Tesi sul tema "Comets – Fiction"
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Podeschi, Mario. "What comes next /". View online, 2008. http://repository.eiu.edu/theses/docs/32211131428176.pdf.
Testo completoCabrera, Remberto. "Love comes in at the eye". FIU Digital Commons, 1998. http://digitalcommons.fiu.edu/etd/1958.
Testo completoGrimm, Gunter E. "Kometenforschung zwischen Aberglauben und Science-fiction - Comet research between superstition and science fiction". Gerhard-Mercator-Universitaet Duisburg, 2002. http://www.ub.uni-duisburg.de/ETD-db/theses/available/duett-08162002-150835/.
Testo completoCho, Victoria. "Trouble Comes From the Mouth". ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2237.
Testo completoBond, John A. "Reconcilable differences, a dark comedy". FIU Digital Commons, 2001. http://digitalcommons.fiu.edu/etd/1731.
Testo completoVincent-Comte, Sandra Varinard André. "Le principe de la responsabilité pénale personnelle réalité ou fiction? /". Lyon : Université Lyon3, 2005. http://thesesbrain.univ-lyon3.fr/sdx/theses/lyon3/2005/comte_s.
Testo completoKurtz, Matthew B. "What Comes After the Blues". Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619717430532435.
Testo completoGilder, John M. "The First Rule of Improv". ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2607.
Testo completoSEGATO, GIULIO. "THE AMERICAN COMEDY. TEMI, INNOVAZIONI E TEOLOGIA NELL'OPERA DI ELMORE LEONARD". Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/45734.
Testo completoCritics and biographers have summarized Elmore Leonard’s work too easily: he was one of the best crime novels writers in America because of his “cinematic” prose and his unerring ear for the voices of the characters. I think there are much more issues in Leonard’s narratives, so my thesis is focused on investigating other distinctive traits of his novels. Leonard actually wrote westerns for many years before first trying his hand at crime fiction (in The Big Bounce 1969), the genre that gave him great fame. My thesis basically examines three distinguishing features. First, in Leonard’s books there is almost never any process of detection. Readers generally know from the very beginning who the murderer is, and in many cases the detective finds out soon after, but he is always prevented from arresting or killing him at once. What prolongs his pursuit is generally not a process of investigation but rather a frustrating combination of legal procedural constraints that are often portrayed as arbitrary, and the killer’s own animal willingness and absurd good luck. Secondly, Leonard, in his narrative, develops a very distinctive point of view. The writer always tells his stories from the omniscient point of view in the third person, only apparently neutral. In Leonard’s novels any chapter can be narrated from the perspective of any character (even a murder victim as in Glitz). This issue is not only a technical problem, it is a moral one, who makes Leonard’s novels disturbing to the reader. Finally Leonard, who had a catholic education and a deep knowledge of the Bible, hides theological issues in his grotesque crime stories. For example, in his novels violence is never the right solution, never necessary, as his heroes prefer talking with the villain or leaving, instead of shooting him.
SEGATO, GIULIO. "THE AMERICAN COMEDY. TEMI, INNOVAZIONI E TEOLOGIA NELL'OPERA DI ELMORE LEONARD". Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/45734.
Testo completoCritics and biographers have summarized Elmore Leonard’s work too easily: he was one of the best crime novels writers in America because of his “cinematic” prose and his unerring ear for the voices of the characters. I think there are much more issues in Leonard’s narratives, so my thesis is focused on investigating other distinctive traits of his novels. Leonard actually wrote westerns for many years before first trying his hand at crime fiction (in The Big Bounce 1969), the genre that gave him great fame. My thesis basically examines three distinguishing features. First, in Leonard’s books there is almost never any process of detection. Readers generally know from the very beginning who the murderer is, and in many cases the detective finds out soon after, but he is always prevented from arresting or killing him at once. What prolongs his pursuit is generally not a process of investigation but rather a frustrating combination of legal procedural constraints that are often portrayed as arbitrary, and the killer’s own animal willingness and absurd good luck. Secondly, Leonard, in his narrative, develops a very distinctive point of view. The writer always tells his stories from the omniscient point of view in the third person, only apparently neutral. In Leonard’s novels any chapter can be narrated from the perspective of any character (even a murder victim as in Glitz). This issue is not only a technical problem, it is a moral one, who makes Leonard’s novels disturbing to the reader. Finally Leonard, who had a catholic education and a deep knowledge of the Bible, hides theological issues in his grotesque crime stories. For example, in his novels violence is never the right solution, never necessary, as his heroes prefer talking with the villain or leaving, instead of shooting him.
Haun, Sharla R. "BROKESVILLE GOLF CLUB". University of Akron / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=akron1523208681345663.
Testo completoScherpenhuizen, Johannes. "Dutch Technique: Comic Books, Discourse and Vedanta/The Saga of the Atlantean". Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/28060.
Testo completoLau, Cheung-cheung. "A study of Manga and adolescent popular fiction in Hong Kong /". Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20354010.
Testo completoDélicat, Marcelle. "Le pictural dans la création artistique littéraire, bédéiste et cinématographique. Une lecture intermédiatique des fictions biographies des peintres du début du XXème siècle". Thesis, Pau, 2018. http://www.theses.fr/2018PAUU1041/document.
Testo completoThe aim of this thesis is to read through the media hosts that are the literature, comics and cinema, the presence of pictorial elements in biographical fiction. Here is about a comparative study that considers art as a construction’s place but also the conservation of the history in general and artistic history in particular. In general, the interactions between the pictorial and other arts take two ways. The first way or orientation is the reconstitution of the pictorial field and it's functioning. And the second way or orientation goes through the reappropriation of techniques and means of creation producing pictorial effects with other artistic forms. The insertion of the pictorial may suggests a clear tension between the host media and the inserted form and the result is divided between opacity and transparency; homogeneity and heterogeneity of the host media
Davis, Drew. "Guardians of Freedom". Digital Commons @ Butler University, 2016. http://digitalcommons.butler.edu/grtheses/419.
Testo completoNoonan, Michael. "Laughing & disability : comedy, collaborative authorship and Down Under Mystery Tour". Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/48647/1/Michael_Noonan_Thesis.pdf.
Testo completoRydin, Felicia. "Bland Aliens, Robotar & Normbrott : En queerteoretisk analys av framställningen av köns-, genus- & sexulitetsnormer genom Prince Robot IV i science fiction-serietidningen Saga". Thesis, Stockholms universitet, Genusvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-169455.
Testo completoMutard, Bruce Roberts. "Bully Me: A graphic novel; The Return: A graphic novel; Comakademix: A comics anthology; Leadbetter: A comic; Laundry: A minicomic -and- The Erotics of Comics: An exegesis". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2021. https://ro.ecu.edu.au/theses/2489.
Testo completoHeifner, Pepper J. "Trans Stories, Trans Voices: How the Internet Empowers Transgender Creators to Have Agency in Trans Fiction". Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/honors/495.
Testo completoMérard, Aurélien. "La figure du posthumain : pour une approche transmédiale". Thesis, Bordeaux 3, 2018. http://www.theses.fr/2018BOR30048/document.
Testo completoThis work focus on the study of the posthuman figures. It is based on a transmedial and transnational corpus. It seeks to answer two key questions : can we expose, through the posthuman figure, the desires and the anguishes of this still rising millennium’s man ? How the posthuman thought experiment, set into motion by the fiction, challenge the very concept of humanity ? As a first step, this work emphasizes on the links that exist between posthumanity and this homogeneous and reccuring, in our fictions, territory that Antonio Negri and Micharl Hardt call Empire. Then, it’s interested in the plasticity of the posthuman bodies and minds, in the way that their numerous avatars expand through time as well as the reasons that underlie this extreme plasticity. Lastly, he tries to show that the posthuman do not fall into a dramatic new imagination, but that it proceeds, in fact, of the reordering or the reconfiguration of a anthropological imagination already well rooted in the collective unconscious
Dedman, Stephen. "Techronomicon (novel) ; and The weapon shop : the relationship between American science fiction and the US military (dissertation)". University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0093.
Testo completoField, Roger Michael. "Alex la Guma: a literary and political biography of the South African years". Thesis, University of the Western Cape, 2001. http://etd.uwc.ac.za/index.php?module=etd&.
Testo completoLabrude, Guillaume. "L'évolution des représentations de la famille dans la saga Batman, de 1939 à nos jours". Thesis, Université de Lorraine, 2019. http://www.theses.fr/2019LORR0246.
Testo completoThis thesis is about the representations of the family in Batman, created by Bob Kane and Bill Finger in 1939. Through the analysis of comic books, films, TV series and video games, these works have to answer the following questions: is the family subject a way to transform a comic book into a monument of American culture? Is it the key, or a way, to decline a vigilante story on different Medias, as Henry Jenkins wrote on The Matrix? Is Batman patrimonial because of its nature of human society mirror through the ages? In order to answer these questions, the franchise is analyzed through graphic and cinematic studies, sociology and psychanalysis. The first part of this thesis is about the different elements which characterize the saga and stay the same through ages. The second part deals with evolutions and iterations, based on these unchangeable elements
Imber, Thomas. "Poétique des mondes mythographiques : essai sur la bande dessinée de science-fiction et ses super-héros". Paris 3, 2007. http://www.theses.fr/2007PA030143.
Testo completoThis study of transauthorial literature (stories which are treated by more than one author (namely, Greek and Roman mythology and American super-hero comics) focuses on fictional worlds. It analyzes both the reception of established myth, determining the narrative structures and constraints which arise from the use of pre-existing fictional worlds and characters, and the tendancy towards the completeness of the ‘mythico-historic’ time of a given tradition. Questions of temporality, sequentiality, and simultaneity are addressed. There is an examination of the relation between a fictional world and the empirical world in determining genres, and the ideas of parallel worlds and historical divergence are examined as well. Historical perspectives of the three primary literatures studied (ancient mythology, science fiction, and superhero comics) are offered
Lechler, Ron. "The Best Medicine". Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc801938/.
Testo completoOpperman, Susan. "Transmuting the mundane into transcendence : migrations of myth and its connection to contemporary comic books". Thesis, Stellenbosch : University of Stellenbosch, 2011. http://hdl.handle.net/10019.1/6823.
Testo completoENGLISH ABSTRACT: This thesis investigates the human capacity of modifying established myth in the light of new circumstances. It focuses on the changing status of myth and mythical cosmologies in Western culture as advances in telematics and techno-culture has led to the abundant proliferation of mythic content in modern society. The rise of scientific, secular and rational tendencies in the Occident has resulted in the demystification and negation of some myths and the cultural realities they once supported. Mythical symbols, however, do exhibit a certain degree of independence from their original set ontologies, growing and transforming continuously within contemporary culture as they are communicated to all social spheres. A particular focus is placed on the demystification of myth and its ability to be appropriated within other discourses, most notably fiction. As such, myth tends to exhibit certain migratory and conservational qualities that this study investigates. This serves as background for this thesis that is primarily located within the broader theoretical argument of myth as a system of world-representation in society, the main point of discussion is the re-appropriation of myth within the narrower field of visual signification, specifically the comics medium, as exemplified in the works of Neil Gaiman and Conrad Botes, as well as in my own work.
AFRIKAANSE OPSOMMING: Die tesis ondersoek die menslike kapasiteit om gevestigde mites te wysig in die lig van nuwe omstandighede. Dit fokus op die veranderlike status van mites en mitiese kosmologieë in die Westerse kultuur, aangesien vooruitgang in die telematiek en tegnokultuur gelei het tot ’n ryk proliferasie van mitiese inhoud in die moderne samelewing. Die opkoms van wetenskaplike, sekulêre en rasionele tendense in die Weste het die demistifikasie en negasie van sommige mites en kulturele realiteite wat hulle eens ondersteun het, tot gevolg gehad. Mitiese simbole vertoon egter ’n sekere graad van onafhanklikheid van hul oorspronklike vasgestelde ontologieë en groei wild binne die kontemporêre kultuur, aangesien hulle deurlopend gekommunikeer word aan verskillende sosiale sfere. Daar word veral gefokus op die demistifikasie van die mite en sy vermoë om geapproprieer te word binne ander diskoerse, veral in fiksie. As sodanig is mites geneig tot migrasie en die vertoon van konserverende kwaliteite, soos ondersoek in hierdie studie. Alhoewel die tesis eerstens gelokaliseer is binne die breër teoretiese argumentasie rondom mite as ’n sisteem van wêreldrepresentasie in die samelewing, is die kern van diskussie die re-appropriasie van die mite binne die smaller veld van visuele betekenisgewing, spesifiek in strippe as medium, soos uitgelig in die werke van Neil Gaiman en Conrad Botes, asook in my eie werk.
Bomhoff, Gary. "Toward the Red Shore". Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5914.
Testo completoM.F.A.
Masters
English
Arts and Humanities
Creative Writing
Pita, Vanessa Fernandes Queiroga. "O Decamerão de Jorge Furtado: adaptação e comédia na TV". Universidade Federal da Paraíba, 2012. http://tede.biblioteca.ufpb.br:8080/handle/tede/6196.
Testo completoCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
Esta dissertação abrange as áreas de Ficção televisiva, Literatura e Produção de sentido, e tem o intuito de realizar um processo de análise e interpretação discursiva da adaptação audiovisual do livro Decamerão, de Giovanni Boccaccio, veiculada em 2009, pela Rede Globo. A microssérie Decamerão: a comédia do sexo é um projeto do diretor Jorge Furtado e foi inspirada nas temáticas e novelas toscanas presentes na obra do autor italiano. A nossa proposta consiste em identificar como as duas obras dialogam nessa adaptação, destacando os pontos em comum com texto fonte, mas também ressaltando outros pontos sugeridos por Jorge Furtado ao reinterpretar o Decamerão, e também em observar a presença do elemento cômico na teleficção, tendo em mente a construção de um discurso ficcional televisivo e a sua consequente produção de sentido. Para tal intento, desenvolvemos a nossa pesquisa por meio da análise do discurso ficcional, realizando um estudo interdisciplinar, onde aliamos as teorias da Comunicação, especificamente sobre a televisão, e da Narrativa, articuladas a aspectos de outros campos do conhecimento das ciências humanas, como a Literatura, o Cinema e a Sociologia. Desse modo, foi possível comentar aspectos do Decamerão, como o contexto da Peste Negra, a estrutura das novelas toscanas e a manifestação do elemento cômico; e ainda observar a microssérie a partir dos formatos teleficcionais que a compõem e da influência cênica exercida pela commedia dell arte na construção da sua dramaturgia. Assim, na última etapa da nossa dissertação, almejamos destacar em Decamerão: a comédia do sexo os principais elementos de uma adaptação teleficcional e os fatores presentes devido à logística de funcionamento da televisão. Por fim, analisamos o nosso corpus, o piloto Comer, amar e morrer, e realizamos o estudo de correlação com os outros quatro episódios que compõem a microssérie. Diante disso, objetivamos realizar uma pesquisa com interesse estético e comunicacional sobre um importante momento da produção teleficcional brasileira, configurado, em nossa dissertação, no estudo de Decamerão: a comédia do sexo.
Esta dissertação abrange as áreas de Ficção televisiva, Literatura e Produção de sentido, e tem o intuito de realizar um processo de análise e interpretação discursiva da adaptação audiovisual do livro Decamerão, de Giovanni Boccaccio, veiculada em 2009, pela Rede Globo. A microssérie Decamerão: a comédia do sexo é um projeto do diretor Jorge Furtado e foi inspirada nas temáticas e novelas toscanas presentes na obra do autor italiano. A nossa proposta consiste em identificar como as duas obras dialogam nessa adaptação, destacando os pontos em comum com texto fonte, mas também ressaltando outros pontos sugeridos por Jorge Furtado ao reinterpretar o Decamerão, e também em observar a presença do elemento cômico na teleficção, tendo em mente a construção de um discurso ficcional televisivo e a sua consequente produção de sentido. Para tal intento, desenvolvemos a nossa pesquisa por meio da análise do discurso ficcional, realizando um estudo interdisciplinar, onde aliamos as teorias da Comunicação, especificamente sobre a televisão, e da Narrativa, articuladas a aspectos de outros campos do conhecimento das ciências humanas, como a Literatura, o Cinema e a Sociologia. Desse modo, foi possível comentar aspectos do Decamerão, como o contexto da Peste Negra, a estrutura das novelas toscanas e a manifestação do elemento cômico; e ainda observar a microssérie a partir dos formatos teleficcionais que a compõem e da influência cênica exercida pela commedia dell arte na construção da sua dramaturgia. Assim, na última etapa da nossa dissertação, almejamos destacar em Decamerão: a comédia do sexo os principais elementos de uma adaptação teleficcional e os fatores presentes devido à logística de funcionamento da televisão. Por fim, analisamos o nosso corpus, o piloto Comer, amar e morrer, e realizamos o estudo de correlação com os outros quatro episódios que compõem a microssérie. Diante disso, objetivamos realizar uma pesquisa com interesse estético e comunicacional sobre um importante momento da produção teleficcional brasileira, configurado, em nossa dissertação, no estudo de Decamerão: a comédia do sexo.
Goudmand, Anaïs. "Récits en partage. Expériences de la sérialité narrative en culture médiatique". Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH115/document.
Testo completoThis thesis analyses the modalities under which serial narratives are experienced in media culture, looking at the different media in which serials and series were developed from the 19th to the 21st century (newspapers, comics, cinema and television in particular). The way different audiences relate to serial narratives is grounded in the dynamics of discontinuous distribution and recurrence, thus framing their expectation of a renewed event. Serial experiences are not limited to the moment of reading or viewing, nor to the “narrative object” as such: they extend beyond it in various ways during the inter-episodic waiting time. Moreover, since these experiences are based on exchange and sharing, they are inseparable from the sociability they imply, as well as from diversely mediatized interactions between production and reception, which favor the emergence of interpretive communities. Therefore, these experiences are conditioned by the media from which they stem: the thematic and the formal dimensions cannot be separated from the material conditions, within the contexts of production and reception. In order to describe the specific modes of engagement of audiences with serial narratives in all its complexity, I follow an integrated approach, by studying narrative devices and the semantic dimension of serial narratives as well as their sociocultural uses
Pelegrini, Christian Hugo. "Sujeito engraçado: a produção de comicidade pela instância de enunciação em Arrested Development". Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-20052014-123431/.
Testo completoThe research turns to the utterance mechanisms of single camera sitcoms and the making of comic by the utterance subject that comes from the audiovisual text. This work starts with an approach of sitcom genre, taking it as an cultural category, analyzing, then, how the sitcom constituted itself through the decades of its history, in a variety of themes and forms that denies any trying of definitional approach of the gender. Then, we propose an analysis of the opposition between the more usual modes of production of this gender, the multicam and the single camera. On these modes of production, we observe proceedings on staging, cinematography and edition that produces audiovisual material with very distinct characteristics, opposing textual forms in the same television gender. Such modes of production (and such textual forms) articulates with the audiovisual subjectivity theories identifying an utterance instance on different sitcoms. For such, we search understand the process of audiovisual utterance, searching on theories formulations arising from linguistics and reviewing the theory body from utterance on literature and, specially, cinema. We search also the theories that instrumentalizes this research for to identify the mechanisms that takes us to laugh, reviewing the main theoretical formulations that explains the phenomenon of laughing (the Superiority Theory, the Incongruence Theory and the Relief Theory). From such formulations, we propose a taxonomy of comic sintagms that allows us to isolate the occurrence of gags, comic events and wit. It is on this point that we isolate the subject of utterance in the sitcom context, looking for the differences between the multicam sitcom and the single camera sitcom. Taking the last one, we identify the plurality of styles that comes from the esthetical changes on American television by the decades of 1980 and 1990, known as televisuality and intensified continuity, to get to the single camera sitcoms of the beginning of XXI. From this wave of shows, we take the sitcom Arrested Development, to analyze the way its utterance subject goes beyond the mediation role, acting incisively as a diegesys commentator, frankly making us laugh by the way it shows characters and situations.
Raynolds, Nicholas. "the emotional plague". Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etd/3773.
Testo completoBonord, Aude. "Le saint et l’écrivain : variations de l’hagiographie dans la littérature non confessionnelle au XXe siècle (Blaise Cendrars, Joseph Delteil, André Gide, Christian Bobin, Sylvie Germain, Claude Louis-Combet)". Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040171.
Testo completoThe purpose of this work is to explore a literary and cultural paradox : the re-writings of lives of Christian saints, both historical and fictional, by non-confessional authors of the twentieth century (André Gide, Blaise Cendrars, Joseph Delteil, Christian Bobin, Sylvie Germain, Claude Louis-Combet). What variations did they bring to the hagiographical genre and to the figure of the saint compared to the mediaeval tradition, as exemplified by the Légende Dorée, and to Catholic tradition, both religious and literary, represented by fellow authors of the same period ? Furthermore, what is the meaning of this unexpected return to the origins on the part of authors marked by the modern world or living in a post-modern context ?At the crossroads of anthropology, literary history, history of Religions and Ideas, this work aims first of all at exploring the basis of non-confessional hagiography, from the spiritual quest of the author to the definition of their atypical status, from the depiction of the saint to the definition of a model of sainthood. In the second part, we will probe the metamorphoses of the genre, how the subversive play shifts towards the fiction of intimacy and the literature of ideas. Finally, we will try to demonstrate how hagiography combines reflections on the status of the writer, the function of literature, the powers of language and the conception of a literary language
Langeo, Gaëlle. "Jeunesse, culture, société en Grande-Bretagne 1978-2009 : l'exemple du "Hitchhiker's Guide to the Galaxy"". Thesis, Bordeaux 3, 2019. http://www.theses.fr/2019BOR30039.
Testo completoThis research focuses on The Hitchhiker’s Guide to the Galaxy, a British science-fiction comedy series created for BBC Radio 4 in 1978. Over the study period (1978-2009), the series was provided to the public in all possible formats that mass culture can offer. In its first years the series attracted a strong audience among teenagers, students and young adults. Douglas Adams, the series’ author, maintained control over all the incarnations of The Hitchhiker’s Guide to the Galaxy. Over the course of his life, the author of this science fiction series, made to make people laugh, gradually became known as a ‘‘technology guru” by the press. Indeed, Douglas Adams had four great passions : computers, evolution of species, the Beatles and the Pythons. Therefore, this research endeavours to understand how these four topics were expressed in Douglas Adams’ life, the influence they had on Hitchhiker’s and how this series’ success shows the evolution of British society. The Hitchhiker’s Guide to the Galaxy occurs at a time when expectations towards comedy were changing, as shown by the rise of Alternative Comedy. Hitchhiker’s breakthrough also takes place at a time when technology was gaining importance in daily life and geek culture was developing, at the crossroads of imaginary worlds and computer science. The series’ impact can also be considered as evidence of what the sociologist Mike Savage called the technical middle class. In addition, by creating a rock album for the radio, Douglas Adams created a fantasy consistent with the musical universe of the 1970s youth. The technology used in the radio studio stimulates creativity, just like the personal computer will do in the 1980s
CHAVES, Gabriel Lyra. "Narragonia 3.0: ficção científica e tecnognose em experimentações narrativas gráficas". Universidade Federal de Goiás, 2011. http://repositorio.bc.ufg.br/tede/handle/tde/2784.
Testo completoThis work, done for the area of Visual Poetics and Creation Processes, set out in search of two distinct objectives: a theoretical reflection that embraces the language of comics, science fiction and tecnognose, noting the relationship of these two last elements in comic works of the early 1980s; and create a graphic narrative that reflects what was learned in theoretical deliberation. To do so, I ve examined the elements that constitute the language of comics, watching how they relate to each other in order to convey a message and generate subjective reactions in readers in the context of the story. I ve investigated how this narrative genre is structured, and at what points it approximates or take distances from other narrative genres. I ve also looked for relationships between science fiction and the definition of techgnosis, a concept which ponders about the manifestation of transcendental yearnings among supposedly secular aspects of contemporary culture. Done this theoretical approach, I will analyze two comics: Akira, from Katsuhiro Otomo and Ronin, from Frank Miller, observing the articulation of the concepts brought up to date within these comics. And finally, I will deliberate on how I had built my own fictional universe, and how this speaks to the theoretical elements studied throughout this thesis, also reflecting on the formal aspects of the creation of imagery to Narragonia 3.0, a science fiction narrative structure based on the language of comics, but designed to exploit the multiple narrative possibilities brought about by social networks, sites and other digital media over the Internet.
Esta pesquisa em poéticas visuais e processos de criação busca dois objetivos distintos: tecer uma reflexão teórica que abarque a linguagem das histórias em quadrinhos, a ficção científica e a tecnognose, observando o relacionamento destes elementos em duas obras de quadrinhos da década de 1980; e criar uma narrativa gráfica que dialogue de forma dinâmica com os aspectos envolvidos na reflexão teórica. Para tanto, analisei os elementos que constituem a linguagem dos quadrinhos, observando como eles se articulam para reforçar a mensagem no contexto da narrativa. Também procuro mostrar como o gênero narrativo da Ficção Científica se estrutura, e em que pontos se distancia e aproxima de outros gêneros narrativos. Busco tecer relações entre ficção científica e a definição de tecnognose, conceito que pondera sobre a manifestação de anseios transcendentais em meio a aspectos supostamente laicos da cultura contemporânea. Feito este recorte teórico, analisei duas obras de quadrinhos: Akira, de Katsuhiro Otomo e Ronin, de Frank Miller, observando a articulação de elementos específicos das histórias em quadrinhos e da ficção científica e da tecnognose. Finalmente, elaboro um histórico de como foi construído meu próprio universo ficcional, Narragonia 3.0, e como este dialoga com os elementos teóricos estudados ao longo da presente dissertação, refletindo também sobre os aspectos formais da criação imagética desta narrativa de ficção científica baseada primordialmente na linguagem dos quadrinhos, mas criada para explorar as múltiplas possibilidades narrativas trazidas por redes sociais, sites e outros suportes digitais presentes na rede Internet.
Piper, Paige M. "Deathly Landscapes: The Changing Topography of Contemporary French Policier in Visual and Narrative Media". The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1469133497.
Testo completoGiddens, Thomas Philip. "Comics, crime, and the moral self : an interdisciplinary study of criminal identity". Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3622.
Testo completoIvarsson, Marcus. "Ultima Thule". Thesis, Konstfack, Grafisk design & illustration, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6918.
Testo completoFisk, William M. "The Horse's Ass: A Survey of Comediology". ScholarWorks@UNO, 2017. https://scholarworks.uno.edu/td/2404.
Testo completoGaspar, Andrea Marques. "'Where does the new come from?' : an ethnography of design performances of 'the new'". Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/where-does-the-new-come-from-an-ethnography-of-design-performances-of-the-new(cd77bec4-ba9b-48ed-b2c4-f53ed0eb7e03).html.
Testo completoJohansson, David. "Project Awaiting : #projectawaiting is about movement:of people with stories;stories in need of time; your time! initiated April 18, 2017 as part of a master's @ sh.se". Thesis, Södertörns högskola, Journalistik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-34604.
Testo completoThe master’s project consists of two parts: the journalistic part Project Awaiting (texts) including four journalistic genres and the subsequent Research Report Project Awaiting. These are 23 pages and 32 pages respectively.
Salas, Leslie. "Mirrors and Vanities". Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5697.
Testo completoM.F.A.
Masters
English
Arts and Humanities
Creative Writing
Whitcher, Gary Frederick. "'More than America': some New Zealand responses to American culture in the mid-twentieth century". Thesis, University of Canterbury. Humanities, 2011. http://hdl.handle.net/10092/6304.
Testo completoNajarian, Jonathan. "Images of modernist fiction: literary and pictorial narrative from Joyce to Spiegelman". Thesis, 2020. https://hdl.handle.net/2144/41528.
Testo completo2022-10-09T00:00:00Z
Cooper, Amanda. "A case study of feminist comedy in Muriel Spark's Robinson". Thesis, 2018. http://hdl.handle.net/1959.7/uws:50872.
Testo completoMurphy, Martin J. ""Hilarious downfall : comic affect and the shared grammar of literary and screen comedy narratives"". Thesis, 2018. http://hdl.handle.net/1959.7/uws:49724.
Testo completoFRENCL, Ondřej. "Komiksová parafráze literární předlohy Julese Verna". Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-381092.
Testo completoWilliams, Simon 1984. "Nerds of Colors Assemble: The Role of Race and Ethnicity in Fandom". Thesis, 2012. http://hdl.handle.net/1969.1/148312.
Testo completoJanvier-Jalbert, Francis. "Super-héros victoriens : la transfictionnalité dans The League of Extraordinary Gentlemen, suivi de Fiction Party". Thèse, 2019. http://hdl.handle.net/1866/23735.
Testo completoTransfictionnality, a concept close to that of transtextuality, is defined by Richard Saint Gelais as "the phenomenon by which at least two texts, from the same author or not, relate jointly to the same fiction, whether by resumption of characters, extension of a previous plot or sharing a fictional universe". This Master’s thesis in research-creation examines Alan Moore's and Kevin O'Neill's use of transfictionnality in their graphic novel The League of Extraordinary Gentlemen (1999-2019), and more specifically their recycling of narrative material from nineteenth century Great Britain, which is marked by the Industrial Revolution and the imperialist policies of the reign of Queen Victoria. Our aim is to better understand how the characters of literature of the Victorian era are appropriated by the authors, transformed and recontextualized so as to criticize the culture and the society that first generated them. Fiction Party is a transfictive and autofictional narrative in which Francis, the main character, is mistakenly invited to a party in honor of fiction at Dracula's Castle. He meets countless literary characters from every country and every epoch, including Antigone, Meursault, Emma Bovary, Don Quixote, and the sheriff of Nottingham. During the festivities, however, a murder is committed, and these great literary characters must then solve the mystery and identify the culprit, in a tribute to the detective fiction of Arthur Conan Doyle and Agatha Christie.
Whelan, David. "Bood, a Novel". 2019. https://scholarworks.umass.edu/englmfa_theses/114.
Testo completoNoras, Francisco Miguel Raimundo. "Humor e ficção na produção de conteúdos audiovisuais". Master's thesis, 2014. http://hdl.handle.net/10362/14577.
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