Bibliografie tematiche / Biography

Letteratura scientifica selezionata sul tema "Biography"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2024

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Articoli di riviste sul tema "Biography"

Chalupský, Petr. "Dodging the Literary Undertaker – Biographic Metafiction in Hanif Kureishi’s The Last Word". Prague Journal of English Studies 6, n. 1 (26 luglio 2017): 105–22. http://dx.doi.org/10.1515/pjes-2017-0007.

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Abstract Hanif Kureishi’s 2014 novel, The Last Word, involves most of the author’s idiosyncratic themes, such as ethnicity, racism, sexual identity, examination of interpersonal relationships and the crucial role of the creative imagination in human life. Its focal concern, however, is to explore the process of writing a literary biography of a living person and the character and dynamics of the relationship between the biographer and his subject - a writer. As such, the novel can be taken as being representative of biographic metafiction, a subcategory of historiographic metafiction, which, following the postmodernist questioning of our ability to know and textually represent historical truth, presents biographic writing critically or even mockingly, rendering its enthusiastic practitioners’ efforts with ironic scepticism. The aim of this article is to present The Last Word as a particular example of biographic metafiction that has all the crucial features of this genre, yet which differs from its predecessors through the complexity and thoroughness of its portrayal of the biographer-biographee relationship.

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Grace, Sherrill. "Timothy Findley, His Biographers, and The Piano Man’s Daughter". Text Matters, n. 8 (24 ottobre 2018): 413–30. http://dx.doi.org/10.1515/texmat-2018-0024.

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In this paper, Sherrill Grace, Findley’s biographer, will examine her biographical practices in the context of Findley’s own memoir, Inside Memory, and his interest in creating fictional auto/biographers and auto/biography in several of his major novels (notably The Wars, Famous Last Words, The Telling of Lies, and The Piano Man’s Daughter). His fictional auto/biographers often use the same categories of document that Findley himself used—journals, diaries, archives—and this reality produces some fascinating challenges for a Findley biographer, not least the difficulty of separating fact from fiction, or, as Mauberley says in Famous Last Words, truth from lies. Like many writers, Findley kept journals all his life, and they are a key source of information for his biographer; however, his way of recording information and his creation of fictional journals means that a biographer (like the readers of his fictional auto/biographers) must tread carefully. While not a theoretical study of auto/biography, in this paper Grace will offer insights into the traps that lie in waiting for a biographer, especially when dealing with a biographee who is as self-conscious an auto/biographer as Findley.

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Loktevich, Ekaterina V. "ROCK-POET’S PREBIOGRAPHIC IMAGE IN INTERNET-DISCOURSE FOCUS (article two)". Culture and Text, n. 51 (2022): 70–85. http://dx.doi.org/10.37386/2305-4077-2022-4-70-85.

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On the example of the Internet-discourse dealing with understanding the life and creativity of Konstantin Stupin, the problems associated with formation and approval of the prebiographical image of the Russian rock-poet in the reader’s environment are revealed. Media decoding of different aspects of private life is studied from the standpoint of the confrontation of cultures, moral and aesthetic stances of different recipient groups. The points of contact between the biographed and the biographer as the central subjects of biography are considered. A range of issues is determined, the solution of which is necessary for further theoretical and methodological study of the structure and content of the prebiography and biography of the rock-poet in the context of creative memory of culture.

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Kapoor, Dr B. B. S. "Biography". Asian Pacific Journal of Health Sciences 1, n. 1 (gennaio 2014): 48–49. http://dx.doi.org/10.21276/apjhs.2014.1.1.8.

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Ganguly, Dr Subha. "Biography". Asian Pacific Journal of Health Sciences 1, n. 2 (aprile 2014): 139–40. http://dx.doi.org/10.21276/apjhs.2014.1.2.18.

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Barman, Roderick J. "Biography as History". Journal of the Canadian Historical Association 21, n. 2 (10 maggio 2011): 61–75. http://dx.doi.org/10.7202/1003088ar.

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Biography has been for the last fifty years the stepchild of history. Drawing on the author’s personal experience as a biographer and a reader of biographies, the article considers the reasons why most historians avoid biography, examines the three unproductive forms of the genre or “no gos” to be avoided by would-be biographers, discusses the five caveats that should guide those writing biographies, and indicates the ways in which biography can be employed to advance our understanding of the past. Despite being a genre abounding in problems, biography is both viable and valuable, a useful but not a major weapon in the historian’s arsenal.

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Khan, Muhammad sajid. "Biography: Anees by Nayyar Masood (An Overview of his Sketch writing)". Pakistan Journal of Applied Social Sciences 5, n. 1 (8 marzo 2017): 35–42. http://dx.doi.org/10.46568/pjass.v5i1.473.

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The article aims at exploring and analyzing the sketch-writing in Anees, a biography written by Nayyar Masood. The sketches usually appeared in a biography is little different from a sketch developed as a genre in Urdu literature. The reason to see such sketches is to know how importance given by the biographer to those influencing the life and time of the hero of the biography. A successful biography is what in which the time and life of the hero appeared vividly as it leads readers to understand the era, literary culture of the time, political atmosphere and various linguistic trends. It happens when a biographer focuses the hero and his or her contemporaries. The way contemporaries are focused in a biography it forms a genre in literature. The article gives instances from Anees to suppert his view and paving the way for a new genre in literature. This article also discusses some of the factors relevant to form a genre.

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Karpinski, Eva C. "Hélène Cixous’s „The Exile of James Joyce”: A Biographical Limit Case". Anglica Wratislaviensia 55 (18 ottobre 2017): 35–45. http://dx.doi.org/10.19195/0301-7966.55.3.

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This article examines Hélène Cixous’s biographical monograph The Exile of James Joyce as a limit case of biographical praxis. Joyce’s biography is read in the context of Cixous’s own evolving personal motif of exile, revealing her autobiographical investment in becoming a writer through reading Joyce. She pushes the boundaries of the biographical genre at the intersections of autobiography, literary criticism, and biography, defying simple generic classifications and exposing the limits of conventional demarcations between the artist, the work, the biographer, and the critic. As a result, the text becomes a creative-interpretive hybrid project, where the biographical code has been displaced by focus on epistemological, psychological, and textual problems implicit in the relationship between the biographer and the biographical subject. Her approach invites us to consider the following questions: How does she rewrite Joyce through her own multiple experiences of exile that she also shares with Jacques Derrida? What difference does gender make in the construction of the biographical subject as the great modernist “genius”? How does gender marginalization impact her authority as a biographer? The discussion is also framed through some larger questions concerning the aesthetic, epistemological, ethical, and political role of biography in approaching modernist literature and culture: Is biography an art or a craft? What kind of knowledge does biography generate? How far is biography a form of discursive violence and voyeurism? How can attention to affect and intimacy offer new insights into the aesthetics of the biographical genre?

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Ware, Susan. "Writing Women's Lives: One Historian's Perspective". Journal of Interdisciplinary History 40, n. 3 (gennaio 2010): 413–35. http://dx.doi.org/10.1162/jinh.2010.40.3.413.

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From the start, biography played a vibrant and significant part in the growth of women's history, especially American women's history, as a well-respected and popular field within the historical profession. The insistence of feminist biographers that the personal is political, and that attention must be paid to the daily lives of their subjects as well as to their more public achievements, continues to ripple through the field of biography as a whole. To talk about biography is also to talk about the biographer, for the precise reason that behind every biography lies autobiography—that special spark that draws the biographer to the subject in the first place and the interaction that unfolds as the project moves forward (or stalls, as often happens). As feminist theory reminds us, the personal element is relevant to the broader intellectual agenda.

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Willumsen, Liv Helene. "Om Regine Normanns biografi med påfølgende debatt - slik biografen ser det". Nordlit 2, n. 1 (1 gennaio 1998): 337. http://dx.doi.org/10.7557/13.2210.

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This essay is written as part of a debate related to the biography as genre, following the publishing of my biography Havmannens datter. Regine Normann - et livsløp [The merman's daughter. Regine Normann - a life story] (1997). On one hand the essay contains arguments related to this specific biography. On the other hand, it contains general points of view related to biography as genre. The author defines biography as a written life-story about a person different from the biographer himself or herself. A biography is a work according to historical methods, as it is based on historical sources and has an explicit claim to documentation inherent. In the specific biography on Regine Normann, which is styled as a story, strict demands to historical references are practiced. Still the biography in its final form is dependant upon interpretation of the sources. As more general points on biography as genre the essay argues that competence within documentation is of uttermost importance for the work, as reliable historical sources are the fundament of any valid biography. The work of reference is emphasized, as the reader should have the possibility to control the factual information given. There is a demand that correct and accurate when referring to sources, and not inventing or adding information which can not be documented.It is further argued for a division line between biography writing and literary analysis, in cases wherein the biography is written on an author. For that reason, literary analysis of fictional works does not have any place in a biography, but should be published as literary research. The interpretative function of the biographer is underlined, even in a text based on historical information. In a text formed along narrative lines, as is the case with Regine Normann's life story, the narrator has the authority and power to interpret documents and formulate the text in his own manner and according to his interpretation. N.B: This article was originaly printed among the reviews of Nordlit nr. 3 and can also be found there, in its chronological place. It has been elevated by request of the author.

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Tesi sul tema "Biography"

Langford, H. "John Forster as biographer : a case study in nineteenth-century biography". Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1206733/.

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John Forster (1812-1876) has traditionally been glimpsed almost exclusively via his relationships with key nineteenth-century figures such as Thomas Carlyle and Charles Dickens. His biographical works can be seen as a nexus between the often conflicting positions which he occupied as a journalist, editor, literary agent and advisor, barrister, philanthropist, husband and government secretary. Forster’s biographical career is roughly divided into three periods; the early biographies (1830-1864) constituted several historiographies of key figures in the history of the long parliament, concluding in the two-volume Sir John Eliot (1864). The years 1848 to 1875 were occupied with biographies of eighteenth-century poets, novelists and dramatists, in particular Oliver Goldsmith (1848) and Jonathan Swift (1875). In the last decade of his life, Forster was diverted from these two passions by the memoirs of his friends, Walter Savage Landor (1869) and Charles Dickens (1872-4). Arising out of collaborative work with UCL and the Victoria and Albert Museum, this study centres on the National Art Library's Forster bequest. Examining and documenting in detail the materials which Forster collected and exploited to write his biographies, it explores the nature, both physical and intellectual, of Forster's library, and its importance in analysing his research and writing interests. The works are situated within the development of biography as a genre, and alongside the emerging ethos of unrestricted education and the new printing and binding technologies and techniques which were becoming available. The archive’s material elements - images, bindings, annotations, Grangerizations, the ways in which it has been curated and catalogued – form a unique documentation of standard Victorian biographical practices, and of Forster’s individualistic working habits.

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Babbitt, Mark. "Davis Shuman : a biography /". Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/11325.

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MOREIRA, MARIA LUIZA PENNA. "LUIZ CAMILLO: INTELLECTUAL BIOGRAPHY". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2004. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=5208@1.

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A biografia intelectual de Luiz Camillo de Oliveira Netto foi construída a partir de antigas anotações que mostram a marca fundadora de sua personalidade: Itabira e o povo do Girau. Desde seu primeiro trabalho, percebe-se como a pequena cidade calçada de ferro era o núcleo moral de sua personalidade, Itabira com seus parentes mortos e vivos, sua paisagem circunspecta, sua tradição, seu estilo. Daí sairiam seu amor aos estudos históricos e seu destino de intelectual, pesquisador e ativista político. Seu arquivo constitui-se em fonte primária, inédita; possui interesse para os pesquisadores que desejem compreender os limites e a importância da sua atuação no mundo da cultura e da política e entender, através dos seus olhos, o espírito do tempo em que viveu. As cartas e demais documentos com os quais se trabalhou datam em sua maior parte de momento cultural e histórico preciso, situado entre 1904-1953, no ponto de encontro de diferentes fatores que os fazem objeto da história, da sociologia, dos gêneros literários; desses documentos, acrescidos de entrevistas com pessoas que com ele conviveram, retiraram-se temas e preocupações do mundo intelectual brasileiro e a caracterização de uma época - com mapeamento de mentalidades, entrelaçamento de relações de amizade, parentesco e trabalho.
Luiz Camillo de Oliveira Netto s intellectual biography is reconstructed on the basis of old jottings that point to the founding mark of his personality: the town of Itabira and the people of Girau. Since his first job, it is clear that the small, iron-paved town was the moral core of his personality - Itabira with its dead and living relatives, its reserved landscape, its traditions, its style. This was the origin of his love for the study of history and his destiny as an intellectual, researcher, and political activist. His archive includes primary and unpublished sources; it holds interest for researchers who would like to understand the limits and importance of his activities in the cultural and political world and to grasp, from his perspective, the spirit of the times he lived in. Most of the letters and documents upon which this work is based date from a precise cultural and historical moment: between 1904 and 1953. These materials are located at the intersection of different factors which make them the object of history, sociology, and literary genres; from these documents, to which were added interviews with people who lived around him, were drawn themes and concerns of the Brazilian intellectual world and the characterization of a historical period, with the mapping out of mentalities, the interlacing of relationships between friends, family members and fellow workers.

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LaFantasie, Glenn Warren. "William C. Oates : a biography /". View online version; access limited to Brown University users, 2005. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3174631.

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McVeigh, Jane. "Literary biography and its critics". Thesis, University of Roehampton, 2013. https://pure.roehampton.ac.uk/portal/en/studentthesis/literary-biography-and-its-critics(a8f5e71a-c008-4fe2-b56b-2f3ab633e6d7).html.

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This thesis analyses Anglo-American criticism of biography, during the late twentieth century from within and outside the academy. It moves on to discuss the work of three contemporary British biographers, Claire Tomalin, Richard Holmes and Hermione Lee, in the context of recent debate about the genre. Claire Tomalin, is an independent freelance biographer; Hermione Lee, is a lifelong academic who writes biography for the general and academic reader; and Richard Holmes has had a foot in both camps in his experience both as an independent biographer and an academic. The aim is to make the case that contemporary British biography since 1970, literary biography in particular, has not only responded to objections from some academics critics but, at least in the biographies by Tomalin, Holmes and Lee, embraces aspects of recent academic literary theory, New Historicism and Feminism in particular. It is not within the remit of my thesis to provide an overview of literary theory or weigh up its arguments. It is rather the intention to argue that objections to the genre have been influenced by aspects of recent theory, and that critics have not acknowledged the extent to which biographers have also been aware of, and have responded to comparable influences. I will also consider the extent to which objections to the genre are reflected in reviews of biographies by Tomalin, Holmes and Lee, as well as recent developments in the academic study of the genre. The first chapter will identify major objections to biography influenced by academic theory, drawing on both British and American sources. The next chapter will discuss how biographers, within and outside the academy, have responded to these objections. A study of Claire Tomalin’s biographies in Chapter Three will explore the extent to which she considers ‘truth’ as mediated and provisional; how she approaches autobiographical evidence; her use of anecdotes and chronology; and the use she makes of speculation. Richard Holmes, the subject of Chapter Four, is often associated with debates about identification in biography and the chapter devoted to him will explore the extent to which his approach can be seen as ‘Romantic’ in its treatment of the subject as an isolated individual, a great i man or autonomous genius; the extent to which he places his biographical subjects within their social, political and cultural contexts; and his approach to historiography, influenced by the ontological and fictional focus important to Ira Nadel. Hermione Lee, the subject of Chapter Five, is a distinguished academic whose biographical writing negotiates the balance between fact and fiction and ontological and historical knowledge differently from that of Holmes, in ways more congruent with academic practice. Chapter Six will consider the critical reception of biographies by Hermione Lee, Claire Tomalin, and Richard Holmes in academic journals and the reviews of academics in the quality press. Chapter Seven will discusses the extent to which biography as a written narrative has been subsumed within the academy into the wider field of life-writing, and how this subsuming has affected its status and character as a literary genre.

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au, TLindsey@aapt net, e Travis Barton Lindsey. "Arthur William Upfield: A Biography". Murdoch University, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20051003.113934.

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This dissertation is an exhaustive account of the life and work of Arthur William Upfield (1890-1964). It is presented as a critical biography and narrates the life of the writer, in his socio-cultural milieu, from birth. It also positions Upfield as a writer who dealt with issues of Aboriginality at a time when this was a singularly polemical subject. My work is informed by the theory of Zygmunt Bauman and others and is posited in the context of late-modern biography theory. English-born, Upfield arrived in Australia in 1911 and took work in the bush, serving overseas with the Australian army at the outbreak of World War I and marrying an Australian army nurse in Egypt. Returning with his wife and son to Australia in 1921 he intermittently carried his swag until he was employed patrolling the Western Australian number 1 rabbit-proof fence for three years to 1931. By that time he had published four novels, including two crime novels featuring his fictional creation, the part-Aboriginal, part-European, Detective-Inspector Napoleon Bonaparte (Bony), arguably the first fully-developed character in Australian popular fiction. Leaving the fence, Upfield settled with his family in Perth and wrote full-time until joining the Melbourne Herald in 1933. Retrenched, he resumed career writing to be further interrupted by a war-time intelligence posting in 1939. In 1943 the first Bony mysteries were published in America, where Upfields critical success was maintained until his death. In 1945 he left his wife for Jessica Uren, to whom he remained devoted. Upfields in all twenty-nine Bony novels, many of which have been translated across eleven languages, afforded him notable success both at home and abroad, in good part due to his descriptive gifts and the uniqueness of his fictional character, the part-Aboriginal Bony.

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Killinger, Margaret O'Neal. "Helen Knothe Nearing: A Biography". Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/KillingerMON2004.pdf.

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Lindsey, Travis B. "Arthur William Upfield : a biography /". Access via Murdoch University Digital Theses Project, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20051003.113934.

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Hatcher, John Trevor. "Laurence Binyon : a critical biography". Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315013.

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Meyer, Nancy Jean. "Vance Hartke : a political biography". Virtual Press, 1987. http://liblink.bsu.edu/uhtbin/catkey/530361.

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The focus of this dissertation is the political career of R. Vance Hartke, Democratic Senator from Indiana 1958-1976. The areas of emphasis include Hartke's role in the creation of the Veterans' Affairs Committee of the Senate and his chairmanship of the Committee, several of the controversies of his career, and his political style and philosophy.Books and articles written by Hartke were used extensively as were various newspapers and the Conqressional Record. Information was also obtained from interviews with Hartke and Frank Brizzi, who was staff director of the Veterans' Affairs Committee during Hartke's term as chairman.That Hartke philosophically was a liberal and politically was a risk-taker are among the conclusions reached in this study. Hartke's strongest asset in winning election to the Senate three times in a relatively conservative state was an energetic and personalized political style. Despite the controversies which surrounded Hartke and some apparent conflicts of interest," there is no evidence he committed illegal or unethical acts. Hartke used his power as chairman of the Veterans' Affairs Committee of the Senate to infuse his liberal ideology into public policy for American veterans. Furthermore, he expanded veterans' benefits during his tenure.
Department of Political Science

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Libri sul tema "Biography"

Tessier, Eric. Albert Russo: A poetic biography = biographie poétique. [Philadelphia]: Xlibris, 2006.

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Crossman, Sylvie. Jean Lacouture: La biographie du biographe. Paris: Balland, 1993.

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Bell, Peter. Index to biographie. in Boase's Modern English biography. Edinburgh: P. Bell, 1986.

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Buford, Bill. Biography. A cura di Bellow Saul, Atlas James, García Márquez Gabriel 1928-, Morrison Blake, McEwen Todd, Erdrich Louise, Sante Luc et al. New York: Granta, 1992.

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Behrman, S. N. Biography. Alexandria, VA: Alexander Street Press, 2005.

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John, Pearson. James Bond: The authorised biographyof 007 : a fictional biography. London: Grafton, 1986.

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Gupta, K. L., e Sumita Gupta. Biography international. Delhi (K-5/2 Model Town, Delhi-110009, India): South-Asia Pub. Co., 1987.

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Brien, Donna Lee, e Kiera Lindsey. Speculative Biography. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003054528.

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Krebber, André, e Mieke Roscher, a cura di. Animal Biography. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-98288-5.

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Jill, Kadetsky, a cura di. Current biography. New York: H. W. Wilson, 1991.

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Capitoli di libri sul tema "Biography"

Holsti, Kalevi. "Biography". In Kalevi Holsti: A Pioneer in International Relations Theory, Foreign Policy Analysis, History of International Order, and Security Studies, 3–12. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-26624-4_1.

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Dennison, S. R., e John R. Presley. "Biography". In Robertson on Economic Policy, 16–32. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-12501-2_2.

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Boley, Bruno A. "Biography". In Advances in Dynamic Systems and Stability, 1–6. Vienna: Springer Vienna, 1992. http://dx.doi.org/10.1007/978-3-7091-9223-8_1.

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De Giorgi, Ennio. "Biography". In Springer Collected Works in Mathematics, 1–4. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/978-3-642-41496-1_1.

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"Biographie / Biography". In Brunet Saunier Architecture, 268–69. Birkhäuser, 2012. http://dx.doi.org/10.1515/9783034610902.268.

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"Biography". In Getting It Right for Children, 241. American Academy of Pediatrics, 2007. http://dx.doi.org/10.1542/9781581105438-biography.

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"Biography and Auto-biography". In Realism and Educational Research, 103–19. Routledge, 2002. http://dx.doi.org/10.4324/9780203186213-14.

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"Biography". In Encyclopedia of Personality and Individual Differences, 494. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-24612-3_300315.

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"Biography". In Breakthrough Strategies for Predicting any Market, 311. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781119204435.oth1.

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"Biography". In Synchronous Ethernet and IEEE 1588 in Telecoms, 349–51. Hoboken, NJ USA: John Wiley & Sons, Inc., 2013. http://dx.doi.org/10.1002/9781118580080.oth2.

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Atti di convegni sul tema "Biography"

"Biography". In 2007 IEEE International Workshop on Radio-Frequency Integration Technology. IEEE, 2007. http://dx.doi.org/10.1109/rfit.2007.4443999.

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"Keynotes biography". In 2014 1st International Conference on Information Technology, Computer and Electrical Engineering (ICITACEE). IEEE, 2014. http://dx.doi.org/10.1109/icitacee.2014.7065700.

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"Chair Biography". In 2010 Brazilian Symposium on Software Engineering (SBES). IEEE, 2010. http://dx.doi.org/10.1109/sbes.2010.5.

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"Speaker's Biography". In 2020 5th IEEE International Conference on Recent Advances and Innovations in Engineering (ICRAIE). IEEE, 2020. http://dx.doi.org/10.1109/icraie51050.2020.9358295.

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"Speakers Biography". In 2022 5th International Conference of Computer and Informatics Engineering (IC2IE). IEEE, 2022. http://dx.doi.org/10.1109/ic2ie56416.2022.9970157.

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"Iddo Hadar [biography]". In 2007 IEEE/SEMI Advanced Semiconductor Manufacturing Conference. IEEE, 2007. http://dx.doi.org/10.1109/asmc.2007.375071.

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"Keynote speaker biography". In 19th IEEE Symposium on Computer-Based Medical Systems. IEEE, 2006. http://dx.doi.org/10.1109/cbms.2006.105.

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"Michael Pecht [biography]". In 2007 8th International Conference on Electronic Packaging Technology - ICEPT '07. IEEE, 2007. http://dx.doi.org/10.1109/icept.2007.4441551.

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Bottoms, W. R. "W.R. Bottoms [biography]". In 2007 8th International Conference on Electronic Packaging Technology - ICEPT '07. IEEE, 2007. http://dx.doi.org/10.1109/icept.2007.4441554.

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Bagerman, Eef. "Eef Bagerman [biography]". In 2007 8th International Conference on Electronic Packaging Technology - ICEPT '07. IEEE, 2007. http://dx.doi.org/10.1109/icept.2007.4441556.

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Rapporti di organizzazioni sul tema "Biography"

Hoffman, Michael. Anna Held, a biography. Portland State University Library, gennaio 2000. http://dx.doi.org/10.15760/etd.3177.

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Hulten, Charles. Total Factor Productivity: A Short Biography. Cambridge, MA: National Bureau of Economic Research, gennaio 2000. http://dx.doi.org/10.3386/w7471.

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DuBay, Susan. John Humphrey Noyes, 1811-1840 : a social biography. Portland State University Library, gennaio 2000. http://dx.doi.org/10.15760/etd.5452.

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Armontrout, David. John F. Kennedy : a political biography on education. Portland State University Library, gennaio 2000. http://dx.doi.org/10.15760/etd.6143.

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Schwartz, Anna. From Obscurity to Notoriety: A Biography of the Exchange Stabilization Fund. Cambridge, MA: National Bureau of Economic Research, agosto 1996. http://dx.doi.org/10.3386/w5699.

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Brockmann, Hilke, e Thomas Klein. Love and death in Germany: the marital biography and its impact on mortality. Rostock: Max Planck Institute for Demographic Research, aprile 2002. http://dx.doi.org/10.4054/mpidr-wp-2002-015.

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Zaid, Abdullah. Important counsels to kings and imams by Shaykh ʻAlwan (ʻAli Ibn ʻAttiyyah al-Hamawi) ; translation, with a historic introduction, the biography of the author and commentaries on the text. Portland State University Library, gennaio 2000. http://dx.doi.org/10.15760/etd.2123.

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Cox, Nathalie. Les passions d'Annie Ernaux : de la biographie a l'âecriture. Portland State University Library, gennaio 2000. http://dx.doi.org/10.15760/etd.6954.

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Steeves, Brye. Oppenheimer biographer tours Lab while movie is filmed locally. Office of Scientific and Technical Information (OSTI), marzo 2022. http://dx.doi.org/10.2172/1859862.

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Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, febbraio 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.

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Abstract (sommario):

The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary critic is multifaceted; taking into account the specifics of the memoir genre and with the involvement of the historical context, the turning points in the destiny of the author of memoirs are interpreted, revealing cooperation with Western Ukrainian magazines and newspapers. The publications ‘Zoria’, ‘Narod’, ‘Pravda’, ‘Bukovyna’, ‘Dzvinok’, are secretly got into sub-Russian Ukraine, became for S. Efremov a spiritual basis in understanding the specifics of the national (Ukrainian) mass media, ideas of education in culture of Ukraine at the end of XIX century, its territorial integrity, and state independence. Memoirs of S. Efremov on cooperation with the iconic Galician journals ‘Notes of the Scientific Society after the name Shevchenko’ and ‘Literary-Scientific Bulletin’, testify to an important stage in the formation of the author’s worldview, the expansion of the genre boundaries of his journalism, active development as a literary critic. S. Yefremov collaborated most fruitfully and for a long time with the Literary-Scientific Bulletin, and he was impressed by the democratic position of this publication. The author’s comments reveal a long-running controversy over the publication of a review of the new edition of Kobzar and thematically related discussions around his other literary criticism, in which the talent of the demanding critic was forged. S. Efremov steadfastly defended the main principles of literary criticism: objectivity and freedom of author’s thought. The names of the allies of the Ukrainian idea L. Skochkovskyi, O. Lototskyi, O. Konyskyi, P. Zhytskyi, M. Hrushevskyi in S. Efremov’s memoirs unfold in multifaceted portrait descriptions and function as historical and cultural facts that document the pages of the author’s biography, record his activities in space and time. The results of the study give grounds to characterize S. Efremov as the first professional Ukrainian-speaking journalist.

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