Bibliografie tematiche / Bengston, Billy Al – Exhibitions

Letteratura scientifica selezionata sul tema "Bengston, Billy Al – Exhibitions"

Autore: Grafiati

Pubblicato: 26 luglio 2024

Ultima modifica: 27 luglio 2024

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Articoli di riviste sul tema "Bengston, Billy Al – Exhibitions"

Shanken, Edward A. "In Forming Software: Systems, Structuralism, Demythification". Revista ICONO14 Revista científica de Comunicación y Tecnologías emergentes 12, n. 2 (1 luglio 2014): 9–28. http://dx.doi.org/10.7195/ri14.v12i2.726.

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Abstract (sommario):

In the mid-1960s, Marshall McLuhan prophesied that electronic media were creating an increasingly interconnected global village. Such pronouncements popularized the idea that the era of machine-age technology was drawing to a close, ushering in a new era of information technology. This shift finds parallels in a wave of major art performances and exhibitions between 1966-1970, including nine evenings: theatre and engineering at the New York Armory, spearheaded by Robert Rauschenberg, Billy Klüver, and Robert Whitman in 1966; The Machine: As Seen at the End of the Mechanical Age, curated by Pontus Hultén at the Museum of Modern Art in New York (MOMA) in 1968; Cybernetic Serendipity, curated by Jasia Reichardt at the Institute of Contemporary Art in London in 1968; and Software, Information Technology: Its New Meaning for Art, curated by Jack Burnham at the Jewish Museum in New York.

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Libri sul tema "Bengston, Billy Al – Exhibitions"

Bengston, Billy Al. Billy Al Bengston. Frankfurt: Galerie Neuendorf, 1993.

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Hans, Neuendorf, a cura di. Billy Al Bengston: Watercolors. [Berlin]: Galerie Neuendorf, 2020.

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Al, Bengston Billy, e Parrasch Heijnen Gallery, a cura di. Billy Al Bengston: Paintings & watercolors. Esslingen, Germany]: Neuendorf, 2019.

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Bengston, Billy Al. Billy Al Bengston: Paintings of three decades. Houston: Contemporary Arts Museum, 1988.

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International Art Objects Galleries (Los Angeles, Calif.), Lehman Maupin Gallery e Neugerriemschneider (Gallery : Berlin, Germany), a cura di. Billy Childish. London: Koenig Books Ltd. At the Serpentine Gallery, 2013.

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Hare, Billy. Billy Hare, fotografías =: Billy Hare, photographs. [Lima, Peru]: Telefónica del Perú, 1997.

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Gallery, Auckland Art, a cura di. Billy Apple®: A life in parts. Auckland, New Zealand: Auckland Art Gallery Toi o Tāmaki, 2015.

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Andersen, Galerie Mikael. The Islanders: Tom Anholt, Billy Childish, Ryan Mosley, Rose Wylie. København: Galerie Mikael Andersen, 2015.

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1937-, McCarroll Billy J., White Peter 1948-, Doherty Ryan 1974- e Southern Alberta Art Gallery, a cura di. Billy J. McCarroll: How to play a winning game your natural way. Lethbridge, Alta: Southern Alberta Art Gallery, 2011.

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Benjamin, Britten. Billy Budd: Opus 50 : an opera in two acts : revised version 1961. London: New York, 1985.

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Più fonti

Capitoli di libri sul tema "Bengston, Billy Al – Exhibitions"

Walker, Brian. "Exhibitions at the Museum of Cartoon Art: A Personal Recollection". In Comic Art in Museums, 135–51. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0013.

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Abstract (sommario):

The Museum of Cartoon Art was the first full-service collection institution dedicated to comic art, founded by the cartoonist Mort Walker (Beetle Bailey, Hi & Lois) in Greenwich, CT in 1974. In this 2009 essay, Mort’s son, Brian Walker, who became the museum’s director and curator, writes of his memories of how the museum was established and operated, key shows the museum organized, and the challenges of running a small non-profit museum. The essay was written when the Walker Collection was donated to the Billy Ireland Cartoon Museum and Library at The Ohio State University. Images: Brian Walker at Mead Mansion, 1975; drawing of Ward’s Castle by John Cullen Murphy. Includes list of exhibitions 1975-1992 and list of cartoonists inducted into the Museum’s Hall of Fame.

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