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Libri sul tema "Cultural history"

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Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 7 luglio 2024

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1

M, Mohsin K., Ahmed Sharif Uddin, Asiatic Society of Bangladesh e Cultural Survey of Bangladesh Project., a cura di. Cultural history. Dhaka: Asiatic Society of Bangladesh, 2007.

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2

Etpison, Mandy T. Palau: Cultural history. Koror: Tkel Corp., 2004.

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3

1926-, Goldberg S. L., Smith F. B. 1932- e Australian Academy of the Humanities., a cura di. Australian cultural history. Melbourne: Published in association with the Australian Academy of the Humanities (by) Cambridge University Press, 1989.

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4

1926-, Goldberg S. L., Smith F. B. 1932- e Australian Academy of the Humanities., a cura di. Australian cultural history. Cambridge: Cambridge University Press, 1988.

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5

Akus, Chude. Idemili: Cultural history. Owerri: Center for Igbo Civilization and History, 1991.

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6

Grecu, Andreea. Evoluţii culturale. Istorii recente: Cultural evolutions. Recent history. Cluj-Napoca: Editura Mega, 2017.

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7

Boxing: A cultural history. London: Reaktion, 2009.

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8

1978-, Shail Andrew, e Howie Gillian, a cura di. Menstruation: A cultural history. New York: Palgrave Macmillan, 2005.

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9

Patagonia: A Cultural History. Luton: Andrews UK, 2011.

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10

Varieties of cultural history. Ithaca, N.Y: Cornell University Press, 1997.

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11

Davies, Jude. Diana, A Cultural History. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230598256.

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12

Pittock, Joan H., e Andrew Wear, a cura di. Interpretation and Cultural History. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21272-9.

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13

J, Mallinson G., e Voltaire Foundation, a cura di. Architecture, cultural history, autobiography. Oxford: Voltaire Foundation, 2008.

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14

Garrett, Martin. Provence: A cultural history. Oxford: Signal, 2006.

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15

Burke, Peter. What is cultural history ? Cambridge, U.K: Polity Press, 2004.

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16

What is cultural history? Cambridge, U.K: Polity Press, 2004.

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17

Lovrenović, Ivan. Bosnia: A cultural history. New York: New York University Press, 2001.

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18

John, Rickard. Australia, a cultural history. London: Longman, 1988.

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19

Arthur, Cotterell, e Arthur Cotterell. China: A cultural history. New York: New American Library, 1988.

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20

Arcangeli, Alessandro. Cultural History. Routledge, 2013. http://dx.doi.org/10.4324/9780203789247.

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21

Rome: A Cultural History (Cultural Histories). Interlink, 2007.

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22

Dutta, Krishna. Calcutta: A Cultural History (Cultural Histories). Interlink Pub Group Inc, 2008.

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23

Minden, Michael. Cultural History of German Literature (Cultural History of Literature). Polity Pr, 2006.

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24

Cultural History of German Literature (Cultural History of Literature). Polity Pr, 2008.

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25

Mengler, Judith, e Kristina Müller-Bongard, a cura di. Doing Cultural History. transcript-Verlag, 2018. http://dx.doi.org/10.14361/9783839445358.

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26

Bender, Thomas. Intellectual & Cultural History. Amer Historical Assn, 1997.

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27

American Cultural History. Oxford University Press, Incorporated, 2018.

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28

Mengler, Judith, e Kristina Müller-Bongard, a cura di. Doing Cultural History. transcript Verlag, 2018. http://dx.doi.org/10.1515/9783839445358.

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29

Anderson, Greg. Beyond Cultural History. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190886646.003.0006.

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Abstract (sommario):

Part One concludes by suggesting that the ultimate source of all these analytical problems is our standard modern template of social being. And the ultimate problem with this historicist model is that it imposes modern, dualist metaphysical conditions upon all non-modern realities, thereby authorizing us to align those realities with our own modern ontological commitments, fundamentally altering their contents in the process. The net result is a practice that homogenizes the past’s many different ways of being human by translating them all into the same peculiarly modern terms. Moreover, there is no obvious alternative practice available. Even the more theoretically informed forms of current historical practice, like mainstream cultural history, discursive history, and the “new materialist history,” likewise oblige us to re-engineer realities at the ontological level, since they too remain committed to a peculiarly modern metaphysical dualism. To produce histories that are more ethically defensible, more philosophically robust, and more historically meaningful, we need to take an ontological turn in our practice. As a number of influential anthropologists have recently proposed, we need to employ a more “recursive” mode of analysis, one that can make sense of each non-modern world on its own ontological terms, in its own original metaphysical conjuncture, as a more or less autonomous world unto itself. In Parts Two and Three, the book will consolidate the anthropologists’ case for this move in a number of ways.

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30

Highmore, Ben. Practicing Cultural History. Taylor & Francis Group, 2020.

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31

Peter, Rietbergen. Europe: Cultural History. Taylor & Francis Group, 1998.

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32

New Cultural History. University of California Press, 1989.

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33

Gillmeister, Heiner. Tennis: Cultural History. Continuum International Publishing Group, 1998.

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34

Hunt, Lynn. New Cultural History. University of California Press, 1989.

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35

Practicing Cultural History. Routledge, 2017.

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36

Highmore, Ben. Practicing Cultural History. Taylor & Francis Group, 2020.

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37

Green, Anna. Cultural History (Theory and History). Palgrave Macmillan, 2008.

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38

Collini, Stefan. Literary History as Cultural History. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198800170.003.0008.

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Abstract (sommario):

This chapter begins with the observation that a number of literary critics in this period express the hope that a new form of ‘cultural history’ would provide the basis for an evaluative assessment of the direction of social change. They look to those trained as critics, not to historians, for such an approach, one that tries to identify the ‘quality of living’ in evidence in various periods. The chapter shows how such work played an important part in a wider public’s understanding of history in the years between the 1940s and the 1970s, with the Pelican Guide to English Literature providing a notable illustration. The chapter suggests that the reception of Williams’s unconventional book, The Long Revolution, in 1961 can be seen to mark the end of the style of work considered in the previous chapters.

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39

Woodfield, Richard. Art History as Cultural History. Routledge, 2014. http://dx.doi.org/10.4324/9781315078571.

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40

Costa, Ryan. History of Tobacco: Cultural History. Independently Published, 2021.

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41

Cultural History (Theory and History). Palgrave Macmillan, 2008.

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42

Nesbitt, Mark R. Exploring Cultural History - Living in Renaissance Italy (Exploring Cultural History). Greenhaven Press, 2005.

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43

Exploring Cultural History - Living in Ancient Egypt (Exploring Cultural History). Greenhaven Press, 2003.

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44

Sage, Victor. Cultural History of Europeam Gothic Literature (Cultural History of Literature). Polity Pr, 2009.

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45

Weatherly, Myra. Exploring Cultural History - Living in 1920s America (Exploring Cultural History). Greenhaven Press, 2005.

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46

Sage, Victor. Cultural History of Europeam Gothic Literature (Cultural History of Literature). Polity Pr, 2008.

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47

Sussman, Charlotte. Cultural History of English Literature 1660-1789 (Cultural History of Literature). Polity Press, 2007.

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48

Cultural History of English Literature 1660-1789 (Cultural History of Literature). Polity Press, 2007.

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49

Gamer, Michael, Diego Saglia e Rebecca Bushnell. Cultural History of Tragedy. Bloomsbury Publishing Plc, 2021.

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50

Eaude, Michael. Catalonia: A Cultural History. Oxford University Press, Incorporated, 2007.

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