Tesi sul tema "Bachelors – Poetry"
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Ahrfeldt, Cecilia. "Space and Infelicitous Place in the Poetry of Sylvia Plath". Thesis, Stockholms universitet, Engelska institutionen, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-62615.
Testo completoSavige, Jaya. "Latecomers ; [Reflections on the poetry of Michael Dransfield : Bachelard & Courland Penders] ] /". [St. Lucia, Qld.], 2006. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19113.pdf.
Testo completoJäger, Klaus. "Die Phänomenologie der poetischen Imagination bei Gaston Bachelard". Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2008. http://d-nb.info/992585635/04.
Testo completoYu, So-phann. "A home fantasy Gaston Bachelard's space consciousness and Yu Guangzhong's poetry = Jia de xia xiang : Bashenla de kong jian yi shi yu Yu Guangzhong de shi /". Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B41004607.
Testo completoRahija, Robin L. "House of Women". UKnowledge, 2016. http://uknowledge.uky.edu/english_etds/43.
Testo completoAlison, Aurorarosa. "Science et poétique de l'espace chez Gaston Bachelard". Thesis, Lyon 3, 2014. http://www.theses.fr/2014LYO30026/document.
Testo completoIs it possible today to speak of the philosophy of space compared to the thought of GastonBachelard ? Divided between science and imagination , all his work has a clear demarcationbetween the axes of knowledge , reason , rationality, and the axes of the poetic imagination ,imagination and material imagination. The conceptual framework of this research lies in the greatdialectic Bachelard , who plays a mediating role and link between the world of science and theimages. The space can be a practical and theoretical representation of this permanent dialectization .Space is a continuous link between the axes of an imaginary geometry and intimate topologies ofthe soul and that is why the search for a categorical space in the work of Gaston Bachelard isdivided into three parts demonstrate : the first is to highlight the presence of the space, in allBachelardian work , the second passage part in which a strong dialectization consists of a rich basicconnections and between connections and large small , up and down , in and out , and the thirdpassage opens on the news where the design philosophy of Bachelardian space, composed ofrelations between dialectics relates to modern and contemporary architecture
Pariser, Lili. "A Poetics of Space: Opening Up a World Through Vessel Metaphors in Modern and Contemporary Poetry". Oberlin College Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1337099353.
Testo completoLamy, Julien. "Le pluralisme cohérent de la philosophie de Gaston Bachelard". Thesis, Lyon 3, 2014. http://www.theses.fr/2014LYO30061.
Testo completoThe philosophical significance of the works of Bachelard is generally contained within a simple, two-Fold speciality, science and poetry. Although the double specificity of the work is evident, it often leads to a vulgate which obscures the richness and complexity of the works to such an extent that it is just simpler to speak of the philosophy of Bachelard in the singular. Is it relevant to uphold the theory that Bachelard develops a philosophy in the true sense of the word, whereas the normal interpretation of his works reduces them to a reflection on rationality and imaginary? How can one defend the idea that an integral philosophy exists in the works of Bachelard, which is developed from his regional research, but which exceeds the disciplinary framework of epistemology and the poetic to experiment "adventurous ideas" and more audacious suppositions? We believe we need to re-Evaluate the theories of Bachelard and to grant him a place of honour in twentieth century French philosophy. We undertake this re-Evaluation by proposing the reconstruction of the pluralist philosophy of Bachelard, on the basis of an overall interpretation of his work and a reading of the whole corpus. We therefore defend the thesis whereby the philosophy of Bachelard, both theoretical and practical, is a coherent pluralism, with psychological, ontological and axiological implications, so that the pluralism of Bachelard unfolds around not only a conception of the mind (Part I), of the "being-In-The-World" and concepts of existence (Part II), but also perfectionism in leading the good life, within the scope of a complete anthropology (Part III)
Borba, Sônia Mariz. "A TRANSCENDÊNCIA POÉTICA EM GILBERTO MENDONÇA TELES SOB A PERSPECTIVA DE GASTON BACHELARD". Pontifícia Universidade Católica de Goiás, 2014. http://localhost:8080/tede/handle/tede/3208.
Testo completoThis dissertation proposes a study of the lyric from Gilberto Mendonça Teles and has the goal of show the importance of image and imagination in the creative process of his lyric below the point of view of phenomenology of Gaston Bachelard . For this phenomenologist the poetic image is a new being of language that deeply enlightens our conscience, making the literary creation one of the destinations of the word. This makes the poet is seen as a special issuer, whom diction opens a future of language. The poetic image is established as a kind of valve that releases the perception and provides deep dazzle to the reader, for it is through the imagination that our souvenirs are rebuilt in discontinuous and lacunar temporal movements, providing us,through the work of art, the insertion in the creative moment of revival.The necessary theoretical basis for this work was also based on studies of lyrical from Octavio Paz, which deals with significant multiple faces of the poetic word. These studies assumed a gloomy and unprecedented universe in which the unpredictable meanings are established in the interstices between words. Thus, we seek to show the poetic transcendence in lyric of Gilberto Mendonça Teles, from reverie and expressive power of images that allow the poet a dilation of the semantics of the words, so that they are able to reveal the essence of the lyric voice transformed into language.
Esta dissertação propõe um estudo da lírica de Gilberto Mendonça Teles e tem como objetivo mostrar a importância da imagem e da imaginação no processo criativo de sua lírica sob o ponto de vista da fenomenologia de Gaston Bachelard. Para esse fenomenólogo, a imagem poética é um novo ser da linguagem que ilumina profundamente a nossa consciência, tornando a criação literária um dos destinos da palavra. Isso faz com que o poeta seja visto como um emissor especial, em quem a dicção abre um porvir da linguagem. A imagem poética instaura-se como uma espécie de válvula que libera a percepção e propicia um profundo encantamento ao leitor, pois é pela imaginação que as nossas recordações são reconstruídas nos descontínuos e lacunares movimentos temporais, proporcionando-nos, por meio da obra de arte, a inserção nos instantes criativos da revivência. A fundamentação teórica necessária para a realização deste trabalho baseou-se também nos estudos sobre a lírica de Octavio Paz, que trata da plurifacialidade significativa da palavra poética. Esses estudos pressupõem um universo sombrio e inaudito em que os significados imprevisíveis instauram-se nos interstícios das palavras. Assim, buscamos mostrar a transcendência poética na lírica de Gilberto Mendonça Teles, a partir dos devaneios e da força expressiva de imagens que possibilitam ao poeta uma dilatação da semântica das palavras, para que elas sejam capazes de revelar a essência da voz lírica transformada em linguagem.
Lima, Leila Maria Alves de. "A CONSTRUÇÃO DA IMAGÉTICA EM YÊDA SCHMALTZ SOB A PERSPECTIVA DE GASTON BACHELARD". Pontifícia Universidade Católica de Goiás, 2009. http://localhost:8080/tede/handle/tede/3276.
Testo completoTo present dissertation it integrates a glance of the group of Yêda Schmaltz's poetry, writer goiana of having recognized path, in a reading that approaches the discursive and thematic formation of the construction of the imagery established schmaltziana starting from poetic dreams. The necessary theoretical fundamentação for the accomplishment of this work specifically based on Gaston Bachelard in his/her poetic of the dream. Tends in view the shortage of studies that you/they contributed with a new one to look on the deed schmaltziana that analysis became necessary and pertinent, since his/her critical fortune is quite reduced. In that way, the work is configured as being one of the possible glances on the text schmaltziano, without having the pretension of a vision totalizing
A presente dissertação integra um olhar do conjunto da poesia de Yêda Schmaltz, escritora goiana de reconhecida trajetória, numa leitura que aborda a formação discursiva e temática da construção da imagética schmaltziana estabelecida a partir de devaneios poéticos. A fundamentação teórica necessária para a realização deste trabalho baseou-se especificamente em Gaston Bachelard em sua poética do devaneio. Tendo em vista a escassez de estudos que contribuíssem com um novo olhar sobre a escritura schmaltziana essa análise tornou-se necessária e pertinente, já que sua fortuna crítica é bastante reduzida. Dessa forma, o trabalho configura-se como sendo um dos possíveis olhares sobre o texto schmaltziano, sem ter a pretensão de uma visão totalizadora.
Straight, Kelly L. "Kitchen Space, Cauldron Calling: Origins of Psychic Shells and the Poetry of Pain". CSUSB ScholarWorks, 2014. https://scholarworks.lib.csusb.edu/etd/50.
Testo completoFernandes, Aglaé Maria Araújo. "Palavras navegáveis: um estudo da poética de Lúcio Lins". Universidade Federal da Paraíba, 2003. http://tede.biblioteca.ufpb.br:8080/handle/tede/9788.
Testo completoMade available in DSpace on 2018-04-06T18:21:15Z (GMT). No. of bitstreams: 1 Arquivototal.pdf: 20315402 bytes, checksum: 91e1ec171375ce7e0dae29251cc7be61 (MD5) Previous issue date: 2003-05-01
Starting with a survey of the most recurrent technical and stylistic procedures in Lúcio Lins, poetic work, this research point at its main characteristics, namely: antithetical constructions, transtextual relations and na isotopy of navigation. Based on this isotopy, and in the light of a Gaston Bachelard´s ideas about the poetic text, and, at the same time, enchances the metapoetic meaning which concentrates on the investigation of the element that constitute the material imagination of Líns poetics: the water.
A partir do levantamento dos procedimentos técnico-estilístico mais recorrente na obra de Lúcio Lins, essa pesquisa aponta as principais características dessa poética, a saber: as construções fundadas em duplo (dois elementos antitético), as relações transtextuais e a isotopia da navegação. Apoiadas nessa isotopia da navegação, e à luz da fenomenologia da imaginação, as leituras dos poemas Diante d´El Rei - fala dos dez náufragos, Maria das Águas e História Flutuante revelam a pertinência das idéias formuladas por Gaston Bachelard acerca do texto poético, ao mesmo tempo em que destacam o sentido metapoético que se concentra na investigação do elemento da imaginação material dessa poética, a água.
Mickala, Cyrille. "Habiter : sciences, phénoménologie et herméneutique à partir de Gaston Bachelard et Maurice Merleau-Ponty". Thesis, Lyon 3, 2014. http://www.theses.fr/2014LYO30030.
Testo completoIs it still possible to inhabitate and live the laid out and constructed space in particular, as for considering the techno and industrial flood that determines and influences the field of modern architecture? Rationalism and functionalism of a given trend of modern architecture by incorporating techno and industrial progress in the world of home, seems to condemn the experience of living in an irreversible crisis. The architectural activity wanting to meet scientific and techno-industrial progress, it requires practical experience in home and prescientific places of life, of living standards arising from the only reason. It is a general an architecture and a modern, abstract and functionalist urbanism that develop along the path of rational objectivity initiated by Galileo and Descartes, they control , manage and aestheticize the whole world and all human experience to space by stripping poetic , mythological and emotional considerations. Thus, the construction of human institutions housing becomes in identifying the crisis of living a «prosaic and technological process deriving directly from the mathematical reason, a functional diagram, or a rule of formal suits «in drawback of the concrete experience of living. But if the architecture does not matter to itself, if it is not a practice that is an end in itself because it opens to another, how can we still philosophically hope to authentically, originally and poetically live the world and the space of the house in particular? Philosophy, by phenomenological and hermeneutic approach inheritated from Gaston Bachelard and Merleau-Ponty presents to the modern experience of living, original significant ways that respond to the crisis it faces. Renewing differently more than the only purely rational knowledge the relations of man to the space, it presents itself as a remarkable way of re- understanding, rereading and re-enchantment of the original experience of inhabitating the world , the city and the space of the house
Eva, Stenskär. "The Bee & the Crown : The Road to Ascension in the Poetry of Emily Dickinson and Sylvia Plath". Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur (from 2013), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-84936.
Testo completoMarais, Lodewikus Stefanus. "Die huis as betekenisvolle ruimte in enkele Afrikaanse gedigte, met spesifieke verwysing na die bewoningsfilosofiee van Heidegger, Bolnow en Bachelard en Vierluik". Thesis, Stellenbosch : Stellenbosch University, 2008. http://hdl.handle.net/10019.1/86862.
Testo completoENGLISH ABSTRACT: The first section of this thesis aims at creating a reading strategy for the analysis of poetry thematically concerned with habitation and the space of the house. Selected Afrikaans poems, forming part of a newer house-poetry that breaks away from the idyllic, genial representation of the house in earlier Afrikaans poetry, are examined. The theoretical equipment utilised in this examination is the habitation philosophies of Martin Heidegger, Otto Friedrich Bollnow and Gustav Bachelard. Various related insights in the work of these philosophers are developed into a three-tiered model for the interpretation of house poetry. Supplementing the abovementioned framework is the socio-historical work of Joseph Rykwert and Ton Lemaire. Both these theorists explore the close connection between the space of the house and the realisation of mortality and transience. The application of the philosophical model facilitates, on the micro level of image and word choice, a fresh understanding of the selected poems, as well as a wider philosophical contextualisation of their thematic content. The reading strategy and the application thereof could also provide the means with which a new philosophical scrutiny of Afrikaans house-poetry can be achieved. The abovementioned formal essay is presented as coupled with a collection of original Afrikaans poems, entitled Vierluik, the creative section of this thesis. Vierluik examines, among other things, aspects of habitation in city, town and countryside, and reflects on descent, rootedness, displacement and the interconnection of space and identity.
AFRIKAANSE OPSOMMING: Die eerste gedeelte van hierdie tesis het as doel die daarstelling van ’n leesstrategie waarmee poësie wat tematies oor die huisruimte en bewoning handel, ondersoek kan word. Geselekteerde Afrikaanse gedigte, wat deel vorm van ’n nuwer huispoësie wat sedert die sestigerjare wegbreek van die idilliese, gemoedelike uitbeelding van die huis in vroeër Afrikaanse gedigte, word ondersoek. Die teoretiese apparatuur wat in hierdie ondersoek aangewend word, is die bewoningsfilosofieë van Martin Heidegger, Otto Friedrich Bollnow en Gustav Bachelard. Verskeie verbandhoudende insigte in die werk van hierdie denkers word ontwikkel tot ’n drieledige interpretasiemodel vir huispoësie. Hierby dien as aanvulling die kultuur-historiese werk van Joseph Rykwert en Ton Lemaire, waarin die noue band tussen die huisruimte en die doods- of verganklikheidsbesef uitgewerk word. Die toepassing van hierdie filosofiese begripsapparatuur fasiliteer op die mikrovlak van beelde en woordkeuse ’n vars verstaan van die vyf geselekteerde gedigte, asook ’n breër filosofiese kontekstualisering van hulle tematiese inhoud. Die leesstrategie en toepassings sou ook ’n filosofiese oopdek van die huispoësie in Afrikaans kon bemiddel. Hierdie akademiese gedeelte dien verder as ’n verbandhoudende oefening by die kreatiewe gedeelte van die tesis, naamlik ’n digbundel, Vierluik. Die bundel ondersoek, onder andere, aspekte van bewoning in stad, dorp en platteland, en bied ’n besinning aan oor herkoms, geworteldheid, verplasing en die verweefdheid van ruimte en identiteit.
Viallet-Fournier, Marie-George. "Genèse et destin : pour une conception dynamogénique des mythes". Thesis, Dijon, 2012. http://www.theses.fr/2012DIJOL036/document.
Testo completoIf the myth has become today an unavoidable fact to understand the human soul and its different forms of expression, it remains, however, ambiguous and hardly conceptualizing. Indeed, the myth is at once understood as a fictitious narrative which isn’t based on any in-depth reality, but also as a real and highly significant discourse. In order to underline the philosophical meaning of our work, we have begun by assert the myth problem such as it evolves in the European thought. The myth is badly affected by a too long history; it has been divided between rationalism and romanticism. Then, we have questioned other civilizations – Fon from Dahomey, Benin – for whose myth represents all the human being must know and understand to become established in existing. They show us an authentic myth, alive, indivisible from a magical-religious body language. Thus, the real meaning of myth is not in our books, in Homere or Hésiode, but in the real life of humans. It is, first of all, evolved by the original societies, by human groups which lived for it and by it, before being written, classified, interpreted and re-interpreted. It would seem, in this regard, that Gaston Bachelard, at once poet and epistemologist, took interest in myth. He reveals us an original reflection, free and open which gives us another image. He asserts the problem of the myth itself, at the heart of writing and, as a rich reader, he lays the basis of a new myth-analysis. The understanding of the myth seems for u unavoidable today because our civilization has cut off, irreparably, between the information brought by images and those brought by the writing systems. This fracture is, no doubt, the reason of this serious spiritual crisis we pass on. The myth seems, in this regard, salutary: it renews us directly towards the great principles of the creation, creation of the world or poetic creation, it re-enchants the world
Al, Ali Salam. "L’imaginaire et l’élément de l’eau dans le texte baroque (1580-1640) : Structures, motifs, rôles et valeurs". Thesis, Bourgogne Franche-Comté, 2017. http://www.theses.fr/2017UBFCH015/document.
Testo completoThe imbalance and the chaos in which Baroque man lived, changed his vision of his entourage and at the same time they excluded the gratuitousness of his actions. His fascinations are messages to be deciphered, his rejections and attachments represent revealing clues and testimonials. Our study tries to explain the reasons of the fascination of the baroque generation for the liquid element through the examination of the imaginary of its aspects in the baroque work. The imaginary or what Gilbert Durand calls "thought capital" of man is a hybrid organism, several factors participate in its structuring therefore its examination requires an interdisciplinary approach. Through cognitive science, that represent the future of research on the imagination according to Philippe Walter, this study tries to illuminate the Baroque Imagination through the examination of the value the element of water in the works published between 1580 and 1640. Our work uses four of the six cognitive sciences which are designated by Georges A. Miller and which establish interdisciplinary fields through their correlations. To explore the representations of this element with the Anthropology, philosophy, psychology, and linguistics are indispensable to the objective of offering them causal explanations. The baroque imagination is reconstituted in our work by combining these sciences with the disciplines of the history of art, literary criticism, folklore, ethnology, mythology, sociology, and the history of religions. Our work examines one of the aspects of nature in the baroque work. Through our analyzes we try to trace the being and the existence of baroque man through the manifestations of one of their components in the work of the latter. The element of water which is this component and it represents one of the aspects of nature. The problematic in our work is composed of a component that deals with the value of the element of water in the baroque work. The second part aims to prove that the 7 examination of the imaginary represents a tool that helps to identify the reliefs of a baroque text and a text with a similar structure with the latter, that is to say an incoherent structure and complex. Our research proposes a reading for the imaginary of the material in the literary text. Our study would like to demonstrate that distant and interactive examination of human acts and his works serves to identify their explanations; and that the examination of the imaginary of a work which represents an act of the imaginary of man serves to identify its implicit and the reasons for its creation, and the psychology that dominated the circumstances of its production
Aiello, Christine. "Vers une poïétique de soi ou les enjeux d'une nouvelle interprétation de l'être : les possibilités et les limites du renouvellement de la Métaphysique de Kant à Bachelard". Phd thesis, Université de Bourgogne, 2012. http://tel.archives-ouvertes.fr/tel-00838056.
Testo completoGonçalves, Bruno Simões. "Na travessia da modernidade: imaginação poética e resistência na memória de caipiras em São Luís do Paraitinga". Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/17850.
Testo completoThe purpose of this essay is to investigate the existing tension between the tradition and the modernity within the caipira way of life, by using two basic and complementary methods: the bibliographic research and the field research. The theoretical basis is built on an approximation between the reflection on Brazilian modernity, by the sociologist José de Souza Martins, and the phenomenology of the imagination, by Gaston Bachelard. The field research took place in São Luís do Paraitinga and resulted in the conduction, transcription and analysis of four interviews, all included in this work. The choice of the research subjects, the issues of the interviews and the eventual use of those accounts have been based in the fundamentals of Oral History. The modern Brazilian consciousness is like a path in between two boundaries. Our double consciousness, divided between the modern and the traditional, results on the conjugation of the different life styles which got together to form our own identity. The modern Brazilian consciousness takes place in a game of power in which are summed up customs and values, that are rationalized and urbanocentrics , with the tribality and the rural magic universe. Logic and Poetic Imagination are seen here as symbols of these two distinct ways of being together with reality. This essay is an effort to reach the understanding of the fundamental dynamics existing within our culture, revealed through the subjectivity and the daily caipira style of living, as well as, to perceive how these dimensions are related basing on the so called great lines of History . Built in a direct interaction with some of the residents of São Luís do Paraitinga, these reflections are a way to not only built a brief critical analysis of reality but also to register words and gestures of the ones who, historically, had their voices silenced the women and men from the countryside
A presente dissertação tem como objetivo principal investigar a tensão existente entre tradição e modernidade no interior do modo de vida caipira, a partir de dois pilares básicos e complementares: a pesquisa bibliográfica e a pesquisa de campo. O aporte teórico teve como principal fundamento uma aproximação entre a reflexão sobre a modernidade brasileira feita pelo sociólogo José de Souza Martins e a fenomenologia da imaginação de Gaston Bachelard. Já a pesquisa de campo se desenvolveu no município vale-paraibano de São Luís do Paraitinga e resultou na realização, transcrição e análise de quatro entrevistas, todas incluídas nesta dissertação. A escolha dos sujeitos, as temáticas abordadas nesses encontros e o posterior manuseio das narrativas tiveram como base metodológica os fundamentos da História Oral. A consciência moderna brasileira é uma travessia entre duas margens. Dividida entre o moderno e o tradicional, nossa dupla consciência é uma reunião dos diferentes modos de vida que se mesclaram na formação de nossa identidade. Sobrepondo costumes e valores urbanocêntricos e racionalizados à tribalidade e ao universo rural e mágico que também a constituem, a consciência moderna brasileira se realiza nesse jogo de forças. Razão e imaginação poética aparecem então como símbolos desses dois modos distintos de estar junto à realidade. Esta pesquisa expressa a busca de um início de compreensão sobre como essa dinâmica fundamental de nossa cultura se revela na subjetividade e na vida cotidiana do caipira e como estas dimensões se relacionam na discussão das chamadas grandes linhas da História . Produzida em meio a um convívio direto com o município de São Luís do Paraitinga e parte de seus moradores, o conjunto de reflexões que compõem esta dissertação buscou não só tecer uma breve análise crítica da realidade pesquisada como também deixar registradas palavras e gestos daqueles que, historicamente, têm sua voz silenciada as mulheres e os homens do campo
Dang, Hyun sun. "Anthropologie culturelle de l'imaginaire coréen, l'apport de la méthodologie française". Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE3011.
Testo completoThe purpose of our investigation is the Korean imaginary, and more broadly the contribution of cultural anthropology illuminating social imaginary and Korean culture. Our methodology integrates the contribution of French philosophical and mythological studies of the 20th century, because they are the best ones to nourish our reflection and show in a new and complementary way the work already done in Korea. We can therefore show that Korean symbols are universal in scope. Our study material incorporates Korean literary work which comes from archetypical images. To analyze them, we will rely on the conceptions of symbolic imaginary thinking from G. Bachelard on symbolic images and on the anthropological of the imaginary elaborated by G. Durand. All the while describing scientific rationality, Bachelard valued the mental image, considering it as a creative force and not only as an epistemological obstacle. He evoked several “complexes” in his work on poetic imaginary in a conception close to that of C.G. Jung for whom the notion of complex does not amount to a psychic block but includes creativity. The Bachelardian idea of complex therefore does not demarcate from Freudian thinking on pansexuality. According to Durand, in The Anthropological Structures of the Imaginary (1960), the author elaborated a grammar of the imaginary by proposing thirty complexes that came to enrich those established by Bachelard, O. Rank, M. Bonaparte and C. Baudouin. For Durand, the notion of complex is similar to that of the mytheme, as the smallest unit of discourse mythically significant, that reveals a psychic symptom of the collective unconscious. Durand develops his methodology in his second period with two concepts: mythocriticism and mythanalysis. Mythocriticism is a method of literary criticism, or rather a method of literary studies, and mythanalysis is a method of socio-cultural analysis of the imaginary, the two complementing the other. Our exploration of the literary image from Antiquity to the start of the 20th century integrates myths, popular tales and legends, allowing us to determine the cultural identity of the Korean people and show its universality. The two axes that characterize Korean mythology are the foundation of the state and the shamanic myth (the narrative song of the shaman). For the first axis, the great work of Samguk Yusa (1283) remains essential as it relates two foundational myths, notably the myth of the foundation of the Kingdom of Kojosŏn and that of Koguryŏ. These two myths are references because their archetypal figures take the form of the mytheme of the bear and that of the egg and the divine feminine characters of Ungnyŏ and Yu-hwa in relationship to these mythemes. We observe their repetitions in ulterior epochs, notably in the stories of suffering endured by women. The story of Changhwa and Hongnyŏn are exemplary as they induce social facts of the Chosŏn Dynasty, which marks Korean society by making the female figure a scapegoat for masculine power in the Confusion patriarchal system. This motif appears in the story of the “Princess Pari” in the form of a Shamanic song but also in the story of “Sim Ch’ŏng” expressed in the form of shamanic rite, or the p’ansori, or the novel. Among folkloric songs, the most famous are those of Arirang or Sijipsarinorae which equally pick up on the same patterns of overcoming suffering through a particular and properly Korean feeling, the “han (恨)”. The Han has that distinction of being dynamic and contradictory as it is founded on a subtle dialectic that introduces a vital force against resignation, depression, and anxiety. The Han serves a societal regulatory function as a figure of imaginary symbolism and that appears as universal
Chiu, Chun-ta, e 邱俊達. "Toward the poetic space: On phenomenology of Gaston Bachelard''s The Poetics of Space". Thesis, 2009. http://ndltd.ncl.edu.tw/handle/5958mg.
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