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1

1951-, Cohen G., a cura di. Covering codes. Amsterdam: Elsevier, 1997.

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2

Tonchev, Vladimir. Combinatorial configurations: Designs, codes, graphs. Harlow, Essex, England: Longman Scientific & Technical, 1988.

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3

Tonchev, Vladimir D. Combinatorial configurations: Designs, codes, graphs. Harlow: Longman Scientific & Technical, 1988.

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4

Vladimir, Tonchev, a cura di. Codes, designs, and geometry. Boston: Kluwer Academic Pub., 1996.

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5

Gerardus Joannes Maria Van Wee. Covering codes, perfect codes, and codes from algebraic curves. Helmond [Netherlands]: Wibro Dissertatiedrukkerij, 1991.

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6

Beth, Thomas, e Michael Clausen, a cura di. Applicable Algebra, Error-Correcting Codes, Combinatorics and Computer Algebra. Berlin, Heidelberg: Springer Berlin Heidelberg, 1988. http://dx.doi.org/10.1007/bfb0039172.

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7

1949-, Beth Thomas, e Clausen Michael, a cura di. Applicable algebra, error-correcting codes, combinatorics and computer algebra: Proceedings. Berlin: Springer-Verlag, 1988.

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8

D, Key J., a cura di. Designs and their codes. Cambridge: Cambridge University Press, 1992.

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9

Victor, Zinoviev, a cura di. Codes on Euclidean spheres. Amsterdam: Elsevier, 2001.

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10

Tonchev, Vladimir. Codes, Designs and Geometry. Boston, MA: Springer US, 1996.

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11

Barg, Alexander, e O. R. Musin. Discrete geometry and algebraic combinatorics. Providence, Rhode Island: American Mathematical Society, 2014.

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12

DIMACS Workshop Codes and Association Schemes (1999 DIMACS Center). Codes and association schemes: DIMACS Workshop Codes and Association Schemes, November 9-12, 1999, DIMACS Center. A cura di Barg Alexander 1960- e Litsyn Simon 1957-. Providence, R.I: American Mathematical Society, 2001.

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13

Maria, Piacentini Cattaneo Giulia, Ciliberto C. (Ciro) 1950- e SpringerLink (Online service), a cura di. Elementary Number Theory, Cryptography and Codes. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009.

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14

Dewar, Megan. Ordering Block Designs: Gray Codes, Universal Cycles and Configuration Orderings. New York, NY: Springer New York, 2012.

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15

Bhattacharya, Siddhartha, Tarun Das, Anish Ghosh e Riddhi Shah. Recent trends in ergodic theory and dynamical systems: International conference in honor of S.G. Dani's 65th birthday, December 26--29, 2012, Vadodara, India. Providence, Rhode Island: American Mathematical Society, 2015.

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16

Germany) International Conference on Finite Fields and Applications (11th 2013 Magdeburg. Topics in finite fields: 11th International Conference on Finite Fields and Their Applications, July 22--26, 2013, Magdeburg, Germany. A cura di Kyureghyan Gohar 1974 editor, Mullen Gary L. editor e Pott Alexander 1961 editor. Providence, Rhode Island: American Mathematical Society, 2015.

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17

Ordering Block Designs Gray Codes Universal Cycles And Configuration Orderings. Springer, 2012.

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18

Cohen, G., S. Litsyn, A. Lobstein e I. Honkala. Covering Codes. Elsevier Science & Technology Books, 1997.

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19

Authentication codes and combinatorial designs. Boca Raton: Taylor & Francis, 2005.

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20

Pei, Dingyi. Authentication Codes and Combinatorial Designs. Taylor & Francis Group, 2006.

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21

Pei, Dingyi. Authentication Codes and Combinatorial Designs. Taylor & Francis Group, 2019.

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22

Pei, Dingyi. Authentication Codes and Combinatorial Designs. Taylor & Francis Group, 2006.

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23

Beth, Th. Applicable Algebra, Error-Correcting Codes, Combinatorics and Computer Algebra. Springer, 1988.

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24

Huber, Michael. Combinatorial Designs for Authentication and Secrecy Codes. Now Publishers, 2010.

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25

Wilson, Robin. Combinatorics: A Very Short Introduction. Oxford University Press, 2016. http://dx.doi.org/10.1093/actrade/9780198723493.001.0001.

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Abstract (sommario):
Combinatorics is the branch of mathematics concerned with selecting, arranging, and listing or counting collections of objects. Dating back some 3000 years, and initially consisting mainly of the study of permutations and combinations, its scope has broadened to include topics such as graph theory, partitions of numbers, block designs, design of codes, and latin squares. Combinatorics: A Very Short Introduction provides an overview of the field and its applications in mathematics and computer theory, considering problems from the shortest routes covering certain stops to the minimum number of colours needed to draw a map with different colours for neighbouring countries.
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26

Kaski, Petteri, e Patric R. J. Östergård. Classification Algorithms for Codes and Designs. Springer, 2014.

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27

Pei, Dingyi. Authentication Codes and Combinatorial Designs. Discrete Mathematics and Its Applications. Taylor & Francis Group, 2006.

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28

Codes: An introduction to information communication and cryptography. London: Springer, 2008.

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29

(Editor), Thomas Beth, e Michael Clausen (Editor), a cura di. Applicable Algebra, Error-Correcting Codes, Combinatorics and Computer Algebra (Lecture Notes in Computer Science). Springer, 2007.

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30

Oulasvirta, Antti, e Andreas Karrenbauer. Combinatorial Optimization for User Interface Design. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198799603.003.0005.

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Abstract (sommario):
Combinatorial optimization offers a rigorous but powerful approach to user interface design problems, defining problems mathematically such that they can be algorithmically solved. Design is defined as algorithmic combination of design decisions to obtain an optimal solution defined by an objective function. There are strong rationale for this method. First, core concepts such as ’design task’, ’design objective’, and ’optimal design’ become explicit and actionable. Second, solutions work well in practice, even for some problems traditionally out of reach of manual solutions. The method can assist in the generation, refinement, and adaptation of design. However, mathematical expression of HCI problems has been challenging and curbed applications. This chapter introduces combinatorial optimisation from user interface design point of view, and addresses two core challenges: 1) mathematical definition of design problems and 2) expression of evaluative knowledge such as design heuristics and predictive models of interaction.
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31

Kerber, Adalbert, Anton Betten, Harald Fripertinger, Axel Kohnert e Michael Braun. Error-Correcting Linear Codes: Classification by Isometry and Applications. Springer Berlin / Heidelberg, 2014.

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32

Stevens, Brett, e Megan Dewar. Ordering Block Designs: Gray Codes, Universal Cycles and Configuration Orderings. Springer, 2014.

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33

Lewis, Orly, Chiara Thumiger e Philip van der Eijk. Mental and physical gradualism in Graeco-Roman medicine. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780198722373.003.0002.

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Abstract (sommario):
The aim of this chapter is to explore how ancient medical ideas offer relevant parallels to the modern notions of degree vagueness and combinatorial vagueness with respect to mental health and its management. By closely examining several key examples, this chapter argues that Graeco-Roman physicians recognized physical and mental health as states that admit of gradation and were aware of the nuances, variations, and even the relativity of the distinction between ‘healthy’ and ‘ill’. When it comes to notions of physical and mental health, these nuances are both quantitative and qualitative. One of the characteristics of Graeco-Roman medicine is the consideration given to a body–mind continuum as something that is subject to health and disease and can be the object of medical attention. Section 2 introduces ancient conceptions of physical health and demonstrates the relevance of degree and combinatorial vagueness in this domain. Section 3 focuses on mental health.
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34

Error-Correcting Linear Codes: Classification by Isometry and Applications. Springer London, Limited, 2006.

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35

Quadratic Irrationals An Introduction To Classical Number Theory. Taylor & Francis Inc, 2013.

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36

Classification Algorithms for Codes and Designs (Algorithms and Computation in Mathematics Book 15). Springer Berlin Heidelberg, 2006.

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37

Error-Correcting Linear Codes: Classification by Isometry and Applications (Algorithms and Computation in Mathematics). Springer, 2006.

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38

Lehman, Frank. Expression and Transformation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190606398.003.0003.

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Abstract (sommario):
This chapter introduces the two core theoretical concepts of this study: expressivity and transformation. These two topics are broached through an initial examination of two highly dissimilar cinematic style topics: whole-tone harmony and stepwise modulations. The stylistic and aesthetic continuity with Romantic Era practices, especially from Wagner, is emphasized. A working model of tonal expressivity is constructed, in which intrinsic and extrinsic musical factors combine to form combinatorial meaning. With these concepts in hand, the notion of transformation—the cornerstone of neo-Riemannian theory—is introduced, and the second half of this chapter fleshes out the idiom of pantriadic chromaticism. A clear definition for pantriadicism is offered, along with a provisional aesthetics and analytical methodology for the idiom. The chapter concludes with a treatment of three common guises of pantriadicism—absolute progressions, sequences, and discursive chromaticism—all of which tend to occur on the musical surface rather than background.
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39

Di Ventra, Massimiliano. MemComputing. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192845320.001.0001.

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Abstract (sommario):
From the originator of MemComputing comes the very first book on this new computing paradigm that employs time non-locality (memory) to both process and store information. The book discusses the rationale behind MemComputing, its theoretical foundations, and wide-range applicability to combinatorial optimization problems, Machine Learning, and Quantum Mechanics. The book is ideal for graduate students in Physics, Computer Science, Electrical Engineering, and Mathematics as well as researchers in both academia and industry interested in unconventional computing. The author relies on extensive margin notes, important remarks, and several artworks to better explain the main concepts and clarify all the jargon, making the book as self-contained as possible. The reader will be guided from the basic notions to the more advanced ones with a writing style that is always clear and engaging. Along the way, the reader will appreciate the advantages of this computing paradigm and the major differences that set it apart from the prevailing Turing model of computation, and even Quantum Computing.
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40

Pollard, Natalie. Poetry, Publishing, and Visual Culture from Late Modernism to the Twenty-first Century. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198852605.001.0001.

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Abstract (sommario):
This book examines why it is important to appreciate cultural artefacts such as poems, sculptures, and buildings not as static, perfected objects, but as meshworks of entangled, mutable, and trans-personal forces. Offering six such case studies across the long twentieth century, the book focuses on how poetic works activate closer appreciation of literature’s hybridity. The book analyses how such texts are collaborative, emergent, and between-categories, and shows why this matters. It focuses, first, on how printed poetry is often produced collaboratively, in dialogue with the visual and plastic arts; and second, how it comes about through entangled and emergent agencies. Both have been overlooked in contemporary scholarship. Although this proposal makes some trouble for established disciplinary modes of reception and literary classification, for this reason, it also paves the way for new critical responses. Chiefly, Fugitive Pieces encourages the development of modes of literary critical engagement which acknowledge their uncertainty, vulnerability, and provisionality. Such reading involves encountering poems as co-constituted through materials that have frequently been treated as extra-literary, and in some cases extra-human. Focusing on works by Djuna Barnes, David Jones, F.T. Prince, Ted Hughes, Denise Riley, and Paul Muldoon, Fugitive Pieces fosters closer attention to how literary works operate beyond the boundaries of artistic categorization and agency. It examines the politics of disciplinary criticism, and the tensions between anthropocentric understandings of value and intra-agential collaborative practices. Its purpose is to stimulate much-needed analysis of printed works as combinatorial and hybrid, passing between published versions and artforms, persons and practices.
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41

Applied Algebra, Algebraic Algorithms and Error-Correcting Codes: 11th International Symposium, AAECC-11, Paris, France, July 17-22, 1995. Proceedings (Lecture Notes in Computer Science). Springer, 1995.

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