Letteratura scientifica selezionata sul tema "Crime Fiction Technique"
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Articoli di riviste sul tema "Crime Fiction Technique":
Pape, Toni. "Moving in stealth: On the tracking shot as a technique for imperceptibility". Critical Studies in Television: The International Journal of Television Studies 14, n. 1 (marzo 2019): 40–54. http://dx.doi.org/10.1177/1749602018816876.
Achsani, Ferdian. "REALITAS SOSIAL MASYARAKAT PERKAMPUNGAN DALAM NASKAH DRAMA H.A.H KARYA PUTU WIJAYA". LEKSEMA: Jurnal Bahasa dan Sastra 4, n. 2 (31 dicembre 2019): 139. http://dx.doi.org/10.22515/ljbs.v4i2.1769.
Khisamova, Zarina, e Ildar Begishev. "Criminal Liability and Artificial Intelligence: Theoretical and Applied Aspects". Russian Journal of Criminology 13, n. 4 (23 agosto 2019): 564–74. http://dx.doi.org/10.17150/2500-4255.2019.13(4).564-574.
Alzouabi, Lina. "Social Environment and Crime in Dickens' Oliver Twist and Great Expectations". International Journal of Linguistics, Literature and Translation 4, n. 6 (30 giugno 2021): 163–70. http://dx.doi.org/10.32996/ijllt.2021.4.6.19.
Berberich, Christine. "Detecting the Past: Detective Novels, the Nazi Past, and Holocaust Impiety". Genealogy 3, n. 4 (7 dicembre 2019): 70. http://dx.doi.org/10.3390/genealogy3040070.
Sampytho, Gilang Rizky, Tutik Sulistyowati e Muhammad Hayat. "Sistem Mafia Aplikasi Online Grab di Era Digitalisasi". Al-Mada: Jurnal Agama, Sosial, dan Budaya 4, n. 1 (12 gennaio 2021): 40–63. http://dx.doi.org/10.31538/almada.v4i1.837.
Carvalho, Tiago Jose de, Helio Pedrini e Anderson De Rezende Rocha. "Visual Computing and Machine Learning Techniques for Digital Forensics". Revista de Informática Teórica e Aplicada 22, n. 1 (18 maggio 2015): 128. http://dx.doi.org/10.22456/2175-2745.49492.
Nayebpour, Karam. "Narrativity in The Thousand and One Nights". Advances in Language and Literary Studies 8, n. 4 (31 agosto 2017): 85. http://dx.doi.org/10.7575/aiac.alls.v.8n.4p.85.
Herzog, Todd. "Crime Stories: Criminal, Society, and the Modernist Case History". Representations 80, n. 1 (2002): 34–61. http://dx.doi.org/10.1525/rep.2002.80.1.34.
Semenova, Oksana. "National Cinematography as a Response to Russian Information Aggression (A Case Study of Historical and Patriotic Films)". Ukrainian Studies, n. 2(79) (3 agosto 2021): 30–49. http://dx.doi.org/10.30840/2413-7065.2(79).2021.234951.
Tesi sul tema "Crime Fiction Technique":
Robb, Simon. "Fictocritical sentences". 2001, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phr631.pdf.
Jiang, Yan-Lin, e 江彥琳. "Narrative Technique in Crime Fiction: Examples from Dürrenmatt's "The Judge and His Hangman" and "Suspicion"". Thesis, 2011. http://ndltd.ncl.edu.tw/handle/81741717068166899324.
輔仁大學
德國語文學系
99
Together with Max Frisch, the writer Friedrich Dürrenmatt (1921-1990), who wrote numerous works, is regarded as one of the most important and outstanding Swiss authors in the twentieth century. He is not only well-known as dramatist, but also as narrator and crime author. Before he triumphed with dramas, he had already arrived at the first success with his first novel “The Judge and His Hangman” (1950/51) and its sequel “Suspicion” (1951/52), in which the detective figure Inspector Bärlach is focused as the main character. On one hand, Dürrenmatt follows the tradition of detective fiction in both novels; on the other hand, he tries to deconstruct the traditional detective figure and to break the rules of classical detective fiction and its typical pattern gradually. The first chapter explains the motivation of writing and the structure of this thesis. The second chapter represents a short introduction of the author Dürrenmatt and his main works. The third chapter states an overview of researches on the novels “The Judge and His Hangman” and “Suspicion”. Afterwards, the fourth chapter probes the concept of crime fiction and its sub-genre, detective fiction, and shows a short presentation of their development from the middle of nineteenth century to the middle of twentieth century. According to the definition and the analysis of crime fiction and classical detective novels, the type of the two above-mentioned novels will be discussed. The fifth and sixth chapters are the main parts of the thesis, in which the novels “The Judge and His Hangman” and “Suspicion” are explored in detail: their structure and the main characters will be analyzed and interpreted systematically and thoroughly. Finally, the seventh chapter represents the conclusion of this thesis. With the novels “The Judge and His Hangman” and “Suspicion”, Dürrenmatt not only successes to subvert the traditional pattern of detective fiction, but also tries to convey different themes, such as law and justice, within the framework of trivial literature in a light, interesting but artistic way, in order to reflect and criticize the situation of society. This could explain why Dürrenmatt is as crime author so popular, and why his detective fictions are still read and researched by many people until today.
Wan, Tze-yin, e 萬姿吟. "Analysis of Seicho Matsumoto''s Writing Techniques for Crime Fiction: Early Works". Thesis, 2007. http://ndltd.ncl.edu.tw/handle/93333039866198045980.
國立高雄第一科技大學
應用日語所
95
Before the Second World War, Japanese crime fiction was considered as a genre of fiction that was popular, exaggerated and playful. Seicho Matsumoto, however, was an unconventional writer with distinct techniques which made his crime fiction more realistic and refined than others. Therefore, “Seicho’s Revolution” is well known in Japanese literature. The term “revolution” indicates that Seicho Matsumoto thoroughly reformed Japanese crime fiction. Since the publication of his first crime fiction Points and Lines in 1958, Seicho Matsumoto has created a new trend in Japanese crime fiction, “crime fiction with a social consciousness”. The study begins with a literature review of the history of Japanese crime fiction as well as the emergence and features of crime fiction exhibiting a social consciousness. Next, two masterpieces of Seicho Matsumoto’s early works, Points and Lines and Vessel of Sand, are examined, to discover his unique writing techniques, such as putting the emphasis on the motives behind the crimes and also bringing social issues into the stories.
Libri sul tema "Crime Fiction Technique":
Kamerman, Sylvia K. Writing mystery and crime fiction. Boston: The Writer, 1985.
Keating, H. R. F. Writing crime fiction. London: A & C Black, 1986.
Keating, H. R. F. Writing crime fiction. New York: St. Martin's Press, 1987.
James, P. D. Talking about detective fiction. New York: Alfred A. Knopf, 2009.
James, P. D. Talking about detective fiction. New York: Alfred A. Knopf, 2009.
D, James P. Talking About Detective Fiction. New York: Knopf Doubleday Publishing Group, 2009.
Tadié, Benoît. Le polar américain, la modernité et le mal: 1920-1960. Paris: Presses universitaires de France, 2006.
Tadié, Benoît. Le polar américain, la modernité et le mal: 1920-1960. Paris: Presses universitaires de France, 2006.
Rowe, Rosemary. Writing crime fiction. 2014.
Laurence, Janet. Writing Crime Fiction. GLMP Limited, 2011.
Capitoli di libri sul tema "Crime Fiction Technique":
Johnson, Rebecca C. "Introduction". In Stranger Fictions, 1–24. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501753060.003.0001.
Zarri, Gian Piero. "Conceptual Tools for Dealing with ‘Narrative' Terrorism Information". In Handbook of Research on Computational Forensics, Digital Crime, and Investigation, 447–69. IGI Global, 2010. http://dx.doi.org/10.4018/978-1-60566-836-9.ch019.