Articoli di riviste: "Chinese Hong Kong Biography"

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Yung, Danny, e Maciej Szatkowski. "Cultural Institution and Institutional Culture from the Transcultural Perspective: What Is the Culture behind the Stage, and What Is the Culture inside a Cage?" Pamiętnik Teatralny 72, n. 3 (1 settembre 2023): 73–86. http://dx.doi.org/10.36744/pt.1476.

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This article presents the profile of the East Asian theatre artist Danny Yung, director of the acclaimed Zuni Icosachedron theatre in Hong Kong. In the first part, Maciej Szatkowski offers a synthesis of his artistic biography, from his early years as a theatre maker in Hong Kong in the 1980s to the creation of a transnational Chinese theatre, which provides a space for artistic encounters of established and emerging artists from the Sinosphere and beyond. The article focuses on highlighting the main areas of Yung’s work and contextualizing them in terms of the realities of Chinese cultural life. The author describes the central distinguishing features of Yung’s activity and its consecutive stages over the years, as well as the impact of his work on theatres in China and Taiwan. The appendix provides a transcript of Yung’s talk at the conference Contemporary Acting Techniques in Eurasian Theatre, Performance and Audiovisual Art: Intercultural and Intermedia Perspective (2021). The guiding idea of the lecture is the role of institutions in shaping theatre policy and connecting artists and ideas. Yung draws on examples from his own experience, describing the process of creating his most recent productions. He emphasizes the importance of collaboration and dialogue between artists, as well as the role of theatre institutions as major actors influencing the development of theatre art in contemporary Eurasia.

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Xin, Meiqi, Neil S. Coulson, Crystal Li Jiang, Elizabeth Sillence, Andrew Chidgey, Norman Nok Man Kwan, Winnie W. S. Mak, William Goggins, Joseph Tak Fai Lau e Phoenix Kit Han Mo. "Web-Based Behavioral Intervention Utilizing Narrative Persuasion for HIV Prevention Among Chinese Men Who Have Sex With Men (HeHe Talks Project): Intervention Development". Journal of Medical Internet Research 23, n. 9 (16 settembre 2021): e22312. http://dx.doi.org/10.2196/22312.

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Background In the era of potent antiretroviral therapy, a high level of condomless anal intercourse continues to drive increases in HIV incidence in recent years among men who have sex with men. Effective behavior change strategies for promoting HIV-preventive behaviors are warranted. Narrative persuasion is a novel health communication approach that has demonstrated its persuasive advantages in overcoming resistance to counterattitudinal messages. The efficacy of narrative persuasion in promoting health behavior changes has been well documented, but critical research gaps exist for its application to HIV prevention. Objective In this study, we aimed to (1) capitalize on narrative persuasion to design a web-based multisession intervention for reducing condomless anal intercourse among men who have sex with men in Hong Kong (the HeHe Talks Project) by following a systematic development process; and (2) describe the main components of the narrative intervention that potentially determine its persuasiveness. Methods Persuasive themes and subtopics related to reducing condomless anal intercourse were initially proposed based on epidemiological evidence. The biographic narrative interview method was used to elicit firsthand experiential stories from a maximum variation sample of local men who have sex with men with diverse backgrounds and experiences related to HIV prevention; different types of role models were established accordingly. Framework analysis was used to aggregate the original quotations from narrators into collective narratives under 6 intervention themes. A dedicated website was finally developed for intervention delivery. Results A series of video-based intervention messages in biographic narrative format (firsthand experiential stories shared by men who have sex with men) combined with topic-equivalent argumentative messages were produced and programmed into 6 intervention sessions. The 6-week intervention program can be automatically delivered and monitored online. Conclusions We systematically created a web-based HIV prevention intervention derived from peer-generated stories. Strategies used to enhance the efficacy of the narrative intervention have been discussed within basic communication components. This paper describes the methods and experiences of the rigorous development of a narrative communication intervention for HIV prevention, which enables replication of the intervention in the future.

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Shi, Dingxu. "Hong Kong written Chinese". Journal of Asian Pacific Communication 16, n. 2 (12 ottobre 2006): 299–318. http://dx.doi.org/10.1075/japc.16.2.09shi.

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Hong Kong written Chinese is the register used in government documents, serious literature and the formal sections of printed media. It is a local variation of Standard Chinese and has many special features in its lexicon, syntax and discourse. These features come from three distinctive sources: English, Cantonese and innovation. The main concern of this paper is which features come from English and how they are adopted. It is shown that Hong Kong written Chinese has a large number of English loan words, both localized and semi-localized ones, and quite a few calque forms from English. Some of its lexical items have undergone semantic shift under the influence of English or Cantonese. The most interesting characteristic of Hong Kong written Chinese is that a number of its words have changed their syntactic behavior due to English influence and a few syntactic structures are apparently adopted from English. This particular form of written Chinese thus provides an excellent case to study the impact of bilingualism and multilingualism on language use and language change induced by language contact.

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Zee, Eric. "Chinese (Hong Kong Cantonese)". Journal of the International Phonetic Association 21, n. 1 (giugno 1991): 46–48. http://dx.doi.org/10.1017/s0025100300006058.

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The style of speech illustrated is that typical of the educated younger generation in Hong Kong. The recording is that of a 22-year-old female university student who has lived all her life in Hong Kong.

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Cheung, Siu Keung. "From transnational to Chinese national?" Social Transformations in Chinese Societies 13, n. 2 (5 settembre 2017): 106–17. http://dx.doi.org/10.1108/stics-04-2017-0009.

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Purpose This paper aims to challenge the longstanding cosmopolitan interpretation of Hong Kong, particularly why this global city fails to absorb China equally through its great inclusiveness and flexibility as before. On the contrary, rising tensions, conflicts and resistance could be founded between Hong Kong and China these days. Design/methodology/approach By using Hong Kong cinema as an analytical lens, this paper seeks to throw light on the cinematic landscape of post-1997 Hong Kong and, by implications, the overall destiny of postcolonial Hong Kong under Chinese rule. Findings The postcolonial Hong Kong, although lacking a symmetric status and equal weight, remains an active player with Chinese hegemony that appeals to the newfound market power to consolidate their systemic control on the city. By acting upon itself with the subjectivity and reflexivity from itself, postcolonial Hong Kong takes many actions to do justice that criticizes the political and ideological correctness and challenges the contemporary national authority from one-party rule. Originality/value This paper demonstrates a new in-betweenness in the relation to the making of postcolonial Hong Kong. This paper advances insights into a postcolonial reinvention of the politics of disappearance that remains underexplored.

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Lok, Peter. "Lost in Hong Kong". Social Transformations in Chinese Societies 13, n. 2 (5 settembre 2017): 149–58. http://dx.doi.org/10.1108/stics-04-2017-0011.

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Purpose The purpose of this paper is to explore how a neo-liberal nationalist discourse of China imagines the spatial identity of the post-1997 Hong Kong with reference to Lost in Hong Kong, a new Chinese middle-class film in 2015 with successful box office sales. Design/methodology/approach Textual analysis with the aid of psychoanalysis, postcolonial studies and semiotics is used to interpret the meaning of the film in this study. The study also utilizes the previous literature reviews about the formation of the Chinese national identity to help analyze the distinct identity of the Chinese middle class today. Findings The discussion pinpoints how the new Chinese middle class as neo-liberal nationalists take Hong Kong as a “bizarre national redemptive space”. While Hong Kong is cinematically constructed as such a national other, this paper argues that the Hong Kong in question stands not for itself but in a form of “reverse hallucination” for pacifying the new Chinese middle class’ trauma under the rapid neo-liberalization of China in the 1990s. Originality/value This paper shows the new of formation of the Chinese nationalist’s discourse, especially the new Chinese middle-class discourse on Hong Kong after 1997.

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Mok, C. C., e C. S. Lau. "Lupus in Hong Kong Chinese". Lupus 12, n. 9 (1 settembre 2003): 717–22. http://dx.doi.org/10.1191/0961203303lu451xx.

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MacDonald-Jankowski, David S., e Pui Chee Wu. "Cementoblastoma in Hong Kong Chinese". Oral Surgery, Oral Medicine, Oral Pathology 73, n. 6 (giugno 1992): 760–64. http://dx.doi.org/10.1016/0030-4220(92)90024-k.

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Tong, Christopher. "Hong Kong Poets and the Making of a Cosmopolitan Literary Genre". Writing Chinese: A Journal of Contemporary Sinophone Literature 2, n. 1 (20 dicembre 2023): 66–87. http://dx.doi.org/10.22599/wcj.44.

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Hong Kong has always existed on the margins of history. Interestingly, Hong Kong’s liminal status also made it a cosmopolitan space for transcultural exchanges between Chinese and Western worlds throughout the nineteenth and twentieth centuries. Despite its unique position vis-à-vis China and the West, however, Hong Kong has long been dismissed as lacking cultural gravitas. As such, Hong Kong culture finds itself self-consciously confronting a perennial crisis: as the People’s Republic of China gains increasing recognition in the canons of world literature, Hong Kong’s cosmopolitan culture is indirectly side-lined in the process. Meanwhile, Hong Kong literature is routinely underrepresented in the canons of modern Chinese literature. Anthologies of modern Chinese poetry and poetry research, for instance, scarcely include Hong Kong poets, if at all. Given this context, this essay seeks to rearticulate the place of Hong Kong in modern Chinese literary history. More specifically, it traces the emergence of Hong Kong poetry as a cosmopolitan literary genre in the latter half of the twentieth century. The goals are threefold: to historicise the confluence of Chinese and Western literary traditions in the city of Hong Kong; to locate specific intersections of identity, language, and politics in the production of Hong Kong poetry; and to introduce biographical and bibliographical data on notable Hong Kong poets.

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CARROLL, JOHN M. "Colonial Hong Kong as a Cultural-Historical Place". Modern Asian Studies 40, n. 2 (18 aprile 2006): 517–43. http://dx.doi.org/10.1017/s0026749x06001958.

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In July 1997, when Hong Kong reverted to Chinese sovereignty, this former British colony became a new kind of place: a Special Administrative Region (SAR) of the People's Republic of China (PRC). In the several years leading up to the 1997 transition, a sudden outpouring of Mainland Chinese scholarship stressed how Hong Kong had been an inalienable part of China since ancient times. Until then, however, Hong Kong had rarely figured in Mainland Chinese scholarship. Indeed, Hong Kong suffered from what Michael Yahuda has called a “peculiar neglect”: administered by the British but claimed by China, it was “a kind of bureaucratic no-man's land.” Only one university in all of China had a research institute dedicated primarily to studying Hong Kong. As part of this new “Hong Kong studies” (Xianggangxue), in 1997 China's national television studio produced two multi-episodic documentaries on Hong Kong: “One Hundred Years of Hong Kong” (Xianggang bainian) and “Hong Kong Vicissitudes” (Xianggang cangsang). The studio also produced two shorter documentaries, “One Hundred Points about Hong Kong” (Xianggang baiti) and “The Story of Hong Kong” (Xianggang de gushi). The “Fragrant Harbor” that PRC historians had generally dismissed as an embarrassing anachronism in a predominantly postcolonial world suddenly found its way into millions of Mainland Chinese homes.

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Chan, Siu Han. "Chinese Nationality and Coloniality of Hong Kong Student Movement, 1960–1970s". Asian Journal of Social Science 46, n. 3 (14 giugno 2018): 330–58. http://dx.doi.org/10.1163/15685314-04603006.

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Abstract The present study investigates the episode of Hong Kong student movement in the 1960s to 1970s inspired by the charismatic idea of the Chinese Nation. Unlike most other cases of nationalist politics in colonial societies, Chinese identity politics in Hong Kong not only failed to challenge fundamentally the legitimacy of the British colonial state. It also did not proselytise Hong Kong people towards Chinese national identification and preoccupy Hong Kong society with the Chinese Question thereafter. Propitious colonial modernisation experience acting upon a diasporic population, which found it hard to establish meaningful rapport with the Chinese Nation, had attributed to the eccentric trajectory of Chinese Nationalism in Hong Kong. Local societal and cultural formations were then the eclectic solution to the ideational paradox of colonial modernity and Chinese Nationality in Hong Kong, which, however, remains problematic on its own, and connects closely with the lingering coloniality observed in this post-colonial society.

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Lee, Sing, Helen F. K. Chiu e Char-Nie Chen. "Anorexia Nervosa in Hong Kong". British Journal of Psychiatry 154, n. 5 (maggio 1989): 683–88. http://dx.doi.org/10.1192/bjp.154.5.683.

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Anorexia nervosa is a geographically distinct psychiatric disorder; it is rapidly increasing in incidence in Western countries, while being virtually unreported in China, or in the Chinese community of Hong Kong. This is surprising when the Chinese preoccupation with food and their reported readiness to somatise dysphoria are considered. Three Chinese anorectics born and living in Hong Kong and exhibiting mostly typical clinical features are reported. The rarity of the disorder in the East could be related to protective biological and sociocultural factors specific to the Chinese, and while it may become more common, anorexia nervosa is unlikely to reach Western proportions.

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Tang, Winnie. "(Re) imaginings of Hong Kong: Voices from the Hong Kong Diaspora and Their Children". Journal of Chinese Overseas 10, n. 1 (14 aprile 2014): 91–108. http://dx.doi.org/10.1163/17932548-12341275.

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AbstractThis paper explores the (re)imaginings of the past by Chinese Americans and their families who came as part of the Hong Kong Chinese diaspora before 1997. Hong Kong is a locale often described as being conflicted with “the politics of disappearance”, but the Hong Kong Chinese diaspora provides a rich perspective into complex and nuanced tensions between central and peripheral linguistic and cultural imperialistic fields across time. Drawing upon the sociological work of transnational migration and belonging in Hong Kong, this research explores the discourses of Hong Kong émigrés and their young adult and adult children as they discuss their immigration stories, imaginings, and reimaginings of a colonial and post-colonial Hong Kong. The paper focuses on intergenerational conveyance of imagined identities across contexts and languages.

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Wang, Qiyu. "The Research on the Hong Kong's Ideological Identity in Days of Being Wild". BCP Education & Psychology 8 (27 febbraio 2023): 289–94. http://dx.doi.org/10.54691/bcpep.v8i.4342.

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At a time when Hong Kong's ideological identity is diverging from that of mainland China, Days of Being Wild, as a film that profoundly insinuates the problem of Hong Kong's identity, lurks as a root cause and a solution to the problem of resolving the conflict between Hong Kong and mainland China. At present, the ideological research on the film is mainly focused on post-colonial studies, and the value of the film for Hong Kong identity studies is not well understood. This article uses the ideological analysis of the film in John Ford's Young Mr. Lincoln of Cahiers du Cinéma to analyze the background characters and the ideology of the film, identifying two different attitudes to identity in Hong Kong during the same period: the "Hong Kong Chinese" who accepted the handover and the "Hong Kong Chinese" who accepted the handover. The film's ideological analysis reveals two different attitudes towards identity in Hong Kong during the same period: the "Hong Kong Chinese" who accepted the handover and the immigrants who completely abandoned their "Chinese" identity. On this basis, the article proposes film-making suggestions to bridge the rift between mainland China and Hong Kong: rooting in a common cultural context and reducing the export of ideological prejudice.

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Kin, Au Chi. "The Academic Role of Hong Kong in the Development of Chinese Culture, 1950s–70s". China Report 54, n. 1 (28 dicembre 2017): 66–80. http://dx.doi.org/10.1177/0009445517744408.

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For many people, ‘Hong Kong is a cultural desert’. However, we find that Hong Kong plays an important academic role and acts as a cultural bridge between China and Western countries, especially when China experiences unstable political, economic, social and cultural situations. The People’s Republic of China was established in 1949. During this time, numerous scholars fled China and selected Hong Kong as a ‘shelter’. Some decided to stay for good, whereas others viewed the territory as a stepping stone. Regardless of their reasons, their academic performance has significantly influenced Hong Kong. Two of the most famous scholars in this period were Luo Xianglin (羅香林 Lo Shan Lin) and Qian Mu (錢穆). Luo taught at the Department of Chinese of the University of Hong Kong. Qian was a faculty member at the New Asia College, which was one of the founding members of the Chinese University of Hong Kong. This study will examine the following issues: (i) why these two scholars selected Hong Kong, (ii) what role they played in the development of tertiary education with regard to Chinese studies in Hong Kong, (iii) how they developed the role of Hong Kong as a haven for the protection of Chinese culture and (iv) how Qian Mu developed New Asia College as a vehicle for spreading the ‘New’ Asian culture in the 1960s.

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LEUNG, Mee Lee. "Sports Participation For Hong Kong Women And Hong Kong Initiatives". Asian Journal of Physical Education & Recreation 1, n. 2 (1 dicembre 1995): 28–30. http://dx.doi.org/10.24112/ajper.11162.

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LANGUAGE NOTE | Document text in English; abstract also in Chinese.Historically, sports was globally understood within the context of a masculine value system both in the Eastern and Western Societies. The 'Ying' and the 'Yang' stand for female and male in the Chinese culture implied that the female are more fragile and submissive where as the male being more aggressive and stronger. With 90% of the population in Hong Kong being Chinese, the cultural belief in a Chinese society that "Women's place should be in the home" has confined women to attend household chores and child bearing activities. In early 20th century, with the changing role of women in China and especially in Hong Kong, women are more active that they were a decade ago. Women are equal nowadays in a wide range of activities because they are better educated, play a more committed role and live a more active life. Thus, their participation in sports has increased in the past decade both in recreation and in competition. This paper attempts to report on Hong Kong women's participation in major games and also to recommend strategies which can further enhance women's place in sports.歷史上，無論東西方社會，運動廣泛地被視為屬於雄性的項目。正如中國以陰陽來代表女男一樣，女性被認為較順從和脆弱的，而男性則較強壯和具攻擊性。在九成人口都是中國人的香港社會中，「女性應該留在家裡」的觀念曾規限著女性須要處理家務和照顧孩子的責任。踏入20世紀，女性對社會事務的參與也開始積極起來。時至今日，香港的女性在多方面都能跟男性般獲得平等對待。她們不單止得到較佳的敎育機會，在社會的角色也越來越重要。因此，無論在運動比賽及健體活動上，女性的參與比十年前的大為提高。究竟香港女性過去在主要運動競賽上的參與情況和未來女性在運動發展上方針應該如何?這都是本文探討的綱領。

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Pang, Ka Wei. "The making of Chinese medicine in Hong Kong". Social Transformations in Chinese Societies 14, n. 1 (8 maggio 2018): 17–28. http://dx.doi.org/10.1108/stics-01-2018-0003.

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Purpose This paper aims to examine the development of Chinese medicine in Hong Kong and argues that Chinese medicine is not a mere healing practice but a discursive practice against its unique institutional context. Design/methodology/approach Reviewing the medical history in the colonial and post-colonial era, this paper delineates the dynamics between Chinese medicine and Western medicine, and the discursive shaping of Chinese medicine in Hong Kong. Findings While Chinese medicine in post-colonial Hong Kong is modernizing itself from a traditional medicine to the scientific Traditional Chinese medicine (TCM), it partakes in the decolonization and nationalization project and is geared towards the standardized TCM. Originality/value This paper proposed a critical cultural perspective in studying the discursive formation of Chinese medicine in Hong Kong.

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Tam, Yuk Him. "Colonoscopy in Hong Kong Chinese children". World Journal of Gastroenterology 16, n. 9 (2010): 1119. http://dx.doi.org/10.3748/wjg.v16.i9.1119.

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Cheung, Sin-wan, Pauline Cho e William Douthwaite. "Corneal shape of Hong Kong-Chinese". Ophthalmic and Physiological Optics 20, n. 2 (marzo 2000): 119–25. http://dx.doi.org/10.1046/j.1475-1313.2000.00488.x.

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Whittall, David. "Chinese Neo authoritarianism and Hong Kong". Journal of East and West Studies 20, n. 2 (ottobre 1991): 23–34. http://dx.doi.org/10.1080/12265089108449700.

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Chen, Gang. "Mainland Chinese Enterprises in Hong Kong". Asian Survey 58, n. 3 (maggio 2018): 464–85. http://dx.doi.org/10.1525/as.2018.58.3.464.

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This paper examines the under-researched subject of the political and economic functions of Mainland Chinese enterprises in Hong Kong. The lack of effective cross-border supervision of these offshore state assets has exacerbated the longstanding principal–agent problem, resulting in spillover effects such as high property prices and worsening corporate corruption.

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Huang, C. Y., F. L. Chan, Y. L. Yu, E. Woo e D. Chin. "Cerebrovascular disease in Hong Kong Chinese." Stroke 21, n. 2 (febbraio 1990): 230–35. http://dx.doi.org/10.1161/01.str.21.2.230.

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Yu, Y. L., B. R. Hawkins, M. S. M. Ip, V. Wong e E. Woo. "Myasthenia gravis in Hong Kong Chinese". Acta Neurologica Scandinavica 86, n. 2 (agosto 1992): 113–19. http://dx.doi.org/10.1111/j.1600-0404.1992.tb05050.x.

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Cheung, S. "Corneal shape of Hong Kong-Chinese". Ophthalmic and Physiological Optics 20, n. 2 (15 marzo 2000): 119–25. http://dx.doi.org/10.1016/s0275-5408(99)00045-9.

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Chan, Alan H. S., e Alan J. Courtney. "Color associations for Hong Kong Chinese". International Journal of Industrial Ergonomics 28, n. 3-4 (settembre 2001): 165–70. http://dx.doi.org/10.1016/s0169-8141(01)00029-4.

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Furnham, Adrian, e Michael Bond. "Hong Kong Chinese explanations for wealth". Journal of Economic Psychology 7, n. 4 (dicembre 1986): 447–60. http://dx.doi.org/10.1016/0167-4870(86)90033-4.

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Ho, W. S., e S. Y. Ying. "Suicidal burns in Hong Kong Chinese". Burns 27, n. 2 (marzo 2001): 125–27. http://dx.doi.org/10.1016/s0305-4179(00)00093-0.

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Chuang, Richard. "The Chinese Military and Hong Kong". Asian Affairs: An American Review 22, n. 4 (gennaio 1996): 211–23. http://dx.doi.org/10.1080/00927678.1996.9933711.

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Wong, Kam C. "Chinese Jurisprudence and Hong Kong Law". China Report 45, n. 3 (agosto 2009): 213–39. http://dx.doi.org/10.1177/000944551004500302.

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Chou, Kee-Lee. "Hong Kong Chinese Everyday Competence Scale". Clinical Gerontologist 26, n. 1-2 (17 marzo 2003): 43–51. http://dx.doi.org/10.1300/j018v26n01_05.

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Lam, Cindy L. K., Martine G. Catarivas, Clarke Munro e Ian J. Lauder. "Self-medication among Hong Kong Chinese". Social Science & Medicine 39, n. 12 (dicembre 1994): 1641–47. http://dx.doi.org/10.1016/0277-9536(94)90078-7.

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Salili, Farideh, e Rumjahn Hoosain. "Hyperactivity among Hong Kong Chinese children". International Journal of Intercultural Relations 9, n. 2 (gennaio 1985): 177–85. http://dx.doi.org/10.1016/0147-1767(85)90006-9.

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Liang, Raymond, Peter Choi, David Todd, T. K. Chan, Damon Choy e Faith Ho. "Hodgkin's disease in Hong Kong Chinese". Hematological Oncology 7, n. 6 (novembre 1989): 395–403. http://dx.doi.org/10.1002/hon.2900070602.

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Selmer, Jan, Eric S. H. Ling, Lewis S. C. Shiu e Corinna T. de Leon. "Reciprocal adjustment? mainland Chinese managers in Hong Kong vs. Hong Kong Chinese managers on the mainland". Cross Cultural Management: An International Journal 10, n. 3 (settembre 2003): 58–79. http://dx.doi.org/10.1108/13527600310797649.

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Ho, Wai-chung. "The political meaning of Hong Kong popular music: a review of sociopolitical relations between Hong Kong and the People's Republic of China since the 1980s". Popular Music 19, n. 3 (ottobre 2000): 341–53. http://dx.doi.org/10.1017/s0261143000000209.

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IntroductionThe aim of this paper is to analyse shifting themes in the meanings of Hong Kong popular songs relating to ideological and political changes in Hong Kong since the 1989 Tiananmen Square incident (TSI). In particular, the paper examines the relationship between Hong Kong and the People's Republic of China (PRC) concerning the transmission of Hong Kong popular music, and argues that Chinese, Hong Kong and Taiwanese popular musics articulate fluctuating political meanings. Attention will be focused predominantly on the lyrics, but some aspects of the music are also invoked. After highlighting the political and cultural relations between Hong Kong and the PRC, I discuss the social transformations and the struggles for democracy delineated in Chinese popular music during the 1989 TSI. This is followed by an examination of the intensification of the conflict between the PRC and Hong Kong over the dissemination of popular songs carrying democratic messages in Hong Kong. Finally, the paper considers the rise of patriotism and/or nationalism through lyrics rooted in the notion of educating Hong Kong Chinese people into accepting the cultural and political identity of mainland China, and the promotion of popular songs in the official language of the PRC, Putonghua, since the late transitional period.

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Boniface, Dexter S., e Ilan Alon. "Is Hong Kong Democratizing?" Asian Survey 50, n. 4 (luglio 2010): 786–807. http://dx.doi.org/10.1525/as.2010.50.4.786.

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We argue that the transition to Chinese authority has not undermined democratic governance in Hong Kong and that voice and accountability have improved since the handover. We seek to explain this surprising result and conclude with a discussion of the implications of our findings for China, Taiwan, and cross-strait relations.

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Fu, Poshek. "Japanese Occupation, Shanghai Exiles, and Postwar Hong Kong Cinema". China Quarterly 194 (giugno 2008): 380–94. http://dx.doi.org/10.1017/s030574100800043x.

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AbstractThis article explores a little-explored subject in a critical period of the history of Hong Kong and China. Shortly after the surrender of Japan in 1945, China was in the throes of civil war between the Nationalists and Communists while British colonial rule was restored in Hong Kong, The communist victory in 1949 deepened the Cold War in Asia. In this chaotic and highly volatile context, the flows and linkages between Shanghai and Hong Kong intensified as many Chinese sought refuge in the British colony. This Shanghai–Hong Kong nexus played a significant role in the rebuilding of the post-war Hong Kong film industry and paved the way for its transformation into the capital of a global pan-Chinese cinema in the 1960s and 1970s. Focusing on a study of the cultural, political and business history of post-war Hong Kong cinema, this article aims to open up new avenues to understand 20th-century Chinese history and culture through the translocal and regional perspective of the Shanghai–Hong Kong nexus.

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Barmé, Geremie R. "Hong Kong the floating city". Index on Censorship 26, n. 1 (gennaio 1997): 154–60. http://dx.doi.org/10.1177/030642209702600131.

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Hong Kong has not only shaped much of China's popular culture, it has also been a key port for the packaging and re-export of Chinese dissident culture for over a decade. With its return to China in 1997, all that will come to an end. So, too, will its unique role in contemporary Chinese history as the mediator, mirror and filter for mainland and Taiwan exchanges

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Tang, Ling. "Guarding the Space In-between". British Journal of Chinese Studies 11 (29 giugno 2021): 36–52. http://dx.doi.org/10.51661/bjocs.v11i0.71.

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Based on eight in-depth interviews, this article analyses the quandary faced by liberal mainland Chinese student migrants in Hong Kong. On the one hand, the liberal pro-democracy movements in Hong Kong are deeply intertwined with the rise of localism, which is based on a dichotomy between Hong Kong and mainland China. On the other hand, a rising, development-centric nationalism in mainland China reduces Hong Kong protesters to unemancipated British colonial subjects. However, in the context of this “double marginalisation,” liberal Mainland students guard a form of liberalism that transcends both Hong Kong localism and Chinese nationalism. They debunk the stereotype of mainland Chinese students being apolitical and therefore provide an alternative definition of being Chinese. They challenge the view that mainland Chinese can only be emancipated outside mainland China to destabilise a Fukuyamian linear interpretation of history. They use four tactics to cope with double marginalisation: understanding localists, befriending expatriates, assuming professionalism, and becoming apolitical. Image © Ling Tang

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Tanigaki, Mariko. "The Changing ‘China’ Elements in China Studies in the University of Hong Kong". China Report 54, n. 1 (9 gennaio 2018): 99–117. http://dx.doi.org/10.1177/0009445517744406.

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This article aims to give a broad picture of the development of Chinese/China Studies at the University of Hong Kong until the 1970s. Courses on Chinese were conducted from the very beginning of the establishment of the University of Hong Kong. Chinese Studies at the University of Hong Kong started with the first two migrant scholars to Hong Kong and reflected the pre-Republican style cultivated in the imperial civil service examinations. However, the curriculum changed gradually after the establishment of the Department of Chinese. Xu Dishan and Chen Junbao took the reform further. In the post-World War II period, Frederick Seguier Drake was Professor in the Department of Chinese Studies until 1964 and consolidated the Department. Its development coincided with the basic policy of neutrality pursued by the Hong Kong government with respect to the ongoing tension between the United States and the PRC. By the 1960s, it appeared that more expatriate staff were becoming interested in the study of China and Hong Kong. This led to the establishment of the Centre of Asian Studies in 1967, the first centre where Contemporary China Studies could be pursued.

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Shaoyang, Lin. "Hong Kong in the Midst of Colonialism, Collaborative and Critical Nationalism from 1925 to 1930". China Report 54, n. 1 (2 gennaio 2018): 25–47. http://dx.doi.org/10.1177/0009445517744409.

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In the late 1920s, cultural nationalism in Hong Kong was imbedded in Confucianism, having been disappointed with the New Culture Movement and Chinese revolutionary nationalism.1 It also inspired British collaborative colonialism. This study attempts to explain the link between Hong Kong and the Confucius Revering Movement by analysing the essays on Hong Kong of Lu Xun (1881–1936), the father of modern Chinese literature and one of the most important revolutionary thinkers in modern China. The Confucius Revering Movement, which extended from mainland China to the Southeast Asian Chinese community and then to Hong Kong, formed a highly interrelated network of Chinese cultural nationalism associated with Confucianism. However, the movements in these three places had different cultural and political roles in keeping with their own contexts. Collaborative colonialism’s interference with the Confucius Revering Movement is one way to understand Lu Xun’s critical reading of Hong Kong. That is, Hong Kong’s Confucius Revering Movement was seen as an endeavour of the colonial authorities to co-opt Confucianism in order to deal with influences from China. This article argues that Hong Kong’s Confucius Revering Movement should be regarded as one of the main perspectives through which to understand Hong Kong’s educational, cultural and political histories from the 1920s to the late 1960s. Lu Xun enables us to see several links. The first link is the one connecting the Confucius Revering Movement in Mainland China, Hong Kong and the Chinese community in Southeast Asia. This leads to the second link, that is, Lim Boen Keng (Lin Wenqing), the leading figure of the Confucius Revering Movement in the Southeast Asian Chinese community who later became the President of Amoy University, where Lu Xun had taught before his first visit to Hong Kong. The third link is the skilful colonial administrator Sir Cecil Clementi, who came to British Malaya in February 1930 to become Governor after being the Governor of Hong Kong. We can observe a network of Chinese critical/resistant and collaborative nationalism from these links.

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Lu, Xiao. "Hollywood Genre, Cultural Hybridity, and Musical Films in 1950s Hong Kong". Arts 12, n. 6 (8 novembre 2023): 237. http://dx.doi.org/10.3390/arts12060237.

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Following the trauma of the Second World War, Hong Kong, under British governance, enjoyed considerable economic and political freedom to establish a local entertainment industry. Musical films became a major genre of Hong Kong’s film releases in the 1950s. Local melodramas, Hollywood musicals, celebrities, and ideals of female beauty were all present in the growth of Hong Kong musical films, which culminated in a glorious display of cinematic art. This article aims to provide insight into the popularity of Chinese-speaking musical films by examining the social, economic, and political complexity of 1950s Hong Kong, including post-war migration and colonial censorship. An in-depth analysis of Li Han-Hsiang’s The Kingdom and the Beauty demonstrates how Hong Kong studios adapted the Hollywood musical to tell Chinese stories and how Hong Kong musical films incorporated Chinese literature and music to represent cultural memory, local identity, and modern aesthetics. This case study sheds light on the localization of a Hollywood genre and the hybridization of Chinese and Western entertainment forms to appeal to a Chinese audience, thereby broadening the definition of cultural hybridity and informing the practice of Hong Kong’s musical filmmaking.

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Song, Chris. ""The City’s Charms and Challenges" by P K Leung (translation)". Writing Chinese: A Journal of Contemporary Sinophone Literature 2, n. 1 (9 gennaio 2024): 149–52. http://dx.doi.org/10.22599/wcj.56.

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In this essay “The City’s Charms and Challenges” 城巿的诱惑·城市的挑战' by P K Leung (alias Ye Si 也斯) published in Zhong Hua Du Shu Bao (《中华读书报》) in 2013, Leung traces his own journey as he -- just like many other Chinese families -- moved with his family from Guangdong to Hong Kong in 1949, where he grew up, lived and taught, becoming one of the best-known Hong Kong writers. In the essay, he also mapped out the early beginnings of Hong Kong literature, its intrinsic roots in Chinese literature, and how it has thrived amidst the socio-cultural and historical changes in Hong Kong in the last few decades. In charting the locality of places, the difference between the urban and the rural living in Hong Kong, Leung highlights the importance to acknowledge the complex layers and dimensions of Hong Kong literature, where both Chinese and English languages and different cultures intersect.

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Huei-Ying (郭慧英), Kuo. "Trading with the “Enemy”? Hong Kong Bourgeoisie and Chinese Nationalism during the Two Wars, 1919–1941". Translocal Chinese: East Asian Perspectives 9, n. 1 (21 dicembre 2015): 170–96. http://dx.doi.org/10.1163/24522015-00900009.

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This paper examines the interplay between trade and nationalism in the development of Chinese bourgeois nationalism in British Hong Kong in the interwar years (1919–1941). It points out the contingent responses among the Chinese bourgeoisie to the calls of Chinese nationalism. The bourgeoisie were lukewarm to the mobilization of the Chinese anti-British strikes and boycotts in the 1920s. They however organized fundraising movements and charities to support the Chinese defence against the Japanese inroads in the 1930s. The implication of the findings is twofold: first, the operation of Chinese antiforeigner movements in Hong Kong was not “taught nationalism” dictated by nationalists in mainland China. Second, while Chinese bourgeoisie identified the Japanese expansion as a reason for the British decline, they did not attempt to interrupt the Japanese trade. The latter was crucial for the Chinese manufacturers in Hong Kong to sustain their business. The agency of Chinese in Hong Kong in the decades of high Chinese nationalism points to the importance of examining Chinese bourgeois nationalism in Hong Kong against the backdrop of the colony’s place in the inter-imperialist rivalry between the demise of the British free-trade imperialism and the rise of the Japanese East Asian New Order. (This article is in Chinese.)

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Jiang, Hechao, Daniel T. L. Shek e Moon Y. M. Law. "Differences between Chinese Adolescent Immigrants and Adolescent Non-Immigrants in Hong Kong: Perceived Psychosocial Attributes, School Environment and Characteristics of Hong Kong Adolescents". International Journal of Environmental Research and Public Health 18, n. 7 (2 aprile 2021): 3739. http://dx.doi.org/10.3390/ijerph18073739.

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Although the impact of immigration on adolescent developmental outcomes has received extensive scholarly attention, the impact of internal migration, particularly in the Chinese context, on adolescents’ psychosocial development has not been scientifically investigated. This study examined whether mainland Chinese adolescent immigrants (N = 590) and adolescent non-immigrants (n = 1798) differed on: (a) psychosocial attributes indexed by character traits, well-being, social behavior, and views on child development, (b) perceived school environment, and (c) perceptions of characteristics of Hong Kong adolescents. Consistent with the healthy migration hypothesis, Hong Kong adolescents and mainland Chinese adolescent immigrants did not differ on most of the outcomes; Chinese adolescent immigrants showed higher perceived moral character, empathy, and social trust than did Hong Kong adolescent non-immigrants. Chinese adolescent immigrants also showed more favorable perceptions of the school environment and moral character, social trust and social responsibility of adolescents in Hong Kong. This pioneer Chinese study provides support for the healthy immigration hypothesis (immigration paradox hypothesis) but not the immigration morbidity hypothesis within the specific sociocultural context of Hong Kong in China.

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P.C. Cheung, Patti, e Maria L.C. Lau. "From union catalogue to fusion catalogue". Library Management 35, n. 1/2 (7 gennaio 2014): 88–101. http://dx.doi.org/10.1108/lm-04-2013-0031.

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Purpose – The purpose of this paper is to reflect The Chinese University of Hong Kong Library's catalogue evolution as a result of electronic resources cataloguing and how collaborative cataloguing could be implemented in the context of Hong Kong. Design/methodology/approach – The paper outlines the challenges faced by The Chinese University of Hong Kong Library and the need to find alternative way to catalogue e-books come in large batches. It describes in particular the cataloguing of Chinese e-books in collaboration with the China Academic Library and Information System (CALIS). Findings – Different cataloguing data set are inevitably blended into the library catalogue to be used by users. Still, collaboration is feasible when libraries are ready to make compromise and accept variances in the library catalogue. Originality/value – The Chinese University of Hong Kong Library is the first library in Hong Kong to work collaboratively with CALIS to batch convert its records for cataloguing of Chinese e-books. The paper is useful for librarians exploring new source for Chinese cataloguing or collaborative initiatives with libraries in China.

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Rule, Pauline. "The Transformative Effect of Australian Experience on the Life of Ho A Mei, 1838–1901, Hong Kong Community Leader and Entrepreneur". Journal of Chinese Overseas 9, n. 2 (2013): 107–34. http://dx.doi.org/10.1163/17932548-12341256.

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Abstract Ho A Mei, one of the earliest young Chinese to receive a thorough English education in the colony of Hong Kong, spent ten difficult years from 1858 to 1868, striving to make a fortune in the gold rush Australian colony of Victoria. Here he learnt much about modern business practices and ventures and also protested against the racial hostility that the Chinese encountered. Eventually after his retreat back to Hong Kong and Guangdong Province, he was successful partly because of his experiences in the advanced capitalist economy of colonial Victoria. This led him to move beyond the mercantile enterprises and property buying, which were key activities of many Hong Kong Chinese businessmen, into the areas of modern financial and telegraph services and mining ventures. He also spoke out frequently in a provocative manner against the colonial government over injustices and discrimination that limited the rights and freedom of the Chinese in Hong Kong. During the 1880s and 1890s, he was a recognized Chinese community leader, one whose assertiveness on behalf of Chinese interests was not always appreciated by the Hong Kong authorities.

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Pan, Jia-Yan, Daniel Fu Keung Wong, Lynette Joubert e Cecilia Lai Wan Chan. "Acculturative Stressor and Meaning of Life as Predictors of Negative Affect in Acculturation: A Cross-Cultural Comparative Study between Chinese International Students in Australia and Hong Kong". Australian & New Zealand Journal of Psychiatry 41, n. 9 (settembre 2007): 740–50. http://dx.doi.org/10.1080/00048670701517942.

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Objective: The purpose of the present study was to compare the predictive effects of acculturative stressor and meaning of life on negative affect in the process of acculturation between Chinese international students in Australia and Hong Kong. Method: Four hundred mainland Chinese students studying at six universities in Hong Kong and 227 Chinese international students studying at the University of Melbourne in Australia completed a questionnaire that included measures of acculturative stressor, meaning of life, negative affect and demographic information. Results: The Australian sample was found to have a higher level of acculturative stressor and negative affect than the Hong Kong sample. Acculturative stressor had a positive impact on negative affect in both samples, but the impact of different domains of acculturative stressor on negative affect varied between the two groups. Finally, meaning of life partially mediated the relationship between acculturative stressor and negative affect in the Hong Kong sample, but no such effect was found in the Australia sample. Conclusions: Acculturative stressor is a critical risk factor for negative affect in acculturation for Chinese international students in Australia and Hong Kong. Meaning of life acted as a protective factor that mitigated negative affect for mainland Chinese students in Hong Kong, but not for the Chinese international students in Australia. The theoretical and practical implications for resilience-based and meaning-oriented intervention for Chinese international students are discussed.

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Husa, Jaakko. "Constitutional Biography of Hong Kong and Ambiguities of One Country, Two Systems Policy". Chinese Journal of Comparative Law 9, n. 2 (1 settembre 2021): 268–87. http://dx.doi.org/10.1093/cjcl/cxab014.

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Abstract This essay reviews Albert Chen’s ‘The Changing Legal Orders in Hong Kong and Mainland China: Essays on One Country, Two Systems' (2021). The aim is to address the most significant points raised by the author of the book and provide a readable and critical synthesis of Chen’s key arguments. The focus is on the background of the tension points between China and Hong Kong that are generated by the One Country, Two Systems policy. The article ends with discussion on the book’s contribution and the possible future of Hong Kong’s common law heritage as a part of China.

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Cheng, Le, e Lianzhen He. "Revisiting judgment translation in Hong Kong". Semiotica 2016, n. 209 (1 marzo 2016): 59–75. http://dx.doi.org/10.1515/sem-2016-0007.

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AbstractAs Hong Kong is the only common law jurisdiction operating in Chinese, alongside English, writing a common law judgment in Chinese is like exploring an uncharted domain in legal discourse. Apart from those judgments originally written in Chinese, Chinese judgments have also been prepared by way of translation from English. Besides, there are also English translations of Chinese judgments of jurisprudential value. Judgments in Hong Kong therefore present an interesting case for study both from a legal point of view and from the perspective of discourse analysis. As Chinese judgments in Hong Kong to a large extent mirror images of their English counterparts, they provide us with insights into how judicial thinking embodied in one language is carried over to another. As the translation of court judgments can serve as a clue to the understanding of how judicial thinking is transferred and reflected in another language, this study looks into some of the fundamental problems of legal translation in general and translation of court judgments in particular, showing how the sociosemiotic approach can shed light on those problems.

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