Articoli di riviste sul tema "Banks, etc., United States, 1902"

Financial derivatives are products based on the innovation of financial products, which can be used for risk avoidance, investment management, etc. In recent years, with the rapid development of the financial market, the development of financial derivatives has become more and more diversified in Chinese commercial banks, ushering in new development opportunities. This paper introduces financial derivatives, discusses the risk management of financial derivatives in Chinese commercial banks, and compares the financial derivatives of commercial banks in China with those in the United States. According to the analysis, it can be concluded that the existing problems in risk management include the lack of rational consumers in China's financial trading market, the unregulated market system, the high risk of purchasing financial derivatives products, and the internal management problems of Chinese banks. In view of these problems, three effective methods are proposed for optimization, namely strengthening the training of human resources, establishing a sound financial regulatory system, and enhancing the internal management of banks.

The scientific article is devoted to the study of the purpose of monetary policy of the central banks of the EU member states. The legislation of the European Union, the member states of the European Union (Germany, France, Poland, the Czech Republic, Spain), as well as the United Kingdom, which left the EU, modern approaches in the science of constitutional and administrative law to determine the monetary policy of central banks EU members. The concept of the purpose of the monetary policy of the Central Banks of the EU member states, the activities and instruments of monetary policy, the functions of the central bank of the EU member state are distinguished. Emphasis is placed on the following regulatory functions of central banks that exist in legal doctrine: 1) management of aggregate money turnover; 2) regulation of the monetary sphere; 3) regulation of supply and demand for credit. The focus is on the fact that the central banks of the EU member states support purchasing power, as well as on the well-known fact: inflation - the slope of financial policy is recognized in economic theory as the most effective. Ensuring the stability of the currency (conducting open market operations or establishing exchange rate policies or reserve requirements, etc.) is a function of the central bank of the state, not the purpose of its activities. The stability of the national unit is also a function of the central bank of the state. It is established that the main purpose of the monetary policy of the central banks of the EU member states is to ensure price stability. In addition, it is argued that this is the inflationary - inclination of financial policy is the most effective. Accounting policy, interest rate policy, regulation of reserve requirements, money supply, open market operations and credit operations, interest rates, reserve requirements of banks are the activities and instruments of monetary policy of central banks. members of the EU, not the purpose of monetary policy.

Abstract The article analyses impact investment of project financing. Companies’ own funds, own funds of the consortium members, the company’s own resources and budget funding, own funds of the company on the basis of a production sharing agreement, borrowed funds; the funds raised by the bond issue are all considered as the project financing sources in the natural resource field. The purpose of this article is to consider various opportunities to support environmentally oriented projects in the framework of project financing, including through attracting funds of banks for the development of “green” economy. The role of banks and the banking sector in supporting environmentally and socially oriented projects is analysed. The experience of banks in Asia, Europe and the United States in terms of “green” economy projects is shown. Moreover, environmental and social risks, and impact of a project, the project compliance with the norms and standards of responsible finance are all considered in this article. Classification of environmental projects with the purpose of project financing is proposed, and also the scheme of interaction between stakeholders is shown, including banks, in the implementation of projects reducing greenhouse gas emissions. Furthermore, impact investment in financing projects with the participation of banking sector is analysed and justified on the example of such countries as Mongolia, Russia, Japan, the United States and others. Evaluation procedures and the selection of projects for social investment purposes are shown in the article, including the measures of supporting banks for the project implementation in the field of “green” economy. The following research methods are considered: systematic analysis, environmental economic analysis environmental auditing, statistical methods for evaluating the costs and benefits from implementing environmentally oriented projects, methods of assessment of damage from environmental pollution, etc.

Abstract. The article considers the growing trends and specifics of digitalization of the banking sector. The main directions of digital transformation and the emergence of new financial market players due to the institutionalization/symbiosis of traditional banks with technology firms are studied. It is noted that this process can have far-reaching and ambiguous consequences and threats, such as moving away from the model of perfect competition and transition to platform-based competition, monopolizing markets by displacing some firms and creating favorable conditions for others, financial and reputational risks for banking structures, which provide payment cards, increase advertising prices, etc. The identified problems of traditional (classical) banks — sluggishness, impossibility of prompt adjustment of strategies, the use of outdated development tools, in particular, the closure of branches and the use of outdated technologies, loss of control over the payment system;the thesis is substantiated according to which the mechanisms of their functioning and management need cardinal corrections and innovations, first of all in approaches to interaction with clients and realization of e-business. Outlined strategies for the operation of new digital banks — the introduction of digital operations with a focus on efficiency, accessibility, transparency and consumer protection, increasing competition with traditional banks with the acquisition of customers of the latter.The consequences and prospects of the arrival of high-tech companies Apple and Google in the banking market are analyzed. Specific examples show the reasons for the bankruptcy of the previously prosperous companies Kodak (USA), Blockbuster (USA). The authors argue that digital banking is gaining a global character and the effective operation of national financial structures requires taking into account the threats and lessons of the onset of high technologies in practice. The features of the development of a digital bank on the European continent and in the United States have been clarified. Keywords: digital banking, digitalization, traditional banks, fintech, cashback, blockchain, smart contracts, cloud technologies. JEL Classification G21, O33, F65 Formulas: 0; fig.: 0; tabl: 0; bibl.: 29.

Keywords: finance, bank, virtual bank, digital economy, Fintech, startup, account,financial institution The article deals with the particular problems of today'sdigital economy. Particular attention is paid to the development of Fintech startupsin Ukraine. The foreign experience of creating and implementing Fintech startups isanalysed. The reasons for the failure of Fintech projects in Ukraine and other countriesare considered. Features of the innovative domestic mobile banking project Monobank (since2017), which was launched in partnership with the Fintech Band, are considered. Theshortcomings of Monobank are analysed, including the following: customers who donot have smartphones cannot use the product; Monobank does not have its own terminalsand ATMs to top up the card and withdraw cash. It uses iBox services and resourcesof other banks; not everyone can get a credit limit.Historical examples of the creation of «virtual» banks are studied. The first one isSecurity First Network Bank (SFNB) appeared in the United States in 1995, and inGermany in 1996, it was called Advance Bank. The emergence of virtual banks laterbecame a prerequisite for the creation of online banking (e-banking), which allows aperson to manage their bank accounts.It is proved that the era of electronic financial services requires the creation of conditionsto prevent fraud and abuse, and to this end should increase the level of financialliteracy of the population. There are prerequisites for further development of fintechin Ukraine. In this context, the USAID Financial Sector Transformation Projectof the National Bank of Ukraine (NBU) and the Independent Association of Banks ofUkraine (IABU) is analysed.The activity of innovation park in Ukraine in the field of fintech industryUNIT.City is considered.Special attention is paid to mobile applications with augmented reality.The typical problems faced by developers of fintech startups are analysed. Theseare, in particular, the following reasons for the loss of projects: the Ukrainian marketfor investment is not so big; not enough resources for successful work in this market;market regulation issues etc.

The article has highlighted the experience of the United States in crediting land based on productivity. In Ukraine soil classification was carried out in the section of soil groups according to their main natural properties, which have a stable nature and significantly affect the yield of agricultural crops grown in specific soil and climatic conditions. Complete work on soil grading on agricultural lands in Ukraine was carried out in 1993 within the boundaries of natural-agricultural districts and regions. Integral natural properties of soils reflect the credit score. These properties are divided into basic and modified. The main ones include the following: humus content, capacity of the humus horizon, the content of physical clay (particles up to 0.01 mm). The modified are mainly salinity, erosion, etc. Credit assessment of soil quality is presented in relative values — points on a closed 100-point scale. In contrast to Ukraine, in the United States land credit rating is carried out according to their productivity. Quantitative characterization of land productivity was carried out using two methodological approaches: inductive and deductive. The inductive assessment of productivity is given solely based on the estimated impact of different lands and soil properties on the potential yield. Deductive assessment, on the contrary, is based only on yield data on different soils. Most land valuations combine both approaches. It should be noted that thanks to the improvement of modern computer technology, it became possible to collect and process a large amount of information about land resources, which makes it possible to create mathematical simulation models, search programs, and computerized data banks. This is greatly facilitated by the development of remote sensing, new measuring devices, and map printing systems. This experience will contribute to the improvement of land resource assessment methods in Ukraine as well, despite the serious challenges that exist in the country.

In modern conditions of the rapid industrial development the banks have to forecast their risks and profitability precisely, to apply information technologies to assess their activities. To evaluate the bank's income, it is necessary to carry out an internal analysis of its assets and liabilities and determine the factors effecting the bank's profitability by managing interest rate risk. The hypothesis of the study is the analysis of the impact on the net interest income and interest rate risk of a commercial bank of factors such as the exchange rate and the key rate of the Bank of Russia (for example, Sberbank, PJSC). There has been studied the impact of the factors (exchange rate and key interest rate of Central Bank of Russia) on the bank's net interest income by using correlation and regression analysis and building a regression model. Many tools are found to be used by the experienced analysts. One of the main tools is GAP analysis of interest rate risk. There have been illustrated the graphs of changes in interest rates of savings and loan associations during the crisis in the United States in the 1950-1960, of realization of interest rate risk with an increase in interest rates, the distribution of assets and liabilities according to the maturity of the balance sheet structure, the impact of changes in the interest rate GAP on net interest income, etc. A matrix of correlations of all variables in the sample (rates of growing values) was constructed. Conclusions are drawn on the need to use hedging instruments (interest rate swaps, interest rate options), as well as of attracting the most reliable data on the state of interest rate risk in the commercial banks.

The transition of Soviet Russia from “war communism” to a new economic policy required the restoration of commodity-money exchange, the financial and tax system, credit and other market institutions. The need for rapid recovery and development of all branches of the national economy predetermined a certain departure from the “communist” views on banking and in the early 1920s. in the country, along with the State Bank, special banks appeared. These banks, being under the control of the relevant economic commissariats, ensured the implementation of the necessary financial and credit policy in this branch of the national economy. The article examines the activity of the German-Volga Agricultural Credit Bank in the ASSR of the Volga Germans during the period of the new economic policy. Special attention is paid to the bank’s issuance of a bond loan intended for placement, primarily on the foreign market. The bank bonds were supposed to be placed in Germany and among the German diasporas of the United States and Latin America. The article analyzes the activities of Nemvolbank in attracting foreign currency funds. The source base was the documents stored in the Russian State Archive of Economics in the funds of the Ministry of Finance of the USSR and the Ministry of Foreign Trade of the USSR: correspondence between the leadership of the ASSR of the Volga Germans about the issue of the loan and the terms of its placement, Regulations on the issue of bonds, etc. The role of the bank in the development of Soviet- German financial and economic relations within the framework of the diplomatic rapprochement of the two countries is traced. Shown activity Newalliance for the return of German colonists, immigrants back in the Volga region. It is concluded that the German-Volga Bank conducted quite active foreign trade activities.

The article examines the practices associated with the veneration of the portrait of the Rybnitser Rebbe (Chaim Zanvl Abramovich, 1902–1995) that are currently common among natives of Rybnitsa (now Transnistria). The study is based on field research in Rybnitsa in 2011–2019, as well as on the analysis of hagiographic literature in Yiddish and Hebrew, published in the United States after the death of the rebbe. The ambivalent attitude towards the depiction of the tzaddik is studied in the context of general ideas concerning portraits of rabbis in Hasidism. In many oral narratives, the motive of the constant justification of the practice of referring to the portrait of Chaim Zanvl remains. The image of the rebbe, a portrait printed on canvas, is kept in almost every family that remember the Rybnitser rebbe. The portrait was given to the people of Rybnitsa by the rebbe’s widow, who in the early 2000s collected materials for writing a hagiographic book about her husband. The photograph for the portrait was made in the classical style of rabbinical portraits of the 19th and 20th centuries. The Rebbe is depicted sitting over a holy book, in ritual dresses such as tallit with tefillin on his head, looking straight at the viewer. Despite the fact that it is not customary for Jews to have icons, pictures, etc., the interviews reveal the fact that the portrait of the tzaddik functions precisely like holy image. People talk to the portrait and pray to it; they hang it in a significant place at their homes; they keep it as a card in a wallet or as a small picture on key chains, in cars and on phone screensavers. In addition, for people from Rybnitsa the portrait of Chaim Zanvl becomes an icon of Jewish identity, a tool of social connection within the community and beyond.

Franchising is considered the most successful marketing concept around the world. Today, many franchises are offered, and it is incomparably easier and more secure to develop entrepreneurial spirit under the patronage of the already developed system. Franchise is called long term, firm contractual cooperation between independent companies or entrepreneurs, franchisor and franchisee, where the franchisor provides the franchisee with a set of knowledge and gives it its brand. The number of franchise systems in the world is rising, and competition compels the franchisee to search for new and attractive offers. The largest number of franchises exists on the United States market, the number of employees in this market is in arrears, and achieves the high GDP measured in billions of dollars. In the United States are represented all kinds of franchise systems, from the automotive industry, restaurants, education, beauty salons to new forms of work from home. Canada is the second largest in franchising, many forms have been developed that place the franchise at the very top of economic business. In Europe, the less developed countries, such as Poland, the Czech Republic, Hungary, Bulgaria, etc., are developing more and more domestic brands and striving towards the conquest of international markets. New models of franchised business such as home-based franchises are being developed to allow most people to work from home. The application of the franchise system in our country would significantly contribute to the development of the domestic market. The future success of franchising in Serbia depends on the ability to innovate, improve the size of the site, provide education to interested small and medium-sized enterprises and entrepreneurs. Looking at all these countries and different markets, one can conclude that franchising is less developed in weaker economies, while economically more developed markets achieve even greater expansion in the form of GDP, employment, education, institutions. If each country awakens awareness of the value of franchising as a good technique for enterprises and entrepreneurs, it will open the possibility of expansion franchising to international markets, through marketing, social networks and the Internet. What is important is that this type of franchising is developing in our country and in this way it is slowly focusing on international markets. In franchising, the risk of business failure when starting a business is significantly lower than when starting a stand-alone business. Franchising is a way to use a proven, more successful, business model in a personal business, thereby reducing the likelihood of failure. The franchisee still continues to act substantially with his own resources, at his own risk, but under a different name. A well-known and famous brand is an additional guarantee for greater recognition and an automatically higher number of consumers. Franchising is a shortcut to a more successful business success. In the future, banks are expected to pay more attention to the financing of franchising, as both franchisees and recipients are referred to banks that receive the role of checkpoints and mediators.

After the 1979 Islamic Revolution, Iran did not change its policy towards Japan, which was not only perceived separately from the West, but was also a major customer of its raw resources and a potential economic donor. In turn, Japan had to pursue the policy of unstable balancing towards Iran, by coordinating its Middle Eastern policy with its strategic ally, the United States, and simultaneously trying to preserve close ties with Iran, which were important from the point of view of maintaining energy security. The article shows how Japan tried to maneuver between these two countries: it took steps to realize large-scale economic projects in Iran’s energy sector, to limit sanctions, which were minimal on its side, etc., and simultaneously participated in the anti-Iran campaign pursued by Western countries under the pressure of the US, or under the influence of major crises in the region (for example, the Iran-Iraq War). Japan continues to face this “Middle Eastern dilemma” in present times as well. It could partly have been solved by the signing of the Joint Comprehensive Plan of Action on the Iranian nuclear program in 2015, were it not for the fact that, two years later, under the US administration of Donald Trump, the US-Iran relations worsened significantly. Nevertheless, in this period, Japan successfully tried its mediatory potential, making use of its good relations with both parties of the conflict: on the one hand, it refused to participate in the US operation in the Strait of Hormuz, on the other, it halted the unfreezing of Iran’s funds in its banks, which had been blocked after the introduction of sanctions by the US administration of Donald Trump. Recently, the activization of China in the region has become a factor of risk for Japan’s Middle Eastern policy, as China tries to use the weaking positions of the US and to occupy the vacuum that was left in its wake, which is illustrated by the signing of the Comprehensive Strategic Partnership agreement between Beijing and Tehran in March 2021. This forces Japan to deliberately strengthen its positions and expand its presence in Iran. It appears that Japan’s approaches to solving the “Middle Eastern dilemma” deserve special attention in the future as well.

In this study, we developed and applied SSI writing teaching-learning lesson plans for middle school biology gifted students on the subject of plastic waste problem, seed war, etc. In this process, we aimed to solve students’ given problems creatively. In this study, a systematic teaching-learning process was presented through the development of a teaching plan, and a series of curriculums such as teaching-learning-evaluation were carried out by performing SSI writing in the evaluation process. The theme of the first teaching-learning lesson plan is ‘Plastic Age, How to solve it’, and the reason for the selection is to recognize the seriousness of environmental pollution caused by discarded plastic through the recognition of the problem of plastic items that are easily used and discarded, and to seek experimental and social countermeasures to solve them. The class was conducted by exploring the current status of plastic appliances, starting with plastic, and finding ways to solve problems through the study of larva eating plastic. The learning objectives were to recognize environmental and social problems caused by plastic, to find ways to reduce plastic waste, and to present scientific methods for problem solving through argumentation. The second subject of the teaching-learning lesson plan was selected as ‘Seeds, Dominate the World’, and the reason for the selection is to examine the seed patent rights of multinational corporations and analyze the problems caused by them, and ultimately to think about why biodiversity is important between the universal interests of mankind and the interests of specific companies. The class established the concepts of species diversity, biodiversity, seed banks, and life patents, identified the current status and problems of agriculture around the world due to patented seeds, and established their own claims through advocacy or refutation of seed bank establishment. The purpose of the study was to identify the current status and problems of the cotton industry in India, identify the seed industry in Korea, identify the status of GMO seeds in the United States, and identify the problems of life patents in multinational companies such as Monsanto. In SSI writing, or evaluation after teaching-learning, students were aware of given social science problems, sought ways to solve problems, and presented scientific methods for problem solving through argumentation.

The article deals with the prospects for Russia’s “pivot to the East” taking into account main chances as well as risks in the context of growing challenges in East Asia. The author stresses that national and regional misbalances in East Asia are the results of the dynamic development of East Asian countries during the last 15 years. “Middle class trap” is at the agenda as the main common problem in China and ASEAN member countries. The analysis focuses also on such issues as broad scaled corruption and state-controlled legal system, quality of political, social institutions and social lifts, role of nationalism and culture. Regional misbalances in infrastructure and R&D as well as the crisis of regional institutions are characterized as new challenges to integration trends in East Asia and Asia-Pacific area in general. According to the author’s view, there are three different types of policies to meet the domestic challenges and to overcome “middle class trap”: Japanese, South Korean and Chinese. Prime Minister Ikeda’s “income-doubling plan” accompanied by public activity is described as an effective reform-oriented policy. South Korea’s transition from dictatorship to democratic society and more flexible economy is another type of positive reform policy. According to China’s modern domestic strategy, a lot of attention is paid to administrative measures against corruption, modification of social policy, reforms of banks, etc. At the same time, public activities and legal system, in spite of some improvements, are still under rigid administrative control. Meanwhile, the role of law will be crucial factor of successful development of East Asian countries at the stage of “middle class economy”. To a large scale, the prospects for regional integration depend on growing creative role of China (for example, investments into regional infrastructure and establishment of special bank, initiations of the Asia-Pacific Free Trade Area). At the same time, China will continue cooperation and dialogue with other countries, first of all with the USA. ASEAN members increase their activity to improve sub-regional cooperation and relations with United States and Japan in order to couterbalance China’s influence in East Asia. Finally, the author describes Russia’s policy towards East Asia and the Pacific, including brief history, main trends and key priorities at the current stage. “Free Vladivostok port” and some other initiatives to realize more flexible economic strategy towards East Asia and Pacific will give opportunity for Russia to promote its integration into the Pacific Area. Transition of Russia’s export structure from resources and energy to innovation goods and services is at the agenda.

Abstract Breast cancer is the second most common cancer among women in the United States. Puberty is a well-established sensitive period in women when breast cancer (BC) risk is increased by the physical environment for example exposure to chemical carcinogens, synthetic estrogens, endocrine disrupters, radiation, etc. However, relatively little is known about effects of exposure to chronic psychological stress from the social environment during this time period (puberty and early adulthood). In previous studies using the Sprague-Dawley rat model of spontaneous mammary cancer, chronically heightened glucocorticoid stress reactivity arising from imposed social isolation after weaning increased duration of glucocorticoid release in response to everyday stressors, impeded mammary gland ductal development, and caused earlier and more aggressive mammary gland cancer incidence during adulthood. However due to the period of isolation lasting from weaning to death, a critical time period in which these changes occurred was not established. Here we found that chronic social isolation only during puberty and early adulthood results in alterations in mammary gland gene expression patterns and preservation of mammary stem/progenitor cells. We have observed that social isolation beginning at five weeks and ending at 21 weeks leads to a 4-fold increase in the key metabolic lipogenic enzymes ATP citrate lyase (ACLY; p-value = 0.008), 2-fold increase in acetyl-CoA carboxylase (Acaca; p-value=0.01), and 1.88-fold change in stearoyl-CoA desaturase 1 (Scd1; p-value = 0.50). Interestingly, we have also observed that social isolation during this time period, leads to a slight decrease (0.70-fold change) in hexokinase 2 (HK2; p-value= 0.007). Regarding mammary stem/progenitor cell preservation, we found that social isolation beginning at five weeks and ending at 17 weeks leads to a significant increase in the number of mammary gland stem/progenitor cells (isolated by FACS sorting). This correlation was only observed in response to corticosterone reactivity, and null to exposure to estrogen or progesterone. In summary, our findings suggest that social isolation during puberty and early adulthood correlates to increased glucocorticoid exposure resulting in metabolic reprogramming in the mammary gland and inappropriate preservation of mammary stem/progenitor cells. Altogether these factors may increase the risk of mammary cancer occurrence later in adulthood. Citation Format: Briana Banks, Marianna Johnson, Joscelyn Hoffmann, Hannah You, Matt Piron, Suzanne Conzen, Martha McClintock, Matthew Brady. The effect of chronic psychological stress during puberty and early adulthood on mammary gland development and mammary cancer risk in adulthood [abstract]. In: Proceedings of the American Association for Cancer Research Annual Meeting 2022; 2022 Apr 8-13. Philadelphia (PA): AACR; Cancer Res 2022;82(12_Suppl):Abstract nr 24.

Abstract Breast cancer is the second most common cancer among women in the United States. Puberty is a well-established sensitive period in women when breast cancer (BC) risk is increased by the physical environment for example exposure to chemical carcinogens, synthetic estrogens, endocrine disrupters, radiation, etc. However, relatively little is known about effects of exposure to chronic psychological stress from the social environment during this time period (puberty and early adulthood). In previous studies using the Sprague-Dawley rat model of spontaneous mammary cancer, chronically heightened glucocorticoid stress reactivity arising from imposed social isolation after weaning increased duration of glucocorticoid release in response to everyday stressors, impeded mammary gland ductal development, and caused earlier and more aggressive mammary gland cancer incidence during adulthood. However due to the period of isolation lasting from weaning to death, a critical time period in which these changes occurred was not established. Here we found that chronic social isolation only during puberty and early adulthood results in alterations in mammary gland gene expression patterns and preservation of mammary stem/progenitor cells. We have observed that social isolation beginning at five weeks and ending at 21 weeks leads to a 4-fold increase in the key metabolic lipogenic enzymes ATP citrate lyase (ACLY; p-value = 0.008), 2-fold increase in acetyl-CoA carboxylase (Acaca; p-value=0.01), and 1.88-fold change in stearoyl-CoA desaturase 1 (Scd1; p-value = 0.50). Interestingly, we have also observed that social isolation during this time period, leads to a slight decrease (0.70-fold change) in hexokinase 2 (HK2; p-value= 0.007). Regarding mammary stem/progenitor cell preservation, we found that social isolation beginning at five weeks and ending at 17 weeks leads to a significant increase in the number of mammary gland stem/progenitor cells (isolated by FACS sorting). This correlation was only observed in response to corticosterone reactivity, and null to exposure to estrogen or progesterone. In summary, our findings suggest that social isolation during puberty and early adulthood correlates to increased glucocorticoid exposure resulting in metabolic reprogramming in the mammary gland and inappropriate preservation of mammary stem/progenitor cells. Altogether these factors may increase the risk of mammary cancer occurrence later in adulthood. Citation Format: Briana Banks, Matthew Brady. The effect of chronic psychological stress during puberty and early adulthood on breast cancer risk and development [abstract]. In: Proceedings of the 16th AACR Conference on the Science of Cancer Health Disparities in Racial/Ethnic Minorities and the Medically Underserved; 2023 Sep 29-Oct 2;Orlando, FL. Philadelphia (PA): AACR; Cancer Epidemiol Biomarkers Prev 2023;32(12 Suppl):Abstract nr B001.

A fully annotated catalog of genus- and species-group names of Neotropical Lauxaniidae (Diptera: Lauxanioidea) is presented, providing details of references to these names in literature, and providing additional details such as distributions, generic combinations, synonymies, misspellings and emendations, information on types, notes on unusual situations, etc. As this catalog is meant to supplement the older Catalog of the Diptera of America North of Mexico, to complete the cataloging of the New World Lauxaniidae, “Neotropical” is herein inclusive of everything south of the United States, and the Nearctic parts of Mexico are not separately distinguished. The catalog is organized alphabetically within each of the three lauxaniid subfamilies, Eurychoromyiinae, Homoneurinae and Lauxaniinae, treating 91 available genus-group names, of which 77 represent valid genera. In the species-group, the catalog treats 441 available species-group names, of which 391 represent valid Neotropical lauxaniid species, 39 are invalid, three are valid but extralimital lauxaniids, five are valid but removed from Lauxaniidae, and two are new replacement names for two homonyms outside Lauxaniidae. The following nine new genera are described, based on previously described species: Elipolambda Gaimari & Silva (type species, Sapromyza lopesi Shewell, 1989), Griphoneuromima Silva & Gaimari (type species, Sapromyza frontalis Macquart, 1844b), Meraina Silva & Gaimari (type species, Lauxania ferdinandi Frey, 1919), Myzaprosa Gaimari & Silva (type species, Myzaprosa mallochi Gaimari & Silva), Paradeceia Silva & Gaimari (type species, Sapromyza sororia Williston, 1896b), Pseudodeceia Silva & Gaimari (type species, Lauxania leptoptera Frey, 1919), Sericominettia Gaimari & Silva (type species, Minettia argentiventris Malloch, 1928), Zamyprosa Gaimari & Silva (type species, Sapromyza semiatra Malloch, 1933), and Zargopsinettia Gaimari & Silva (type species, Minettia verticalis Malloch, 1928). The following four new replacement names in the species-group replace junior homonyms: Myzaprosa mallochi Gaimari & Silva (for Sapromyza spinigera Malloch, 1933, nec Malloch, 1925), Pseudogriphoneura mallochi Silva & Gaimari (for Minettia infuscata Malloch, 1928, nec Sciomyza infuscata Wulp, 1897), Xenochaetina hendeli Silva & Gaimari (for Allogriphoneura robusta Hendel, 1936, nec Helomyza robusta Walker, 1858), Zamyprosa macquarti Gaimari & Silva (for Sciomyza nigripes Blanchard, 1854, nec Sapromyza nigripes Macquart, 1844). The following six genus-group names are new synonyms: Allogriphoneura Hendel, 1925 (= Xenochaetina Malloch, 1923), Bacilloflagellomera Papp & Silva, 1995 (= Stenolauxania Malloch, 1926), Haakonia Curran, 1942 (= Xenochaetina Malloch, 1923), Homoeominettia Broadhead, 1989 (= Allominettia Hendel, 1925), Paraphysoclypeus Papp & Silva, 1995 (= Physoclypeus Hendel, 1907), Tibiominettia Hendel, 1936 (= Allominettia Hendel, 1925). The following 12 species-group names are new synonyms: Chaetocoelia banksi Curran, 1942 (= Chaetocoelia excepta (Walker, 1853)), Chaetocoelia tripunctata Malloch, 1926 (= Chaetocoelia excepta (Walker, 1853)), Minettia semifulva Malloch, 1933 (= Zamyprosa nigriventris (Blanchard, 1854)), Pseudogriphoneura scutellata Curran, 1934a (= Xenochaetina porcaria (Fabricius, 1805)), Sapromyza apta Walker, 1861 (= Chaetominettia mactans (Fabricius, 1787)), Sapromyza brasiliensis Walker, 1853 (= Chaetominettia corollae (Fabricius, 1805)), Sapromyza semiatra subsp. remissa Malloch, 1933 (= Zamyprosa semiatra (Malloch, 1933)), Sapromyza sordida Williston, 1896b (= Neogriphoneura sordida (Wiedemann, 1830)), Setulina geminata subsp. quadripunctata Malloch, 1941, subsp. tripunctata Malloch, 1941 & subsp. verticalis Malloch, 1941 (= Setulina geminata (Fabricius, 1805)), Tibiominettia setitibia Hendel, 1932 (= Allominettia assimilis (Malloch, 1926)). The following 96 lauxaniid species-group names are in new combinations: Allominettia approximata (Malloch, 1928; Deutominettia Hendel, 1925), Allominettia assimilis (Malloch, 1926; Minettia Robineau-Desvoidy, 1830), Allominettia rubescens (Macquart, 1844b; Sapromyza Fallén, 1810), Allominettia woldae (Broadhead, 1989; Homoeominettia Broadhead, 1989), Camptoprosopella sigma (Hendel, 1910; Procrita Hendel, 1908), Camptoprosopella verena (Becker, 1919; Sapromyza Fallén, 1810), Dryosapromyza pirioni (Malloch, 1933; Minettia Robineau-Desvoidy, 1830), Elipolambda duodecimvittata (Frey, 1919; Lauxania Latreille, 1804), Elipolambda lopesi (Shewell, 1989; Sapromyza Fallén, 1810), Elipolambda picrula (Williston, 1897; Sapromyza Fallén, 1810), Griphoneuromima frontalis (Macquart, 1844b; Sapromyza Fallén, 1810), Homoneura maculipennis (Loew, 1847; Sapromyza Fallén, 1810), Lauxanostegana albispina (Albuquerque, 1959; Steganopsis Meijere 1910), Marmarodeceia claripennis (Curran, 1934a; Pseudogriphoneura Hendel, 1907), Melanomyza nigerrima (Becker, 1919; Sapromyza Fallén, 1810), Meraina ferdinandi (Frey, 1919; Lauxania Latreille, 1804), Minettia altera (Curran, 1942; Pseudogriphoneura Hendel, 1907), Minettia duplicata (Lynch Arribálzaga, 1893; Sapromyza Fallén, 1810), Minettia lateritia (Rondani, 1863; Sapromyza Fallén, 1810), Minettia lupulinoides (Williston, 1897; Sapromyza Fallén, 1810), Minettia pallens (Blanchard, 1854; Sapromyza Fallén, 1810), Minettia remota (Thomson, 1869; Sapromyza Fallén, 1810), Minettia setosa (Thomson, 1869; Sapromyza Fallén, 1810), Myzaprosa chiloensis (Malloch, 1933; Sapromyza Fallén, 1810), Myzaprosa emmesa (Malloch, 1933; Sapromyza Fallén, 1810), Myzaprosa triloba (Malloch, 1933; Sapromyza Fallén, 1810), Neodecia albovittata (Loew, 1862; Lauxania Latreille, 1804), Neodecia bivittata (Curran, 1928b; Pseudogriphoneura Hendel, 1907), Neodecia flavipennis (Curran, 1928b; Pseudogriphoneura Hendel, 1907), Neodecia vittifacies (Curran, 1931; Pseudogriphoneura Hendel, 1907), Neominettia eronis (Curran, 1934a; Sapromyza Fallén, 1810), Neominettia lebasii (Macquart, 1844b; Sapromyza Fallén, 1810), Neominettia melanaspis (Wiedemann, 1830; Sciomyza Fallén, 1820d), Neoxangelina congruens (Hendel, 1910; Physegenua Macquart, 1848a/b), Neoxangelina facialis (Wiedemann, 1830; Sciomyza Fallén, 1820d), Neoxangelina flavipes (Hendel, 1926; Physegenua Macquart, 1848a/b), Paracestrotus albipes (Fabricius, 1805; Scatophaga Fabricius, 1805), Paradeceia incidens (Curran, 1934a; Sapromyza Fallén, 1810), Paradeceia shannoni (Malloch, 1933; Sapromyza Fallén, 1810), Paradeceia sororia (Williston, 1896b; Sapromyza Fallén, 1810), Physegenua annulata (Macquart, 1844b; Ephydra Fallén, 1810), Physoclypeus nigropleura (Papp & Silva, 1995; Paraphysoclypeus Papp & Silva, 1995), Poecilohetaerus suavis (Loew, 1847; Sapromyza Fallén, 1810), Poecilolycia blanchardi (Malloch, 1933; Sapromyza Fallén, 1810), Poecilolycia lineatocollis (Blanchard, 1854; Sapromyza Fallén, 1810), Poecilominettia aibonito (Curran, 1926; Minettia Robineau-Desvoidy, 1830), Poecilominettia bipunctata (Say, 1829; Sapromyza Fallén, 1810), Poecilominettia evittata (Malloch, 1926; Minettia Robineau-Desvoidy, 1830), Poecilominettia mona (Curran, 1926; Minettia Robineau-Desvoidy, 1830), Poecilominettia nigropunctata (Malloch, 1928; Minettia Robineau-Desvoidy, 1830), Poecilominettia plantaris (Thomson, 1869; Sapromyza Fallén, 1810), Poecilominettia quichuana (Brèthes, 1922; Sapromyza Fallén, 1810), Poecilominettia schwarzi (Malloch, 1928; Sapromyza Fallén, 1810), Poecilominettia sonax (Giglio-Tos, 1893; Sapromyza Fallén, 1810), Poecilominettia thomsonii (Lynch-Arribálzaga, 1893; Sapromyza Fallén, 1810), Poecilominettia triseriata (Coquillett, 1904a; Sapromyza Fallén, 1810), Pseudocalliope albomarginata (Malloch, 1933; Minettia Robineau-Desvoidy, 1830), Pseudodeceia leptoptera (Frey, 1919; Lauxania Latreille, 1804), Pseudogriphoneura albipes (Wiedemann, 1830; Lauxania Latreille, 1804), Pseudominettia argyrostoma (Wiedemann, 1830; Lauxania Latreille, 1804), Ritaemyia unifasciata (Macquart, 1835; Tephritis Latreille, 1804), Sciosapromyza fuscinervis (Malloch, 1926; Minettia Robineau-Desvoidy, 1830), Sciosapromyza limbinerva (Rondani, 1848; Sapromyza Fallén, 1810), Sciosapromyza scropharia (Fabricius, 1805; Scatophaga Fabricius, 1805), Scutominettia guyanensis (Macquart, 1844b; Sapromyza Fallén, 1810), Sericominettia argentiventris (Malloch, 1928; Minettia Robineau-Desvoidy, 1830), Sericominettia aries (Curran, 1942; Pseudogriphoneura Hendel, 1907), Sericominettia holosericea (Fabricius, 1805; Scatophaga Fabricius, 1805), Sericominettia nigra (Curran, 1934a; Pseudogriphoneura Hendel, 1907), Sericominettia velutina (Walker, 1853; Helomyza Fallén, 1820a), Stenolauxania flava (Silva, 1999a; Bacilloflagellomera Papp & Silva, 1995), Stenolauxania fusca (Silva, 1999a; Bacilloflagellomera Papp & Silva, 1995), Stenolauxania longicornus (Silva, 1999a; Bacilloflagellomera Papp & Silva, 1995), Stenolauxania nigrifemuris (Silva, 1999a; Bacilloflagellomera Papp & Silva, 1995), Stenolauxania pectinicornis (Papp & Silva, 1995; Bacilloflagellomera Papp & Silva, 1995), Trivialia nigrifrontata (Becker, 1919; Sapromyza Fallén, 1810), Trivialia scutellaris (Williston, 1896b; Phortica Schiner, 1862), Trivialia venusta (Williston, 1896b; Sapromyza Fallén, 1810), Xenochaetina annuliventris (Hendel, 1926; Allogriphoneura Hendel, 1925), Xenochaetina glabella (Becker, 1895; Lauxania Latreille, 1804), Xenochaetina nigra (Williston, 1896b; Physegenua Macquart, 1848a/b), Xenochaetina phacosoma (Hendel, 1926; Allogriphoneura Hendel, 1925), Xenochaetina porcaria (Fabricius, 1805; Scatophaga Fabricius, 1805), Xenochaetina robusta (Walker, 1858; Helomyza Fallén, 1820a), Zamyprosa dichroa (Malloch, 1933; Minettia Robineau-Desvoidy, 1830), Zamyprosa edwardsi (Malloch, 1933; Sapromyza Fallén, 1810), Zamyprosa ferruginea (Macquart, 1844b; Opomyza Fallén, 1820b), Zamyprosa fulvescens (Blanchard, 1854; Sciomyza Fallén, 1820d), Zamyprosa fulvicornis (Malloch, 1933; Sapromyza Fallén, 1810), Zamyprosa micropyga (Malloch, 1933; Sapromyza Fallén, 1810), Zamyprosa nigripes (Macquart, 1844b; Sapromyza Fallén, 1810), Zamyprosa nigriventris (Blanchard, 1854; Sapromyza Fallén, 1810), Zamyprosa parvula (Blanchard, 1854; Sapromyza Fallén, 1810), Zamyprosa semiatra (Malloch, 1933; Sapromyza Fallén, 1810), Zamyprosa seminigra (Malloch, 1933; Minettia Robineau-Desvoidy, 1830), Zargopsinettia verticalis (Malloch, 1928; Minettia Robineau-Desvoidy, 1830). The following 42 species have lectotype designations herein: Allogriphoneura nigromaculata Hendel, 1925 (synonym of Xenochaetina porcaria (Fabricius, 1805)), Allogriphoneura robusta Hendel, 1936 (= Xenochaetina hendeli Silva & Gaimari), Allominettia maculifrons Hendel, 1925 (synonym of Allominettia xanthiceps (Williston, 1897)), Blepharolauxania trichocera Hendel, 1925, Chaetocoelia palans Giglio-Tos, 1893, Euminettia zuercheri Hendel, 1933b (Minettia Robineau-Desvoidy, 1830), Griphoneura triangulata Hendel, 1926, Lauxania albovittata Loew, 1862 (Neodecia Malloch, in Malloch & McAtee, 1924), Lauxania imbuta Wiedemann, 1830 (Griphoneura Schiner, 1868), Lauxania lutea Wiedemann, 1830 (Neominettia Hendel, 1925), Lauxania ruficornis Macquart, 1851a (synonym of Xenochaetina flavipennis (Fabricius, 1805)), Neominettia fumosa Hendel, 1926 (synonym of Neominettia costalis (Fabricius, 1805)), Physegenua ferruginea Schiner, 1868, Physegenua vittata Macquart, 1848a/b, Pseudogriphoneura cormoptera Hendel, 1907, Sapromyza angustipennis Williston, 1896b (Chaetocoelia Giglio-Tos, 1893), Sapromyza distinctissima Schiner, 1868 (Chaetocoelia Giglio-Tos, 1893), Sapromyza exul Williston, 1896b (Neodecia Malloch, in Malloch & McAtee, 1924), Sapromyza gigas Schiner, 1868 (Dryosapromyza Hendel, 1933a), Sapromyza ingrata Williston, 1896b (Poecilominettia Hendel, 1932), Sapromyza latelimbata Macquart, 1855a (synonym of Chaetominettia corollae (Fabricius, 1805)), Sapromyza lineatocollis Blanchard, 1854 (Poecilolycia Shewell, 1986), Sapromyza longipennis Blanchard, 1854 (= Minettia duplicata (Lynch Arribálzaga, 1893)), Sapromyza nigerrima Becker, 1919 (Melanomyza Malloch, 1923), Sapromyza nigriventris Blanchard, 1854 (Zamyprosa Gaimari & Silva), Sapromyza octovittata Williston, 1896b (Poecilominettia Hendel, 1932), Sapromyza ornata Schiner, 1868 (Neoxangelina Hendel, 1933a), Sapromyza pallens Blanchard, 1854 (Minettia Robineau-Desvoidy, 1830), Sapromyza parvula Blanchard, 1854 (Zamyprosa Gaimari & Silva), Sapromyza picrula Williston, 1897 (Elipolambda), Sapromyza puella Williston, 1896b (Trivialia Malloch, 1923), Sapromyza sororia Williston, 1896b (Paradeceia Silva & Gaimari), Sapromyza venusta Williston, 1896b (Trivialia Malloch, 1923), Sapromyza xanthiceps Williston, 1897 (Allominettia Hendel, 1925), Scatophaga scropharia Fabricius, 1805 (Sciosapromyza Hendel, 1933a), Sciomyza fulvescens Blanchard, 1854 (Zamyprosa Gaimari & Silva), Sciomyza melanaspis Wiedemann, 1830 (Neominettia Hendel, 1925), Sciomyza nigripes Blanchard, 1854 (= Zamyprosa macquarti Gaimari & Silva), Sciomyza obscuripennis Bigot, 1857 (Physegenua Macquart, 1848a/b), Scutolauxania piloscutellaris Hendel, 1925, Trigonometopus albifrons Knab, 1914, Trigonometopus rotundicornis Williston, 1896b. The following three species are removed from being recognized as part of the Neotropical fauna: Homoneura americana (Wiedemann, 1830; Sapromyza Fallén, 1810), Homoneura maculipennis (Loew, 1847; Sapromyza Fallén, 1810), Poecilohetaerus suavis (Loew, 1847; Sapromyza Fallén, 1810). The following four species are removed from the family, three of which are put into the following new combinations: Senopterina cyanea (Fabricius, 1805; Lauxania Latreille, 1804) (Platystomatidae), Dihoplopyga delicatula (Blanchard, 1854; Sapromyza Fallén, 1810) (Heleomyzidae), Pherbellia geniculata (Macquart, 1844b; Sapromyza Fallén, 1810) (Sciomyzidae). The remaining species, Sapromyza fuscipes Macquart, 1844b, is of uncertain family placement within the Muscoidea. The following new replacement names for species of Platystomatidae were necessary due to homonymy: Senopterina gigliotosi Gaimari & Silva (for Bricinniella cyanea Giglio-Tos, 1893, nec Lauxania cyanea Fabricius, 1805), and Rivellia macquarti Gaimari & Silva (for Tephritis unifasciata Macquart, 1843: 381, nec Macquart, 1835: 465).

Problem statement. The main issues that exist in the management of strains of particularly dangerous microorganisms are primarily related to the weakening of state supervision and control. Surprisingly, nowadays, there is no single official register of owners of pathogenic microorganisms and strains of dangerous and especially dangerous infectious diseases. Some biological objects are found, even in private collections. There are no permitting procedures for handling such facilities and sanctions for violating them. That is why it is not surprising that the Prosecutor General’s Office has announced that the head of the State Research and Control Institute of Biotechnology and Microorganism Strains has identified dangerous virus strains that are known as infectious animal pathogens and can spread rapidly on a large scale across national borders. Dual-use studies should be supervised to address the risks arising from the development of biomedical sciences. Continuous monitoring and verification of scientific and technological advances sensitive from the point of view of security allow to minimize the possibility of the adoption of biological and toxic weapons and other risks. Analysis of recent sources and publications. Theoretical issues of legal regulation of activities in the field of circulation of certain groups of drugs containing strains of microorganisms, in particular in vaccination, attract the attention of many researchers. They were studied, in particular by: R.A. Maidanyk, I.Ya. Senyuta, etc. However, the peculiarities of activities in the field of particularly dangerous microorganisms’ strains treatment have been left without due attention of researchers, including specialists in medical law. Formulating Goals. The aim of the work is to study the state of relations in the field of especially dangerous microorganisms’ strains treatment legal regulation in Ukraine, analysis of the current legislation of Ukraine and the practice of its application in this area. There have been used scientific publications of leading experts and current Ukrainian legislation. The research is based on an organic combination of general scientific and special legal research methods. Presenting main material. The main sources of biological threats are: 1) epidemics and outbreaks of infectious human diseases; 2) epizootics (high incidence among animals); 3) epitophytia (spread of infectious plant disease in large areas); 4) accidents at biologically dangerous objects; 5) natural reservoirs of pathogenic microorganisms; 6) transboundary transfer of pathogenic microorganisms, representatives of flora and fauna, dangerous for ecological systems; 7) sabotage at biologically dangerous objects; 8) biological terrorism; 9) the use of biological weapons by the state. It should be noted that the regulatory framework in the field of particularly dangerous microorganisms’ strains treatment in the context of biosafety in Ukraine is fragmentary. Although the list of laws and other regulations governing biosafety and/or biosecurity in Ukraine is impressive. Nowadays, the use of strains of microorganisms is gaining popularity, in particular in agriculture, because they can be used for the needs of veterinary medicine and for the production of certain foods such as yogurt, kefir etc. Therefore, in addition to the basic law, regulation of the use of strains and protection of rights to them is regulated by other acts, in particular the Law of Ukraine “On protection of rights to inventions and utility models”. Namely, in accordance with Part 2 of Art. 6 strains of microorganisms that have been bred or would be bred shall be considered as the objects of the invention. It follows that the owner who invented the strain must certify the authorship and the right to obtain a patent or declaratory patent. However, this procedure, unlike others, is complicated. After all, to obtain a full patent, you need to conduct an appropriate qualification examination, which would establish whether the strain meets the conditions of patentability. Also, in addition to filing an application for the invention of a utility model and obtaining a patent, in accordance with the Law of Ukraine “On Veterinary Medicine” when registering a domestic veterinary immunobiological agent, the applicant must deposit strains of microorganisms in a special collection – depository. There are currently three national depositories in Ukraine, each of which specializes in a specific type: non-pathogenic strains; pathogenic to humans; pathogenic to animals. The procedure of depositing strains of microorganisms is carried out in accordance with the Instruction on the procedure of depositing strains of microorganisms in Ukraine for the purpose of patent procedure, approved by the order № 106/115 of the State Patent and the National Academy of Sciences of Ukraine of 26.06.1995. Moreover, in accordance with the Regulations on the National Center for Microorganism Strains and the procedure for depositing microorganism strains, approved by the Cabinet of Ministers of Ukraine regulation № 637 of 07.05.1998, deposit of microorganism strains in Ukraine is carried out by the National Center for Microorganism Strains. Its task is to preserve the production and control of strains of microorganisms, maintain biotechnological indicators, control the state of their population, as well as the preparation of new strains. It is necessary to pay attention to the decision of the National Security and Defense Council of Ukraine “On Biosafety of Ukraine”, which states that at the moment there is an increase in the negative impact of various biological factors on the population, which may lead to threats of biological origin. The reasons for such plural regulation are: 1) the lack of a program on biosafety and prevention of biological terrorism, no national system of counteraction to possible biothreats; 2) no automated and integrated data banks on possible threats of biological and chemical origin. Funding and logistics for laboratories also remain unsatisfactory. Also, the state supervision and control in the field of biosafety is weakened, namely when the owner of high-risk facilities changes or when there is a risk of unauthorized access to laboratories due to imperfect protection of pathogenic microorganisms and strains of dangerous and especially dangerous infectious diseases, which in turn can lead to the leakage of pathogenic microorganisms into the environment and cause mass infectious disease. In addition, there is a legal gap in the legislation of Ukraine regarding the location and control of viral and biological laboratories by foreign states. However, in almost all European countries, as well as in the United States, domestic law prohibits the placement of such laboratories in these countries, because they are potentially dangerous to the population. The danger behind viral and biological laboratories, even with the strictest observance of all necessary safety rules, is extremely great, because the pathogenic microorganisms of human and animal origin in them are considered potential agents of biological weapons. Although Ukraine ratified the Convention on the Prohibition of the Development, Production and Stockpiling of Bacteriological (Biological) and Toxin Weapons and on their Destruction of 10 April, 1972, an agreement was signed in 2005 between the US Department of Defense and the Ministry of Health of Ukraine (expired on 31.05.2013) regarding cooperation in the field of prevention of the spread of technologies, pathogens and knowledge that can be used in the development of biological weapons and the US Department of Defense has begun construction of its objects on the territory of our country. At the same time, microbiological laboratories and production facilities are considered to be areas of the highest biological risk. Infecting of persons while working with microorganisms in laboratories is noted throughout the existence of microbiology and is considered as an indisputable confirmation of occupational hazards. In general, there is a wide variety of ways of potential attacks involving bio-toxic weapons and there are several ways to assimilate biotechnologies with their transformation into weapons due to: 1) use of various agents (e.g., bacteria, viruses, fungi, toxins, bioregulators); 2) use against various aims (humans, animals and plants); 3) different scales of application (tactical, strategic); 4) use for various purposes (open or covert war, murder, terrorism or criminal activity). Probably because of this, in 2012 the WHO adopted the Framework Strategy for Laboratory Biorisk Management for 2012-2016, aimed at creating sustainable global, regional and national plans for biological risk management in laboratories. It recognizes that “In accordance with the International Health Regulations (IHR (2005), all participating countries have made a legal commitment to evaluate, develop and maintain their national key oversight, evaluation and response functions”. Conclusions. The current state of legal regulation of relations in the field of strain management requires, given the intersectoral nature of the issue, consideration of the creation of a single intersectoral body for the supervision of hazardous biological objects. Such a body may not only be a licensing body, but also responsible for the introduction of a register of owners of hazardous biological objects that are not economic entities (for example, individual owners of collections of such biological objects). In this paper, it is impractical to consider the circulation of products with GMOs, on the one hand, this issue is perfectly regulated in other special regulations, on the other hand, today there is an issue concerning the treatment of dangerous strains of pathogenic viruses, bacteria and other microorganisms and toxins, as well as poisons of animal and plant origin. For entities engaged in economic activities with pathogenic microorganisms and strains of dangerous infectious diseases, it is advisable to introduce licensing of this type of activity, which requires further development of a bylaw on licensing conditions. For other persons who are the owners of such biological objects and who are not engaged in economic activities, it is necessary to introduce other forms of permit, including special requirements for their handling and storage conditions. The next important bylaw should be the Regulations on the state register of pathogenic microorganisms and strains of dangerous and especially dangerous infectious diseases. Particular attention should be paid to the disposal of hazardous biological objects. Nowadays, for example, there is no effective system for the disposal of vaccines and other immunobiological drugs that have expired (for reference, the shelf life of the flu vaccine is 7-8 months). The cost of recycling is not always profitable for pharmaceutical operators. There are cases when such drugs are falsified by replacing the expiration date, which adversely affect the health of patients. In this context, it can also be mentioned the fact of importing humanitarian aid in Ukraine in the form of a vaccine against measles and rubella (from the Ukrainian diaspora in Canada). The storage temperature of this vaccine was up to minus 48 degrees. After importation into the customs territory of Ukraine, given the shortcomings of customs legislation and the lack of effective control, the temperature regime was not observed. However, the Ministry of Health still carried out compulsory vaccination of children (there were cases of deteriorating health), which is not only negative for the health of children, but also for the very idea of vaccination. In this case, the Ministry of Health, given the interest, was not able to make the right and lawful decision. This is why an independent intersectoral body of state control (supervision) is needed.

RESUMENEl riesgo de morir en duelo fue consustancial a la cultura del honor. Incluso en países, como Francia o España, donde la muerte en duelo no era habitual. El nexo entre honor y vida, o entre sus contrarios, deshonor y muerte, permeaba el imaginario cultural de las élites liberales. La épica de los duelos giraba en torno a la probabilidad de que un combatiente pereciera, y aun cuando la muerte no fuese el objetivo buscado en el lance, siempre pesaba la incertidumbre: la amenaza de recibir una estocada dolorosa o la eventualidad de una lesión grave. La muerte planeaba sobre los desafíos y que acudiera, o no, al campo del honor dependía de diversas variables: la fogosidad de los rivales, la habilidad de los padrinos al concertar el duelo, que uno de los contendientes fuese militar, la naturaleza de la ofensa o que esta girara en torno a una mujer… También se cernía sobre el duelista la amenaza de la muerte eterna, pues la Iglesia condenaba los lances de honor y prohibía que los caídos en combate sin confesión recibieran sepultura sagrada. De todo lo anterior tratan las siguientes páginas, centradas en la cultura del duelo en España, enmarcada en el contexto internacional, y en la presencia en ella de la muerte. Palabras clave: honor, muerte, duelos, masculinidadTopónimos: España, EuropaPeriodo: Siglos xix y xx ABSTRACTThe risk of dying in a duel was consubstantial to the culture of honor, even in countries such as France or Spain, where death in a duel was not usual. The link between honor and life, or between their opposites, dishonor, and death, permeated the cultural imaginary of the liberal elites. The epic of duels revolved around the probability that a combatant would perish; and even when death was not the intended objective of the duel, uncertainty always weighed heavily: the threat of receiving a painful thrust or the eventuality of a serious injury. Death hovered over the challenges and whether it would come to the field of honor depended on several variables: the fierceness of the rivals, the skill of the godfathers in arranging the duel, whether one of the contenders was a military man, the nature of the offense or whether it revolved around a woman... The threat of eternal death also hung over the duelist, since the Church condemned duels and prohibited those who fell in combat without confession with receiving a sacred burial. The following pages deal with all of the above, focusing on the culture of mourning in Spain, framed in the international context and the presence of death in it. Keywords: honor, death, duels, masculinityPlace names: Spain, EuropePeriod: nineteenth and twentieth centuries REFERENCIASArmiñán, L. de, El duelo en mi tiempo, Madrid, Editora Nacional, 1950. Benítez Burraco, A., “Cómo funciona el arte de Pushkin: algunas reflexiones acerca del duelo entre Oneguin y Lenski”, Eslavística Complutense, 4 (2004) pp. 101-119.Banks, S.,“Killing with courtesy: The English Duelist. 1785-1845”, Journal of British Studies, 47/3 (2008) pp. 528-558.Blanco Rodríguez, E., “Rojo de vergüenza y condenado por cobarde: masculinidad, honor y duelos en la España decimonónica”, Ayer, 120 (2020), pp. 171-193.Blasco Herranz, I., “¿Re-masculinización de catolicismo? Género, religión e identidad católica masculina en España a comienzos del siglo xx”, en I. 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Indian banks are eagerly anticipating initiatives in the green banking space, which is gaining popularity throughout the world. India aspires to join the ranks of Green Banking greats like the United States, Japan, Australia, etc. When it comes down to it, "Green Banking Products" are financial services whose main goal is green energy conservation. Finding out what's happening now, how users are aware of green banking practices, how customers perceive and favor these activities, and where the study may be improved upon are the main goals of the research. The research made use of both original and secondary sources of information. The data collection method chosen was Non-Probability Convenience Sampling. The results show that, in the current climate, green banking is crucial, according to most customers. The percentage of people using green banking products, such as ATMs and mobile banking services, exceeded 90% of the total. Green banking measures implemented by both public and private sector banks are well-known to nearly all customers. On a related note, it's safe to say that customers have learned about green banking through word of mouth and bank websites, rather than through print ads or television and online commercials, have major impact. In light of the present situation, the majority of the customers consider it necessary.

This paper presents an overview of technologies used in the financial services sector in Bangladesh, which is popularly known as FinTech. Bangladesh’s fintech industry still needs to catch up with developed countries like Japan, the United States, and the UK. The paper found that though the Fintech industry in Bangladesh is progressing well, the level and types of technologies used currently in Bangladesh need to catch up to the developed world. The current technologies used in developed countries to offer financial services are blockchain, big data, reg data, etc. Bangladesh offers a few Fintech services, such as MFC and mobile banks. As the country progresses toward a cashless society and digital banking, updated technologies have to be adopted for the operational efficiency and security of the system. The information in the paper is collected from secondary sources.

The polygraph in Ukraine is being rapidly introduced in public and commercial structures, banks, prominent companies, law enforcement agencies. Even spouses are ready to test each other for fidelity relying on a polygraph, as was once the case in the United States and in some respects in Europe. Availability to call oneself a polygrapher, within a relatively short period of time, usually 14 to 21 days, is equal to the availability to be examined by such a specialist with a polygraph. For this reason, there are numerous myths and misconceptions regarding polygraph examinations floating around, influenced by the media, movies, TV shows, TV series, books, exposed authorities, etc. This article explores essential aspects of polygraph testing, covering tasks it addresses, examination modalities, techniques, eligibility criteria, restrictions on testing, procedural details, trust in results, reliability conditions, examiner qualifications, and the non-scientific nature of polygraphology.

Blood is a key fluid which circulates inside the body with various significant benefits. One of the most important role of it is respiration, excretion, maintenance of normal acid base balance, nutrition, regulation of water balance, regulation of body temperature, transport of hormones, vitamins, salts and transportation of various essential vitamins required inside the body etc. Blood has various components present which perform various important roles. It has red blood cells, white blood cells, platelets, plasma etc. The knowledge of the function of all the blood components helps all the medical professionals to utilize it to the maximum level for the benefit of the patients. If the patient is having low haemoglobin level, we can transfuse packet red blood cells, if the patient is suffering from thrombocytopenia due to various reasons like dengue, gynaecological reasons or any other reasons we can transfuse platelets. And if patients require coagulation factors during various medical procedures we can transfuse plasma or factor IX or factor VIII to obtain immediate relief.The usage of blood and its various components has given a new dimension in the field of medical sciences. Owing to its impact and phenomenal usage in various surgeries, the department of transfusion medicine became an integral section in every hospital. A hospital without a blood bank holds a lesser relevance as compared to the hospital which is fully equipped with all the sophisticated amenities of blood bank. It all started back in 1932 after realizing the usage of blood in various treatment the first blood bank was established in Leningrad hospital. In 1937 Bernard fantus, director of therapeutics at the cook county hospital in Chicago, establishes the first hospital blood bank in the united states. Charles Richard Drew known as father of blood bank is an eminent pioneer in this field, whose work on the banking of blood products and the plans of collecting and distributing blood saved countless lives in the trenches of World War II and the wards of military and civilian hospitals.In India owing to its vast population and maximum requirements of blood. Leela Moolgaonkar, a social reformer, started the movement of voluntary blood donation camps in Mumbai from 1954. The 1960s saw many blood banks open in different cities. Though as per the various sources the first records of the voluntary blood donation started in India at Kolkata in west Bengal during world war-II.

Modern trends in the world economy against the background of a large-scale aggravation of multiple geopolitical and military conflicts, unprecedented for the XXI century, raise a special scientific interest in searching effective ways of financial support for the development of such an important sector of national economy as the industrial sector. The role of the industrial sector in ensuring the dynamics of macroeconomic growth is extremely important, because industrial enterprises are aimed at producing goods and services not only for the final consumer, but also for other producers. Thus, this forms a special attitude on the part of governments to the development of their own industrial sector, with the attribution of certain industries to strategically important (for example, such as aerospace, defense, mining and quarrying, nuclear, gas, oil, high-end equipment manufacturing, shipbuilding, chemical, electrical and electronics, advanced materials, energy-saving and environmental protection etc.), also as certain industrial enterprises or facilities to critical. It is widely known in scientific circles that bank lending to enterprises is an extremely important source of financial support for economic activity of enterprises, and at the same time, it is one of the factors influencing the development of the national economy. Since it is bank credit that is considered as one of the important sources of ensuring the development of industrial enterprises, which are the locomotive of national economies of industrialized countries, certain issues of macroeconomic aspects of the development of bank lending to industrial enterprises are of particular relevance. This study poses and highlights the following scientific questions: what were the macroeconomic prerequisites for the emergence and further rapid development of bank lending to industrial enterprises? What characteristic features of financial cooperation between banks and industrial enterprises contributed to the intensification of bank lending to industrial enterprises, and what did they depend on in different countries (in particular, in Europe and the United States)? What were the macroeconomic consequences of the rapid intensification of bank lending to industrial enterprises before the Second World War?

Hong Kong is one of the world’s largest financial centers, a source of many multinational organizations, banks, companies, etc. Since the beginning of June 2019, mass protests have taken place in Hong Kong, during which there have been violent fights between demonstrators and the police. These protests, as well as the trade war and the growing tension between Washington and Beijing, aroused the anxiety of foreign investors and led to the collapse of Hong Kong’s economy. The article presents the hegemonism of the United States, which decided to use these protests to expand their political and economic influence and interfered without reason in the internal affairs of the PRC. Similarly, the policy of the EU countries, which are so eager to criticize Poland for the lack of the rule of law, in this case was limited to admonishing China for fear of deteriorating mutual trade relations. The main hypothesis of the article is that even if Hong Kong’s status as a financial center suffers some negative impact due to US sanctions, its negative impact on China as a whole, will be quite limited and will only hit Hong Kong’s speculative capital. On the basis of the conducted studies, it can be assumed that the new area of the conflict between the US and the PRC will strengthen Chinese totalitarianism in Hong Kong, which comes down to the total subordination of the individual and all manifestations of social life to the state power. This thesis is in line with the statement by Liu Guangyuan, China’s ambassador in Poland, stating in regard to recent events that: “Hong Kong must be ruled by patriots”. Reports from renowned research centers predict that the next decades of world politics will be marked by Washington’s competition with Beijing. The aggressive rivalry that turns into an open confrontation between the US, Western countries and China opens a dangerous new chapter in modern history.

The term “coffee palace” was primarily used in Australia to describe the temperance hotels that were built in the last decades of the 19th century, although there are references to the term also being used to a lesser extent in the United Kingdom (Denby 174). Built in response to the worldwide temperance movement, which reached its pinnacle in the 1880s in Australia, coffee palaces were hotels that did not serve alcohol. This was a unique time in Australia’s architectural development as the economic boom fuelled by the gold rush in the 1850s, and the demand for ostentatious display that gathered momentum during the following years, afforded the use of richly ornamental High Victorian architecture and resulted in very majestic structures; hence the term “palace” (Freeland 121). The often multi-storied coffee palaces were found in every capital city as well as regional areas such as Geelong and Broken Hill, and locales as remote as Maria Island on the east coast of Tasmania. Presented as upholding family values and discouraging drunkenness, the coffee palaces were most popular in seaside resorts such as Barwon Heads in Victoria, where they catered to families. Coffee palaces were also constructed on a grand scale to provide accommodation for international and interstate visitors attending the international exhibitions held in Sydney (1879) and Melbourne (1880 and 1888). While the temperance movement lasted well over 100 years, the life of coffee palaces was relatively short-lived. Nevertheless, coffee palaces were very much part of Australia’s cultural landscape. In this article, I examine the rise and demise of coffee palaces associated with the temperance movement and argue that coffee palaces established in the name of abstinence were modelled on the coffee houses that spread throughout Europe and North America in the 17th and 18th centuries during the Enlightenment—a time when the human mind could be said to have been liberated from inebriation and the dogmatic state of ignorance. The Temperance Movement At a time when newspapers are full of lurid stories about binge-drinking and the alleged ill-effects of the liberalisation of licensing laws, as well as concerns over the growing trend of marketing easy-to-drink products (such as the so-called “alcopops”) to teenagers, it is difficult to think of a period when the total suppression of the alcohol trade was seriously debated in Australia. The cause of temperance has almost completely vanished from view, yet for well over a century—from 1830 to the outbreak of the Second World War—the control or even total abolition of the liquor trade was a major political issue—one that split the country, brought thousands onto the streets in demonstrations, and influenced the outcome of elections. Between 1911 and 1925 referenda to either limit or prohibit the sale of alcohol were held in most States. While moves to bring about abolition failed, Fitzgerald notes that almost one in three Australian voters expressed their support for prohibition of alcohol in their State (145). Today, the temperance movement’s platform has largely been forgotten, killed off by the practical example of the United States, where prohibition of the legal sale of alcohol served only to hand control of the liquor traffic to organised crime. Coffee Houses and the Enlightenment Although tea has long been considered the beverage of sobriety, it was coffee that came to be regarded as the very antithesis of alcohol. When the first coffee house opened in London in the early 1650s, customers were bewildered by this strange new drink from the Middle East—hot, bitter, and black as soot. But those who tried coffee were, reports Ellis, soon won over, and coffee houses were opened across London, Oxford, and Cambridge and, in the following decades, Europe and North America. Tea, equally exotic, entered the English market slightly later than coffee (in 1664), but was more expensive and remained a rarity long after coffee had become ubiquitous in London (Ellis 123-24). The impact of the introduction of coffee into Europe during the seventeenth century was particularly noticeable since the most common beverages of the time, even at breakfast, were weak “small beer” and wine. Both were safer to drink than water, which was liable to be contaminated. Coffee, like beer, was made using boiled water and, therefore, provided a new and safe alternative to alcoholic drinks. There was also the added benefit that those who drank coffee instead of alcohol began the day alert rather than mildly inebriated (Standage 135). It was also thought that coffee had a stimulating effect upon the “nervous system,” so much so that the French called coffee une boisson intellectuelle (an intellectual beverage), because of its stimulating effect on the brain (Muskett 71). In Oxford, the British called their coffee houses “penny universities,” a penny then being the price of a cup of coffee (Standage 158). Coffee houses were, moreover, more than places that sold coffee. Unlike other institutions of the period, rank and birth had no place (Ellis 59). The coffee house became the centre of urban life, creating a distinctive social culture by treating all customers as equals. Egalitarianism, however, did not extend to women—at least not in London. Around its egalitarian (but male) tables, merchants discussed and conducted business, writers and poets held discussions, scientists demonstrated experiments, and philosophers deliberated ideas and reforms. For the price of a cup (or “dish” as it was then known) of coffee, a man could read the latest pamphlets and newsletters, chat with other patrons, strike business deals, keep up with the latest political gossip, find out what other people thought of a new book, or take part in literary or philosophical discussions. Like today’s Internet, Twitter, and Facebook, Europe’s coffee houses functioned as an information network where ideas circulated and spread from coffee house to coffee house. In this way, drinking coffee in the coffee house became a metaphor for people getting together to share ideas in a sober environment, a concept that remains today. According to Standage, this information network fuelled the Enlightenment (133), prompting an explosion of creativity. Coffee houses provided an entirely new environment for political, financial, scientific, and literary change, as people gathered, discussed, and debated issues within their walls. Entrepreneurs and scientists teamed up to form companies to exploit new inventions and discoveries in manufacturing and mining, paving the way for the Industrial Revolution (Standage 163). The stock market and insurance companies also had their birth in the coffee house. As a result, coffee was seen to be the epitome of modernity and progress and, as such, was the ideal beverage for the Age of Reason. By the 19th century, however, the era of coffee houses had passed. Most of them had evolved into exclusive men’s clubs, each geared towards a certain segment of society. Tea was now more affordable and fashionable, and teahouses, which drew clientele from both sexes, began to grow in popularity. Tea, however, had always been Australia’s most popular non-alcoholic drink. Tea (and coffee) along with other alien plants had been part of the cargo unloaded onto Australian shores with the First Fleet in 1788. Coffee, mainly from Brazil and Jamaica, remained a constant import but was taxed more heavily than tea and was, therefore, more expensive. Furthermore, tea was much easier to make than coffee. To brew tea, all that is needed is to add boiling water, coffee, in contrast, required roasting, grinding and brewing. According to Symons, until the 1930s, Australians were the largest consumers of tea in the world (19). In spite of this, and as coffee, since its introduction into Europe, was regarded as the antidote to alcohol, the temperance movement established coffee palaces. In the early 1870s in Britain, the temperance movement had revived the coffee house to provide an alternative to the gin taverns that were so attractive to the working classes of the Industrial Age (Clarke 5). Unlike the earlier coffee house, this revived incarnation provided accommodation and was open to men, women and children. “Cheap and wholesome food,” was available as well as reading rooms supplied with newspapers and periodicals, and games and smoking rooms (Clarke 20). In Australia, coffee palaces did not seek the working classes, as clientele: at least in the cities they were largely for the nouveau riche. Coffee Palaces The discovery of gold in 1851 changed the direction of the Australian economy. An investment boom followed, with an influx of foreign funds and English banks lending freely to colonial speculators. By the 1880s, the manufacturing and construction sectors of the economy boomed and land prices were highly inflated. Governments shared in the wealth and ploughed money into urban infrastructure, particularly railways. Spurred on by these positive economic conditions and the newly extended inter-colonial rail network, international exhibitions were held in both Sydney and Melbourne. To celebrate modern technology and design in an industrial age, international exhibitions were phenomena that had spread throughout Europe and much of the world from the mid-19th century. According to Davison, exhibitions were “integral to the culture of nineteenth century industrialising societies” (158). In particular, these exhibitions provided the colonies with an opportunity to demonstrate to the world their economic power and achievements in the sciences, the arts and education, as well as to promote their commerce and industry. Massive purpose-built buildings were constructed to house the exhibition halls. In Sydney, the Garden Palace was erected in the Botanic Gardens for the 1879 Exhibition (it burnt down in 1882). In Melbourne, the Royal Exhibition Building, now a World Heritage site, was built in the Carlton Gardens for the 1880 Exhibition and extended for the 1888 Centennial Exhibition. Accommodation was required for the some one million interstate and international visitors who were to pass through the gates of the Garden Palace in Sydney. To meet this need, the temperance movement, keen to provide alternative accommodation to licensed hotels, backed the establishment of Sydney’s coffee palaces. The Sydney Coffee Palace Hotel Company was formed in 1878 to operate and manage a number of coffee palaces constructed during the 1870s. These were designed to compete with hotels by “offering all the ordinary advantages of those establishments without the allurements of the drink” (Murdoch). Coffee palaces were much more than ordinary hotels—they were often multi-purpose or mixed-use buildings that included a large number of rooms for accommodation as well as ballrooms and other leisure facilities to attract people away from pubs. As the Australian Town and Country Journal reveals, their services included the supply of affordable, wholesome food, either in the form of regular meals or occasional refreshments, cooked in kitchens fitted with the latest in culinary accoutrements. These “culinary temples” also provided smoking rooms, chess and billiard rooms, and rooms where people could read books, periodicals and all the local and national papers for free (121). Similar to the coffee houses of the Enlightenment, the coffee palaces brought businessmen, artists, writers, engineers, and scientists attending the exhibitions together to eat and drink (non-alcoholic), socialise and conduct business. The Johnson’s Temperance Coffee Palace located in York Street in Sydney produced a practical guide for potential investors and businessmen titled International Exhibition Visitors Pocket Guide to Sydney. It included information on the location of government departments, educational institutions, hospitals, charitable organisations, and embassies, as well as a list of the tariffs on goods from food to opium (1–17). Women, particularly the Woman’s Christian Temperance Union (WCTU) were a formidable force in the temperance movement (intemperance was generally regarded as a male problem and, more specifically, a husband problem). Murdoch argues, however, that much of the success of the push to establish coffee palaces was due to male politicians with business interests, such as the one-time Victorian premiere James Munro. Considered a stern, moral church-going leader, Munro expanded the temperance movement into a fanatical force with extraordinary power, which is perhaps why the temperance movement had its greatest following in Victoria (Murdoch). Several prestigious hotels were constructed to provide accommodation for visitors to the international exhibitions in Melbourne. Munro was responsible for building many of the city’s coffee palaces, including the Victoria (1880) and the Federal Coffee Palace (1888) in Collins Street. After establishing the Grand Coffee Palace Company, Munro took over the Grand Hotel (now the Windsor) in 1886. Munro expanded the hotel to accommodate some of the two million visitors who were to attend the Centenary Exhibition, renamed it the Grand Coffee Palace, and ceremoniously burnt its liquor licence at the official opening (Murdoch). By 1888 there were more than 50 coffee palaces in the city of Melbourne alone and Munro held thousands of shares in coffee palaces, including those in Geelong and Broken Hill. With its opening planned to commemorate the centenary of the founding of Australia and the 1888 International Exhibition, the construction of the Federal Coffee Palace, one of the largest hotels in Australia, was perhaps the greatest monument to the temperance movement. Designed in the French Renaissance style, the façade was embellished with statues, griffins and Venus in a chariot drawn by four seahorses. The building was crowned with an iron-framed domed tower. New passenger elevators—first demonstrated at the Sydney Exhibition—allowed the building to soar to seven storeys. According to the Federal Coffee Palace Visitor’s Guide, which was presented to every visitor, there were three lifts for passengers and others for luggage. Bedrooms were located on the top five floors, while the stately ground and first floors contained majestic dining, lounge, sitting, smoking, writing, and billiard rooms. There were electric service bells, gaslights, and kitchens “fitted with the most approved inventions for aiding proficients [sic] in the culinary arts,” while the luxury brand Pears soap was used in the lavatories and bathrooms (16–17). In 1891, a spectacular financial crash brought the economic boom to an abrupt end. The British economy was in crisis and to meet the predicament, English banks withdrew their funds in Australia. There was a wholesale collapse of building companies, mortgage banks and other financial institutions during 1891 and 1892 and much of the banking system was halted during 1893 (Attard). Meanwhile, however, while the eastern States were in the economic doldrums, gold was discovered in 1892 at Coolgardie and Kalgoorlie in Western Australia and, within two years, the west of the continent was transformed. As gold poured back to the capital city of Perth, the long dormant settlement hurriedly caught up and began to emulate the rest of Australia, including the construction of ornately detailed coffee palaces (Freeman 130). By 1904, Perth had 20 coffee palaces. When the No. 2 Coffee Palace opened in Pitt Street, Sydney, in 1880, the Australian Town and Country Journal reported that coffee palaces were “not only fashionable, but appear to have acquired a permanent footing in Sydney” (121). The coffee palace era, however, was relatively short-lived. Driven more by reformist and economic zeal than by good business sense, many were in financial trouble when the 1890’s Depression hit. Leading figures in the temperance movement were also involved in land speculation and building societies and when these schemes collapsed, many, including Munro, were financially ruined. Many of the palaces closed or were forced to apply for liquor licences in order to stay afloat. Others developed another life after the temperance movement’s influence waned and the coffee palace fad faded, and many were later demolished to make way for more modern buildings. The Federal was licensed in 1923 and traded as the Federal Hotel until its demolition in 1973. The Victoria, however, did not succumb to a liquor licence until 1967. The Sydney Coffee Palace in Woolloomooloo became the Sydney Eye Hospital and, more recently, smart apartments. Some fine examples still survive as reminders of Australia’s social and cultural heritage. The Windsor in Melbourne’s Spring Street and the Broken Hill Hotel, a massive three-story iconic pub in the outback now called simply “The Palace,” are some examples. Tea remained the beverage of choice in Australia until the 1950s when the lifting of government controls on the importation of coffee and the influence of American foodways coincided with the arrival of espresso-loving immigrants. As Australians were introduced to the espresso machine, the short black, the cappuccino, and the café latte and (reminiscent of the Enlightenment), the post-war malaise was shed in favour of the energy and vigour of modernist thought and creativity, fuelled in at least a small part by caffeine and the emergent café culture (Teffer). Although the temperance movement’s attempt to provide an alternative to the ubiquitous pubs failed, coffee has now outstripped the consumption of tea and today’s café culture ensures that wherever coffee is consumed, there is the possibility of a continuation of the Enlightenment’s lively discussions, exchange of news, and dissemination of ideas and information in a sober environment. References Attard, Bernard. “The Economic History of Australia from 1788: An Introduction.” EH.net Encyclopedia. 5 Feb. (2012) ‹http://eh.net/encyclopedia/article/attard.australia›. Blainey, Anna. “The Prohibition and Total Abstinence Movement in Australia 1880–1910.” Food, Power and Community: Essays in the History of Food and Drink. Ed. Robert Dare. Adelaide: Wakefield Press, 1999. 142–52. Boyce, Francis Bertie. “Shall I Vote for No License?” An address delivered at the Convention of the Parramatta Branch of New South Wales Alliance, 3 September 1906. 3rd ed. Parramatta: New South Wales Alliance, 1907. Clarke, James Freeman. Coffee Houses and Coffee Palaces in England. Boston: George H. Ellis, 1882. “Coffee Palace, No. 2.” Australian Town and Country Journal. 17 Jul. 1880: 121. Davison, Graeme. “Festivals of Nationhood: The International Exhibitions.” Australian Cultural History. Eds. S. L. Goldberg and F. B. Smith. Cambridge: Cambridge UP, 1989. 158–77. Denby, Elaine. Grand Hotels: Reality and Illusion. London: Reaktion Books, 2002. Ellis, Markman. The Coffee House: A Cultural History. London: Weidenfeld & Nicolson, 2004. Federal Coffee Palace. The Federal Coffee Palace Visitors’ Guide to Melbourne, Its Suburbs, and Other Parts of the Colony of Victoria: Views of the Principal Public and Commercial Buildings in Melbourne, With a Bird’s Eye View of the City; and History of the Melbourne International Exhibition of 1880, etc. Melbourne: Federal Coffee House Company, 1888. Fitzgerald, Ross, and Trevor Jordan. Under the Influence: A History of Alcohol in Australia. Sydney: Harper Collins, 2009. Freeland, John. The Australian Pub. Melbourne: Sun Books, 1977. Johnson’s Temperance Coffee Palace. International Exhibition Visitors Pocket Guide to Sydney, Restaurant and Temperance Hotel. Sydney: Johnson’s Temperance Coffee Palace, 1879. Mitchell, Ann M. “Munro, James (1832–1908).” Australian Dictionary of Biography. Canberra: National Centre of Biography, Australian National U, 2006-12. 5 Feb. 2012 ‹http://adb.anu.edu.au/biography/munro-james-4271/text6905›. Murdoch, Sally. “Coffee Palaces.” Encyclopaedia of Melbourne. Eds. Andrew Brown-May and Shurlee Swain. 5 Feb. 2012 ‹http://www.emelbourne.net.au/biogs/EM00371b.htm›. Muskett, Philip E. The Art of Living in Australia. New South Wales: Kangaroo Press, 1987. Standage, Tom. A History of the World in 6 Glasses. New York: Walker & Company, 2005. Sydney Coffee Palace Hotel Company Limited. Memorandum of Association of the Sydney Coffee Palace Hotel Company, Ltd. Sydney: Samuel Edward Lees, 1879. Symons, Michael. One Continuous Picnic: A Gastronomic History of Australia. Melbourne: Melbourne UP, 2007. Teffer, Nicola. Coffee Customs. Exhibition Catalogue. Sydney: Customs House, 2005.

One of the greatest joys in watching Foxtel is to see all the crazy people who run talk shows. Judgement, ridicule and generalisations slip from their tongues like overcooked lamb off a bone. From Oprah to Rikki, from Jerry to Mother Love, the posterior of pop culture claims a world-wide audience. Recently, a new talk diva was added to the pay television stable. Dr Laura Schlessinger, the Mother of Morals, prowls the soundstage. attacking 'selfish acts' such as divorce, de facto relationships and voting Democrat. On April 11, 2001, a show aired in Australia that added a new demon to the decadence of the age. Dr Laura had been told that a disgusting video clip, called 'Rock DJ', had been televised at 2:30pm on MTV. Children could have been watching. The footage that so troubled our doyenne of daytime featured the British performer Robbie Williams not only stripping in front of disinterested women, but then removing skin, muscle and tissue in a desperate attempt to claim their gaze. This was too much for Dr Laura. She was horrified: her strident tone became piercing. She screeched, "this is si-ee-ck." . My paper is drawn to this sick masculinity, not to judge - but to laugh and theorise. Robbie Williams, the deity of levity, holds a pivotal role in theorising the contemporary 'crisis' of manhood. To paraphrase Austin Powers, Williams returned the ger to singer. But Williams also triumphed in a captivatingly original way. He is one of the few members of a boy band who created a successful solo career without regurgitating the middle of the road mantras of boys, girls, love, loss and whining about it. Williams' journey through post-war popular music, encompassing influences from both Sinatra and Sonique, forms a functional collage, rather than patchwork, of masculinity. He has been prepared to not only age in public, but to discuss the crevices and cracks in the facade. He strips, smokes, plays football, wears interesting underwear and drinks too much. My short paper trails behind this combustible masculinity, focussing on his sorties with both masculine modalities and the rock discourse. My words attack the gap between text and readership, beat and ear, music and men. The aim is to reveal how this 'sick masculinity' problematises the conservative rendering of men's crisis. Come follow me I'm an honorary Sean Connery, born '74 There's only one of me … Press be asking do I care for sodomy I don't know, yeah, probably I've been looking for serial monogamy Not some bird that looks like Billy Connolly But for now I'm down for ornithology Grab your binoculars, come follow me. 'Kids,' Robbie Williams Robbie Williams is a man for our age. Between dating supermodels and Geri 'Lost Spice' Halliwell [1], he has time to "love … his mum and a pint," (Ansen 85) but also subvert the Oasis cock(rock)tail by frocking up for a television appearance. Williams is important to theories of masculine representation. As a masculinity to think with, he creates popular culture with a history. In an era where Madonna practices yoga and wears cowboy boots, it is no surprise that by June 2000, Robbie Williams was voted the world's sexist man [2]. A few months later, in the October edition of Vogue, he posed in a British flag bikini. It is reassuring in an era where a 12 year old boy states that "You aren't a man until you shoot at something," (Issac in Mendel 19) that positive male role models exist who are prepared to both wear a frock and strip on national television. Reading Robbie Williams is like dipping into the most convincing but draining of intellectual texts. He is masculinity in motion, conveying foreignness, transgression and corruption, bartering in the polymorphous economies of sex, colonialism, race, gender and nation. His career has spanned the boy bands, try-hard rock, video star and hybrid pop performer. There are obvious resonances between the changes to Williams and alterations in masculinity. In 1988, Suzanne Moore described (the artist still known as) Prince as "the pimp of postmodernism." (165-166) Over a decade later, the simulacra has a new tour guide. Williams revels in the potency of representation. He rarely sings about love or romance, as was his sonic fodder in Take That. Instead, his performance is fixated on becoming a better man, glancing an analytical eye over other modes of masculinity. Notions of masculine crisis and sickness have punctuated this era. Men's studies is a boom area of cultural studies, dislodging the assumed structures of popular culture [3]. William Pollack's Real Boys has created a culture of changing expectations for men. The greater question arising from his concerns is why these problems, traumas and difficulties are emerging in our present. Pollack's argument is that boys and young men invest energy and time "disguising their deepest and most vulnerable feelings." (15) This masking is difficult to discern within dance and popular music. Through lyrics and dancing, videos and choreography, masculinity is revealed as convoluted, complex and fragmented. While rock music is legitimised by dominant ideologies, marginalised groups frequently use disempowered genres - like country, dance and rap genres - to present oppositional messages. These competing representations expose seamless interpretations of competent masculinity. Particular skills are necessary to rip the metaphoric pacifier out of the masculine mouth of popular culture. Patriarchal pop revels in the paradoxes of everyday life. Frequently these are nostalgic visions, which Kimmel described as a "retreat to a bygone era." (87) It is the recognition of a shared, simpler past that provides reinforcement to heteronormativity. Williams, as a gaffer tape masculinity, pulls apart the gaps and crevices in representation. Theorists must open the interpretative space encircling popular culture, disrupting normalising criteria. Multiple nodes of assessment allow a ranking of competent masculinity. From sport to business, drinking to sex, masculinity is transformed into a wired site of ranking, judgement and determination. Popular music swims in the spectacle of maleness. From David Lee Roth's skied splits to Eminem's beanie, young men are interpellated as subjects in patriarchy. Robbie Williams is a history lesson in post war masculinity. This nostalgia is conservative in nature. The ironic pastiche within his music videos features motor racing, heavy metal and Bond films. 'Rock DJ', the 'sick text' that vexed Doctor Laura, is Williams' most elaborate video. Set in a rollerdrome with female skaters encircling a central podium, the object of fascination and fetish is a male stripper. This strip is different though, as it disrupts the power held by men in phallocentralism. After being confronted by Williams' naked body, the observing women are both bored and disappointed at the lack-lustre deployment of masculine genitalia. After this display, Williams appears embarrassed, confused and humiliated. As Buchbinder realised, "No actual penis could every really measure up to the imagined sexual potency and social or magical power of the phallus." (49) To render this banal experience of male nudity ridiculous, Williams then proceeds to remove skin and muscle. He finally becomes an object of attraction for the female DJ only in skeletal form. By 'going all the way,' the strip confirms the predictability of masculinity and the ordinariness of the male body. For literate listeners though, a higher level of connotation is revealed. The song itself is based on Barry White's melody for 'It's ecstasy (when you lay down next to me).' Such intertextuality accesses the meta-racist excesses of a licentious black male sexuality. A white boy dancer must deliver an impotent, but ironic, rendering of White's (love unlimited) orchestration of potent sexuality. Williams' iconography and soundtrack is refreshing, emerging from an era of "men who cling … tightly to their illusions." (Faludi 14) When the ideological drapery is cut away, the male body is a major disappointment. Masculinity is an anxious performance. Fascinatingly, this deconstructive video has been demeaned through its labelling as pornography [4]. Oddly, a man who is prepared to - literally - shave the skin of masculinity is rendered offensive. Men's studies, like feminism, has been defrocking masculinity for some time. Robinson for example, expressed little sympathy for "whiny men jumping on the victimisation bandwagon or playing cowboys and Indians at warrior weekends and beating drums in sweat lodges." (6) By grating men's identity back to the body, the link between surface and depth - or identity and self - is forged. 'Rock DJ' attacks the new subjectivities of the male body by not only generating self-surveillance, but humour through the removal of clothes, skin and muscle. He continues this play with the symbols of masculine performance throughout the album Sing when you're winning. Featuring soccer photographs of players, coaches and fans, closer inspection of the images reveal that Robbie Williams is actually every character, in every role. His live show also enfolds diverse performances. Singing a version of 'My Way,' with cigarette in tow, he remixes Frank Sinatra into a replaying and recutting of masculine fabric. He follows one dominating masculinity with another: the Bond-inspired 'Millennium.' Some say that we are players Some say that we are pawns But we've been making money Since the day we were born Robbie Williams is comfortably located in a long history of post-Sinatra popular music. He mocks the rock ethos by combining guitars and drums with a gleaming brass section, hailing the lounge act of Dean Martin, while also using rap and dance samples. Although carrying fifty year's of crooner baggage, the spicy scent of homosexuality has also danced around Robbie Williams' career. Much of this ideology can be traced back to the Take That years. As Gary Barlow and Jason Orange commented at the time, Jason: So the rumour is we're all gay now are we? Gary: Am I gay? I am? Why? Oh good. Just as long as we know. Howard: Does anyone think I'm gay? Jason: No, you're the only one people think is straight. Howard: Why aren't I gay? What's wrong with me? Jason: It's because you're such a fine figure of macho manhood.(Kadis 17) For those not literate in the Take That discourse, it should come as no surprise that Howard was the TT equivalent of The Beatle's Ringo Starr or Duran Duran's Andy Taylor. Every boy band requires the ugly, shy member to make the others appear taller and more attractive. The inference of this dialogue is that the other members of the group are simply too handsome to be heterosexual. This ambiguous sexuality has followed Williams into his solo career, becoming fodder for those lads too unappealing to be homosexual: Oasis. Born to be mild I seem to spend my life Just waiting for the chorus 'Cause the verse is never nearly Good enough Robbie Williams "Singing for the lonely." Robbie Williams accesses a bigger, brighter and bolder future than Britpop. While the Gallagher brothers emulate and worship the icons of 1960s British music - from the Beatles' haircuts to the Stones' psychedelia - Williams' songs, videos and persona are chattering in a broader cultural field. From Noel Cowardesque allusions to the ordinariness of pub culture, Williams is much more than a pretty-boy singer. He has become an icon of English masculinity, enclosing all the complexity that these two terms convey. Williams' solo success from 1999-2001 occurred at the time of much parochial concern that British acts were not performing well in the American charts. It is bemusing to read Billboard over this period. The obvious quality of Britney Spears is seen to dwarf the mediocrity of British performers. The calibre of Fatboy Slim, carrying a smiley backpack stuffed with reflexive dance culture, is neither admitted nor discussed. It is becoming increasing strange to monitor the excessive fame of Williams in Britain, Europe, Asia and the Pacific when compared to his patchy career in the United States. Even some American magazines are trying to grasp the disparity. The swaggering king of Britpop sold a relatively measly 600,000 copies of his U.S. debut album, The ego has landed … Maybe Americans didn't appreciate his songs about being famous. (Ask Dr. Hip 72) In the first few years of the 2000s, it has been difficult to discuss a unified Anglo-American musical formation. Divergent discursive frameworks have emerged through this British evasion. There is no longer an agreed centre to the musical model. Throughout 1990s Britain, blackness jutted out of dance floor mixes, from reggae to dub, jazz and jungle. Plied with the coldness of techno was an almost too hot hip hop. Yet both were alternate trajectories to Cool Britannia. London once more became swinging, or as Vanity Fair declared, "the nerve centre of pop's most cohesive scene since the Pacific Northwest grunge explosion of 1991." (Kamp 102) Through Britpop, the clock turned back to the 1960s, a simpler time before race became 'a problem' for the nation. An affiliation was made between a New Labour, formed by the 1997 British election, and the rebirth of a Swinging London [5]. This style-driven empire supposedly - again - made London the centre of the world. Britpop was itself a misnaming. It was a strong sense of Englishness that permeated the lyrics, iconography and accent. Englishness requires a Britishness to invoke a sense of bigness and greatness. The contradictions and excesses of Blur, Oasis and Pulp resonate in the gap between centre and periphery, imperial core and colonised other. Slicing through the arrogance and anger of the Gallaghers is a yearning for colonial simplicity, when the pink portions of the map were the stable subjects of geography lessons, rather than the volatile embodiment of postcolonial theory. Simon Gikandi argues that "the central moments of English cultural identity were driven by doubts and disputes about the perimeters of the values that defined Englishness." (x) The reason that Britpop could not 'make it big' in the United States is because it was recycling an exhausted colonial dreaming. Two old Englands were duelling for ascendancy: the Oasis-inflected Manchester working class fought Blur-inspired London art school chic. This insular understanding of difference had serious social and cultural consequences. The only possible representation of white, British youth was a tabloidisation of Oasis's behaviour through swearing, drug excess and violence. Simon Reynolds realised that by returning to the three minute pop tune that the milkman can whistle, reinvoking parochial England with no black people, Britpop has turned its back defiantly on the future. (members.aol.com/blissout/Britpop.html) Fortunately, another future had already happened. The beats per minute were pulsating with an urgent affirmation of change, hybridity and difference. Hip hop and techno mapped a careful cartography of race. While rock was colonialisation by other means, hip hop enacted a decolonial imperative. Electronic dance music provided a unique rendering of identity throughout the 1990s. It was a mode of musical communication that moved across national and linguistic boundaries, far beyond Britpop or Stateside rock music. While the Anglo American military alliance was matched and shadowed by postwar popular culture, Brit-pop signalled the end of this hegemonic formation. From this point, English pop and American rock would not sail as smoothly over the Atlantic. While 1995 was the year of Wonderwall, by 1996 the Britpop bubble corroded the faces of the Gallagher brothers. Oasis was unable to complete the American tour. Yet other cultural forces were already active. 1996 was also the year of Trainspotting, with "Born Slippy" being the soundtrack for a blissful journey under the radar. This was a cultural force that no longer required America as a reference point [6]. Robbie Williams was able to integrate the histories of Britpop and dance culture, instigating a complex dialogue between the two. Still, concern peppered music and entertainment journals that British performers were not accessing 'America.' As Sharon Swart stated Britpop acts, on the other hand, are finding it less easy to crack the U.S. market. The Spice Girls may have made some early headway, but fellow purveyors of pop, such as Robbie Williams, can't seem to get satisfaction from American fans. (35 British performers had numerous cultural forces working against them. Flat global sales, the strength of the sterling and the slow response to the new technological opportunities of DVD, all caused problems. While Britpop "cleaned house," (Boehm 89) it was uncertain which cultural formation would replace this colonising force. Because of the complex dialogues between the rock discourse and dance culture, time and space were unable to align into a unified market. American critics simply could not grasp Robbie Williams' history, motives or iconography. It's Robbie's world, we just buy tickets for it. Unless, of course you're American and you don't know jack about soccer. That's the first mistake Williams makes - if indeed one of his goals is to break big in the U.S. (and I can't believe someone so ambitious would settle for less.) … Americans, it seems, are most fascinated by British pop when it presents a mirror image of American pop. (Woods 98 There is little sense that an entirely different musical economy now circulates, where making it big in the United States is not the singular marker of credibility. Williams' demonstrates commitment to the international market, focussing on MTV Asia, MTV online, New Zealand and Australian audiences [7]. The Gallagher brothers spent much of the 1990s trying to be John Lennon. While Noel, at times, knocked at the door of rock legends through "Wonderwall," he snubbed Williams' penchant for pop glory, describing him as a "fat dancer." (Gallagher in Orecklin 101) Dancing should not be decried so summarily. It conveys subtle nodes of bodily knowledge about men, women, sex and desire. While men are validated for bodily movement through sport, women's dancing remains a performance of voyeuristic attention. Such a divide is highly repressive of men who dance, with gayness infiltrating the metaphoric masculine dancefloor [8]. Too often the binary of male and female is enmeshed into the divide of rock and dance. Actually, these categories slide elegantly over each other. The male pop singers are located in a significant semiotic space. Robbie Williams carries these contradictions and controversy. NO! Robbie didn't go on NME's cover in a 'desperate' attempt to seduce nine-year old knickerwetters … YES! He used to be teenybopper fodder. SO WHAT?! So did the Beatles the Stones, the Who, the Kinks, etc blah blah pseudohistoricalrockbollocks. NO! Making music that gurlz like is NOT a crime! (Wells 62) There remains an uncertainty in his performance of masculinity and at times, a deliberate ambivalence. He grafts subversiveness into a specific lineage of English pop music. The aim for critics of popular music is to find a way to create a rhythm of resistance, rather than melody of credible meanings. In summoning an archaeology of the archive, we begin to write a popular music history. Suzanne Moore asked why men should "be interested in a sexual politics based on the frightfully old-fashioned ideas of truth, identity and history?" (175) The reason is now obvious. Femininity is no longer alone on the simulacra. It is impossible to separate real men from the representations of masculinity that dress the corporeal form. Popular music is pivotal, not for collapsing the representation into the real, but for making the space between these states livable, and pleasurable. Like all semiotic sicknesses, the damaged, beaten and bandaged masculinity of contemporary music swaddles a healing pedagogic formation. Robbie Williams enables the writing of a critical history of post Anglo-American music [9]. Popular music captures such stories of place and identity. Significantly though, it also opens out spaces of knowing. There is an investment in rhythm that transgresses national histories of music. While Williams has produced albums, singles, video and endless newspaper copy, his most important revelations are volatile and ephemeral in their impact. He increases the popular cultural vocabulary of masculinity. [1] The fame of both Williams and Halliwell was at such a level that it was reported in the generally conservative, pages of Marketing. The piece was titled "Will Geri's fling lose its fizz?" Marketing, August 2000: 17. [2] For poll results, please refer to "Winners and Losers," Time International, Vol. 155, Issue 23, June 12, 2000, 9 [3] For a discussion of this growth in academic discourse on masculinity, please refer to Paul Smith's "Introduction," in P. Smith (ed.), Boys: Masculinity in contemporary culture. Colorado: Westview Press, 1996. [4] Steve Futterman described Rock DJ as the "least alluring porn video on MTV," in "The best and worst: honour roll," Entertainment Weekly 574-575 (December 22-December 29 2000): 146. [5] Michael Bracewell stated that "pop provides an unofficial cartography of its host culture, charting the national mood, marking the crossroads between the major social trends and the tunnels of the zeitgeist," in "Britpop's coming home, it's coming home." New Statesman .(February 21 1997): 36. [6] It is important to make my point clear. The 'America' that I am summoning here is a popular cultural formation, which possesses little connection with the territory, institution or defence initiatives of the United States. Simon Frith made this distinction clear, when he stated that "the question becomes whether 'America' can continue to be the mythical locale of popular culture as it has been through most of this century. As I've suggested, there are reasons now to suppose that 'America' itself, as a pop cultural myth, no longer bears much resemblance to the USA as a real place even in the myth." This statement was made in "Anglo-America and its discontents," Cultural Studies 5 1991: 268. [7] To observe the scale of attention paid to the Asian and Pacific markets, please refer to http://robbiewilliams.com/july13scroll.html, http://robbiewilliams.com/july19scroll.html and http://robbiewilliams.com/july24scroll.html, accessed on March 3, 2001 [8] At its most naïve, J. Michael Bailey and Michael Oberschneider asked, "Why are gay men so motivated to dance? One hypothesis is that gay men dance in order to be feminine. In other words, gay men dance because women do. An alternative hypothesis is that gay men and women share a common factor in their emotional make-up that makes dancing especially enjoyable," from "Sexual orientation in professional dance," Archives of Sexual Behaviour. 26.4 (August 1997). Such an interpretation is particularly ludicrous when considering the pre-rock and roll masculine dancing rituals in the jive, Charleston and jitterbug. Once more, the history of rock music is obscuring the history of dance both before the mid 1950s and after acid house. [9] Women, gay men and black communities through much of the twentieth century have used these popular spaces. For example, Lynne Segal, in Slow Motion. London: Virago, 1990, stated that "through dancing, athletic and erotic performance, but most powerfully through music, Black men could express something about the body and its physicality, about emotions and their cosmic reach, rarely found in white culture - least of all in white male culture,": 191 References Ansen, D., Giles, J., Kroll, J., Gates, D. and Schoemer, K. "What's a handsome lad to do?" Newsweek 133.19 (May 10, 1999): 85. "Ask Dr. Hip." U.S. News and World Report 129.16 (October 23, 2000): 72. Bailey, J. Michael., and Oberschneider, Michael. "Sexual orientation in professional dance." Archives of Sexual Behaviour. 26.4 (August 1997):expanded academic database [fulltext]. Boehm, E. "Pop will beat itself up." Variety 373.5 (December 14, 1998): 89. Bracewell, Michael. "Britpop's coming home, it's coming home." New Statesman.(February 21 1997): 36. Buchbinder, David. Performance Anxieties .Sydney: Allen and Unwin, 1998. Faludi, Susan. Stiffed. London: Chatto and Windus, 1999. Frith, Simon. "Anglo-America and its discontents." Cultural Studies. 5 1991. Futterman, Steve. "The best and worst: honour roll." Entertainment Weekly, 574-575 (December 22-December 29 2000): 146. Gikandi, Simon. Maps of Englishness. New York: Columbia University Press, 1996. Kadis, Alex. Take That: In private. London: Virgin Books, 1994. Kamp, D. "London Swings! Again!" Vanity Fair ( March 1997): 102. Kimmel, Michael. Manhood in America. New York: The Free Press, 1996. Mendell, Adrienne. How men think. New York: Fawcett, 1996. Moore, Susan. "Getting a bit of the other - the pimps of postmodernism." In Rowena Chapman and Jonathan Rutherford (ed.) Male Order .London: Lawrence and Wishart, 1988. 165-175. Orecklin, Michele. "People." Time. 155.10 (March 13, 2000): 101. Pollack, William. Real boys. Melbourne: Scribe Publications, 1999. Reynolds, Simon. members.aol.com/blissout/britpop.html. Accessed on April 15, 2001. Robinson, David. No less a man. Bowling Green: Bowling Green State University, 1994. Segal, Lynne. Slow Motion. London: Virago, 1990. Smith, Paul. "Introduction" in P. Smith (ed.), Boys: Masculinity in contemporary culture. Colorado: Westview Press, 1996. Swart, S. "U.K. Showbiz" Variety.(December 11-17, 2000): 35. Sexton, Paul and Masson, Gordon. "Tips for Brits who want U.S. success" Billboard .(September 9 2000): 1. Wells, Steven. "Angst." NME.(November 21 1998): 62. "Will Geri's fling lose its fizz?" Marketing.(August 2000): 17. Woods, S. "Robbie Williams Sing when you're winning" The Village Voice. 45.52. (January 2, 2001): 98.

The following press sections are a collection that emerged from an inductive-deductive analysis of 26 periodicals from Germany, South Africa and the US. Overlaps on big topics were found and sub-topics assigned accordingly (Pentzold & Knorr, 2024). Field of Application/Theoretical Foundation Journalists usually publish their articles in topic-specific sections. The decision on the section, i.e., the journalistic placement within a thematic context, can already be seen as part of framing (preframing) on the part of the publishers, journalists and the recipients (Scheufele, 2004). Example studies: Pentzold & Knorr (2024) & Wessler et al. (2016) Information on Wesser et al., 2016 Authors: Hartmut Wessler, Antal Wozniak, Lutz Hofer, and Julia Lück Research questions: Which topics and frames as well as which visual elements such as photos, diagrams and graphics are present in the press reporting on climate change in the context of four UN climate conferences (2010-2013), in different countries and coming from different journalists? Object of analysis: A comparative issue-specific multimodal news frame analysis of climate change coverage around the UN Climate Change Conferences in Cancún, Mexico (COP 16, 2010), Durban, South Africa (COP 17, 2011), Doha, Qatar (COP 18, 2012), and Warsaw, Poland (COP 19, 2013). Both textual and visual content elements were analyzed and then incorporated into a joint cluster analysis. Time frame of analysis: Event-based sampling around the UN Climate Change Conferences in Cancún, Mexico (COP 16, 2010); Durban, South Africa (COP 17, 2011); Doha, Qatar (COP 18, 2012); and Warsaw, Poland (COP 19, 2013). Analyzed media type: Newspapers from five countries: Brazil (Folha de Sao Paolo, O Globo), Germany (Süddeutsche Zeitung, Frankfurter Allgemeine Zeitung), India (Times of India, The Hindu), South Africa (Daily Sun, The Star), the United States (New York Times, Washington Post) Information about variable: Variable/name definition: Section of newspaper / magazine / news website [Section] Scale: Nominal Level of analysis: News article Sample operationalization: The position of the press article was coded, referring to its placement in the overall press outlet (front page, inside the newspaper, commentaries etc. distinguishable by distinct layout features such as a different font for headlines and the naming of authors). Values: 1 Politics; 2 Economy / Business; 3 Opinion / Letters to the editor; 4 Culture & Arts / Feuilleton / Media; 5 Local news; 6 Science/Technology; 7 Environment; 8 Miscellaneous /Human interest; 9 Supplement with editorial responsibility of media outlet; 997 Other; 998 Unclear; 999 Not applicable Reliability: In sum, intercoder reliability achieved at least a .70 level (six coders). Codebook: Wessler et al. (2016) Information on Pentzold & Knorr, 2024 Authors: Christian Pentzold and Charlotte Knorr Research questions: With which imaginaries do journalistic reports make sense of Big Data? (RQ1) How do these imaginaries evolve over time? (RQ2) To what extent are the imaginaries similar or different across countries? (RQ3) Object of analysis [and analyzed media type]: The project Framing Big Data (DFG 2021-2024) analyzed the media-communicatively articulated frames on “Big Data” in online press aggregates of newspapers and magazines in three countries: South Africa, Germany and the United States. No visual material was collected or examined. In total, the coded press aggregates of 26 newspapers and magazines were analyzed. The period of collected press articles was from 2011 to 2020 (N=1,456 press articles). Hereby, the online press articles had to contain the keywords “big data” or “dataf*” (e.g., datafication, datafied) in the headline, sub-headline and/or first paragraph (inclusion criteria). Time frame of analysis: 2011, Jan 1 – 2020, Dec 31 Analyzed media type: Online press aggregates from newspapers and magazines in three countries: South Africa, Germany, and the United States. In sum, the coded press aggregates were sampled from 26 periodicals. Codebook: Public_Codebook_FBD_fin.pdf Information about the variable Variable name/definition: Press sections in online newspapers. This variable was created from a compilation of sections found in most newspapers, supplemented by newspaper-specific subsections. It is a comprehensive collection of all sections present in newspapers from three countries (Germany: Frankfurter Allgemeine Zeitung, Süddeutsche Zeitung, ZEIT online, WirtschaftsWoche, Handelsblatt, taz, Welt online, Spiegel online, wired, c’t; South Africa: NAG, The Star, Financial Mail, Business Day, Sunday Times, Brainstorm Magazine, Tech Central, Mail & Guardian, Stuff Magazine; USA: New York Times, Washington Post, Financial Times, Wall Street Journal, Forbes, Newsweek, Brainstorm). Since some newspapers – such as Süddeutsche Zeitung or The Star – have detailed sections for specific regions and others like Forbes, Stuff Magazine and Handelsblatt feature sections on specific technical/economic topics, all editorial sections were recorded by hand and manually bundled according to superordinate categories (e.g., Economics, Science, Success, Society) and subcategories to be able to map the characteristic sections across newspapers. The aim was to be able to also code sections that are specific to one magazine while assuring combability with the structure of other outlets. Scale: Nominal Level of analysis: Formal level (press article), coded as press product and as part of the discourse (formal variables, content variables; article unit) Sample operationalization: Code the press section that is depicted on the top of the article. Not every journal clearly depicts the section their articles are published in (especially online). Do not confuse key words with sections. Values: 1. Politics (domestic and foreign affairs, network policies, courts and law, fact checks); 2. Economics (Banks, Energy, Industry, Stocks, Taxes, Real Estate, Cars); 3. Technology/Science (Knowledge, Research, IT, Digital, Traffic and Mobility, Work, Ecology); 4. Business (Finances, Companies, Investments); 5. Culture (Media, Books, Movies, Art, Travel, Fashion, Food, Regional); 6. Society (Style, Discover, Research, Reports, Ideas, ZEITmagazin, ze.tt, Z2X, Podcasts, Feuilleton); 7. Opinion (Columns, Comments, Guest Articles, Debate) ; 8. Global Crisis (Ukraine, Covid-19, Climate change); 9. Success (Management, Coaching, Trends, Career, Job, Universities); 10. Health/Medicine; 11. Regional; 12. Headlines; 13. Sports; -97 not visible; -98 unclear; -99 not applicable (one code per news article) Reliability: α = 1.00 [Krippendorff’s alpha, intercoder reliability. A total of seven reliability tests were conducted, five of them during the coding phase and two as part of two pretests. Five coders were involved in four tests, four coders were involved in three tests. All tests were conducted in the period July 2022 to December 2022]. References Jasanoff, S. (2015). Future Imperfect. In S. Jasanoff & S. Kim (Eds.), Dreamscapes of Modernity (pp. 1–33). Chicago: University of Chicago Press. Pentzold, C. & Knorr, C. (2024). Making Sense of “Big Data”: Ten Years of Discourse Around Datafication (ICA 2024, 74th Conference, Gold Coast, Australia). Pentzold, C., & Knorr, C. (2021-2024). Framing Big Data (DFG). Leipzig University. Scheufele, B. (2004). Framing-effects approach: A theoretical and methodological critique. Communications, 29(4), 401–428. Wessler, H., Wozniak, A., Hofer, L., & Lück, J. (2016). Global Multimodal News Frames on Climate Change: A Comparison of Five Democracies around the World. The International Journal of Press/Politics, 21(4), 423–445. doi: 10.1177/1940161216661848

Energy Transfer Company (ETC) is proposing to construct the Orbit Pipeline Project (Project) located in Jefferson, Liberty, and Chambers counties, Texas. The Project consists of approximately 68.7 miles (mi) (110.6 kilometer [km]) of new 20.0-inch (in) (50.8-centimeter [cm]) diameter pipeline that will be used to transmit ethane and propane. The Project is located within the jurisdictional boundary of the United States Army Corps of Engineers (USACE) - Galveston District. At the request of ETC, Perennial Environmental Services, LLC (Perennial) conducted an intensive Phase I cultural resources investigation for the proposed Project to comply with anticipated USACE permitting requirements. Archaeological investigations for the Project were conducted in accordance with Section 106 of the National Historic Preservation Act (NHPA) and Texas State Historical Preservation Office (SHPO) standards. Additionally, the Project traverses several discontinuous publicly-owned tracts that fall under the jurisdiction of the Antiquities Code of Texas (Code). The results of survey investigations conducted under Texas Antiquities Permit (TAP) #8690 (issued December 17, 2018, and amended on August 30, 2019) across six discontinuous publicly -owned tracts are also presented herein. Consistent with USACE application requirements, and in accordance with Section 106 of the NHPA of 1966, as amended (36 CFR 800) and the Code, the proposed Project must make a reasonable and good faith effort to identify historic properties within the Project Area of Potential Effect (APE) and to take into account any potential effects, direct or indirect, the proposed undertaking could have on properties listed or considered eligible for listing in the National Register of Historic Places (NRHP) or for designation as a State Antiquities Landmark (SAL), as warranted. As the Project footprint was not finalized at the time of field investigations, survey efforts were concentrated within the vicinity of delineated wetland and waterbody features along the length of the route within a 300.0-foot- (ft-) (91.4-meter- [m-]) wide Environmental Survey Area (ESA). The anticipated depths of impact for the Project will range from 4.0 to 7.0 ft. (1.2 to 2.1 m) along the pipeline centerline, with limited deeper impacts at horizontal directional drill (HDD) and bore locations, including Cow Island Bayou, Hillebrandt Bayou, Lower Neches Valley River Authority canals, Nolte Canal, the Trinity River, Turtle Bayou, Whites Bayou, Willow Marsh Bayou, and public road crossings. The anticipated depths of impact for temporary workspace areas within the Project APE corridor would not exceed 0.6 to 1.0 ft. (0.1 to 0.3 m). The overall APE for direct effects for the Project measured 2307.19 acres (ac) (933.68 ha), while APE for Code-permitted tracts totaled 210.0 ac (85.06 ha). As presented herein, the Project ESA is coterminous with the Project APE, which is also referred to as the USACE permit areas. Only the areas adjacent to the USACE permit areas and the entirety of Code-permitted areas were surveyed for cultural resources. Jennifer Cochran served as the Principal Investigator, and field efforts were conducted by Sarah Boudreaux, Rafael Cortez, Wyatt Ellison, Rachel Kelley, William Kinkner, Colene Knaub, Jonathan Laird, Alejandro Martinez, and Thomas Ross across multiple field mobilizations between October 1, 2018, and November 12, 2019. Investigations included an archival background review and intensive pedestrian surveys augmented by shovel testing in the vicinity of delineated wetland and waterbody features. Archival research determined that there are no previously recorded sites within, or directly adjacent to the Project APE, and approximately 32.7% of the Project APE has been previously surveyed for cultural resources. However, many of these surveys are outdated and do not meet modern survey standards. Additionally, many of these previously surveys were conducted for USACE-permitted projects, and the entire Project was not surveyed for the presence of cultural resources. As such, all areas surrounding identified wetland and waterbody for this Project were surveyed. Perennial biologists delineated a total of 490 wetland areas. Of the 490 wetlands identified within the Project APE, 290 were characterized as palustrine emergent (PEM) wetlands, 106 were characterized as palustrine forested (PFO) wetlands, 4 were classified as PFO-Cypress wetlands, and 90 were characterized as palustrine scrub-shrub (PSS) wetlands. Perennial biologists also identified 270 waterbodies that ranged from perennial streams to ephemeral streams. Of the 270 waterbodies delineated, 36 were classified as having perennial flow, 66 were classified as having intermittent flow, and 148 were classified as ephemeral flow. Additionally, 20 open water features were delineated and classified as manmade ponds. Survey efforts were concentrated in the vicinity of these features where land access was voluntarily granted in accordance with a scope of work for the Project approved by the USACE on August 28, 2018, and the Texas Historical Commission (THC) on October 1, 2018. Following the approval of the scope of work, ETC extended the eastern terminus of the Project to the western bank of the Neches River, and other minor reroutes were also implemented. Perennial applied the approved survey methodology to all new Project components. For Code-permitted tracts, surveys were conducted across the entire length of the Project APE corridor in accordance with a stand-alone scope submitted to the THC on December 14, 2018, and amended August 30, 2019. Additionally, following the receipt of TAP#8690, the proposed Project was routed onto two additional publicly-owned tracts belonging to the Texas Department of Corrections (DOC) – Stiles Unit and Jefferson County. The TAP #8690 was revised and amended on August 30, 2019. Following this August 30, 2019 amendment, ETC added additional route options across the DOC – Stiles Unit tract. This additional mileage was surveyed using the same methods as stated in the previously presented revised TAP scope of work for this property. In all, the survey investigations included the excavation of a total of 1,250 shovel tests of which 1,171 shovel tests were excavated within the Project APE. The remaining 79 shovel tests were excavated outside of USACE permit areas but within the Project workspace. For the purposes of this report, only investigations within the Project APE will be discussed. Survey investigations within the Project APE resulted in entirely negative findings. No archeological sites were encountered within the survey areas reported herein. Additionally, no historic standing structures or landscape features such as historic-age canals were observed with any USACE permit areas. Overall, the surveys documented predominately inundated landscapes with a low probability for intact cultural resources. Numerous existing pipeline corridors and modern canal features are traversed by the Project. While some of the modern canals could be historic in nature or connected to a greater network of irrigation features used historically to supply agricultural crops with water, it is important to note that the majority of the waterways associated with these features will be bypassed via bore/HDD. As such, any impacts to these waterbodies as well as the associated canal structure will be entirely avoided. Additionally, all visual impacts from the proposed pipeline corridor will be temporary in nature. To date, field surveys have been completed for all accessible wetland and waterbody features along the pipeline route, as well as the total length of the Project survey corridor across all Codepermitted tracts. Prior to the beginning of November 2019, field surveys had not been conducted along the eastern banks and associated bottomlands of the Trinity River due to multiple flooding events that resulted in heavy inundation beginning in September 2018 which prevented access or survey investigations of any kind. Additionally, field surveys did not occur along portions of the Project containing denied landowner permissions. On November 6, 2019, a survey crew was able to access previously inaccessible areas associated with the Trinity River due to several months of normalized weather conditions throughout portions of Eastern Texas. Even under normal conditions, large portions of this area remain constantly inundated due to strong hydrological influences and the geomorphic position of the landscape. However, crews were able to traverse inundated areas by foot to access portions of the Project located immediately adjacent to the Trinity River. While the area located immediately adjacent to the Trinity River was not inundated at the time of survey, wetlands with strong hydrological indicators still dominate the landscape. Of the 760 delineated wetland and waterbody features, 74 features were originally not surveyed for cultural resources due to restricted land access including denied landowner permissions and significant inundation. Of these 74 features, 38 feature locations (27 streams and 42 wetlands) will be bypassed via horizontal directional drill (HDD) or bore trenchless construction methods resulting in no impacts to these features. The remaining five features (including multiple crossing locations of the same feature) are located along the eastern banks of the Trinity River. While these features were surveyed for cultural resources with negative findings, the presence of buried deposits exists within the vicinity of these features. However, access to these features with heavy machinery is not feasible due to the remote location and constant hydrological influences (e.g. inundation and saturation) associated with the floodplain setting of the Trinity River. As such, these five features are proposed to be monitored by a qualified Archeological Monitor during construction efforts. Appendix C provides each wetland and waterbody feature crossed by the Project with management recommendations and associated comments, while Appendix F provides a Cultural Monitoring Plan to evaluate the five features that will not be avoided during construction efforts. Appendix F also includes a table in response to a letter issued by the USACE Staff Archeologist, Mr. Jerry Androy, on May 17, 2019, indicating that the 74 aforementioned permit areas associated with the Project would require cultural resources investigations. The table lists each permit area, the reason surveys were not originally conducted, and justification for/against the need for monitoring. Based on the results of the survey effort reported here, no cultural resources will be affected by any construction activities within the Project APE. Aside from Cultural Monitoring at five features (including multiple crossing locations of the same feature) within the Trinity River floodplain, it is Perennial’s opinion that no further cultural resources investigations are warranted for the Project. Should archaeological remains be encountered during construction, work in the immediate area will cease, and a qualified archaeologist will be called upon to evaluate the remains and provide recommendations for how to manage the resources under the State’s Historic Preservation Plan.

The spam, the spam…like a meteor shower it comes, unceasing like the tides, unrelenting in its desire to save me, to lift me from my slumber, misfit that I am, sitting in the darkness waiting to be delivered from my faltering biology, my feeble credit rating, my meagre education. It comes every day, unbidden, from the Outside, from the Interior, from some networked techno-Badland where the righteous fear to tread. I don’t know who it comes from, they have never met me, they will never meet me. Their addresses are botched, their names are fake, Orientalized, Africanized, garbled beyond decryption. Their websites are down, their phones are off the hook, they route their missals through hapless foreign email servers whose gatekeepers have foolishly left their relays open. As soon as I set up filters to innoculate myself, their algorithms mutate and new strains develop, more wily and Protean than the last. And now, the hybrids are everywhere. Hungry free-ranging email-bots blithely pillaging the websites of the world for valuable identity-capital. Virtual Nigerian millionaires, who despite their legitimate business practices have become trapped in hostile economic ghettos. HGH addicts, greedily sucking back, mugwump-like, the life-juices of virtual human nervous-systems produced in suburban hormone-banks across the United States and Eastern Europe. A revitalized Third-Age, the golf courses of the world reeling under the onslaught of this new breed of energized, radiant octogenarians. A vast and growing horde of new entrants to the ranks of the stupendously well-endowed. How many others are there like me, out there, weltering under the unceasing weight of this crazed cyborgian storm, this cornucopia of inventiveness and perversion? We number in our millions, we unwitting receivers of the raw and bleeding edge of quackery; we are an Us, and they are a Them. We span the globe, worlds virtual and real, from the towering heights of corporate monoliths to the crumbling edges of the Hotmail slums. It doesn’t matter who we are! We are all equal here, we are all equal under Spam. Spam is the Great Leveller. Together, we are end-points, we are destinations, we are enormous potential-capital, we are a great numbers-game, we are fantastic odds. Here we all sit, crammed together in identical folders on $49 CD-ROMs. We toil together at the coal-face of the Trash bin, fingertips worn bare, Delete buttons sticky with the blood of the unwanted. And you know what? We outnumber them millions to one! These blond beasts of prey, these feeders on the bandwidth of the oppressed, these wanton exploiters of Microsoft’s Achilles heels, these teenage manipulators of the inviolable principles of global finance. Their margins so low, their reach so vast, their frequency irrelevant; they hardly even need to exist to do their job, their numbers are so small. They could so easily just be a glitch in the system, a forgotten semicolon here, a missing bracket there, and suddenly WHAM, zinging across the datasphere; Increase Your Bust Size! Prevent Employment Stagnation! All Natural Pheromones, Attract Sex! But isn’t it about time I gave in? Surely I could do with a larger penis. 23-67% larger in 6 months. An extra ¾” of girth in 10 months. Shoot 16 feet! Impress your friends! Surely now is a good time to start imbibing daily doses of Human Growth Hormone, in some weirdly cannibalistic ritual of geno-pharmacology. Surely now is the time to deal with my incipient baldness. Surely now is the time to develop a taste for teen barnyard frolics. I want to meet them, these machine-writers , these Home Based Workers. I want to meet a spammer, I want to check their palms. I want to look into their eyes and guage the soul of this particular brand of Internet Entrepreneur. I want to meet them for their blatant idiocy. I want to meet them because their business model is perfect. I want to meet them because they want to rip me off and they’ve never even seen my face. I want to meet them because they seem to know my name. I want to meet them to see if anything they say is true: “I was approached many times before but each time I passed on it. I am so glad I finally joined just to see what one could expect in return for the minimal effort and money required. To my astonishment, I received total $610,470.00 in 21 weeks, with money still coming in.” “We have been on the spray for just 3 weeks now, and besides the tremendous energy we both feel, my husband’s allergies and spells of depression have lifted. I am healing extremely fast after an accident and have lost 7 lbs. without trying!” “Got to tell ya I really was impressed with the results after a month - I didn’t have any problems to speak of but was interested in improving my control and size. I went from a 6.5/7.0” length to a full 8.0” - the big deal was not the size increase but the improved circulation I received - the head increased a full inch in diameter and along with this more enjoyment with every stroke as it is hyper sensitive when erect due to the increased surface area. The program was worth every penny - feel sorry for those that don’t know about this information.” But who are these people? It’s getting very personal. They call me by name, they tell me stories about their lives, inspiring stories of amazing success, of against-all-odds, of business miracles, of youth regained, balding abated, penises sprouting anew like fresh corn from good soil. What kind of subjectivity can we assign to these chimeras, these fictions of a hopeful science? They materialize only on-screen, they inhabit a realm yet-to-come. Their hawking cries hail me from beyond the abyss of faith; they have already leapt, already broken through. Doppelgängers of the net.art avant-garde, these over-people, these reachers-forth, their lives played out on a lightning stage between the soaring peaks and the Trash bin. Are they authors? Are they artists? Are they…real? Pah! What was I thinking?! Reality is a tool of the bureaucrats, of the biologically homeostatic, of the devious puppetmasters of offline media. No reality for them, these dare-devils of the multi-level marketing scheme, re-programmers of genetic destiny, they who write the future of the Human in bold red 18-point font. And no reality for us either, the potential consumers, demographically profound, fundamentally troubled; aging, lonely, single, furiously masturbating, high cholestorol, high blood pressure, overweight, in debt, badly mortgaged, un-insured, uneducated, exercise hating, impotent, suspicious, broke, balding, poorly endowed, small breasted and dog, dog tired. So perhaps we are all a little fictional, all a little speculative. But so what! A full inch in diameter! $620,000 in 6 months! Who would not sacrifice a little verifiability for such riches? This magnificent spray that decelerates Time and accelerates Body and Mind. This mystical information that increases Control and Size. How could my current state not be found wanting? How can I ignore the call? And with such a mainline into the future, what need have I of the machinations of the mainstream dot-economy? What difference does it make to me whether the nano-agents busily connecting synapses in the Amazon.com brain-in-a-tank can predict my favourite books and music? What difference do any of these massively-funded personalisation programs make, when daily I receive exhortations to feed fetishes I never even dreamed I had? I am interpellated anew, I have received messages from the Enlightened, the joyful consumers of the Word; once cynical, once suspicious, now laughing. Take me, I’m yours, de-subject me, re-subject me, I’m bubbling over, I’m full to the brim, I’m ready to suck the juice out of life and stay on to get the marrow. I’m right around the corner from just handing over my credit card details to the first one who asks nicely: “Fill out all requested information. You need to enter your credit card number for age verification - this protects under 18's from accessing explicit hardcore pornography. We have only listed the largest, most publicly operated porn sites that we KNOW can be trusted with this information. YOU WILL NOT BE CHARGED FOR THE FREE PASSWORD. If you don't believe me, just read their terms and conditions.” Citation reference for this article Substitute your date of access for Dn Month Year etc... MLA Style Cooke, Grayson. "A Spam Scam Slam" M/C: A Journal of Media and Culture< http://www.media-culture.org.au/0308/08-spamscam.php>. APA Style Cooke, G. (2003, Aug 26). A Spam Scam Slam. M/C: A Journal of Media and Culture, 6,< http://www.media-culture.org.au/0308/08-spamscam.php>

IntroductionNew Orleans is one of a number of infamous swamp cities—cities built in swamps, near them or on land “reclaimed” from them, such as London, Paris, Venice, Boston, Chicago, Washington, Petersburg, and Perth. New Orleans seemed to be winning the battle against the swamps until Hurricane Katrina of 2005, or at least participating in an uneasy truce between its unviable location and the forces of the weather to the point that the former was forgotten until the latter intruded as a stark reminder of its history and geography. Around the name “Katrina” a whole series of events and images congregate, including those of photographer Robert Polidori in his monumental book, After the Flood. Katrina, and the exacerbating factors of global warming and drained wetlands, and their impacts, especially on the city of New Orleans (both its infrastructure and residents), point to the cultural construction and production of the disaster. This suite of occurrences is a salutary instance of the difficulties of trying to maintain a hard and fast divide between nature and culture (Hirst and Woolley 23; Giblett, Body 16–17) and the need to think and live them together (Giblett, People and Places). A hurricane is in some sense a natural event, but in the age of global warming it is also a cultural occurrence; a flood produced by a river breaking its banks is a natural event, but a flood caused by breeched levees and drained wetlands is a cultural occurrence; people dying is a natural event, but people dying by drowning in a large and iconic American city created by drainage of wetlands is a cultural disaster of urban planning and relief logistics; and a city set in a swamp is natural and cultural, with the cultural usually antithetical to the natural. “Katrina” is a salutary instance of the cultural and natural operating together in and as “one single catastrophe” of history, as Benjamin (392) put it, and of geography I would add in the will to fill, drain, or reclaim wetlands. Rather than a series of catastrophes proceeding one after the other through history, Benjamin's (392) “Angel of History” sees one single catastrophe of history. This single catastrophe, however, occurs not only in time, in history, but also in space, in a place, in geography. The “Angel of Geography” sees one single catastrophe of geography of wetlands dredged, filled, and reclaimed, cities set in them and cities being re-reclaimed by them in storms and floods. In the case of “Katrina,” the catastrophe of history and geography is tied up with the creation, destruction, and recreation of New Orleans in its swampy location on the Mississippi delta.New OrleansNew Orleans is not only “the nation’s quintessential river city” as Kelman (199) puts it, but also one of a number of infamous swamp cities. In his post-Katrina preface to his study of New Orleans as what he calls “an unnatural metropolis,” Colten notes:While other cities have occupied wetlands, few have the combination of poorly-drained and flood-susceptible territory of New Orleans. Portions of Washington, D.C. occupied wetlands, but there was ample solid ground above the reach of the Potomac [River’s] worst floods. Chicago’s founders platted their city on a wetland site, but the sluggish Chicago River did not drain the massive territory of the Mississippi. (5)“Occupied” is arguably a euphemism for dredging, draining, filling, and reclaiming wetlands. Occupation also conjures up visions of an occupying army, which may be appropriate in the case of New Orleans as the Army Corps of Engineers have spearheaded much of the militarisation by dredging and draining wetlands in New Orleans and elsewhere in the U.S.The location for the city was not propitious. Wilson describes how “the city itself was constructed on an uneven patch of relatively high ground in the midst of a vast swamp” (86). New Orleans for Kelman “is surrounded by a wet world composed of terrain that is not quite land” (22) with the Mississippi River delta on one side and Lake Pontchartrain and the “backswamps” on the other, though the latter were later drained. The Mississippi River for Kelman is “the continent’s most famed and largest watercourse” (199). Perhaps it is also the continent’s most tamed and leveed watercourse. Earlier Kelman related how a prominent local commentator in 1847 “personified the Mississippi as a nurturing mother” because the river “hugged New Orleans to its ‘broad bosom’” (79). Supposedly this mother was the benign, malign, and patriarchal Mother Nature of the leveed river and not the recalcitrant, matrifocal Great Goddess of the swamps that threatened to break the levees and flood the city (see Giblett, Postmodern Wetlands; People and Places, especially Chapter 1). The Mississippi as the mother of all American rivers gave birth to the city of New Orleans at her “mouth,” or more precisely at the other end of her anatomy with the wetland delta as womb. Because of its location at the “mouth” of the Mississippi River, New Orleans for Flint was “historically the most important port in the United States” (230). Yet by the late 1860s the river was seen by New Orleanians, Kelman argues, only as “an alimentary canal, filled with raw waste and decaying animal carcasses” (124). The “mouth” of the river had ceased to be womb and had become anus; the delta had ceased to be womb and had become bowel. The living body of the earth was dying. The river, Kelman concludes, was “not sublime” and had become “an interstate highway” (146). The Angel of Geography sees the single catastrophe of wetlands enacted in the ways in which the earth is figured in a politics of spaces and places. Ascribing the qualities of one place to another to valorise one place and denigrate another and to figure one pejoratively or euphemistically (as in this case) is “placist” (Giblett, Landscapes 8 and 36). Deconstructing and decolonising placism and its use of such figures can lead to a more eco-friendly figuration of spaces and places. New Orleans is one place to do so.What Colten calls “the swampy mire behind New Orleans” was drained in the first 40 years of the twentieth century (46). Colten concludes that, “by the 1930s, drainage and landfilling efforts had successfully reclaimed wetland between the city and the lake, and in the post-war years similar campaigns dewatered marshlands for tract housing eastward and westward from the city” (140–1). For Wilson “much of New Orleans’s history can be seen as a continuing battle with the swamp” (86). New Orleans was a frontline in the modern war against wetlands, the kind of war that Fascists such as Mussolini liked to fight because they were so easy to win (see Giblett, Postmodern Wetlands 115). Many campaigns were fought against wetlands using the modern weapons of monstrous dredgers. The city had struck what Kelman calls “a Faustian bargain with the levees-only policy” (168). In other words, it had sold its soul to the devil of modern industrial technology in exchange for temporary power. New Orleans tried to dominate wetlands with the ironic result that not only “efforts to drain the city dominate early New Orleans history into the present day” as Wilson (86) puts it, but also that these efforts occasionally failed with devastating results. The city became dominated by the waters it had sought to dominate in an irony of history and geography not lost on the student of wetlands. Katrina was the means that reversed the domination of wetlands by the city. Flint argues that “Katrina’s wake-up call made it unconscionable to keep building on fragile coastlines […] and in floodplains” (232–3). And in swamps, I would add. Colten “traces the public’s abandonment of the belief that the city is no place for a swamp” (163). The city is also no place for the artificial swamp of the aftermath of Katrina depicted by Polidori. As the history of New Orleans attests, the swamp is no place for a city in the first place when it is being built, and the city is no place for a swamp in the second place when it is being ravaged by a hurricane and storm surges. City is antithetical and inimical to swamp. They are mutually exclusive. New Orleans for Wilson is “a city on a swamp” (90 my emphasis). In the 1927 flood (Wilson 111), for Kelman “one of the worst flood years in history” (157), and in the 2005 hurricane, the worst flood year so far in its history, New Orleans was transformed into a city of a swamp. The 1927 flood was at the time, and as Kelman puts it, “the worst ‘natural’ disaster in U.S. history” (161), only to be surpassed by the 2005 flood in New Orleans and the 2012 floods in north-eastern U.S. in the wake of Superstorm Sandy in which the drained marshlands of New York and New Jersey returned with a vengeance. In all these cases the swamp outside the city, or before the city, came into the city, became now. The swamp in the past returned in the present; the absent swamp asserted its presence. The historical barriers between city and swamp were removed. KatrinaKatrina for Kelman (xviii) was not a natural disaster. Katrina produced “water […] out of place” (Kelman x). In other words, and in Mary Douglas’s terms for whom dirt is matter out of place (Douglas 2), this water was dirt. It was not merely that the water was dirty in colour or composition but that the water was in the wrong place, in the buildings and streets, and not behind levees, as Polidori graphically illustrates in his photographs. Bodies were also out of place with “corpses floating in dirty water” (Kelman x) (though Polidori does not photograph these, unlike Dean Sewell in Aceh in the aftermath of the Asian tsunami in what I call an Orientalist pornography of death (Giblett, Landscapes 158)). Dead bodies became dirt: visible, smelly, water-logged. Colten argues that “human actions […] make an extreme event into a disaster […]. The extreme event that became a disaster was not just the result of Katrina but the product of three centuries of urbanization in a precarious site” (xix). Yet Katrina was not only the product of three centuries of urbanisation of New Orleans’ precarious and precious watershed, but also the product of three centuries of American urbanisation of the precarious and precious airshed through pollution with greenhouse gases.The watery geographical location of New Orleans, its history of drainage and levee-building, the fossil-fuel dependence of modern industrial capitalist economies, poor relief efforts and the storm combined to produce the perfect disaster of Katrina. Land, water, and air were mixed in an artificial quaking zone of elements not in their normal places, a feral quaking zone of the elements of air, earth and water that had been in the native quaking zone of swamps now ran amok in a watery wasteland (see Giblett, Landscapes especially Chapter 1). Water was on the land and in the air. In the beginning God, when created the heavens and the earth, darkness and chaos moved over the face of the waters, and the earth was without form and void in the geographical location of a native quaking zone. In the ending, when humans are recreating the heavens and the earth, darkness and chaos move over the face of the waters, and the earth is without form and void in the the geographical location and catastrophe of a feral quaking zone. Humans were thrown into this maelstrom where they quaked in fear and survived or died. Humans are now recreating the city of New Orleans in the aftermath of “Katrina.” In the beginning of the history of the city, humans created the city; from the disastrous destruction of some cities, humans are recreating the city.It is difficult to make sense of “Katrina.” Smith relates that, “as well as killing some 1500 people, the bill for the devastation wrought by Hurricane Katrina on New Orleans […] was US$200 billion, making it the most costly disaster in American history,” more than “9/11” (303; see also Flint 230). A whole series of events and images congregate around the name “Katrina,” including those of photographer Robert Polidori in his book of photographs, After the Flood, with its overtones of divine punishment for human sin as with the biblical flood (Coogan et al. Genesis, Chapters 6–7). The flood returns the earth to the beginning when God created heaven and earth, when “the earth was without form and darkness moved […] upon the face of the waters” (Coogan et al. Genesis Chapter 1, Verse 2)—God's first, and arguably best, work (Giblett, Postmodern Wetlands 142–143; Canadian Wetlands “Preface”). The single catastrophe of history and geography begins here and now in the act of creation on the first day and in dividing land from water as God also did on the second day (Coogan et al. Genesis Chapter 1, Verse 7)—God’s second, and arguably second best, work. New Orleans began in the chaos of land and water. This chaos recurs in later disasters, such as “Katrina,” which merely repeat the creation and catastrophe of the beginning in the eternal recurrence of the same. New Orleans developed by dividing land from water and is periodically flooded by the division ceasing to be returning the city to its, and the, beginning but this time inflected as a human-made “swamp,” a feral quaking zone (Giblett, Landscapes Chapter 1). Catastrophe and creativity are locked together from the beginning. The creation of the world as wetland and the separation of land and water was a catastrophic action on God's part. Its repetition in the draining or filling of wetlands is a catastrophic event for the heavens and earth, and humans, as is the unseparation of land and water in floods. What Muecke calls the rhetoric of “natural disaster” (259, 263) looms large in accounts of “Katrina.” In an escalating scale of hyperbole, “Katrina” for Brinkley was a “natural disaster” (5, 60, 77), “the worst natural disaster in modern U.S. history” (62), “the biggest natural disaster in recent American history” (273), and “the worst natural disaster in modern American history” (331). Yet a hurricane in and by itself is not a disaster. It is a natural event. Perhaps all that could simply be said is that “Katrina was one of the most powerful storms ever recorded in U.S. history” (Brinkley 73). Yet to be recorded in U.S. history “Katrina” had to be more than just a storm. It had also to be more than merely what Muecke calls an “oceanic disaster” (259) out to sea. It had to have made land-fall, and it had to have had human impact. It was not merely an event in the history of weather patterns in the U.S. For Brinkley “the hurricane disaster was followed by the flood disaster, which was followed by human disasters” (249). These three disasters for Brinkley add up to “the overall disaster, the sinking of New Orleans, [which] was a man-made disaster, resulting from poorly designed and managed levees and floodwalls” (426). The result was that for Brinkley “the man-made misery was worse than the storm” (597). The flood and the misery amount to what Brinkley calls “the Great Deluge [which] was a disaster that the country brought on itself” (619). The storm could also be seen as a disaster that the country brought on itself through the use of fossil fuels. The overall disaster comprising the hurricane the flood, the sinking city and its drowning or displaced inhabitants was preceded and made possible by the disasters of dredging wetlands and of global warming. Brinkley cites the work of Kerry Emanuel and concludes that “global warming makes bad hurricanes worse” (74). Draining wetlands also makes bad hurricanes worse as “miles of coastal wetlands could reduce hurricane storm surges by over three or four feet” (Brinkley 10). Miles of coastal wetlands, however, had been destroyed. Brinkley relates that “nearly one million acres of buffering wetlands in southern Louisiana disappeared between 1990 and 2005” (9). They “disappeared” as the result, not of some sort of sleight of hand or mega-conjuring trick, nor of erosion from sea-intrusion (though that contributed), but of deliberate human practice. Brinkley relates how “too many Americans saw these swamps and coastal wetlands as wastelands” (9). Wastelands needed to be redeemed into enclave estates of condos and strip developments. In a historical irony that is not lost on students of wetlands and their history, destroying wetlands can create the wasteland of flooded cities and a single catastrophe of history and geography, such as New Orleans in the aftermath of Hurricane Katrina.In searching for a trope to explain these events Brinkley turns to the tried and true figure of the monster, usually feminised, and “Katrina” is no exception. For him, “Hurricane Katrina had been a palpable monster, an alien beast” (Brinkley xiv), “a monstrous hurricane” (72), “a monster hurricane” (115), and “the monster storm” (Brinkley 453 and Flint 230). A monster, according to The Concise Oxford Dictionary (Allen 768), is: (a) “an imaginary creature, usually large and frightening, composed of incongruous elements; or (b) a large or ugly or misshapen animal or thing.” Katrina was not imaginary, though it or she was and has been imagined in a number of ways, including as a monster. “She” was certainly large and frightening. “She” was composed of the elements of air and water. These may be incongruous elements in the normal course of events but not for a hurricane. “She” certainly caused ugliness and misshapenness to those caught in her wake of havoc, but aerial photographs show her to be a perfectly shaped hurricane, albeit with a deep and destructive throat imaginable as an orally sadistic monster. ConclusionNew Orleans, as Kelman writes in his post-Katrina preface, “has a horrible disaster history” (xii) in the sense that it has a history of horrible disasters. It also has a horrible history of the single disaster of its swampy location. Rather than “a chain of events that appears before us,” “the Angel of History” for Benjamin “sees one single catastrophe which keeps piling wreckage upon wreckage” (392). Rather than a series of disasters of the founding, drainage, disease, death, floods, hurricanes, etc. that mark the history of New Orleans, the Angel of History sees a single, catastrophic history, not just of New Orleans but preceding and post-dating it. This catastrophic history and geography began in the beginning when God created the heavens and the earth, darkness and chaos moved over the face of the waters, the earth was without form and void, and when God divided the land from the water, and is ending in industrial capitalism and its technologies, weather, climate, cities, floods, rivers, and wetlands intertwining and inter-relating together as entities and agents. Rather than a series of acts and sites of creativity and destruction that appear before us, the Angel of Geography sees one single process and place which keeps (re)creating order out of chaos and chaos out of order. This geography and history began at the beginning when God created the heavens and the earth, and the wetland, and divided land from water, and continues when and as humans drain(ed) wetlands, create(d) cities, destroy(ed) cites, rebuilt/d cities and rehabilitate(d) wetlands. “Katrina” is a salutary instance of the cultural and natural operating together in the one single catastrophe and creativity of divine and human history and geography.ReferencesAllen, Robert. The Concise Oxford Dictionary. 8th ed. Oxford: Clarendon Press, 1990.Benjamin, Walter. “On the Concept of History.” Selected Writings Volume 4: 1938–1940. Eds. Howard Eiland and Michael W. Jennings. Cambridge, MA: The Belknap Press of Harvard UP, 2003. 389–400.Brinkley, Douglas. The Great Deluge: Hurricane Katrina, New Orleans and the Mississippi Gulf Coast. New York: William Morrow, 2006.Colten, Craig. An Unnatural Metropolis: Wresting New Orleans from Nature. Baton Rouge: Louisiana State UP, 2006.Coogan, Michael, Marc Brettler, Carol Newsom, and Pheme Perkins, eds. The New Oxford Annotated Bible, New Revised Standard Version with the Apocrypha. 4th ed. New York: Oxford UP, 2010.Douglas, Mary. Purity and Danger: An Analysis of the Concepts of Pollution and Taboo. London: Routledge, 1966.Flint, Anthony. This Land: The Battle over Sprawl and the Future of America. Baltimore: Johns Hopkins UP, 2006.Giblett, Rod. Postmodern Wetlands: Culture, History, Ecology. Edinburgh: Edinburgh UP, 1996.———. The Body of Nature and Culture. Houndmills: Palgrave Macmillan, 2008.———. Landscapes of Culture and Nature. Houndmills: Palgrave Macmillan, 2009.———. People and Places of Nature and Culture. Bristol: Intellect Books, 2011.———. Canadian Wetlands: Place and People. Bristol: Intellect Books, forthcoming 2014.Hirst, Paul, and Penny Woolley. “The Social Formation and Maintenance of Human Attributes.” Social Relations and Human Attributes. London: Tavistock, 1982. 23–31.Kelman, Ari. A River and its City: The Nature of Landscape in New Orleans. Berkeley: U of California P, 2006.Muecke, Stephen. “Hurricane Katrina and the Rhetoric of Natural Disasters.” Fresh Water: New Perspectives on Water in Australia. Eds. Emily Potter, Alison Mackinnon, Stephen McKenzie and Jennifer McKay. Carlton: Melbourne UP, 2005. 259–71.Polidori, Robert. After the Flood. Göttingen: Steidl, 2006.Smith, P.D. City: A Guidebook for the Urban Age. London: Bloomsbury, 2012.Wilson, Anthony. Shadow and Shelter: The Swamp in Southern Culture. Jackson: UP of Mississippi, 2006.

augmentvb [ɔːgˈmɛnt]1. to make or become greater in number, amount, strength, etc.; increase2. Music: to increase (a major or perfect interval) by a semitone (Collins English Dictionary 107) Almost everything associated with Robert Johnson has been subject to some form of augmentation. His talent as a musician and songwriter has been embroidered by myth-making. Johnson’s few remaining artefacts—his photographic images, his grave site, other physical records of his existence—have attained the status of reliquary. Even the integrity of his forty-two surviving recordings is now challenged by audiophiles who posit they were musically and sonically augmented by speeding up—increasing the tempo and pitch. This article documents the promulgation of myth in the life and music of Robert Johnson. His disputed photographic images are cited as archetypal contested artefacts, augmented both by false claims and genuine new discoveries—some of which suggest Johnson’s cultural magnetism is so compelling that even items only tenuously connected to his work draw significant attention. Current challenges to the musical integrity of Johnson’s original recordings, that they were “augmented” in order to raise the tempo, are presented as exemplars of our on-going fascination with his life and work. Part literature review, part investigative history, it uses the phenomenon of augmentation as a prism to shed new light on this enigmatic figure. Johnson’s obscurity during his lifetime, and for twenty-three years after his demise in 1938, offered little indication of his future status as a musical legend: “As far as the evolution of black music goes, Robert Johnson was an extremely minor figure, and very little that happened in the decades following his death would have been affected if he had never played a note” (Wald, Escaping xv). Such anonymity allowed those who first wrote about his music to embrace and propagate the myths that grew around this troubled character and his apparently “supernatural” genius. Johnson’s first press notice, from a pseudonymous John Hammond writing in The New Masses in 1937, spoke of a mysterious character from “deepest Mississippi” who “makes Leadbelly sound like an accomplished poseur” (Prial 111). The following year Hammond eulogised the singer in profoundly romantic terms: “It still knocks me over when I think of how lucky it is that a talent like his ever found its way to phonograph records […] Johnson died last week at precisely the moment when Vocalion scouts finally reached him and told him that he was booked to appear at Carnegie Hall” (19). The visceral awe experienced by subsequent generations of Johnson aficionados seems inspired by the remarkable capacity of his recordings to transcend space and time, reaching far beyond their immediate intended audience. “Johnson’s music changed the way the world looked to me,” wrote Greil Marcus, “I could listen to nothing else for months.” The music’s impact originates, at least in part, from the ambiguity of its origins: “I have the feeling, at times, that the reason Johnson has remained so elusive is that no one has been willing to take him at his word” (27-8). Three decades later Bob Dylan expressed similar sentiments over seven detailed pages of Chronicles: From the first note the vibrations from the loudspeaker made my hair stand up … it felt like a ghost had come into the room, a fearsome apparition …When he sings about icicles hanging on a tree it gives me the chills, or about milk turning blue … it made me nauseous and I wondered how he did that … It’s hard to imagine sharecroppers or plantation field hands at hop joints, relating to songs like these. You have to wonder if Johnson was playing for an audience that only he could see, one off in the future. (282-4) Such ready invocation of the supernatural bears witness to the profundity and resilience of the “lost bluesman” as a romantic trope. Barry Lee Pearson and Bill McCulloch have produced a painstaking genealogy of such a-historical misrepresentation. Early contributors include Rudi Blesch, Samuel B Charters, Frank Driggs’ liner notes for Johnson’s King of the Delta Blues Singers collection, and critic Pete Welding’s prolific 1960s output. Even comparatively recent researchers who ostensibly sought to demystify the legend couldn’t help but embellish the narrative. “It is undeniable that Johnson was fascinated with and probably obsessed by supernatural imagery,” asserted Robert Palmer (127). For Peter Guralnick his best songs articulate “the debt that must be paid for art and the Faustian bargain that Johnson sees at its core” (43). Contemporary scholarship from Pearson and McCulloch, James Banninghof, Charles Ford, and Elijah Wald has scrutinised Johnson’s life and work on a more evidential basis. This process has been likened to assembling a complicated jigsaw where half the pieces are missing: The Mississippi Delta has been practically turned upside down in the search for records of Robert Johnson. So far only marriage application signatures, two photos, a death certificate, a disputed death note, a few scattered school documents and conflicting oral histories of the man exist. Nothing more. (Graves 47) Such material is scrappy and unreliable. Johnson’s marriage licenses and his school records suggest contradictory dates of birth (Freeland 49). His death certificate mistakes his age—we now know that Johnson inadvertently founded another rock myth, the “27 Club” which includes fellow guitarists Brian Jones, Jimi Hendrix and Kurt Cobain (Wolkewitz et al., Segalstad and Hunter)—and incorrectly states he was single when he was twice widowed. A second contemporary research strand focuses on the mythmaking process itself. For Eric Rothenbuhler the appeal of Johnson’s recordings lies in his unique “for-the-record” aesthetic, that foreshadowed playing and song writing standards not widely realised until the 1960s. For Patricia Schroeder Johnson’s legend reveals far more about the story-tellers than it does the source—which over time has become “an empty center around which multiple interpretations, assorted viewpoints, and a variety of discourses swirl” (3). Some accounts of Johnson’s life seem entirely coloured by their authors’ cultural preconceptions. The most enduring myth, Johnson’s “crossroads” encounter with the Devil, is commonly redrawn according to the predilections of those telling the tale. That this story really belongs to bluesman Tommy Johnson has been known for over four decades (Evans 22), yet it was mistakenly attributed to Robert as recently as 1999 in French blues magazine Soul Bag (Pearson and McCulloch 92-3). Such errors are, thankfully, becoming less common. While the movie Crossroads (1986) brazenly appropriated Tommy’s story, the young walking bluesman in Oh, Brother, Where Art Thou? (2000) faithfully proclaims his authentic identity: “Thanks for the lift, sir. My name's Tommy. Tommy Johnson […] I had to be at that crossroads last midnight. Sell my soul to the devil.” Nevertheless the “supernatural” constituent of Johnson’s legend remains an irresistible framing device. It inspired evocative footage in Peter Meyer’s Can’t You Hear the Wind Howl? The Life and Music of Robert Johnson (1998). Even the liner notes to the definitive Sony Music Robert Johnson: The Centennial Edition celebrate and reclaim his myth: nothing about this musician is more famous than the word-of-mouth accounts of him selling his soul to the devil at a midnight crossroads in exchange for his singular mastery of blues guitar. It has become fashionable to downplay or dismiss this account nowadays, but the most likely source of the tale is Johnson himself, and the best efforts of scholars to present this artist in ordinary, human terms have done little to cut through the mystique and mystery that surround him. Repackaged versions of Johnson’s recordings became available via Amazon.co.uk and Spotify when they fell out of copyright in the United Kingdom. Predictable titles such as Contracted to the Devil, Hellbound, Me and the Devil Blues, and Up Jumped the Devil along with their distinctive “crossroads” artwork continue to demonstrate the durability of this myth [1]. Ironically, Johnson’s recordings were made during an era when one-off exhibited artworks (such as his individual performances of music) first became reproducible products. Walter Benjamin famously described the impact of this development: that which withers in the age of mechanical reproduction is the aura of the work of art […] the technique of reproduction detaches the reproduced object from the domain of tradition. By making many reproductions it substitutes a plurality of copies for a unique existence. (7) Marybeth Hamilton drew on Benjamin in her exploration of white folklorists’ efforts to document authentic pre-modern blues culture. Such individuals sought to preserve the intensity of the uncorrupted and untutored black voice before its authenticity and uniqueness could be tarnished by widespread mechanical reproduction. Two artefacts central to Johnson’s myth, his photographs and his recorded output, will now be considered in that context. In 1973 researcher Stephen LaVere located two pictures in the possession of his half–sister Carrie Thompson. The first, a cheap “dime store” self portrait taken in the equivalent of a modern photo booth, shows Johnson around a year into his life as a walking bluesman. The second, taken in the Hooks Bros. studio in Beale Street, Memphis, portrays a dapper and smiling musician on the eve of his short career as a Vocalion recording artist [2]. Neither was published for over a decade after their “discovery” due to fears of litigation from a competing researcher. A third photograph remains unpublished, still owned by Johnson’s family: The man has short nappy hair; he is slight, one foot is raised, and he is up on his toes as though stretching for height. There is a sharp crease in his pants, and a handkerchief protrudes from his breast pocket […] His eyes are deep-set, reserved, and his expression forms a half-smile, there seems to be a gentleness about him, his fingers are extraordinarily long and delicate, his head is tilted to one side. (Guralnick 67) Recently a fourth portrait appeared, seemingly out of nowhere, in Vanity Fair. Vintage guitar seller Steven Schein discovered a sepia photograph labelled “Old Snapshot Blues Guitar B. B. King???” [sic] while browsing Ebay and purchased it for $2,200. Johnson’s son positively identified the image, and a Houston Police Department forensic artist employed face recognition technology to confirm that “all the features are consistent if not identical” (DiGiacomo 2008). The provenance of this photograph remains disputed, however. Johnson’s guitar appears overly distressed for what would at the time be a new model, while his clothes reflect an inappropriate style for the period (Graves). Another contested “Johnson” image found on four seconds of silent film showed a walking bluesman playing outside a small town cinema in Ruleville, Mississippi. It inspired Bob Dylan to wax lyrical in Chronicles: “You can see that really is Robert Johnson, has to be – couldn’t be anyone else. He’s playing with huge, spiderlike hands and they magically move over the strings of his guitar” (287). However it had already been proved that this figure couldn’t be Johnson, because the background movie poster shows a film released three years after the musician’s death. The temptation to wish such items genuine is clearly a difficult one to overcome: “even things that might have been Robert Johnson now leave an afterglow” (Schroeder 154, my italics). Johnson’s recordings, so carefully preserved by Hammond and other researchers, might offer tangible and inviolate primary source material. Yet these also now face a serious challenge: they run too rapidly by a factor of up to 15 per cent (Gibbens; Wilde). Speeding up music allowed early producers to increase a song’s vibrancy and fit longer takes on to their restricted media. By slowing the recording tempo, master discs provided a “mother” print that would cause all subsequent pressings to play unnaturally quickly when reproduced. Robert Johnson worked for half a decade as a walking blues musician without restrictions on the length of his songs before recording with producer Don Law and engineer Vincent Liebler in San Antonio (1936) and Dallas (1937). Longer compositions were reworked for these sessions, re-arranging and edited out verses (Wald, Escaping). It is also conceivable that they were purposefully, or even accidentally, sped up. (The tempo consistency of machines used in early field recordings across the South has often been questioned, as many played too fast or slow (Morris).) Slowed-down versions of Johnson’s songs from contributors such as Angus Blackthorne and Ron Talley now proliferate on YouTube. The debate has fuelled detailed discussion in online blogs, where some contributors to specialist audio technology forums have attempted to decode a faintly detectable background hum using spectrum analysers. If the frequency of the alternating current that powered Law and Liebler’s machine could be established at 50 or 60 Hz it might provide evidence of possible tempo variation. A peak at 51.4 Hz, one contributor argues, suggests “the recordings are 2.8 per cent fast, about half a semitone” (Blischke). Such “augmentation” has yet to be fully explored in academic literature. Graves describes the discussion as “compelling and intriguing” in his endnotes, concluding “there are many pros and cons to the argument and, indeed, many recordings over the years have been speeded up to make them seem livelier” (124). Wald ("Robert Johnson") provides a compelling and detailed counter-thesis on his website, although he does acknowledge inconsistencies in pitch among alternate master takes of some recordings. No-one who actually saw Robert Johnson perform ever called attention to potential discrepancies between the pitch of his natural and recorded voice. David “Honeyboy” Edwards, Robert Lockwood Jr. and Johnny Shines were all interviewed repeatedly by documentarians and researchers, but none ever raised the issue. Conversely Johnson’s former girlfriend Willie Mae Powell was visibly affected by the familiarity in his voice on hearing his recording of the tune Johnson wrote for her, “Love in Vain”, in Chris Hunt’s The Search for Robert Johnson (1991). Clues might also lie in the natural tonality of Johnson’s instrument. Delta bluesmen who shared Johnson’s repertoire and played slide guitar in his style commonly used a tuning of open G (D-G-D-G-B-G). Colloquially known as “Spanish” (Gordon 2002, 38-42) it offers a natural home key of G major for slide guitar. We might therefore expect Johnson’s recordings to revolve around the tonic (G) or its dominant (D) -however almost all of his songs are a full tone higher, in the key of A or its dominant E. (The only exceptions are “They’re Red Hot” and “From Four Till Late” in C, and “Love in Vain” in G.) A pitch increase such as this might be consistent with an increase in the speed of these recordings. Although an alternative explanation might be that Johnson tuned his strings particularly tightly, which would benefit his slide playing but also make fingering notes and chords less comfortable. Yet another is that he used a capo to raise the key of his instrument and was capable of performing difficult lead parts in relatively high fret positions on the neck of an acoustic guitar. This is accepted by Scott Ainslie and Dave Whitehill in their authoritative volume of transcriptions At the Crossroads (11). The photo booth self portrait of Johnson also clearly shows a capo at the second fret—which would indeed raise open G to open A (in concert pitch). The most persuasive reasoning against speed tampering runs parallel to the argument laid out earlier in this piece, previous iterations of the Johnson myth have superimposed their own circumstances and ignored the context and reality of the protagonist’s lived experience. As Wald argues, our assumptions of what we think Johnson ought to sound like have little bearing on what he actually sounded like. It is a compelling point. When Son House, Skip James, Bukka White, and other surviving bluesmen were “rediscovered” during the 1960s urban folk revival of North America and Europe they were old men with deep and resonant voices. Johnson’s falsetto vocalisations do not, therefore, accord with the commonly accepted sound of an authentic blues artist. Yet Johnson was in his mid-twenties in 1936 and 1937; a young man heavily influenced by the success of other high pitched male blues singers of his era. people argue that what is better about the sound is that the slower, lower Johnson sounds more like Son House. Now, House was a major influence on Johnson, but by the time Johnson recorded he was not trying to sound like House—an older player who had been unsuccessful on records—but rather like Leroy Carr, Casey Bill Weldon, Kokomo Arnold, Lonnie Johnson, and Peetie Wheatstraw, who were the big blues recording stars in the mid–1930s, and whose vocal styles he imitated on most of his records. (For example, the ooh-well-well falsetto yodel he often used was imitated from Wheatstraw and Weldon.) These singers tended to have higher, smoother voices than House—exactly the sound that Johnson seems to have been going for, and that the House fans dislike. So their whole argument is based on the fact that they prefer the older Delta sound to the mainstream popular blues sound of the 1930s—or, to put it differently, that their tastes are different from Johnson’s own tastes at the moment he was recording. (Wald, "Robert Johnson") Few media can capture an audible moment entirely accurately, and the idea of engineering a faithful reproduction of an original performance is also only one element of the rationale for any recording. Commercial engineers often aim to represent the emotion of a musical moment, rather than its totality. John and Alan Lomax may have worked as documentarians, preserving sound as faithfully as possible for the benefit of future generations on behalf of the Library of Congress. Law and Liebler, however, were producing exciting and profitable commercial products for a financial gain. Paradoxically, then, whatever the “real” Robert Johnson sounded like (deeper voice, no mesmeric falsetto, not such an extraordinarily adept guitar player, never met the Devil … and so on) the mythical figure who “sold his soul at the crossroads” and shipped millions of albums after his death may, on that basis, be equally as authentic as the original. Schroeder draws on Mikhail Bakhtin to comment on such vacant yet hotly contested spaces around the Johnson myth. For Bakhtin, literary texts are ascribed new meanings by consecutive generations as they absorb and respond to them. Every age re–accentuates in its own way the works of its most immediate past. The historical life of classic works is in fact the uninterrupted process of their social and ideological re–accentuation [of] ever newer aspects of meaning; their semantic content literally continues to grow, to further create out of itself. (421) In this respect Johnson’s legend is a “classic work”, entirely removed from its historical life, a free floating form re-contextualised and reinterpreted by successive generations in order to make sense of their own cultural predilections (Schroeder 57). As Graves observes, “since Robert Johnson’s death there has seemed to be a mathematical equation of sorts at play: the less truth we have, the more myth we get” (113). The threads connecting his real and mythical identity seem so comprehensively intertwined that only the most assiduous scholars are capable of disentanglement. Johnson’s life and work seem destined to remain augmented and contested for as long as people want to play guitar, and others want to listen to them. Notes[1] Actually the dominant theme of Johnson’s songs is not “the supernatural” it is his inveterate womanising. Almost all Johnson’s lyrics employ creative metaphors to depict troubled relationships. Some even include vivid images of domestic abuse. In “Stop Breakin’ Down Blues” a woman threatens him with a gun. In “32–20 Blues” he discusses the most effective calibre of weapon to shoot his partner and “cut her half in two.” In “Me and the Devil Blues” Johnson promises “to beat my woman until I get satisfied”. However in The Lady and Mrs Johnson five-time W. C. Handy award winner Rory Block re-wrote these words to befit her own cultural agenda, inverting the original sentiment as: “I got to love my baby ‘til I get satisfied”.[2] The Gibson L-1 guitar featured in Johnson’s Hooks Bros. portrait briefly became another contested artefact when it appeared in the catalogue of a New York State memorabilia dealership in 2006 with an asking price of $6,000,000. The Australian owner had apparently purchased the instrument forty years earlier under the impression it was bona fide, although photographic comparison technology showed that it couldn’t be genuine and the item was withdrawn. “Had it been real, I would have been able to sell it several times over,” Gary Zimet from MIT Memorabilia told me in an interview for Guitarist Magazine at the time, “a unique item like that will only ever increase in value” (Stewart 2010). References Ainslie, Scott, and Dave Whitehall. Robert Johnson: At the Crossroads – The Authoritative Guitar Transcriptions. Milwaukee: Hal Leonard Publishing, 1992. Bakhtin, Mikhail M. The Dialogic Imagination. Austin: University of Texas Press, 1982. Banks, Russell. “The Devil and Robert Johnson – Robert Johnson: The Complete Recordings.” The New Republic 204.17 (1991): 27-30. Banninghof, James. “Some Ramblings on Robert Johnson’s Mind: Critical Analysis and Aesthetic in Delta Blues.” American Music 15/2 (1997): 137-158. Benjamin, Walter. The Work of Art in the Age of Mechanical Reproduction. London: Penguin, 2008. Blackthorne, Angus. “Robert Johnson Slowed Down.” YouTube.com 2011. 1 Aug. 2013 ‹http://www.youtube.com/user/ANGUSBLACKTHORN?feature=watch›. Blesh, Rudi. Shining Trumpets: A History of Jazz. New York: Knopf, 1946. Blischke, Michael. “Slowing Down Robert Johnson.” The Straight Dope 2008. 1 Aug. 2013 ‹http://boards.straightdope.com/sdmb/showthread.php?t=461601›. Block, Rory. The Lady and Mrs Johnson. Rykodisc 10872, 2006. Charters, Samuel. The Country Blues. New York: De Capo Press, 1959. Collins UK. Collins English Dictionary. Glasgow: Harper Collins Publishers, 2010. DiGiacomo, Frank. “A Disputed Robert Johnson Photo Gets the C.S.I. Treatment.” Vanity Fair 2008. 1 Aug. 2013 ‹http://www.vanityfair.com/online/daily/2008/10/a-disputed-robert-johnson-photo-gets-the-csi-treatment›. 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Crossroads: The Life and Afterlife of Blues Legend Robert Johnson. Spokane: Demers Books, 2008. Guralnick, Peter. Searching for Robert Johnson: The Life and Legend of the "King of the Delta Blues Singers". London: Plume, 1998. Hamilton, Marybeth. In Search of the Blues: Black Voices, White Visions. London: Jonathan Cape, 2007. Hammond, John. From Spirituals to Swing (Dedicated to Bessie Smith). New York: The New Masses, 1938. Johnson, Robert. “Hellbound.” Amazon.co.uk 2011. 1 Aug. 2013 ‹http://www.amazon.co.uk/Hellbound/dp/B0063S8Y4C/ref=sr_1_cc_2?s=aps&ie=UTF8&qid=1376605065&sr=1-2-catcorr&keywords=robert+johnson+hellbound›. ———. “Contracted to the Devil.” Amazon.co.uk 2002. 1 Aug. 2013. ‹http://www.amazon.co.uk/Contracted-The-Devil-Robert-Johnson/dp/B00006F1L4/ref=sr_1_cc_1?s=aps&ie=UTF8&qid=1376830351&sr=1-1-catcorr&keywords=Contracted+to+The+Devil›. ———. King of the Delta Blues Singers. 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