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Libri sul tema "Authorship"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 1 agosto 2024

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1

Juola, Patrick. Authorship attribution. Boston: Now, 2008.

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2

M, Rudner Lawrence, e ERIC Clearinghouse on Assessment and Evaluation., a cura di. Authorship ethics. [Washington, DC: ERIC Clearinghouse on Assessment and Evaluation, the Catholic University of America, 1996.

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3

David, Saunders. Authorship and copyright. London: Routledge, 1992.

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4

Hadjiafxendi, Kyriaki, e Polina Mackay, a cura di. Authorship in Context. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230206120.

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5

Egan, Gerald, a cura di. Fashion and Authorship. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-26898-5.

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6

Sjostrand, Anna. Authorship and ambiguity. London: LCP, 2001.

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7

Wright, Wexman Virginia, a cura di. Film and authorship. New Brunswick, N.J: Rutgers University Press, 2003.

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8

1966-, Gerstner David A., e Staiger Janet, a cura di. Authorship and film. New York: Routledge, 2003.

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9

Schlichting, Laura. Authorship in comics journalism. München: UVK Verlag, ein Unternehmen der Narr Francke Attempto Verlag GmbH, 2021.

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10

Graduate Student Conference in French and Comparative Literatures (5th 1995 Columbia University). Authorship, authority =: Auteur, autorité. New York: Columbia University, 1995.

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11

1944-, Boozer Jack, a cura di. Authorship in film adaptation. Austin: University of Texas Press, 2008.

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12

Ray, Sumantra (Shumone), Sue Fitzpatrick, Rajna Golubic, Susan Fisher e Sarah Gibbings, a cura di. Authorship. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780199608478.003.0026.

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This chapter begins with a definition of authorship and provides the The Proposed Rapid Review Checklist for Authors (the 5Ds: design, data collection, data analysis, discussion of findings, the ability to define the paper and its message) which may be useful in judging whether authorship should be considered. The authorship model proposed by the International Committee of Medical Journal Editors (ICMJE) is also outlined. The chapter also discusses different forms of inappropriate authorship models (ghost authorship, guest/honorary authorship, anonymous authorship) and presents intellectual property and copyright considerations. An author's responsibility to report an original, accurate, focused and repeatable account of the research conducted is also discussed.

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13

Craig, Hugh. Authorship. Oxford University Press, 2011. http://dx.doi.org/10.1093/oxfordhb/9780199566105.013.0002.

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14

Garside, Peter. Authorship. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199574803.003.0002.

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This chapter examines authorship from 1750 to 1820. Out of 3,374 novels first published from 1770–1819, some 2,045 were published without the name of an author on the title page. Moreover, an overwhelming majority of over 80 per cent of new titles were published anonymously, making this the norm for the genre over those years. Novels carrying the author's name on the title page come more fully into view with the 1790s, actually outnumbering anonymous and pseudonymous titles in the 1800s. However, the resilience of anonymity is again apparent in the 1810s, when unattributed titles once more outnumber those with names on the title page, albeit narrowly so. The chapter then offers an overview of issues relating to output and popularity, anonymity and pseudonymity, gender distribution, and author dealings vis-à-vis publishers, seen as far as is possible from within the period itself.

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15

Burke, Seán. Authorship. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474465519.

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16

Iverson, Cheryl. Authorship. Oxford University Press, 2009. http://dx.doi.org/10.1093/jama/9780195176339.022.11.

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17

Burke, Seán. Authorship. Edinburgh University Press, 2019.

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18

Franssen, Gaston, e Rick Honings, a cura di. Idolizing Authorship. Amsterdam University Press, 2017. http://dx.doi.org/10.1515/9789048528677.

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19

Boes, Tobias, Rebecca Braun e Emily Spiers, a cura di. World Authorship. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780198819653.001.0001.

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Abstract (sommario):

Booksellers, authors, and academics have been talking about world literature since Goethe made the term fashionable in the early nineteenth century. Yet amidst all the talk of books that ‘circulate’ and literature as a kind of ‘universal property’ that can function as a ‘window on the world’, how do we account for the people who live in real places, and who write, translate, market, and read the texts that travel on these global journeys? This handbook breaks new ground by showing how to bring together the real-world contexts of authorship with the literary worlds of fiction through the concept of the world author. ‘World authorship’ is a practical update on Michel Foucault’s ‘author function’ that significantly expands the network of people and practices involved with literature and is at the same time more grounded in the study of actual literary texts. The concept is set out in detail in a rigorous introduction followed by twenty-five keyword chapters that cover all core aspects of world authorship, from ‘Beginnings’ to ‘Voice’, and have been written by professionals who work right across the sector. In its entirety, the handbook illuminates how literature is made and shared in different parts of the world and at different times of world history. At the heart of all contributions, however, is one key question: where is the human element in world literature? Established authors, translators, publishers, prize judges, and festival coordinators as well as academics from a range of different disciplinary backgrounds collectively give us the answer.

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20

Chris, Cynthia, e David A. Gerstner, a cura di. Media Authorship. Routledge, 2013. http://dx.doi.org/10.4324/9780203136010.

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21

Biagioli, Mario. Scientific Authorship. Routledge, 2014. http://dx.doi.org/10.4324/9780203954270.

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22

Longolius, Sonja. Performing Authorship. transcript Verlag, 2016. http://dx.doi.org/10.1515/9783839434604.

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23

Honings, Rick, e Gaston Franssen, a cura di. Idolizing Authorship. Amsterdam University Press, 2017. http://dx.doi.org/10.1017/9789048528677.

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24

Authorship Contested. Routledge, 2015. http://dx.doi.org/10.4324/9781315692463.

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25

Media authorship. New York: Routledge, 2012.

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26

Media Authorship. Routledge, 2013.

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27

Chris, Cynthia, e David A. Gerstner. Media Authorship. Taylor & Francis Group, 2013.

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28

Chris, Cynthia, e David A. Gerstner. Media Authorship. Taylor & Francis Group, 2013.

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29

Chris, Cynthia, e David A. Gerstner. Media Authorship. Taylor & Francis Group, 2013.

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30

Chris, Cynthia, e David A. Gerstner. Media Authorship. Taylor & Francis Group, 2013.

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31

Reclaiming Authorship. University of Pennsylvania Press, 2013.

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32

World Authorship. Oxford University Press, 2020.

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33

Nualltã¡In, Breandã¡N Ã"Â. Community Authorship. GRIN Verlag GmbH, 2011.

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34

Franken, C. A.S.Byatt : Art, Authorship, Creativity: Art, Authorship and Creativity. Palgrave Macmillan, 2001.

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35

Caughie, John. Theories of Authorship. Taylor & Francis Group, 2013.

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36

Staiger, Janet, e David A. Gerstner. Authorship and Film. Taylor & Francis Group, 2002.

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37

Li, Wai-Yee. Concepts of Authorship. A cura di Wiebke Denecke, Wai-Yee Li e Xiaofei Tian. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199356591.013.24.

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Abstract (sommario):

What are the words and phrases used to designate authorship in classical Chinese literature? What are the anecdotes and stories told to emblematize or dramatize the contexts and meanings of authorship? How does the attribution to or the invention of an author define or control the meanings of a text? How do markers of authorial presence function in a text? How does genre shape authorial voice? How do anonymous texts generate authors? How do images of authors (as distinct from historical actors) produce texts? Many scholars believe that authorship becomes increasingly individualistic and self-conscious for the period covered by this volume. How valid is this historical trajectory? In exploring these questions, this chapter examines notions of orality, textual authority, textual transmission, patronage, commentary, editorial labor, forgery, anonymity, originality, imitation, and collective authorship.

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38

Caughie, John. Theories of Authorship. Routledge, 2013. http://dx.doi.org/10.4324/9781315002279.

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39

Kropf, David Glenn. Authorship as Alchemy. Stanford University Press, 1994. http://dx.doi.org/10.1515/9780804765305.

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40

Openness, Secrecy, Authorship. Johns Hopkins University Press, 2001. http://dx.doi.org/10.1353/book.20624.

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41

Jackson, H. J. Marginalia and Authorship. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.149.

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42

Flanagin, Annette. Order of Authorship. Oxford University Press, 2009. http://dx.doi.org/10.1093/jama/9780195176339.022.140.

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43

Flanagin, Annette. Changes in Authorship. Oxford University Press, 2009. http://dx.doi.org/10.1093/jama/9780195176339.022.141.

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44

Staiger, Janet, e David A. Gerstner. Authorship and Film. Taylor & Francis Group, 2013.

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45

gerstner, david a., e janet staiger, a cura di. authorship and film. Routledge, 2013. http://dx.doi.org/10.4324/9780203698976.

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46

Authorship and Copyright. Routledge, Chapman & Hall, Incorporated, 2023.

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47

Shakespeare's Literary Authorship. Cambridge University Press, 2012.

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48

Authorship and Copyright. 2023.

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49

Oase 113: Authorship. NAi Uitgevers / Publishers Stichting, 2023.

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50

Staiger, Janet, e David A. Gerstner. Authorship and Film. Taylor & Francis Group, 2013.

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