Tesi sul tema "Cultural discourse"

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1

Price, Jonathan Francis Richard. "The discourse of cultural leadership". Thesis, Robert Gordon University, 2016. http://hdl.handle.net/10059/1450.

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Cultural leadership has been a key concept in cultural policy and training since 2002. Most closely associated with the UK’s Clore Leadership Programme, it has been developed through various courses and initiatives domestically and internationally, initially as a response to crises of financial management and governance within major cultural institutions. This emergence of cultural leadership coincided with growing political interest in the social benefits of the arts and the economic potential of the creative industries. However, the concept is rarely clearly defined or critically analysed, while the political and economic environment in which the cultural sector operates has been transformed since the term was coined. This research investigates the evolution of cultural leadership as a discursive formation in these contexts. It traces the short history of the term itself and situates it within longer trajectories of cultural policy. Through critical discourse analysis the research questions the relationship between ‘cultural leadership’ and ‘cultural leaders’, asking who creates the circumstances in which art is produced and culture shaped. Leadership itself is reconsidered theoretically as an aspect of political action. Detailed interviews with influential cultural sector professionals are analysed as an empirical complement to literature around cultural history, policy and artistic leadership. The analysis reconfigures cultural leadership as a dynamic process arising from relationships between creative practice and social, political and organisational development. Outlining the respective roles of government, the public and the sector, it proposes a framework for understanding leadership through the interplay of action and influence within and beyond the cultural workforce. Indicating that cultural leadership has a vital critical role to play in democratic society, the research argues for more effective engagement between sectoral leaders, including artists, and questions of policy and cultural value. Its findings are significant for the future study and development of cultural leadership nationally and internationally.
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2

Nicholson, Patricia Leigh. "Revisionary models of heroinism in contemporary cultural discourse". Thesis, Sheffield Hallam University, 1999. http://shura.shu.ac.uk/20120/.

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This thesis investigates the representation of femininity within a variety of cultural sources including the earlier novels of Jeanette Winterson and the films of Walt Disney. This juxtaposition parallels images of female development and ego formation bringing to the fore the adolescent heroine's ancient roots in mythology, horror and the fairy story. As a cultural studies project, the thesis deploys the critical techniques of poststructuralism in conjunction with psychoanalysis, feminist theory and film analysis. This is necessary to demonstrate to full potential the heterogeneous quality of the revisioned models of heroinism. My analysis is focused on both popular and literary texts, with Winterson's early fiction in particular selected as a sophisticated and developed example of the ways in which current theory can chart the evolution of a contemporary female literary voice. This thesis carefully scrutinises traditional strategies concerned with literary discourse in order to show how phallocentric structures infiltrate and reflect postcolonial, popular culture. This is achieved through an initial concentration upon mass representation of the female form. This is a necessary analysis as one cannot demonstrate how contemporary women authors revise traditional models of heroinism without first defining what has gone before. Building on the work of Elisabeth Bronfen, this thesis examines how contradictory narratives construct a double opposition, overlapping the dead and the feminine against the living and the masculine, to defend against the knowledge of an incommensurable difference at the origin of life. By representing the narrative of double castration, this is a thorough examination of a movement away from biologically scripted models of castration anxiety, as with Freud, relocating identity at the site of the navel. This enables the subject to move beyond the division of sexuality as presented within patriarchal, heterosexual orthodoxies and to allow for a notion of femininity which is subversive because of its very willingness to explore and inhabit abject/deject states. For the purposes of my investigations, these tradtionally disturbing 'liminalities' will be understood in both psychic and cultural terms, but will focus, in particular on female adolescene. In conclusion, the revisionary heroine marks the dissolution of the certainty once associated with the ancient constructed ideal of femininity. She does not place herself in opposition to the traditional figure, more than that, she surfaces within the broader frame of Western culture as something different, some 'thing' else in the psychoanalytical sense to the 'Other'. My analysis of the figure of the revisionary heroine demonstrates the ways in which both the creation and the interpretation of art and theory can be inflected towards an inversion of the dominant structures of knowledge and power without simply reproducing them.
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3

Horne, Gerald S. "Discourse about cultural policy and the politics of culture in Saskatchewan 1944-1987". Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61830.

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4

Lahlali, El Mustapha. "Morroccan classroom discourse and critical discourse analysis : the impact of social and cultural practice". Thesis, University of Leeds, 2003. http://etheses.whiterose.ac.uk/451/.

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The aim of this study is to display the important contribution which a critical analysis makes to our understanding of students/teachers relationship through the analysis of their discursive practices. The work focuses specifically on interaction within Moroccan classrooms at the secondary school level, involving students aged between 12-14 years old. The data source consists of transcripts of audio-recordings of classroom lessons in which both teachers and students are engaged in the interaction, which is supplemented by interviews with teachers. In order to examine power relations between teachers and students, this research presents a detailed analysis of the linguistic features used by teachers. Such discourse features are IRF patterns, modality, politeness, Q/A and interruption. Although the analysis of the discoursal features of such interactions is of interest, it alone does not explain the nature of the relationship between pupils/ teachers. For this to be achieved, one may go further to conduct a structured interview analysis to explain such relations and establish a dialectic relationship between institutional practice and social practice (Fairclough 1992b). The effects which are traceable in the discourse of participants are not only related to the teacher/student relationship but also reflect the social order of which the educational institution is a part. The social order has impact on the educational institution which in turn affects the student/teacher relationship. This relationship in turn confirms the social order (Candlin 1997). The research provides a detailed analysis of the discursive practice and describes specific ways in which teachers dominate students' interaction. It traces teachers' control and dominance of the classroom practices to the overwhelming social beliefs of the participants. It concludes that specific social practices on the part of students and teachers produce particular discourse practices in the classroom. These discourse practices hinder the ongoing interaction. Both students' and teachers', assumptions and social beliefs of the classroom practices contribute to creating an atmosphere of control and dominance in the classroom. This research provides suggestions to overcome this crisis. It believes that a change in the classroom practice requires a change in the social practice and vice versa.
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5

Masud, Saima. "'Can there be cultural competence without culture?' : psychologists' discourse on working with minorities". Thesis, University of Leicester, 2007. http://hdl.handle.net/2381/4731.

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The literature review in this thesis is an exploration of the recent emphasis in policy on the equality of mental health services for minority ethnic clients, with a focus on cultural competence models in clinical psychology. The review is based on a textual analysis of a policy document to consider whether cultural competence is a promotion or restriction of equality. The policy and models of cultural competence were found to employ essentialist definitions that could be an issue in developing appropriate and relevant services. It is argued that a context-specific and flexible interpretation of culture is required. The empirical research examines clinical psychological discourses about working with minority ethnic clients. It discusses an interview study and a group discussion study conducted among clinical psychologists. Drawing on discourse analysis this research examines the interpretative repertoires and discursive strategies that psychologists use in their accounts of working with minority ethnic clients, and how these construct a particular version of cultural competence. In the interviews, an interpretative framework in terms of 'social context' involved a consideration of the client's cultural background, and an interpretative framework of 'individual context' was considered to be a way of formulating the client's own interpretation of cultural background. In the group discussion, the key interpretative framework was the 'individual/curious' repertoire, which also focused on understanding cultural background from the client's interpretation. It is shown that in using these repertoires the psychologists' construction of cultural competence oscillates between a risk of reifying minority ethnic groups and a risk of neglecting issues such as ethnic discrimination. Based upon the literature and empirical parts, the reflective part of this thesis considers the researchers orientation to the research, in terms of epistemology, and as a minority ethnic researcher conducting research on the subject of minorities.
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6

LaBore, Catherine. "Can we deconstruct "race" in the public discourse?" Thesis, The University of Arizona, 1990. http://hdl.handle.net/10150/291681.

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The concept of 'race' is examined from its earliest uses in European languages through the era of 'racial' sciences in the nineteenth century. The meanings acquired by the word 'race' are shown to be related to scientific thinking which has since been discredited. The history of efforts to discredit or eliminate the concept in science by twentieth-century anthropologists and others is shown to be complete, but the persistence of the word in public discourse is noted. Ethnographic examples of the problematic nature of the concept are introduced. Results of a study of American college students' understandings of the word are examined, and implication and recommendations for future efforts to discredit its use are presented.
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7

Turpin, Carrie. "Preservice Teachers' Cultural Models of Academic Success". University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1592134602496342.

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8

Quintero, Gilbert A. 1964. "The discourse on drinking in Navajo society". Diss., The University of Arizona, 1997. http://hdl.handle.net/10150/289167.

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This dissertation adopts a discourse-centered approach to culture in order to explore the local meanings attached to alcohol and drinking in contemporary Navajo society. Against a backdrop of drastic cultural transformations, Navajo discourse reveals a wide range of accounts in which drinking is situated within the context of individual experiences and histories. Alcohol and drinking are connected to personal memories of important events, emotions, and relationships. Beyond the level of individual stories, these narratives help organize collective accounts of the Navajo as a people by providing comprehensive evaluations and commentaries on drinking. A number of collective meanings are embedded in narratives about alcohol that reference cultural sentiments and prominent moral values and offer a social commentary that defines what is, and is not, Navajo. Further insights are offered by an examination of aging-out, a salient pattern of Navajo drinking. Former problem drinkers who have aged out and no longer experience alcohol related difficulties offer narratives that frame drinking in certain set ways. The discourse on aging-out among the Navajo not only provides detail on a category of drinker that is largely ignored in accounts of Native American drinking but also illustrates some of the values and meanings attached to drinking cessation and personal change. The discourse of alcoholism treatment provides other understandings regarding Navajo conceptions of alcohol, including the character of this substance and the effect it has on people--especially Native Americans. Consideration of this set of discourse reveals insights into the treatment process as well as commentaries and evaluations of treatment effectiveness and other related issues. This study suggests that Navajo narratives of alcohol and drinking provide important idioms for expressing moral and self-identity, individual experience, collective history, and cultural degeneration. The discourse on drinking in Navajo society reveals a social world of polarization, contention, and intergenerational conflict.
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9

Imam, Zeba. "Implication of the cultural influence on development discourse manifested in the interaction of Cambodian and "Western" discourse on development issues". Thesis, Texas A&M University, 2005. http://hdl.handle.net/1969.1/4187.

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Cambodia has a strong presence of international donor agencies and expatriate development practitioners. The role of international donors in making government increasingly gender responsive is believed to be immense. This thesis contends that most expatriate and Cambodian development practitioners have different perceptions on the issue due to cultural influences. Due to these differences sometimes there emerge incongruence in the approach (that is often determined by international players) and the beliefs of most national practitioners who are responsible to implement these approaches. The problem of domestic violence is used as a case in point to demonstrate this incongruence. The thesis argues that the differences in views do not get discussed and thereafter resolved because the communication processes being followed are not open and dialogical in nature. It suggests that there are two primary reasons that come in the way of dialogic communication. One is related to the hierarchically different positions that expatriates and Cambodian practitioners occupy in the context of development work. The other is related to the difference in the perceptions of the practitioners depending on their degree of connectedness with the cultural setting. The thesis concludes that there is a need for introspection by the development practitioners for the reasons that may lie within them and their organizations for this communication gap. This is essential for initiating communication processes that are open so that the development practitioners may begin to arrive at common understanding as well as trusting relationships. The study is conducted following the tenets of the “naturalistic inquiry” as proposed by Lincoln and Guba (1985).
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10

Azmin, Aida Kesuma. "A discourse on housing based on cultural meanings in Malaysia". Thesis, Heriot-Watt University, 2007. http://hdl.handle.net/1842/26174.

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The central aim of the thesis is building a discourse on housing, highlighting the necessity to maintain quality through sustaining the cultural meanings, which originate from nature, cosmology, worldviews, and traditional values of Malaysian society. The thesis critically addresses the housing policies and strategies, in which the visions of quality are still very ambiguous. The Malaysian government has adopted a housing policy, which imposes homogeneity and similarity on the diverse multicultural ethnic societies that are affluent with indigenous knowledge, tradition and unique identities in their dwelling architectures. The research approach is divided into three major parts, and the conclusion. The aim of Part One is to draw attention to the Malaysian housing phenomena and the thesis aspiration. The first chapter covers the country background and its social -cultural context. Despite the cultural diversity, the Malaysians possess a common attitude towards nature. The thesis identifies the philosophical notion of boundary, as a valuable intellectual tool in developing an indigenous model for housing. Boundary has subconsciously driven the formation of various cultural and architectural identities in the Malaysian indigenous dwelling environment. The second chapter continues the process of enlightening the housing discourse by clarifying the need to decipher the meanings related to housing, human perceptions, and aesthetics. The second part of the thesis discourse establishes three chapters, which form the philosophical structure of the thesis. The aim of Part Two is to demonstrate the components of cultural meanings, which are the motivating forces responsible for the formation of indigenous dwelling architecture. For the purpose of the research, the study concentrates on the indigenous Malay society as the focus group. This part explores on the qualities originating from the indigenous worldviews of the Malay society, followed by identification of the characteristics of the indigenous model, including the notions of adaptation, sustainability and boundary. The end chapter of Part Two is an intellectual discourse, which supports the main components of the indigenous model. Part Three is the empirical study, in which the author gains insights directly from examining people's perceptions, i.e. from the open -ended questionnaire survey and the indigenous dwelling typologies survey analysis. The aim is to explore the relationship between people and the qualities of living environment through the contribution of cultural meanings. The study enhances more on what the author have already done in the deductive part (Part Two). The outcome of the empirical studies demonstrates the manifestation of these notions in different indigenous dwelling architectural typologies and works of art. The conclusion chapter distils the information gained from the findings of both theoretical framework and empirical studies, by identifying the crucial domains for obtaining quality through cultural meanings in the living environment. It also provides recommendations concerning the future housing policy, strategies, planning, and design guidelines for housing in which the architects, planners and housing authorities are able to interpret, and implement in search of a national architectural identity for housing in Malaysia, which is tolerant, sustainable and unifying.
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11

Husain, Fatima. "Cultural discourse on the Muslim woman in African francophone literature". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ41551.pdf.

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12

Bouhid, Souad. "A computer-aided investigation of cultural representations in media discourse /". Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=116026.

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The aim of this study was to explore cultural representations conveyed in the media discourse using a content-analysis software called ALCESTE. Our exploration focused on a sample of written media discourse in the Quebecois linguistic context, the Michaud affair, comparing and contrasting two different perspectives. We retrieved from the Internet all the articles published between December 2000 and January 2001 related to the case under study from two English Canadian newspapers, the National Post and The Gazette . The two corpora were submitted to ALCESTE software.
Using the factorial correspondence analysis of ALCESTE, we identified four different lexical worlds in the corpora of over fifty thousand words. Those lexical worlds correspond to the different positions of the utterers vis-a-vis the issue under study.
Specific vocabulary from the lexical worlds were found to convey cultural representations. Our study has permitted to uncover differences and similarities in the analysis of the Michaud affair reported in the National Post , an English newspaper in Toronto, Ontario, and in The Gazette , an English newspaper edited in Montreal, Quebec.
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13

Moore, Carol Jacquelyne Mullings-Brown. "Uncovering cultural categories in political discourse amongst Deh Cho Dene". Thesis, Anglia Ruskin University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413618.

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14

Shi-Xu. "Cultural representation : understanding Chinese and Dutch discourse about the other /". [S.l. : s.n], 1996. http://catalogue.bnf.fr/ark:/12148/cb40100040w.

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15

Kharkina, Anna. "From Kinship to Global Brand : The Discourse on Culture in Nordic Cooperation after World War II". Doctoral thesis, Stockholms universitet, Historiska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-92467.

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This work analyzes the political instrumentalization of culture. Specifically, it studies how this is done through cultural policy within Western democracies. The analysis takes, as an example, official Nordic cultural cooperation in the post-war period. During this time, cultural exchange among Nordic countries became the subject of political attention establishing itself as part of the Nordic inter-governmental cooperation framework. This work focuses on three key moments in the history of official Nordic cultural cooperation: (i) the failure of the NORDEK plan (a plan which envisaged extensive economic cooperation between the Nordic countries) and the establishment of the Nordic Council of Ministers in 1971; (ii) the collapse of the Soviet system at the end of the 1980s - beginning of the 1990s; and (iii) the movement towards promoting the Nordic region on the global market in the first decade of the 2000s. The analysis traces the lack of convergence between the official arm’s length principle in cultural policy and how cultural cooperation actually worked. The results of the research both demonstrate the various ways culture was instrumentalized and also prove that the politically defined concept of culture can receive different interpretations in the official discourse depending on current political goals.
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Donnison, Sharn, e n/a. "Discourses for the New Millennium: Exploring the Cultural Models of 'Y Generation' Preservice Teachers". Griffith University. School of Education and Professional Studies, 2005. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20061012.154401.

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This thesis examines the cultural models and discourses that a group of aspiring, primary school teachers in South-East Queensland employed to explain their current world and describe the likely development of their own careers and lives. Thirteen males and fifty-seven females, aged between 15 and 25, were involved in the study. All participants had expressed an interest in preservice teacher training with 77 percent of the cohort currently enrolled in a teacher-training program in the South-East region of Queensland, Australia. This study adopted a multi-method approach to data collection and included informal interviews, scenario planning workshops, focus groups, and a telephone survey. Initial pilot studies, incorporating informal interviews, preceded scenario planning workshops. Four males and eleven females were involved in six scenario planning groups. The scenario planning format, based upon Schwartz (1991), followed a seven-step approach whereby participants formulated and evaluated four possible future scenarios for Australia. These formed the stimulus material for the second stage of the study where thirteen focus groups critically analysed the scenario planning data. Interpretation of the data was underpinned by a framework based on an amalgamation of Gee's (1999) theoretical concepts of acts of meaning, cultural models, and Discourses and Bernstein's (1996) theoretical concepts of classification, framing, and realisation and recognition rules. The respondents exhibited five pre-eminent Discourses. These were a Technologies Discourse, Educational Discourse, Success Discourse, Voyeuristic Discourse, and an Oppositional Discourse. The group's Technologies Discourse was pervasive and influenced their future predictions for Australian society, themselves, and education and was expressed in both positive and negative terms. The respondents spoke of their current and future relationship to technologies in positive terms while they spoke of society's future relationship to technologies in negative terms. Their reactions to technologies were appropriated from two specific cultural resources. In the first instance this appears to be from their personal positive interactions with technologies. In the second instance the group have drawn from Science Fiction Discourses to predict malevolent and controlling technologies of the future. The respondents' Technologies Discourse is also evident in their Educational Discourse. They predict that their future classrooms will be more technological and that they, as teaching professionals, will be technologically literate and proficient. Their past experiences with education and schooling systems has also influenced their Educational Discourse and led them to assume, paradoxically, that while the process of education is and will continue to be a force for change, schools will not evidence a great deal of change in the coming years. The respondents were optimistic and confident about themselves, their current interactions with technologies, their future lives, and their future careers. These dispositions formed part of their Success Discourse and manifested as heroism, idealism, and a belief in utopian personal futures. The respondents' Voyeuristic Discourse assumed limited social engagement and a limited ability to accept responsibility for the past, present, and future. The respondents had adopted an 'onlooker' approach to society. This aspect of their Discourse appeared to be mutable and showed signs of tempering as the respondents matured and became more involved in their teaching careers. Finally, the respondents' Oppositional Discourse clearly delineated between themselves and 'others'. They were users of technologies, teachers, good people, young, privileged, white, Australian, and urban dwelling while 'others' were controllers of technologies, learners, bad people, older or younger, non-privileged, non-Australian, and country dwelling. Current reforms introduced by Education Queensland have stressed the need for a new approach to new times, new economies, and new workplaces. This involves having a capacity to envisage new forms, new structures, and new relationships. 'New times' teaching professionals are change agents who are socially critical, socially responsible, risk takers, able to negotiate a constantly changing knowledge-rich society, flexible, creative, innovative, reflexive, and collaborative (Sachs, 2003). The respondents in this study did not appear to be change agents or future activist teaching professionals (Sachs, 2003). Rather, they were inclined towards reproducing historical, traditional, and conservative social and professional roles as well as practices, and maintaining a safe distance from social and environmental responsibility. Essentially, the group had responded to a period of rapid social and cultural change by placing themselves outside of change forces. Successful educational reform and implementation, such as that being proposed by Education Queensland (2000), demands that all interested stakeholders share a common vision (Fullan, 1993). The respondents' Discourses indicated that they did not exhibit a futures vision beyond their immediate selves. This limited vision was at odds with that being espoused by Education Queensland (2000). This body recognises the importance of being able to envisage, develop, and sustain preferable futures visions and have developed futures oriented curricula with this in mind. Such curricula are said to respond to the changing needs of today's and tomorrow's society by having problem solving and the concept of lifelong learning at the core. The future towards which the respondents aspire is one where lifelong learning and problem solving have little significance beyond their need to stay current with evolving technologies. In reflecting on the respondents' viewpoints and the range of Discourses that they draw upon to accommodate their changing world, I propose a number of recommendations for policy makers and educators. It is recommended that preservice teacher training institutions take up the challenge of equipping future teachers with the skills, knowledges, and dispositions needed to be responsible, reflective, and proactive educators who are able to envisage and work towards preferable visions of schooling and society. Ideally, this could occur through mandatory Futures Studies courses. Currently, Futures Studies courses are not seen as an essential area of study within education degrees and as such preservice teachers are given little opportunity to engage with futures concepts, knowledges, or skills. The success of the scenario planning approach in this thesis and the richness of the issues raised through interactive engagement in imagining possible futures, suggests that all citizens, but particularly teachers, need to enlighten their imaginations more often through such processes.
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Bajor, William J. "Discussing 'human rights' : an anthropological exposition on 'human rights' discourse". Thesis, University of St Andrews, 1997. http://hdl.handle.net/10023/15382.

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This thesis examines how the displaced Sudanese in Egypt, Kenya, and the United Kingdom discuss the topic of "Human Rights". Whereas many studies on "Human Rights" are primarily concerned with the opinions of outsiders, an attempt is made here to provide an alternative perspective in that the focus of this dissertation is on how the displaced Sudanese, themselves, discuss "Human Rights" in view of their situation as exiles. The thesis begins by tracing the historical evolution of the 'Western' concept of "Human Rights" and investigating the historical relationship between Anthropology and "Human Rights". Attention is paid to the role of the doctrine of "cultural relativism" in the discipline of Anthropology. After briefly looking at Sudan's geographical and social makeup, I explain the difficulties I encountered as an independent scholar conducting research on "Human Rights" and Sudan. This is followed by descriptions of the fieldwork locations. What comes next is the heart and soul of the thesis. After giving brief descriptions of the interviewees, 1 analyse how the interviews were conducted and explain how the issue of "Politics" dominated practically every discussion with the interviewees. Next, excerpts from nineteen interviews are presented for the reader to get acquainted with the conversations between the Interviewees and myself. Finally, an examination is made of how "Human Rights" is employed as a manipulative device (or tool) by the interviewees. This is essentially the crux of the study. The chief aim of the thesis is to present various ways the notion of "Human Rights" can be (and is) interpreted and utilised by the displaced Sudanese in the context of their own circumstances as exiles.
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18

MacDonald, Margaret Ellen. "Expectations the cultural construction of nature in midwifery discourse in Ontario /". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ39285.pdf.

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19

Reyes-Santos, Irmary. "Racial geopolitics interrogating Caribbean cultural discourse in the era pf globalization /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3274592.

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Thesis (Ph. D.)--University of California, San Diego, 2007.
Title from first page of PDF file (viewed October 4, 2007). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 234-245).
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20

Trabucco, Zeran Alia. "Outlaws : female murderers in Chile's legal and cultural discourse (1916-2016)". Thesis, University College London (University of London), 2018. http://discovery.ucl.ac.uk/10048413/.

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This dissertation examines iconic murders committed by four Chilean women: Corina Rojas (1916), Rosa Faúndez (1923), Carolina Geel (1955), and Teresa Alfaro (1963). Their crimes not only led to the passing of substantial court judgements, but gave rise to multiple cultural reverberations: novels, poems, short stories, artworks, plays, songs, and films, produced and reproduced throughout an entire century. Based on the discovery and analysis of the four judicial rulings and a close examination of their various cultural echoes, this thesis interrogates the normative power of the representation of violent women. In other words, this dissertation proposes that both legal and cultural representations of female criminals serve as mechanisms to monitor the compliance of gender norms, to punish their transgression, and to prevent further subversions. The study of these four cases and their cultural reverberations allows for a critical examination of enduring feminine archetypes –the witch, the madwoman, the jealous woman, the hysteric, and the femme fatale– which deprive women of agency. Furthermore, this dissertation revisits the history and myth of La Quintrala, key in the construction of Chilean identity, as a figure that influences the fates of this unfinished series of female outlaws. Hybrid and interdisciplinary, this research questions the representation of deviant women from a feminist perspective, and examines female violence as a privileged site to analyse issues of race, class, gender and nationhood in Chile.
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Armstrong, Kimberley. "Contested peace, contested justice: discourse, power, and international justice in northern Uganda". Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=96857.

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Abstract (sommario):
This thesis examines the debate between peace and justice in northern Uganda that transpired following the announcement of the International Criminal Court's (ICC) decision to investigate the conflict between the government of Uganda and the Lord's Resistance Army in January 2004. The announcement of the ICC to investigate the conflict was met with resistance by many of the local religious, political, civil society, and traditional leaders in northern Uganda, particularly those from the Acholi sub-region. The debate between peace and justice in northern Uganda is an important debate that will impact the future of the ICC as well as approaches to conflict resolution. As a new institution, the ICC is attempting to establish itself as an important actor in international relations, but its impact on situations of ongoing conflict is as yet undetermined. An analysis of the debate illustrates how important questions about the impact of seeking justice in situations of ongoing conflict were evaded; however, as actors on both sides of the debate worked to impose particular concepts of legitimate peace and justice, and, ultimately, control the outcome of events on the ground. This thesis examines the discourse and representations mobilized by both sides of the debate, placing the discourse in a historical perspective in order to reveal assumptions and meanings embedded within certain discourses and associated concepts. By examining the historical trajectory of the debate, the relations of power, contested meanings, and strategies of both opponents and supporters of the ICC's intervention can be revealed and analyzed in relation to the objectives of peace and justice. In northern Uganda, neither objective has yet been achieved, and, as this thesis demonstrates, many unanswered questions about the relations of peace and justice remain. It is only through more engaged and candid debate as well as empirical research that such relations can be understood, improving our ability to address the egregious violence that impacts the lives of millions of people in the world today.
Cette thèse examine le débat entre la paix et la justice au nord de l'Ouganda qui a fait surface suite à la décision de la Cour pénale internationale (CPI), en janvier 2004, d'enquêter sur le conflit entre le gouvernement de l'Ouganda et l'Armée de résistance du Seigneur. Cette annonce de la CPI s'est butée à la résistance des groupes religieux et politiques locaux, de la société civile et des chefs traditionnels du nord de l'Ouganda, particulièrement ceux de la sous-région d'Acholi. Dans cette région du monde, le débat entre paix et justice est important car il aura des impacts sur le futur de la CPI ainsi que sur les approches de résolution de conflits. En tant que nouvelle institution, la CPI tente de s'imposer comme un acteur important dans les relations internationales, mais son impact sur les situations de conflits actuels reste à démontrer. L'analyse du débat illustre comment les questions centrales concernant l'impact de la recherche de la justice en situation de conflit ont été évitées lorsque les acteurs des deux côtés du débat ont cherché à imposer des concepts légitimes de la paix et de la justice, et ultimement influencer le cours des événements. Cette thèse examine les discours et les représentations mises de l'avant par les acteurs en les remettant dans une perspective historique révélant ainsi les idées préconçues et les significations enchâssées dans certains discours et concepts associés. Examiner la trajectoire historique du débat permet de dévoiler et d'analyser les relations de pouvoir, les significations contestées, et les stratégies des supporteurs et des opposants des interventions de la CPI en relation avec les objectifs de la paix et de la justice. Dans le nord de l'Ouganda, ces objectifs n'ont pas été atteints et, comme le démontre cette thèse, bien des questions demeurent sans réponse concernant les relations entre la paix et la justice. C'est seulement à travers un débat plus engagé et candide ainsi qu'à travers une recherche plus empirique que de telles relations peuvent être mieux comprises, améliorant ainsi notre capacité à aborder le problème de l'extrême violence qui affecte la vie de millions de gens dans le monde.
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22

Souza, Mariana de Barros. "Gestão da produção cultural brasileira financiada, prioritariamente, por leis de incentivo fiscal: estudo das práticas e percepções de profissionais da área". Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/96/96132/tde-06012017-151225/.

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Abstract (sommario):
Políticas culturais são pensadas e implementadas de maneiras consideravelmente distintas no atual cenário mundial. No Brasil, diversas foram as fases e tendências assumidas pelo governo, mas, em geral, o mecanismo de incentivo fiscal, desde meados da década de 80, assume papel de protagonismo no que diz respeito ao financiamento de cultura. Nesse contexto, o atual trabalho buscou conhecer quem são algumas das pessoas responsáveis por gerir, na área cultural, recursos públicos advindos prioritariamente das leis de incentivo fiscal e identificar a percepção de tais profissionais quanto a sua aptidão para realizar essa função. Para coleta de dados, foram realizadas entrevistas com profissionais da área, as quais se conduziram com base em um roteiro de questões que buscou verificar conhecimentos, práticas, opiniões e representações sociais acerca da gestão de atividades culturais. Os dados qualitativos obtidos foram analisados por meio do Discurso do Sujeito Coletivo (DSC). Em tal metodologia, elementos com sentidos semelhantes são processados sob a forma de discursos únicos, redigidos na primeira pessoa do singular. Os gestores e as gestoras demonstraram, em sua maioria, enfrentar dificuldades para realizar algumas das tarefas que desempenham e, geralmente sem formação específica na área, falam sobre empirismo e contratação de empresas para assessoramento e segurança. Quando buscam se especializar para não mais depender de intermediação, encontram, majoritariamente, cursos descontinuados e de curta duração - normalmente pagos e oferecidos em capitais estaduais.
Cultural policies nowadays are designed and implemented based on different perspectives. In Brazil, government has assumed several phases and trends, but in general tax incentive takes leading role with regard to the financing of culture since the mid-80. In this context, the present study aimed to identify some people responsible for managing public resources in the cultural area and to identify the perception of such professionals about their ability to perform this function. For data collection, cultural managers were interviewed. The intention was to verify knowledge, practices, beliefs and social representations of cultural management. The method used to analyze qualitative data obtained was the Discourse of the collective subject (DCS). So, elements with similar senses were processed into single speeches, written in the first person singular. It was noted that sometimes, managers are struggling to play their role and, generally without specific training in the area, they talk about empiricism and hiring companies for advice and security. When seeking specialization, they found, mostly, discontinued and short courses - usually paid and offered in main cities.
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23

LEE, Eun Soo. "The discourse of ruination : interrogating urban renewal In Hong Kong". Digital Commons @ Lingnan University, 2016. https://commons.ln.edu.hk/cs_etd/28.

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Abstract (sommario):
As stated in the Urban Renewal Strategy (2011), “the problem of urban decay” has been identified as the major task of urban renewal in Hong Kong. Rows of densely packed, “dilapidated” tenement buildings constitute the imaginary of a declining urban landscape that, much like the squatter areas of the 1950s, are seen to pose threats to public health and to the “prestige” of Hong Kong. I propose the concept of the discourse of ruination as a way to interrogate and at the same time, de-naturalise the pervasive assumption of the problem of decay, which serves to rationalise and perpetuate the cycle of destruction and renewal. I argue that crucial to this process is how certain sites are identified and framed as “pockets of decay”, which simultaneously “brings ruin upon” these spaces by rendering them as useless. This research investigates (educational) exhibitions, operated by the key actors of urban renewal to observe how exhibitions, as discursive practice, construct and consolidate knowledges about urban decay, and how it configures and normalises the logic of urban renewal. In the second case study, I present a critical reflection of the ongoing preservation project of the Blue House Cluster in order to highlight how heritage preservation is incorporated into the larger framework of urban renewal, and the erasures entailed in ‘preservation’ in the process of transforming ‘ruins’ to ‘heritage’. By converging insights derived from ‘ruin studies’, and studies on urban space and its power relations, this thesis aims to illuminate how the ‘discourse of ruination’ operates in the logic of urban renewal in Hong Kong.
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24

Ku, Hok-Bun. "Defining zeren : cultural politics in a Chinese village". Thesis, SOAS, University of London, 1999. http://eprints.soas.ac.uk/28498/.

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Abstract (sommario):
This ethnography is writing about the popular resistance of villagers in postreform China. It focuses on the political discourse of villagers who imagine, create and transmit it in everyday life. When they carry out resistance to the state, they speak about how they view their government, what the ideal government-villager relationship is, what the principle of justice and equity is, as well as what their relations with their family, kin and village are, and how they view the good life. In their everyday practice, the evidence shows that there is an elaborate and pervasive principle of social contract or reciprocity, which underlies everyday social relationships. This principle is not only applied to person to person (e.g. villager and villager, villagers and cadres), it is also extended to the relationship between state and villagers. But the findings also tell that this principle is not an external norm/rule or institution/system which is static and unchangeable. It is transformed and reproduced by the villagers in everyday practices. The villagers strategically defined the meaning of zeren in terms of social contract for their own interest. When the state or the cadres violate their principle of zeren, villagers carry out resistance. In Ku Village, villagers' resistance is always in everyday form in order to avoid open confrontation and direct challenge to the state, because such open and organized activities are still dangerous and will probably be met with aimed force and bloodshed in socialist China. In their resistance, they are capable of formulating the rationale for their action discursively via defining and redefining the zeren of the government and their relationship with the state. They draw upon the memory and a rich variety of information from different sources for constructing their models of "good government" and "good cadre", with which they judge the government and local cadres, and then justify their resistance to the state policies. In post-reform China, collecting taxes, imposing fees and enforcing birth control have become the main arenas of conflict between state and villagers. The village cadres are always situated in a dilemma, which formulates an important characteristic of Chinese local politics. On the one hand, they have to implement the state policy; on the other hand, they do not want to hurt the personal relationship with the villagers because they are also bound by the principle of social reciprocity. So normally, they collude with the villagers and keep "one eye opened and one eye closed". At the specific historical moment, however, some village cadres collude with the state and do things against the interest of the villagers.
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25

Doherty, Catherine Ann. "The production of cultural difference and cultural sameness in online internationalised education". Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16302/1/Catherine_Doherty_Thesis.pdf.

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Abstract (sommario):
This research investigates the cultural politics of 'borderless' education. In Australia, online internationalised education has recently emerged as a market innovation borne from the intersection of two agendas in the higher education sector: an enthusiasm for technological means of delivery; and the quest for international full-fee paying enrolments. The empirical study analyses how both cultural difference and cultural sameness were produced in a case study of borderless education and were made to matter in both the design and the conduct of online interaction. A core MBA unit offered online by an Australian university was selected for the study because its enrolments included a group enrolled through a partner institution in Malaysia. The study is framed in the broad context of the changing cultural processes of globalisation, and in educational markets where knowledge is business. In this more fluid and complicated cultural landscape, the technologies and social practices supporting online education were understood to offer new cultural resources for identity processes. Pedagogy, rather than providing an inert stage for cultural identities to interact, was understood to play an active role in invoking and legitimating possible orientations for student identities. The framework thus builds on a metaculture, or understandings of culture and cultural identity, more appropriate for the cultural conditions of globalising times. The study was conducted as a virtual ethnography of the case study unit drawing on: the observation and recording of all virtual interaction in the unit's website; interviews and dialogues with the lecturer and designer involved; email interviews with some students; and the collection of course artefacts and related documentation. The methodological arguments and design addressed the complexity of grasping how culture is lived in globalised times, and how it is invoked, performed and marked in virtual interactions. Using layered textual analyses synthesising Bernstein's theory of pedagogic discourse and Systemic Functional Linguistics, a description of the unit drew out contradictory aspects in its macrogenre design. On one hand, the design aimed for cultural saming in terms of delivering undifferentiated curriculum and pedagogy for the diverse cohort of students. On the other hand, it also aimed for cultural differencing in the 'student subsidy'of the curriculum. The analysis showed how cultural difference was thus produced as both a curricular asset, and as a series of pedagogical problems in the case study unit. The 'student subsidy' design involved allocating students to purposefully mixed groups for assessable small group discussions in order to enrich the curricular treatment of cultural diversity as a topic of interest. This design invoked expressions of a range of cultural identities and knowledge claims about cultural differences. These claims were analysed with reference to how they were legitimated, and who invoked what culture on behalf of which groups. Despite the design of an undifferentiated process, the conduct of the unit displayed a number of pedagogical problems or 'regulative flares' in which groups of students complained about being overly or insufficiently differentiated. The analysis focused on three such flares: troubles with naming protocols; troubles around genre expectations for assessment tasks; and trouble over 'local' markers for the Malaysia students. These were summarised as trouble with the unit's 'default settings' and presumptuous assumptions about whose cultural terms applied in this educational setting. The study makes a contribution to the sociology of education, in particular with regard to internationalisation and online modes of delivery. The empirical study also contributes to the sociology of the cultural processes of globalisation. More practically, it is suggested that such programs could profitably embrace a version of culture more in line with the entangled routes and global flows that have brought the students and provider together, one that can accommodate and celebrate glocalised identities.
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26

Doherty, Catherine Ann. "The production of cultural difference and cultural sameness in online internationalised education". Queensland University of Technology, 2006. http://eprints.qut.edu.au/16302/.

Testo completo
Abstract (sommario):
This research investigates the cultural politics of 'borderless' education. In Australia, online internationalised education has recently emerged as a market innovation borne from the intersection of two agendas in the higher education sector: an enthusiasm for technological means of delivery; and the quest for international full-fee paying enrolments. The empirical study analyses how both cultural difference and cultural sameness were produced in a case study of borderless education and were made to matter in both the design and the conduct of online interaction. A core MBA unit offered online by an Australian university was selected for the study because its enrolments included a group enrolled through a partner institution in Malaysia. The study is framed in the broad context of the changing cultural processes of globalisation, and in educational markets where knowledge is business. In this more fluid and complicated cultural landscape, the technologies and social practices supporting online education were understood to offer new cultural resources for identity processes. Pedagogy, rather than providing an inert stage for cultural identities to interact, was understood to play an active role in invoking and legitimating possible orientations for student identities. The framework thus builds on a metaculture, or understandings of culture and cultural identity, more appropriate for the cultural conditions of globalising times. The study was conducted as a virtual ethnography of the case study unit drawing on: the observation and recording of all virtual interaction in the unit's website; interviews and dialogues with the lecturer and designer involved; email interviews with some students; and the collection of course artefacts and related documentation. The methodological arguments and design addressed the complexity of grasping how culture is lived in globalised times, and how it is invoked, performed and marked in virtual interactions. Using layered textual analyses synthesising Bernstein's theory of pedagogic discourse and Systemic Functional Linguistics, a description of the unit drew out contradictory aspects in its macrogenre design. On one hand, the design aimed for cultural saming in terms of delivering undifferentiated curriculum and pedagogy for the diverse cohort of students. On the other hand, it also aimed for cultural differencing in the 'student subsidy'of the curriculum. The analysis showed how cultural difference was thus produced as both a curricular asset, and as a series of pedagogical problems in the case study unit. The 'student subsidy' design involved allocating students to purposefully mixed groups for assessable small group discussions in order to enrich the curricular treatment of cultural diversity as a topic of interest. This design invoked expressions of a range of cultural identities and knowledge claims about cultural differences. These claims were analysed with reference to how they were legitimated, and who invoked what culture on behalf of which groups. Despite the design of an undifferentiated process, the conduct of the unit displayed a number of pedagogical problems or 'regulative flares' in which groups of students complained about being overly or insufficiently differentiated. The analysis focused on three such flares: troubles with naming protocols; troubles around genre expectations for assessment tasks; and trouble over 'local' markers for the Malaysia students. These were summarised as trouble with the unit's 'default settings' and presumptuous assumptions about whose cultural terms applied in this educational setting. The study makes a contribution to the sociology of education, in particular with regard to internationalisation and online modes of delivery. The empirical study also contributes to the sociology of the cultural processes of globalisation. More practically, it is suggested that such programs could profitably embrace a version of culture more in line with the entangled routes and global flows that have brought the students and provider together, one that can accommodate and celebrate glocalised identities.
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27

Hyde, Martin. "An investigation of professional discourse on culture in international English language teaching". Thesis, University of Kent, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.250337.

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28

Clements, Philip Jameson. "Dungeons & Discourse: Intersectional Identities in Dungeons & Dragons". Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1573729920432102.

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29

Elsnes-Paryzer, Amanda A. "Teachers' Spanish instructional discourse within a specific social, cultural, and historical context". Connect to online resource, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3284452.

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30

McKeown, Sean. "Managing equality cultural studies, management discourse and the division of intellectual labour". Thesis, Goldsmiths College (University of London), 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514314.

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31

Samarah, Abdullah Yaqoub. "Pragmatics and cultural interpretation in spoken Arabic : feedback as a discourse phenomenon". Thesis, University of Exeter, 2006. http://hdl.handle.net/10036/25353.

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Abstract (sommario):
This study deals with linguistic feedback (see Wiener/48, Fries/52 and Allwood/93) which falls within the domain of cultural description. Feedback can informally be described like this: when a speaker performs a linguistic action which requires a linguistic response from a receiver, the given response has an important function for the speaker. In the ideal case, the listener’s response gives information to the speaker that the listener has perceived and understood the communicated content. However, the receiver can also signal that he/she has failed to hear or understand what has been said. As well as that, the receiver can ignore the speaker’s action and initiate other actions or get involved in a different conversation. It has been noted, in particular, that if a speaker performs an action that requires a response, it is less certain whether both the speaker’s performance and the receiver’s responses will succeed. When a receiver does not give a coherent or clear response, then the sender sees that the receiver is experiencing some problem(s) that deserves to be dealt with. For this reason, there might be several alternatives which the sender can initiate, e.g., to abandon the attempt to get the listener's feedback, to misinterpret the answer, or to take the listener's response into account. By increasing awareness of the significance of feedback, we may hope to understand better problems in communication between cultures. The present study focuses on verbal feedback actions and discusses briefly non-verbal feedback actions. The following aspects are central in the study: I) Feedback expressions in spoken Arabic: - Feedback turns and non-feedback turns. This subsection will include the following items: feedback consisting of a one-word utterance, complex feedback consisting of an utterance of more than one word, eliciting feedback, giving and eliciting feedback, self-feedback and nonfeedback turns II) The semantic and pragmatic analysis of feedback actions: - Criteria for deciding the function of feedback III) Studies of six kinds of conversation and one form of communication, which give examples of feedback in spoken Arabic. This thesis deals also with sociolinguistic feedback and sociolinguistic variations will be described for each individual in conversation. These variations will be described with the help of tables and several selected examples from the data. These examples have to be connected with the main topic (feedback) and related to each social variant. A number of theoretical assumptions about FB and related studies which fall under the same linguistic phenomenon i.e., human response, and possibly have universal relevance, are presented. The need for further empirical research is expressed. The present work is divided into six chapters and based on live conversations recorded in Jeddah (Kingdom of Saudi Arabia).
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32

Cereghini, Christina A. "Analyzing the Cultural Critical Discourse of Adolescent Authentic Discussions Using Online Booktalks". Thesis, University of Arkansas at Little Rock, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10824823.

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Abstract (sommario):

This mixed methods study investigates the effect of cultural and sociolinguistic textures of talk on authentic discussion patterns and whether reading comprehension and inferencing are affected in an online booktalk environment with adolescents. The research will also investigate the contextual features of the classroom community to be studied to help determine the specific sociocultural norms established in that classroom. The unique conditions of the setting in which today’s adolescents function, such as amplified access to digital technologies, the evolving status of socialization, the express shift of physical and emotional factors, and the collective influence of prior experiences with reading, call for a more nuanced examination of their literacy practices. Data was collected from a Pre-AP 10th grade students in an urban high school setting. Using a sample of 75 students for the blog postings and recorded classroom discussions, the transcripts were sent through LIWC and the variables of tone, analytical, social, affect, cognitive process, and affiliation were examined. An F-test two sample for variances found that there is a connection between the students’ funds of knowledge and their comprehension of the text. The results also suggest that inferencing is influenced through the other variables. There was no statistical significance between cognitive process and social, affect and affiliation, cognitive process and affiliation.

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33

al-Rifaei, Abd-Alelah H. al-Nehar. "Cultural diversity and intercultural discourse in the shorter fiction of Joseph Conrad". Thesis, University of Glasgow, 1991. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.731961.

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34

Sabnis, Sujay. "Cognitivism in School Psychologists’ Talk about Cultural Responsiveness: A Critical Discourse Analysis". Scholar Commons, 2019. https://scholarcommons.usf.edu/etd/7919.

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Abstract (sommario):
Although there is an increase in publications on the topic of cultural responsiveness in school psychology, the research literature does not interrogate the discourse around cultural responsiveness and the modes of practices it enables. Using a preexisting dataset featuring interviews with 15 school psychologists, I analyzed the discursive formations characterizing the talk about cultural responsiveness. Data analysis using the critical discursive psychology framework illuminated the presence of cognitivism in participant talk. Critical discourse analysis drawing on Foucauldian theory of power effects revealed the ways in which cognitivism both enabled and constrained the discursive production of ‘culture’ and ‘cultural responsiveness’. Culture became a primarily cognitive concept (beliefs, values, and tendencies of various groups), and cultural responsiveness came to be a rational non-discriminatory form of decision making process oriented toward individualistic and micro-level forms of practices that had institutional sanction. Implications and recommendations for further research are discussed.
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35

Lepkin, Murray Scott. ""Birds of paradise": The discourse semiotics of co-operative work in pre-Saharan Morocco". Diss., The University of Arizona, 2004. http://hdl.handle.net/10150/290140.

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Abstract (sommario):
This is a study of an event, the twiza, a form of co-operative work regulated by codified practice ('rf), with the focus being on the way the event is managed (or even created) by talk, especially the talk of the leader or cix. Various kinds of indirection, especially the genre of "teasing" (tqcab), are seen to be crucial to understanding how the cix orchestrates talk in pursuit of his goals, alternating between persuasion and coercion, and how group members at times subvert, at times reinforce, the hegemony of the cix.
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36

Subramaniam, Ganakumaran. "Ideological stylistics : 'collative' explorations in Malaysian and Singaporean fictional discourse". Thesis, University of Nottingham, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313230.

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37

Holst, Mark Anthony. "Japanese doctor-patient discourse : an investigation into cultural and institutional influences on patient-centred communication". Thesis, University of Edinburgh, 2010. http://hdl.handle.net/1842/5878.

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Abstract (sommario):
This thesis investigates how Japanese doctors create and maintain patient-centred consultations through their verbal interaction with patients, and the extent to which features of Japanese interpersonal communication influence the institutional discourse. Audio recordings of 72 doctor-patient interactions were collected at the outpatient department of a Japanese teaching hospital. All consultations involved new cases. There were two kinds of consultations: a preliminary history-taking interview with an intern and a diagnostic consultation given by an experienced doctor. After transcribing the recordings sequences of the discourse were analysed qualitatively on a turn-by-turn basis and a corpus of the data was analysed quantitatively to establish frequencies of discourse features related to patientcentredness. A review of literature (Chapter 2) establishes the standard structure of medical consultations and the relationship of the doctor and patient during consultations in terms of the asymmetry of speaking initiative according to consultation phases. The second part of Chapter 2 is an examination of Japanese communication style, attested to be influenced by culturally specific norms of behaviour that are demonstrable through verbal interactions. Chapter 3 describes the research method, and this is followed by four chapters of analysis. Chapter 4 describes the nature of the two kinds of consultations; the phases they include, and how the participants shift from one phase to the next with phase transition markers. Particular attention is paid to opening and closing phases, as they are most relevant to the establishment and consolidation of a patient-centred relationship. Chapter 5 investigates patterns of questioning by doctors, identifying functional categories of questions to see how they are used to coax information from the patient. Chapter 6 examines how the doctor encourages the patient’s narrative through backchanneling; how the doctor accommodates the patient through sensitive explanations of treatments and procedures; and how the voice of the patient emerges through calls for clarification, and voicing concerns. Chapter 7 highlights discourse sequences that may indicate culturally specific influences, and examines the emergence of laughter as an indicator of Japanese interpersonal interaction. The features of these Japanese consultations are consistent with medical consultations described in English speaking settings regarding phases and the discourse strategies used to achieve patient-centredness. While there appear to be Japanese cultural influences in the interactions consistent with previous cross-cultural studies the author argues that the institutional setting (clinical framework) is more immediately relevant to the conversational dynamics of the interactions than the Japanese cultural setting. Finally, medical consultations involving new cases have more features of service encounters and therefore not controlled by the guidance-cooperation model of doctor-patient interaction.
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38

Silva, Thiago Ferreira da [UNESP]. "Convergência cultural, divergência nos olhares: práticas discursivas e construção de subjetividades na cultura da convergência". Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/115747.

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Made available in DSpace on 2015-03-03T11:52:31Z (GMT). No. of bitstreams: 0 Previous issue date: 2014-02-24Bitstream added on 2015-03-03T12:06:34Z : No. of bitstreams: 1 000805887.pdf: 1877116 bytes, checksum: ee2d917d590eebc3e71e1ac14d4e493f (MD5)
Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
Este trabalho tem como objetivo discutir e refletir a respeito da construção discursiva de identidades para as chamadas minorias sociais na cultura da mídia e do espetáculo em que vivemos atualmente. Inserido nas inverstigações coletivas do Grupo de Estudos em Análise do Discurso de Araraquara (GEADA), o projeto visa a explorar as articulações entre discurso, história e linguagens na construção de posições de sujeito que devem ser assumidas pelos espectadores das grandes mídias e que consequentemente vão gerar grupos de pertencimento em torno de identidades sociais pré-construídas e difundidas por essas mídias. Para tanto, tomamos como corpus o seriado Glee, produzido e transmitido pelo conglomerado midiático Fox Home Entertainment, e partindo dos pressupostos teóricos da Análise do Discurso fundamentada nos trabalhos de Michel Pêcheux e Michel Foucault, buscamos desenvolver uma aventura teórica em que se demonstra como a construção dessas identidades se dá por meio de práticas discursivas que articulam saberes e poderes que subjetivam os indivíduos e os inserem em uma ordem do discurso. Procuramos evidenciar também que na atual configuração tecnológica-midiática, não basta, para desenvolver um estudo desse caráter, concentrar o olhar do pesquisador em uma única plataforma de mídia (como os episódios televisivos, no caso de Glee), mas considerando o caráter de acontecimento discursivo do objeto analisado e o fato de vivermos hoje na era da transmídia, é necessário correr esse olhar pelas diversas plataformas e materiais midiáticos a que esse objeto se estende: livros, filmes, DVDs, reality shows, etc.
Ce travail a l’objectif de discuter et de réfléchir sur la construction discoursive d’indentités pour les dites minorités sociales dans la culture du média et du spectacle dans laquelle nous vivons. Ancré dans les investigations colectives du Grupo de Estudos em Análise do Discurso de Araraquara (GEADA), ce projet-là a-t-il l’intention d’explorer les articulations entre discours, histoire et langage dans la construction des positions-sujet qui doivent être assumées par les spectateurs des grands médias et que, par consequence, génèrent-ils des groupes d’appartenance en tour d’identités sociales prédéfinies et diffusées par ces médias. On prend pour corpus la série télévisée Glee, produite et diffusée par le conglomérat médiatique Fox Home Entertainment, et on part des réflexions théoriques de l’Analyse du Discours fondée sur les travails de Michel Pêcheux et Michel Foucault, en construisant une aventure théorique dans laquel on montre comment la construction de ces identités se donne à travers des pratiques discoursives qui articulent des savoirs et des pouvoirs qui produisent des sujets et qui les insèrent dans un “ordre du discours”. On essaie aussi de montrer que dans la configuration technologique-médiatique contemporaine il n’est pas suffisant concentrer le regarde du chercheur sur une plateforme médiatique spécifique (comme les episodes télévisées de Glee, par exemple); on doit considérer le caractère d’événement discoursif de l’objet analysé et le fait de qu’on vit dans l’ère du “transmédia”. Il faut donc parcourir, avec ce regarde, les plusieurs plateformes et matériels médiatiques auxquels cet objet s’étend : des filmes, des DVDs, des reality shows, etc.
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39

Silva, Thiago Ferreira da. "Convergência cultural, divergência nos olhares : práticas discursivas e construção de subjetividades na cultura da convergência /". Araraquara, 2014. http://hdl.handle.net/11449/115747.

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Abstract (sommario):
Orientador: Maria do Rosário Gregolin
Banca: João Marcos Mateus Kogawa
Banca: Luciane de Paula
Resumo: Este trabalho tem como objetivo discutir e refletir a respeito da construção discursiva de identidades para as chamadas minorias sociais na cultura da mídia e do espetáculo em que vivemos atualmente. Inserido nas inverstigações coletivas do Grupo de Estudos em Análise do Discurso de Araraquara (GEADA), o projeto visa a explorar as articulações entre discurso, história e linguagens na construção de posições de sujeito que devem ser assumidas pelos espectadores das grandes mídias e que consequentemente vão gerar grupos de pertencimento em torno de identidades sociais pré-construídas e difundidas por essas mídias. Para tanto, tomamos como corpus o seriado Glee, produzido e transmitido pelo conglomerado midiático Fox Home Entertainment, e partindo dos pressupostos teóricos da Análise do Discurso fundamentada nos trabalhos de Michel Pêcheux e Michel Foucault, buscamos desenvolver uma aventura teórica em que se demonstra como a construção dessas identidades se dá por meio de práticas discursivas que articulam saberes e poderes que subjetivam os indivíduos e os inserem em uma "ordem do discurso". Procuramos evidenciar também que na atual configuração tecnológica-midiática, não basta, para desenvolver um estudo desse caráter, concentrar o olhar do pesquisador em uma única plataforma de mídia (como os episódios televisivos, no caso de Glee), mas considerando o caráter de acontecimento discursivo do objeto analisado e o fato de vivermos hoje na era da "transmídia", é necessário correr esse olhar pelas diversas plataformas e materiais midiáticos a que esse objeto se estende: livros, filmes, DVDs, reality shows, etc.
Abstract: Ce travail a l'objectif de discuter et de réfléchir sur la construction discoursive d'indentités pour les dites minorités sociales dans la culture du média et du spectacle dans laquelle nous vivons. Ancré dans les investigations colectives du Grupo de Estudos em Análise do Discurso de Araraquara (GEADA), ce projet-là a-t-il l'intention d'explorer les articulations entre discours, histoire et langage dans la construction des positions-sujet qui doivent être assumées par les spectateurs des grands médias et que, par consequence, génèrent-ils des groupes d'appartenance en tour d'identités sociales prédéfinies et diffusées par ces médias. On prend pour corpus la série télévisée Glee, produite et diffusée par le conglomérat médiatique Fox Home Entertainment, et on part des réflexions théoriques de l'Analyse du Discours fondée sur les travails de Michel Pêcheux et Michel Foucault, en construisant une aventure théorique dans laquel on montre comment la construction de ces identités se donne à travers des pratiques discoursives qui articulent des savoirs et des pouvoirs qui produisent des sujets et qui les insèrent dans un "ordre du discours". On essaie aussi de montrer que dans la configuration technologique-médiatique contemporaine il n'est pas suffisant concentrer le regarde du chercheur sur une plateforme médiatique spécifique (comme les episodes télévisées de Glee, par exemple); on doit considérer le caractère d'événement discoursif de l'objet analysé et le fait de qu'on vit dans l'ère du "transmédia". Il faut donc parcourir, avec ce regarde, les plusieurs plateformes et matériels médiatiques auxquels cet objet s'étend : des filmes, des DVDs, des reality shows, etc.
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40

Beauregard, Devin. "Cultural Policy in the Digital Age: The Emergence of Fans as Political Agents in Copyright Discourse". Thesis, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/19798.

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Cultural policy theory operates on a division between producers and the public. Dualisms, such as producer/consumer – or, in more nuanced circles, the triadic relationship of consumer/producer/owner – have had a structuring effect on the way in which we envision cultural policy theories. At its core, the producer/consumer dualism implies subjectivities – that is to say that it defines positions in relationships between socio-political actors/actresses. At the governmental level, such clear-cut subject positions are perceptible beyond theories, entering into the actual practice of policy-making to the point where certain policies structure the notion of the public (or consumers), and the producers and/or owners. Copyright law, for instance, represents a good example of such an ideational construct. As a form of cultural policy, copyright law seeks to define the rights of producers with regards to their productions. Consequently, this thesis aims at exploring the forms of agency that develop and challenge both the practice and theoretical constructs of cultural policy. Two aspects command us to question anew these boundaries, one based on contemporary social and technical transformations (the rise of the digital age), and one based on cultural practice (in this case, those of fans and fandoms).Borrowing from theories of cultural studies and Foucauldian approaches to discourse analysis, this thesis explored the emerging discourses surrounding fans and their use of copyrighted material via the internet. Putting emphasis on three fandoms that have had marked histories of fan activism and fan production via the use of copyrighted material – Star Trek, Firefly, and Harry Potter – this paper investigated fans’ use of copyrighted material in developing fan cultures and as a vehicle for their discursive practices. These cases illustrate how fans have challenged the established repertoires of subjects in cultural policy (making and theory), and how their form of agency represents an interesting case of resistance to the rise of the cultural industries conception of cultural policy.
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41

Liu, Yongbing. "The cultural knowledge and ideology in Chinese language textbooks : a critical discourse analysis /". St. Lucia, Qld, 2003. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17648.pdf.

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42

Phungsoondara, Visarut. "Representing trauma : the image of atrocity in the cultural discourse of European modernity". Thesis, Middlesex University, 2003. http://eprints.mdx.ac.uk/6154/.

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In this thesis, I examine the complexities involved in the representation of trauma in both aesthetic and ideological configurations in the relationship between the generic experience of modernity and particular historical events of atrocity. This relationship continues from the discourse of social and moral degradation and the rise of modem psychiatry, to the idea of artistic and literary creation. The discourse of trauma has become intrinsically linked to the aesthetic in the configuration of the experience of modernity that points not only to the problematisation of the self but also the crisis of representation. Starting from the discourse of trauma surrounding the experience of the First World War, the thesis examines the language of technology and mechanisation as a means for overcoming the traumatic experience of the war in the work of Ernst Jünger and other writers and artists across the political spectrum during the Weimar period. I also investigate the aesthetic configurations of `depersonalisation' and `impersonality' as they are figured in the texts and images of the European Avant-garde particularly, the Neue Sachlichkeit, and the thematic origins of the image of trauma since the early modem period. I also examine the pathological rhetoric of disintegration and decay in the discourse of war trauma in the work of Louis-Ferdinand Celine. The thesis proposes that there is a reactionary tendency in the image of disintegration, decay and fragmentation in particular avantgarde movements such as the Neue Sachlichkeit, Expressionism and Surrealism. I conclude that the representation of trauma is intrinsic to diverse political and aesthetic positions articulated through rhetorical strategies in the discourse of scientific rationalism, technological progress, the medical sciences and the modernist aesthetic of fragmentation and disfiguration. In the final part of the thesis, I investigate these aesthetic and ideological themes in the contemporary discourse of trauma surrounding the representation of the Holocaust, particularly the construction of the `Holocaust museum' and its artefacts through examining the United States Holocaust Memorial Museum in Washington D. C. and the Jewish Museum in Berlin.
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43

DiNardo, Jeff. "Eye Movement Desensitization and Reprocessing Clinicians' Discourse on Cultural Dynamics in EMDR Therapy". Thesis, The George Washington University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10748113.

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The following study looks at how Eye Movement Desensitization and Reprocessing (EMDR) clinicians consider cultural dynamics within the EMDR treatment approach. A literature review provides the empirical foundation of EMDR treatment, a broad inquiry into general influences of cultural dynamics, and a review of the intersection of EMDR and culture in existing literature. In a mixed-methods approach, background information of EMDR clinicians and written responses to a composite case vignette allowed for the investigation into how 56 EMDR clinicians discuss cultural issues within their work. Participants were recruited via listservs maintained by EMDR communities in the United States, the United Kingdom & Ireland, and Israel. While a cluster analysis was able to create clusters emerging from participant data, these influences were minimal in the subsequent qualitative analyses. However, it is worth noting that the variables that emerged as important criteria for clusters included length of experience and national origin. Both are theoretically consistent with Vygotsky’s sociocultural theory, which underlies the rationale of the study. In the qualitative component of data analysis, the researcher employed basic interpretive design and discourse analysis methodologies. Basic interpretive results found multiple approaches ranging from deeming culture a non-essential focus of the work to considering how certain identity markers may affect the course of information processing in treatment. When culture was considered, the focus was typically on the client’s background as opposed to the clinician’s background. Discourse analysis suggested a number of potentially meaningful linguistic patterns including shifts between Germanic and Latinate word origins depending on perceived audience, shifts between active and passive voice depending on temporal relation to the traumatic event, and the personification of the brain as an active character in the treatment process. As an exploratory study, considerable follow-up research would be needed before concrete suggestions are implemented though the potential implications for EMDR training might include a more intentional review of language use and the preparation of multiple styles of communicating to increase resonance with a client’s worldview.

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44

Chowdhury, Sengupta Indira. "Colonialism and cultural identity : the making of a Hindu discourse, Bengal 1867-1905". Thesis, SOAS, University of London, 1993. http://eprints.soas.ac.uk/28888/.

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This thesis studies the construction of a Hindu cultural identity in the late nineteenth and the early twentieth centuries in Bengal. The aim is to examine how this identity was formed by rationalising and valorising an available repertoire of images and myths in the face of official and missionary denigration of Hindu tradition. This phenomenon is investigated in terms of a discourse (or a conglomeration of discursive forms) produced by a middle-class operating within the constraints of colonialism. The thesis begins with the Hindu Mela founded in 1867 and the way in which this organisation illustrated the attempt of the Western educated middle-class at self-assertion. In constructing a homogeneous Hindu identity, this social group hegemonically appropriated the distinct traditions of subordinated groups. Crucial to this project was another related one - that of history-writing. History, it was felt, contained the essence of civilisation and culture. A refutation of colonial notions about Hindus and Bengalis had to be achieved through the fusion of the historical and the mythological which sought to displace colonial history-writing. The anxiety about an ineffectual male identity ascribed to the Bengali male by colonial discourse prompted the imaging of meaningful icons of resistance in the form of heroic womanhood. The links between the figures, i.e., of the motherland, the mother and the ideal wife, are therefore especially significant. No less important is the reformulation of an alternative heroic male identity out of the conventional Hindu institution of Sannyas or asceticism by Vivekananda. He forwarded a notion of spiritual conquest by addressing the universalist dimensions of Hinduism. The political implications of this constructed identity was clearly revealed in the cultural events that preceded the partition of Bengal as well as those that formed and directed the Swadeshi movement.
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45

Silva, Viviane Ferreira da. "O gênero entrevista pingue-pongue na esfera do jornalismo cultural /". Araraquara, 2014. http://hdl.handle.net/11449/115845.

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Abstract (sommario):
Orientador: Marina Célia Mendonça
Banca: Alessandra Del Ré
Banca: Wedencley Alves
Resumo: Este trabalho faz um estudo do gênero do discurso entrevista pingue-pongue na esfera do jornalismo cultural. Para que o estudo seja realizado, o presente trabalho segue a linha teórico-metodológica do Círculo de Bakhtin e seus comentadores, que trata das enunciações e as relações dialógicas produzidas no discurso assim como do ato ético e estético na construção do sentido. Também reflexões realizadas por Sá, Silva e Sobral ajudam a delinear os mecanismos de análise, uma vez que esses estudiosos desenvolvem pesquisas sobre o gênero entrevista pingue-pongue. A pesquisa se preocupa em analisar a construção do acabamento estético a partir das relações dialógicas que se estabelecem entre o eu e o outro e como os valores sociais vão sendo ressignificados nesta esfera. A análise do córpus, composto por três entrevistas pingue-pongues publicadas pela revista Bravo! nos meses de fevereiro, setembro e dezembro de 2012, com personalidades do cenário nacional, respectivamente, Fernando Henrique Cardoso, Marisa Monte e Gilberto Gil, permite perceber o movimento do próprio gênero na esfera jornalística por meio da construção do acabamento estético e do direcionamento temático dados pelo autor. A partir das análises, pode-se levantar indícios de que o gênero estudado apresenta especificidades, como a tendência a um estilo mais literário do autor quando na esfera da cultura, e uma valorização da ordem do privado dos entrevistados, diferentemente do que ocorre em outras esferas
Abstract: This research presents the genre of discourse interview ping pong in the sphere on the cultural journalism. For the study to be carried out, this work follows the theoretical and methodological approach of Bakhtin's Circle and his commentators, dealing with utterances and dialogical relations produced in discourse as well as the ethical and aesthetic act for the construction of meaning. Also reflections made by Sá, Silva and Sobral help to delineate the mechanisms of analysis, as these scholars developed research on gender ping-pong interview. The research is concerned with analyzing the construction of aesthetic finish from the dialogical relations which are established between self and other and how social values are being reinterpreted in this sphere. The analysis of the corpus, consisting of three interviews ping pongs published by Bravo! in February, September and December 2012, with personalities from the national scene, respectively, Fernando Henrique Cardoso, Marisa Monte and Gilberto Gil, allows us to understand the movement of the genre itself in the journalistic sphere through the construction of aesthetic finish and thematic direction given by the author. The analyzes point evidence that gender has specific characteristics, the trend towards a more literary style of the author when in the sphere of culture, an appreciation of the order of the private respondents, differently from what happens in other spheres
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46

Riskedahl, Diane Renae. "The intertextuality of civil identity: Political uses of oral discourse in post-war Lebanon". Diss., The University of Arizona, 2004. http://hdl.handle.net/10150/280793.

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This dissertation draws on the specific case-study of post-war Lebanese political rhetoric in order to take a close look at the ways in which a complex amalgam of distinct and varying histories is articulated linguistically under one national rubric. Research was conducted largely in the urban Beirut region of Lebanon from 1999 to 2001. By analysis of specific linguistic strategies for maneuvering within and between interpretive frames (in particular, Arabism, Lebanese Nationalism and Sectarianism) I have illustrated how Lebanese political actors are able to draw on language, in both its form and content, in order to establish and define their political identity. I also argue that these political actors are able to accomplish social work: they modify relationships, incite discussion, and motivate change through their talk. Through various forms of linguistic incorporation speakers actively work to redefine or to reaffirm authority in the public sphere. I have tried to illustrate how the historical situatedness of the interpretive frames that they utilize affects and limits their ability to do so in a uniquely post-war Lebanese fashion, by drawing on the points of contested meaning in an environment of active political re-configuration. This focus moves away from definitive interpretations of discourse and instead concentrates on interpretive flexibility, with an eye to understanding how that flexibility is constrained. The discursive space of the Lebanese public sphere, then, becomes a primary site for political and civil identity construction through the use and re-use of political discourse.
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47

Ismail, Jumiati. "Challenges in international business communication : a study of language, culture and inter-cultural issues in Malaysian-Australian business discourse". University of Western Australia. Graduate School of Education, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0107.

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This study aims to explore communication deviances and strategies in the negotiation discourse of Malaysian-Australian business encounters, from both a linguistic and nonlinguistic perspective. Specifically, it sees miscommunications/deviances as factors that may hinder the business communication process and prevent the negotiators from achieving their objectives. The study also focuses on strategies, or those discourse skills which promote successful business negotiation. The research method is based on the analysis of discourse generated from initial 'perception' interviews, business meetings, and post-meeting 'follow-up' interviews. The research involved a cross-section of Malaysian and Australian business people from various industries; such as tourism, information technology, hospitality and financial services. The initial 'perception' interviews were intended to gather data on the prior experiences of Malaysian and Australian businesspeople, both in terms of the reported difficulties and strengths in their business interactions and dealings in Western Australia. In the second stage of the analysis, the deviances which signalled miscommunication in the negotiation were identified in the recorded meeting data. Also identified were the strategies which were used by the negotiators to increase the likelihood that their goals will be achieved. The objective of the research was then to interpret why these strategies were being used, and their influence on the negotiation process. From the data a pattern emerged in the way that deviance occurred, and the way that strategies were being performed. This has made it possible to group deviance and strategies and present the findings thematically. Altogether, five themes identified, these were: Management of topics, Building rapport; Ethical business conduct; Building recognition; Styles in business practice. The study has shown that business communication discourse reflects the embedded culture of its speakers. Topic management was also found to play an important role in the business meetings as it enabled the participants to more effectively lead their discussion towards its intended goal. Both the deviance and strategies have been managed by the business negotiators in the way they select the appropriate topic categories in order to effectively maintain the discussion throughout the meeting.
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48

Bakher, Rozarina. "#CancelCulture : A critical discourse analysis of cancel culture and its effect on representation and voice". Thesis, Malmö universitet, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-44055.

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Cancel culture has been described by some as a form of online activism. It has also been argued as activism with both negative and positive effects. For the positive side, cancel culture has worked to emphasize the representation and voice of women during the #MeToo movement against sexual harassment at workplaces. On the other hand, cancel culture has a reputation for being "activism-for-bad" when it silences the voice of people that may contribute to the area of communication for development and social change. For example, it is said to have stifled academic freedom and restricted open debates in cultural institutions. The aim of this thesis is to examine how cancel culture determines whose representation and voice is heard, and has it evolved from being a tool of activism to one that is said to threaten democratic participation? The thesis analyses six online articles that appears as the top results on Google Search during a specific timeline between the period of 2015 - 2021. These timelines were determined from Google Trends® by looking at when the term 'cancel culture' were trending highest on the internet. Applying methodological framework based on the theories of Critical Discourse Analysis, this thesis sets out to analyse words and terms used in these online articles that contributed to the discourse on cancel culture and analyses its relations to representation and voice.
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49

Sturdy, Elliot. "The Administration of the Flesh : The discourse of self-improvement and neuroplasticity". Thesis, Stockholms universitet, Institutionen för etnologi, religionshistoria och genusvetenskap, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-145383.

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This study looks at the discourse of four books that use neuroplasticity as a basis for their project of self-improvement. By using the genealogical techniques developed by Michel Foucault this study focuses upon the process of subjectivization and the techniques employed by the discourse. In particular it focuses upon the relationship between the mind and brain that is formed by the discourse.
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50

Gui'zar, Josefina Mari'a Cendejas. "Sustainable Development Discourse and Cultural Diversity : Forest Policy and Indigenous Narratives in Central Mexico". Thesis, University of Liverpool, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.526960.

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