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Libri sul tema "Caste – india – fiction"

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Autore: Grafiati

Pubblicato: 27 luglio 2024

Ultima modifica: 29 luglio 2024

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1

Strom, Kay Marshall. The faith of Ashish. Nashville, TN: Abingdon Press, 2011.

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2

Manju, Jain, a cura di. Playground =: Rangbhoomi. New Delhi: Penguin Books India, 2011.

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3

Whelan, Gloria. In Andal's house. Ann Arbor, MI: Sleeping Bear Press, 2013.

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4

Anand, Mulk Raj. Achūta: Antarrāsḥtr̄iya prasiddhi-prāpta upanyāsa Untouchable kā Hindī annuvāda. Dillī: Rājapāla eṇḍa Sanza, 2006.

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5

James, Clive. The silver castle: A novel. London: J. Cape, 1996.

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6

James, Clive. The silver castle: A novel. New York: Random House, 1998.

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7

Bheda: Na. Oxford University Press India, 2017.

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8

Untouchable. London, England: Penguin, 1986.

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9

Untouchable [by] Mulk Raj Anand. Penguin classics, 2001.

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10

Untouchable. Penguin Classics, 2014.

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11

untouchable. penguin, 1990.

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12

Untouchable. Harmondsworth: Penguin, 1986.

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13

Black Taj. University of Chicago Press, 2017.

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14

(Translator), Christopher R. King, a cura di. Rangbhumi. Oxford University Press, USA, 2007.

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15

Representing the margin: Caste and gender in Indian fiction. Delhi, India: Kalpaz Publications, 2008.

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16

Murugan, Perumal. Pyre. Grove/Atlantic, Incorporated, 2022.

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17

Murugan, Perumal. Pyre. Grove/Atlantic, Incorporated, 2022.

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18

Pyre. Penguin Books India PVT, Limited, 2017.

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19

Murugan, Perumal. Pyre. Penguin Books India PVT, Limited, 2016.

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20

Murugan, Perumal. Pyre. Penguin/Hamish Hamilton, 2016.

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21

Murugan, Perumal. Pyre. Pushkin Press, Limited, 2022.

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22

Untouchable. Mehta Publishing House, 2003.

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23

Anand, Mulk Raj. Untouchable (Penguin Classics). Penguin Classics, 1990.

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24

Anand, Mulk Raj. Untouchable. Turtleback Books Distributed by Demco Media, 1990.

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25

The Tailor's Needle. Picnic Publishing Limited, UK, Penguin Books India (forthcoming), 2009.

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26

The Tailor's Needle. Penguin, 2012.

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27

Patel, Shona. Flame tree road. 2015.

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28

Untouchable fictions: Literary realism and the crisis of caste. New York: Fordham University Press, 2013.

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29

Untouchable Fictions: Literary Realism and the Crisis of Caste. Fordham University Press, 2012.

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30

Mukherjee, Upamanyu Pablo. Final Frontiers. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620283.001.0001.

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This is the first book-length study of the relationship between science fiction, the techno-scientific policies of independent India, and the global non-aligned movement that emerged as a response to Cold War and decolonization. Today, science-fiction writers are often used as government advisors on techno-scientific and defence policies. Such relationships between literature, policy and geo-politics have a long and complex history. Glimpses of this history can be seen in the case of the first generation of post-colonial Indian science fiction writers and their critical entanglements with both techno-scientific policies and the strategy of international non-alignment pursued by India’s first prime minister, Jawaharlal Nehru. This investigation reveals the surprisingly long and relatively unknown life of Indian science fiction, as well as the genre’s capacity to imagine alternative pathways to techno-scientific and geo-political developments that dominate our lives today.

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31

James, Clive. Silver Castle. Argo, 1997.

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32

James, Clive. The Silver Castle. Jonathan Cape, 1996.

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33

James, Clive. The Silver Castle. Jonathan Cape, 1996.

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34

James, Clive. Silver Castle, the. MacMillan, 1998.

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35

James, Clive. The Silver Castle. Random House Value Publishing, 1998.

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36

Pohl, Frederik. Casse-tete chinois ****. J'AI LU, 2001.

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37

James, Clive. Silver Castle, the (Proof Copy). Jonathan Cape, 1996.

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38

James, Clive. Silver Castle, 49%, $1 COOP. Random House Trade, 1998.

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39

James, Clive. Silver Castle, 49%, 120 Day Dating. Random House Trade, 1998.

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40

Smith, Angela. Colonial Modernists. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199609932.003.0016.

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This chapter looks at a range of colonial fiction up to 1950 by writers native to Australia, New Zealand, India, the Caribbean, and Canada, which in some way develops and inflects modernist aspiration and practice. The old paradigm, that European models of literary modernism were disseminated to outposts of the British Empire, possibly via such cultural missionaries as E. M. Forster or D. H. Lawrence, and then belatedly imitated, or that artists from the colonies travelled to the metropolitan centre to discover and be transformed by the avant-garde, is evidently undermined by a cursory glance at colonial writing at the end of the nineteenth century. The colonial modernist fiction to 1950 discussed in this chapter is inflected by intimate experience of imperial power, as in the case of Mulk Raj Anand and Claude McKay, and by awareness of an alternative aesthetic and morality in the work of Emily Carr and Katherine Susannah Prichard.

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41

Rivett, Sarah. { Coda } remembered forms of a literary nation. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190492564.003.0010.

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Abstract (sommario):

The final chapter of this book explores Cooper’s transformations of colonial approaches to indigenous languages as repositories of knowledge into fiction. In his Leatherstocking Tales, Lenni Lenape appears as the ancient ur language of America, forecasting grand narratives of national rebirth with prophetic certainty. The Lenni Lenape word, unintelligible to characters other than those of Lenape descent and the singular Natty Bumppo, is the sign that makes the world of nature flesh for future generations of Anglo-Americans. Cast at once as prophetic and primitive, the rhetorical rendering of the Indian in Cooper’s novels also strives to efface a Native American present. Cooper was not unique in his effort to fictionalize the Anglo-American language encounter, or in his attempt to reconcile the expansionist ethos of the new nation-state with an indelible indigenous past. For other antebellum writers, the American Indian presence haunts or lingers more emphatically, refusing to leave a landscape that is itself infused with Indian words. As Lydia Sigourney asks at the beginning of her poem “Indian Names” (1838), “How can the red men be forgotten, while so many of our states and territories, bays, lakes, and rivers, are indelibly stamped by names of their giving?” The question is, of course, rhetorical. As Sigourney goes on to explain:...

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42

Gender and caste in the Anglophone-Indian novels of Arundhati Roy and Githa Hariharan: Feminist issues in cross-cultural perspectives. Lewiston, N.Y: Edwin Mellen Press, 2006.

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