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Libri sul tema "Corporate power – fiction"

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Autore: Grafiati

Pubblicato: 25 luglio 2024

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1

The power broker: A novel. New York: Ballantine Books, 2007.

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2

Frey, Stephen. The Power Broker. New York: Random House Publishing Group, 2006.

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3

Bennett, Robert Jackson. The company man. New York, NY: Orbit, 2011.

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4

Bennett, Robert Jackson. The company man. London: Orbit, 2011.

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5

Productions, Battle Goddess, 4. Horsemen Publications e Nova Embers. Power Play: Climbing the Corporate Ladder. 4 Horsemen Publications, 2021.

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6

Productions, Battle Goddess, 4. Horsemen Publications e Nova Embers. Power Play: Climbing the Corporate Ladder. 4 Horsemen Publications, 2021.

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7

A people's power: A novel. Calgary: Eagle Vision Pub., 2011.

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8

Frey, Stephen. The Power Broker. Thorndike Press, 2006.

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9

Giroux, Henry A. Stealing Innocence: Youth, Corporate Power and the Politics of Culture. Palgrave Macmillan, 2000.

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10

Stealing innocence: Youth, corporate power, and the politics of culture. New York: St. Martin's Press, 2000.

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11

Klein, Tal M. The punch escrow. 2017.

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12

Frey, Stephen. The Power Broker: A Novel. The Audio Partners, Mystery Masters, 2006.

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13

Frey, Stephen. The Power Broker: A Novel. Ballantine Books, 2006.

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14

Frey, Stephen. The Power Broker: A Novel. Ballantine Books, 2006.

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15

Groome, Harry. Wing Walking. Connelly Press, The, 2007.

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16

Viral nation. 2013.

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17

Artful Daggers. Idea & Design Works, 2014.

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18

MacInnes, Martin. Gathering Evidence. Atlantic Books, Limited, 2020.

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19

Nette, Andrew. Rollerball. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781911325666.001.0001.

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Rollerball, the Canadian-born director and producer Norman Jewison's 1975 vision of a future dominated by anonymous corporations and their executive elite, in which all individual effort and aggressive emotions are subsumed into a horrifically violent global sport, remains critically overlooked. What little has been written deals mainly with its place within the renaissance of Anglo-American science-fiction cinema in the 1970s, or focuses on the elaborately shot, still visceral to watch, game sequences, so realistic they briefly gave rise to speculation Rollerball may become an actual sport. Drawing on numerous sources, including little examined documents in the archive of the film's screenwriter William Harrison, this book examines the many dimensions of Rollerball's making and reception: the way it simultaneously exhibits the aesthetics and narrative tropes of mainstream action and art-house cinema; the elaborate and painstaking process of world creation undertaken by Jewison and Harrison; and the cultural forces and debates that influenced them, including the increasing corporate power and growing violence in Western society in late 1960s and early 1970s. The book shows how a film that was derided by many critics for its violence works as a sophisticated and disturbing portrayal of a dystopian future that anticipates numerous contemporary concerns, including ‘fake news’ and declining literary and historical memory. The book includes an interview with Jewison on Rollerball's influences, making, and reception.

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20

Smith, Amanda M. Mapping the Amazon. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800348417.001.0001.

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Abstract (sommario):

Mapping the Amazon: Literary Geography after the Rubber Boom explores the role played by literature written during the century following the Amazon rubber boom (1850-1920) in imagining a new fate for the river basin beyond the destructive practices of resource extraction. It problematizes well-intentioned literary projects to map the region otherwise by charting their impact in framing contemporary struggles against the division and commodification of Amazonia. Authors José Eustasio Rivera, Rómulo Gallegos, Mario Vargas Llosa, César Calvo, and Márcio Souza deliberately described the Amazonian regions of their respective countries in contrast to state and corporate projections, and the acceptance of their Amazonian novels in the Latin American literary canon has given power to their geographic representations. Smith reveals how authors sometimes mapped imperfectly, misrepresenting cultural geographies, erasing lived realities, and speaking for unacknowledged sources. Navigating Amazonia across its real and fictional landscapes, this book seeks to identify where literary configurations of the region have shaped geopolitics. This spatial reexamination of influential twentieth-century novels suggests that even literary works implicated in the ongoing repurposing of the rubber fields of the past can also plot pathways out of the cycles of extractivism.

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