Articoli di riviste sul tema "Bengali cinema"
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Bhattacharya, Binayak. "Seeing Kolkata: Globalization and the Changing Context of the Narrative of Bengali-ness in Two Contemporary Films". Asiatische Studien - Études Asiatiques 73, n. 3 (26 marzo 2020): 559–74. http://dx.doi.org/10.1515/asia-2019-0050.
Testo completoNag, Anugyan, e Spandan Bhattacharya. "The Politics Around ‘B-Grade’ Cinema in Bengal: Re-viewing popular Bengali film culture in the 1980s‒1990s". Acta Orientalia Vilnensia 12, n. 2 (1 gennaio 2011): 13–30. http://dx.doi.org/10.15388/aov.2011.1.3935.
Testo completoGokulsing, K. Moti, e Wimal Dissanayake. "Bengali cinema: ‘an other nation’". South Asian Popular Culture 10, n. 2 (luglio 2012): 217–18. http://dx.doi.org/10.1080/14746689.2012.682859.
Testo completoDevasundaram, Ashvin. "Cyber Buccaneers, Public and Pirate Spheres: The Phenomenon of Bittorrent Downloads in the Transforming Terrain of Indian Cinema". Media International Australia 152, n. 1 (agosto 2014): 108–18. http://dx.doi.org/10.1177/1329878x1415200112.
Testo completoGopal, Sangita. "Bengali cinema: an other nation, by Sharmistha Gooptu". South Asian History and Culture 2, n. 3 (luglio 2011): 452–55. http://dx.doi.org/10.1080/19472498.2011.577583.
Testo completoBasu, Anustup. "Filmfareand the question of Bengali cinema (1955–65)". South Asian History and Culture 9, n. 2 (15 marzo 2018): 141–58. http://dx.doi.org/10.1080/19472498.2018.1446794.
Testo completoMukherjee, Dhrubaa. "Singing-in-between spaces: Bhooter Bhabisyat and the music transcending class conflict". Studies in South Asian Film & Media 12, n. 1 (1 febbraio 2021): 3–17. http://dx.doi.org/10.1386/safm_00034_1.
Testo completoChattopadhyay, Saayan. "Performative Bengali Masculinity: The Rhetoric of Becoming in Bengali Popular Cinema of the 1950s". Studies in South Asian Film & Media 2, n. 1 (1 luglio 2010): 3–17. http://dx.doi.org/10.1386/safm.2.1.3_1.
Testo completoGooptu, Sharmistha. "Celluloid Soccer: The Peculiarities of Soccer in Bengali Cinema". International Journal of the History of Sport 22, n. 4 (luglio 2005): 689–98. http://dx.doi.org/10.1080/09523360500123093.
Testo completoMitra, Bansari. "Women and Resistance in Contemporary Bengali Cinema: A Freedom Incomplete". Canadian Journal of Film Studies 26, n. 2 (ottobre 2017): 145–47. http://dx.doi.org/10.3138/cjfs.26.2.br4.
Testo completoGadihoke, Sabeena. "Capturing Stars: Bengali Actresses Through the Camera of Nemai Ghosh". BioScope: South Asian Screen Studies 8, n. 1 (giugno 2017): 30–45. http://dx.doi.org/10.1177/0974927617701568.
Testo completoMandal, Somdatta. "Of "Women" and "Relationships" in Contemporary Bengali Cinema: Rituporno Ghosh's Oeuvre". Asian Cinema 13, n. 2 (1 settembre 2002): 85–104. http://dx.doi.org/10.1386/ac.13.2.85_1.
Testo completoChakraborty, Apurba. "Reflection of labour issues in bengali cinema in post colonial era". Journal of Management Research and Analysis 6, n. 3 (15 ottobre 2019): 154–58. http://dx.doi.org/10.18231/j.jmra.2019.032.
Testo completoMubarak, Makbul. "Genre versus Local Specificity: Configuring Rangda and Durga in Balinese and Bengali Films". Plaridel 11, n. 2 (1 agosto 2014): 117–39. http://dx.doi.org/10.52518/2014.11.2-05mbrk.
Testo completoDasgupta, Rohit K., e Kaustav Bakshi. "Opening closets and dividing audiences: Rituparno Ghosh, the queer star of Bengali cinema". South Asian Popular Culture 16, n. 1 (2 gennaio 2018): 101–13. http://dx.doi.org/10.1080/14746689.2018.1455877.
Testo completoBanerjee, Smita. "Evolution of Dada Uttam Kumar: Performing Masculinity and the Disillusioned Bhadralok Mahanayak in the 1970s’ Popular Melodramas". BioScope: South Asian Screen Studies 10, n. 1 (giugno 2019): 52–74. http://dx.doi.org/10.1177/0974927619855452.
Testo completoBhattacharya, Spandan. "Reading Anandalok: obscenity, cinema and other ‘prohibitive’ pleasures in 1970s–1990s Bengali print culture". Porn Studies 7, n. 1 (28 novembre 2019): 13–18. http://dx.doi.org/10.1080/23268743.2019.1669930.
Testo completoChowdhury, Sayandeb. "The Indian Partition and the Making of a New Scopic Regime in Bengali Cinema". European Journal of English Studies 19, n. 3 (2 settembre 2015): 255–70. http://dx.doi.org/10.1080/13825577.2015.1091220.
Testo completoChowdhury, Sayandeb. "The Heroic Laughter of Modernity: The life, cinema and afterlife of a Bengali matinee idol". Film International 10, n. 4 (31 ottobre 2012): 82–91. http://dx.doi.org/10.1386/fint.10.4-5.82_1.
Testo completoMandal, Somdatta. "”May You Be the Mother of A Hundred Sons!”: Barrenness vs. Motherhood in Bengali Cinema". Asian Cinema 22, n. 1 (1 marzo 2011): 329–47. http://dx.doi.org/10.1386/ac.22.1.329_1.
Testo completoBhattacharya, Spandan. "The action heroes of Bengali cinema: industrial, technological and aestheticdeterminants of popular film culture, 1980s–1990s". South Asian History and Culture 8, n. 2 (30 marzo 2017): 205–30. http://dx.doi.org/10.1080/19472498.2017.1304093.
Testo completoFerdous, Reffat, e Saiyeed Shahjada Al Kareem. "Death Denial in Bengali Cinema: A Terror Management Analysis of Srijit Mukherji’s Baishe Srabon and Hemlock Society". Social Science Review 38, n. 2 (7 marzo 2023): 159–74. http://dx.doi.org/10.3329/ssr.v38i2.64468.
Testo completoMukherjee, Silpa. "Fantasy to media-induced hallucination: The journey (or the lack thereof) of science fiction in Bengali cinema". Studies in South Asian Film & Media 6, n. 2 (1 ottobre 2015): 165–84. http://dx.doi.org/10.1386/safm.6.2.165_1.
Testo completoHutnyk, John. "Tomar naam, amar naam, Vietnam Vietnam! Folk styles and solidarity in the Bengali new wave cinema". Inter-Asia Cultural Studies 24, n. 3 (23 giugno 2023): 507–24. http://dx.doi.org/10.1080/14649373.2023.2209434.
Testo completoR, Dr Rajesh. "A study on Development and Scope of Product or Brand Placement as an Integral Part of Tamil Cinema Industry". Turkish Journal of Computer and Mathematics Education (TURCOMAT) 12, n. 11 (10 maggio 2021): 1560–66. http://dx.doi.org/10.17762/turcomat.v12i11.6084.
Testo completoGarcía-Periago, Rosa. "Othello as a play-within-the-film in post-independence Indian cinema1". Indian Theatre Journal 5, n. 1 (1 agosto 2021): 43–58. http://dx.doi.org/10.1386/itj_00015_1.
Testo completoRehman, Sharaf N. "Om Puri: The man who presented the real faces of the subcontinent of India". Asian Cinema 31, n. 2 (1 ottobre 2020): 269–78. http://dx.doi.org/10.1386/ac_00028_7.
Testo completoVerma, Harish. "CLASSICAL EXPERIMENT IN CINE MUSIC". International Journal of Research -GRANTHAALAYAH 3, n. 1SE (31 gennaio 2015): 1–4. http://dx.doi.org/10.29121/granthaalayah.v3.i1se.2015.3404.
Testo completoThomas, Aparna. "Plaintive Survival under Panoptical Surveillance: A Reading of Rituparno Ghosh’s The Last Lear." SMART MOVES JOURNAL IJELLH 7, n. 1 (9 gennaio 2019): 9. http://dx.doi.org/10.24113/ijellh.v7i1.6285.
Testo completoBrunazzo, Alessandro. "Suspended meanings: Pier Paolo Pasolini’s and Ritwik Ghatak’s ‘epic melodramas’". Journal of Italian Cinema & Media Studies 12, n. 3 (1 luglio 2024): 343–59. http://dx.doi.org/10.1386/jicms_00264_1.
Testo completoBakshi, Kaustav. "Women and resistance in contemporary Bengali cinema: a freedom incomplete, by Srimati Mukherjee, Abingdon, Routledge, 2016, 156 pp., £90 (hardback), ISBN 9781138120952". South Asian History and Culture 8, n. 3 (3 luglio 2017): 380–82. http://dx.doi.org/10.1080/19472498.2017.1350398.
Testo completoBanerjee, Sarbani. "Reading Bhadralok Cultural Memory, Kitsch And Culture Industry In Ritwik Ghatak’s Films". CINEJ Cinema Journal 11, n. 2 (20 dicembre 2023): 21–49. http://dx.doi.org/10.5195/cinej.2023.422.
Testo completoVoeltz, Richard Andrew. "The Black Tent (1956) and Bengazi (1955): The Image of Arabs in Two post-Empire Journeys into the Deserts of Libya". CINEJ Cinema Journal 7, n. 1 (21 dicembre 2018): 169–88. http://dx.doi.org/10.5195/cinej.2018.200.
Testo completoHoek, Lotte. "Blood splattered Bengal: The spectacular spurting blood of the Bangladeshi cinema". Contemporary South Asia 21, n. 3 (settembre 2013): 214–29. http://dx.doi.org/10.1080/09584935.2013.826622.
Testo completoMukherjee, Madhuja, e Kaustav Bakshi. "A brief introduction to popular cinema in Bengal: genre, stardom, public cultures". South Asian History and Culture 8, n. 2 (23 marzo 2017): 113–21. http://dx.doi.org/10.1080/19472498.2017.1304082.
Testo completoCHATTERJEE, PARTHA. "Theatre and the Publics of Democracy: Between Melodrama and Rational Realism". Theatre Research International 41, n. 3 (ottobre 2016): 202–17. http://dx.doi.org/10.1017/s0307883316000419.
Testo completoMukherjee, Madhuja. "Little cinema culture: Networks of digital files and festival on the fringes". Studies in South Asian Film & Media 10, n. 1 (1 ottobre 2019): 23–40. http://dx.doi.org/10.1386/safm_00003_1.
Testo completoBiswas, Amrita. "Tracing Kolkata's cinephilic encounters: An analysis of alternative cinema in the city". Studies in South Asian Film & Media 10, n. 2 (1 dicembre 2019): 113–28. http://dx.doi.org/10.1386/safm_00009_1.
Testo completoZinni, Maurizio. "L'impero sul grande schermo. Il cinema di finzione fascista e la conquista coloniale (1936-1942)". MONDO CONTEMPORANEO, n. 3 (maggio 2012): 5–38. http://dx.doi.org/10.3280/mon2011-003001.
Testo completoMukherjee, Madhuja. "Rethinking popular cinema in Bengal (1930s–1950s): of literariness, comic mode, mythological and other avatars". South Asian History and Culture 8, n. 2 (23 marzo 2017): 122–42. http://dx.doi.org/10.1080/19472498.2017.1304088.
Testo completoChatterjee, Subhajit. "A Rendezvous with the Ghosh Brothers: a sneak peek into Bengal’s homegrown exploitation cinema". South Asian History and Culture 10, n. 4 (10 giugno 2019): 397–421. http://dx.doi.org/10.1080/19472498.2019.1614300.
Testo completoBeier, Paul, e Agba Issahaku Tungbani. "Nesting with the Wasp Ropalidia Cincta Increases Nest Success of Red-Cheeked Cordonbleu (Uraeginthus bengalus) in Ghana (Augmentation du Succès de Nidification de Uraeginthus bengalus Nichant avec des Guêpes Ropalidia cincta au Ghana)". Auk 123, n. 4 (ottobre 2006): 1022–37. http://dx.doi.org/10.2307/25150217.
Testo completoBeier, Paul, e Agba Issahaku Tungbani. "Nesting With The Wasp Ropalidia Cincta Increases Nest Success of Red-Cheeked Cordonbleu (Uraeginthus Bengalus) in Ghana". Auk 123, n. 4 (1 ottobre 2006): 1022–37. http://dx.doi.org/10.1093/auk/123.4.1022.
Testo completoBeier, Paul, e Agba Issahaku Tungbani. "NESTING WITH THE WASP ROPALIDIA CINCTA INCREASES NEST SUCCESS OF RED-CHEEKED CORDONBLEU (URAEGINTHUS BENGALUS) IN GHANA". Auk 123, n. 4 (2006): 1022. http://dx.doi.org/10.1642/0004-8038(2006)123[1022:nwtwrc]2.0.co;2.
Testo completoFreitag, Sandria B. "The Making of a New ‘Indian’ Art: Artists, Aesthetics and Nationalism in Bengal, c. 1850–1920. By Tapati Guha-Thakurta. Cambridge: Cambridge University Press, 1992. xxvii, 351 pp. $85.00 (cloth). - Cinema and the Urban Poor in South India. By Sara Dickey. Cambridge: Cambridge University Press, 1993. xiv, 213 pp. £30.00 (cloth)." Journal of Asian Studies 55, n. 3 (agosto 1996): 750–52. http://dx.doi.org/10.2307/2646487.
Testo completoBhattacharya, Spandan. "Transgressing Boundaries, Transforming Film Culture(s): Tales of Bedeni and the Constructs of Female Performer Figure in the 1990s Bengali Cinema". BioScope: South Asian Screen Studies, 29 giugno 2022, 097492762211049. http://dx.doi.org/10.1177/09749276221104910.
Testo completoTimoshchuk, A. S. "Nabadwip Bhava Taranga or time cinema of the Bengal Vaishnavism". Vestnik of Minin University 10, n. 2 (30 giugno 2022). http://dx.doi.org/10.26795/2307-1281-2022-10-2-12.
Testo completoBhattacharyya, Ranjan, Sumita Bhattacharyya Panda e Supriya K. Mondal. "Mad Tales of Tollywood : Psychiatry in Bengali Cinema". Bengal Journal of Psychiatry, 8 aprile 2014, 32–37. http://dx.doi.org/10.51332/bjp.2014.v19.i1.64.
Testo completoSiwach, Simran. "A STUDY OF BOLLYWOOD’S COMEDY OF ERRORS: AN INTERTEXTUAL APPROACH". INTERNATIONAL JOURNAL OF SCIENTIFIC RESEARCH, 1 marzo 2021, 10–12. http://dx.doi.org/10.36106/6038201.
Testo completoBhattacharya, Spandan. "Disco flamboyance, performative masculinities and dancer heroes of Bengali cinema". South Asian History and Culture, 22 luglio 2022, 1–13. http://dx.doi.org/10.1080/19472498.2022.2101762.
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