Tesi sul tema "Census, 1819"
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Thompson, Stephen John. "Census-taking, political economy and state formation in Britain, c. 1790-1840". Thesis, University of Cambridge, 2010. https://www.repository.cam.ac.uk/handle/1810/265510.
Testo completoKiefer, John. "Climate Change and Winter Tourism Dependent Economies: Hedonic Estimates for Air Travel and Weather for Ski Resorts". Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/cmc_theses/1839.
Testo completoLapointe, Marie-Anne. "Mme de Staël et Chateaubriand : censure et liberté". Thèse, Université du Québec à Trois-Rivières, 2008. http://depot-e.uqtr.ca/1819/1/030080306.pdf.
Testo completoDay, Joseph. "Leaving home and migrating in nineteenth-century England and Wales : evidence from the 1881 census enumerators' books (CEBs)". Thesis, University of Cambridge, 2015. https://www.repository.cam.ac.uk/handle/1810/283973.
Testo completoMacé, Laurence. "Voltaire en Italie (1734-1815) : lecture et censure au siècle des Lumières". Paris 4, 2007. http://www.theses.fr/2007PA040273.
Testo completoHow does the perception of an author and his work relate to the specific constraints of the foreign cultural background in which they are received? What if the author in question is a “monument” like Voltaire and the background of the reception is now perceived as ideologically hostile to the nature of Voltaire’s project, or at best culturally heterogeneous? This work traces the emergence and reception of Voltaire’s texts in the 18th century Italy. It is demonstrated that, after a reception first limited to the framework of the collapsing Republic of Letters, where Voltaire paradoxically played the game of the cattolici illuminati, the break that took place in the late 1740ies, and ultimately the condemnation of the Works in Rome in 1752, opened a new phase in the reception of Voltaire in Italy. The solution of continuity, more ideological than aesthetic, that we can observe deprived the author of his first supports but also made easier the reception of his works in a public sphere which, as it constituted itself, built Voltaire’s work for its own use. A pluri-disciplinary approach, dealing with the role of censorship as well as the ways of making the work one’s own, presents reception as no longer a passive phenomenon of mere adherence but as a concrete and evolving construction of a work and its author. Through Voltaire’s paradigm, reading and censorship appear as two activities between which the lines still remain blurred in 18th century Italy
Breed, C. Kathleen. "Fear, censure and crime : social aspects of modernity". Thesis, University of Cambridge, 1992. https://www.repository.cam.ac.uk/handle/1810/272390.
Testo completoErixon, Anna. "”…uti ecclesiastique och icke civile mål...” : Prästeståndets argumentation i debatten om mantalsskrivningens former 1723-1812". Thesis, Uppsala universitet, Institutionen för ABM, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-389394.
Testo completoSardi, Rosana Aparecida Fernandes. "Das andanças do pensar : cenas infantis". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2005. http://hdl.handle.net/10183/7209.
Testo completoVillaça, Iara de Carvalho. "Cenas dos Próximos Capítulos: Análise de uma Radionovela do Século XXI". Escola de Teatro, 2015. http://repositorio.ufba.br/ri/handle/ri/18119.
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CAPES, PROEX
O presente trabalho discorre acerca da escrita de radionovelas para a atualidade. Trata- se de um estudo de caso que analisa o roteiro A Deusa do Cangaço, produzido, em 2011, no projeto Nova Rádio Caleidoscópio, vencedor do edital de Apoio à Produção de Programas Radiofônicos de 2010, na categoria Série de Programas Radiofônicos de Radionovelas do Instituto de Radiodifusão Educativa da Bahia – IRDEB – e Secretaria de Cultura do Governo do Estado da Bahia. O projeto visava a criação e veiculação de quatro radionovelas a serem transmitidas pela Rádio Educadora FM. Para analisar A Deusa do Cangaço, realizou-se uma pesquisa bibliográfica, e de algumas fontes audiovisuais, sobretudo de radionovelas antigas e atuais. Também foram feitas entrevistas com profissionais envolvidos nessa e em outras edições do edital. A pesquisa se utiliza de conceitos ligados à serialidade, performatividade, oralidade e narrativa e termina por identificar elementos passíveis de experimentações para esse gênero.
This paper discusses about the soap opera written for today. This is a case study, which analyzes the script A Deusa do Cangaço, produced in 2011, the project Nova Rádio Caleidoscópio, winner of Apoio à Produção de Programas Radiofônicos of 2010, na categoria Série de Programas Radiofônicos de Radionovelas of Instituto de Radiodifusão Educativa da Bahia – IRDEB – and Secretaria de Cultura do Governo do Estado da Bahia. The project aimed at creating and broadcasting four soap operas to be transmitted over Rádio Educadora FM. To analyze A Deusa do Cangaço, it was conducted a literature search, and some audiovisual sources, especially of old and new dramas. It were also made interviews with professionals involved in this and other editions of the public notice. The research uses concepts related to seriality, performativity, and orality, narrative and ends by identifying possible elements to trials for this genre.
Negro, Michele. "Da Arias Navarro a Arias Navarro: Il controllo dell’Informazione in Spagna tra il 1973 ed il 1976". Doctoral thesis, Universita degli studi di Salerno, 2014. http://hdl.handle.net/10556/1849.
Testo completoSi è deciso di prendere in considerazione un periodo estremamente delicato per l’evoluzione politica della Spagna. Ci stiamo riferendo all’epoca definita come“Ultimo Franchismo” ed agli esordi della Transición Española che conduce alla successiva democrazia. In questo momento di forte cambiamento, un elemento appare però stabile: la figura di Arias Navarro. Francisco Franco prima, ed il suo successore Don Juan Carlos di Borbone poi, nominano il medesimo Presidente del Governo. Quest’ultimo troverà non poche difficoltà nel ponderare la sua azione tra tradizione, con conseguente ancoraggio al passato, e l’inesorabile evoluzione del regime. All’interno di questo contesto, il nostro studio prenderà in considerazione un elemento specifico: Il Controllo dell’Informazione operato dal Movimiento sulla Stampa dell’epoca. Siamo partiti da alcuni quesiti di base: Durante gli ultimi anni del suo Governo, Franco applicava ancora un rigido controllo dell’informazione, attraverso la censura nei mezzi di informazione, o lo stesso poteva giudicarsi allentato? Terminato il Franchismo, si conclude anche la censura? Per quali ragioni il Caudillo inaspriva ed allentava le maglie del controllo dell’informazione in modo quasi periodico? La ricerca è stata suddivisa in due parti: a) l’aspetto storico-teorico analizzerà brevemente l’evoluzione del Governo del Generalísimo mettendola in relazione con i differenti dispositivi, norme e leggi promulgate negli anni con l’unico fine di limitare, censurare o eliminare il punto di vista “differente” espresso sui giornali e le riviste dell’epoca. b) la ricerca sul campo (della durata di circa dieci mesi), invece, è stata realizzata presso l’Archivio dell’Amministrazione Pubblica della Spagna, situato ad Alcalá de Henares. In seguito all’analisi di circa quattrocento fascicoli e procedimenti amministravi di censura predisposti dal Ministero della Cultura, lo studio dei dossier del Ministero dell’Informazione, nonchè delle note riservate emesse dallo stesso, abbiamo approfondito questioni quali il delicato ruolo del censore, i linguaggi della censura, il ruolo privilegiato della Prensa (trad. “stampa”) del Movimiento e l’iter amministrativo di un fascicolo. Al termine di tale ricerca, sono state predisposte le conclusioni e l’analisi sommativa e sostanziale di quanto appurato durante la ricerca. [a cura dell'autore]
XI n.s.
Irurozqui, Marta. "La alquimia democrática. Ciudadanos y procedimientos representativos en Bolivia (1825-1879)". Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/121844.
Testo completoLos procesos de expresión y de institucionalización de la soberanía popular en la Bolivia postindependiente (1825-1879) son estudiados en este artículo a partir del análisis de dos de los componentes del sistema democrático: los sujetos y los procedimientos representativos. Con respecto al primer punto, se subraya que ser ciudadano no se reducía a votar y que podía ejercerse tal estatus mediante otro tipo de acciones, vinculadas al trabajo, la contribución, las peticiones pú-blicas o las actividades armadas. De otro lado, el estudio de los procedimientos relativos a la implantación y el desarrollo de las elecciones remarca dos valores de los mismos: primero, el voto tuvo una función reguladora encaminada a dirimir competencias y evitar conflictos, y segundo, el tamaño reducido del cuerpo electoral no impidió el desarrollo de la competencia partidaria, ya que la participación política ligada a las elecciones tuvo otras posibilidades de acción relacionadas con la violencia y la ilegalidad
Judice, Gamito T. "Social complexity in southwest Iberia (8th to 3rd cents. B.C.) : aspects of evolution and interaction". Thesis, University of Cambridge, 1986. https://www.repository.cam.ac.uk/handle/1810/273097.
Testo completoBonfanti, Kátia. "Cenas do espaço escolar: um convite a reolhar as práticas e suas aprendencias na educação para a cidadania". Universidade do Vale do Rio do Sinos, 2006. http://www.repositorio.jesuita.org.br/handle/UNISINOS/1889.
Testo completoUniversidade do Vale do Rio dos Sinos
Esta dissertação teve o propósito de efetuar estudos sobre cenas do espaço escolar, através da vivência junto aos gestores, educadores, alunos e comunidade da Escola Flôres da Cunha, no município de Esteio, Rio Grande do Sul. O projeto da Escola, nos seus espaços físicos e político-pedagógicos, constituiu a questão central investigada, bem como a relação destes, com a construção da cidadania. A averiguação se valeu de observação participante, questionários, entrevistas semi-estruturadas e documentos da escola, como o PPP e os registros feitos a partir dos conselhos participativos. Através do conjunto de cenas analisados nessa dissertação, convido o leitor interessado a discutir a relação das cenas do cotidiano escolar, em especial, as do espaço externo, contrapondo às diretrizes estabelecidas no Projeto Político Pedagógico que definiu as ações, concepção de educação e de cidadania na comunidade escolar
This dissertation had the purpose of making studies on scenes of the school space, through the existence close to the managers, educators, students and community of School Flôres da Cunha, in the municipal district of Shore, Rio Grande do Sul. The project of the School, in their physical and political-pedagogic spaces, constituted the investigated central subject, as well as the relationship of these, with the construction of the citizenship. The verification was been worth of participant observation, questionnaires, semi-structured interviews and documents of the school, as PPP and the registrations done starting from the pieces of advice participant. Through the group of scenes analyzed in that dissertation, invited the interested reader to discuss the relationship of the scenes of the daily school, especially, the one of the external space, opposing to the established guidelines in the Pedagogic Political Project that it defined the actions, education conception and of citizenship in the school community
Lefils-Boscq, Marie-Claire. "La librairie parisienne sous surveillance (1814-1848) : imprimeurs en lettres et libraires sous les monarchies constitutionnelles". Versailles-St Quentin en Yvelines, 2013. https://janus.bis-sorbonne.fr/login?url=https://doi.org/10.15122/isbn.978-2-406-07312-3.
Testo completoIn the days of France’s latest monarchies, the surveillance of bookselling relied on two founding laws: the napoleon decree of February 5th, 1810 and the law enforced by King Louis 18th on October 21st, 1814. In the capital, which was the heart of France’s political and cultural powers, Parisian printers and booksellers were being imposed a very strict control organized by the bookselling authority. A printer as well as a bookseller could only work provided they should be in possession of a patent, “brevet”, a professional license delivered individually by the king upon the suggestion of the ministry in charge of bookselling government. Therefore, a “brevet” became the key-instrument to strengthen the power of the bookselling management. By this means, they controlled the access to “bookselling” along with the threat of a potential withdrawal. Bookselling inspectors as well as police superintendents would go to printing workshops, booksellers and reading rooms to check whether legal procedures were being respected and which books were being proposed to the public. In the course of the different reigns, new laws completed the judicial arsenal by defining crime which, as far as publishing is concerned, was subject to fines or imprisonment. The study of the bookselling surveillance from 1814 to 1848 emphasizes the political changes of monarchies hesitating between freedom of the press and unspoken censorship
Occelli, Alain. "Le désir dans l'oeuvre de Edward Morgan Forster". Nice, 2003. http://www.theses.fr/2003NICE2032.
Testo completoCatéora-Lemonnier, Delphine. "Le baiser selon Alfred Hitchcock". Paris 8, 2014. http://www.theses.fr/2014PA084096.
Testo completoAlfred Hitchcock, the director of the biggest thrillers of the cinema history, turns out to be also the director of big romances. It is vital for every hero, man or woman, to make couple; it’s the recurring idea of his movies. It is thanks to this union that the lonely hero, immature and egocentric, threatened with death, in most of cases accused of a murder which he did not commit, will be able to face every trial of life. This idea is so current in Hitchcock’s that we describe it as obsessive. In Hitchcock’s, as in fairy tales, it is thanks to his union with the other that the hero, who has not reached a sufficient maturity yet, can become an adult. Furthermore, only the emotional security which he can find in his couple will be really able to calm his fears. Throughout his career, Alfred Hitchcock stood by his idea of love showing that the man and the woman by bringing together succeed in saving each other from a meaningless existence. In his very numerous kiss scenes, Alfred Hitchcock clearly expresses his idea of the couple. These scenes celebrate the so hoped union between his hero and his heroine, and tell how they have difficulty living their love. In Hollywood, Hitchcock directed more romances and complied with the esthetic rules implicitly laid down since the 1920’s for these scenes, but quickly the filmmaker created his own style. Concerning the Hays code, we observed that things are more complicated than what is usually told, especially about the famous kiss scene in "Notorious"
Salgues, Marie. "Nationalisme et théâtre patriotique en Espagne pendant la seconde moitié du XIXème siècle (1859-1900)". Paris 3, 2001. http://www.theses.fr/2001PA030144.
Testo completoThe patriotic plays, with appeared with the War of Independence opening the 19th century in Spain, were very popular during the Africain War (1859-1860) and continued to develop thanks to forty years of uninterrupted conflicts leading to the "Disaster" of 1898 and the lost of the last Spanish colonies. Their writers come from the Bourgeoisie and present the ideal society of which they dream and in which the good people goes to get killed without rebelling, thus allowing the Bourgeois to pay not to send their own children. Becoming sometimes a tool of propaganda, these plays use the preexisting theatrical bases and perfectly fit in the production of this period ; by using the usual theatrical resorts, they make their message particularly efficient. .
Pereira, Cilene Margarete. "Jogos e Cenas do Casamento : construção e elaboração das personagens e do narrador machadianos em Contos Fluminenses e Historias da Meia Noite". [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269940.
Testo completoTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: Em ¿Jogos e Cenas do Casamento¿, nosso objetivo principal é apresentar um estudo detalhado da construção e do modo como Machado de Assis elabora suas personagens e seus narradores em Contos Fluminenses (1870) e Histórias da Meia Noite (1873). Se considerarmos a imagem principal que une as treze narrativas desses livros, veremos que todas ¿ a exceção aparente é ¿Aurora sem dia¿ ¿ são histórias de amor que têm como imagem/tema central o casamento, seja nos preparos que antecedem o contrato ou em seus aspectos cerimoniais, seja na intimidade conjugal dos lares já concebidos. Mais do que isso, há um elo maior entre as histórias, e uma imagem que se afirma como preponderante: o fracasso do casamento. As mocinhas e os heróis machadianos são construídos mediante as dificuldades e os problemas matrimoniais, decorrentes muitas vezes de imposições paternas ou das expectativas (mediadas, sobretudo, pela literatura) e experiências amorosas dos envolvidos. São essas personagens, em última hipótese, que veiculam essas imagens de fracasso e as apresentam ao leitor. Mas nesse processo de captação do amor e do casamento aparece quase sempre um narrador a sussurrar no ouvido do leitor algo acerca da personagem e da imagem amorosa construída por ela. Dessa forma, as imagens e cenas matrimoniais são filtradas (e desestabilizadas) pelas exposições de personagens e narradores, uns a intervirem na concepção amorosa de outros. Por isso, este estudo prioriza não só a caracterização dessas primeiras personagens machadianas, mas também dos narradores desses contos como forma de examinar melhor o modo como ambos constroem essas imagens amorosas e a partir de que outras associações elas nascem e se definem, já que se tratam, na maior parte das vezes, de homens e mulheres inexperientes em relação ao amor e à própria realidade do casamento.
Abstract: In ¿Jogos e Cenas do Casamento¿, our main objective is to introduce a detailed study of the construction and the way Machado de Assis elaborates his characters and narrators in Contos Fluminenses (1870) and Histórias da Meia Noite (1873). If we consider the mainstream image that joins the thirteen narratives of this collectanea, we will see thal all of them ¿ the apparent exception is ¿Aurora sem dia¿ ¿ are love stories that bears as a mainstream image/theme the marriage, either in the preparations that happen before the contract or its ceremonials aspects, either in conjugal intimacy of conceived homes. Moreover, there is a bigger link between the stories and an image that is itself preponderant: the failure of marriage. The ¿machadianos¿ ladies and heroes are constructed the difficulties and matrimonial problems, generated most of the time by father impositions or expectancy (mediated for literature) and love experiences of the involved ones. These characters are in last hypothesis, the ones that take the images of failure and introduce them to reader. But in this process of catching love and marriage, almost always there is a narrator whispering something on the ear¿s reader about the characters and the loving image constructed by the character. In this way, the matrimonial images and scenes are filtered for expositions of the characters and narrators, intervening in the loving conception of each other. Thus, this study prioritizes not only the characterization of the first ¿machadianos¿ characters, but also the tale¿s narrators as a way of examining better how they both construct these loving images and from where other possible associations are born and defined, once they deal, most of the times, with inexperienced men and women in relation to love and the reality of marriage.
Doutorado
Literatura Brasileira
Doutor em Teoria e História Literária
Guibovich, Pérez Pedro M. "GÓMEZ ÁLVAREZ, Cristina y Guillermo TOVAR DE TERESA. Censura y revolución. Libros prohibidos por la Inquisición de México (1790-1819). Madrid: Trama Editorial, Consejo de la Crónica de la Ciudad de México, 2009, 330 pp., ilustr". Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/121737.
Testo completoLaurent, Frantz. "Charlemagne-Émile de Maupas (1818-1888) : étude d’une trajectoire administrative, politique et notabiliaire, des monarchies censitaires à la Troisième République". Electronic Thesis or Diss., Sorbonne université, 2022. http://scd-proxy.univ-brest.fr/login?url=https://bibliotheque.lefebvre-dalloz.fr/isbn/9782247233502.
Testo completoCharlemagne-Émile de Maupas, a prefect who entered politics in the mid-nineteenth century, began to be rediscovered by historians some thirty years ago in the context of a historiographical rereading of the Second Empire. Claude Vigoureux in particular published a pioneering study shedding light on his role as Prefect of Police of the Seine and in the elaboration and execution of the coup d'état of December 2, 1851. His rich and varied career, often reduced to this event, nevertheless deserves to be understood in its entirety, especially as Maupas left numerous private papers, from his first experience as a sub-prefect in Uzès to the prestigious prefecture of Bouches-du-Rhône, via the Ministry of the General Police, the French legation in Naples and the Imperial Senate, which constitute a precious collection for the historian. Our thesis, which is written with the perspective of a total biography, therefore aims to analyze his administrative, political and notabiliary trajectory from the census monarchies to the nascent Third Republic. We also intend to show how this deeply conservative, singular and yet ideal-typical notable who was committed to the monarchical regime mobilized his networks and his capital to build his career
Jean-Baptiste, Fabienne. "Feuilletons et Histoire. Idées et opinions des élites de Bourbon et de Maurice dans la presse de 1817 à 1848". Phd thesis, Université de la Réunion, 2010. http://tel.archives-ouvertes.fr/tel-00634385.
Testo completoMaklouf, Moudar. "Leo Strauss, art d'écrire : entre rhétorique et herméneutique". Thesis, Paris Est, 2018. http://www.theses.fr/2018PESC0104.
Testo completoLeo Strauss asserts having rediscovered the lost art of writing of philosophers of past. It is a literary technique consisting of a speech at first sight orthodox - it is the exoteric teaching or level of a text -, but which communicates "between lines" the real thought of the writer, heterodox in nature - it is the esoteric teaching or level of the speech. The reading of such authors thus requires an adapted hermeneutics, allowing to seize the gap enter the obvious fact of what show obviously the text of the author, and the truth secretly distilled behind the letter of its papers. This method of reading is the climax of works begun by Strauss from the 1920s. It is formalized at the end of the 30s, and appears with some modifications of the style of writing of the author.The studies dealing with this part of the work of the philosopher consist generally on one hand in criticizing his hermeneutic key, by confirming or by countering its relevance, or on the other hand to envisage the political and philosophic impact of the exo/esotericism. The studies attempting to understand the construction of this prism of reading through the intellectual course of Strauss remain allowing exception relatively fragmented, and attempt to highlight the art of writing by connecting it with certain references. The examinations focusing on the way the exo/esotericism forms in the course of the straussian corpus appear since a few years, and it is in particular within this field of research that is situated this thesis. Beyond, it pays attention on the own style of Strauss, by concentrating exactly on the way he conceives and makes use of categories of the exoteric and of the esoteric. The way the author seizes it and the role which they play in the economy of its thought can inform as for the way of reading it and understand his thought. Returning to the sources of the art of writing, examining its formation and observe its use by Strauss himself can give a new lighting onto the controversial theory of the writing between lines of philosophers
Ortega, Sáez M. (Marta). "Traducciones del franquismo en el mercado literario español contemporáneo: el caso de Jane Eyre de Juan G. De Luaces". Doctoral thesis, Universitat de Barcelona, 2013. http://hdl.handle.net/10803/123282.
Testo completoThe ongoing production of translations produced during the Franco regime begs the question of what the contemporary reader makes of a text generated over seventy years earlier. The thesis centres on the 1943 translation into Spanish of Charlotte Brontë’s renowned Jane Eyre, the labour of Juan G. de Luaces, who had established a name for himself as a journalist, poet and writer of prose fiction in 1920s and 30s Spain. Following the Civil War, Luaces became the country’s most prolific translator of literary texts from English into Spanish. An analysis has been set up to compare the 1943 translation and 2011 version, which reveals how gender issues, family models, religion, together with other ideological or rhetorical features were modified or suppressed in order to adjust to the regime’s dictates. Both cultural and sociological theories applied to translation have been drawn upon whilst a paratextual assessment together with an examination of the impact of censorship, generated by both self and state, have created an interdisciplinary approach which substantiates the comparative analysis and ultimately accounts for the manipulations in the 1943 version, echoed in the 2011 publication.
Al-Kasasbeh, Lubna. "Subversion idéologique et formelle dans l'écriture de soi chez Mme de Staël et Sonallah Ibrahim : un paradoxe fondateur, une alchimie salvatrice". Electronic Thesis or Diss., Université Côte d'Azur, 2022. http://www.theses.fr/2022COAZ2037.
Testo completoThis research aims to analyse the difficult position of the intellectual in conflict with the power and official discourse. By choosing two emblematic authors whose work is marked by ideological subversion, by dissidence and by the writing of the inexpressible, the study of this thesis opens up various perspectives on each writer who has undergone the same context, in the fields of both literary practice and the history of ideas. The study focuses on two figures of the opposition : Mme de Staël and Sonallah Ibrahim, two writers who have lived in their flesh a moral persecution, declined in the form of exile and censorship exercised by the power they stand up to.It's from the point of view of the of ideological and formal Subversion of the self- writing (autobiography) of these authors and according to a multidimensional analysis - literary, historical, political and philosophical—, in this thesis, we study the paradox of moral persecution, which is both repressive and fruitful, both on the literary level and also on the commitment of these authors. In a context of continuous repression, how do these authors, imbued with political ideals (freedom, republicanism, socialism), engage and thereby engage their inner self in to an ideological and political struggle, find themselves gagged by a power that is contrary to them, hostile ? The two writers bearer of an ideology, whereof foundations are to be revealed, learn to come to terms with reality. And, from this persecution, an autobiographical approach is implemented, giving rise to an implicit and disguised self-writing, to a foundational and saving alchemy, to which they can tack back the word again through literary strategies such as disguise, distancing, unsaid and silence. Writing becomes a weapon intended to circumvent censorship, to criticize and denounce the adversary embodied in the two authors by the image of a Tyrant.Thus, by studying the singularity of self-writing of Mme. de Staël and Sonallah Ibrahim, the objective of this thesis is to analyse the scriptural repercussions of exile, censorship and dissent on the conditions of production and dissemination of texts, and also on the processes implemented in the act of writing itself. The analysis therefore focuses on the way in which these authors manage to testify their situation of persecution, and to confront it by summoning original self-writing strategies whose aim is to express an independent, inverted and hidden truth, which is only revealed to a reader with special insight. Disguise, distancing, unsaid, irony are markers of both ideological subversion, in the sense that they illustrate the denunciatory significance of texts which testify to the unspeakable, the inexpressible, and also of formal subversion in self-writing itself ; in this type of writing in the case of Mme de Staël and Sonallah Ibrahim, is distinguished by its non-conformism, by exceeding the rules of this type of the autobiography, thus demonstrating that self-writing is a hybrid genre and in a permanent movement and evolution. In both cases, it is a subversion and a reversal, a turnaround conducive to the confrontation of the author's subversive will with the aesthetic dimension of literature. This approach is therefore conductive and key to the leading role to which these authors are attached, namely concern for the general interest, the concern to express their political point of views in order to awaken the conscience of others. It is thus, by wiping themselves off before a moral cause that transcends them as individuals that Mme. de Staël and Sonallah Ibrahim shed a vivid light on the true power of literature
Wakefield, Christina L. "Talking on their fingers: a study of the Ontario deaf according to the 1891 Canadian Census". Thesis, 2009. http://hdl.handle.net/1828/1606.
Testo completoBRANCO, Rui Miguel Carvalhinho. "The Cornerstones of modern government : maps, weights and measures and census in liberal Portugal (19th century)". Doctoral thesis, 2005. http://hdl.handle.net/1814/5813.
Testo completoExamining board: Prof. Raffaele Romanelli, Università di Roma <
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
Guerra, Maria José. "Do "nacional-cançonetismo" aos "cantautores" : uma guerra de cantigas : 1968-1974". Master's thesis, 2010. http://hdl.handle.net/10400.2/1810.
Testo completoA substituição de Salazar por Marcelo Caetano no poder ocorre num momento de crise social e política agudizada pela guerra colonial. A “Primavera Marcelista” com as falsas esperanças que criou contribui para tornar mais prementes os sentimentos de revolta e frustração de um número sempre crescente de cidadãos que, cada vez mais abertamente, contesta o sistema e se alia à oposição. Os ecos das mudanças que ocorrem no resto do mundo repercutem-se em Portugal, sobretudo entre a jovem geração, em particular nos meios estudantis. Aí nasce e se desenvolve um movimento artístico-cultural de contestação que, não se esgotando na música popular, tem nela a sua expressão mais visível. Novos cantores com novas propostas de música, nova postura e, sobretudo, com um discurso diferente, popularizam-se e repudiam a música ligeira em voga e quem a representa. Este repúdio estará na origem de um confronto a que chamei “Guerra de Cantigas” e constitui o objecto de estudo deste trabalho. A principal questão que se coloca nesta pesquisa é saber quais os valores que o discurso musicado de cada um destes grupos transmite. Procurei também compreender e retratar o contexto socio-político em que se desenvolve, para melhor apreender o fenómeno e responder a outras questões subsidiárias como o papel desempenhado pela indústria discográfica e os media, a origem social de cada grupo e os objectivos que pretende alcançar. Para tal, utilizam-se como fontes de análise os textos das cantigas e das críticas e comentários da imprensa especializada e dos diferentes actores envolvidos no processo.
Ennemiri, Zakaria. "Luttes politiques et références contradictoires à la Révolution durant la Restauration en France, 1814-1820". Thèse, 2017. http://hdl.handle.net/1866/20683.
Testo completo