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Autore: Grafiati

Pubblicato: 26 luglio 2024

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1

Sheila, Petty, Mount Saint Vincent University. Art Gallery. e Neutral Ground (Art Gallery). Soil Digital Media Suite., a cura di. Racing the cultural interface: African diasporic identities in the digital age, with works by John Akromfrah, Wayne Dunkley, Philip Mallory Jones, Carmin Karasic, Roshini Kempadoo & Camille Turner. Halifax, N.S: Mount Saint Vincent Art Gallery, 2004.

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2

Spencer, Roger R. Blackswamp & Greenlawn Cemetery: Wayne Township, Darke County, Ohio : Volume I. [Logansport, IN: R.R. Spencer & R.H. Stephens], 2014.

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3

United States. Bureau of the Census. 1990 census of population and housing: Population and housing characteristics for census tracts and block numbering areas : Fort Wayne, IN MSA. Washington, DC: U.S. Department of Commerce, Economics and Statistics Administration, Bureau of the Census, 1993.

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4

Integrated Mission for Sustainable Development (India) e Madhya Pradesh Council of Sc. & Tech. Remote Sensing Applications Centre., a cura di. Integrated Mission for Sustainable Development: Land and wate [i.e. water] resources development plans for Chicholi Block, Betul District, Madhya Pradesh. Bhopal: Remote Sensing Applications Centre, MP Council of Science & Technology, 1996.

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5

LEE, Telford. Wolves of Atlantis: A John Wayne Black Novel. Independently Published, 2017.

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6

League, Fort Wayne Urban. State of Black Fort Wayne: A Statistical Profile of the African-American Community; Fort Wayne Urban League. The Fort Wayne Urban League, 2003.

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7

Publishing, Wayne. Always Be Yourself Unless You Can Be Wayne Then Always Be Wayne: Lined Journal, 120 Pages, 6 X 9, Wayne Personalized Name Notebook Gift Idea, Black Matte Finish. Independently Published, 2020.

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8

Patterson, Robert J., a cura di. Black Cultural Production after Civil Rights. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042775.001.0001.

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Abstract (sommario):

Through its analysis of film, drama, fiction, visual culture, poetry, and other cultural -artifacts, Black Cultural Production after Civil Rights offers a fresh examination of how the historical paradox by which unprecedented civil rights gains coexist with novel impediments to collectivist black liberation projects. At the beginning of the 1970s, the ethos animating the juridical achievements of the civil rights movement began to wane, and the rise of neoliberalism, a powerful conservative backlash, the co-optation of “race-blind” rhetoric, and the pathologization and criminalization of poverty helped to retrench black inequality in the post-civil rights era. This book uncovers the intricate ways that black cultural production kept imagining how black people could achieve their dreams for freedom, despite abject social and political conditions. While black writers, artists, historians, and critics have taken renewed interest in the historical roots of black un-freedom, Black Cultural Production insists that the 1970s anchors the philosophical, aesthetic, and political debates that animate contemporary debates in African American studies. Black cultural production and producers help us think about how black people might achieve freedom by centralizing the roles black art and artists have had in expanding notions of freedom, democracy, equity, and gender equality. Black cultural production continues to engage in social critique and transformation and remains an important site for the (re)making of black politics.

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9

Publishing, U. S. A. In My Defense I Grew up in Wayne United States of America: Lined Journal, 120 Pages, 6 X 9, Funny Wayne USA Gift, Black Matte Finish. Independently Published, 2019.

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10

Hogeland, William. Autumn of the Black Snake: George Washington, Mad Anthony Wayne, and the Invasion That Opened the West. Farrar, Straus and Giroux, 2018.

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11

Publishing, Wingman. Wayne's Little Black Book: The Perfect Dating Companion for a Handsome Man Named Wayne. A secret place for names, phone numbers, and addresses. Independently published, 2019.

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12

Hogeland, William. Autumn of the Black Snake: The creation of the U.S. Army and the invasion that opened the West. 2017.

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13

Hogeland, William. Autumn of the Black Snake: The Creation of the U. S. Army and the Invasion That Opened the West. Farrar, Straus & Giroux, 2017.

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14

Pilchak, Angela M. Contemporary Musicians. Thomson Gale, 2004.

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15

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2005.

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16

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2005.

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17

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2004.

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18

Pilchak, Angela M. Contemporary Musicians: Profiles Of The People In Music (Contemporary Musicians). Thomson Gale, 2005.

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19

Pilchak, Angela M. Contemporary Musicians. Thomson Gale, 2007.

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20

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2004.

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21

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2005.

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22

Pilchak, Angela M. Contemporary Musicians: Profiles Of The People In Music (Contemporary Musicians). Thomson Gale, 2005.

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23

Pilchak, Angela M. Contemporary Musicians: Profiles Of The People In Music (Contemporary Musicians). Thomson Gale, 2005.

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24

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2005.

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25

Pilchak, Angela M. Contemporary Musicians. Thomson Gale, 2006.

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26

Pilchak, Angela M. Contemporary Musicians. Thomson Gale, 2006.

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27

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2004.

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