Letteratura scientifica selezionata sul tema "Cinéma – Québec (Canada) – 20e siècle"
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Articoli di riviste sul tema "Cinéma – Québec (Canada) – 20e siècle":
Lévesque, Francis. "Le contrôle des chiens dans trois communautés du Nunavik au milieu du 20e siècle". Études/Inuit/Studies 34, n. 2 (16 giugno 2011): 149–66. http://dx.doi.org/10.7202/1004074ar.
Rocher, François. "De la démocratie au Québec 1940–1970. Anthologie des débats autour de l'idée de démocratie de la Seconde Guerre mondiale à la Crise d'octobre". Canadian Journal of Political Science 40, n. 3 (settembre 2007): 795–96. http://dx.doi.org/10.1017/s0008423907070990.
Jacinthe Dion, Jennifer Hains, Amélie Ross e Delphine Collin-Vézina. "Pensionnats autochtones : impact intergénérationnel". Enfance et famille autochtones, n. 25 (4 ottobre 2016). http://dx.doi.org/10.7202/1039497ar.
Tesi sul tema "Cinéma – Québec (Canada) – 20e siècle":
Poirier, Christian. "Cinéma et politique au Québec : la question identitaire dans l'imaginaire filmique et les politiques publiques". Bordeaux 4, 2001. http://www.theses.fr/2001BOR40042.
This thesis examines how and under which forms Quebec's identity was expressed, in the course of the 20th century, both in the filmic imaginary and the government's policies (Quebec and Canada) taking the cinema as a sector of their global public policies. Three parts structure the thesis. A first part "theoretical narratives", lay down the foundations of an hermeneutic of identitynarratives, using particularly the works of Paul Ricoeur. The second part, "fimic narratives", brings to light the presence of five time periods shapered by two identity narratives structuring. .
Scheppler, Gwenn. "« Je suis le premier spectateur » : l’œuvre de Pierre Perrault ou le cinéma comme processus". Electronic Thesis or Diss., Lyon 2, 2009. http://www.theses.fr/2009LYO20017.
This thesis aims to a better understanding of the ways in which Pierre Perrault’s work interacted with Québécois society during the Quiet Revolution and with the ideas on which it was based.Specifically, it will focus on the way in which the filmmaker’s artistic conception might have been influenced by Québécois popular culture and how it has, in turn, reinvested it. I will analyse the relationships between the filmmaker’s work and three distinct contexts: the representations of the Québécois nation and their historicity in the 20th century; the ambivalent relationship between cinema and Québécois society since the birth of this mass media; and the reminiscences of oral tradition in popular culture and cinema.In order to properly understand Perrault’s creative practice an its inscription in the Québécois society, I propose to consider his work from a global perspective, which includes the films and the essays, as well as the film production and distribution, with the idea that all these elements formed in fact a coherent and indivisible whole in the ways in which Perrault thought of his filmmaking. I thus suggest the idea that the “cinéma de la parole” must be considered from a fresh perspective: its core or its meaning are not specifically found in the films themselves, nor in their reception, but in a long “process” of sharing that begins before the film’s recording and that is meant to continue beyond the screening of the finished work: the true aim of Perrault’s cinema is the very process of exchange, of interrelation and co-definition. The concept of “process”, which will be developed throughout this entire study, constitutes a frame for its “contextual” analysis. It also encompasses the way in which the filmmaker conceived his work as cinematographer; my analysis can thus be situated within a hermeneutic tradition.Finally, describing and analysing Perrault’s cinema in terms of process also allows us to consider a different conception of film based on Perrault’s example: a complex historical and socio-cultural phenomenon intimately tied to the evolutions of a given society, and whose meanings depend on the contexts in which it grows and with which it maintains a relationship based on exchange
Scheppler, Gwenn. "« Je suis le premier spectateur » : l’œuvre de Pierre Perrault ou le cinéma comme processus". Thesis, Lyon 2, 2009. http://www.theses.fr/2009LYO20017.
This thesis aims to a better understanding of the ways in which Pierre Perrault’s work interacted with Québécois society during the Quiet Revolution and with the ideas on which it was based.Specifically, it will focus on the way in which the filmmaker’s artistic conception might have been influenced by Québécois popular culture and how it has, in turn, reinvested it. I will analyse the relationships between the filmmaker’s work and three distinct contexts: the representations of the Québécois nation and their historicity in the 20th century; the ambivalent relationship between cinema and Québécois society since the birth of this mass media; and the reminiscences of oral tradition in popular culture and cinema.In order to properly understand Perrault’s creative practice an its inscription in the Québécois society, I propose to consider his work from a global perspective, which includes the films and the essays, as well as the film production and distribution, with the idea that all these elements formed in fact a coherent and indivisible whole in the ways in which Perrault thought of his filmmaking. I thus suggest the idea that the “cinéma de la parole” must be considered from a fresh perspective: its core or its meaning are not specifically found in the films themselves, nor in their reception, but in a long “process” of sharing that begins before the film’s recording and that is meant to continue beyond the screening of the finished work: the true aim of Perrault’s cinema is the very process of exchange, of interrelation and co-definition. The concept of “process”, which will be developed throughout this entire study, constitutes a frame for its “contextual” analysis. It also encompasses the way in which the filmmaker conceived his work as cinematographer; my analysis can thus be situated within a hermeneutic tradition.Finally, describing and analysing Perrault’s cinema in terms of process also allows us to consider a different conception of film based on Perrault’s example: a complex historical and socio-cultural phenomenon intimately tied to the evolutions of a given society, and whose meanings depend on the contexts in which it grows and with which it maintains a relationship based on exchange
Tajuelo, Telesforo. "Censure et société : un siècle d'interdit cinématographique au Québec". Paris 3, 1998. http://www.theses.fr/1998PA030173.
After 100 years of existence, can cinema be a source of information about the 20th century? does it represent a historical "document" which can be used by historians? is the "unseen" part of films a testimony of social mores, values, and attitudes of the times? this paper starts with a compilation of all forbidden films in quebec throughout the 20th century and then focuses more specifically on the modus operandi of film censorship since the creation of the "bureau de censure des vues animees de la province de quebec", in 1913, until 1967 when censorship came to an end. The last chapter delves into the years leading up to 1978. The "general principles" of censorship in 1913 are based on those of the british board of film censors with an added touch of local flavor : they are a blend of anglo-saxon puritanism and quebec's catholic ultramontanism. The 1920's are marked by a relative easing of censorship in quebec and by a quasi diplomatic confrontation between the canadian province and the united states. Moreover, the fire at the laurier-palace (1927) kept teenagers under 16 away from those "dark and unhealthy theaters" for 50 years. The catholic church then started its most daunting crusade of the 20th century : the fight against immoral films. Then, while duplessis was dictating quebec's fate, the "bureau de censure" seemed more interested in dealing with political issues during the 40's and 50's. For quebec, the 60's signaled an unprecedented historical acceleration. The changing social mores, values and attitudes led to a newly found awareness which changed the face of quebec society forever. This upheaval became known as the quiet revolution. Finally, in 1967, bill 52 was enacted thus ending 50 years of repression in film. This thesis shows that the reasons underlying the rejection of a film reflect the social mores, values and attitudes of 20th century quebecers
Duc, Edouard. "La langue française dans les relations entre le Québec et la France (1902-1977) : de la "survivance" à l’unilinguisme français au Québec". Paris 4, 2007. http://www.theses.fr/2007PA040067.
The relations between Quebec and France are naturally and strongly interwoven by the question of language. Omnipresent in Quebec, issues about language are to be found in many themes, in religion, politics, education, publishing, the press, cinema, theatre, songs, radio and television ; they are essential to the nation’s cultural identity. Our subject deals with the French-speaking populations in France and Canada. 80 % of French Canadians are found in the province of Quebec. The linguistic problems are prominent and generally trigger a mutual sensitivity between Quebec and France. Our search begins at the end of nineteenth century and finishes in 1977, and is concerned with speech, thinking and opinions on French language, along with its evolution, transmission and representation at the heart of the relations between Quebec and France and French-speaking communities. The particular and unique history between these regions makes them the driving force behind the promotion and the spreading of French in the French-speaking communities and in the world
Hulbert, François. "Pouvoir local et espace urbain : un exemple d'aménagement, l'agglomération de Québec". Rennes 2, 1988. http://www.theses.fr/1988REN20013.
The political configuration of Quebec metropolitan area, provincial capital (600. 000 inhabitants), merging municipalities, the Quebec urban community and surrounding associated municipalities provide the basis for the identification of problems linked to the overall organisation resulting in the juxtaposition of several schemes within one metropolitan area. The formulation of such a scheme, at first opposed by local councils, was finally imposed by the provincial government. When, after ten years of delaying tactics, the municipalities constituting the Quebec urban community agreed on a scheme it was already too late to ensure the future of the community. More and more, urban development has expanded beyond the scope of this obsolete structure incessantly contested by local councils to the advantage of outskirt suburbs and to the prejudice of both the urban centre of the main city and of the region as a whole. The latter, becoming progressively severed from the capital, loses faith in the repeated promises of economic benefits supposed to be granted by a policy of development focussed on the regional capital. Surveying the performance of the Quebec metropolitan area leads to the conclusion that political power is needed at metropolitan and regional levels in order to fill the present void and lack of any development policy as can be discovered by geographical analysis through a direct active approach and involvement over a long period. The present experiment in urban and regional geopolitics may open new vistas to the discipline in as much as it brings political analysis within the scope of urban study
Chauvette, Jean-François. "Pauvreté au Canada : 1973-1997". Thesis, Université Laval, 2004. http://www.theses.ulaval.ca/2004/22273/22273.pdf.
Malouet, Cyril. "L'évolution du nationalisme québécois de la Révolution tranquille à 1995". Lille 3, 2005. http://www.theses.fr/2005LIL30021.
Cherblanc, Jacques. "Théorisation ancrée du religieusement acceptable au Québec : le service d'animation spirituelle et d'engagement communautaire dans les écoles secondaires francophones de l'île de Montréal". Bordeaux 4, 2005. http://www.theses.fr/2005BOR40015.
Combres, Alain. "La question linguistique et les partis politiques québécois : 1960-1990". Paris 1, 1996. http://www.theses.fr/1996PA010306.
Libri sul tema "Cinéma – Québec (Canada) – 20e siècle":
Micheline, Chevrier, Playwrights' Workshop Montreal, Boisvert Nathalie 1965- e Centre des auteurs dramatiques, a cura di. Dialogues : pratiques d'écriture contemporaines du Québec et du Canada: Langue et traduction théâtrale = Contemporary writing practices from Quebec and Canada : language and theatre translation. Montréal: Centre des auteurs dramatiques, 2002.
Robert, Bernier. Un siècle de propagande ?: Information, communication et marketing gouvernemental. Sainte-Foy, Qué: Presses de l'Université du Québec, 2001.
Warren, Jean-Philippe, Paul-André Comeau e Ivan Carel. Contester!: Les formes d'une prise de parole au Québec au XXe siècle. Montréal (Québec): AQHP, 2013.
Association nationale des éditeurs de livres. Brève histoire du livre au Québec. Montréal: Association nationale des éditeurs de livres, 1998.
Bernier, Robert. Un siècle de propagande?: Information, communication, marketing gouvernemental. Sainte-Foy, Québec, Canada: Presses de l'Université du Québec, 2001.
Bayard, Caroline. The new poetics in Canada and Quebec: From concretism to post-modernism. Toronto: University of Toronto Press, 1989.