the point of disregarding and even neglecting the material needs. The backwardness of the nation owed, they believed, much to the overemphasis upon the spiritual and cultural value at the expense of the material well-being of the people. The materialistic culture of the west on the other hand was assumed to have enabled their societies to develop rapidly through industrialization.

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Tesi sul tema "Cultural policy"

Chio, U. Ieong. "Inspiration from the Czech Cultural Policy to Macau Cultural Policy". Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-263164.

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Tato diplomová práce se zabývá analýzou dokumentů Zvláštní správní oblasti Čínské lidové republiky - Macao v oblasti kulturní politiky za období od předání tohoto území zpět Číně do dneška. V první části se věnuje shrnutí současné společenské, ekonomické, politické a kulturní situace v Macao a na základě faktů a pozorování analyzuje současné otázky v oblasti rozvoje kulturního sektoru Macaa. V závěru se pokouší aplikovat do kulturního systému Macaa použitelné principy z kulturní politiky České republiky jakožto země s hlubokou kulturní tradicí. Práce se snaží nacházet rozdíly a podobnosti mezi situací a kulturní politikou České republiky a Macaa, a tato zjištění použít jako inspiraci pro rozvoj kultury v Macao.

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McConnell, Bridget. "Cultural policy? - whose cultural policy? : players and practices in a Scottish context". Thesis, University of Stirling, 2009. http://hdl.handle.net/1893/1226.

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This research is concerned with how cultural policy is made in contemporary Scotland. Focussed on deciphering and understanding the actions, behaviours, meanings and performances of those involved in cultural policy making and how a cultural policy community is created and maintained, a qualitative research approach was adopted. As such, the research is based on semi-structured interviews with fifteen key players from the cultural policy community The influence and application of a range of theoretical perspectives shaped my data analysis and research outcomes in significant ways, leading me away from an initial positivist approach - where I had hoped for a ‘cultural policy making toolkit’ to emerge from the data - to a more nuanced understanding of the complex and unpredictable dynamics at play in cultural policy making. In particular, writings broadly defined as within the postmodern camp - namely those of Foucault, Derrida, Deleuze and Guattari - provided the possibility of new paradigms for the discussion and understanding of cultural policy making, leading me to unexpected insights into cultural policy making processes. Key findings relate to the characters and their performances within the cultural policy community as well as the spaces where cultural policy is created. Firstly, the significance and impact of key players emerged as having less to do with their perceived status, influence or professional positions, than their ability to construct a ‘cultural policy’ identity, attune themselves to, engage with and affect an ever changing and fluid policy environment. Paradoxically, the data revealed that those who appeared at first sight to be the most powerful and influential often emerged as the least so. Notably, the most effective players seemed to be those who invested in their sense of self and social identities and roles, clearly articulated values, principles and beliefs, bringing an authenticity to their performances in the cultural policy sphere. In addition these players demonstrated an almost intuitive understanding of the power of myth and storytelling in the construction of cultural policy. Similarly, the most significant cultural policy spaces were not where I had thought them to be - for example, public agency boards and political committees - but rather in the more amorphous spaces of gossip, ‘off-the-record’ comments, newspaper commentary and opinions, networks and the assumed meanings in both the said and unsaid. My data also reveal an active engagement in the ‘public domain’ by the cultural policy community, a space that is constructed and defined by meanings, signs and values - the substance and language of cultural policy. Finally, it is the performances of actors in the cultural policy spaces that bring cultural policy into being. The data disclose the power of speaking and writing in shifting and disrupting perceptions, views and interpretations, and in creating different spaces of encounter and creativity, leading to new understandings and unintended cultural policy directions. Indeed, my data suggest that it is more often than not the accidental happenings, productive outcomes of inadvertent actions, incubation of ideas and serendipity, that lead to the most effective and affective cultural policy outcomes - rather than the formulaic and process driven approaches required of local and national government and its agencies in the name of public accountability. The main implications of my research and recommendations for future action include: the desirability of wider dissemination of cultural policy research to practitioners, and an increase in practitioner-led research; recognition of the diversity and potential of atypical and informal cultural policy spaces; and the need for professional development opportunities and programmes to take cognisance of the latent resource inherent in practitioners who, with some encouragement, confidence-boosting and on occasion guidance in developing themselves as ‘readers’ of cultural policy discourse, could contribute to a more active and engaged cultural policy community.

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Jones, Tod. "Indonesian cultural policy, 1950-2003: culture, institutions, government". Thesis, Curtin University, 2005. http://hdl.handle.net/20.500.11937/403.

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This thesis examines official cultural policy in Indonesia, focussing on the cultural policy of the national governments from 1950 until 2003. Drawing on Michel Foucault’s writings about government and debates about cultural policy in Cultural Studies, the study proposes that the features of cultural policy in Indonesia are primarily determined by the changing ways that the state has put culture to work in its versions of modern governance. Part I of the thesis provides a history of official cultural policy, including a background chapter on the late colonial era and the Japanese occupation. Although contemporary cultural policy was first articulated within Western liberal democracies to shape self-governing national citizens, the Dutch colonial cultural policy differed in that it assumed indigenous subjects had reduced capacities and focussed on managing ethnic populations. The cultural policies of subsequent governments maintained the twin imperatives of ‘improving’ individuals and managing populations, but with different understandings of both imperatives. While a more autonomous subject was assumed during Constitutional Democracy, Guided Democracy exercised greater state guidance as part of Sukarno’s mobilisation of the population behind his political program. Cultural policy during the New Order era rejected Sukarno’s ‘politicisation’ of culture, replaced ‘improvement’ with ‘development’ and further strengthened the role of the state in providing cultural guidance, a move justified by designating Indonesians backward by modern standards.The Japanese administration was the first government to address a national population. Relations among indigenous ethnic populations and between ethnicity and the nation were addressed in cultural policy from 1956 and were central to cultural policy throughout the New Order era. Part II of the thesis consists of two case studies of cultural programs in the New Order and Reform eras: (1) the arts councils and cultural parks and (2) a cultural research project. It explores New Order centralism, demonstrating the heterogeneity between different levels of the state and how governmental goals imbued particular practices and objects with special significance and meaning by constructing them as culture. Cultural policy in the post-Suharto period is addressed in both Parts I and II. While the practices of the New Order era are generally continuing, decentralisation created the possibility of a plurality of cultural policies across Indonesia, as lower levels of government are responsible for administering cultural policy. Decentralisation could result in a more participatory cultural policy as more cultural practices are addressed or a narrowing of cultural policy if conservative ethnic identity politics drives changes.

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Jones, Tod. "Indonesian Cultural policy, 1950-2003 : culture, institutions, government /". Curtin University of Technology, Department of Media and Information, 2005. http://espace.library.curtin.edu.au:80/R/?func=dbin-jump-full&object_id=16663.

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Abstract (sommario):

This thesis examines official cultural policy in Indonesia, focussing on the cultural policy of the national governments from 1950 until 2003. Drawing on Michel Foucault’s writings about government and debates about cultural policy in Cultural Studies, the study proposes that the features of cultural policy in Indonesia are primarily determined by the changing ways that the state has put culture to work in its versions of modern governance. Part I of the thesis provides a history of official cultural policy, including a background chapter on the late colonial era and the Japanese occupation. Although contemporary cultural policy was first articulated within Western liberal democracies to shape self-governing national citizens, the Dutch colonial cultural policy differed in that it assumed indigenous subjects had reduced capacities and focussed on managing ethnic populations. The cultural policies of subsequent governments maintained the twin imperatives of ‘improving’ individuals and managing populations, but with different understandings of both imperatives. While a more autonomous subject was assumed during Constitutional Democracy, Guided Democracy exercised greater state guidance as part of Sukarno’s mobilisation of the population behind his political program. Cultural policy during the New Order era rejected Sukarno’s ‘politicisation’ of culture, replaced ‘improvement’ with ‘development’ and further strengthened the role of the state in providing cultural guidance, a move justified by designating Indonesians backward by modern standards.
The Japanese administration was the first government to address a national population. Relations among indigenous ethnic populations and between ethnicity and the nation were addressed in cultural policy from 1956 and were central to cultural policy throughout the New Order era. Part II of the thesis consists of two case studies of cultural programs in the New Order and Reform eras: (1) the arts councils and cultural parks and (2) a cultural research project. It explores New Order centralism, demonstrating the heterogeneity between different levels of the state and how governmental goals imbued particular practices and objects with special significance and meaning by constructing them as culture. Cultural policy in the post-Suharto period is addressed in both Parts I and II. While the practices of the New Order era are generally continuing, decentralisation created the possibility of a plurality of cultural policies across Indonesia, as lower levels of government are responsible for administering cultural policy. Decentralisation could result in a more participatory cultural policy as more cultural practices are addressed or a narrowing of cultural policy if conservative ethnic identity politics drives changes.

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Glover, Stuart. "Literature and cultural policy studies /". [St. Lucia, Qld.], 2006. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19342.pdf.

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Langen, Floris Antal Freek. "EU cultural policy 1974-2007". Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/2149/.

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The development of EU cultural policy has been characterised by a high degree of continuity. The objectives underlying present-day policy actions can be traced back to historical roots that date back to the mid-1970s. Since the first cultural actions were taken, EU cultural policy has had multiple objectives. Involvement in the cultural field has been justified on the basis of economic, social, political and, to a certain extent, cultural arguments. Although there have been shifts in accents and priorities, these various justifications can be found to co-exist throughout the process. In more recent times, the contribution of cultural actions to the emergence of European citizenship has emerged as a more dominant theme. Although peaks in expansion can be seen, Community involvement in the cultural field has overall developed through a slow process of developments and adjustments through relatively small-scale actions. As the Member States have retained much of their control over this area, policy development has been restricted to a limited range of actions for which only a narrow budget has been available. Given the dominance of the subsidiarity principle in all Community actions in the cultural field, the main policy mode has by necessity been one of consensus-seeking between actors with at times conflicting interests. However, over time the main priorities of all actors have become more or less aligned, so that the continuity of policy appears to be safeguarded. Recent developments suggest that culture has gradually come to take up a more prominent role within EU policies. However, consensus will continue to dominate the general approach as far as the development of Community actions is concerned.

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Groves, Leroy. "The politics of cultural policy". Thesis, University of Sheffield, 2001. http://etheses.whiterose.ac.uk/3504/.

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Over the past twenty years the arts and culture have become a popular vehicle through which local economic development can be pursued. Whilst this relatively new local economic development tool has generated much interest amongst academics, many have been content to simply provide descriptive accounts of its development. Where theoretical frameworks for analysis have been applied, they have failed to adequately examine and assess those local factors which have contributed to the development of these strategies. Interestingly, the evolution of arts policy as a vehicle through which to pursue economic development, has been mirrored by proliferation In coalitions as preferred vehicles through which governing decisions, at the local level are effected. Current debates surrounding the New Urban Politics have focused on the degree to which current modes of governance reflect: widened representation; increased community empowerment; and increased local autonomy. By employing regime theory as a framework for analysis, this thesis will examine how those local political factors in two cities have influenced the development of cultural strategy. Such an exercise will enable a comment to be made on the degree to which cultural strategies reflect more co - operative forms of decision making, increased access to new forms of expertise and community empowerment.

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Reilly, Justine Nicola. "Sport, museums and cultural policy". Thesis, University of Central Lancashire, 2014. http://clok.uclan.ac.uk/11324/.

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Britain is widely considered to be the birth place of modern sport. Given this fact, it could be expected that the representation of sport within British museums would be extensive. However, the discussion of sport in museums within the existing literature is limited at best and, where it does occur, has a focus primarily on sport specific museums. Therefore, this thesis examines the development of sport in museums and the motivations and barriers which have influenced its development. Placing sport in museums within the wider context of cultural policy between the period of 1997 and 2012, the study explores the impact of sport in museums within wider social and economic agendas. Due to the lack of existing evidence concerning the subject area, the study draws on extensive fieldwork conducted by the author with individuals working in the fields of cultural policy, museum practice, and academia. In addition, focus groups and questionnaires were carried out with members of the public to ascertain perceptions towards sport as a subject matter for museums and the potential of sport to increase and change museum audiences. In addition, there is an in-depth evaluation of the Our Sporting Life exhibition programme in order to establish the impact of sport in museum against the widely used museu-m methodology frameworks, the Generic Learning *Outcomes and Generic Social Outcomes. The findings of this research demonstrate that sport in museums responds to a range of wider cultural policy objectives which support economic and social outcomes. These include: improving individual’s knowledge and understanding; providing enjoyment; supporting health and well-being agendas; and building stronger communities. In addition, the evidence establishes that sport attracts new and different audiences to museums and suggests that this may impact on the visiting habits of these individuals in the long-term. However, the findings also demonstrate that there are significant barriers to the delivery of sporting exhibitions in museums, most notably access to sufficient funding and inadequate knowledge and availability of relevant sporting collections. Therefore, this thesis presents the first conclusive evidence that sport in museums is both relevant and valuable as a subject matter for museum discourse, and argues that this alone suggests a need for increased funding to support further development of activity in this field.

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Pham, Hien-Thuc T. "Culture and Fiscal Policy". Thesis, Griffith University, 2019. http://hdl.handle.net/10072/386765.

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This thesis, structured around three empirical studies, examines how culture affects policy and economic outcomes in a sample of 62 developed and developing countries spanning the period 1980-2015. More specifically, the studies investigate different cultural traits and their impacts on various outcomes such as fiscal policy choice, fiscal response to cyclical fluctuations and economic volatility. In so doing, this thesis enriches the emerging literature on the economics of culture and the political economy literature to examine: (i) how cultural differences can explain variation in different aspects of fiscal policy across countries, (ii) how culture and fiscal policy jointly determine economic volatility and (iii) the stabilising role of fiscal policy. The first two research areas have remained largely unexplored in the literature whilst the third is still under intensive debate given a lack of consensus among researchers. The first study focuses on the role of culture in determining the size of government. To that purpose, three theoretical hypotheses on the relationship between “thrift” (the proxy of culture) and government consumption are tested using panel data. Data for thrift and other culture variables used in this thesis are from the World Values Survey. Thrift represents the wise management of money and resources and it is also a summary concept for all psychological factors that affect saving. The main finding of this study is that government consumption is higher in thriftier countries, which is put down to thrifty individuals preferring to substitute their own consumption with government consumption, thus resulting in increased private savings and larger governments. The positive effect of thrift on government consumption, however, weakens in more corrupt societies. The second study extends the aforementioned investigation in considering culture as a driver of fiscal policy. Of particular interest is the extent to which fiscal policy is used countercyclically in order to stabilise the business cycles, with the emphasis on the downside of the cycles. Therefore, this study concentrates on the discretionary fiscal expenditure rather than the total government size. The relevant culture proxy captures individuals’ attitude towards economic stability, denoted in this thesis as “stability preference”. Estimations using both panel and cross-sectional models report that a stronger cultural preference for stability effectively results in governments increasing expenditure to counter negative cyclical shocks. This in turn makes fiscal policy more countercyclical. The third study more generally examines the relationship between cultural and economic volatility. In particular, the chapter tests the proposition that societies with a higher level of “trust” tend to trade and invest more, thus leading to more diversified economic structures that are less vulnerable to idiosyncratic shocks. This high trust – low volatility hypothesis is tested using a regression framework that has volatility as a dependent variable. Independent variables are trust and other determinants of volatility such as macroeconomic policy, term of trade and geographical variables. Thus, while assessing the impact of trust on output volatility, this study also revisits the stabilising role of fiscal policy. Empirical evidence shows that high trust levels have volatility-reducing effects. Moreover, although fiscal policy does respond to business cycles, there is neither a significant stabilising nor destabilising effect of fiscal policy. The overall findings from these three inter-related studies contribute to the literature on the economics of culture and, more generally to the political economy literature. Empirical results suggest that culture is a fundamental driver of economic development. Different aspects of culture shape different aspects of policy outcomes as well as aggregate macroeconomic outcomes. This thesis also provides policy implications regarding the size and scope of government, types of fiscal response during economic downturns and the effectiveness of fiscal policy in stabilising the economy.
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Dept Account,Finance & Econ
Griffith Business School
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Dandavate, Rohini. "Building cultural understanding through cultural exchange". Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1141830276.

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Libri sul tema "Cultural policy"

George, Yúdice, a cura di. Cultural policy. London: Sage Publications, 2002.

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Simonsen, Mie Berg. Norwegian cultural policy. Oslo: Royal Norwegian Ministry of Church and Cultural Affairs, 1990.

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Tony, Bennett. Cultural policy and cultural diversity: Mapping the policy domain. Strasbourg: Council of Europe Pub., 2001.

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Mulcahy, Kevin V. Public Culture, Cultural Identity, Cultural Policy. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-43543-9.

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Pedro, Jesús Prieto de. Cultura, culturas y constitución. Madrid: Congreso de los Diputados, 1993.

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Paquette, Jonathan. Cultural Policy and Federalism. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12680-3.

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Lewis, Justin, e Toby Miller, a cura di. Critical Cultural Policy Studies. Oxford, UK: Blackwell Publishers Ltd, 2003. http://dx.doi.org/10.1002/9780470690079.

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Khamis, Lina Edward. Cultural Policy in Jordan. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77580-7.

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Nigeria. Cultural policy for Nigeria. [S.l: s.n.], 1988.

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Woddis, Jane. Acting on Cultural Policy. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-11162-4.

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Capitoli di libri sul tema "Cultural policy"

Khamis, Lina Edward. "Cultural Policy". In Cultural Policy in Jordan, 41–64. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77580-7_3.

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DeVereaux, Constance. "Cultural Policy". In Managing the Arts and Culture, 317–44. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003108641-15.

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Tepper, Steven J., e Alexandre Frenette. "Cultural policy". In Routledge Handbook of Cultural Sociology, 378–86. Second edition. | Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge international handbooks | Earlier edition published as: Handbook of cultural sociology.: Routledge, 2018. http://dx.doi.org/10.4324/9781315267784-41.

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Valentine, Jeremy. "Cultural governance and cultural policy". In The Routledge Handbook of Global Cultural Policy, 148–64. New York: Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315718408-10.

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Loh, Michelle. "Cultural Policy and Cultural Leadership". In Cultural Leadership in Practice, 201–15. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003390725-12.

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Mulcahy, Kevin V. "Coloniality: The Cultural Policy of Post-colonialism". In Public Culture, Cultural Identity, Cultural Policy, 95–124. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-43543-9_4.

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Paquette, Jonathan, Carl Dholandas e Devin Beauregard. "Canadian cultural policy". In Canadian Cultural Policy in Transition, 63–82. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003134022-6.

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Schneider, Wolfgang. "Inter-Cultural-Policy". In Theater, 11–14. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839460177-002.

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Mulcahy, Kevin V. "Hidden-Hand Culture: The American System of Cultural Patronage". In Public Culture, Cultural Identity, Cultural Policy, 3–32. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-43543-9_1.

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Mulcahy, Kevin V. "Exporting Civilization: French Cultural Diplomacy". In Public Culture, Cultural Identity, Cultural Policy, 33–63. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-43543-9_2.

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Atti di convegni sul tema "Cultural policy"

Khairani, Leylia. "In the Light of Cultural Studies, the Contest of Javanese Deli Cultural Identity vs. Local Culture". In International Conference on Communication, Policy and Social Science (InCCluSi 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/978-2-494069-07-7_11.

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Browne, Kim Victoria. "International Cultural Heritage Law The Internationalisation of Cultural Heritage". In Annual International Conference on Law, Regulations and Public Policy. Global Science & Technology Forum (GSTF), 2014. http://dx.doi.org/10.5176/2251-3809_lrpp14.11.

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Djugomanova, Ivana. "THE ROLE AND IMPACT OF CULTURAL DIPLOMACY IN CULTURAL GLOBALIZATION". In SECURITY HORIZONS. Faculty of Security- Skopje, 2022. http://dx.doi.org/10.20544/icp.3.7.22.p19.

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Abstract (sommario):

Globalization and the growing dynamics in international relations require a focus on culture and its opportunities to enrich and expand the content of foreign policy programs. The use of the capacities of culture and its transformation into an element of foreign policy does not mean simplification of the specific and unique character of culture but it is more an approach for more complete distribution and accumulation of additional resources in its development. The link between culture and government is strengthened by the competence of cultural diplomacy. In the age of globalization, the challenges have become much greater, especially when it comes to countries where prejudices against another culture are part of the social order. How can culture and cultural diplomacy shape domestic and international politics and credibly impose their national identity on the rest of the world? Hence, the main goal of this research is to define the role of cultural diplomacy in globalization and its contribution to resolving potential cultural conflicts that arise as a product of globalization. Several issues will be explored. Are there any positive or negative effects of globalization on cultural diplomacy? Can the melting of cultures and the cultural identity of the individual be a potential indicator of conflict? And what can cultural diplomacy do about it? The methods of analysis, follow-up and interpretation will be used in the preparation of the content of the paper. Keyterms: that will be used in the preparation of this scientific research paper are: globalization, cultural diplomacy, security, culture, and international relations.

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Kerebungu, Ferdinand, Theodorus Pangalila, Recky Sendouw, Apeles Lexi Lonto e Julien Biringan. "Cultural tourism policy in Manado". In Proceedings of the 1st International Conference on Social Sciences (ICSS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icss-18.2018.136.

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Reis de Matos Braz, Patricia. "CULTURA E DESENVOLVIMENTO URBANO NO PORTO. Variações de discursos e de práticas na política municipal recente da cidade." In Seminario Internacional de Investigación en Urbanismo. Universitat Politècnica de Catalunya, Grup de Recerca en Urbanisme, 2024. http://dx.doi.org/10.5821/siiu.12780.

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The present paper aims to discuss the relationship between culture and urban development, regarding the cityof Porto as a case study. Considering its recent and irregular history of culture promotion, which has importantreferences since the acknowledgement of the Historic Centre as a UNESCO World Heritage Site, in 1996, thearticle explores political agendas, projects, and achievements, which place culture as strategic for urbandevelopment. From that moment to the present day, Porto has experienced three styles of governance, withdirect effects on the treatment given to the municipality's cultural and heritage policy. The article, therefore,analyses the relationship of the mentioned policies with urban policy, from the variation of discourses andpractices of municipal policy. Keywords: Porto, culture, urban development, municipal policy. O presente trabalho tem como objetivo discutir a relação entre cultura e desenvolvimento urbano, tendo acidade do Porto como estudo de caso. Considerando a sua história recente e irregular de promoção da cultura,que conta com importantes referenciais desde o reconhecimento do Centro Histórico como Património Mundialda UNESCO, em 1996, o artigo explora agendas políticas, projetos e realizações, que situem a cultura comodimensão estratégica para o desenvolvimento urbano. De 1996 até à atualidade, o Porto passou por três estilosde governação, com reflexos diretos na política cultural e patrimonial do município. O artigo analisa a relaçãodas citadas políticas com a política urbana, a partir da variação dos discursos e dos modos de fazer da políticamunicipal. Palavras-chaves: Porto, cultura, desenvolvimento urbano, política municipal.

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ADAMISHIN, ANATOLY. "RUSSIAN FEDERATION OPTIONS AND POLICY". In The Cultural Planetary Emergency: Focus on Terrorism. WORLD SCIENTIFIC, 2004. http://dx.doi.org/10.1142/9789812702388_0008.

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Valiev, Akbar. "National Employment Policy in Uzbekistan". In Communication and Cultural Studies: History and Modernity. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1280-2-117-122.

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Ханжина, Ольга, e Елена Евсина. "PEDAGOGY AND ANDRAGOGY AS THE SOCIAL POLICY SPHERE". In CROSS-CULTURAL↔INTRA-CULTURAL COMMUNICATION: THEORY AND PRACTICE OF TRAINING AND TRANSLATING. Baskir State University, 2021. http://dx.doi.org/10.33184/miktipoip-2021-12-02.42.

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Ivantsov, Volodymyr. "CONCEPT «STATE POLICY» AND «PUBLIC POLICY»: CONFORMITY OR DIFFERENCE". In PUBLIC COMMUNICATION IN SCIENCE: PHILOSOPHICAL, CULTURAL, POLITICAL, ECONOMIC AND IT CONTEXT. European Scientific Platform, 2020. http://dx.doi.org/10.36074/15.05.2020.v5.04.

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Serpell, Robert. "Growing Awareness of Cultural Aspects of Psychology as a Resource for Managing Progressive Social Change". In International Association of Cross Cultural Psychology Congress. International Association for Cross-Cultural Psychology, 2016. http://dx.doi.org/10.4087/qqji7212.

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I suggest that CCP’s early preoccupation with direct comparison between culturally-contrastive groups has been overtaken in importance by a number of trends in developmental and applied psychology. Some Western theorists now acknowledge reflexively that their interpretation of psychological variables is itself informed by a particular cultural system of meanings. A growing number of non-Western theorists have proposed alternative cultural psychologies. Mainstream developmental psychology has incorporated culture as an essential dimension of the field, leading to increasingly systemic theories. Cultural sensitivity is widely perceived as essential for the design and interpretation of psychological assessment. The IACCP has contributed to these trends by fostering inter-cultural communication among psychologists working in many different cultural contexts around the world. Collectively, they are in a position to impress on the next generation of planners and policy-makers the importance of culture in the formulation of strategies for managing progressive social change.

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Rapporti di organizzazioni sul tema "Cultural policy"

Stewart, Andrew. Friction in U.S. Foreign Policy: Cultural Difficulties with the World. Fort Belvoir, VA: Defense Technical Information Center, marzo 2006. http://dx.doi.org/10.21236/ada448800.

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Stewart, Andrew W. Friction in US Foreign Policy: Cultural Difficulties with the World. Fort Belvoir, VA: Defense Technical Information Center, giugno 2006. http://dx.doi.org/10.21236/ada450151.

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Mingus, Matthew C. Clausewitz and the Analytical Cultural Framework for Strategy and Policy. Fort Belvoir, VA: Defense Technical Information Center, marzo 2013. http://dx.doi.org/10.21236/ada589461.

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Lotz, Amanda, Marion McCutcheon, Anna Potter e Kevin Sanson. Australian Television Drama's Uncertain Future: How Cultural Policy is Failing Australians. QUT Digital Media Research Centre, 2024. http://dx.doi.org/10.5204/rep.eprints.248187.

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Defraigne, Pierre. EU Policy Objectives in International Trade Negotiations. Inter-American Development Bank, dicembre 2006. http://dx.doi.org/10.18235/0006707.

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Costa, Pedro. Intra-Metropolitan Location Of Cultural Activities: Some Policy Implications From The Lisbon Case Study. DINÂMIA'CET-IUL, 2005. http://dx.doi.org/10.7749/dinamiacet-iul.wp.2005.46.

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Reynolds, Charles E. The Significance of Religion as an Essential Component of the Military's Cultural Framework Strategy and Policy. Fort Belvoir, VA: Defense Technical Information Center, maggio 2010. http://dx.doi.org/10.21236/ada561213.

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Józsa, Viven. Hallyu as Soft Power : The Success Story of the Korean Wave and its Use in South Korea’s Foreign Policy. Külügyi és Külgazdasági Intézet, 2021. http://dx.doi.org/10.47683/kkielemzesek.ke-2021.75.

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The Korean Wave is taking over the world, achieving great success in areas such as music and cinematography, and making Korean culture increasingly attractive. Culture being a crucial resource of soft power, which in turn serves as a powerful tool in international relations, the South Korean government is trying to take advantage of its improved national image and international influence. This analysis provides an overview of the relationship between the Korean government and the Korean Wave, how the perception of Korea has changed thanks to its cultural outflow, and how the government tries to use this to its advantage.

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López Bóo, Florencia, e Nicolás Ajzenman. 10 Lessons About Behavioral Economics for Policy Making in the Social Sector. Inter-American Development Bank, settembre 2018. http://dx.doi.org/10.18235/0008045.

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Behavioral Economics is the science of evaluating psychological, cognitive, emotional, cultural and social factors and their impact on economic decisions. Enhancing our knowledge on Behavioral Sciences and their impact on public policies is a priority. The present document explores this intersection and offers 10 lessons for policy making in the social sector.

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Cunningham, Stuart, e Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis - Innovation Precincts in Adelaide. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206903.

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There is a fraught history to the relationship between creative industries on the one hand and innovation and entrepreneurship policy and programs on the other. Such policy and program frameworks have rarely been inclusive of creative industries... This is, however, what we see happening in South Australia.

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