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Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 11 marzo 2023

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1

Ulum, Mokhamad Fakhrul. "Amputasi prolapsus kantung pipi pada hamster mini Campbell (Phodopus campbelli)". Acta VETERINARIA Indonesiana 2, n. 2 (16 febbraio 2016): 49–53. http://dx.doi.org/10.29244/avi.2.2.49-53.

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Pada studi kasus ini kami mendokumentasikan sebuah kasus prolapsus kantung pipi pada seekor hamster mini Campbell (Phodopus campbelli). Hamster mini Campbell datang dengan anamneses adanya sebuah massa di kiri mulut bagian dalam yang tampak menyembul keluar. Berdasarkan pemeriksaan klinis, hamster mengalami prolapsus kantung pipi dengan prognosa yang buruk. Terapi awal yang dilakukan berupa reposisi, akan tetapi terjadi prolaps kembali sehingga dilakukan amputasi pada kantung pipi yang mengalami prolap.

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2

Kettler, Christian D. "The Vicarious Repentance of Christ in the Theology of John McLeod Campbell and R. C. Moberly". Scottish Journal of Theology 38, n. 4 (novembre 1985): 529–43. http://dx.doi.org/10.1017/s0036930600030337.

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The name of John McLeod Campbell (1800–1872) is well-known among historians of Scottish church history. A pastor who spent most of his life in Glasgow, Campbell is remembered best for his deposition from the Church of Scotland in 1831 because of the preaching of unlimited atonement and of assurance as belonging to the essence of faith. Among historians of doctrine, Campbell's notoriety stems from his later work, The Nature of the Atonement. The book aroused controversy from the moment of its publication. Among the highly original themes set forth by Campbell, one continues to stand out as the most perplexing and controversial: Campbell's teaching on Christ as providing a ‘perfect response’, a ‘perfect repentance’, a ‘perfect sorrow’ and a ‘perfect contrition’ before the judgment of the Father on the sins of humanity.

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Wilcockson, Amy. "Humour in the Letters of Thomas Campbell". Romanticism 28, n. 3 (ottobre 2022): 246–55. http://dx.doi.org/10.3366/rom.2022.0565.

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Humour within the letters and personal writings of Romantic poets and authors has remained relatively neglected. Similarly seldom studied is the Scottish Romantic poet Thomas Campbell (1777–1844). Calling into question John Anster’s assessment of Campbell’s letters as a ‘weary heap of good-for-nothing evidence’, this article will attempt to give his unpublished epistles their rightful prominence in studies of Romanticism. Campbell’s correspondence reveals humorous descriptions of cooks kicking cats, which jostle with declarations of explicit disgust against ‘second-rate writers’, and detailed accounts of Campbell’s numerous illnesses. By shedding light on the use of humour in his letters, this article will challenge current preconceptions of Campbell, and show how he used humour to forge and maintain relationships in both his personal and his business correspondence.

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Sonnenburg, Stephan, e Mark Runco. "Pathways to the Hero’s Journey: A Tribute to Joseph Campbell and the 30th Anniversary of His Death". Journal of Genius and Eminence 2, Volume 2, Issue 2: Winter 2017 (1 dicembre 2017): 1–8. http://dx.doi.org/10.18536/jge.2017.02.2.2.01.

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Joseph Campbell is the mythographer of the last century who has congenially opened the mythological universe to both scholars and to a wide range of people searching for pathways to enlighten their lives. His elixir of life was to help people “see myth as a reflection of the one sublime adventure of life, and then to breathe new life into it” (Campbell, 2003, p. xiv). The hero’s journey is his gift, his “ultimate boon” (Campbell, 2008, p. 29) for the human condition and social world. It represents a universal motif which runs through virtually all kinds of change, transformation, and growth. The main objective of this special issue of the Journal of Genius and Eminence is to explore the multi-faceted potential of the hero’s journey and perhaps shed new light on it. The introduction gives an overview of Campbell’s ultimate boon and a summary of each of the 12 articles that follow. Distinguished scientists and outstanding practitioners have joined this journey in tribute to Campbell and the 30th anniversary of his death. The contributors take us far and wide, exploring different ways to explore Campbell’s thoughts, allowing insights into the nuances and subtleties of his mythological world, and striking new ways to illuminate the Campbellian universe.

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BULLEY, DAN. "Negotiating ethics: Campbell, ontopology and hospitality". Review of International Studies 32, n. 4 (ottobre 2006): 645–63. http://dx.doi.org/10.1017/s0260210506007200.

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David Campbell has been at the forefront of showing how deconstruction, and the philosophy of Jacques Derrida, can help us to think international relations differently. Like Derrida himself, Campbell has eschewed the goal of an ethical theory in favour of an ‘ethos of political criticism’ concerned to question and go beyond our assumptions and limits. In order to continue such an ethos of criticism, to push our understanding of ethics in international relations further still, it is surely important to question the assumptions and limits Campbell himself imposes. It is with this in mind that I wish to take a particular political intervention by Derrida in 1993 and read it against Campbell’s Derridean analysis of the Bosnian conflict which began in 1992.

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Campbell, William H. "Campbell, History of Clan Campbell". Scottish Historical Review 82, n. 2 (ottobre 2003): 310–11. http://dx.doi.org/10.3366/shr.2003.82.2.310.

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7

Torrance, Alan. "Douglas Campbell, The Deliverance of God". Scottish Journal of Theology 65, n. 1 (6 gennaio 2012): 82–89. http://dx.doi.org/10.1017/s0036930611000858.

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I have been invited to assess Douglas Campbell's door-stopper of a tome from a theological perspective. Given that this is a work in Pauline scholarship by a leading New Testament scholar, what is the justification for involving a theologian? Clearly, it is because the argumentation of this book is driven by a theological critique of certain key methodological, epistemological and, indeed, ontological suppositions which have functioned to sustain what Campbell calls ‘justification discourse’ – an approach to Pauline interpretation that Campbell argues is outmoded, confused and ultimately incoherent.

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Bakti, Indra Setia, M. Husen e Amiruddin Ketaren. "Konsumerisme, Etika Romantis, dan Kultus Diri: Telaah Ringkas Pemikiran Colin Campbell". Jurnal Sosiologi Agama Indonesia (JSAI) 3, n. 3 (30 novembre 2022): 168–85. http://dx.doi.org/10.22373/jsai.v3i3.1870.

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Consumerism is a prevalent phenomenon that is already symptomatic in today's society. This study aims to discuss an ethic that supports the existence of a consumer society that was born and developed in a very long historical process. Colin Campbell was the first to speak of the romantic ethic that underlies the consumer society. This study uses the method of literature review. The main reference used is a book written by Campbell entitled "The Romantic Ethic and the Spirit of Modern Consumerism". The author also explores the essence of several other supporting books that provide interpretations and perspectives on Campbell's thoughts. The study results show several important concepts from Campbell's thought, including qualitative individualism, romantic ethics, and self-cult. These three conceptions are deeply attached to the spirit of humanism which became the catalyst for the Age of Enlightenment. Romantic ethical doctrine emphasizes the uniqueness or peculiarity of a person. Humans are encouraged to determine their destiny in developing themselves that are "genius, unique, and creative". As for consumption, it becomes a medium in the process of discovery and self-expression. Abstrak Konsumerisme telah menjadi fenomena yang menggejala di tengah kehidupan masyarakat dewasa ini. Studi ini membahas tentang sebuah etika yang mendukung eksistensi masyarakat konsumen yang lahir dan berkembang dalam proses sejarah yang sangat panjang. Colin Campbell pertama kali mengemukakan tentang etika romantis yang melandasi masyarakat konsumen. Studi ini menggunakan metode kajian pustaka. Referensi utama yang digunakan ialah buku yang ditulis oleh Campbell berjudul “The Romantic Ethic and the Spirit of Modern Consumerism”. Penulis juga menggali intisari dari beberapa buku pendukung lain yang memberikan penafsiran dan sudut pandang terhadap pemikiran Campbell. Hasil studi menampilkan beberapa konsep penting dari pemikiran Campbell, diantaranya individualisme kualitatif, etika romantis, dan kultus diri. Ketiga konsepsi tersebut sangat melekat dengan semangat humanisme yang menjadi katalis Abad Pencerahan. Doktrin etika romantis menekankan keunikan atau kekhasan seseorang. Manusia didorong menentukan nasib sendiri dalam mengembangkan dirinya yang “jenius, unik, dan kreatif”. Adapun konsumsi menjadi media dalam proses penemuan dan ekspresi diri.

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Rogers, Steven. "Coattails, Raincoats, and Congressional Election Outcomes". PS: Political Science & Politics 52, n. 2 (23 gennaio 2019): 251–55. http://dx.doi.org/10.1017/s1049096518002135.

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ABSTRACTMore than 60 years ago, Angus Campbell offered an explanation for why the president’s party regularly loses congressional seats in midterm elections. He argued that peripheral voters “surge” to the polls in presidential elections and support the president’s congressional co-partisans but “decline” to turn out in the midterm. In his turnout-based explanation for midterm loss, Campbell speculated that “bad weather or an epidemic may affect the vote” but largely dismissed weather’s utility to test his theory (Campbell 1960, 399). I revisit Campbell’s speculation and employ a new identification strategy to investigate the “surge and decline” account of midterm loss. I show that as the costs of voting increase—due to above-average rainfall on Election Day—the strength of the relationship between presidential and congressional voting weakens.

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Niewiadoma, Elżbieta. "The Experimental Works of Stu Campbell: The Use of New Media in Creating Online Comics". Studia Litteraria 16, n. 3 (2021): 221–39. http://dx.doi.org/10.4467/20843933st.21.016.14006.

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Literature does not need to be solely confined to text, but can be accompanied by moving images, animation, sound, music, as well as a multi-linear narrative, which has become easier to integrate due to the use of hypertext and augmented reality (AR) technology. One author who readily uses such innovations is Stu Campbell, more widely known by his alias, Sutu. Aside from being a writer, Campbell is also an interactive designer and illustrator who combines art and technology in order to produce unique and experimental works. Campbell is inspired by multiple genres and formats through which he addresses poignant themes, such as memory and its loss, the imminent passage of time, as well as the meaning of identity and reality in our increasingly digital and fast-paced environment. Therefore, this paper discusses the selected works of Stu Campbell in the context of their experimental and technological nature drawing on Paola Trimarco’s discussion of “affordances,” a term originally derived from psychologist James L. Gibson, denoting the opportunities and limitations in certain environments. The works discussed are the following: Modern Polaxis, a multilinear comic in the form of a private journal which depends on AR technology to advance its narrative, Nawlz, a cyberpunk webcomic created on a horizontal interactive digital canvas, and These Memories Won’t Last, a semi-autobiographical webcomic which incorporates music, sound and animation. Eksperymentalna twórczość Stu Campbella. Użycie nowych mediów w tworzeniu komiksów online Literatura nie musi ograniczać się wyłącznie do tekstu, ale może towarzyszyć jej ruchomy obraz, animacja, dźwięk, muzyka, a także wieloliniowa narracja, która stała się łatwiejsza do zintegrowania dzięki wykorzystaniu hipertekstu i technologii rozszerzonej rzeczywistości (AR). Jednym z autorów, który chętnie korzysta z takich innowacji, jest Stu Campbell, szerzej znany pod pseudonimem Sutu. Oprócz bycia pisarzem Campbell jest także projektantem interaktywnych aplikacji i ilustratorem, który łączy sztukę i technologię, tworząc unikalne, eksperymentalne utwory. Campbell inspiruje się wieloma gatunkami i formatami o poruszającej tematyce, takiej jak pamięć i jej utrata, nieuchronny upływ czasu, a także znaczenie tożsamości i rzeczywistości w naszym, coraz bardziej cyfrowym i narzucającym szybkie tempo, środowisku. Dlatego w niniejszym artykule omówiono wybrane prace Stu Campbella w kontekście ich eksperymentalnego i technologicznego charakteru, odwołując się do refleksji Paoli Trimarco na temat „afordancji”, terminu wywodzącego się z dorobku psychologa Jamesa L. Gibsona, a oznaczającego możliwości i ograniczenia w określonych środowiskach. Artykuł omawia Modern Polaxis, wielowierszowy komiks w formie prywatnego dziennika, którego narracja opiera się na technologii AR, Nawlz, cyberpunkowy komiks internetowy stworzony na płaskim, interaktywnym, cyfrowym „płótnie”, oraz These Memories Won’t Last, na wpół autobiograficzny komiks internetowy, zawierający muzykę, dźwięk i animację.

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11

Davidson-Ladd, Jane. "Commissioning a Visual Legacy: Louis John Steele and Sir John Logan Campbell". Back Story Journal of New Zealand Art, Media & Design History, n. 9 (1 luglio 2021): 7–29. http://dx.doi.org/10.24135/backstory.vi9.61.

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In 2017, Louis John Steele’s portrait of Sir John Logan Campbell at Kilbryde, c.1902, emerged on the auction market after over a century in private hands. It is a fascinating portrait of one Auckland’s earliest and most celebrated Pākehā citizens. The portrait is Steele’s most ambitious portrait and shows him creatively adapting the British aristocratic portrait tradition to the New Zealand context. No commissioning documents have been traced for the portrait, however a close reading of the painting alongside Campbell’s papers reveal it is filled with highly personal symbolism. The provenance of the painting is also uncovered through this research. Examination of the Kilbryde portrait with Steele’s five other portraits of Campbell demonstrates Campbell’s desire to leave a lasting visual legacy.

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Woods, Karli. "A Creative Letter Inspired by Reading Maria Campbell’s Notable Memoir “Half-Breed” (1973)". Canadian Journal of Family and Youth / Le Journal Canadien de Famille et de la Jeunesse 10, n. 1 (23 marzo 2018): 475–79. http://dx.doi.org/10.29173/cjfy29382.

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This creative letter (as set out below) was inspired due to reading Maria Campbell’s notable memoir “Half-Breed” which was published in 1973. I had the pleasure of taking a third-year Indigenous Feminist Literature class in September 2017 and our first reading assignment was to read “Half-Breed” and critically engage in the discourse in class discussions. I was assigned to read numerous Indigenous memoirs and to read a lot of Indigenous feminist poetry. With this explosion of literature, I was given the task to create a scrapbook presenting “Half-Breed” through creative writing, art work, poetry, and connecting it with a feminist and cultural lens. I thought it would be wonderful to create a response letter to Maria Campbell, explaining my thoughts and ideas surrounding her memoir. I wanted to create a letter that was open-minded, packed with critical thinking, and to challenge stereotypical notions of Indigenous literature – I wanted to break down those barriers and do my best to understand and appreciate this memoir because I fell in love with it after reading it. I kept returning back to vivid passages that had a lot of warmth, strength, and pride in families and communities. Youth is supposed to be an age of innocence, naivety, and adventure. Yet, for Maria Campbell, her time of youth and adolescence was very difficult and harsh – yet there were trinkets of wisdom and hope. Especially with the relationship and bond with her grandmother Cheechum – a powerful person and family anchor that held the family together in difficult times. Maria Campbell revolutionized the importance and preciousness of family in this memoir for me. Grandmothers are important teachers for children especially from an emotional stance for Maria Campbell. I believe building a strong emotional bond and community bond is what builds a person’s character, strength, and kindness. Maria Campbell illustrated these treasured qualities that cannot be taught in the academic classroom – but through her strong ties with her grandmother and community. Maria Campbell’s grandmother Cheechum bequeathed her strength and resilience to deter her struggles in a spiritual and emotional sense. This memoir was definitely awe-inspiring and the reason for why I wanted to create an artistic medium of writing a letter commentary to Maria Campbell.

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Agnew, Lois. "The “Perplexity” of George Campbell's Rhetoric: The Epistemic Function of Common Sense". Rhetorica 18, n. 1 (2000): 79–101. http://dx.doi.org/10.1525/rh.2000.18.1.79.

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Abstract: George Campbell's rhetorical theory is based upon a philosophical tradition that has ancient roots—common sense philosophy. Campbell's interest in common sense emerged through his association with Scottish Enlightenment philosophers such as Thomas Reid. However, Campbell's beliefs about the relationship between individual perception and social knowledge at the same time reveal a philosophical affinity with Aristotie and the Stoics. For Campbell, as for the ancients, common sense represents both the intuitive ability that individuals use in apprehending the reality of the external world and the shared human capacity to make necessary collective judgments. Although Campbell believes that there is objective truth that is apprehended through coinmon sense, he at the same time perceives common sense as providing a foundation for making decisions about the contingent circumstances that people face from day to day. Campbell's rhetoric has frequentiy been described as managerial, but his interest in common sense creates an epistemic function for rhetoric, as it provides the means for negotiating the principles of moral evidence in order to resolve the specific questions that arise in the life of the community.

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Waers, Stephen. "Common Sense Regeneration: Alexander Campbell on Regeneration, Conversion, and the Work of the Holy Spirit". Harvard Theological Review 109, n. 4 (ottobre 2016): 611–36. http://dx.doi.org/10.1017/s0017816016000304.

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Alexander Campbell (1788–1866), a controversialist and prolific writer, often addressed his theological opponents with an acid-tipped pen. Early in his career, few topics received as much attention as regeneration, conversion, and the role of the Holy Spirit. Campbell and his coreligionists on the frontier were hardly the only theologians who focused on these doctrines during the first half of the nineteenth century. Campbell's early polemics make it clear that he had substantially modified or rejected many of the major tenets of the Presbyterianism of his youth regarding these topics. His early writings find his literary resources arrayed against such doctrines as human inability and metaphysical regeneration that his Reformed opponents held. Campbell's biographer even tells us that Campbell's views of regeneration and conversion shifted. In this paper, I argue that one of the major factors driving Campbell's rejection of these widely held Reformed doctrines was his appropriation of the thought of John Locke and Scottish Common Sense Philosophy (SCSP). More specifically, I argue that Alexander Campbell's understanding of testimony, firmly rooted in the thought of Locke and SCSP, was the sine qua non of his conception of regeneration, conversion, and the work of the Holy Spirit.

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Bückmann, Detlef. "Book Review Campbell: Biologie". Entomologia Generalis 30, n. 1 (4 luglio 2007): 103–4. http://dx.doi.org/10.1127/entom.gen/30/2007/103.

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Thevenot, Catherine, e Pierre Barrouillet. "Are small additions solved by direct retrieval from memory or automated counting procedures? A rejoinder to Chen and Campbell (2018)". Psychonomic Bulletin & Review 27, n. 6 (23 settembre 2020): 1416–18. http://dx.doi.org/10.3758/s13423-020-01818-4.

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AbstractContrary to the longstanding and consensual hypothesis that adults mainly solve small single-digit additions by directly retrieving their answer from long-term memory, it has been recently argued that adults could solve small additions through fast automated counting procedures. In a recent article, Chen and Campbell (Psychonomic Bulletin & Review, 25, 739–753, 2018) reviewed the main empirical evidence on which this alternative hypothesis is based, and concluded that there is no reason to jettison the retrieval hypothesis. In the present paper, we pinpoint the fact that Chen and Campbell reached some of their conclusions by excluding some of the problems that need to be considered for a proper argumentation against the automated counting procedure theory. We also explain why, contrary to Chen and Campbell’s assumption, the network interference model proposed by Campbell (Mathematical Cognition, 1, 121–164, 1995) cannot account for our data. Finally, we clarify a theoretical point of our model.

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McLaughlin, Brian P. "The Representational vs. the Relational View of Visual Experience". Royal Institute of Philosophy Supplement 67 (7 luglio 2010): 239–62. http://dx.doi.org/10.1017/s135824611000010x.

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AbstractInReference and Consciousness,1John Campbell attempts to a make a case that what he calls ‘the Relational View’ of visual experience, a view that he champions, is superior to what he calls ‘the Representational View’.2I argue that his attempt fails. In section 1, I spell out the two views. In section 2, I outline Campbell's case that the Relational View is superior to the Representational View and offer a diagnosis of where Campbell goes wrong. In section 3, I examine the case in detail and argue that it fails. Finally, in section 4, I mention two very well-known problems for the Relational View that are unresolved in the book.

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Martin, Ged. "Alexander Campbell (1822-1892)". Ontario History 105, n. 1 (31 luglio 2018): 1–18. http://dx.doi.org/10.7202/1050744ar.

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Although he was a father of Confederation, Alexander Campbell (1822-1892) is generally overshadowed by John A. Macdonald, whose law partner he was from 1843 to 1849, and whom he served for the first twenty years of the Dominion as Conservative party leader in the Senate, before retiring to become Lieutenant-Governor of Ontario in 1887. In fact, Campbell’s participation in public life was an achievement, since he suffered from impairment of mobility and was also subject to epileptic attacks. His marriage in England in 1855 to Frederica Sandwith broke up when she returned to Europe in 1871. She was later certified as insane and spent several years in asylums. Victorian reticence generally prevented open allusion to the difficulties of Campbell’s private life. The accidental death by shooting of his younger son in 1886, initially interpreted as suicide, prompted a few journalists to lift the veil and provide clues which this article traces back into the sparse archival record.

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Matlock, R. Barry. "Zeal for Paul but Not According to Knowledge: Douglas Campbell’s War on ‘Justiﬁcation Theory’". Journal for the Study of the New Testament 34, n. 2 (dicembre 2011): 115–49. http://dx.doi.org/10.1177/0142064x11424851.

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Douglas Campbell’s The Deliverance of God: An Apocalyptic Rereading of Justiﬁcation in Paul is a thoroughgoing critique of what Campbell calls ‘Justiﬁcation theory’ (JT, ‘a fundamentally contractual and hence also individualist and rationalist soteriology’), which he takes to be the underlying cause of a vast range of historic and current difﬁculties in reading Paul. Campbell aims to eliminate JT from Paul, both criticizing it in its own right and displacing it via a ‘rhetorical’ and ‘apocalyptic’ rereading of Rom. 1–4 and related texts. In this way, he hopes to lead Pauline scholarship not only ‘beyond the “Lutheran” reading of Paul’ but ‘beyond the protests of “the new perspective” as well’, declaring his book to be ‘an important moment in the advance to ecclesial and scholarly triumph of the participatory and apocalyptic gospel’. This review essay follows closely Campbell’s account of JT and its difﬁculties, offers a methodological and substantive critique of his ‘theoretical description’ of JT and its ‘conventional reading’ of Romans, and identiﬁes and critiques the key moves that make up Campbell’s rereading of Rom. 1–4.

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Webster, Don. "The interpretation and probable dating of conversations found in Victor Campbell's field note-book, written while in a snow-cave on Inexpressible Island, Antarctica, during the winter of 1912". Polar Record 51, n. 5 (17 luglio 2014): 467–74. http://dx.doi.org/10.1017/s0032247414000412.

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ABSTRACTScott's Northern Party, led by Victor Campbell, after almost a year at Cape Adare was moved south by Terra Nova. They landed at Evans Cove for five weeks’ sledging in the Wood Bay area. Bad ice-conditions prevented the vessel from returning. Campbell's party, stranded with little food and only summer equipment, faced the 1912 winter alone. For shelter they dug a snow-cave and there survived for seven months, living mainly on seals and penguins. Finally in early spring they sledged 230 miles back to Scott's party at Cape Evans. The small snow-cave provided little privacy. Authors have mentioned how Campbell divided the cave into two virtual messes, one for the ratings, the other for the officers, with the associated naval implications that conversations in one mess were not to be ‘paid attention to’ in the other. Still, at times, private exchanges were needed. Hooper describes one silent conversation between Campbell and Levick found in the latter's cave-diary, and mentions some others relating to health matters. This paper describes one drawing and nine new written conversations between Campbell, Levick and Priestley found in a field-notebook held in the Victor Campbell Collection at the Memorial University of Newfoundland. The conversations are transcribed, interpreted, and placed in the context of the life in the snow-cave. All were written during September, their last month there, and show that officers often needed to converse silently in writing and, furthermore, that the two-mess concept was not a satisfactory context for private conversations.

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Binney, Matthew. "John Campbell’s “Short Papers” for Lord Bute in the London Evening Post". International Review of Scottish Studies 45 (1 dicembre 2020): 100–115. http://dx.doi.org/10.21083/irss.v45i0.5464.

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John Campbell’s (1708-1775) biographer, Guido Abbattista, has argued that Campbell sought to publish a pamphlet, Thoughts on Public Affairs, in 1761. However, a review of Campbell’s private correspondence in 1761 with the future prime minister, John Stuart, 3rd earl of Lord Bute (1713-1792), indicates that the historian sought not to publish a pamphlet, but newspaper articles that promote the king’s new reign and his administration. Six of these articles have been found in the London Evening Post, and they use ideas and language from Henry St. John, 1st viscount Bolingbroke to represent George III as a Patriot King, to advance the Tory policies of Bute’s future administration, and to encourage a prospective peace to the Seven Years’ War (1756-1763). These six, new attributions to Campbell not only expand his extensive canon, but also portray his significant role in offering the rhetoric and depicting the ideas of George III’s early reign and Bute’s ascendency to premiership.

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Bryden, Mary, e Mariko Hori Tanaka. "Julie Campbell". Journal of Beckett Studies 23, n. 2 (settembre 2014): 244–46. http://dx.doi.org/10.3366/jobs.2014.0106.

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Campbell, Michael J. "Hubert Campbell". BMJ 335, n. 7629 (22 novembre 2007): 1101.1–1101. http://dx.doi.org/10.1136/bmj.39392.670197.be.

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Campbell, D. "Mary Campbell". BMJ 337, jul22 1 (22 luglio 2008): a920. http://dx.doi.org/10.1136/bmj.a920.

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Campbell, D. "Brian Campbell". BMJ 337, jul22 1 (22 luglio 2008): a921. http://dx.doi.org/10.1136/bmj.a921.

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&NA;. "Glen Campbell". Neurology Now 10, n. 1 (2014): 7. http://dx.doi.org/10.1097/01.nnn.0000444202.68148.56.

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Cote, Bonnie Boyle. "Glen Campbell". Neurology Now 10, n. 1 (2014): 7. http://dx.doi.org/10.1097/01.nnn.0000444203.75772.97.

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28

Caudwell, J. "Duncan Campbell". Notes and Queries 51, n. 4 (1 dicembre 2004): 380–81. http://dx.doi.org/10.1093/nq/51.4.380.

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29

Caudwell, James. "Duncan Campbell". Notes and Queries 51, n. 4 (1 dicembre 2004): 380–81. http://dx.doi.org/10.1093/nq/510380.

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30

Green, Nick. "John Campbell". International Journal of Cast Metals Research 19, n. 1 (gennaio 2006): 1. http://dx.doi.org/10.1179/136404606225023507.

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31

Mason, David, e Bill Smith. "Dugald Campbell". British Dental Journal 209, n. 4 (agosto 2010): 193. http://dx.doi.org/10.1038/sj.bdj.2010.768.

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32

Campbell, I. A. "Campbell replies". Physical Review Letters 69, n. 21 (23 novembre 1992): 3131. http://dx.doi.org/10.1103/physrevlett.69.3131.

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33

Mercer, A. D. "Hector Campbell". British Corrosion Journal 24, n. 2 (gennaio 1989): 81. http://dx.doi.org/10.1179/000705989798270243.

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34

Campbell, Derek. "Derek Campbell". British Journal of Healthcare Management 15, n. 5 (maggio 2009): 248–49. http://dx.doi.org/10.12968/bjhc.2009.15.5.42118.

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35

Linton, Otha. "Jack Campbell". Journal of the American College of Radiology 9, n. 8 (agosto 2012): 600. http://dx.doi.org/10.1016/j.jacr.2012.01.004.

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36

Campbell, William H. "Campbell, A History of Clan Campbell, Volume III". Scottish Historical Review 85, n. 2 (ottobre 2006): 356–58. http://dx.doi.org/10.3366/shr.2007.0003.

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37

Vogler, Christopher. "Joseph Campbell Goes to the Movies: The Influence of the Hero’s Journey in Film Narrative". Journal of Genius and Eminence 2, Volume 2, Issue 2: Winter 2017 (1 dicembre 2017): 9–22. http://dx.doi.org/10.18536/jge.2017.02.2.2.02.

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Abstract (sommario):

The influence of Joseph Campbell and his monomyth model on film narratives and motifs first became apparent forty years ago with the release of the first film in George Lucas’ Star Wars franchise in 1977. This article traces the wide adoption of Campbell’s ideas as tools for shaping movie stories and characters, due to the popularity of Star Wars and other fantasy adventure franchises cast in the Campbell monomyth mold, and the growing awareness of screenwriters, directors and studio executives that the hero’s journey is an effective tool for story development in any genre. Campbell’s original statement of the monomyth is compared with Christopher Vogler’s model of the hero’s journey, specifically designed for screenwriters. The article establishes that in either form, the monomyth/hero’s journey has been widely adopted by screenwriters, playwrights and designers of games and theme park rides to give their creations some of the epic feeling of myths. Key work in which Campbell’s hero’s journey was consciously applied are discussed, and criticisms of the hero’s journey as a narrative template are addressed. Some reasons for the pattern’s enduring appeal for audiences are suggested.

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38

Scott, David. "C. A. Campbell and the Reprise of Cartesian Subjectivity". Idealistic Studies 51, n. 3 (2021): 189–210. http://dx.doi.org/10.5840/idstudies2021101133.

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In his Meditations Descartes advances an argument that contains the essentials of the so-called “hard problem” of explaining consciousness. I show how this Cartesian argument was taken up in the twentieth century by C. A. Campbell, the moral libertarian and student of idealist Henry Jones. Campbell can be regarded as the model of what John Passmore and Simon Glendinning have respectively dubbed a “recalcitrant metaphysician” or “honorary Continental” philosopher—labels that attach largely to metaphysically-minded, mainly British thinkers who, with varying degrees of affiliation to idealism, resisted the twentieth-century trends of logical behaviorism and the “revolutionary” linguistic method. In the course of this paper, I situate Campbell’s version of Descartes’ argument within the broader history of the development of the hard problem.

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Gray, Derek J. "A Schools Science Exhibition". Gifted Education International 6, n. 3 (gennaio 1990): 182–86. http://dx.doi.org/10.1177/026142949000600312.

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The preparation of school Science Fair Projects provides a medium to assess the qualities of ‘good’ teaching practice described by Campbell (1986) and to examine these qualities in the context of Renzulli's three task levels (1977). It would seem that the preparation of an exhibit fulfils both Campbell's criteria and Renzulli's task descriptors.

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McLellan, I. D. "Lectotypes forNeocurupira chiltoni(Campbell) andPeritheates harrisi(Campbell) (Diptera: Blephariceridae)". New Zealand Journal of Zoology 28, n. 1 (gennaio 2001): 103–7. http://dx.doi.org/10.1080/03014223.2001.9518260.

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41

Wang, X. T., e Ralph Hertwig. "How is maternal survival related to reproductive success?" Behavioral and Brain Sciences 22, n. 2 (aprile 1999): 236–37. http://dx.doi.org/10.1017/s0140525x99481816.

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Campbell's target article is a stimulating attempt to extend our understanding of sex differences in risk-taking behaviors. However, Campbell does not succeed in demonstrating that her account adds explanatory power to those (e.g., Daly & Wilson 1994) previously proposed. In particular, little effort was made to explore the causal links between survival (staying alive) and reproduction.

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Perelshtein, Roman. "Eldar Ryazanov’s Film Watch Out For the Automobile Through the Prism of Joseph Campbell’s “Hero-Adventure”". Scientific and analytical journal Burganov House. The space of culture 15, n. 3 (10 settembre 2019): 169–81. http://dx.doi.org/10.36340/2071-6818-2019-15-3-169-181.

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We propose a universal methodology for analyzing scripted films based on the “hero’s journey” structure defined by Joseph Campbell. This methodology helps in identifying new meanings in a dramatic work, regardless of the genre of the film. Eldar Ryazanov’s tragicomedy Watch Out For the Automobile (also known as Uncommon Thief in the United States) is a classic example of Campbell’s monomyph. According to Campbell, the hero’s journey consists of three acts: “departure,” “initiation,” and “return.” Each act consists of six stages, if we amend the “departure” act to include the “ordinary world” stage, described by Christopher Vogler in The Writer’s Journey: Mythic Structure For Writers. There exists a correspondence between the stages of the hero’s journey and the compositional structure of drama, which has been pointed out by a number of researchers (mainly American authors like Syd Field, Linda Seger, Christopher Vogler, etc.) We, however, will attempt to prove that comedy films can also be analyzed from the standpoint of Campbell’s “hero-adventure”. Eldar Ryazanov’s film Watch Out For the Automobile (1966) is centered around the character of Yuri Detochkin. The climax of every episode of the film is focused on Detochkin, just as the climax of every stage of the hero’s journey is associated with the hero of the myth. However, this is not the primary similarity. The character of Detochkin, portrayed by Innokenty Smoktunovsky, having passed through a series of trials, acquires integrity and becomes transformed. As in a monomyth, we are dealing with the character arc of a hero who has completed his journey, and has thus fulfilled his mission. In the spirit of “hero-adventure”, Campbell’s allegories help interpret a variety of dramatic situations. This is because, in essence, all of these situations are archetypes. It is very important, however, to define their placement in the structure of the story. Most often this happens spontaneously, by way of the artist’s intuition, but the structure proposed by Campbell helps approach the creative process more deliberately. The goal of this research was to demonstrate the congeniality of the two methods: the intuitive method used by the authors of the film Watch Out For the Automobile, and the rational method used by the author of the book The Hero with a Thousand Faces based on a vast collection of legends and myths. Our hypothesis was entirely confirmed: Eldar Ryazanov and Emil Braginsky were using the same artistic logic for guidance as their predecessor Joseph Campbell.

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Udhayakumar, S. "Identity Crisis and Solution for Canadian Native Women in Halfbreed". Shanlax International Journal of English 9, n. 3 (1 giugno 2021): 64–69. http://dx.doi.org/10.34293/english.v9i3.3985.

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Abstract (sommario):

Maria Campbell’s autobiography Halfbreed is a self-exploration of herself in the process of her survival pursuit. Her thirty three years of bitter experience with racism and poverty are the major content of her autobiography. Moreover, she has also recorded in the work the sense of alienation in her own land which mainly has made her to feel the traumatic painful experience. Hence, Identity crisis is seen as the major issue that steeps as a block for not only to herself but also to her community women fully towards overcoming their social barriers like poverty, sexism, and racism. Moreover, her self-exploration sets up an ideal to her community women to become stronger and self-reliant. Hence, the paper argues that how Campbell has created her own identity while experiencing problems and issues on her growing up with shameful identity and how she has become the solution to all the halfbreeds like her. The paper further studies that how Campbell has dealt with shame and humiliations which are the threat in achieving empowerment. The paper also analyzes the solution that Campbell has developed by herself despite her negative experiences, what she has learned from the negatives and how she has constructed her own identity which strengthens herself and her community as well.

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44

Glass, William. "The Treasures of Wisdom and Knowledge: The Role of Esthetics in Ancient and Modern Interpretations of Paul". Journal of Theological Interpretation 9, n. 1 (2015): 85–100. http://dx.doi.org/10.2307/26373875.

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ABSTRACTS This article explores the effect of basic hermeneutical commitments on biblical interpretation, both historical-critical and theological. First, it examines a recent and controversial historical-critical reading of Rom 1, found in Douglas Campbell's The Deliverance of God, by placing it in conversation with St. Augustine's own exegesis of the same passage in De Trinitate. Campbell sees Paul to be enacting in the opening chapters of Romans a parody of an opponent's preaching and performing a Socratic reduction to absurdity of the argument, clearing the way for his own message. Although many critiques of Campbell's reading note its novelty with some frustration, I suggest that the complex of interpretive moves St. Augustine performs on Rom 1:18–32, and especially on 1:20, constitute a weighty recognition from tradition in support of Campbell's thesis that the passage is ripe for rereading. Campbell's unintentional sympathy with Augustine is found owing to a similarity in approach between Campbell's Polanyist hermeneutic and Augustine's fides quaerens intellectum, both of which admit the effect of readers' own commitments on a text while preserving a meaningful way to arbitrate between competing readings. For both readers, I suggest, competing construals of a text depend for their validity on their ability to negotiate all the features of a text on multiple interpretive planes with simplicity and ease, an admittedly esthetic criterion that ancient theologians would call "fittingness." I conclude that esthetic modes of inquiry may be especially fruitful in discovering other sympathies such as those of Campbell and Augustine.

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Glass, William. "The Treasures of Wisdom and Knowledge: The Role of Esthetics in Ancient and Modern Interpretations of Paul". Journal of Theological Interpretation 9, n. 1 (2015): 85–100. http://dx.doi.org/10.2307/jtheointe.9.1.0085.

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Abstract (sommario):

ABSTRACTS This article explores the effect of basic hermeneutical commitments on biblical interpretation, both historical-critical and theological. First, it examines a recent and controversial historical-critical reading of Rom 1, found in Douglas Campbell's The Deliverance of God, by placing it in conversation with St. Augustine's own exegesis of the same passage in De Trinitate. Campbell sees Paul to be enacting in the opening chapters of Romans a parody of an opponent's preaching and performing a Socratic reduction to absurdity of the argument, clearing the way for his own message. Although many critiques of Campbell's reading note its novelty with some frustration, I suggest that the complex of interpretive moves St. Augustine performs on Rom 1:18–32, and especially on 1:20, constitute a weighty recognition from tradition in support of Campbell's thesis that the passage is ripe for rereading. Campbell's unintentional sympathy with Augustine is found owing to a similarity in approach between Campbell's Polanyist hermeneutic and Augustine's fides quaerens intellectum, both of which admit the effect of readers' own commitments on a text while preserving a meaningful way to arbitrate between competing readings. For both readers, I suggest, competing construals of a text depend for their validity on their ability to negotiate all the features of a text on multiple interpretive planes with simplicity and ease, an admittedly esthetic criterion that ancient theologians would call "fittingness." I conclude that esthetic modes of inquiry may be especially fruitful in discovering other sympathies such as those of Campbell and Augustine.

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46

Gregory, Fiona. "Mrs. Pat's Two Bodies: Ghosting and the Landmark Performance". Theatre Survey 57, n. 2 (13 aprile 2016): 218–31. http://dx.doi.org/10.1017/s0040557416000065.

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Abstract (sommario):

In 1893, Mrs. Patrick (Stella) Campbell appeared as the title character in Arthur Wing Pinero's The Second Mrs Tanqueray at the St James's Theatre in London. The play told of a respectable widower, Aubrey Tanqueray, and his doomed second marriage to Paula, a younger woman with a past. Good wives did not have “pasts,” and Paula's is particularly scandalous for she has, since adolescence, “kept house” with a series of men. Aware that their marriage is unlikely to be accepted by their peers, Paula and Aubrey retreat to the country, where they are joined by Aubrey's adult daughter, Ellean. Ellean subsequently becomes engaged to a young soldier, Hugh Ardale. The crisis of the play occurs when Paula and Ardale come face to face and the audience learns that the pair had once lived together in London. With this revelation, Paula becomes convinced that she cannot outrun her past, and the play closes with her suicide. Despite the conventionality of its ending, the play was considered modern and daring and is remembered as one of the first attempts to represent the “fallen woman” sympathetically and to question the sexual double standard that operated in Victorian society. Campbell's clarity of expression and relatively unmannered delivery enhanced Pinero's uncommonly sympathetic portrait of a former courtesan. However, it was the actress's physical presence that particularly captured the audience's imagination. Campbell was tall, pale, and thin to the point of angularity—a representative example of the fashionable “neurasthenic” woman of the 1890s. Pinero's characterization joined with Campbell's playing style and (most important) her physicality to create the entity I dub “Paula Tanqueray circa 1893.” This entity haunted Campbell's entire career, acting as a ghostly double to her living body both onstage and off. Campbell continued to play the role of Paula Tanqueray into the 1920s, yet as the actress's body matured and changed, that of the ghost retained its svelte 1893 proportions and youthful charm, creating a corporeal dissonance that disrupted audience reception.

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Kuklick, Bruce. "Comment on Campbell". Transactions of the Charles S. Peirce Society: A Quarterly Journal in American Philosophy 43, n. 2 (aprile 2007): 382–85. http://dx.doi.org/10.2979/tra.2007.43.2.382.

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48

Campbell, J., B. Sykes e R. Rubira. "Robert Wallace Campbell". Australian Veterinary Journal 99, n. 11 (novembre 2021): 502–3. http://dx.doi.org/10.1111/avj.13121.

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49

Ghosh, Subha. "Williams-Campbell Syndrome". Radiology 302, n. 2 (gennaio 2022): 274. http://dx.doi.org/10.1148/radiol.2021211621.

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50

Mackie, Margaret A. "Kate Isabel Campbell". Medical Journal of Australia 146, n. 3 (febbraio 1987): 161–62. http://dx.doi.org/10.5694/j.1326-5377.1987.tb120167.x.

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