Letteratura scientifica selezionata sul tema "Cultural critics"
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Articoli di riviste sul tema "Cultural critics"
Gregory, Chase. "Critics on Critics". GLQ: A Journal of Lesbian and Gay Studies 25, n. 1 (1 gennaio 2019): 101–6. http://dx.doi.org/10.1215/10642684-7275572.
Testo completoHADDOCK, BRUCE. "National Cultural Autonomy and its Contemporary Critics". Nations and Nationalism 12, n. 2 (aprile 2006): 365–66. http://dx.doi.org/10.1111/j.1469-8129.2006.00245_5.x.
Testo completoCorciolani, Matteo, Kent Grayson e Ashlee Humphreys. "Do more experienced critics review differently?" European Journal of Marketing 54, n. 3 (13 febbraio 2020): 478–510. http://dx.doi.org/10.1108/ejm-01-2019-0095.
Testo completoSymeou, Pavlos C., Philemon Bantimaroudis e Stelios C. Zyglidopoulos. "Cultural Agenda Setting and the Role of Critics". Communication Research 42, n. 5 (27 maggio 2014): 732–54. http://dx.doi.org/10.1177/0093650214534971.
Testo completoSoegito, Anthony. "Fans vs. critics: Challenging critical authority through memes". Journal of Fandom Studies 7, n. 3 (1 settembre 2019): 279–301. http://dx.doi.org/10.1386/jfs_00005_1.
Testo completoWatts, Steven. "Reply to the Critics". American Quarterly 44, n. 3 (settembre 1992): 459. http://dx.doi.org/10.2307/2712986.
Testo completoKorppi-Tommola, Riikka. "The Cultural Context of Reception:". Nordic Journal of Dance 3, n. 2 (1 dicembre 2012): 38–55. http://dx.doi.org/10.2478/njd-2012-0010.
Testo completoBegum, Md Shahazadi. "Pertaining the Feminist Vision of Ecocriticism for Environmental Justice against Gender Biases and Women Critics: A Literature on the International and National Perception". International Journal of English Literature and Social Sciences 7, n. 2 (2022): 182——186. http://dx.doi.org/10.22161/ijels.72.23.
Testo completoMcConnell, William R. "Cultural Guides, Cultural Critics: Distrust of Doctors and Social Support during Mental Health Treatment". Journal of Health and Social Behavior 58, n. 4 (12 ottobre 2017): 503–19. http://dx.doi.org/10.1177/0022146517736291.
Testo completoTite, Philip. "Editor’s Corner: Critics or Caretakers?" Bulletin for the Study of Religion 44, n. 3 (7 settembre 2015): 38–39. http://dx.doi.org/10.1558/bsor.v44i3.26866.
Testo completoTesi sul tema "Cultural critics"
Silva, Israel Machado da. "Dançando, sentindo, pensando, amando... : o consumo de filmes por críticos de cinema e cinéfilos em Porto Alegre". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/127227.
Testo completoFilm critics are many times seen as people close to cultural elite, enjoying movies that most people do not like and cultivating a taste that sometimes does not resemble those of their readers. Film buffs or passionate about film are voracious consumers of films always seeking to watch a motion picture, talking about movies, searching for information. In this paper we discuss the possibility that these mediators between production and consumption and those most enthusiastic consumers have similar cinema consumption practices and have similar views on how to enjoy this product. Drawing upon studies of cultural hierarchy, popular culture, criticism and cinephilia this study has the aim of understanding whether the habits of film critics - considered by Marketing as assistants for a consumer to choose a product - and film buffs or cinephiles - consumers in number and variety of films - share the same visions. To answer these questions we made 20 long interviews with critics and 16 long interviews with inhabitants of Porto Alegre area. There are many similarities in the way they treat the cinema, especially with respect to the way they watch the film and how much information they search before seeing a movie. Critics believe in its role as increasing the conversation and reflection on a movie, but they understand they are often used as an information source about the movie. Cinephiles search less understand technical details and have a more negative view in relation to major releases. Both film critics and cinephiles consume all kinds of movies, reinforcing the omnivorous consumption, but critics can explain more because they see all kinds of movies. In general, film critics need to know more about many films because they need to expose this knowledge while movie buffs can delve into a type of film. Both groups believe they have a richer experience and they watch most challenging films than others moviegoers. Film buffs are more negative in talking about the kind of movie that has big box office and is appreciated by a large number of spectators. Sometimes these cinephiles consumed these auteur movies as a way to show more cultural capital, but often they were not able to use this knowledge in their social networks.
Bacquelaine, Vidal de Llobatera Flora. "La cultura participativa en el ámbito local. La ciudad contemporánea y las políticas culturales". Doctoral thesis, Universitat de Girona, 2017. http://hdl.handle.net/10803/457593.
Testo completoAquesta investigació s'emmarca en el context de la reflexió actual sobre els nous paradigmes teòrics que giren al voltant de l'anomenada societat xarxa. Un tipus de societat que es presenta com la gran revolució del règim cultural. En aquesta tesi s'analitza la ideologia subjacent a la tecnosocietat i la cultura participativa que porta associada. Es reflexiona sobre la manera com aquesta influeix sobre la dialèctica públic-privat, sobre el concepte de representativitat o sobre allò urbà. I es presta atenció igualment a la posició central en què se situa la creativitat en el marc del discurs hegemònic. També es vol confrontar les pràctiques i les polítiques culturals municipals; els projectes estratègics articulats des del bloc hegemònic de poder, com són el turisme cultural, les smart cities o les "ciutats creatives". En termes generals, es pretén donar resposta a la qüestió sobre el model de ciutat en què s'inspiren aquests projectes
Esta investigación se enmarca en el contexto de la reflexión actual sobre los nuevos paradigmas teóricos que giran alrededor de la llamada sociedad red. Un tipo de sociedad que se presenta como la gran revolución del régimen cultural. En esta tesis se analiza la ideología que subyace en la tecnosociedad y la cultura participativa que lleva asociada. Se reflexiona sobre el modo como esta influye sobre la dialéctica público-privado, sobre el concepto de representatividad o sobre lo urbano. Y se presta atención igualmente a la posición central en la que se sitúa la creatividad dentro del discurso hegemónico. También se quieren confrontar las prácticas y las políticas culturales municipales; los proyectos estratégicos articulados desde el bloque hegemónico de poder, como son el turismo cultural, las smart cities o las “ciudades creativas”. En términos generales, se pretende dar respuesta a la cuestión sobre el modelo de ciudad en el que se inspiran estos proyectos
Guilherme, Maria Manuela Duarte. "Critical cultural awareness : the critical dimension in foreign culture education". Thesis, Durham University, 2000. http://etheses.dur.ac.uk/1533/.
Testo completoCastells, Ros Ramon. "Determinants de l'èxit cinematogràfic. Model d'anàlisi de la producció catalana 2008-2014". Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/405389.
Testo completoEvery Friday, movie listings fill up with new films seeking to attract as many moviegoers to the cinema as possible, but only a few movies will manage to stay on the big screen for weeks. During the 1980s, many researchers used mathematical models to attempt to determine the factors which help to make a film successful, and so mitigate the high risks involved in the movie business. The main challenge of this study has been to adapt to the Catalan cinema industry the criteria which have been used to analyze other film industries, above all the American industry. Following the work of the researchers consulted, data from 267 new Catalan productions from between 2008 and 2014 was obtained, and a multivariable analysis was carried out to evaluate all the possible factors which might contribute to the success of a film. The results obtained are revealing, and help to clarify the reality of film production in Catalonia, providing scientific evidence to back up the subjective knowledge of the sector. Thus the value of the study lies in employing a statistically proven method to reinforce previously subjective knowledge, and provide security when making key decisions in film-making. To summarize the conclusions obtained in this study, it can be stated that budgetary factors and production company characteristics are the aspects which play the most important role in the success of a Catalan film, followed by the recognition generated by the main awards, the Goyas – and the Gaudi awards in Catalonia – which also have a major impact on the number of moviegoers who choose to see the film. By contrast, movies’ presence at festivals has no influence on the national success of a film but is decisive in its international career. As for artistic factors, it has only been possible to establish a direct relationship between the language in which the film is made and the results at the box office. The rest of the factors introduced in the analysis have been discounted, given that they do not contribute any significant information to the model.
Adair, David Francis, e n/a. "'Queer Theory': Intellectual and Ethical Milieux of 1990s Sexual Dissidence". Griffith University. School of Arts, Media and Culture, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20041014.102015.
Testo completoAdair, David Francis. "'Queer Theory': Intellectual and Ethical Milieux of 1990s Sexual Dissidence". Thesis, Griffith University, 2003. http://hdl.handle.net/10072/367520.
Testo completoThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Arts, Media and Culture
Full Text
Cavaleri, Giuseppe. "Le cinéma italien en France : histoire, société et diffusion : étudiées à travers les œuvres de Emanuele Crialese, Matteo Garrone et Paolo Sorrentino". Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100096/document.
Testo completoOne may approach cinema as a cultural vector which can either give shape to the habits and customs of a given society or reflect its yearnings. The Italian film industry is one among those which have produced movies which entered the global cultural imaginary. Nowadays, its international presence has been reshaped and Italian films do not easily shine beyond the national frame. Artists such as Emanuele Crialese, Matteo Garrone or Paolo Sorrentino have managed to achieve an undeniable visibility, and have become the symbol of a reborn contemporary Italian cinema. The content of their filmographies are the result of film shapes that are as rich as they are diverse, and their influence seems able to alter and to update the imaginary of italian culture connoisseurs. The purpose of our work is to study and understand the impact of their masterpieces on the French audience. Through a historical, sociological and economical study, we will analyse the representation of reality in the history of Italian cinema : an intellectual ideal which seems to have been of interest especially to the French spectators. Then we will focus on the content of these three specific directors’ lifework in order to examine social, political and economical data. Finally, we will conclude by observing the impact these films have had on French experts such as film critics. This study also deals with the distribution and the running of these specific directors’ films not only in the cinemas but also when aired in various film festivals
È possibile concepire il Cinema come un vettore culturale capace di materializzare gli usi e i costumi di una società, o suscettibile di manifestarne le aspirazioni. L'industria cinematografica italiana dimora tra quelle che hanno saputo imporre delle opere entrate istantaneamente nell'immaginario collettivo, e ciò su scala mondiale. Oggi, la sua presenza a livello internazionale è stata ridimensionata e la diffusione delle sue opere oltrepassa raramente i confini nazionali. I rari autori del calibro di Emanuele Crialese, Matteo Garrone e Paolo Sorrentino hanno saputo acquisire una visibilità oramai indiscussa, permettendo loro di diventare il simbolo d'un cinema italiano contemporaneo rinascente. I contenuti delle loro filmografie sono il risultato di forme cinematografiche tanto ricche quanto varie, e la loro influenza sembra capace di modificare e aggiornare l'immaginario degli appassionati di cultura italiana. Queste ricerche vogliono analizzare e comprendere l'impatto delle loro opere in un paese come la Francia. Attraverso degli studi storici, sociologici ed economici, queste ricerche analizzano le forme rappresentative legate al reale presenti nella storia del cinema italiano, un ideale intellettuale che sembra interessare in particolar modo i pubblici francesi. Inoltre, esse si consacrano all'estrapolazione dei dati socio-politico-economici contenuti nelle tre filmografie a cui facciamo riferimento. L'analisi dell'impatto di queste opere sui critici cinematografici francesi scelti come pubblici, concludono queste ricerche che si dedicano in egual modo alla distribuzione e alla commercializzazione di queste opere, presenti non solo in sala, ma diffuse inoltre in molti festival
Camargo, Sílvio César 1969. "Trabalho imaterial e produção cultural : a dialetica do capitalismo tardio". [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280475.
Testo completoTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-13T14:59:33Z (GMT). No. of bitstreams: 1 Camargo_SilvioCesar_D.pdf: 832428 bytes, checksum: 4241948fb3bd0562b4b225a31375f5b3 (MD5) Previous issue date: 2009
Resumo: Nossa pesquisa se refere a debates em teoria social contemporânea. Nesta tese procuramos mostrar e ao mesmo tempo problematizar a categoria trabalho imaterial, considerando que tal categoria está se mostrando como historicamente central para o processo de produção da riqueza capitalista e acumulação do capital ao longo, aproximadamente, dos últimos trinta anos. A hipótese do trabalho imaterial como central para o atual momento histórico está, ao mesmo tempo, ligada às transformações da cultura contemporânea, principalmente, na forma de produção cultural. Procuramos conceber este entrelaçamento como o aspecto chave de um novo estágio do capitalismo, concebido pelo conceito de capitalismo tardio. Neste sentido, investigamos alguns problemas que também dizem respeito à tradição da Escola de Frankfurt. Em nossa hipótese de investigação conhecimento e cultura são conceitos centrais para o entendimento deste novo estágio do capitalismo tardio, possibilitando-nos um novo olhar quanto aos problemas da dominação e da emancipação na sociedade contemporânea.
Abstract: Our research concerns debates in contemporary social theory. In this dissertation we intend to show as well as query the immaterial labor category, considering that such category has shown itself as historically central for the production process of capitalist wealth and capital accumulation in the last thirty years, approximately. The hypothesis of immaterial labor as central for the present historical context is, at the same time, linked with the contemporary culture transformations, principally in the form of culture production. We intend to conceive this entwinement as the key aspect of a new stage of the capitalism, regarded under the late capitalism concept. In this sense we have investigated some issues that are also concerned to the Frankfurt School tradition. In our hypothesis of work, the concepts of knowledge and culture play a central part for the understanding of this new stage of late capitalism, providing a new outlook on domination and emancipation problems in contemporary society.
Doutorado
Doutor em Sociologia
Meghji, Ali. "Cultural capital and cultural repertoires among the black middle-class : race, class, and culture in the racialised social system". Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/285101.
Testo completoMoraes, Felipe Augusto de. "A Dramaturgia no Cinema Brasileiro (1936-1951)". Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-17092018-173941/.
Testo completoWith the arrival of \"talkies\" in the final years of the 1920s, Brazilian cinema, which like others around the world was living in a moment of great creative vigor, is forced to reinvent itself, practically starting again. To the more purists, this new beginning implied a relapse of the cinema into the old theatrical art; for the most optimistic, represented the consecration of the cinematographic \'dispositif\' as the most modern and effective mode of dramatization. Narrative cinema, with the addition of synchronized sound, unlike initial predictions, quickly reaches a new stage of popularity. This research studies how, in the two decades that followed the novelty of sound film, the dramaturgy of the film and theatrical dramaturgy interacted with each other to construct dramatic models that could meet the expectations of a new type of audience, more urban and cosmopolitan, in a country that quickly sought to overcome its rural past and the social and mental structures associated with it.
Libri sul tema "Cultural critics"
Ephraim, Nimni, a cura di. National cultural autonomy and its critics. London: Routledge, 2005.
Cerca il testo completoArif, Dirlik, Xie Shaobo 1954- e Wang Fengzhen, a cura di. Dialogues on cultural studies: Interviews with contemporary critics. Calgary: University of Calgary Press, 2002.
Cerca il testo completoMarien, Mary Warner. Photography and its critics: A cultural history, 1839-1900. Cambridge, U.K: Cambridge University Press, 1997.
Cerca il testo completoPaul, Hansom, a cura di. Twentieth-century European cultural theorists. Detroit: Gale Group, 2001.
Cerca il testo completoPaul, Hansom, a cura di. Twentieth-century European cultural theorists. Detriot: Gale, 2004.
Cerca il testo completoErnest, Cashmore, e Rojek Chris, a cura di. Dictionary of cultural theorists. London: Arnold, 1999.
Cerca il testo completoErnest, Cashmore, e Rojek Chris, a cura di. Dictionary of cultural theorists. New York: Arnold, 1999.
Cerca il testo completoEssin, Christin. Stage designers in early twentieth-century America: Artists, activists, cultural critics. New York, New York: Palgrave Macmillan, 2015.
Cerca il testo completoMiles, Patrick. Mikhail Gromov: Chekhov scholar and critic : an essay in cultural difference. Nottingham: Astra, 2003.
Cerca il testo completoMiles, Patrick. Mikhail Gromov: Chekhov scholar and critic : an essay in cultural difference. Nottingham: Astra, 2003.
Cerca il testo completoCapitoli di libri sul tema "Cultural critics"
Kalela, Jorma. "Cultural Critics". In Making History, 113–45. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-0-230-35658-0_5.
Testo completoJohnson, Lesley. "Conclusion: cultural studies". In The Cultural Critics, 199–208. London: Routledge, 2023. http://dx.doi.org/10.4324/9781032645414-9.
Testo completoJohnson, Lesley. "Introduction: intellectuals and their ideas". In The Cultural Critics, 1–17. London: Routledge, 2023. http://dx.doi.org/10.4324/9781032645414-1.
Testo completoJohnson, Lesley. "Williams's contemporaries". In The Cultural Critics, 174–98. London: Routledge, 2023. http://dx.doi.org/10.4324/9781032645414-8.
Testo completoJohnson, Lesley. "Arnold's contemporaries". In The Cultural Critics, 39–67. London: Routledge, 2023. http://dx.doi.org/10.4324/9781032645414-3.
Testo completoJohnson, Lesley. "Leavis's contemporaries". In The Cultural Critics, 116–49. London: Routledge, 2023. http://dx.doi.org/10.4324/9781032645414-6.
Testo completoJohnson, Lesley. "Entr'acte: 1890–1920". In The Cultural Critics, 68–92. London: Routledge, 2023. http://dx.doi.org/10.4324/9781032645414-4.
Testo completoJohnson, Lesley. "Raymond Williams". In The Cultural Critics, 150–73. London: Routledge, 2023. http://dx.doi.org/10.4324/9781032645414-7.
Testo completoJohnson, Lesley. "F. R. Leavis". In The Cultural Critics, 93–115. London: Routledge, 2023. http://dx.doi.org/10.4324/9781032645414-5.
Testo completoJohnson, Lesley. "Matthew Arnold". In The Cultural Critics, 18–38. London: Routledge, 2023. http://dx.doi.org/10.4324/9781032645414-2.
Testo completoAtti di convegni sul tema "Cultural critics"
Avramović, Zoran. "KNjIŽEVNE SLOBODE I DRUŠTVENE GRANICE U SRBIJI". In IDENTITETSKE promene: srpski jezik i književnost u doba tranzicije. University of Kragujevac, Faculty of Edaucatin in Jagodina, 2022. http://dx.doi.org/10.46793/zip21.135a.
Testo completoMalcoci, Vitalie. "Scenographic art from Moldova - beginnings and evolutions". In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.03.
Testo completoSlamova, Karolina. "CZECH LITERARY CRITICISM FROM THE EXILE PERSPECTIVE". In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.05.
Testo completoSlamova, Karolina. "CZECH LITERARY CRITICISM FROM THE EXILE PERSPECTIVE". In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s10.05.
Testo completoDong, Hanzhang. "A cross-cultural contextual study of Wong Kar-wai’s films driven by online reviews". In Human Interaction and Emerging Technologies (IHIET-AI 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004562.
Testo completoNovember, Nancy, Sean Sturm e 'Ema Wolfgramm-Foliaki. "Critical Thinking and Culturally-Sustaining Teaching: Developing the Historical Literacy of Māori and Pasifika Undergraduates in Aotearoa/New Zealand". In Sixth International Conference on Higher Education Advances. Valencia: Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/head20.2020.11179.
Testo completoLoinjak, Igor. "POWER AS THE FOUNDATION OF CULTURAL CAPITAL AND A PREREQUISITE IN CREATING THE VALUE OF AN ARTWORK". In European realities - Power : 5th International Scientific Conference. Academy of Arts and Culture in Osijek, J. J. Strossmayer University of Osijek, 2023. http://dx.doi.org/10.59014/mhjv1841.
Testo completoAmeri, Amir H. "Critical Historiography and the Design Studio Pedagogy". In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.6.
Testo completoTate Porter, Zachary. "Piles of Bits: Notes on the Virtual Grounds of Post-digital Practice". In 109th ACSA Annual Meeting Proceedings. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.am.109.35.
Testo completoSimon, Madlen, Shainmaa Hameed Hussein e Gregory Weaver. "BRIDGING THE GAP STUDIO: Urban Design Education for a Global Community". In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.100.
Testo completoRapporti di organizzazioni sul tema "Cultural critics"
Thunø, Mette, e Jan Ifversen. Global Leadership Teams and Cultural Diversity: Exploring how perceptions of culture influence the dynamics of global teams. Aarhus University, ottobre 2018. http://dx.doi.org/10.7146/aul.273.
Testo completoMejía, María Clara, e William L. Partridge. Guide to Critical Issues for Socio-Cultural Analysis. Inter-American Development Bank, marzo 2013. http://dx.doi.org/10.18235/0006974.
Testo completoTucker, Lora L. Army Reserve Culture: A Critical Part of Transformation. Fort Belvoir, VA: Defense Technical Information Center, febbraio 2008. http://dx.doi.org/10.21236/ada478417.
Testo completoCarroll, Allan B. The Critical Vulnerability of Technological Dependence: A Culturally Driven Phenomenon. Fort Belvoir, VA: Defense Technical Information Center, maggio 2014. http://dx.doi.org/10.21236/ada611765.
Testo completoHilaski, Paul J. Culture and Identity: Critical Considerations for Successful State-building Endeavors. Fort Belvoir, VA: Defense Technical Information Center, maggio 2010. http://dx.doi.org/10.21236/ada522946.
Testo completoClarke, Frederick S. Changing Army Culture: Creating Adaptive and Critical Thinking Officer Corps. Fort Belvoir, VA: Defense Technical Information Center, novembre 2007. http://dx.doi.org/10.21236/ada477948.
Testo completoBerggren, Erik. Migration and Culture. Linköping University Electronic Press, agosto 2024. http://dx.doi.org/10.3384/9789180757638.
Testo completoGambrell, James. A Critical Race Analysis of Travel for Transformation: Pedagogy for the Privileged or Vehicle for Socio-Cultural Transformation? Portland State University Library, gennaio 2000. http://dx.doi.org/10.15760/etd.2482.
Testo completoHalych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, febbraio 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.
Testo completoLavadenz, Magaly, e Elvira Armas. An Exploratory Study of Bilingual Teacher Residencies in California. California Council on Teacher Education (CCTE), 2023. http://dx.doi.org/10.15365/ceel.article.2023.1.
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