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1
Bačun, Nina. "Architectural cinematic spaces as counter-archive of collective memory". SAJ - Serbian Architectural Journal 15, n. 3 (2023): 288–313. http://dx.doi.org/10.5937/saj2303288b.
Abstract (sommario):
As human life is rapidly unfolding within digital realms, it has become urgent to (re)evaluate the meaning of the intangible heritage of our digital environments by looking closely into Hito Steyerl's re-readings of Walter Benjamin with the recognition of the 'image as object,' not merely as representation. The idea of activating an object could be a starting point, or a productive force, in the new approach towards an architectural digital heritage, advancing the transformation of our everyday reality with new readings of architectural spaces. Even though film has been recognised as a form of heritage, it is less present in the case of architectural heritage. This article questions what is the afterlife of 'cinematic spaces' as an affective memory of the moving image since they are neither neutral nor passive, as film is a form of expression and a product of collective memory. At the same time, it emphasises the necessity of (re)questioning the 'fluid' borders of the 'uncertain and complex' past, the 'acute and unstable' present and the 'desired or possible' future within cinematic spaces by rethinking the practice of archiving 'cinematic architecture' and expanding it into the digital realm.
2
Xiao, Zhang, e Yang Deling. "The “Hyper-Presence” of Cultural Heritage in Shaping Collective Memory". PRESENCE: Virtual and Augmented Reality 27, n. 1 (marzo 2019): 107–35. http://dx.doi.org/10.1162/pres_a_00321.
Abstract (sommario):
Virtual reality (VR) uses sensorial mimetics to construct collective memory in virtual space. The regeneration of high-definition cultural heritage symbols transforms memory into an immediate experience that is constantly being renewed, strengthens the relationship between cultural heritage and contemporary society, and continually affects the persistent renewal of cultural traditions. Hyper-presence is a networked state of cognitive psychology that lies in links, interactions, and exchanges; it is the result of networked social minds and distributed cognition. In the contemporary moment, cultural heritage takes on three types of progressively developed presence: simulated restoration presence, informationally reproduced presence, and symbolically regenerated presence. Symbolic regeneration belongs to the realm of hyper-presence. Building databases with data collected on cultural heritage is the foundation of building a cognitive agent. As a platform, VR becomes an efficient mode of information dissemination, forming an independent presence for cultural heritage through the reproduction of media and information. In a network society, informatized cultural heritage becomes a source for the production of new cultural symbols, and presence is created through the continuous regeneration and dissemination of symbols. Symbols and regenerated symbols combine to constitute the hyper-presence of informatized cultural heritage; people's understanding of cultural heritage therefore exists in an ever-changing state. Intelligences with presence on the network form a complete system, and VR creates comprehensive cognition for the system through high-definition virtuality. Formed in the coordination between intelligences, collective memory creates its hyper-presence today.
3
Dewi, Fajrina Cahya. "DEWARUCI BOARD GAME DESIGN AS A WAYANG INTRODUCTION MEDIA FOR CHILDREN 10-12 YEARS OLD". Arty: Jurnal Seni Rupa 9, n. 2 (18 agosto 2020): 90–102. http://dx.doi.org/10.15294/arty.v9i2.40296.
Abstract (sommario):
Wayang is one of the artistic heritages that contains various good teachings in life. But now, there are many young generation forgets about wayang, and don't even know it. Watching Wayang Shows all night long is hard for children, that's why an alternative media are made in the form of games that can be played by children to introduce Wayang characters..The process of working in designing board games includes: (1) Pre-Production, including data collection, goal setting, concept determination, (2) Production, including content design, sketching, digitization, layouting, and printing (3) Post Production. This study project has produced a dummy board game theme about Dewaruci, where in the game, the theme of characters and stories of Dewaruci can be introduced to children. The work of the study project is expected to help children to get to know the noble artistic heritage. In addition, this work can be a motivation and inspiration for other creators who create works with archipelago content.
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Reidla, Jana, Ene Kõresaar e Kirsti Jõesalu. "Etnograafiapärandi määratlemisest ja kogumisest Eesti muuseumides". Eesti Rahva Muuseumi aastaraamat 64, n. 2 (17 luglio 2023): 295–324. http://dx.doi.org/10.33302/ermar-2023-009.
Abstract (sommario):
This article examines how Estonian museums understand ethnographic heritage. More specifically, it is an attempt to answer the questions of how the concept of ethnographic heritage is made visible through museums’ various practices. An analysis of what criteria museums use when assigning objects to ethnographic collections is submitted as well as a description of what dilemmas they face when making a choice, and how these dilemmas are resolved in practice. It was demonstrated that assigning objects to ethnographic collections has been and continues to be a cognitive and subjective activity. What has served as the main ethnographic criteria is the object’s social origin (a farm environment, which is contrasted with the urban and manor milieu) and the method of production — manual production and the use of traditional work methods, which is contrasted with factory production and store-bought goods. Museums that focus on the way of life of an ethnic or social group rely on their own set of defining principles, as do those whose permanent in situ exposition dictates the ethnographic content in a more classical sense (farm and open-air museums). At the same time, the simultaneous use of disparate criteria has led to different results in practice. The effort to define ethnographic heritage as dating from the first quarter or first half of the 20th century has resulted in a "special treatment" of newer hand-made objects in museums with ethnographic collections. This mainly affects the placement of contemporary textile handicrafts in an ethnographic collection. Faced with the build-up of problematic choices, some museums have "frozen" their ethnographic collections, while others have adopted a dual attitude to previously set temporal and other criteria of ethnographicity. When assembling and organizing collections, museums are looking for ways to bypass the narrow boundaries previously set for ethnographic heritage and are attempting to view everyday culture as a whole. One such practice is the formation of a separate textile collection. Thus, ethnographic heritage (ethnographic object) is a changeable construction not only from the perspective of modern ethnological science, but also from the perspective of museum practice. Explicit collecting principles have an impact on the museums’ collection practices, or more generally, what kind of heritage is being created for the future. At the same time, less formal trends, such as the difficulty of collecting objects from recent history, or the special importance of stories in assessing the value of an object, or the lack of specialists working with collections and poor storage conditions are all important factors in the creation of future heritage. The subject of auxiliary collections and replicas is also of much greater significance in the practice of museum work than it appears from the formulated collection policy.
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Cavicchioli, Marina Regis. "Wine: a cultural world heritage". Heródoto: Revista do Grupo de Estudos e Pesquisas sobre a Antiguidade Clássica e suas Conexões Afro-asiáticas 3, n. 1 (24 marzo 2018): 523–37. http://dx.doi.org/10.31669/herodoto.v3i1.366.
Abstract (sommario):
The processes of cultural identification make us choose what we want as memory, what we identity with in the past, and what we want to preserve. This is how we select our cultural heritage projects: as collective identity projects. The last three decades have been marked by a growing debate around the question of valuating the various types of cultural heritage. In this context, wine is considered as a world heritage phenomenon—through the vineyards and the landscape its production creates, the architecture and monuments linked to it, and its forms of production and consumption, through UNESCO's protection.
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W. Ehrentraut, Adolf. "Maya Ruins, Cultural Tourism and the Contested Symbolism of Collective Identities". Culture 16, n. 1 (30 novembre 2021): 15–32. http://dx.doi.org/10.7202/1084101ar.
Abstract (sommario):
The more accessible archaeological sites of the ancient Maya have become cultural attractions for international mass tourism. Their development is a function of occupational and economic factors that construct an unrepresentative image of Maya civilization as a modem cultural production. While this image is part of the official heritage of modern nation states, the interaction of mass tourism and cultural resource management is creating a supranational structural framework conducive to the development of Maya ethnonationalism.
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Bonacchi, Chiara. "Heritage transformations". Big Data & Society 8, n. 2 (luglio 2021): 205395172110343. http://dx.doi.org/10.1177/20539517211034302.
Abstract (sommario):
This special theme examines the dynamic relationships between production, availability, and usage of Big Data, laying out a research agenda for digital heritage at the time of the ‘data turn’. Over the past 15 years, a proliferation of heritage data has been generated by ‘ecosystems of distributed practices’ enacted by the co-working of bodies, cultural identities, organisational workflows, software, application programming interfaces, etc. The authors of research articles and commentaries in this collection explore the three macro-dimensions along which we can map transformations of and by heritage in Big Data ecologies: (a) ontologies or heritage as datified resources, (b) interactions and (c) methodologies and epistemologies.
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Silva, Luiz Felipe da, Fernanda Esteves Leirião, Yeda Ruiz Maria e Victor Martins de Aguiar. "RESQUÍCIOS HISTÓRICOS PRUDENTINOS: OBSERVAÇÃO E ANÁLISE DE UM CORREDOR HISTÓRICO EM POTENCIAL". Colloquium Socialis 6, n. 1 (12 gennaio 2023): 90–105. http://dx.doi.org/10.5747/cs.2022.v6.s155.
Abstract (sommario):
The heritage and its historical remnants are fundamental for the historical understanding of small or medium-sized cities, so that they are not lost or forgotten. The remembrance of the urban architecture has origins and particularities of the local society, adding values to the cultural, economy, development and feeding the local urban memory. The memories of the cities are formed from influences and experiences of its people, configured by individual and collective memories. However, the urbanization and industrialization process ends up remodeling the space, causing a failure in the preservation of the historical and cultural heritage of the municipalities, causing the loss and erasing of memories. In this context, this research aimed to analyze the historical remnants of Presidente Prudente - SP, from the observation of a potential historic corridor. The methodology adopted for the research consisted of bibliographic and documentary reviews, surveys and observations in loco, in addition to the production of a photographic collection for the analysis and observations regarding the object of study, the potential historic corridor of Presidente Prudente - SP, demonstrating the relevance of discussions about the historical and cultural heritage.
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Domenichini, Riccardo. "Architectural archives, a resource for knowledge and collective memory". Boletim do Arquivo da Universidade de Coimbra, extra 1 (1 marzo 2023): 37–51. http://dx.doi.org/10.14195/2182-7974_extra2023_1_2.
Abstract (sommario):
It is difficult to fix coordinates to define architectural archives, related as they are to a discipline that has many declensions and often overlaps with others. Characterized by a multiplicity of types of documentation, from the point of view of production and organization they vary greatly in the range defined by the two poles of personal and corporate archives. Subjected to a strong evolutionary process, marked by the increasingly exclusive presence of digital technology, they constitute a field of continuous learning for archivists and researchers, with the aim of fully exploiting their information potential. Historical research, however, is only one of the fields in which architectural archives can play a primary role. Focusing on the human environment, built and natural, they are vital in the construction and development of collective memory, as much as in the management and protection of the works that make up the common heritage of citizens.
10
Mindel, David. "Expanding the Scope of Digital Collection Development for Heritage Preservation: The case of the Odin Oyen collection". Archiving Conference 2020, n. 1 (7 aprile 2020): 22–26. http://dx.doi.org/10.2352/issn.2168-3204.2020.1.0.22.
Abstract (sommario):
Access to collections is expanded through digitization, but are we saving the "best" volumes, which volumes are the best, and how do we make that decision? Capturing "real" collection data to objectively make and support those decisions is part of Library of Congress (LC) research. Current data suggests that most cultural heritage institutions have digitized less than 10% of their collections, so preservation of the print record is critical for long-term access to this knowledge. This is especially true for 19th and 20th century paper-based materials, where mass production methods resulted in less stable paper. Moving from subjective to objective based data for retention and withdrawal decisions is critical for the robustness of the print corpus and the future of digital collections.
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Terje, Brattli, e Ingrid Ystgaard. "Hva ligger i uttrykket «særskilt gransking»? Innsamling av data, forskning og finansiering i henhold til kulturminneloven § 10". Primitive Tider, n. 22 (15 dicembre 2020): 109–18. http://dx.doi.org/10.5617/pt.8390.
Abstract (sommario):
What do we mean by the term “special investigation”? Collection of data, research and funding in accordancewith the Cultural Heritage Act, § 10.Section 10 of the Cultural Heritage Act stipulates that expenses for special investigation of protected culturalmonuments shall be covered by the developer. In today’s practice, the term "special investigation" includes collectionof archaeological data, but not further research related to the same data. Expenses for data collection will thusbe paid for by the developer, while expenses for further research will be covered by the institution responsible forthe “special investigation”: The University and Maritime Museums and The Norwegian Institute for Cultural heritageResearch (NIKU). This implies a notion that collecting data qualitatively differs from research.However, it is not possible to see data collection as detached from the research process. In this paper, we arguethat this was not the intention behind the term “special investigation” in the first place. The epistemological dividebetween collection of data and research emerged as a result of a politically initiated, functional divide between culturalheritage management on one hand, and archaeological research on the other.We argue that “special investigation” can and should be re-interpreted in order to establish a practice recognizingcollection of data as a natural and inextricably integrated part of the research process. We believe that this does notnecessarily have to be very expensive. At the same time, it opens for a significant potential for future archaeologicalknowledge production.
12
Popov, E. V., e E. L. Glickman. "The life and scientific heritage of Leonid Sergeyevich Glickman (1929–2000)". Proceedings of the Zoological Institute RAS 320, n. 1 (24 giugno 2016): 4–24. http://dx.doi.org/10.31610/trudyzin/2016.320.1.4.
Abstract (sommario):
This paper consists of biographical data for well-known Soviet palaeoichthyologist Leonid S. Glickman (1929–2000). His life is divided into several stages: a childhood and evacuation during WWII (1929–1945), life in Saratov (1945–1950), Leningrad stage (1950–1970), working in the Russian Far East (1970–1982) and his life in Leningrad / Saint Petersburg (1982–2000). The Leningrad stage (1950–1970) was his most productive time in a scientific sense. During that time he carried out extensive field work, laid a basis of the largest collection of fossil shark teeth in the USSR (now deposited in the State Darwin Museum in Moscow) and wrote 60% of his scientific publications including the monograph “Sharks of Paleogene...” (1964a) and a section on Elasmobranchii in the volume of “Fundamentals of Paleontology” (1964b). In total, Glickman had published 42 papers (excepting dissertations, his thesis and an archive report), including two major monographs (1964a, 1980), two collective ones (1964b, 1987) as well as 33 other scientific papers. He had described nine families, 27 genera and more than 50 species and subspecies of elasmobranch fishes (mainly Lamniform sharks) from the Cretaceous and Cenozoic deposits of territory of the former Soviet Union. His large collections and his ability to think innovatively, allowed him to make some radical changes in shark systematics as well as to demonstrate their use in regional and global biostratigraphy. Four genera and four species of fossil sharks and rays as well as one species of Tertiary hamster from the Aral Sea region have been named in his honour.
13
Jůn, Libor, Lenka Lesenská e Klára Woitschová. "„Hajme mužně pravdy, práva...“: Fotografické album osobností ze Sbírek Bohuslava Duška v Archivu Národního muzea". Časopis Národního muzea. Řada historická 189, n. 3-4 (2022): 3–14. http://dx.doi.org/10.37520/cnm.2020.06.
Abstract (sommario):
„Let us manfully hold truths, rights...“ Photographic album of personalities from the Bohuslav Dušek Collection in the Archives of the National Museum One of the traces of Bohuslav Dušek’s extensive collecting and patronage activities is the archival collection stored in the National Museum Archives. It includes (under the inventory number 1744) a photographic album containing portrait photographs (business card format) of important personalities of Czech political, cultural and public life in the second half of the 19th century. The collection of photographs is both an important iconographic source for the history of Czech society in the 19th century and a very interesting insight into the production of important photographic studios of the time. Apart from the content analysis of the photographic album (represented photographic studios, personalities, the role of the photographic album in society), attention is also paid to the question of the physical condition of the album as an artefact forming part of the national cultural heritage.
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Kumoratih, Dewi, Hervina Dyah Aprilia, Santika Syaravina e Arsa Widitiarsa Utoyo. "“My Ancestors were Seafarers!”: New Media Design to Restore Collective Memory of Maritime Cultural Heritage in Public Spaces". E3S Web of Conferences 426 (2023): 02034. http://dx.doi.org/10.1051/e3sconf/202342602034.
Abstract (sommario):
Design plays a vital role in the process of knowledge production. To foster nationalism and national identity formation, the form uses design as means for public learning in museums and schools. However, history lessons are less desirable and often considered boring. The younger generation has new knowledge acquisition methods along with increasingly advanced technology. This research explores new media design in digital technology as a means of knowledge production. Taking the case of Indonesia, which in recent years has been trying to evoke collective memory as a maritime nation through its cultural heritage, learning about Austronesian speakers who are the maritime ancestors of the Indonesian archipelago in schools is developed as a preliminary study for further development into exhibition materials that can be utilized for community learnings in public spaces. This research uses a visual thinking map facility with a design thinking approach that puts forward ethnographic methods, including literature studies, group discussions, interviews, and participant observations. This study shows that digital technology can generate curiosity and excitement through gamification. Based on these findings, we conclude that the conceptual knowledge production process can be more effective if digital technology’s new media design approach also prioritizes aesthetic/sensory experiences.
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Clarembeaux, Michel. "Film education: Memory and heritage". Comunicar 18, n. 35 (1 ottobre 2010): 25–32. http://dx.doi.org/10.3916/c35-2010-02-02.
Abstract (sommario):
Film education in the digital age should be based on three closely-related and complementary fundamentals: to see, to analyze and to make films with young people; three basics that must interact and support each other. The concept of creative analysis could be the glue the binds this subject together, making it coherent and efficient for educational purposes. If cinema is an art, it is above all the art of memory, both individual and collective. This article suggests that we can join the pedagogy of film education to the citizen’s desire to perpetuate memory and preserve cultural heritage. The author describes various types of films to prove this hypothesis, and at the same time indicates the economic and cultural dimension of the media. The essay starts with an approach to film education in the digital age. Later, it analyzes certain aspects of films of memory, referring specifically to the typology of standpoints of film-makers and the treatment of their sources. Lastly, there is a reflection on the convergence of the concept of creative analysis, promoted by film education, and the production of videos by young people dedicated to the individual or collective memory. This convergence matches European Union proposals concerning the production and creation of audiovisual media from this viewpoint. La educación para el cine en la era digital debería apoyarse en tres polos complementarios y estrechamente asociados: ver, analizar y hacer películas con jóvenes. Estos tres polos han de potenciarse mutuamente. El concepto de análisis creativo podría ser la argamasa que diera coherencia y eficiencia al dispositivo educativo. Si el cine es un arte, es sobre todo el arte de la memoria, tanto colectiva como individual. Este artículo sugiere que es posible hacer converger la pedagogía de la educación cinematográfica y la voluntad ciudadana de perpetuar la memoria, al tiempo que se protege el patrimonio cultural. El autor propone una serie de películas para ilustrar estos planteamientos, que ponen de relieve la dimensión económica y cultural de los medios de comunicación, respondiendo en esta convergencia a las más recientes directrices de la Unión Europea sobre creación y producción, desde esta perspectiva, de medios audiovisuales. El trabajo se inicia con una aproximación a la educación para el cine en la era digital. Posteriormente se recogen algunas singularidades de las «películas de la memoria», aludiendo concretamente a la tipología de los puntos de vista de los realizadores y al tratamiento de sus fuentes. Por último, se refleja el encuentro entre el concepto de «análisis creativo», fomentado por la educación cinematográfica, y la realización de videogramas hechos por jóvenes y dedicados a la memoria individual o colectiva.
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Bereskin, Emily. "Modern rural landscapes in contemporary heritage imaginaries: the case of Germany’s southern Oderbruch". SHS Web of Conferences 63 (2019): 11002. http://dx.doi.org/10.1051/shsconf/20196311002.
Abstract (sommario):
Using the Southern Oderbruch as a case study, this paper investigates the presence and representation of the modern rural landscapes of the German Democratic Republic within the region’s contemporary heritage and tourism landscape. Following an analysis of extant discourse production in place marketing materials and heritage sites (primarily local museums), the paper argues that although the unique landscapes developed in concert with the collective farms (landwirtschaftliche Produktionsgenossenschaften) of the GDR remain very much in situ, they remain largely invisible in the heritage and touristic representation of the Oderbruch, which tends to focus on more traditional manifestations of “pastoral beauty” and on historical events preceding the founding of the GDR. This paper hypothesizes several reasons for this conspicuous absence, arguing that the history of the LPG defies local will to narrativise due to its ongoing social, legal, and economic reverberations in everyday life. The second half of the paper reviews the current application effort fora European Cultural Heritage designation for the Oderbruch. The paper highlights the complexity of the situational landscape surrounding the production of heritage, in terms of political, economic, social, and symbolic factors and argues for similar analyses as a comparative path of investigation for the MODSCAPES project.
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Dabbene, Daniele, Carla Bartolozzi e Cristina Coscia. "How to Monitor and Evaluate Quality in Adaptive Heritage Reuse Projects from a Well-Being Perspective: A Proposal for a Dashboard Model of Indicators to Support Promoters". Sustainability 14, n. 12 (9 giugno 2022): 7099. http://dx.doi.org/10.3390/su14127099.
Abstract (sommario):
Among the research discourse concerning cultural heritage in the post-COVID-19phase, a greater awareness of the social value of heritage and its repercussions on collective well-being has emerged. This attention requires overcoming the top-down approach of public policies in favour of public–private partnership tools that are more effective at capturing the multidimensional components of value generated by cultural heritage. However, it is necessary to refine the tools used to evaluate and guide actions towards a perspective capable of integrating the conservation needs of the asset with collective well-being. This contribution investigates the calls for funding and public notices on the architectural heritage in Italy in the period from 2014–2020. In this field, the Third Sector is assuming a crucial role, showing specific attention to the issue of well-being consistent with its social goals. The calls were collected and structured in a database, with a specific focus on the calls aimed at adaptive heritage reuse that were categorised and analysed. Finally, the research proposed an assessment method based on a dashboard model of indicators to evaluate the quality of reuse interventions. The selected indicators consider both the production of plus-value in terms of improving well-being, and the need to bring the interventions on the existing architecture to a procedural circularity in line with the theoretical orientations of restoration.
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Lo Cicero, Georgia, Valeria Seidita, Maurizio Vitella, Ester Alba, Mar Gaitán, Jorge Sebastián, Marcos Fernández e Cristina Portalés. "Recovering Sicilian Silk Heritage through Digital Technologies: The Case of Piraino’s Collection". Heritage 5, n. 4 (17 dicembre 2022): 4245–66. http://dx.doi.org/10.3390/heritage5040219.
Abstract (sommario):
Textile conservation has given rise to small and medium-sized museums, usually with scarce resources. In Sicily, the little evidence that remains of silk production and opulent imports by the rich and powerful local aristocracy is kept in museums, parishes, and other cultural institutions. The documentation, dissemination, and enhancement of such a fragile heritage is today possible by means of technological tools that provide novel means to preserve, analyze, and exploit digital information. In this paper, we present some outcomes of the SILKNOW project, a project that applies computing research to the needs of diverse users (museums, educational institutions, the tourism industry, creative industries, media, etc.) and preserves the tangible and intangible heritage associated with silk. We show the methodology followed to build end users’ needs into the Virtual Loom, a tool that deals with the 3D reconstruction of silk fabrics at the yarn level. We also provide a real example of how to integrate it at the museum level, specifically, at Piraino’s Collection. The results demonstrate how small and medium-sized museums can access tools that will help them to carry out their daily tasks.
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Yan, Fang, e Litao Zhang. "Research on Renewal and Transformation of Smart Building in Luoyang Based on Reducing Energy Usage and Collective Memory". Sustainability 15, n. 11 (25 maggio 2023): 8592. http://dx.doi.org/10.3390/su15118592.
Abstract (sommario):
Collective memory is a specific carrier for interpreting historical space and local emotions. With the help of collective memory theory, this paper constructs the industrial heritage system of an old industrial zone. Taking the old industrial area in Jianxi District of Luoyang as an example, this paper uses two types of memory representations, the material memory field and spiritual memory field, as the carriers of collective memory. It is divided into 11 types of spatial fields, such as production space, living space, landscape space and spiritual culture, and 76 memory connotations to construct a collective memory classification model of industrial culture. Through the investigation and analysis of the memory of the collective memory subject, it was found that: ① the collective production space is the most impressive. ② The living space is distributed in patches due to celebrity effects; and ③ People are more prominent in the symbolization of collective memory. On the foundations of memory analysis, Take the luoyang bearing factory for example, to research the sustainable development of intelligent and energy-efficient buildings.
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Lima, Jéssica Tarine Moitinho de, e Camila Hoshino Sborja. "A distinct geological collection: the Litoteca IGc/USP and its museological processes". Boletim do Museu Paraense Emílio Goeldi - Ciências Naturais 17, n. 2 (15 settembre 2022): 491–508. http://dx.doi.org/10.46357/bcnaturais.v17i2.799.
Abstract (sommario):
Science and technology collections are intrinsic to their kind of knowledge produced by society in all areas of knowledge. They are interlinked to the professionals’ memory and practices in spaces of production, scientific dynamics, technological development and teaching. Geological collections, as part of the science and technology collections, are witness of the scientific process, mostly originating in an academic environment. This heritage is commonly found within Brazilian universities, being analysed here through the case study of the practices of the Litoteca IGc/USP, a laboratory belonging to the Museu de Geociências (Geosciences Museum), Instituto de Geociências, Universidade de São Paulo (Geosciences Institute at the University of São Paulo – IGc/USP). The life cycle of this heritage is intrinsic to various curation and management actions involving everything from the decision-making process to the most common actions of backing, identifying and processing information. The aim of this article is to demonstrate the process of the lithological property incorporated into an ex-situ collection, valued and then recognized as a museum document. The result of this processing is connected to scientific communication activities that attest to the property’s belonging to a collection, reinforcing its links and social function.
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Bérubé-Sasseville, Olivier. "Bone in the Throat: Video archiving and identity building within the Montreal hardcore scene". Punk & Post-Punk 00, n. 00 (2 agosto 2021): 1–15. http://dx.doi.org/10.1386/punk_00106_1.
Abstract (sommario):
During the 1990s and early 2000s, the Montreal hardcore scene was a vibrant, thriving and dynamic subculture with a strong sense of community. The generational and cyclical nature of such scenes has led, over the past two decades, to a significant crowd turnover with older people leaving and newcomers taking over. However, through the emergence of an Instagram account created by a man named Andy Chico Mak, its past memories are resurfacing. The recent dissemination of the Bone in the Throat series on social media, along with other archives including flyers, interviews and never-seen-before footage from the era, sparks a series of questions regarding the role and impact of archiving subcultures. Since the archival turn in social sciences, archives are considered as a reflexive and constitutive process of identity building and collective memory creating. In the case of subcultures, often overlooked by official heritage institutions, the importance of understanding archives as a site of cultural production is paramount. The collection and preservation of self-produced documents is key to scholars in order to understand the social and political dynamics at the heart of those communities. This article analyses the impact of years of video archives, gathered and organized through the work of Andy Chico Mak, in the process allowing the creation of collective memory and the development of ‘scene identity’. By relating to contemporary conversations about archiving subcultures, it also provides insight into the impact of new technologies and the creation of ‘subcultural collective memory’.
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Ciampa, Francesca, Katia Fabbricatti, Gianluigi Freda e Maria Rita Pinto. "A Playground and Arts for a Community in Transition: A Circular Model for Built Heritage Regeneration in the Sanità District (Naples, Italy)". Sustainability 16, n. 7 (23 marzo 2024): 2640. http://dx.doi.org/10.3390/su16072640.
Abstract (sommario):
Open spaces for collective use in the built heritage of cities are the places to promote and sustain social, cultural, and economic changes. The transformation of the built environment raises awareness of following the policies and tools for the implementation of the EU New Generation Programme, redefining the framework of intervention priorities at the urban scale. Tackling the increasing physical degradation, underutilization, social disparity, and loss of the tangible and intangible culture of these types of spaces, this research identifies artistic production and social cohesion as the enabling factors of maintenance. The regeneration of areas of collective use returns an experimentation of strategic importance for the participatory and shared care of consolidated heritage contexts. The Sanità district in Naples represents a case study of a community-built custom playground, testing a co-design approach, maintaining the consolidated qualities, and awakening the responsibility of the youngest. The outcome is a circular model that focuses on the regeneration of such spaces, transforming an abandoned built environment from waste into a resource.
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Costantino, C., D. Prati, G. Predari e C. Bartolomei. "3D LASER SCANNING SURVEY FOR CULTURAL HERITAGE. A FLEXIBLE METHODOLOGY TO OPTIMIZE DATA COLLECTION". ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIII-B2-2020 (12 agosto 2020): 821–28. http://dx.doi.org/10.5194/isprs-archives-xliii-b2-2020-821-2020.
Abstract (sommario):
Abstract. The paper describes an operational working methodology to be applied for surveys with phase-shift laser scanning, which allows defining a guidelines system to optimize in-field data collection. While reducing the number of scan positions still using the same quality, it is possible to obtain smaller files, in order to limit the computational requirements during editing and post-production. Nonetheless, this methodology guarantees results that are qualitatively comparable to the standard data collection process. Consequently, the angle ranges have been analyzed to find a value that guarantees for the survey a point cloud lighter and more manageable and, at the same time, that maintains a reasonable accuracy. Subsequently, two parameters were defined, “redundancy” and “closeness”, to find an operational process that allows to schematize what is usually achieved with the help of experience in the field: to evaluate the minimum number of scan points that can ensure the necessary overlap for optimal coverage of the entire building surveyed. After defining the study of the ideal situation, the model is applied in a case study, situated in a densely built context, typical of European historical urban centers: the main façade of the G. Ciamician Institute of Chemistry of the University of Bologna (Italy).
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Graham, Gary W., P. Charles Goebel, Randall B. Heiligmann e Matthew S. Bumgardner. "Influence of Demographic Characteristics on Production Practices within the Ohio Maple Syrup Industry". Northern Journal of Applied Forestry 24, n. 4 (1 dicembre 2007): 290–95. http://dx.doi.org/10.1093/njaf/24.4.290.
Abstract (sommario):
Abstract Maple syrup production contributes approximately $5 million annually to Ohio's economy and provides supplemental nontimber forest product income for forestland owners. To better understand the factors that influence this important nontimber forest industry in Ohio, including producer heritage, producer age, sap collection methods, size of maple operation, and educational programming, we conducted a detailed survey of all known Ohio maple syrup producers (761 total producers). Over 80% of producers responded to the survey (620 respondents), making our analysis one of the most extensive of a maple industry in North America. In general, most maple operations in Ohio are part-time, family-based enterprises and over 25% of Ohio's maple producers are of Amish heritage. Although we estimate that there are over 400,000 taps in the state, the typical sugarbush is relatively small—the average sugarbush is 27 ac in size and over a third of the operations have fewer than 100 taps. Chi-square analyses did reveal several significant (α = 0.05) associations among producer characteristics. Although Amish producers were significantly younger and had significantly larger operations than their English or non-Amish counterparts (P < 0.001), a higher proportion of English producers reported using tubing collection systems than Amish producers (P = 0.031). Additionally, while larger maple operations tended to use tubing systems more frequently (P < 0.001), we did not detect a significant association between sap collection method (bucket versus tubing) and producer age (P = 0.169). Finally, English producers tend to be older. Older producers (>53 years old), producers using tubing collection systems, and producers with more than 250 taps were significantly more likely to participate in Ohio State University (OSU) Extension educational programming (P ≤ 0.05). These results suggest significant relationships among producer demographics and the characteristics of maple operations in Ohio, and future OSU educational programming should be tailored to reflect these important relationships.
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Morell, Marc. "Urban tourism via dispossession of oeuvres". Focaal 2018, n. 82 (1 dicembre 2018): 35–48. http://dx.doi.org/10.3167/fcl.2018.820103.
Abstract (sommario):
Most of the anthropology of tourism has focused either on authenticity or on the commoditization of culture. Furthermore, tourism has been looked at as a service sector and, at most, as an urban strategy. Few authors have investigated the organization of (in)formal labor in the tourism industry outside the wage form. I address this gap by looking at the living and dead labor that the production of cultural heritage is about. I argue that the tourism industry transforms long-labored spaces and existing collective use values into commodities. After illustrating this argument with sketches from the Ciutat de Mallorca (Balearic Islands, Spain), I conclude that the relation between the dead labor and the living labor that produce heritage determines people’s differential access to its commoditized outcome.
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Dugis, Desideria Alfani, I. Wayan Suwena e Aliffiati . "Dedang Songke Sebagai Home Based Production". Humanis 24, n. 1 (29 febbraio 2020): 85. http://dx.doi.org/10.24843/jh.2020.v24.i01.p11.
Abstract (sommario):
Dedang songke or the activity of weaving traditional cloth (songke) is a tradition that is still widely practiced by housewives as the ancestral heritage of Manggarai Community, especially in the Orchard of Ringkas. The objectives of this study are (1) to find out the reasons why women in Ringkas Orchard made dedang songke as home based production (2) to find out the implications of dedang songke as home based production for the lives of the weavers, their families, and the people of Ringkas Orchard. This study uses the need achievement theory and the rational choice theory. While the concept used in this study are dedang songke, handicraft industry, and home based production. In this study, the research method used was qualitative with two data sources namely primary data and secondary data, through observation and interview for collecting the data. The results found from the research show that the background of the housewives in Ringkas Orchard works as weavers because of internal and external factors. Internal factors include: the desire to help husband to fulfill family needs, the desire to get recognition and the desire to continue their ancestral’s heritage. While external factors include: insufficient employment, inadequate farming/gardening production, and educational factor. The struggle of women in dedang songke handicraft industry as home based production has implications for the individual weavers, their families, and communities.
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Schmalzer, Sigrid. "Layer upon Layer: Mao-Era History and the Construction of China’s Agricultural Heritage". East Asian Science, Technology and Society 13, n. 3 (1 settembre 2019): 413–41. http://dx.doi.org/10.1215/18752160-7498416.
Abstract (sommario):
Abstract Chinese scientists and scholars are actively engaged in a transnational movement to preserve agricultural heritage. The author places this current phenomenon in historical context to explore the changing epistemological assumptions undergirding the agricultural heritage concept. She shows that the discourse on agricultural heritage in China today quietly draws on Mao-era projects; however, the earlier focus on peasant experience has given way to an emphasis on culture more resonant with global currents today. The article further traces the influence of systems theory and ecoagricultural engineering, along with the transformations accompanying the rise of the market economy and tourism industry. Focusing on the celebrated terraces of Wangjinzhuang as a site of agricultural heritage preservation, the author argues that today’s cultural systems paradigm captures the collective character of knowledge better than the experience paradigm did, but that it has simultaneously produced an artificial binary between tradition and modernity that flattens history and especially obscures Mao-era contributions to knowledge production. She proposes that scholars adopt a critical historical approach to recognize the significance of the Mao era in the construction of both agricultural knowledge and the agricultural heritage paradigm, while resisting efforts to co-opt that history in the service of state power.
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Marcoline, Anne. "George Sand and Music Ethnography in Nineteenth-Century France". Nineteenth-Century Music Review 12, n. 2 (10 settembre 2015): 205–25. http://dx.doi.org/10.1017/s1479409815000300.
Abstract (sommario):
In Les Visions de la nuit dans les campagnes (1851–1853), George Sand responded to the French government’s newly announced project of collecting the ‘popular’ or folk songs of France, with a critique of their methods of collection as perfunctory. Sand was adamant not only about a more rigorous approach to amassing the nation’s folk songs but also about the inclusion of the music with the lyrics, and her concise, insightful critique of archival methods came after nearly two decades of her own occupation with rendering music in her fiction and, more immediately, a decade focused on folk music in many of what are known as her ‘rustic’ novels. In particular, I bring to the fore in this article discussions in Sand’s expansive novel Consuelo; La Comtesse de Rudolstadt (1842–1844) which both insist upon the historical, cultural and personal significance of the preservation of folk music and navigate the tensions of preserving an art form that is fundamentally non-static and ephemeral, in order to articulate the value Sand places on musical sensibility, memory and heritage. I argue that Les Visions de la nuit dans les campagnes stands along with Sand’s fiction as an ardent defense against the loss of the musical heritage of provincial France in the hands of the state’s archivists. This article thus situates George Sand’s investment in the cultural production from the Berry region within the early history of nineteenth-century music ethnography in France, while maintaining Sand’s own understanding of her cultural production as poetic rather than scientific.
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Dawson, Beata, Pauline Joseph e Erik Champion. "The Story of the Markham Car Collection: A Cross-Platform Panoramic Tour of Contested Heritage". Collections: A Journal for Museum and Archives Professionals 15, n. 1 (marzo 2019): 62–86. http://dx.doi.org/10.1177/1550190619832381.
Abstract (sommario):
In this article, we share our experiences of using digital technologies and various media to present historical narratives of a museum object collection aiming to provide an engaging experience on multiple platforms. Based on P. Joseph’s article, Dawson presented multiple interpretations and historical views of the Markham car collection across various platforms using multimedia resources. Through her creative production, she explored how to use cylindrical panoramas and rich media to offer new ways of telling the controversial story of the contested heritage of a museum’s veteran and vintage car collection. The production’s usability was investigated involving five experts before it was published online and the general users’ experience was investigated. In this article, we present an important component of findings which indicates that virtual panorama tours featuring multimedia elements could be successful in attracting new audiences and that using this type of storytelling technique can be effective in the museum sector. The storyteller panorama tour presented here may stimulate GLAM (galleries, libraries, archives, and museums) professionals to think of new approaches, implement new strategies or services to engage their audiences more effectively. The research may ameliorate the education of future professionals as well.
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Karpava, Sviatlana. "Narrative abilities and grammaticality of Russian heritage children". Journal of Monolingual and Bilingual Speech 5, n. 2 (31 agosto 2023): 153–77. http://dx.doi.org/10.1558/jmbs.23489.
Abstract (sommario):
Heritage language maintenance and development depend on the family language policy, language dominance, frequency of use, linguistic distance and similarities between the minority and the majority languages or (dia)lects of the society, as well as on the multi-directionality of cross-linguistic influence and accommodation. The present study investigates the narrative skills of Russian heritage children in Cyprus, with a focus on macro-structure (story structure, structural complexity and internal states terms) and grammaticality; that is, the extent to which utterances follow the grammatical rules of a language. The participants in the study were 40 Russian-Cypriot Greek (CG) simultaneous bilingual children; their ages ranged from 4;0 to 6;0 (mean 5;2 [years;months]), and they attended kindergartens and primary CG schools where the language of instruction was Greek. The Multilingual Assessment Instrument for Narratives (LITMUS-MAIN; Gagarina et al., 2012; 2015) was used for the data collection. The participants’ language proficiency in Russian was measured using the Russian Proficiency Test for Multilingual Children (RPTMC), while background information was obtained via parental questionnaires and interviews. The narratives were recorded, transcribed and analysed in terms of macro-structure and grammaticality. The analysis of the data showed that heritage children had errors in aspect, case, gender, morphological agreement, subject and object pronoun non-target production, as well as in innovative forms of words (nouns and verbs). There was non-standard production in terms of words order, prepositions and conjunctions. Overall, it was found that grammaticality was affected by proficiency in the heritage language, but there was no correlation with macro-structure measures. Narrative production and comprehension, macro-structure, were affected by the mode of narration.
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Barrera-García, Ángela, e Dolores Álvarez-Rodríguez. "The Body-Camera Approach: Teacher Identity through Video Elicitation and Video Essay to Create Shared Heritages". Heritage 7, n. 4 (30 marzo 2024): 2055–70. http://dx.doi.org/10.3390/heritage7040097.
Abstract (sommario):
This paper presents an approach to teacher identity heritage as a result of the implementation of a research device created through Arts-Based Research (ABR) methods, specifically with video elicitation and video essays used as research tools. Two main objectives were addressed. The first one was to establish the real relevance of focusing performance on teacher identity. The second one involved testing a new methodological proposal specifically designed for this purpose, but still useful in other contexts where heritage identity is as present as in teaching. The device, a body camera, involves a process that allows new ways to understand the creation of identities using video to encourage the production of new meanings through visual and oral data. The participants were teachers in training during their internship period. Some notions about teachers’ identity heritage were revealed, and also preserved, firstly through personal perspectives by video elicitations, and secondly through collective perspectives by video essays. Both are video structures used in ABR which mix creative experience, memories, life experiences, relationships, and links that shape the teachers’ professional identity.
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Raza, Mohd Hamid. "The Structure of Phonological Networks and Social Identity of Heritage Languages". JL3T ( Journal of Linguistics Literature and Language Teaching) 6, n. 2 (28 gennaio 2021): 89–101. http://dx.doi.org/10.32505/jl3t.v6i2.1981.
Abstract (sommario):
This paper provides the basic information of the phonological networks and social identity about the heritage languages. The phonological networks convey the classification of the sound systems, while the social identity declares the difference among the native speakers of the heritage languages. The problem is investigated that how a particular speech segment created the variation among the speakers of the different languages in the speech communities. The objective of this paper is to determine the unique segments of the heritage languages and how these segments clear the social identity of the speakers in a particular speech community. The researcher collected the sample of primary and secondary data from the gadgets and the speakers of the heritage languages. The sample of data goes to the social characteristics of ages between twenty and forty of the respondents both male and female. The data are collected through observation, interview and the available literature of the heritage languages. For the collection of primary data, the high quality of the tape recorder is used and put approach to the mouth of the respondents for the recording at the time of interview. After the data collection, it is analysed base on the aspects of phonetics and phonology to find out the social identity of the respondents. In the result, it is found out that one particular speech segment represented the social identity of the speakers. In the framework of conclusion, it is represented that Urdu has different types of the speech segments covered all the processes of production, transmission, and perception.
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Arantes, Antonio A. "The Celebration of Cultural Diversity and the Politics of Difference in Safeguarding Intangible Cultural Heritage". Ethnologies 36, n. 1-2 (12 ottobre 2016): 279–96. http://dx.doi.org/10.7202/1037610ar.
Abstract (sommario):
The global turn of cultural production gave new significance to objects and ideas that convey senses of localization and/or cultural singularity, raising public interest and institutional concern with inventorying and protecting cultural diversity. The implications of this shift not only concern the so-called creative industries, as this issue was the object of the Convention for the Protection of the Diversity of Cultural Contents and Artistic Expressions approved by UNESCO in its 33rd General Conference (Paris, November 2005). Traditional know-how and forms of expression, as well as exotic landscapes, are used as effective cornerstones for the implementation and promotion of humanitarian as well as social and economic development programs in the poorer regions of the globe. From an intellectual perspective, this renewed awareness of all things local stimulates critical reflection about some epistemological and legal issues related to identification, documentation and promotion of cultural heritage. Among these, intellectual authority associated with the production of inventories, the social consequences of introducing new ingredients in local level politics and cultural production, as well as juridical matters concerning rights of collective intellectual property are some of the concerns of the current debate among scholars and heritage experts on those issues. The present paper aims at contributing to the debate on the questions outlined above, by focusing on the emergent policies of safeguarding intangible cultural heritage. Since cultural heritage is not mechanical and neutral transmission of information from one generation to another, but a social construction, the understanding of its meanings and consequences depends on taking into account its historical context. This being the case, in order to provide concrete background to this discussion, the author refers to the Brazilian case suggesting, however, that it has wider implications.
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Martin, Marcella, e Federica Vacca. "Heritage narratives in the digital era". Research Journal of Textile and Apparel 22, n. 4 (3 dicembre 2018): 335–51. http://dx.doi.org/10.1108/rjta-02-2018-0015.
Abstract (sommario):
Purpose By considering the role of technology in museum archives and exhibitions, as well as company archives and production, this paper aims to present that digital technologies offer new approaches and tools to consider fashion know-how, traditions and memories. Design/methodology/approach Through an extensive literature review and a close consideration of multiple sources, this paper analyzes fashion, tradition and knowledge creation through the lens of museum and company archives. A section on museum archives analyzes the role of fashion in the museum and the use of technology in cataloging, online resources and exhibitions for knowledge transfer of fashion history. The second half of the paper considers the relationship between heritage, company archives and technology in branding and consumer engagement. Findings The paper summarizes recent scholarship in the fields of fashion archives and demonstrates the still current importance of heritage in generating new design and exhibition practices. Despite having its roots in the past, heritage demonstrates continuity with the present and looks to the future with the same devotion and commitment, thus guaranteeing quality and authenticity for both museum collections and company productions. Originality/value Through a case study methodology, this paper presents how digital technologies can offer new approaches and tools in museum archives and exhibitions, as well as in company archives and collection development, to reconsider and translate fashion know-how, traditions and memories in the digital era.
35
McKinstry, E. Richard. "Historical trade literature at the H.F. du Pont Winterthur Museum". Art Libraries Journal 31, n. 1 (2006): 33–39. http://dx.doi.org/10.1017/s030747220001436x.
Abstract (sommario):
Trade literature at Winterthur is broadly defined and is collected in many formats, including published trade catalogs, printed ephemera, drawings, manuscript account books, magazines and salesperson’s samples. Each kind of source contributes to a better understanding of America’s rich heritage in early handicraft, more modern production of goods, and domestic life. Examples of Winterthur’s holdings suggest a rich and much larger collection that is available for research.
36
Soare, Ionica, Donatella Privitera, Cristina Lupu e Alexandru Ganușceac. ""Enhancing Rural Integration into European Agriculture: Rediscovering Sustainable Agri-Food in Romania Dealu Mare region, Romania "". Central European Journal of Geography and Sustainable Development 5, n. 2 (20 dicembre 2023): 46–61. http://dx.doi.org/10.47246/cejgsd.2023.5.2.3.
Abstract (sommario):
One of the factors that threatens the sustainability of rural areas is the hegemonic agro-industrial model with obvious environmental and social impacts which dramatically limits rural life. The study draws attention to the opportunities offered by alternative agri-food systems based on agroecology and food sovereignty as cultural heritage to support sustainable local development. The results of the study demonstrate how the recovery and promotion of traditional ecological knowledge can help increase the capacity of socio-ecological systems to cope with shocks and disruptions and maintain long-term resilience. At the same time, agro-ecological practises allow collective identities to emerge around characteristics of rural space, strengthening local life, focusing on the coevolution of the society-ecosystem of local identity. The case study analyzed in Romania counties shows that rural areas play a critical role in economic and social cohesion, in the resilience of regions and in the contribution of countless services in various local ecosystems, including food production, to their consolidation socio-economic prosperity, the ability to innovate, to achieve a sustainable and inclusive social economy. The types of policies promoted by Romania conceive agro-ecological practices as an intangible collective heritage with a significant potential for transformation towards local sustainability.
37
Sekine, Kae. "The Potential and Contradictions of Geographical Indication and Patrimonization for the Sustainability of Indigenous Communities: A Case of Cordillera Heirloom Rice in the Philippines". Sustainability 13, n. 8 (14 aprile 2021): 4366. http://dx.doi.org/10.3390/su13084366.
Abstract (sommario):
In the Montane areas of Cordillera, the Philippines, the IP (indigenous people) have cultivated native rice for generations on their rice terraces, which were designated a United Nations Educational, Scientific and Cultural Organization (UNESCO) World Cultural Heritage site in 1995 and a Food and Agriculture Organization (FAO) World Agricultural Heritage site, Globally Important Agricultural Heritage System (GIAHS) in 2011. This heirloom rice was registered as a collective trademark in 2018 and will be registered as a sui generis geographical indication (GI) in the coming years. Based on the author’s interviews with the stakeholders in heirloom rice production conducted in the Philippines in 2019, this article aims to analyze whether GI and patrimonization contribute to the sustainability of the IP communities in Cordillera. This paper demonstrates that GI and patrimonization exhibit both potential and contradictions in ecological, socio-cultural, and economic dimensions of sustainability in the communities, and the compatibility of these dimensions is challenged. The paper concludes that public policies need to pay particular attention to accompanying IP communities when GI and patrimonization are designed to protect them from over-development of the designated area and over-commodification of their certified agri-food products.
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Arzomand, Kawsar, Michael Rustell e Tatiana Kalganova. "From ruins to reconstruction: Harnessing text-to-image AI for restoring historical architectures". Challenge Journal of Structural Mechanics 10, n. 2 (13 giugno 2024): 69. http://dx.doi.org/10.20528/cjsmec.2024.02.004.
Abstract (sommario):
The preservation of cultural heritage has become increasingly important in the face of conflicts and natural disasters that threaten historical sites worldwide. This study explores the application of artificial intelligence (AI), specifically text-to-image generation technologies, in reconstructing heritage sites damaged by these adversities. Utilising detailed textual descriptions and historical records, this study employed AI to produce accurate visual representations of damaged heritage sites, bridging the gap between traditional documentation and modern digital reconstruction methods. This approach not only enhances the architectural design process across various disciplines but also initiates a paradigm shift towards more dynamic, intuitive, and efficient heritage conservation practices. The methodology integrates data collection, iterative AI-generated image production, expert review, and comparative analysis against historical data to evaluate reconstruction accuracy and authenticity. By integrating AI with traditional preservation practices, this study advocates a balanced approach to conserving cultural legacies, ensuring their preservation and revitalisation for future generations. Preliminary findings suggest that AI-generated imagery holds significant promise for enhancing digital heritage preservation by offering novel approaches for visualising and understanding historical sites. These findings also highlight the need to address ethical, technical, and collaborative challenges to enhance the precision, reliability, and applicability of AI technologies in the field of cultural heritage. This study contributes to digital humanities and archaeological conservation, demonstrating AI's potential to support and complement traditional heritage preservation methods and suggests a pathway for substantial methodological evolution in the field.
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Silvén, Eva. "Sociomaterial intertwinements in Sami research". Nordisk Museologi 27, n. 3 (28 gennaio 2020): 96–117. http://dx.doi.org/10.5617/nm.7729.
Abstract (sommario):
This article summarises a study about Sami related research and collecting at the Nordic Museum in Stockholm, with focus on curator Ernst Manker and the period between 1930 and 1970, however, in a slightly broader time context. Manker was a productive and influential actor in the sociomaterial network that comprised a broad range of people and phenomena connected to Sami issues. His legacy (objects, photographs, exhibitions, scientific research, popular travelogues) is analysed both in its historical context and as a complex contemporary heritage, starting from questions about its possible essentialising or emancipating effects. Although based on an asymmetric power relationship between the Sami and the museum, the research and collections are characterised as culturally intertwined constructions. A postcolonial perspective is used to discuss ways of strengthening the Sami dimension of such heritage: physical transfers (repatriation) and promoting Sami knowledge and meaning related to the collections.
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Matos Silva, Fátima, Cristina Sousa e Helena Albuquerque. "Analytical Model for the Development Strategy of a Low-Density Territory: The Montesinho Natural Park". Sustainability 14, n. 7 (6 aprile 2022): 4373. http://dx.doi.org/10.3390/su14074373.
Abstract (sommario):
Montesinho Natural Park is one of the largest Portuguese natural protected areas, presenting good biodiversity and a cultural heritage with a strong connection to the territory and its people. It constitutes a low-density territory, characterized by a human and social landscape based on community practices, such as joint aid and the community use of goods and means of agricultural production, which have contributed to the construction of the “transmontana” identity and to the richness of the habitats. The promotion of the sustainable development of this low-density rural region demands the understanding of its specificities and an appropriate approach to grasp its challenges and develop effective management tools, allowing to preserve and exploit the region’s potential from various perspectives. The purpose of this article is to develop an analytical model using a literature review and a survey of the region’s specificities. This analytical model intends to provide the basis for designing and assessing sustainable development solutions, increasing local entrepreneurship and community empowerment through regional dynamism, with a focus on environment and heritage preservation, universal tourism accessibility, collective memory and endogenous product development. The suggested model adopts an interdisciplinary perspective and stresses that, in order to ensure that the new initiatives will contribute to the territory’s sustainable development, they should be scrutinized by asking four main questions: Is the initiative promoting the rural development of the territory through the creation of synergies between agroforestry and tourism activities? Is the initiative promoting an inclusive and sustainable tourism that is based on the territory’s resources? Are heritage and collective memory being preserved and valued through the initiative? Is the initiative promoting the empowerment of local communities?
41
Kıvılcım, C. Ö., e Z. Duran. "A SEMI-AUTOMATED POINT CLOUD PROCESSING METHODOLOGY FOR 3D CULTURAL HERITAGE DOCUMENTATION". ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLI-B5 (15 giugno 2016): 293–96. http://dx.doi.org/10.5194/isprs-archives-xli-b5-293-2016.
Abstract (sommario):
The preliminary phase in any architectural heritage project is to obtain metric measurements and documentation of the building and its individual elements. On the other hand, conventional measurement techniques require tremendous resources and lengthy project completion times for architectural surveys and 3D model production. Over the past two decades, the widespread use of laser scanning and digital photogrammetry have significantly altered the heritage documentation process. Furthermore, advances in these technologies have enabled robust data collection and reduced user workload for generating various levels of products, from single buildings to expansive cityscapes. More recently, the use of procedural modelling methods and BIM relevant applications for historic building documentation purposes has become an active area of research, however fully automated systems in cultural heritage documentation still remains open. In this paper, we present a semi-automated methodology, for 3D façade modelling of cultural heritage assets based on parametric and procedural modelling techniques and using airborne and terrestrial laser scanning data. We present the contribution of our methodology, which we implemented in an open source software environment using the example project of a 16th century early classical era Ottoman structure, Sinan the Architect’s Şehzade Mosque in Istanbul, Turkey.
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Carl, Matthew, Chris A. Smith e Marcus L. Young. "Dual-Beam Scanning Electron Microscope (SEM) and Focused Ion Beam (FIB): A Practical Method for Characterization of Small Cultural Heritage Objects". MRS Proceedings 1656 (15 settembre 2014): 355–69. http://dx.doi.org/10.1557/opl.2014.873.
Abstract (sommario):
ABSTRACTKnowledge of the composition of many cultural heritage objects is limited, resulting in many unanswered questions in regards to the provenance, composition, and production methods. In this paper, our objective is to show that dual beam scanning electron microscope (SEM) and focused ion beam (FIB) can be used rapidly and non-destructively to determine the surface and bulk metal compositions in small cultural heritage objects. We show, for the first time, that this novel FIB technique can be successfully applied non-destructively to cultural heritage objects by examining three representative silver plated objects (Candelabra, “Century” spoon, and New York World’s Fair spoon) from the Dallas Museum of Art’s unparalleled collection of modern American silver. In each case, we successfully reveal and characterize the bulk metal as well as the Ag-plating, up to ∼80 µm deep and show that there is no visual damage resulting from the milling process of the FIB. This novel characterization technique can be applied, due to its ease of availability and rapid use, to many other problems in addition to silver plated objects, making dual beam SEM/FIB a possible cornerstone technique in the study of cultural heritage objects.
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Kıvılcım, C. Ö., e Z. Duran. "A SEMI-AUTOMATED POINT CLOUD PROCESSING METHODOLOGY FOR 3D CULTURAL HERITAGE DOCUMENTATION". ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLI-B5 (15 giugno 2016): 293–96. http://dx.doi.org/10.5194/isprsarchives-xli-b5-293-2016.
Abstract (sommario):
The preliminary phase in any architectural heritage project is to obtain metric measurements and documentation of the building and its individual elements. On the other hand, conventional measurement techniques require tremendous resources and lengthy project completion times for architectural surveys and 3D model production. Over the past two decades, the widespread use of laser scanning and digital photogrammetry have significantly altered the heritage documentation process. Furthermore, advances in these technologies have enabled robust data collection and reduced user workload for generating various levels of products, from single buildings to expansive cityscapes. More recently, the use of procedural modelling methods and BIM relevant applications for historic building documentation purposes has become an active area of research, however fully automated systems in cultural heritage documentation still remains open. In this paper, we present a semi-automated methodology, for 3D façade modelling of cultural heritage assets based on parametric and procedural modelling techniques and using airborne and terrestrial laser scanning data. We present the contribution of our methodology, which we implemented in an open source software environment using the example project of a 16th century early classical era Ottoman structure, Sinan the Architect’s Şehzade Mosque in Istanbul, Turkey.
44
Gerasev, I. A. "Topicality of K. Marx Economic Doctrine in Today’s Conditions Illustrated by Collective Management Functioning". Vestnik of the Plekhanov Russian University of Economics 20, n. 5 (29 settembre 2023): 5–13. http://dx.doi.org/10.21686/2413-2829-2023-5-13.
Abstract (sommario):
The article analyzes the role of collective management enterprises as an example of practical application of Marxist economic theory in today’s market economy. The goal of the research is to search for suggestions appropriate for solving the problem of fair distribution of labour product illustrated by functioning of enterprises with collective forms of property in present day economy. This problem was elaborated in works by theoreticians of Marxist and neo-Marxist economic schools and in current conditions of private market economy. A positive aspect of the Marxist theory was identified in the sphere of fair distribution of labour product and aspiration for production democracy. Topicality of these problems in current social and economic conditions was demonstrated. Arising of the concept of public enterprises and its realization within the frames of different economic models was analyzed illustrated by such countries as the US, Great Britain, Italy and some others. Economic results of such enterprises were studied and their higher economic efficiency in comparison with enterprises of other forms of property was shown. The demand for justice in social and economic sphere of production in market economy was highlighted. Special attention was paid to the role of enterprises with collective forms of management in economic systems of Russia and China, the efficiency of collective enterprises was analyzed and legal aspects of their functioning were studied. As a result of the research certain drawbacks in collective enterprise work were revealed, for instance, undeveloped interaction with the banking environment, insufficient legal base of their functioning and poor information of the population. The article proved the importance of enterprises with collective form of management as a factor of labour productivity rising and underlined significance of the social aspect of their work. Topicality of the issue of social justice in labour product distribution was shown in the context of positive heritage of the Marxist theory. On the basis of the research key practical suggestions aimed at developing the system of enterprises with collective form of property were formulated.
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Zhang, Chunfeng. "A Preliminary Study of the Colophons of the Naxi Manuscript Collection in the Staatsbibliothek zu Berlin". Acta Orientalia Academiae Scientiarum Hungaricae 76, n. 3 (21 agosto 2023): 399–417. http://dx.doi.org/10.1556/062.2023.00157.
Abstract (sommario):
The Naxi manuscripts are generally religious texts used by the Dongba priests in southwest of China. The interpretation of colophons has often been underappreciated in previous studies. This paper reviews previous research on colophons in Naxi manuscripts and redefines the concept of the ‘colophon’ as a term used in the study of Naxi manuscripts. In this paper, the colophons of some of the Naxi manuscripts in the Staatsbibliothek zu of Berlin are discussed, revealing when and where the manuscripts were copied, and the events associated with the copying process. When reading the colophons, one often encounters translation errors and other problems, but their correct interpretation will help shed more light on the circumstances of the production of the Naxi manuscripts, which make up a unique component of the world’s literary heritage.
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Figueroa, Fernanda, Martha B. Puente-Uribe, David Arteaga-Ledesma, Ana C. Espinosa-García, Marco A. Tapia-Palacios, Miguel A. Silva-Magaña, Marisa Mazari-Hiriart et al. "Integrating Agroecological Food Production, Ecological Restoration, Peasants’ Wellbeing, and Agri-Food Biocultural Heritage in Xochimilco, Mexico City". Sustainability 14, n. 15 (5 agosto 2022): 9641. http://dx.doi.org/10.3390/su14159641.
Abstract (sommario):
Chinampería, a jeopardized precolonial agricultural practice, persists in the Xochimilco wetland, Mexico City. Agroecological chinampa production is a recognized UNESCO World Heritage Site, and contributes to the sustainability of both the urban wetland and the city. The ‘chinampa-refuge’ model (CRM) is a transdisciplinary effort to strengthen traditional agroecological practices and ecological restoration. Through an inter/transdisciplinary research framework, we addressed the model’s role in the sustainability of this socio-ecosystem concerning four significant drivers of the wetland’s transformation. The CRM has improved water quality locally, increased the suitable habitat for native aquatic biodiversity, and supported traditional agroecological practices, thus improving the quality and safety of food products. However, there are clear challenges regarding production and commercialization, some of which may be addressed through the strengthening of the social organization and collective action. However, other challenges are beyond the reach of chinampa producers’ efforts and the CRM, but are decisive in changing the degradation trends. In order to address these challenges, urgent and participatory government actions are needed based on the recognition of the causes of wetland degradation and the role of traditional chinampa production in its sustainability.
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Korus, Olena. "Ukrainian Porcelain in the Porcelain Collection of the Dresden State Art Collections". Folk art and ethnology, n. 2 (30 giugno 2023): 76–80. http://dx.doi.org/10.15407/nte2023.02.076.
Abstract (sommario):
During the current russian-Ukrainian war, which has been going on since 2014, the progressive circles of Ukrainian society, in particular scholars, have been faced with the question of decolonizing and de-imperializing Ukrainian history and culture. The task of returning to the orbit of the national cultural heritage is especially acute concerning works of Ukrainian origin that are stored in museum collections abroad. It should be noted that this cultural heritage is generally labelled as «russian» in the world, regardless of the cultural and artistic environment, as well as of where and when (during the russian empire or the USSR), it was created. After February 24, 2022, when russia launched a large-scale offensive on the territory of Ukraine, many Ukrainian museum workers and scholars fled the war and began working under support programmes at Western European cultural institutions. Their primary task was to search local museum collections for detecting works by Ukrainian artists and correcting their attribution. The article’s authoress, while the military operations in Ukraine are ongoing, got the opportunity to work at the Porcelain Collection of the Dresden State Art Collections (Die Staatlichen Kunstsammlungen Dresden, SKD). In the context of mentioned factors, she drew attention to the attribution of two porcelain plates from the Porcelain Collection of the Dresden State Art Collections, which were listed in the database as russian-made. Furthermore, one of the plates was listed as having been made in Moscow Region, whereas in fact both plates were created at Ukrainian factories in Korets and Baranivka (now Rivne and Zhytomyr regions, respectively). The article’s authoress corrected the attribution and dating, whereupon the items were posted in the online collection on the museum’s website of the Dresden State Art Collections. In the article, these items are presented in the context of these manufactories’ production. A comparative analysis of principles of their decoration with the ornamentation of porcelain items of the Meissen manufactory from the Porcelain Collection of the Dresden State Art Collections has also been done.
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Alekseeva, Elena V. "INDUSTRIAL HERITAGE: DIVERSITY OF TYPES, WAYS AND METHODS OF ADAPTIVE REUSE". Ural Historical Journal 71, n. 2 (2021): 46–54. http://dx.doi.org/10.30759/1728-9718-2021-2(71)-46-54.
Abstract (sommario):
The article is devoted to the problem of revalorization (actualization of value) of the industrial heritage. Based on the analysis of the latest foreign and Russian publications, the author shows a wide range of options for repurposing industrial heritage objects, implemented in different countries for more than half a century. The attention is focused at some of the features of national approaches to the preservation and new use of old industrial buildings and territories. The author emphasizes the implemented and proposed projects for the adaptive reuse of factory buildings and sites in the Sverdlovsk region. Systematization of the studied material resulted in a classification of potential new functions for abandoned industrial facilities. The relevance of the study is due to the fact that typologization contributes both to a holistic understanding of the implemented solutions, specific achievements and miscalculations in the process of transforming territories, buildings, structures that lost their production function into modern objects which combine the memory of the previous stage of history and new useful functionality. The paper draws attention to the effectiveness of combining the efforts of professionals and civic initiative, cultural and government institutions, local, regional and state structures for the preservation of the national heritage of the industrial era. It emphasizes the integration of this underestimated resource into modern planning solutions for large and small cities, the creative social function of collective interaction in the process of revalorization industrial heritage.
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Goncalves, Marta Marcal, María Teresa Pérez-Cano e Stefan Rosendahl. "Water related heritage. The use of water for production of final or semi-final products in the parish of Cernache do Bonjardim, Central Portugal". MATEC Web of Conferences 396 (2024): 12001. http://dx.doi.org/10.1051/matecconf/202439612001.
Abstract (sommario):
The use of water as a driving force for the production of goods is very old. Over time, techniques and constructions were developed to make the most of water energy. There are elements that use water energy to obtain final or semi-final products, such as horticultural, touristic and thermal products. In the parish of Cernache do Bonjardim, Central Portugal, there are several types of this kind of elements, such as dams and hotels related to agricultural production and tourism. The main objectives of this article are to characterize and analyze the current situation of this heritage and its dissemination, enhancement and subsequent protection. The methods used were based on bibliographic, photographic, cartographic and in situ surveys. The approach comprises the survey of the elements mentioned above, subsequent cataloguing and analysis regarding their objectives and their geographic distribution. With this analysis it is possible to group the elements into categories that facilitate their characterization. Up to the preparation of this article, no document or record was found about the described elements in the studied area, which is a major limitation of the investigation. The originality of this work is that this type of heritage has not yet been approached in the territory under study. The article contributes to another study about this parish. Being a vernacular heritage and already with few existing elements, it is intended to give to it the value it deserves and that it is appreciated as a collective memory of the territory where it is inserted.
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Kuznetsova, Anna A., e Oleg G. Sanin. "THE DOCUMENTARY HERITAGE OF N.P. LAMANOVA AT THE A.A. BAKHRUSHIN STATE CENTRAL THEATRE MUSEUM". History and Archives, n. 1 (2022): 118–40. http://dx.doi.org/10.28995/2658-6541-2022-1-118-140.
Abstract (sommario):
The October Revolution of 1917 in Russia had a great impact on art in general as well as on its practical aspects. The clothing, in particular, underwent a remarkable transformation. Due to shortages, on the one hand, and the change of ideals, on the other hand, the official “high fashion” initially had almost died out and later was reborn in the new forms that reflected the new requirements. Mass production, preference for simplicity and ease of manufacture to the detriment of the uniqueness and emphasized aesthetics – those were the main tasks in that area. And especially unexpected with such an approach can be considered the victory of the costume collection of Nadezhda Petrovna Lamanova’s dress collection at the “International Exhibition of Modern Decorative and Industrial Art” in 1925 in Paris was quite unexpected. Nadezhda Petrovna was a fashion designer of an aristocratic background and had formerly the status of the Emperor’s court supplier. She was not only able to change the style dramatically but also to create such an indigenous collection that even the sophisticated French panel of judges highly commended the national tint and the functionality of her work. The article gives an account of the life and creative activity of the fashion designer and we also reviews the documentary heritage of Nadezhda Petrovna Lamanova at the A.A. Bakhrushin State Central Theatre Museum.