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1
Peset, José Luis. "Mad houses, Writing and Madness in the Spanish Silver Age". Culture & History Digital Journal 11, n. 1 (21 giugno 2022): e012. http://dx.doi.org/10.3989/chdj.2022.012.
Testo completoAbstract (sommario):
The authors of naturalism and the avant-garde in Spain attach great importance to illness and especially mental illness and mad houses. The vision of the mental asylum is presented in the literary mirrors of three authors - with very different biography - who wrote in the first decades of the 20th century, in their writings the presentation of the asylum, considered successively as punishment, as experience and as liberation, is changing. Antonio Hoyos y Vinent, Alfonso Vidal y Planas and Andrés Valentín Álvarez y Álvarez are mainly studied.
2
García, María Isabel Maldonado. "The Spanish Women Poet’s Contribution To The Literature Of The 20th Century". Pakistan Journal of Gender Studies 10, n. 1 (8 marzo 2015): 129–43. http://dx.doi.org/10.46568/pjgs.v10i1.230.
Testo completoAbstract (sommario):
The 20th century offers us a wealth of literary authors. The Spanish poets of the 20th century that usually come to mind are mainly male due to the fact that the female poets never received proper recognition and were ignored for many years. The historical events of the 20th century could have ceasedthe literary works of the Spanish authors. However, instead, the Spanish utilized the poetry of protest as a means of rebelling towards their social reality. Not only male poets but also women were extremely prolific in their craft. First during the Civil War and after during the thirty six years of dictatorship that followed in spite of the hardships, censorship and vigorous opposition. A few of these women are Carmen Conde, Rosa Chacel, Ernestina de Champourcin and others. This research studies thecontribution of a few outstanding women poets to the 20th century Spanish literature and language.
3
Díaz, Daniel Carrasco, Esteban Hernández-Esteve, Maria Jesús Morales Caparrós e Daniel Sánchez Toledano. "20TH CENTURY PUBLICATIONS ON COST ACCOUNTING BY SPANISH AUTHORS PREVIOUS TO THE STANDARDIZATION ACT (1900–1978)". Accounting Historians Journal 36, n. 2 (1 dicembre 2009): 139–79. http://dx.doi.org/10.2308/0148-4184.36.2.139.
Testo completoAbstract (sommario):
This paper aims to describe and explain the beginning and evolution of cost accounting in Spain through the examination of accounting texts. In this evolution, three periods are distinguished: the late 19th century, the first half of the 20th century, and 1951–1978. In 1978, the official standardization of Spanish cost accounting occurred. Cost accounting first appeared in Spanish texts at the start of the 20th century. However, in 19th century accounting treatises can be found references to some aspects of cost accounting to which the paper refers. The traditional orientation of authors in the second period clearly reflects a monistic recording pattern, i.e., that cost accounting in combination with general accounting forms a homogeneous whole, with full-cost allocation on the basis of historical costs. The small differences found among these authors relate to a large extent to the fixed-costs allocation. This period corresponds to the introduction into Spain of the Central European school of accounting thought represented by Pedersen, Schmalenbach, Palle Hansen, and, above all, by Schneider. This influence intensified from 1951 onward. In the second half of the 20th century, German thought shared influence with American thought represented in the works of Kester, Horngren, Lang, Lawrence, Neuner, etc. The French Accounting Plan (General Chart of Accounts), published in 1957, also had an obvious influence on Spanish accounting scholars of this time. This influence is clearly shown in the Spanish standardization of cost accounting published in 1978 as part of the first Plan General de Contabilidad (General Accounting Plan) passed in 1973.
4
Sergeev, Sergey. "At the origins of leningrad school of engineering psychology: Sukhodolsky Gennady Vladimirovich". Ergodesign, n. 1 (15 marzo 2022): 72–76. http://dx.doi.org/10.30987/2658-4026-2022-1-72-76.
Testo completoAbstract (sommario):
The scientific biography and the role of Professor Sukhodolsky Gennady Vladimirovich in forming and developing Leningrad School of Ergonomics and Engineering Psychology in the 80s of the 20th century are considered. The circle of authors who formed the core of Leningrad (St. Petersburg) scientific school of engineering psychology and ergonomics is outlined.
5
Pilipetchi, Serghei. "THE BIOGRAPHY OF M. CEBOTARI IN MONOGRAPHIC STUDIES". Studiul artelor şi culturologie: istorie, teorie, practică, n. 1(42) (agosto 2022): 43–48. http://dx.doi.org/10.55383/amtap.2022.1.08.
Testo completoAbstract (sommario):
The article contains information about the monographic studies, which investigate the biography of the outstanding singer and film actress of the first half of the 20th century - Maria Cebotari. This subject constituted a field of research both for the authors of monographs contemporary to the prima donna and those of our days - representatives of different countries and specializations. In this context, the most important of their works (books, brochures, articles), which have scientific value are described and analyzed. Although M. Cebotari`s biography is widely presented, it can be supplemented with new investigations, thanks to the immense artistic heritage of the diva.
6
Martí Mestre, Joaquim. "Tradició i modernitat en el llenguatge dels llibrets de falla de les primeres dècades del segle XX". Zeitschrift für Katalanistik 33 (1 luglio 2020): 201–37. http://dx.doi.org/10.46586/zfk.2020.201-237.
Testo completoAbstract (sommario):
Summary: During the first quarter of the 20th century, Valencian writers showed increasing interest in developing a correct orthographical and linguistic model, free from castilianisms, both for formal literature and for popular genres. Traditionally, researchers have insisted mostly on the orthographical influence from the Spanish language in the Fallas books. The researchers thought that even the authors of the Catalan formal literature, when writing the Fallas texts, adopted the Spanish orthographic model. With this work we find, however, that many writers of Fallas books, some engaged in other Valencian literary and cultural activities, were striving to use also in the Fallas books a correct language. The Fallas books, because of the popular character of the genre, are of great lexicographical interest for the study of colloquialisms, dialectalisms and neologisms linked to the social changes of the 20th century. Also, because traditionally they have not been taken into account by lexicographers, the Fallas books offer words and meanings not registered in the historical and etymological dictionaries. Keywords: orthography, lexicon, 20th century, Fallas books, history of the Catalan language
7
Fiordaliso, Giovanna. "Mito e storia in Medusa (2012) di Ricardo Menéndez Salmón". Caietele Echinox 44 (1 giugno 2023): 322–35. http://dx.doi.org/10.24193/cechinox.2023.44.22.
Testo completoAbstract (sommario):
"Published in 2012, Medusa is the fifth novel by Ricardo Menéndez Salmón, a young Asturian author and an important novelist in the panorama of contemporary Spanish literature. Although the novel plot would seem quite simple – a PhD candidate is writing a thesis on the iconography of evil in the 20th century and ends up reconstructing the biography of Prohaska, a young German who, thanks to his passion for drawing and photography, becomes a propagandist of the Nazi regime – the work results from a complex stratification of different genres and levels of reading, such as the narration of the main historical events in the 20th century; the reflections about existence and the characteristics of human nature; the value of the written word, literature and art as a manifestation and expression of a reality in which time and its passage are essential, captured and therefore communicated to catch the essence of memory and its legacy."
8
Paisova, Anna. "Development of leftist media in the Spanish political context of XX century". Latinskaia Amerika, n. 11 (2022): 61. http://dx.doi.org/10.31857/s0044748x0022873-9.
Testo completoAbstract (sommario):
This article presents an analysis of the step-by-step process of the formation of the Spanish left-wing press under conditions of state persecution. The appearance of Mundo Obrero, the most influential newspaper during the Civil War, was the culmination of that process. The authors offer their own classification of the Spanish leftist media of the first half of the 20th century and formulate the main trends in the political discourse of Mundo Obrero from the 1930s to the 1950s, determined by the domestic and foreign political context of the era.
9
SOLER CAMPO, SANDRA. "Guillaume Apollinaire: a reference in the life and musical works of the Spanish composer José Soler Casabón". ARTSEDUCA, n. 28 (28 dicembre 2020): 228–41. http://dx.doi.org/10.6035/10.6035/artseduca.2020.28.16.
Testo completoAbstract (sommario):
This article summarizes the biography of José Soler Casabón, an Aragonese composer who lived and developed his artistic career during the first decades of the 20th century between Barcelona and Paris. From the different works of the author, the Ballet L'homme sans yeux sans nez et sans oreilles (HOSYNO) will be described. This ballet was based on the poem Le musician de Saint Merry written by the french poet Guillaume Apollinaire and its sets were commissioned to Pablo Picasso. For various reasons, such as the war context and the change of the director of the opera house in Paris, the ballet was never performed.
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SOLER CAMPO, SANDRA. "Guillaume Apollinaire: a reference in the life and musical works of the Spanish composer José Soler Casabón". ARTSEDUCA, n. 28 (28 dicembre 2020): 228–41. http://dx.doi.org/10.6035/artseduca.2021.28.16.
Testo completoAbstract (sommario):
This article summarizes the biography of José Soler Casabón, an Aragonese composer who lived and developed his artistic career during the first decades of the 20th century between Barcelona and Paris. From the different works of the author, the Ballet L'homme sans yeux sans nez et sans oreilles (HOSYNO) will be described. This ballet was based on the poem Le musician de Saint Merry written by the french poet Guillaume Apollinaire and its sets were commissioned to Pablo Picasso. For various reasons, such as the war context and the change of the director of the opera house in Paris, the ballet was never performed.
11
Alekseev, Оleksii. "Rural memoirs of Southern Ukraine of the 20th century : prosopographic approach". Universum Historiae et Archeologiae 4, n. 1 (25 dicembre 2021): 147. http://dx.doi.org/10.15421/26210402.
Testo completoAbstract (sommario):
The aim : to consider the application of prosopographic approaches in the study of biographies of authors of peasant memoirs in order to identify common features that laid the conditions for the emergence of memoir practices among the peasants of the Southern Ukraine in the 20th century; to analyze the potential of prosopography for researching general processes. The article considers the application of the prosopographic method to the study of biographies of authors of peasant memoirs in order to identify common features that created conditions for the emergence of memoir practices among the peasants of southern Ukraine in the twentieth century. Modern historical science suggests that individuals having their own little life stories are present behind all processes and events. New directions and principles of historical research are becoming increasingly important. The prosopographic method is one of them. Under prosopography we understand the scientific method of studying individual biographies of authors of historical sources in order to create a “collective biography” of a certain social group on their basis. Methods: analytical, historical, comparative, system-structural. The article author uses methods of specific scientific activity, empirical research and general logic. Practical meaning: recommended for use by scholars for historical research; provides opportunities for the use of this issue in theoretical and methodological and source studies. Originality: research, in particular on the choice of research source base and methodology of its analysis. Scientific novelty: creation of a collective portrait of a peasant author of a memoir source. Conclusions: on the basis of the analysis with the involvement of prosopographic research methods we have the opportunity to create a conditional collective portrait of a peasant of the Southern Ukraine of the twentieth century, the author of the memoir. When creating a “biography” of a peasant author, the following features are distinguished: common social origin, primary education, teaching and educational skills, psychological characteristics, propensity for creative activity, external influences. The materials collected by the researchers from the Zaporizhzhia branch of the NASU Institute of Ukrainian Archaeography and Source Studies named after M. S. Hrushevsky and the History Faculty of the Zaporizhzhia National University and published as a part of collections titled “Sources on the History of the Southern Ukraine”, “Antiquities of the Southern Ukraine” and “Ascension Antiquities”, are used as sources in the analysis. The purpose of the current investigation is to identify the causes and conditions that prompted particular peasants of the Southern Ukraine to create their own historical narrative – memoirs. Another goal is to create a “collective portrait” of an average author using prosopographic methods. The article investigates through the analysis of biographies the background of peasant authors, which singled them out from the general mass of peasants. It also highlights an “average author” as a “historical figure” and analyzes his attribution to a particular era, place, social group and culture. The use of prosopographic methods in the study of biographies of Southern Ukrainian peasants, who distinguished themselves by creating their own memoirs, allows to determine those aspects of the era and the position of the little man who chose to create their own historical excursions contrary to general trends and understanding the risks of totalitarian system. The creation of prosopographical (collective biographies) portraits of peasant authors is a very important component of the reproduction of general processes that created the conditions for the emergence of peasant narrative sources. The author tries to highlight the modern era in all its aspects through the prism of individual biographies and works of peasant authors. Type of article: scientific and theoretical.
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Al-Rubaiee, Assist Instructor: Ahmed Abdulrazzaq. "The Creativity Literary of Gongora". ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 222, n. 1 (5 novembre 2018): 1–12. http://dx.doi.org/10.36473/ujhss.v222i1.383.
Testo completoAbstract (sommario):
Luis de Góngora y Argote, (1561-1627), Spanish poet, is one of the most influential Spanish poets of his era. His Baroque, convoluted style, known as Gongorism was so exaggerated by less gifted imitators that his reputation suffered after his death until it underwent a revaluation in the 20th century.. In his literary works has expressed very well his feelings and emotions perfectly, especially the thought of his time and the themes of criticism and disappointment of the Baroque. His poetic work breaks molds and inaugurates a new language whose virtuality, still unsurpassed, continues to mark the course of contemporary poetry. This investigation is divided in two chapters, the first presnte the biography and style of Gongora besides its works that comprise the satire. The second chapter is concerned Cultism and gonorismo, besides the Architecture of the sonnets of Góngora
13
Satkauskytė, Dalia. "The Biography of a Writer as an Argument in (De)Canonisation". Colloquia 53 (4 luglio 2024): 15–32. http://dx.doi.org/10.51554/coll.24.53.02.
Testo completoAbstract (sommario):
Despite the conception of the author’s death that was prevalent in the second half of the 20th century, the author’s biography always intervenes indirectly in the canonisation process, either a priori, as an additional argument for canonisation (e.g. participation in the national movement), or a posteriori, when the canonised author acquires, according to Yuri Lotman, the right to a biography. Moreover, biography becomes a significant factor in cases of revising and rewriting the canon, especially when it is related to political changes in society, e.g. in forming a Socialist Realist canon or the case of its radical deconstruction. The focus on biographical texts and authors’ biographies increases significantly in the 21st century, when literature itself tries to erase boundaries between fictional and biographical, and literary scholars discuss whether it is possible to separate the author from his or her work in the contexts of the historical memory and cancel culture. In this theoretical and historical framework, I discuss the role of the biography in the canonisation and decanonisation of a writer, and consider how these processes and the shift in the cultural paradigm influence interpretations of writers’ biographies.
14
Moreno Martínez, Luis. "Modesto Bargalló en España (1894-1939): Una biografía entre la historia de la educación y la historia de la ciencia". Historia y Memoria de la Educación, n. 13 (14 dicembre 2020): 635. http://dx.doi.org/10.5944/hme.13.2021.27491.
Testo completoAbstract (sommario):
This paper deals with the professional career of Modesto Bargalló Ardévol (1894-1981) in Spain, who has been singled out as a one of the outstanding renovators of Spanish science teaching in the first third of the 20th century. After undertaking a review of the biographical studies of this training- school professor and an analysis of his wide range of publications and other historical sources, the paper focuses on several neglected questions regarding his work in Spain. I will argue that Modesto Bargalló’s biography can contribute to a reflection on the use of teacher biographies for exploring the history of science education and its role as a field of scholarship shared by historians of education and science historians.
15
Cuevas, Manuel Bruña. "Comment présenter un phonème moribond". Historiographia Linguistica 30, n. 1-2 (16 settembre 2003): 45–98. http://dx.doi.org/10.1075/hl.30.1.03cue.
Testo completoAbstract (sommario):
Summary During the 19th century the old palatal l of French (in, e.g., travailler, travail, fille) definitively gave way to /j/. During about the same period Spanish underwent a similar evolution, but the process of substitution of /j/ for /ʎ/ found itself in a less advanced stage than in French; indeed, certain varieties of present-day Spanish still maintain these two phonemes. Taking all the works together which during the 19th and the first half of the 20th century were addressed to the teaching of French to speakers of Spanish, the author concentrates his attention on the difficulties that the authors encountered when presenting this dying or already deceased phoneme (namely, the palatal l of French) to an audience which, although it still possessed this phoneme in their own language, had begun to find it difficult to distinguish the diverse phonetic realizations that the Spanish /j/ was acquiring. As is shown in this study, the time difference in the evolution of this phenomenon of dephonologization in French and, with some delay, also in Spanish led the authors of these textbooks to misunderstandings and errors in the treatment of the disappearing or vanished former palatal l of French.
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Yelkey, Nurlybek, Tlegen Sadykov e Kara Abdulvahap. "Problems of studying historical personalities and socio-political activities of Khairetdin Bolganbaev". Bulletin of the Karaganda university History. Philosophy series 11429, n. 2 (30 giugno 2024): 82–87. http://dx.doi.org/10.31489/2024hph2/82-87.
Testo completoAbstract (sommario):
At the present stage, historians are actively discussing the problems of relationships and mutual influences of history and biography. In our opinion, this is explained by noticeable changes in historical science, which have caused significant reorientations of research interests, the discovery of new subjects and topics of biographical research, as well as new directions and methods. Taking these factors into account, this article attempts to consider some of the most frequently discussed theoretical and methodological problems, including the modern ideas of historians about biography, its goals and objectives, the role and significance of biographical research for historical science. If you look closely at the history of the twentieth century, the Kazakh intelligentsia has given birth to many outstanding, bright personalities, and one of them is Khairetdin Bolganbaev. In this regard, in the article, based on the biographical method, the authors identified the place and role of Kh. Bolganbaev in the reconstruction and development of Kazakh society at the beginning of the 20th century.
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Khan, Muhammad Sajid. "The Sketches of 20th Century biographers in Urdu literature". Pakistan Journal of Applied Social Sciences 10, n. 1 (8 settembre 2019): 47–63. http://dx.doi.org/10.46568/pjass.v10i1.110.
Testo completoAbstract (sommario):
Biographies and Pen-Sketches are two separate branches and lots of these two are available in Urdu Literature as well as writings about these two categories but this article is an effort to find sketches of personalities related to the authors of biographies without whom the author's personality cant be revealed fully. These people may be the author's relatives, friends, peers, observers and other persons who has been with him/her at various stages of author's life. Amongst them may be their parents, children, spouse and other relatives as well as other in the same profession. A good biographer takes are of all the aspects, requirements and dimensions from start to end of an autobiography. A person is central to an autobiography can't be highlighted completely unless different aspects of his/her life are described with reference to other related people. This article focuses on the personalities around the central-to-a-biograpgy person and describes them in the light of various biographies in which he/she is talked about. To support this argument, examples are also taken from the biographies written after the selected biography so that it can be proved that biographers can also tell the importance of presented sketches of other personalities. Although these sketches are not written with any such plan, as compared to formal pen sketches, even then these can be considered important and complete to some extent and are comparable to pen sketches.
18
Adorno, Rolena. "On Western Waters: Anglo-American Nonfictional Narrative in the Nineteenth Century". Daedalus 141, n. 1 (gennaio 2012): 61–75. http://dx.doi.org/10.1162/daed_a_00129.
Testo completoAbstract (sommario):
Anglo-American westward expansion provided a major impulse to the development of the young United States' narrative tradition. Early U.S. writers also looked to the South, that is, to the Spanish New World and, in some cases, to Spain itself. Washington Irving's “A History of the Life and Voyages of Christopher Columbus” (1828), the first full-length biography of the admiral in English, inaugurated the trend, and Mark Twain's “Life on the Mississippi” (1883) transformed it by focusing on the life and lives of the Mississippi River Valley and using an approach informed by Miguel de Cervantes's “Don Quijote de la Mancha.” From Irving's “discovery of America” to Twain's tribute to the disappearing era of steamboat travel and commerce on the Mississippi, the tales about “western waters,” told via their authors' varied engagements with Spanish history and literature, constitute a seldom acknowledged dimension in Anglo-America's nonfictional narrative literary history.
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Solarz, Marcin, e Marta Raczyńska-Kruk. "Głuchoniemcy, Taubdeutsche, Walddeutsche – przyczynek do biografii pojęcia". Prace i Studia Geograficzne 68, n. 2 (16 novembre 2023): 113–27. http://dx.doi.org/10.48128/pisg/2023-68.2-06.
Testo completoAbstract (sommario):
he concept of „Deaf/Forest Germans” developed on the basis of cultural processes taking place in the Carpathian Foothills in the period from the 14th to the 19th/20th century. The purpose of the article is to reconstruct the biography of this concept and to conduct its etymological analysis based on its oldest known records, mainly from Old Polish manuscripts and old prints. Above all, the authors focus on the source by the 18th-century encyclopedist Benedykt Chmielowski who formulated four definitions of this term. Based on it and other records, and some analogies from the territory of Poland and Slovakia as well, the authors try to answer the question about the nature of the settlement processes taking place in the Carpathian Foothills. Finally, they look at the concept through the prism of its German substitutes (Taubdeutsche and Walddeutsche).
20
Korzun, Valentina P., e Valentina Yu Voloshina. "Soviet and Emigrant Historians in the Eyes of P. N. Milyukov (1920s-1940s): Corporate Memory Features". Herald of Omsk University. Series: Historical Studies 7, n. 1 (25) (7 luglio 2020): 81–89. http://dx.doi.org/10.24147/2312-1300.2020.7(1).81-89.
Testo completoAbstract (sommario):
The article presents the assessment of P. N. Milyukov for Russian historical science of the 20th century through the biographies of its iconic representatives A. A. Kizevetter, S. F. Platonov and M. N. Pokrovsky. The source base was made up of articles and obituaries written by Milyukov and dedicated to the deceased scholars. The specifics of the historiographic Milyukov’ discourse consists of 1) the structural features of the narrative, which includes, the author’s own biography along with the biography of historians; 2) in the criteria for assessing the scientific contribution and prospects for the development of historical scholarship from the point of view of fitting into Moscow or St. Petersburg historical schools. In conclusion of the article the authors named features of the corporate memory of emigrant scientist.
21
Mossaki, Nodar Z., e Lana M. Ravandi-Fadai. "Dzhemshid Giunashvili: Georgian from Tehran". Orientalistica 1, n. 3-4 (28 dicembre 2018): 539–52. http://dx.doi.org/10.31696/2618-7043-2018-1-3-4-539-552.
Testo completoAbstract (sommario):
The article deals with the biography and scholarly achievements of the outstanding Georgian scholar of Iran Dzhemshid Giunashvili (d. 2017). The authors have placed the life of Dzh. Giunashvili into the broad context of the Oriental Studies as scholarly subject in the former Soviet Union and the post-Soviet Georgia. Being a Georgian by birth Dzh. Giunashvili also belonged to the culture of Iran; Persian was hismother tongue. This fact contributed to the outstanding position, which he took evenamong the Great Soviet specialists and scholars of Iran in the 20th century. Later in life,Dzh. Giunashvili became the first Georgian Ambassador to Iran.
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Zykov, Eugeny, Maria Merkulova, Alexander Slabukha, Olga Uspenskaya e Sergey Yamaletdinov. "Architect Vladimir Aleksandrovich Sokolovsky". проект байкал, n. 79 (6 aprile 2024): 148–57. http://dx.doi.org/10.51461/issn.2309-3072/77.2302.
Testo completoAbstract (sommario):
The article introduces readers to the life and creative biography of the outstanding Siberian architect Vladimir Aleksandrovich Sokolovsky on the threshold of his 150th anniversary. The authors describe surviving buildings of the architect in Krasnoyarsk and show the influence of his architecture on the formation of Siberian modern and eclecticism. The article features the role of the architect in the formation and development of the architectural environment of Krasnoyarsk in the first half of the 20th century. It describes the history of two buildings of wooden and stone architecture related to Sokolovsky both as an architect and as a restorer.
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Casielles Suárez, Eugenia. "El tratamiento del orden de palabras en algunas gramáticas Españoles de los siglos XIX y XX". Historiographia Linguistica 27, n. 2-3 (17 ottobre 2000): 415–36. http://dx.doi.org/10.1075/hl.27.2.14cas.
Testo completoAbstract (sommario):
Summary This paper examines the treatment of word order in some of the most influential grammars of Spanish from the 19th century and beginning of the 20th century, with special attention given to the interpretation they offer of displaced elements, particularly subjects and objects. Although there was not much in the grammatical tradition about this topic that these authors could build upon, a careful reading of their works reveals an awareness of the difficulties involved in explaining word order variation. Furthermore, we find very valuable suggestions regarding the topical nature of some displacements, and the emphatic or focal interpretation of others.
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RÍOS SALOMA, Martín F. "Europa a América: Claudio Sánchez-Albornoz y la fundación de los "Cuadernos de Historia de España"". Medievalismo, n. 28 (8 ottobre 2018): 235–70. http://dx.doi.org/10.6018/medievalismo.28.345161.
Testo completoAbstract (sommario):
En el presente trabajo se reconstruyen trazos poco conocidos de la biografía del medievalista español Claudio Sánchez Albornoz (1893-1984) y se analizan los factores de orden personal y las circunstancias históricas que llevaron a uno de los más destacados historiadores españoles de la primera mitad del siglo XX a emigrar a Buenos Aires y la forma en que dicha experiencia se materializó en la fundación de los Cuadernos de Historia de España que dirigió entre 1944 y 1981, poniendo de relieve la significación intelectual e historiográfica de dicha fundación para el medievalismo hispano. In this paper we reconstruct little-know aspects about the biography of the Spanish medievalist Claudio Sánchez-Albornoz (1893-1984). At the same time, we analyse the personal causes and the historical circumstances that led one of the most important Spanish historians from the first half of the 20th century to emigrate to Buenos Aires, and in what way that experience resulted in the foundation of the Cuadernos de Historia de España. We highlight the intellectual and historiographic significance of this foundation for Hispanic medievalism.
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Nakashydze, Iryna. "DEVELOPMENT OF UKRAINIAN LITERATURE IN ARGENTINA IN THE 20th CENTURY". Naukovì zapiski Nacìonalʹnogo unìversitetu "Ostrozʹka akademìâ". Serìâ Ìstoričnì nauki 1 (17 dicembre 2020): 215–19. http://dx.doi.org/10.25264/2409-6806-2020-31-215-219.
Testo completoAbstract (sommario):
Argentina is one of the countries that are inhabited by a large number of ethnic Ukrainians. The purpose of this article is to study the development of Ukrainian literature in Argentina. One of the tasks aimed at achieving this goal is the introduction of the names of emigrant writers into scientific circulation. The arrival of a large number of active and educated people in Argentina in the interwar period (including writers O. Drahomanova, P. Buk, O. Devlad, etc.) led to the emergence of new forms of public life. A large number of literary and art schools, libraries, and reading rooms appeared. An important factor in the preservation of ethnic identity and the development of cultural life was the formation of the Ukrainian Cultural Society “Prosvita” in 1924. The biggest wave of emigration took place during the postwar period. Writers such as L. Holotsvan, Y. Prylutska-Farni, K. Buldyn, etc. arrived here. At this time Argentina became a real cultural center of Ukrainians. The Society of Artists, Writers and Scholars was formed, uniting almost all cultural figures. In the biography and works of many writers of this period Argentina appears as an “intermediate” point (for example, I. Kachurovsky, O. Kerch, V. Kulish, Yu. Krokhmalyuk-Tys, etc.). Writers from all over the world have long been united by the magazine “Porogy”. Unfortunately, with the death of writers in Argentina (as in the rest of the world), literary life almost subsided. Among the writers of the fourth wave of emigration can be identified I. Voloshchuk. Translation activity played a significant role. From the beginning of the resettlement, Ukrainian emigrants distributed works of T. Shevchenko, I. Franko, M. Shashkevych, and L. Ukrainka. Many of the writers translated Ukrainian works into Spanish and vice versa. Thus, literary life in Argentina developed very actively in the 20th century. It was most striking in the postwar period, when a large number of cultural figures emigrated here. The research started in this article is promising for the future, as further detailed study of the features of works of art of Ukrainian-speaking writers in Argentina is required.
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Rábano, Isabel. "Pioneers in Spanish Paleontology: María Teresa Rodríguez Mellado (1921-1985)". Boletín de la Real Sociedad Española de Historia Natural 114-2020 (2020): 161–75. http://dx.doi.org/10.29077/bol.114.e06.rabano.
Testo completoAbstract (sommario):
This paper deals with some aspects of María Teresa Rodríguez Mellado´s biography (1921-1985), an unknown pioneer in the history of Spanish Geology. Marriage and motherhood removed her from science after a brief but intense research work. She graduated in Natural Sciences in 1946, and got a Spanish National Research Council scholarship to carry out her Ph.D. thesis on the Devonian of Spain, supervised by Francisco Hernández-Pacheco. She collaborated with Manuel Alía Medina on some paleontological issues of the geology of Western Sahara. Also, the evolution of the teaching of geological subjects during the first half of the 20th century in Spain is shown. Se presentan algunos aspectos de la biografía de María Teresa Rodríguez Mellado (1921-1985), una pionera desconocida en la historia de la Geología española. El matrimonio y la maternidad la retiraron de la ciencia tras una breve pero intensa actividad investigadora. Licenciada en Ciencias, Sección de Ciencias Naturales, por la Universidad Central en 1946, obtuvo una beca del Consejo Superior de Investigaciones Científicas en el Museo de Ciencias Naturales de Madrid para realizar su tesis doctoral sobre el Devónico en España, dirigida por Francisco Hernández-Pacheco. Colaboró con Manuel Alía Medina en algunas cuestiones paleontológicas de las investigaciones geológico-mineras del Sáhara Occidental. Asimismo, se muestra la evolución de la enseñanza de las materias geológicas durante la primera mitad del siglo XX en España
27
Матрусова, А. Н., e А. А. Соломонова. "PUSHKIN - AN IMAGE AND A PRECEDENT PHENOMENON IN RUSSIAN SONG TEXTS OF THE 20TH–21ST CENTURIES". Russkii iazyk za rubezhom, n. 2(303) (24 aprile 2024): 32–40. http://dx.doi.org/10.37632/pi.2024.303.2.006.
Testo completoAbstract (sommario):
В статье поднимается вопрос о функционировании имени Пушкина как прецедентного феномена в русской песенной поэзии от второй трети ХХ века до первой четверти XXI века. Отмечается, что прецедентность самого имени органично сочетается с использованием цитат пушкинских текстов, отсылками к биографии поэта и культурному контексту как Пушкинской, так и современной эпохи. В связи с этим авторы приходят к выводу, что потенциал прецедентности таких имен, как Пушкин, не снижается, а, скорее, наоборот, нарастает по мере изменения и раскрепощения текстовой песенной культуры современного русскоязычного пространства. The article raises the question of the functioning of the name Pushkin as a precedent phenomenon in Russian song poetry from the second third of the 20th century to the first quarter of the 21st century. It is noted that the precedent nature of the name itself is organically combined with the use of quotations from Pushkin’s texts, references to the poet’s biography and the cultural context of both Pushkin and the modern era. In this regard, the authors come to the conclusion that the precedent potential of such names as Pushkin does not decrease, but rather, on the contrary, increases as the textual song culture of the modern Russian-speaking space changes and becomes emancipated.
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Bocharov, Taras S., e Petr P. Kozorezenko. "Relevance of the Study of Forgotten and Little-known Artists of the Russian Landscape School on the Example of Mikhail Germashev". Scientific and analytical journal Burganov House. The space of culture 18, n. 3 (10 giugno 2022): 64–70. http://dx.doi.org/10.36340/2071-6818-2022-18-3-64-70.
Testo completoAbstract (sommario):
The article deals with studying the creative work of little-known Russian artists on the example of a brief biography and creative path of Moscow landscape painter Mikhail Germashev (1867–1930). The late 19th - early 20th century period, in which Germashev showed himself most clearly, is covered. The authors analyse why this or that artist came to the periphery of the attention of culture lovers and art historians, highlighting the merits of the artistic manner of one of the forgotten Russian masters. The article describes the distinctive features of Germashev's creative style, his strong artistic connection with the Moscow region and the capital. Separately, it is said about the attempt of regional researchers to introduce unknown names into the scientific context and the forthcoming publication of a book about artist Germashev.
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Ariza, María Ángeles Alcaraz, e Françoise Salager-Meyer. "Género y crítica en la prosa médica escrita en español: Función comunicativa y relación de poder". HERMES - Journal of Language and Communication in Business 15, n. 29 (3 marzo 2017): 163. http://dx.doi.org/10.7146/hjlcb.v15i29.25702.
Testo completoAbstract (sommario):
This study addresses the issue of academic conflict (AC) in four different genres of medical discourse, viz., editorials, review and research papers and case reports. The rhetorical strategies used to convey AC were recorded and their qualitative features (their level of commitment or detachment, their overall tone, the presence of irony, sarcasm, etc.) were analyzed in 40 medical articles written in Spanish in the last decade of the 20th century. Our results show that the communicative function of each genre and the rank/status power relations that exist between authors and their audience have a direct bearing on the way medical researchers express their dissension.
30
Proskurina, Elena N., e Igor V. Silantev. "Peculiarity of the memory plot in the poem by Boris Volkov “Brought on the scaffold”". Sibirskiy filologicheskiy zhurnal, n. 3 (2022): 94–109. http://dx.doi.org/10.17223/18137083/80/9.
Testo completoAbstract (sommario):
The paper is devoted to the poetry of Boris Volkov, the forgotten author of the Eastern emigration (1894-1954). During his lifetime, only a single collection of his poems, “In the Dust of Foreign Roads,” was published in 1934. The plot movement in the book appears as the memory narrative, reflecting the dramatic life experience of the author. He finds himself in the very midst of Russian history, at the beginning of the 20th century: participation in the First World War, service in the White Army, fight against the Pan-Mongol movement of Ungern, flight to China, and emigration to America. Of particular intrigue was the last part of the book “Brought on the scaffold. Excerpts from a poem,” with the action taking place during the anti-Spanish revolution in the Netherlands of the 16th century. The study has shown that the dramatic turns of the author’s biography, during his struggle against Ungern, are reflected through the roll call of historical epochs. The analysis involved Volkov’s memoirs dedicated to this period. The image of an inquisitor who burns heretics and the pictures of executions refers to the episodes of sophisticated torture of prisoners initiated by the baron and captured in Volkov’s memoirs. Thus, the work implicitly draws the author’s modernity, the events of the 16th century, into its whirlpool by making it one of its reflections.
31
Vanlandschoot, Romain. "Dom Arnoldus Smits (1914-2005)". WT. Tijdschrift over de geschiedenis van de Vlaamse beweging 65, n. 2 (1 gennaio 2006): 86–121. http://dx.doi.org/10.21825/wt.v65i2.12620.
Testo completoAbstract (sommario):
Dom Arnoldus Smits (1914-2005). Historian of the break up of the Low Countries and biographer of Modest Van AsscheArnold Smits, who had a Dutch Pan-Netherlandic background, became a Flemish nationalist Benedictine monk at the abbey of Saint Peter of Steenbrugge near Bruges. He was also a historian, renowned for his four-part study 1830 and the break up of the Low Countries and for his biography of the Flemish nationalist abbot Dom Modestus Van Assche.Romain Vanlandschoot describes the chequered life and career of Smits and also takes this opportunity to depict the abbey: it was not only scientifically renowned for editing Corpus Christianorum, the study of the authentic texts by early Christian authors, but it was also a location where during a significant part of the 20th century the different tendencies within Flemish nationalism confronted each other.
32
Recio, Gonzalo Luis, e Ignacio Enrique Del Carril. "Neo-Thomism and Evolutionary Biology: Arintero and Donat on Darwin". Religions 15, n. 5 (4 maggio 2024): 579. http://dx.doi.org/10.3390/rel15050579.
Testo completoAbstract (sommario):
Pope Leo XIII’s publication of Aeterni Patris (1879) was a major factor in the great revival of Thomistic thought in the late 19th and the first half of the 20th centuries. Among the authors that took up the challenge implicit in the Pope’s document of bringing Aquinas and his thought into the intellectual debates of the times we find two interesting proposals. The first is that of Juan González Arintero, a Spanish Dominican, and the second one is that of Josef Donat, a Jesuit born and raised in the Austrian Empire. Arintero is mostly known in Catholic circles for his influential works on mysticism, but in fact he devoted much of his early work to the subject of evolution, and how it could interact with the Catholic faith in general, and with Thomism in particular. Donat is the author of a Summa Philosophiae Christianae, a collection that was widely read in Catholic seminaries well into the 20th century. In this paper we will focus on the differing ways in which these authors tackled the problems and questions presented by Darwinian evolutionism to the post-Aeterni Patris Thomism.
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Nikishina, Nina A., Evgeny R. Boyko, Aleksandr V. Ivanov, Mariya A. Zatolokina, Apollinariya A. Lapshina e Ekaterina A. Zyukina. "TO THE MEMORY OF PROFESSOR RAFAIL BOYKO - TO 90 YEARS ANNIVERSARY". Morphological newsletter 31, n. 1 (6 marzo 2023): 72–80. http://dx.doi.org/10.20340/mv-mn.2023.31(1).752.
Testo completoAbstract (sommario):
The article is devoted to the biography of professor Rafail Boyko, Doctor of medical sciences, histologist, endocrinologist, Learner of Professor Boris Alyoshin, who made a significant contribution to the teaching of histology, embryology and cytology in soviet medical schools in the second half of the 20th century. He headed the Department of Histology and Embryology of the Izhevsk State Medical Institute (1972-1977), the Department of Histology and Embryology of the Kursk State Medical Institute (1977-1980), the Department of Physiology of the Kherson State University (1981-1995). Professor Rafail Boyko had a significant impact on the development of scientific morphological research and the formation of the scientific community in Russia and Ukraine. The purpose of the study is to restore the history of the formation of Russian science and the scientific morphological school of the outstanding Russian histologists Boris Lavrentiev - Boris Alyoshin, analysis of the scientific works of Professor Rafail Boyko, determination of his contribution to the development of the scientific community of morphologists and endocrinologists in Russia and Ukraine and to the system of higher medical education. The subject of the research in the article was the scientific biography of the scientist, histologist, physiologist and endocrinologist Rafail Boyko, one of the representatives of the famous scientific morphological school of histology. The object of the study was the scientific work of Rafail Boyko in 60th - 70th of 20th century. The research methods are based on comparative-historical, biographical, historical-scientific and documentary-retrospective research methods. The authors of the article prove the contribution of Professor Rafail Boyko in the development of the scientific community of morphologists and endocrinologists in Russia and Ukraine, in the structure and function of the hypothalamic-pituitary system and peripheral endocrine glands, in the development of histochemical and immunochemical research methods. He became one of the first researchers who stained and described the structure of adenohypophysis cells synthesizing adrenocorticotropic hormone. Authors show the contribution of Rafail Boyko in the development of the system of higher medical education in Russia and research centers in Ukraine and that the results of published scientific research by Professor Rafail Boyko are relevant at the present time.
34
Kabytov, P. S., e O. B. Leontieva. "Julius Martov and His Times [Review: Litvin A.L., Urilov I.Kh. Julius Martov. A History of Life and Work. 1873–1923. Moscow, Sobranie, 2021. (In Russian)]". Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki 164, n. 6 (2022): 229–37. http://dx.doi.org/10.26907/2541-7738.2022.6.229-237.
Testo completoAbstract (sommario):
This review focuses on the problematics, structure, and key points of A.L. Litvin and I.Kh. Urilov’s major monograph on the history of the life and work of Julius Osipovich Martov (1873–1923), the prominent Russian revolutionary and the leader of the Mensheviks. It reads as a historical biography in the context of the political events that occurred in Russia during the early 20th century. Of special interest is the specific approach employed by the authors: in order to build a psychological portrait of the main character, they refer to a variety of diverse sources, emphasize the pivotal moments in his life, and hunt for the driving force behind his actions. The analysis of Ju. Martov’s fate lifts the curtain on the history of the social democratic movement in Russia as a choice made between an authoritarian and democratic model of political order. The authors reflect on the importance of adhering to moral principles in politics. The monograph is highly relevant and useful for reconstructing the development of socialist ideas and their influence on the world order.
35
Piotrowicz-Krenc, Anna, e Małgorzata Witaszek-Samborska. "Karawaka (Caravaca Cross) and Its Synonyms, or Lexical Returns". Poznańskie Studia Polonistyczne. Seria Językoznawcza 30, n. 1 (28 settembre 2023): 91–119. http://dx.doi.org/10.14746/pspsj.2023.30.1.6.
Testo completoAbstract (sommario):
The authors, referring to the article Words That Come Back by Bogdan Walczak from 1998, present the history of the word karawaka in Polish. It is the name of the cross with two horizontal beams protecting against various disasters, especially against epidemics. Originally, it was a reliquary from the 4th century AD with a piece of the Holy Cross Tree, brought in the 13th century during the Crusades from Jerusalem to the Spanish city of Caravaca (from which its name comes). The custom of erecting such crosses and wearing these types of small crosses disappeared in the 20th century, and returned with the SARS-CoV-2 coronavirus pandemic. The lexeme karawaka was recorded for the first time in Samuel Bogumił Linde’s Polish Language Dictionary, and in the Polish Language Dictionary edited by Witold Doroszewski it already had the status of historicism. This word and its synonyms (krzyż karawaka, krzyż choleryczny, krzyż epidemiczny, krzyż morowy, krzyż epidemiczny, krzyż choleryczny, krzyż karawaka) returned to Polish in 2020, and the lexical novelty during the SARS-CoV-2 coronavirus pandemic is krzyż pandemiczny.
36
Piotrowicz, Anna, e Małgorzata Witaszek-Samborska. "Karawaka i synonimy, czyli o leksykalnych powrotach". Język. Religia. Tożsamość. 1, n. 27 (28 giugno 2023): 181–202. http://dx.doi.org/10.5604/01.3001.0053.7719.
Testo completoAbstract (sommario):
The authors, referring to the article Words that come back by Bogdan Walczak from 1998, present the history of the word karawaka in Polish. It is the name of the cross with two horizontal beams protecting against various disasters, especially against epidemics. Originally, it was a reliquary from the 4th century AD with a piece of the Holy Cross Tree, brought in the 13th century during the Crusades from Jerusalem to the Spanish city of Caravaca (from which its name comes). The custom of erecting such crosses and wearing these types of small crosses disappeared in the 20th century, and returned with the SARS-CoV-2 coronavirus pandemic. The lexeme karawaka was recorded for the first time in Samuel Bogumi Lindes Polish Language Dictionary, and in the Polish Language Dictionary edited by Witold Doroszewski it already had the status of historicism. This word and its synonyms (krzy karawaka, krzy choleryczny, krzy epidemiczny, krzy morowy, krzy epidemiczny, krzy choleryczny, krzy karawaka) returned to Polish in 2020, and the lexical novelty during the SARS-CoV-2 coronavirus pandemic is krzy pandemiczny.
37
Rábano, Isabel. "Pioneras en la Paleontología española: María Teresa Rodríguez Mellado (1921-1985)". Boletín de la Real Sociedad Española de Historia Natural, n. 114 (4 agosto 2020): 161–75. http://dx.doi.org/10.29077/bol.114.e06.
Testo completoAbstract (sommario):
Resumen Se presentan algunos aspectos de la biografía de María Teresa Rodríguez Mellado (1921-1985), una pionera desconocida en la historia de la Geología española. El matrimonio y la maternidad la retiraron de la ciencia tras una breve pero intensa actividad investigadora. Licenciada en Ciencias, Sección de Ciencias Naturales, por la Universidad Central en 1946, obtuvo una beca del Consejo Superior de Investigaciones Científicas en el Museo de Ciencias Naturales de Madrid para realizar su tesis doctoral sobre el Devónico en España, dirigida por Francisco Hernández-Pacheco. Colaboró con Manuel Alía Medina en algunas cuestiones paleontológicas de las investigaciones geológico-mineras del Sáhara Occidental. Asimismo, se muestra la evolución de la enseñanza de las materias geológicas durante la primera mitad del siglo XX en España. Abstra ct This paper deals with some aspects of María Teresa Rodríguez Mellado´s biography (1921-1985), an unknown pioneer in the history of Spanish Geology. Marriage and motherhood removed her from science after a brief but intense research work. She graduated in Natural Sciences in 1946, and got a Spanish National Research Council scholarship to carry out her Ph.D. thesis on the Devonian of Spain, supervised by Francisco Hernández-Pacheco. She collaborated with Manuel Alía Medina on some paleontological issues of the geology of Western Sahara. Also, the evolution of the teaching of geological subjects during the first half of the 20th century in Spain is shown.
38
Lindholm, Elena. "Collective motherliness in Spain: Reception and Reformulation of Ellen Key’s ideas (1907–1936)". Bergen Language and Linguistics Studies 10, n. 1 (7 novembre 2019): 11. http://dx.doi.org/10.15845/bells.v10i1.1388.
Testo completoAbstract (sommario):
During the early 1900s, Ellen Key's ideas about pedagogy, feminism and child rearing were influential around Europe. The same was true of Spain, although Key herself never visited the country. This article examines how Key's concept of collective motherliness was received and reformulated by Spanish intellectuals from two different generations: the first during the first two decades of the 20th century (1907-1920) and the second during the third and fourth decades (1920-1936). The focus is on works by two authors, each representing their generation of interpreters of Ellen Key: Carmen de Burgos (1867–1932) and Federica Montseny (1905–1994). The interpretation of these authors' texts in the light of Ellen Key's ideas of collective motherliness shows the reception and reformulation of these ideas in Spain changed between the two generations. The first focused more on collective values, such as women's education and patriarchal oppression in society, while the second generation focused more on individual aspects, such as free love and personal development.
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de la Torre, Saturnino. "Pioneros en el estudio de la Creatividad en España. Una mirada psicopedagógica". Revista Creatividad y Sociedad 37 (dicembre 2022): 22–36. http://dx.doi.org/10.37475/jrvj8804.
Testo completoAbstract (sommario):
This article intends to make a historical recognition to pioneer researchers of creativity in Spain. Although it lacks structure and methodology to qualify it as historical, it does lay the foundations and gives an account of the first contributions and how creativity has been introduced in Spain from the point of view of psycho-pedagogy thanks to researchers motivated by a cognitive-emotional theme. The theoretical foundations, as well as the strategic and operative ones, are inspired by the American and Spanish psycho-pedagogical research developed between 1960 and the end of the 20th century. Two of the key authors at the beginning were FH and R. Marín. The “corpus” of creativity in Spain has been growing and diversifying over the years, addressing fields such as psycho-pedagogy, art, advertising, engineering and business
40
García, Miguel Ángel. "La copla andaluza y los poetas". Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 48, n. 2 (5 dicembre 2013): 328–53. http://dx.doi.org/10.1075/rro.48.2.07ang.
Testo completoAbstract (sommario):
From the so-called «fin de siglo» to the thirties some of the Spanish poets relied on the folk song –and more specifically on the «cante jondo» or flamenco– to define an alleged Andalusian soul. In opposition to the cheerful, colourful and folkloric Andalusia described by poets like Reina and Rueda, there are other Modernist authors like Villaespesa, Sánchez Rodríguez, Juan Ramón Jiménez or Darío who refined the literary image of Andalusia from the distinctive notes of sadness or grief, thus initiating a thematic chain which from the twenties extended Lorca’s image of «Andalucía del llanto» under Neopopularism and the Vanguard movement. This trend continued in the next decade, when Cansinos Assens and the Caba brothers placed similar emphasis on tragic Andalusia, based on an analysis of the «cante jondo» in which metaphysical, social and historical aspects were mixed. This paper aims to examine some of the key aspects of the relation between the sadness of the Andalusian song and Spanish poetry in the first third of the 20th century.
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Valeev, Ramil M., Yazgul R. Rahimova, Roza Z. Valeeva, Ruslan V. Kurochkin e Valentina N. Tuguzhekova. "The Heritage of N.F. Katanov and the Prospects of its Study: Diaries and materials of his Travel to Siberia and Xinjiang (1889–1892) (Tuva–Khakassia–East Turkestan)". Written Monuments of the Orient 9, n. 1(17) (25 giugno 2023): 36–49. http://dx.doi.org/10.55512/wmo465708.
Testo completoAbstract (sommario):
In 2022, Russia celebrated the 160th anniversary birthday of the famous Khakass scholar, Turkologist, teacher, traveler and educator Nikolaj Fedorovich Katanov (18621922), who played a significant role in the study of the language and culture of the Tuvan people. Katanovs biography and research works allow us to study the origins and the contemporary state of development of the humanities. The biography and legacy of N.F. Katanov are of academic and especially scientific, educational, and humanistic interest. They reflect important trends in Oriental studies both in Russia and abroad, especially in Turkology. N.F. Katanovs doctoral dissertation A Study of the Uriankhai language laid the foundation for the scientific study of the Tuvan language, and his handwritten diaries and materials from the period of travel in Tuva, Khakassia, Xinjiang and Eastern Turkestan, entered the golden fund of Russian and European Turkology. His comprehensive studies of Turkic peoples of Eurasia at the turn of the century remain relevant and valuable at present. The article presents the research work on the heritage of N.F. Katanov scattered in archival centers of Kazan, Moscow, St. Petersburg and several foreign institutions. For the most part, the written materials (diaries, letters, unfinished manuscripts, etc.) of N.F. Katanov, revealed by the authors, bear the stamp of the era of the late 19th first decades of the 20th cc. and its socio-political life. Introduction into scientific circulation of N.F. Katanovs manuscripts allows us to identify the directions and features of his research work and to form an objective basis for the preparation of an academic biography of the classic of Russian Turkology.
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Ning, Siwen, e Lluís Anyó. "Fu Manchu and the characterization of the Chinese as yellow peril in Spain". Brazilian Journal of Development 9, n. 12 (12 dicembre 2023): 31040–56. http://dx.doi.org/10.34117/bjdv9n12-031.
Testo completoAbstract (sommario):
This article traces the Chinese characters presented as the anti-Western threat in Spanish culture, namely the Yellow Peril discourse, which has not received adequate attention from the academia. Since the 19th-century, Chinese characterization in Spain has taken place as an especial cultural phenomenon, in which the connotation of “peril” first emerged from a press representation from France and England. After a period of inner circulation of stereotypes, it is revived by the irruption of Anglo-American popular culture, in the form of a well-defined Fu Manchu in the first half of the 20th century. The authors examine two films directed by Jesús Franco: The Blood of Fu Manchu and The Castle of Fu Manchu, co-produced by European production companies and shot partly in Spain. In the whole process, the “peril” associated with Chinese characterization maintains both its “vicarious” and “referential” representation. Thus, Jess Franco’s cinematographic version of Fu Manchu anticipates the postmodern pastiche and turns Fu Manchu into an entire “empty” cultural entity. The article aims theoretically to differentiate “media culture”, which is a fertile terrain of both stereotypes and its extreme form, pastiche, from other types of high culture and popular culture. In the case of Chinese characterization in Spanish culture, media and a culture shaped by media can be considered as the producers of the Chinese peril phenomena.
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Kononova, Olga V. "Portrait Gallery of an Era: on the Pages of Bibliotekovedenie Journal (1952—2021)". Bibliotekovedenie [Russian Journal of Library Science] 72, n. 2 (19 giugno 2023): 143–54. http://dx.doi.org/10.25281/0869-608x-2023-72-2-143-154.
Testo completoAbstract (sommario):
The article is devoted to the study of the publications of biographical direction of the “Bibliotekovedenie” — Russian Journal of Library Science in 1952—2021. The most attention is paid to the analysis of the materials published in the 20th century. It reconstructs the history of the development of biographical materials on the pages of the periodical edition, defines the stages and characteristic features of each of them, presents the forms of biographical publications, reveals the circle of persons engaged in studying biographies of outstanding librarians, as well as the persons who became the objects of the authors’ and editors’ attention. The scientific discipline of humanitarian cycle, biography, is discussed. The authors cite the opinions of scholars (Yu.N. Stolyarov, V.S. Kreydenko, A.N. Vaneev, I.L. Belenkiy, G.G. Silnitskii, etc.) which emphasizes the necessity and significance of studying history through biographical studies. In the 21st century the library and book community has entered with a very developed direction of historical research on biography. While before 1970 there were sporadic publications on people of the library profession, by the end of the 20th century the number of biographical materials had increased significantly. Books and monographs dedicated to librarians appeared, name conferences began to be organized, autobiographical genre began to form, memoirs “in the first person” were published. Various factual and biographical materials have been collected in the journal.During the 15-year period of publication of the collection (bulletin) “Libraries of the USSR. Work Experience” (1952—1966) it published four articles of biographical genre: on the bibliographer A.P. Sokolov; on V.I. Lenin’s elder brother A.I. Ulyanov; the writer V.G. Korolenko and his library; the librarian A.A. Pokrovsky. During the six years (1967—1972), when the collection was published under the title “Libraries of the USSR”, nine articles dedicated to individual outstanding people were published in it. In 1973 the collection was transformed into the scientific and practical journal “Soviet Bibliotekovedenie” (Soviet Library Science). During the twenty years between 1973 and 1992, 128 biographical materials were published, and 96 persons were the subject of attention. Since 1993 the journal has been published under the title “Bibliotekovedenie” (Russian Journal of Library Science). From 1993 to 2000, 59 biographical materials were published in it. Articles of autobiographical genre appeared. For the first time, the interview genre was used. Between 2001 and 2021, 298 biographical materials were published in the journal, and more than 200 persons received attention. Of these, material on 165 persons appeared for the first time.Between 1952 and 2021, a total of over 280 authors published articles of biographical genre. The librarians about whom the greatest number of materials has been published: O.S. Chubarian, N.I. Tyulina, Yu.V. Grigoriev, N.S. Kartashov, K.I. Abramov, A.A. Pokrovsky, M.Ya. Dvorkina, N.A. Rubakin, Yu.N. Stolyarov, L.B. Khavkina, etc.The materials presented in the journal may serve as a basis for further research. The article may be useful for library professionals to intensify research activities in the field of library history through the study of biographies of prominent people.
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Sushko, Alexey V., e Dmitriy I. Petin. "Chekist, participant in hostilities, publicist: To the biography of Boris Antonovich Yankovsky". Vestnik Tomskogo gosudarstvennogo universiteta, n. 480 (2023): 142–48. http://dx.doi.org/10.17223/15617793/480/17.
Testo completoAbstract (sommario):
The article analyzes the possibilities of personal and professional adaptation of a “man of the revolution” to the dynamic and changing conditions of the Soviet society during the first half of the 20th century. The authors reconstruct the biography of a resident of the province - Boris Antonovich Yankovsky (1903-1964), whose life path incorporated the features both typical of the era and unique. The methodological basis of the study was the anthropological approach and the synthesis of macro- and micro-history; historical-biographical and comparative-historical methods were also used in the work. The sources for the research were unpublished ego-documents (questionnaire, autobiographies and memoirs) permanently stored in the Historical Archive of Omsk Oblast and in the Archive of the Federal Security Service of Russia in Omsk Oblast. The presence of such a significant and informative array of sources about a former employee of the Soviet special services is infrequent. This circumstance, as a result, made it possible to reconstruct Yankovsky's biography in as much detail as possible and to characterize his inner world. A feature of Yankovsky's biography is that in the conditions of social cataclysms he showed professional mobility, skillfully found himself and his vocation realizing his creative writer and publicist talents, he also served in the army, in state security agencies, and worked as a journalist. Yankovsky did not hold high positions, apparently burdened by the manager post, and preferred individual activities. Wars had an undoubted influence on Yankovsky. As evidenced by the study, he was an ideological person, devoted to the Soviet system, persistent, fearless, enterprising, emotional, direct and ready for sacrifice. At the same time, even though he was twice oppressed along the party line, he was able to safely avoid repression. In conclusion, the authors emphasize that the fate of Boris Yankovsky can be called a typical example of a “grassroots” person who was able to successfully take advantage of the conditions of the Russian Revolution, which created social elevators for talented people.
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Pudłocki, Tomasz, e Wiktor Węglewicz. "Pochwała jako tekst historyczny – życiorys Bohdana Zahajkewycza". Rocznik Przemyski. Historia 1 (27) (29 dicembre 2022): 403–49. http://dx.doi.org/10.4467/24497347rph.22.026.16651.
Testo completoAbstract (sommario):
Commendation as a historical text – the biography of Bohdan Zahaykevych The authors present a source rarely used in historical research: a commendation of a person delivered on the occasion of their jubilee. By courtesy of the family, an unknown historical source has been edited, concerned with Bohdan Zahaykevycz, one of the major figures in interwar Przemyśl: secondary school teacher, museologist, organizer of cultural activities, brother of Volodymyr Zahaykevych (Deputy Speaker of the Sejm of the Second Republic of Poland and lawyer). After emigrating from Przemyśl, Zahaykevycz was one of the key figures in the life of the Ukrainian diaspora in the USA. This text is supposed to honor his services as a sort of liaison between the past world for American Ukrainians and their postwar reality overseas. It says a lot about what and how was remembered and maintained in the collective memory of the generations living in new reality after 1945, focusing above all on Ukrainian life in Przemyśl in the first half of the 20th century.
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Bibikov, Mikhail V. "Kazhdan’s Practices of Working with Manuscript". GRAPHOSPHAERA Writing and Written Practices 3, n. 2 (2023): 24–29. http://dx.doi.org/10.32608/2782-5272-2023-3-2-24-29.
Testo completoAbstract (sommario):
The article contains the notes pro memoria about A. P. Kazhdan’s studies of manuscripts, his achievements and losses in this field. The first case is the episode of the describing by young A. Kazhdan the collection of Greek manuscripts in the former Lenin State Library, now – Russian State Library. The next point is connected with manuscript copy-book by N. Novosadsky, that contained texts of many literary works of Eustathius of Thessalonice, Michael Rhetor (“of Thessalonice”) and other Byzantine authors, copied in El Escorial. They were used by A. Kazhdan himself and by his students in their studies. The last episode con-cerns the case of prohibit for A. Kazhdan to visit Athos and research some manuscripts, even while he visited Grece with a group of colleagues. Those three cases contribute to our un-derstanding of not only the biography of A. P. Kazhdan, but also of the history of Byzantine studies in the USSR and the Russian historiography of the second half of the 20th century in general.
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Repina, Anastasija S. "Folk Adaptation of the Sentimental Romance by M. V. Zubova “I`m Going to the Desert". Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 68 (2023): 181–89. http://dx.doi.org/10.37816/2073-9567-2023-68-181-189.
Testo completoAbstract (sommario):
The paper presents the collection and analysis of the folklore adaptations of Maria Zubova's sentimental romance “I am going away into the desert” in the 19th and 20th centuries. The transformation of the author's work in folk song and theatre culture demonstrates a complex interaction between folklore and book poetry. The biography of the author, a representative of the artistic milieu and one of the few female poets of the late 18th century, is reflected in some journal sources (“Materials for the History of Russian Female Authors” by M. N. Makarov) and fiction sources (“Russian Women of New Times” by D. L. Mordovtsev) which confirm possible authorship of the poetess. The study highlights stylistic features of love, spiritual and prison lyrics, as well as the work of folk theatre, which uses the text under study. Women's love songs, including choral songs, vary the motif of infidelity, transform the spiritual meaning of the image of the desert into a symbol of conjugal loneliness. In an Old Believer environment, the work was included in spiritual songs developing a motif of renunciation of the secular life in the wilderness. Researcher P. A. Bessonov discusses the devastating impact of “pseudo-folk” song on Russian spiritual culture. Echoes of the sentimental romance may also be found in the prison lyrics of the 20th century collected from the Siberian narrator I. K. Beketov. The final part of the study deals with the folk drama “King Maximilian”, where the cited text appears as a precedent for the Russian culture, which is proved later by its active use in numerous works of fiction.
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Pluta, Nina. "Habla el policía: Polifonia novelesca y debate democrático en algunas novelas españolas sobre el franquismo y la Transición". Politeja 16, n. 3(60) (1 marzo 2020): 115–38. http://dx.doi.org/10.12797/politeja.16.2019.60.08.
Testo completoAbstract (sommario):
The Policeman Speaks: Novel Polyphony and Democratic Debate in Some Spanish Novels about Francoism and the Transition
In recent years a new orientation in the Spanish political memory (a shift from the tendency towards forgetting conflicts to the claims for recognition for all victims) can also be noticed in a significant number of literary works. Many novels offer a broad coverage of social discourses and engage in the process of negotiations over a critical period in the 20th century history of Spain, namely the “Transition” from the late francoism era to democracy. This paper analyses fragments of three contemporary novels (La caída de Madrid by Rafael Chirbes, El vano ayer by Isaac Rosa, and El día de mañana by Ignacio Martínez de Pisón) whose authors give voice to an ambiguous character -- a policeman from the Francoist period. He makes attempts to justify his work and his support for the regime. These fictional utterances are studied from the perspective of certain theories of literary dialogism and literary poliphonic devices. The final question is whether it is reasonable to expect any social impact of such literary representations of “democratic” dialogues.
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Файзуллина, Гузель Чахваровна, Зайтуна Аптрашитовна Тычинских e Лилия Харисовна Фаизова. "Tobolsk Bukharans of Komarovsky Yurt of Tobolsk Province According to Birth Registers of the 19th – early 20th Century". Tomsk Journal of Linguistics and Anthropology, n. 1(39) (30 giugno 2023): 141–55. http://dx.doi.org/10.23951/2307-6119-2023-1-141-155.
Testo completoAbstract (sommario):
На основе материалов рукописных мечетных книг юрт Комаровских Бухарской волости Тобольской губернии рассматривается социокультурный облик сибирских бухарцев в XIX – начале XX в. Мусульманские метрические (мечетные) книги «на записку родившихся, о браках, разводах и смерти» транслитерированы и переведены авторами на русский язык. Транслитерация и перевод старотатарских текстов позволяют ввести в научный оборот новый источниковедческий материал. Показано, что в метрических книгах содержится уникальная информация, которая в совокупности с другими источниками дает возможность детально и комплексно рассмотреть вопросы социально-исторического и лингвистического характера мусульманского населения Западной Сибири. Выявлено, что структура этих документов унифицирована и соответствует общепринятым стандартам изучаемого исторического периода. Составителями мусульманских метрических записей являлись имамы, которые вели службу в местных мечетях, что просматривается по записям, сделанным в книгах о браках и разводах. В мусульманских метрических книгах Комаровской мечети сохранились сведения за 27 лет, охватывающие с 1835 г. по 1852 г. и с 1854 г. по 1862 г. В течение всего этого периода имамом в мечети юрт Комаровских служил бухарец Суюджбаки б. Габдельгазиз. Авторами представлены некоторые факты биографии указного имама и составлена его родословная. Выявлено, что как книги о рождении, так и о браках позволяют определить этническую и сословную структуру изучаемого населения в XIX в. В мечетных книгах юрт Комаровских обозначены эти категории, к которым относились служилые, ясачные татары, бухарцы и др. В рассматриваемых рукописных документах для обозначения бухарского населения характерно в качестве равнозначных использование лексем бухартин и сарт. Отмечается, что в передаче фонетических особенностей произношения личных имен в графическом оформлении слова (оглушение) и лексике (диалектизмы) прослеживаются некоторые элементы регионального наречия. This article analyzes the socio-cultural peculiarities of the Siberian Bukharans in the 19th and early 20th centuries. The analysis is based on the material of handwritten mosque books of Komarovsky yurts in Bukhara Volost, Tobolsk province. The authors transliterated and translated the Muslim metrical (mosque) books “On a Note to the Born, on Marriages, Divorce, and Deaths” into Russian. The transliteration and translation of the old Tatar texts bring new source material into scholarly circulation. It is shown that the metrical books contain unique information. This information and some other sources allow one to consider in detail and comprehensively the socio-historical and linguistic nature of the Muslim population of Western Siberia. It turns out that the structure of these documents is uniform and corresponds to the generally accepted standards of the historical period under study. The authors of the Muslim metrical records were imams serving in local mosques. This is evident from the records in the books of marriages and divorces. The Muslim metrical books of the Komarovskaya Mosque preserved information for 27 years, from 1835 to 1852 and 1854 to 1862, during which Suyujbaki b. Gabdelgaziz was the imam of the Komarovsky Yurts. The authors present some facts about the biography of the decreed Imam and compile his genealogy. It turned out that the two books on births and marriages allow us to determine the ethnic and class structure of the studied population in the 19th century. These categories are given in the mosque books of the Komarovsky Yurts and include soldiers, Yazak Tatars, Bukharians. It is typical of the designation of the population of Bukhara that in these handwritten documents, the lexemes bukhartin (бухартин) and sart (старт) are used as equivalents. The authors note that some elements of the regional dialect are recognizable in the transfer of phonetic features of pronunciation of personal names in the graphic design of the word (devoicing) and vocabulary (dialectisms).
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Babina, Agata. "Mikrostāsta jēdziens mūsdienu literatūrā". Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, n. 25 (4 marzo 2020): 299–310. http://dx.doi.org/10.37384/aplkp.2020.25.299.
Testo completoAbstract (sommario):
The glorious, overwrought, and ambitious modernism of the early 20th century has gradually been replaced by minimalism in art, architecture and other cultural expressions. In such a changing environment, minimalism trends also appear in the literature. Turning to the analysis of literary fiction over the last hundred years, critics of Romanic and Anglo-Saxon literature have come to the conclusion of the emergence of a new literary genre. In Anglo-Saxon literature, among many other names of this genre, the most recognizable name is flash fiction, while in Spanish, the term microrrelato has been established in the last decade. However, in Latvian literature, the characteristics of the genre correspond to minimas written by Aivars Eipurs. The paper aims to provide insight into the development and textual characteristics of flash fiction and to seek its equivalents in the literature of different Western nations. The study looks at the concept of flash fiction and its synonyms in English, Spanish, French, Russian, and Polish languages, includes definitions of flash fiction as an independent literary genre of a variety of authors and sets out the key features and examples. In addition to the concept of flash fiction, it includes concepts of intertextuality and ellipsis, which, along with humor and metafiction, are essential linguistic elements of flash fiction. Flash fiction merges different genres and their patterns into a new literary form consisting of certain linguistic, syntactical, and pragmatic texting techniques. In building the theoretical base of the study, the emphasis was placed on the critics of contemporary Spanish literature less known in Latvia, such as professor Irene Andrés-Suárez (b. 1948) of the University of Neuchatel (Switzerland), Argentinian writer and literary critic David Lagmanovich (1927–2010) and Mexican literary critic Lauro Zavala (b. 1954). Examples of the genre are mostly referred to by Hispanic authors.