Articoli di riviste sul tema "Cognitive musicology"
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Laske, Otto E. "Introduction to Cognitive Musicology". Computer Music Journal 12, n. 1 (1988): 43. http://dx.doi.org/10.2307/3679836.
Laske, Otto E. "Introduction to cognitive musicology". Journal of Musicological Research 9, n. 1 (luglio 1989): 1–22. http://dx.doi.org/10.1080/01411898908574606.
Maróthy, János. "Cognitive Musicology – Praised and Reproved". Studia Musicologica Academiae Scientiarum Hungaricae 41, n. 1 (1 giugno 2000): 119–23. http://dx.doi.org/10.1556/smus.41.2000.1-3.5.
Huron, David. "Two Challenges in Cognitive Musicology". Topics in Cognitive Science 4, n. 4 (ottobre 2012): 678–84. http://dx.doi.org/10.1111/j.1756-8765.2012.01224.x.
Parncutt, Richard. "Introduction: “Interdisciplinary musicology”". Musicae Scientiae 10, n. 1_suppl (marzo 2006): 7–11. http://dx.doi.org/10.1177/1029864906010001011.
Tervaniemi, Mari, e Titia L. van Zuijen. "Methodologies of Brain Research in Cognitive Musicology". Journal of New Music Research 28, n. 3 (1 settembre 1999): 200–208. http://dx.doi.org/10.1076/jnmr.28.3.200.3114.
Seifert, Uwe. "Cognitive science: A new research program for musicology". Interface 21, n. 3-4 (gennaio 1992): 219–38. http://dx.doi.org/10.1080/09298219208570609.
Sun, Jiayin, e Hongyan Wang. "A Cognitive Method for Musicology Based Melody Transcription". International Journal of Computational Intelligence Systems 8, n. 6 (2015): 1165. http://dx.doi.org/10.1080/18756891.2015.1113749.
Wiggins, Geraint A. "Understanding music with AI—Perspectives on cognitive musicology". Artificial Intelligence 79, n. 2 (dicembre 1995): 373–85. http://dx.doi.org/10.1016/0004-3702(95)90014-4.
Moelants, Dirk, e Mark Leman. "Music and Schema Theory: Cognitive Foundations of Systematic Musicology". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 51 (1997): 217. http://dx.doi.org/10.2307/3687199.
Shchelkanova, Svitlana. "Poetics of the symphony genre in the discourse of cognitive musicology (a case study of V. Silvestrov’s works)". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 65, n. 65 (9 dicembre 2022): 50–64. http://dx.doi.org/10.34064/khnum1-65.03.
Seifert, Uwe. "Investigating the Musical Mind: Situated Cognition, Artistic Human-Robot Interaction Design, and Cognitive Musicology". Trans-Humanities Journal 4, n. 1 (2011): 149–62. http://dx.doi.org/10.1353/trh.2011.0006.
Jõks, Eerik, e Marju Raju. "The Estonian Language and Its Influence on Music: A Cognitive Sciences Approach". Folklore: Electronic Journal of Folklore 90 (dicembre 2023): 109–36. http://dx.doi.org/10.7592/fejf2023.90.joks_raju.
Курленя, Константин Михайлович. "The Search for Meaning in Music: Scientific Breakthroughs and Deadlocks. Analytical Review of Selected Achievements of Musical Cognitive Science". Научный вестник Московской консерватории, n. 2(45) (23 giugno 2021): 136–63. http://dx.doi.org/10.26176/mosconsv.2021.45.2.007.
Mesnage, Marcel. "Book Review: Music. Gestalt and Computing. Studies in Cognitive and Systematic Musicology". Musicae Scientiae 2, n. 2 (settembre 1998): 203–7. http://dx.doi.org/10.1177/102986499800200207.
Leman, Marc, e Pieter-Jan Maes. "The Role of Embodiment in the Perception of Music". Empirical Musicology Review 9, n. 3-4 (5 gennaio 2015): 236. http://dx.doi.org/10.18061/emr.v9i3-4.4498.
Halle, John. "From Linguistics to Musicology. Notes on Structuralism Musical Generativism, Cognitive Science, and Philosophy". Signata, n. 6 (31 dicembre 2015): 287–311. http://dx.doi.org/10.4000/signata.1109.
Bai, Junjie, Kan Luo, Jun Peng, Jinliang Shi, Ying Wu, Lixiao Feng, Jianqing Li e Yingxu Wang. "Music Emotions Recognition by Machine Learning With Cognitive Classification Methodologies". International Journal of Cognitive Informatics and Natural Intelligence 11, n. 4 (ottobre 2017): 80–92. http://dx.doi.org/10.4018/ijcini.2017100105.
Elschek, Oskcár. "Book Review: The Convergence of Musicology and Music Cognition: Musik & Ästhetik". Musicae Scientiae 2, n. 1 (marzo 1998): 102–5. http://dx.doi.org/10.1177/102986499800200108.
Dowling, W. Jay. "Book Review: The Convergence of Musicology and Music Cognition: Perception and Cognition of Music". Musicae Scientiae 2, n. 1 (marzo 1998): 95–98. http://dx.doi.org/10.1177/102986499800200106.
Asano, Rie, Pia Bornus, Justin T. Craft, Sarah Dolscheid, Sarah E. M. Faber, Viviana Haase, Marvin Heimerich et al. "Spring School on Language, Music, and Cognition". Music & Science 1 (1 gennaio 2018): 205920431879883. http://dx.doi.org/10.1177/2059204318798831.
Schüler, Nico. "From Musical Grammars to Music Cognition in the 1980s and 1990s: Highlights of the History of Computer-Assisted Music Analysis". Musicological Annual 43, n. 2 (1 dicembre 2007): 371–96. http://dx.doi.org/10.4312/mz.43.2.371-396.
Zon, Bennett. "From great man to fittest survivor: Reputation, recapitulation and survival in Victorian concepts of Wagner's genius". Musicae Scientiae 13, n. 2_suppl (settembre 2009): 415–45. http://dx.doi.org/10.1177/1029864909013002181.
Romero, Brenda M. "Musical Semiotics as a Tool for the Social Study of Music. By Óscar Hernández Salgar. Translated by Brenda M. Romero." Ethnomusicology Translations, n. 2 (1 luglio 2016): 1–33. http://dx.doi.org/10.14434/emt.v0i2.22335.
Kaipainen, Mauri, e Otto Laske. "Two Views of the First International Conference on Cognitive Musicology, 26-29 August 1993, Jyvaskyla, Finland". Computer Music Journal 18, n. 2 (1994): 96. http://dx.doi.org/10.2307/3680447.
Norris, Christopher. "In Defence of 'Structural Listening': Some Problems With the New Musicology". Musicological Annual 41, n. 2 (1 dicembre 2005): 19–45. http://dx.doi.org/10.4312/mz.41.2.19-45.
Kielar-Turska, Maria. "Stefan Szuman – człowiek wielowymiarowy". Psychologia Rozwojowa 28, n. 1 (2023): 11–24. http://dx.doi.org/10.4467/20843879pr.23.001.18176.
Sloboda, John A., e Jane Ginsborg. "25 years of ESCOM: Achievements and challenges". Musicae Scientiae 22, n. 2 (19 marzo 2018): 147–60. http://dx.doi.org/10.1177/1029864918764574.
Tissari, Heli. "Miten yksi keho muuttui moneksi". AFinLA-e: Soveltavan kielitieteen tutkimuksia, n. 12 (16 aprile 2020): 268–84. http://dx.doi.org/10.30660/afinla.84566.
Bai, Junjie, Lixiao Feng, Jun Peng, Jinliang Shi, Kan Luo, Zuojin Li, Lu Liao e Yingxu Wang. "Dimensional Music Emotion Recognition by Machine Learning". International Journal of Cognitive Informatics and Natural Intelligence 10, n. 4 (ottobre 2016): 74–89. http://dx.doi.org/10.4018/ijcini.2016100104.
THOMSON, WILLIAM. "From Sounds To Music: The Contextualizations of Pitch". Music Perception 21, n. 3 (2004): 431–56. http://dx.doi.org/10.1525/mp.2004.21.3.431.
Čvirik, Marián. "Are we living in a ‘Yellow Submarine’?" Per Musi 24 (31 ottobre 2023): 1–13. http://dx.doi.org/10.35699/2317-6377.2023.48032.
Bimbot, Frédéric, Emmanuel Deruty, Gabriel Sargent e Emmanuel Vincent. "System & Contrast". Music Perception 33, n. 5 (1 giugno 2016): 631–61. http://dx.doi.org/10.1525/mp.2016.33.5.631.
Aliyeva, Imina G., e Irina B. Gorbunova. "The Intonational System of Azerbaijani Modes: a Study with the Use of Computer Technologies". IKONI / ICONI, n. 1 (2022): 79–91. http://dx.doi.org/10.33779/2658-4824.2022.1.079-091.
Toulson, Rob, e Russ Hepworth-Sawyer. "Connected learning journeys in music production education". Journal of Music, Technology & Education 11, n. 3 (1 dicembre 2018): 269–86. http://dx.doi.org/10.1386/jmte.11.3.269_1.
Wu, Ke, Yanjin Wu e Yisheng Chen. "The Role of Musicals in Music Education for Children with Hearing Impairment". Highlights in Art and Design 4, n. 3 (20 dicembre 2023): 109–16. http://dx.doi.org/10.54097/e5e2gwb6.
Di Stefano, Nicola. "Temporal and spatial accounts of sound perception. An overview of the main historical sources and theoretical problems". Gestalt Theory 45, n. 3 (1 dicembre 2023): 183–97. http://dx.doi.org/10.2478/gth-2023-0020.
Gerrod Parrott, W. "Ur-Emotions and Your Emotions: Reconceptualizing Basic Emotion". Emotion Review 2, n. 1 (21 dicembre 2009): 14–21. http://dx.doi.org/10.1177/1754073909345547.
Csákány, Csilla. "Encouraging Guidelines in Neuromusicological Research Regarding Classical Music’s Usage in Sonic Therapy - When Science Becomes Magic". Studia Universitatis Babeş-Bolyai Musica 67, n. 1 (30 giugno 2022): 21–35. http://dx.doi.org/10.24193/subbmusica.2022.1.02.
Edlund, Bengt. "Book Review: The Convergence of Musicology and Music Cognition: Does Practice Make Perfect? Current Theory and Research on Instrumental Music Practice". Musicae Scientiae 2, n. 1 (marzo 1998): 99–101. http://dx.doi.org/10.1177/102986499800200107.
Mühlhans, Jörg H. "Low frequency and infrasound: A critical review of the myths, misbeliefs and their relevance to music perception research". Musicae Scientiae 21, n. 3 (13 febbraio 2017): 267–86. http://dx.doi.org/10.1177/1029864917690931.
Baroni, Mario. "Music, musicality, “musilanguage”". Musicae Scientiae 12, n. 1_suppl (marzo 2008): 197–218. http://dx.doi.org/10.1177/1029864908012001091.
Plotnikova, O. M. "HEURISTIC POTENTIAL OF THE "ART WORLD" METACONCEPT IN MUSIC COMMUNICATION". Arts education and science 1, n. 2 (2021): 33–41. http://dx.doi.org/10.36871/hon.202102004.
Лянь, И. "Concerning the problem of comparative art criticism methodology in the context of musicology in a multicultural world". Журнал Общества теории музыки, n. 3(43) (26 gennaio 2024): 27–32. http://dx.doi.org/10.26176/otmroo.2023.43.3.003.
Anufrieva, N. I., e N. V. Anchutina. "Stereotypes of Musicians-Performers Using National Instruments: Psychological and Culturological Aspects". Contemporary problems of social work 7, n. 1 (31 marzo 2021): 39–45. http://dx.doi.org/10.17922/2412-5466-2021-7-1-39-45.
Zbikowski, Lawrence. "Ole Kühl's. Musical Semantics: Cognitive Musicology and the Challenge of Musical Meaning Musical Semantics. European Semiotics/Sémiotique Européenne Vol. 7. Bern: Peter Lang, 2007". Musicae Scientiae 13, n. 2 (settembre 2009): 448–62. http://dx.doi.org/10.1177/102986490901300211.
Parncutt, Richard. "Listening to music in the real world? A critical discussion of Marc Leman's (1995)music and schema theory: Cognitive foundations of systematic musicology*". Journal of New Music Research 27, n. 4 (dicembre 1998): 380–408. http://dx.doi.org/10.1080/09298219808570754.
Solomonova, Olga B., Galyna F. Zavgorodnia, Olha V. Muravska, Alla D. Chernoivanenko e Oksana O. Aleksandrova. "Interconnection of linguistics and musical art". Linguistics and Culture Review 5, S4 (9 novembre 2021): 700–713. http://dx.doi.org/10.21744/lingcure.v5ns4.1711.
FRY, KATHERINE. "Variations on the Musical Sublime". Journal of the Royal Musical Association 147, n. 2 (novembre 2022): 645–53. http://dx.doi.org/10.1017/rma.2022.23.
Juliana, Juliana, Risa Anggraini e Ardytha Ardytha. "Analysis of Metaphorical Expressions Used in Johnny Cashs’ Song Lyrics". Edumaspul: Jurnal Pendidikan 7, n. 2 (1 ottobre 2023): 5963–68. http://dx.doi.org/10.33487/edumaspul.v7i2.7493.