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Bibliografie tematiche / Chron.: 1740

Letteratura scientifica selezionata sul tema "Chron.: 1740"

Autore: Grafiati

Pubblicato: 25 luglio 2024

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Articoli di riviste sul tema "Chron.: 1740"

1

Duchesne, S., R. Bravina, V. Popov, S. Kolodeznikov, P. Gérard, V. Myglan, Ch Hochstrasser-Petit et al. "Frozen graves of Yakutia, a chronological sequence". VESTNIK ARHEOLOGII, ANTROPOLOGII I ETNOGRAFII, n. 4 (51) (27 novembre 2020): 120–30. http://dx.doi.org/10.20874/2071-0437-2020-51-4-11.

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Abstract (sommario):

Distribution, cultural and chronological attribution of frozen graves of Yakutia between the beginning of 17th and end of 19th century. The funerary rites and the artefacts allow to differentiate four chrono-cultural periods (before 1700 AD, from 1700 to 1750 AD, from 1750 to 1800 AD and after 1800 AD) which could be associated with historical events: opening of the trading post of Nertchinsk, expansion of the Kangalasky clan, economic collapse, generalization of Christianization.

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2

Reuter, Christoph. "Commentary on "An Exploratory Study of Western Orchestration: Patterns through History" by S.H. Chon, D. Huron, & D. DeVlieger". Empirical Musicology Review 12, n. 3-4 (25 giugno 2018): 160. http://dx.doi.org/10.18061/emr.v12i3-4.5992.

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This commentary discusses the exploratory study by Chon, Huron and DeVlieger about the usage and combinations of musical instruments in orchestral works between 1700 and 2000 under the perspective of the evolution of the musical instruments in that time, their acoustical and social aspects as well as recommendations in orchestration treatises of the last 300 years.

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3

Altun, Yasemin. ""Michelangelo's Seal" in Translation: Élisabeth-Sophie Chéron and the Polemics of Print". Studies in Eighteenth-Century Culture 53, n. 1 (2024): 119–66. http://dx.doi.org/10.1353/sec.2024.a918563.

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Abstract: In 1709, the French painter Élisabeth-Sophie Chéron (1648–1711) designed a print after an engraved carnelian held in Louis XIV's collection and known as "Michelangelo's Seal" for its supposed previous owner. Soon after its 1710 release in Paris, this print prompted a quarrel between Chéron and antiquarian scholars who condemned her unfaithful reproduction of the prized gem, a judgment later reiterated by the connoisseur Pierre-Jean Mariette in his Traité des pierres gravées (1750). While previous studies of "Michelangelo's Seal" have discussed the negative reception encountered by Chéron's print, this essay examines how she formulated the image in the first place. Following recent interest in the role of prints in shaping early modern forms of intermediality, the essay treats the 1709 print as a résumé of Chéron's prior achievements in painting and poetry. I adopt a Benjaminian hermeneutic of translation to analyze the artist's visual strategies and engagement with two of the meanings ascribed to engraved gems in her time: their monumentality as cultural remnants of antiquity and their use as seal-stones. I argue that Chéron tailored her translation of "Michelangelo's Seal" according to her skills and status as an active member of the Royal Academy of Painting and Sculpture since 1672. Moreover, in the process, she subverted not only the intended status of female members of that institution, but also broader, gendered norms of artistic creativity.

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4

Mejías Trueba, Marta, Maria Dolores Nieto Martín e Aitana Rodríguez Pérez. "LESS CHRON: a tool for deprescribing in patients with multimorbidity". Journal of Pharmacy Practice and Research 51, n. 2 (aprile 2021): 184. http://dx.doi.org/10.1002/jppr.1720.

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5

Dunham, Kyle C. "A Time to Throw Away Stones: Qohelet’s Enigmatic Reference to Stones as a Hinge for the Themes of War and Peace in the Time Poem". Journal for the Study of the Old Testament 45, n. 3 (22 febbraio 2021): 320–35. http://dx.doi.org/10.1177/0309089220950351.

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Abstract (sommario):

The time poem in Eccl 3.1–8 reflects a marked structure and progression of themes. These connections suggest that the initial lines of vv. 2, 5, and 8 open their respective stanzas by focusing on a similar theme: war and peace. This thread clarifies the meaning of Qohelet’s enigmatic throwing and gathering stones, activities for which no fewer than nine interpretations have been suggested. While interpreters have favored a reference to sexual intercourse, this view is unlikely. I contend that a preferable solution modifies an earlier interpretation relating the throwing and gathering of stones to acts of wartime and peacetime. The throwing away of stones relates to the demobilization of the military, while the gathering of stones relates to the mobilization for war (1 Sam 17.40; 2 Chron 26.14–15). This interpretation offers a more consistent approach to the themes of war and peace developed in the poem’s stanzas.

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6

Liu, Jun, Yuguo Du, Yang Liu, Ziyang Zhao, Chao Hu e Chuanfang Zhao. "Chiron Approach for the Total Synthesis of Brevipolide M". Synlett 33, n. 05 (4 gennaio 2022): 478–82. http://dx.doi.org/10.1055/a-1730-9857.

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AbstractAn efficient stereoselective synthesis of brevipolide M was established in 13 linear steps and 17.8% overall yields based on chiron approach. The key steps of our synthesis involved tandem Wittig olefination–tetrahydrofuran cyclization and sequential ring-closing metathesis (RCM)–double-bond migration in one-pot processes.

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7

CORNÉLISSEN, G., e F. HALBERG. "Toward a 'Chron-Sensus' on Neuroimmunomodulation, with 'Modulation' Operationally and Inferentially Defined". Annals of the New York Academy of Sciences 650, n. 1 Ontogenetic a (aprile 1992): 60–67. http://dx.doi.org/10.1111/j.1749-6632.1992.tb49096.x.

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8

Zsigmond, Zsuzsa, e Áron Süli. "How 'New Horizons' will see the Pluto-Charon system". Journal of Physics: Conference Series 218 (1 marzo 2010): 012020. http://dx.doi.org/10.1088/1742-6596/218/1/012020.

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9

Pálfy, J., P. L. Smith e J. K. Mortensen. "A U-Pb and 40Ar/39Ar time scale for the Jurassic". Canadian Journal of Earth Sciences 37, n. 6 (1 giugno 2000): 923–44. http://dx.doi.org/10.1139/e00-002.

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Abstract (sommario):

Published time scales provide discrepant age estimates for Jurassic stage boundaries and carry large uncertainties. The U-Pb or 40Ar/39Ar dating of volcaniclastic rocks with precisely known stratigraphic age is the preferred method to improve the calibration. A radiometric age database consisting of fifty U-Pb and 40Ar/39Ar ages was compiled to construct a revised Jurassic time scale. Accepted ages have a precision of ±5 Ma (2σ) or better and are confined to no more than two adjacent stages. The majority of these calibration points result from integrated bio- and geochronologic dating in the western North American Cordillera and have not been previously used in time scales. Direct dates are available only for the Triassic-Jurassic boundary and the initial boundary of the Crassicosta chron and the Callovian stage. The chronogram method was used to estimate all Early and early Middle Jurassic zone boundaries (attempted here for the first time), late Middle Jurassic substage boundaries, and Late Jurassic stage boundaries. Significant improvement is achieved for the Pliensbachian and Toarcian, where six consecutive zone boundaries are determined. The derived zonal durations are disparate, varying between 0.4 and 1.6 Ma. The latest Jurassic isotopic database remains too sparse, therefore chronogram estimates are improved using interpolation based on magnetochronology. The initial boundaries of Jurassic stages are proposed as follows: Berriasian (Jurassic-Cretaceous): 141.8+2.5&#150 1.8 Ma; Tithonian: 150.5+3.4&#150 2.8 Ma; Kimmeridgian: 154.7+3.8&#150 3.3 Ma; Oxfordian: 156.5+3.1&#150 5.1 Ma; Callovian: 160.4+1.1&#150 0.5 Ma; Bathonian: 166.0+3.8&#150 5.6 Ma; Bajocian: 174.0+1.2&#150 7.9 Ma; Aalenian: 178.0+1.0&#150 1.5 Ma; Toarcian: 183.6+1.7&#150 1.1 Ma; Pliensbachian: 191.5+1.9&#150 4.7 Ma; Sinemurian: 196.5+1.7&#150 5.7 Ma; Hettangian (Triassic-Jurassic): 199.6 ± 0.4 Ma.

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10

Dolmatov, A. V., P. Yu Gulyaev e I. V. Milyukova. "Chrono-topographic analysis of the fire focus dynamics in the SHS wave". Journal of Physics: Conference Series 1115 (novembre 2018): 042024. http://dx.doi.org/10.1088/1742-6596/1115/4/042024.

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Più fonti

Libri sul tema "Chron.: 1740"

1

Lazos, Chrēstos D. Paizontas sto chrono: Archaioellēnika kai Vyzantina paichnidia, 1700 p.Ch.-1500 m. Ch. Athēna: Aiolos, 2002.

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Capitoli di libri sul tema "Chron.: 1740"

1

Fleeman, J. D. "Publications initiated 1770–9". In A Bibliography of the Works of Samuel Johnson, 7–177. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198122708.003.0002.

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Abstract (sommario):

Abstract Notes: Attributed by Thomas Percy (0: Percy 87), who annotated SJ’s MS of this ‘Character’ (Handlist 111, from J. Waller, Catalogue 82 (1870), 174, £2. 12s. 6d.), which is still untraced. Notes: SJ composed the pamphlet 10-11 January 1770. Strahan printed 500 copies within a week (L: Add. MS 48803, fo. 35), and it was published on 16 January at ls. (Land. Chron.). As is common with such small pamphlets the ½t is often missing.

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