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Letteratura scientifica selezionata sul tema "Beatles (Beatles)"

Autore: Grafiati

Pubblicato: 29 luglio 2024

Ultima modifica: 30 luglio 2024

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Articoli di riviste sul tema "Beatles (Beatles)"

1

Fisher, Michael R. "The Beatles". Rock Music Studies 7, n. 3 (21 giugno 2020): 272–74. http://dx.doi.org/10.1080/19401159.2020.1782690.

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Penman, Ian. "DIE BEATLES". POP 12, n. 1 (1 aprile 2023): 129–47. http://dx.doi.org/10.14361/pop-2023-120120.

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Heyman, Matthias. "Recreating the Beatles". Journal of Popular Music Studies 33, n. 2 (1 giugno 2021): 77–98. http://dx.doi.org/10.1525/jpms.2021.33.2.77.

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Beatles tributes come in many forms and guises, but look-alikes are arguably the most popular type. Because of their focus on replicating the band’s iconic costumes and hairdo, they usually limit themselves to an easily reproducible core repertoire, forgoing the elaborate post-1966 studio productions. By contrast, sound-alikes strive for complete aural accurateness, often recreating the heavily produced compositions the Beatles never performed outside of the studio. One of the industry’s top-tier Beatles sound-alikes are the Analogues. Neglecting all mimetic visual effects, they re-animate the albums created after 1966, using the same orchestrations and instrumentations as the Beatles, including rare vintage instruments such as the Mellotron. Their approach bears parallels to historically informed performance (HIP), a common practice in Early Music, yet it operates within an entirely different framework. Informed by sound recordings, the Analogues deconstruct and re-record the Beatles’ music to construct their own performance, in the process conceiving a modern technology-based type of HIP. This article begins by establishing a typology of Beatles tributes before examining the process of staging an Analogues performance. It argues that the Analogues’ approach to historical recreation allows them to transcend criticism typically aimed at tributes and, paradoxically, lay claim to an “authentic” performance of what is inherently inauthentic, a live imitation of a recording. Overall, this article demonstrates how HIP can be used effectively outside of its mainstream classical context as a tool for popular music researchers and performers.

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Metras, Gary, e Jim O'Donnell. "The Beatles Begin". English Journal 86, n. 7 (novembre 1997): 128. http://dx.doi.org/10.2307/819880.

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Collins, Marcus. "The Beatles' Politics". British Journal of Politics and International Relations 16, n. 2 (18 settembre 2012): 291–309. http://dx.doi.org/10.1111/j.1467-856x.2012.00545.x.

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Dancis, Bruce. "Beatles vs. Stones". Sixties 7, n. 2 (3 luglio 2014): 186–89. http://dx.doi.org/10.1080/17541328.2015.1014166.

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Savoye, Daniel Ferreras. "On Beatles Time". Popular Culture Review 27, n. 1 (giugno 2016): 68–77. http://dx.doi.org/10.1002/j.2831-865x.2016.tb00293.x.

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Hunter, David, e Mark Lewisohn. "The Beatles: Recording Sessions". Notes 46, n. 3 (marzo 1990): 641. http://dx.doi.org/10.2307/941438.

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Campbell, Kenneth L. "The Beatles at Woodstock". Popular Music and Society 43, n. 2 (11 novembre 2019): 188–200. http://dx.doi.org/10.1080/03007766.2019.1687673.

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Morris, Michael. "More Than the Beatles". American Journal of Evaluation 36, n. 1 (14 novembre 2014): 99–107. http://dx.doi.org/10.1177/1098214014557808.

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Tesi sul tema "Beatles (Beatles)"

1

Finsch, Susanne. "Die Bedeutung der Beatles im Wandel der Zeiten von 40 Jahren Popmusik". Duisburg Köln WiKu, 2008. http://d-nb.info/987901699/04.

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Julien, Olivier. "Le son Beatles". Paris 4, 1999. http://www.theses.fr/1998PA040259.

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Le concept de son est à la base des préoccupations techniques de ceux qui font le rock - ingénieurs du son, bien sûr, mais aussi musiciens et producteurs. Son appréhension fait appel à de nombreuses notions étrangères à la sphère des musiques savantes jusqu'à la fin des années quarante : arrangements, prise de son, balance, mixage, panoramisation, traitement sonore. . . Autant de termes dont le musicologue classique ignore souvent jusqu'au sens, et autant de paramètres dont l'étude musicologique d'un tel répertoire ne peut cependant faire l'économie. En envisageant sous leur angle le travail d'un groupe dont Greil Marcus affirme qu'"ils étaient le rock 'n' roll", on peut donc espérer développer une méthode d'approche adaptée à la réalité pratique de cette musique. Et au-delà du cas Beatles, mettre en lumière le rapport quasi unique qu'elle entretient au studio d'enregistrement et au support phonographique
The concept of sound is the foundation of the technical concerns of those who make rock - sound engineers, of course, but musicians and record producers as well. Its apprehension involves notions which were irrelevant to the realm of art music until the late forties: arrangements, sound recording, balance, mixdown, panning, sound treatment. . . Many terms the meaning of which classical musicologists are often ignorant, and as many parameters the musicological study of such a repertoire must take into account. Considering from their point of view the work of a band whom Greil marcus states "they were rock 'n' roll", it can be hoped to develop an approach adapted to the practical reality of this music ; and beyond the case of the Beatles, to bring to light the very nature of its connections with the recording studio and phonographic medium

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Villinger, Alexander. "Die Beatles-Songs : Analysen zur Harmonik und Melodik /". Aachen : Verl. Mainz, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015481564&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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McGuire, Meghan. "Covering music : tracing the semiotics of Beatles album covers through the cultural circuit". Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1112552888.

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Anjos, Francisco Fl?vio Oliveira dos. "The Beatles: ensaio sobre a ?tica do amor". Universidade Federal do Rio Grande do Norte, 2007. http://repositorio.ufrn.br:8080/jspui/handle/123456789/13521.

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Made available in DSpace on 2014-12-17T14:19:41Z (GMT). No. of bitstreams: 1 FranciscoFOA.pdf: 4831643 bytes, checksum: e33aa8f9e7b0c8b85838c0900e6f1167 (MD5) Previous issue date: 2007-10-01
The thesis intends to discuss the ethics by the way of love. So, it uses as a mention the musical work and the set of attitudes of the group that changed the way of thinking across the 20th Century mass-comm, entering a new way of thinking about the World: The Beatles. Analyzing the lyrics and the writing of the songs was searched the comprehension of he intrinsic love message at the Ethics it expresses. At the musical art of The Beatles political messages had been announced in a time that the World sought a Ethic way beyond the several declared war and the Cold War. Taking the Edgar Morin works as a base, O m?todo 6, ?tica (2005), it sought to understand the idea who permeates the human relations: the good, the possible, the necessary. Another works used as a cognitive base were Meus dem?nios (2003), Cultura de massas no S?culo XX: neurose (2005), Cultura de massas no S?culo XX (2006), The Beatles Anthology (2000) and Many years from now (2000). Holding the Ethics idea showed by Morin were established imaginary lines that perpass the behavior of the group known in the entire World understood till nowadays as tolerance, comprehension, peace, love and endurance messengers. The Beatles operate during the sixties a musical reborn, which allowed to the people the discussion and the reflexion about the World and the human being new behavior,endurance but acting with tolerance. Permeating the basic study, we find the Beatles way, the group origin, the fast walk till success, the spiritual choice, who guide their behavior and the end of the band. The music used as a masscomp instrument passes by the condition of a simple way of communicating. It deeply action feeds feelings, allows transcendence and is showed as target of human being transformation. The Ethics in music passes by the ideological barriers and becomes to comprehension with a clear synthony for the man, cause the polyphony and the new musical order establish the messages worldwide
O trabalho pretende discutir a ?tica pela via do amor. Para tanto, utiliza como refer?ncia a obra musical e o conjunto de posturas do grupo que modificou as mentalidades atrav?s da cultura de massa no s?culo XX, introduzindo uma nova forma de pensar o mundo, The Beatles. Analisando as letras das m?sicas do grupo e a feitura das can??es, procurou-se compreender a mensagem de amor intr?nseca na ?tica expressa. Na arte musical dos Beatles foram anunciadas mensagens pol?ticas numa ?poca em que o mundo buscava um direcionamento ?tico frente ?s in?meras guerras declaradas e ? cruel guerra fria. A partir da obra direcionadora de Edgar Morin, O m?todo 6, ?tica (2005), buscou-se compreender a id?ia que permeia as rela??es humanas: o bem, o poss?vel e o necess?rio. Outras obras que servem de suporte cognitivo foram Meus Dem?nios (2003) e Cultura de Massas no S?culo XX: necrose (2006), ambas do mesmo autor, Edgar Morin, e ainda The Beatles, Antologia (2000). Detendo a id?ia de ?tica apresentada por Morin, foram tra?adas linhas imagin?rias que perpassam as posturas do grupo de rapazes conhecido no mundo inteiro, e que at? os dias atuais s?o entendidos como mensageiros da toler?ncia, da compreens?o, da paz, do amor e da resist?ncia. Os Beatles operaram durante a d?cada de 1960 um renascimento musical, o qual permitiu ?s massas a discuss?o e a reflex?o acerca do mundo e da nova postura do humano, resistente, embora tolerante. Permeando o estudo central, apresenta-se a trajet?ria dos Beatles, a origem do grupo, a caminhada r?pida ao sucesso, a busca espiritual orientadora da conduta do grupo e o seu fim. A m?sica utilizada como instrumento de comunica??o de massa ultrapassa a condi??o de simples comunicadora. Sua a??o mais profunda alimenta sentimentos, permite a transcend?ncia e configura-se como objeto de transmuta??o do humano. A ?tica na m?sica perpassa as barreiras ideol?gicas e chega ? compreens?o numa clara sintonia para o homem, pois a polifonia e a nova ordem musical estabelecem uma universaliza??o das mensagens

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Tessler, Holly Susan. "Beatles for sale : the role and significance of storytelling in the commercialisation and cultural branding of the Beatles since 1970". Thesis, University of Liverpool, 2009. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.510946.

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Abstract (sommario):

The subtitle to this thesis is: 'the role and significance of storytelling in the commercialisation and cultural branding of the Beatles since 1970'. In large part, this idea has been informed by, and evolves from, experiences of the role and significance of storytelling in my own Beatle fandom, as I came to the story of the Beatles before I ever consciously listened to their music. I was 10 years old in 1980, the year of John Lennon's assassination, and I had never heard of the Beatles. I suppose it was seeing endless streams of news reports about the Beatles and John Lennon's death that took me not to the record shop, but instead, the public library to learn more about them. More than just the catalyst for my awareness of, and interest in, the Beatles, stories about the Beatles continued to feature prominently in my ongoing fandom. From a contemporary perspective, it seems almost unimaginable, but as a young Beatles fan growing up in 1980s America, there was almost no Beatle products on the market. Besides Beatle records, the regular purchase of new Beatle books was the only readily available opportunity I had to express and indulge my fandom. It was only when news of George Harrison's death from cancer broke on 29th November 2001, however, did I realise just how little time I had taken to explore Liverpool's Beatles connections. Until that time, I had never paused to consider the fact that Beatle storytelling was not just a process that happened in books and documentaries, but was alive and dynamic, implicated with places and people and events, happening in ways and through means which extend far beyond the Beatles themselves. Realising that the Beatles were autochthonously bound up with the wider cultural, material and historical frameworks of not only Liverpool, but also places like London, Hamburg, New York, and even more broadly still of British popular history and culture, catalysed me into thinking more substantially about the further implications of Beatle storytelling. At the same time, I also began to think about the inverse - how all of these Beatle storytelling enterprises impacted on the group themselves. It is in consideration of all of these observations that I undertook the research presented here.

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Marcato, Silvia <1988&gt. "A sociological approach to The Beatles' protest songs". Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3353.

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Nilsson, Ellinor. "The Beatles i Sverige år 1963 : En studie om The Beatles studioinspelning på Karlaplan samt gruppens mottagande i media under samma turné". Thesis, Uppsala universitet, Institutionen för musikvetenskap, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-182833.

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Abstract Ellinor Nilsson: The Beatles i Sverige år 1963. En studie om The Beatles radioinspelning på Karlaplan och gruppens mottagande i media under samma turné [The Beatles in Sweden 1963. A study of The Beatles’ radio recording on Karlaplan and how the group was depicted in Swedish media during the tour]. Uppsala universitet: Institutionen för musikvetenskap, examensarbete 15 högskolepoäng, 2012. In October 1963 The Beatles started their first tour abroad, which took place in Sweden. Except for their concerts and their participation in a television show, they also did one recording to be broadcasted on radio. The aim of this study is to define how come The Beatles chose to travel to Sweden and why the group was an interesting product for the Swedish organizers. The study compares the group’s radio recording with the same but published songs and introduces articles and announcements from newspapers of the same time. One inference of the study is media’s focus on The Beatles’ appearance. That their recording on Karlaplan has more distorsion and a higher BPM number than their record recordings is another. The several connections between The Beatles and Sweden is, what I interpret, the main reason why Sweden was the tour’s destination.

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Connolly, Michael. "Genre and parody in the music of the Beatles". Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/52892.

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From the earliest outbreak of “Beatlemania” in 1963 to the announcement of their breakup in 1970, The Beatles fulfilled, exceeded, and reformed our conceptions of popular music. They have enjoyed an enduring popularity with critics and audiences and have cemented their position as one of the most celebrated acts in popular culture. Although it would be difficult to attribute their success to a single factor, it could be argued that their eclectic sound ensured their mass appeal. As their careers progressed, The Beatles effortlessly combined and moved between different genres. Many of these genres were atypical for popular music of the 1960s and can be regarded as parody. This thesis approaches parody as an important stylistic trait of The Beatles’ music. Parody is a broad concept that can be found in a number of forms of art and entertainment. By drawing from literary criticism and musicological discourse, this study develops a broader understanding of parody in which popular musicians evoke the music of another genre through borrowing and create a critical distance between their work and the preexisting one. Further investigation reveals how The Beatles applied parody to their music and how it was used by the band to connect with their listeners. In such songs as “Back In The U.S.S.R.” and “Happiness Is A Warm Gun,” The Beatles parody different musical genres in order to evoke social commentary. Genre parody is not exclusive to individual songs. It is one of the unifying threads in Sgt. Pepper’s Lonely Hearts Club Band, in which The Beatles parody the English music hall and use genre to connect themes on the album. Despite these instances, parody remains an underexplored practice in their music. Many scholars of the band will acknowledge the musical and critical elements associated with parody; however, they do not use the term, nor identify parody as a recurring practice in The Beatles’ music. This thesis hopes to shed light on this topic and add to our understanding of the rich legacy of The Beatles.
Arts, Faculty of
Music, School of
Graduate

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Inglis, Anthony Ian. "'Burning matches, lifting latches' : sociology, popular culture and the Beatles". Thesis, Online version, 2003. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.490588.

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Libri sul tema "Beatles (Beatles)"

1

Palm, Carl Magnus. Beatles - Beatles. Stockholm: Tiden, 1996.

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Preece, C. Lloyd. Beats, Beatles, bobbies, and bombs. Baltimore, MD (1001 N. Calvert St., Baltimore 21202): Gateway Press, 2000.

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Maxwell, MacKenzie. Beatles. New York: HarperCollins, 2008.

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Lesueur, Daniel. Beatles, Beatles: La discographie définitive. Paris: Alternatives & Parallèles, 1997.

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Roberts, Jeremy. The Beatles. Minneapolis: Lerner Publications, 2002.

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Davies, Hunter. The Beatles. London: Ebury Press, 2009.

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Brown, Peter. Los Beatles. Buenos Aires: J. Vergara, 1991.

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Davies, Hunter. The Beatles. 2^a ed. New York: W.W. Norton, 1996.

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Saroyan, Aram. The Beatles. [New York, N.Y.]: Granary Books, 2000.

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Woog, Adam. The Beatles. San Diego, CA: Lucent Books, 1998.

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Capitoli di libri sul tema "Beatles (Beatles)"

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Glynn, Stephen. "The Beatles’ conclusion". In The Beatles and Film, 87–100. London; New York: Routledge, 2021. | Series: Cinema and youth cultures: Routledge, 2020. http://dx.doi.org/10.4324/9780429275357-5.

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Duggan, Bláithín. "Rethinking The Beatles". In The Beatles and Vocal Expression, 1–23. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003323006-1.

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Duggan, Bláithín. "Before The Beatles". In The Beatles and Vocal Expression, 24–43. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003323006-2.

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Schneider, Matthew. "Introduction Why the Beatles?" In The Long and Winding Road from Blake to the Beatles, 1–24. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613171_1.

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Campbell, Kenneth L. "The Beatles at Woodstock". In Woodstock University, 68–80. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003320036-8.

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Weintraub, Andrew N. "Indonesia, meet the Beatles!" In Routledge Handbook of Asian Music: Cultural Intersections, 15–46. [1.] | New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003142720-2.

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Grundy, Trevor. "The Beatles and Beyond". In Love, Hate and the Leader, 172–76. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003375722-17.

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"The Beatles". In The Space Between the Notes, 46–68. Routledge, 2003. http://dx.doi.org/10.4324/9780203398364-10.

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Paul, Friedlander, e Miller Peter. "The Beatles". In Rock and Roll, 75–100. Routledge, 2018. http://dx.doi.org/10.4324/9780429494703-7.

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"MY BEATLES". In Japanese Drama and Culture in the 1960s, 189–204. Routledge, 2017. http://dx.doi.org/10.4324/9781315179636-7.

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Atti di convegni sul tema "Beatles (Beatles)"

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Celma, Òscar, e Paul Lamere. "If you like the beatles you might like..." In Proceeding of the 16th ACM international conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1459359.1459615.

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Бондарук, У. A., e Т. М. Пригода-Донець. "Гурт «The Beatles» як представник контр-культурного руху хіпі". In АКТУАЛЬНІ ПРОБЛЕМИ РОЗВИТКУ УКРАЇНСЬКОГО ТА ЗАРУБІЖНОГО МИСТЕЦТВ: КУЛЬТУРОЛОГІЧНИЙ, МИСТЕЦТВОЗНАВЧИЙ, ПЕДАГОГІЧНИЙ АСПЕКТИ. Liha-Pres, 2024. http://dx.doi.org/10.36059/978-966-397-390-6-1.

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Mesesan-Schmitz, Luiza, Claudiu Coman, Vlad Batranu-Pintea e Ecaterina Coman. "THE EFFECTS OF THE BEATLES CULTURAL MOVEMENT ON DIFFERENT GENERATIONS. CASE STUDY: ROMANIA AND JAPAN". In 8th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS Proceedings 2021. SGEM World Science, 2021. http://dx.doi.org/10.35603/sws.iscss.2021/s10.61.

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Moon, Anne M. ""Come Together, Right Now" - How the Songs of The Beatles Helped our Product Owners and Teams Live in Harmony". In Agile 2008 Conference. IEEE, 2008. http://dx.doi.org/10.1109/agile.2008.28.

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LACERDA, FABIANA EDUARDO CAMPANHARO, e MÁRCIA GONÇALVES DE OLIVEIRA. "YELLOW SUBMARINE: UMA EXPERIÊNCIA MUSICAL E MÓVEL DE SALA DE AULA INVERTIDA NA ESCOLA DE APRENDIZES MARINHEIROS". In 27º CIAED Congresso Internacional ABED de Educação a Distância. Associação Brasileira de Educação a Distância - ABED, 2022. http://dx.doi.org/10.17143/ciaed.xxviiciaed.2022.76639.

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O PRESENTE TRABALHO É RESULTADO DE UMA EXPERIÊNCIA DE ENSINO E APRENDIZAGEM DE LÍNGUA INGLESA EM UMA TURMA DA ESCOLA DE APRENDIZES MARINHEIROS. O OBJETIVO GERAL FOI MOSTRAR COMO A MÚSICA PODE SER UTILIZADA COMO RECURSO DIDÁTICO DE APRENDIZAGEM, PROMOVENDO UM AMBIENTE ONDE OS ALUNOS PARTICIPARAM ATIVAMENTE DO PROCESSO, ATRAVÉS DA METODOLOGIA DA SALA DE AULA INVERTIDA, NO CONTEXTO DE UMA ESCOLA MILITAR. PARA ISSO, DESENVOLVEMOS UM PLANEJAMENTO DE ATIVIDADES, COM MÚSICAS DA BANDA DE ROCK "THE BEATLES". AS ATIVIDADES REMOTAS FORAM REALIZADAS ATRAVÉS DE UM GRUPO CRIADO NO APLICATIVO WHATSAPP, COM A POSTAGEM DE MÚSICAS, VÍDEOS E TEXTOS; NO MOMENTO PRESENCIAL AS ATIVIDADES CONTEMPLARAM AS QUATRO HABILIDADES DA LÍNGUA INGLESA: LER, ESCREVER, OUVIR E FALAR. DENTRE OS RESULTADOS DESTACAMOS QUE OS ALUNOS AUMENTARAM SEU INTERESSE PELO IDIOMA, TIVERAM MELHORIA EM SUA APRENDIZAGEM E CONSIDERARAM QUE AS AULAS FORAM MAIS LÚDICAS E DINÂMICAS E, POR FIM, CONSIDERAMOS SER EXITOSO O USO DAS METODOLOGIAS ATIVAS EM SUAS DIVERSAS MODALIDADES NO CONTEXTO DA EDUCAÇÃO MILITAR, NÃO APENAS NA DISCIPLINA DE LÍNGUA INGLESA MAS DE OUTRAS DISCIPLINAS EM TODOS OS NÍVEIS DO SISTEMA DE ENSINO MILITAR-NAVAL

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Kuusi, Tuire, Ivan Jimenez e Matthew D. Schulkind. "Identifying Beatles songs from their chord progressions: New evidence of the effect of specialized harmonic familiarity, melodic cues, and transposition on the identification of songs from chord progressions". In Future Directions of Music Cognition. The Ohio State University Libraries, 2021. http://dx.doi.org/10.18061/fdmc.2021.0035.

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7

Roux, J. C., J. F. Bloch e K. Olejnik. "Refining Impulse Controls the Morphological Modifications of Fibers". In Advances in Pulp and Paper Research, Oxford 2017, a cura di W. Batchelor e D. Söderberg. Fundamental Research Committee (FRC), Manchester, 2017. http://dx.doi.org/10.15376/frc.2017.1.175.

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Abstract (sommario):

Considering the analogy between the pressing of a paper sheet and the refining of a pulp suspension, the refining impulse is introduced. For beaters, disc or conical refiners, whatever the running mode (continuous or batch), the refining impulse is found to be a controlling variable for the pulp properties, and consequently for the paper properties. In a Valley beater, different normal forces were applied. The SR evolution versus the refining impulse exhibits a unique curve whatever the experimental conditions. For disc and conical refiners, the refining impulse depends on the net power, the rotation speed, the bar width, or the average bar angle. A unique parameter is used to fit each set of trials to obtain a single curve of the SR evolution. This parameter corresponds to the global friction coefficient f. he fiber length and the swelling (WRV) depend also on the refining impulse. However, as in pressing theories, the applied pressure has also to be introduced as a complementary parameter. Consequently, the paper properties are shown to depend also on both the refining impulse and the applied pressure.

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8

Hartman, Richard R. "Mechanical Treatment of Pulp Fibers for Paper Property Development". In Papermaking Raw Materials, a cura di V. Punton. Fundamental Research Committee (FRC), Manchester, 1985. http://dx.doi.org/10.15376/frc.1985.1.413.

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Some fundamental aspects of mechanical actions on wood pulp fibers have been studied. Specifically, the objectives of the study were to produce internal fibrillation in pulp fibers, evaluate its influence on paper properties, and establish its importance relative to external fibrillation and fines in terms of paper property development. An apparatus was constructed that subjected pulp fibers (in the form of a wet handsheet) to repeated compressive loading cycles. Pulp was also treated in an experimental apparatus designed to promote external fibrillation, and in a Valley beater. Several fiber and paper properties were measured. The results showed that internal fibrillation could be produced with the repeated compressive action of the apparatus. The effect of internal fibrillation on paper properties caused a threefold increase in breaking length, from 2 km to 6 km. This level was 75% of the highest breaking length achieved with the Valley beater, which was 8 km. The reason for the difference in breaking length between the samples is due to the (calculated) differences in fiber-fiber bond shear strength. By adding fibrillation to internally fibrillated fibers and forming the sheet, no change in breaking length was achieved. However, adding fines to a suspension of internally fibrillated fibers increased the sheet breaking length, almost to the level produced by Valley beaten fibers. From these results, it was concluded that internal fibrillation in pulp fibers plays the largest part in improving sheet breaking length. Also, fines are a necessary supplement in the fiber network to improve interfiber bonding. The effect of external fibrillation had no apparent influence on improving breaking length, but its importance may lie elsewhere in the sheet forming process. Internal fibrillation and fines can be produced in separate steps, indicating an additive approach to developing sheet properties through refining is possible.

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9

Abitz, Peter, e Philip Luner. "The Effect of Reﬁning on Wet Fiber Flexibility and its Relationship to Sheet Properties". In Fundamentals of Papermaking, a cura di C. F. Baker e V. Punton. Fundamental Research Committee (FRC), Manchester, 1989. http://dx.doi.org/10.15376/frc.1989.1.67.

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The wet fiber flexibilities of several softwood and hardwood species were measured by Steadman’s method (5). Softwoods showed a broader range of wet fiber flexibilities than hardwoods. Refining* decreased the spread as measured by the IQR and increased the median values. The wet fiber flexibility and its distribution was sensitive to the type of refiner, beating load and refiner consistency. Refining at high intensity by increasing the refiner load in a Valley Beater, resulted in the production of pulps with inferior strength properties. When the pulps were at constant WFF, those prepared under low intensity exhibited superior tensile strength. The main effect on the fibers beaten at high consistency was to sharply reduce their fiber length. Changing loads in the PFI mill had less of an impact on the WFF and paper properties . Refining with the low load resulted in maximizing fiber flexibility. However, the tensile strength was inferior. The tensile-density relationship did not change as a function of refining load in the PFI mill, indicating that the quality of refining did not change. The WRV was useful in understanding the relationship between fiber and sheet properties.

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10

Oakley, Ian, DoYoung Lee, MD Rasel Islam e Augusto Esteves. "Beats". In CHI '15: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2702123.2702226.

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Rapporti di organizzazioni sul tema "Beatles (Beatles)"

1

Kessler, Benjamin. A Lonely Place Where the Heart Beats Loud. Portland State University Library, gennaio 2000. http://dx.doi.org/10.15760/etd.6329.

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2

Burke, Michael D. Extracting the Beaten Expeditionary Force: The Margin Between Defeat and Catastrophe. Fort Belvoir, VA: Defense Technical Information Center, maggio 1989. http://dx.doi.org/10.21236/ada215562.

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3

Intxaustegi, Nere Jone. ‘Beatas’, ‘Beaterios’ and Convents: the Origin of the Basque Female Conventual Life. Edicions de la Universitat de Lleida, 2017. http://dx.doi.org/10.21001/itma.2017.11.13.

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4

Judd, Kenneth, Lilia Maliar e Serguei Maliar. One-node Quadrature Beats Monte Carlo: A Generalized Stochastic Simulation Algorithm. Cambridge, MA: National Bureau of Economic Research, gennaio 2011. http://dx.doi.org/10.3386/w16708.

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5

Sithole, Enoch. Climate change journalism in South Africa: noticeable improvements, less than adequate. FOJO media institute, marzo 2023. http://dx.doi.org/10.15626/fojo.s.202301.

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Abstract (sommario):

The media coverage of climate change in South Africa is on the increase, although several issue requiring attention have been identified. These include i) the fact that media coverage ismostly influenced by events such as climate conferences and disasters; ii) a tendency toapproach climate change as a beat, instead of incorporating it in other beats since the climatecrisis impacts various issues, such as economics, health, politics, food security, agriculture, etc.This has often resulted in a scenario where some of the impacts of climate change are underreported;iii) most of the reporting is found in online media and sometimes behind paywalls;and iv) although showing some improvements, there is a reliance on stories from foreign newsnetworks, something that might suggest that the climate crisis is not of local concern. Overallclimate communication by key stakeholders such as the government and the business sector isparticularly inadequate. Having conducted a mapping of media coverage by 11 publicationsand interviewed 42 key stakeholders, this study has made several recommendations whichinclude the training of climate journalists and the conscientization of media houses to improvereporting on the crisis. Government, in particular, has been implored to engage in climatechange communication to catapult societal discourse on the subject and improve mediareporting.

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6

Gušić, Lee Teodora. Unterrichtsideen und Material : Zusammengestelltes und Entworfenes zum Theaterstück "ALL THAT MATTERS. Worauf es ankommt" (Theater La Senty Menti/ Liora Hilb, Beate Jatzkowski, Günther Henne, Leonore Poth sowie weiteres Team sowie Initiative 9. November e.V.) ; und eine kleine Auswahl von Weiterführendem. Universitätsbibliothek J. C. Senckenberg, Frankfurt am Main, luglio 2024. http://dx.doi.org/10.21248/gups.85712.

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7

Homeworking Beats Outsourcing: a 6 Step Model. IEDP Ideas for Leaders, gennaio 2013. http://dx.doi.org/10.13007/142.

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8

Farmer dies after becoming entangled in the unloading beaters of a forage wagon. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, luglio 1996. http://dx.doi.org/10.26616/nioshsface96mn039.

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9

Farm youth dies after becoming entangled in the unloading beaters of a forage wagon. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, aprile 2005. http://dx.doi.org/10.26616/nioshsface05mn010.

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10

Farm youth dies after becoming entangled in the unloading beaters of a forage wagon. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, ottobre 2005. http://dx.doi.org/10.26616/nioshsface05mn036.

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