Letteratura scientifica selezionata sul tema "Avant-garde (music)"
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Articoli di riviste sul tema "Avant-garde (music)"
GRAHAM, STEPHEN. "From Microphone to the Wire: Cultural change in 1970s and 1980s music writing". Twentieth-Century Music 16, n. 3 (30 aprile 2019): 531–55. http://dx.doi.org/10.1017/s1478572218000336.
Testo completoCalico. "Music in Avant-Garde Periodicals". Journal of Modern Periodical Studies 8, n. 2 (2018): 157. http://dx.doi.org/10.5325/jmodeperistud.8.2.0157.
Testo completoRedhead, Lauren. "THE AVANT GARDE AS EXFORM". Tempo 72, n. 286 (6 settembre 2018): 7–16. http://dx.doi.org/10.1017/s0040298218000311.
Testo completoMedić, Ivana. "The Impossible Avant-garde of Vladan Radovanović". Musicological Annual 55, n. 1 (20 giugno 2019): 157–76. http://dx.doi.org/10.4312/mz.55.1.157-176.
Testo completoLipták, Michal. "Body, Music and Electronics: Pierre Schaeffer and the Phenomenology of Music". Studia Universitatis Babeș-Bolyai Philosophia 67, n. 1 (5 aprile 2022): 45–74. http://dx.doi.org/10.24193/subbphil.2022.1.03.
Testo completoAtton, Chris. "Listening to ‘difficult albums’: specialist music fans and the popular avant-garde". Popular Music 31, n. 3 (ottobre 2012): 347–61. http://dx.doi.org/10.1017/s0261143012000281.
Testo completoMĂNĂILESCU, Sorana. "Versions of Post Avant-Garde Music". Bulletin of the Transilvania University of Braşov. Series VIII:Performing Arts 13(62), n. 1 (20 giugno 2020): 117–26. http://dx.doi.org/10.31926/but.pa.2020.13.62.1.13.
Testo completoPereverzeva, M. V. "The Works of Contemporary Composers in the Teaching Repertoire of the Music Institutions: Mastering Problem". Contemporary problems of social work 6, n. 4 (30 dicembre 2020): 29–35. http://dx.doi.org/10.17922/2412-5466-2020-6-4-29-35.
Testo completoFerguson, John R., e Andrew R. Brown. "Fostering a Post-Digital Avant-Garde: Research-led teaching of music technology". Organised Sound 21, n. 2 (30 giugno 2016): 127–37. http://dx.doi.org/10.1017/s1355771816000054.
Testo completoVasic, Aleksandar. "Serbian Literary Magazine and avant-garde music". Muzikologija, n. 5 (2005): 289–306. http://dx.doi.org/10.2298/muz0505289v.
Testo completoTesi sul tema "Avant-garde (music)"
Rievers, Henrique André Christiano. "Physiological Perspectives of Avant-garde Music". Doctoral thesis, Humboldt-Universität zu Berlin, 2021. http://edoc.hu-berlin.de/18452/24062.
Testo completoIt is our thesis that, even though the theatricalization of music is a crucial aspect of the Neue Musik – one that gain even more prominence on the post-1945 scenario –, it is also an expression of a corporeal turn in music. To speak of a corporeal turn in music also means an attempt to overcome a form of dualism. It is an attempt to unify music making and music perception. This is what will be attempted here. Through the works of avant-garde composers, an attempt to build an understanding of music perception in the context of a corporeal turn in music will be made. From the perception of the body and corporeity to the move from “listening” to “perceiving” and, finally, in the concept of the work of music as a phenomenal field, a physiological perception of the avant-garde will be developed.
Pitkin, Carissa. "Against Expression?: Avant-garde Aesthetics in Satie's "Parade"". University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1595499202615172.
Testo completoBerman, Nancy. "Primitivism and the Parisian avant-garde, 1910-1925". Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38149.
Testo completoFrench critics of Le Sacre viewed the work as a portrayal of Russian "Otherness" against which they could assert or question their own identity. Whereas the primitivism of Le Sacre was understood to be radical, excessive, even prophetic and apocalyptic, the primitivism of Les Noces was perceived as a manifestation of the classicist "call to order" and as an emblem of American-style mechanization. That it was also understood in terms of the post-war avant-garde's emphasis on classical ideals of austerity, dryness, and sobriety reflects the Purists' belief that machines heralded the new classicism.
Jazz was the ultimate symbol of both primitivism and modernity, and was initially hailed by the avant-garde as a revivifying source for the French tradition. In their attempt to neutralize the racial and political threats perceived to be inherent in jazz, the avant-garde emphasized its rationality, precision, and economy. La Creation du monde represents the avant-garde's complete assimilation of jazz and l'art negre into the French classical tradition.
Rievers, Henrique André Christiano [Verfasser]. "Physiological Perspectives of Avant-garde Music / Henrique André Christiano Rievers". Berlin : Humboldt-Universität zu Berlin, 2021. http://nbn-resolving.de/urn:nbn:de:kobv:11-110-18452/24062-8.
Testo completoMadrid-González, Alejandro Luis. "Writing modernist and avant-garde music in Mexico performativity, transculturation, and identity after the revolution, 1920-1930 /". Connect to this title online, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1054237342.
Testo completoTitle from first page of PDF file. Document formatted into pages; contains xv, 238 p.; also includes music, graphics Includes bibliographical references (p. 218-238). Available online via OhioLINK's ETD Center
Moroncini, Barbara Serena. "Experimental music after Los Angeles site, power, self, sound /". Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1706818091&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Testo completoSharp, Charles Michael. "Improvisation, identity and tradition experimental music communities in Los Angeles /". Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1779690111&sid=13&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Testo completoMing, Christina Tio Ee. "The Avant Garde and its 'others' orientalism in contemporary art music /". Thesis, Online version, 2000. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.364724.
Testo completoSacau-Ferreira, Enrique. "Performing a political shift : avant-garde music in Cold War Spain". Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:df601c57-c9f0-4320-9a3a-8493ecf1101a.
Testo completoMaslowiec, Anna. "Sonorism and the Polish Avant-Garde 1958-1966". Phd thesis, Sydney Conservatorium of Music, 2008. http://hdl.handle.net/2123/8205.
Testo completoLibri sul tema "Avant-garde (music)"
Duteurtre, Benoît. Requiem pour une avant-garde. Paris: R. Laffont, 1995.
Cerca il testo completoRobert, Adlington, a cura di. Otherwise engaged: Avant-garde music and the sixties. New York: Oxford University Press, 2008.
Cerca il testo completoDuteurtre, Benoît. Requiem pour une avant-garde: Essai. Paris: Les Belles Lettres, 2006.
Cerca il testo completoLarry, Austin, e Kahn Douglas 1951-, a cura di. Source: Music of the avant-garde, 1966-1973. Berkeley: University of California Press, 2011.
Cerca il testo completoLarry, Austin, e Kahn Douglas 1951-, a cura di. Source: Music of the avant-garde, 1966-1973. Berkeley: University of California Press, 2011.
Cerca il testo completoThe new music: The avant-garde since 1945. 2a ed. Oxford [Oxfordshire]: Oxford University Press, 1987.
Cerca il testo completoSitsky, Larry. Music of the repressed Russian avant-garde, 1900-1929. Westport, Conn: Greenwood Press, 1994.
Cerca il testo completoCohen, Brigid Maureen. Stefan Wolpe, music and the twentieth-century avant-garde. New York: Cambridge University Press, 2012.
Cerca il testo completoMayer, Günter. Musik-Avantgarde: Zur Dialektik von Vorhut und Nachhut ; eine Gedankensammlung für Günter Mayer zum 75. Geburtstag. Oldenburg: Bis-Verlag der Carl von Ossietzky Universität Oldenburg, 2006.
Cerca il testo completoGallo, Guadalupe. Gestionar, mezclar, habitar: Claves en los emprendimientos musicales contemporáneos. Ciudad Autónoma de Buenos Aires: Gorla, 2017.
Cerca il testo completoCapitoli di libri sul tema "Avant-garde (music)"
Braguinski, Nikita. "Avant-garde becomes pop's aide". In Mathematical Music, 103–10. London: Focal Press, 2022. http://dx.doi.org/10.4324/9781003229254-16.
Testo completoWarden, Claire. "Crossing Genres: Movement and Music". In British Avant-Garde Theatre, 147–75. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137020697_6.
Testo completoDorf, Samuel N., Heather MacLachlan e Julia Randel. "The Classical Avant-Garde". In Anthology to Accompany Gateways to Understanding Music, 425–26. New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003041542-54.
Testo completoČurda, Martin. "Music and avant-garde discourse in inter-war Czechoslovakia". In The Music of Pavel Haas, 29–55. New York: Routledge, 2020. | Series: Ashgate studies in theory and analysis of music after 1900: Routledge, 2020. http://dx.doi.org/10.4324/9780429433351-2.
Testo completoKřupková, Lenka. "“Ideologically Progressive Art” Meets Western Avant-Garde". In The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 155–64. Belgrade ; Ljubljana: Institute of Musicology SASA ; University of Ljubljana, Faculty of Social Sciences, 2020. http://dx.doi.org/10.18485/music_diplomacy.2020.ch10.
Testo completoKřupková, Lenka. "“Ideologically Progressive Art” Meets Western Avant-Garde". In The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 155–64. Belgrade ; Ljubljana: Institute of Musicology SASA ; University of Ljubljana, Faculty of Social Sciences, 2020. http://dx.doi.org/10.18485/music_diplomacy.2020.ch10.
Testo completoGoldman, Jonathan. "Open Works on Record". In Revisiting the Historiography of Postwar Avant-Garde Music, 152–71. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315108162-8.
Testo completoKuo, Tiffany. "A New Patronage Model in Postwar America". In Revisiting the Historiography of Postwar Avant-Garde Music, 111–27. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315108162-6.
Testo completoNarimoto, Rica. "Heritage within the avant-garde? Traditional and contemporary musics in post-war Japan". In Music as Heritage, 258–77. Abingdon, Oxon; New York, NY: Routledge, 2018. | Series: SOAS musicology series: Routledge, 2018. http://dx.doi.org/10.4324/9781315393865-13.
Testo completoBolesławska, Beata. "The symphony in post-avant-garde times: 1974–1994". In The Symphony and Symphonic Thinking in Polish Music Since 1956, 149–96. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315552385-4.
Testo completoAtti di convegni sul tema "Avant-garde (music)"
Kolb, Fabian. "Tanztheater und filmische Ästhetik. Cineastische Einflüsse und Gestaltungsweisen in den Kompositionen für die Ballets Suédois 1920–1925". In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.60.
Testo completoDanilova, A. V. "Analysis of Russian avant-garde music in the university course "Fundamentals of theoretical musicology"". In ТЕНДЕНЦИИ РАЗВИТИЯ НАУКИ И ОБРАЗОВАНИЯ. НИЦ «Л-Журнал», 2019. http://dx.doi.org/10.18411/lj-02-2019-91.
Testo completoTrifan, Aurelia. "Socialist modernism – a way of disseminating a new ideology in the architecture of entertainment buildings". In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.14.
Testo completoIstileulova, Yelena. "STEAM Approach: SMS (Stories Based on Music about Scientists) on Artificial Intelligence Created by Jacob Bruce (1669–1735)". In Socratic lectures 10. University of Lubljana Press, 2024. http://dx.doi.org/10.55295/psl.2024.ii15.
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