Letteratura scientifica selezionata sul tema "Author and Document"
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Articoli di riviste sul tema "Author and Document":
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Arief, Arief Purnama Ajie, e Andin Rusmini Andin. "Analisis Big Data Hukum Pariwisata Internasional Periode 2017-2023". Mutiara : Jurnal Ilmiah Multidisiplin Indonesia 1, n. 2 (31 ottobre 2023): 245–66. http://dx.doi.org/10.61404/jimi.v1i2.80.
Abstract (sommario):
This study, conducted from 2017 to 2023, analyzes the relationship between international tourism and law using bibliometric methods on a dataset of 237 selected documents. The findings reveal a declining trend in annual dataset growth, with an average document age of approximately 2.93 years. The study delves into author collaboration, document types, and keyword usage. There was an average of 4,042 citations per document, reflecting the scholarly impact in the field. The dataset included 714 plus keywords and 738 author keywords, contributing to content analysis. Among the 570 unique authors, 87 were sole authors, while 99 documents were single-authored, and the average co-authorship was 2.47. Notably, there was no international co-authorship in the dataset. Document types encompassed articles, books, book chapters, conference papers, and more, with peak scientific production observed in 2020. Treemap and thematic map analysis visualize term distribution and research trends.
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Stolyarov, Yu N. "Library documentology". Scientific and Technical Libraries, n. 5 (23 luglio 2021): 61–72. http://dx.doi.org/10.33186/1027-3689-2021-5-61-72.
Abstract (sommario):
The article is a follow-up of the previous publications by Yu. N. Stolyarov “Documentology: The backgrould and development” and “The basic postulates of documentology as the general theory of documents”. The author substantiates the need for developing the library documentology as an individual discipline with its specific subject, specific document definition, and specific content. The subjects of library document studies are the primary and secondary document; technological document; accompanying document; and administrative document (record). The library workflows are based on procedural documents that form the class of administrative documents that ensure the optimal functioning of the library. Administrative documents in the library, as in other legal entities, are grouped into large subclasses: planning, accounting, reporting, personnel, financial documents, etc. Among them, the managerial documents are mostly important as they are to support the entire management process. Beside these subclasses, the accompanying documentation forms the subclass that makes an essential part of the collection, namely technological, and administrative documentation. To separate the fundamental library concepts of the document, the author proposes to adopt a specific definition for each document process. The library collection document is information specific for the library that is fixed or to be fixed. Fixed information refers to the diachronous, discrete documents, information to be fixed (continuously and to be continuously updated) refers to synchronous (existing at the time of retrieval), continuous (having only the beginning) document. The author defines library documentation as the systematized collection of internal documents. The tasks and purpose of these documents are determined by the specific of library technological tasks and functions. The author insists on developing the key provisions and, above all, the terms of library documentology.
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Han, Peng, Ming Mei Chen e Ying Nan Zhang. "A Hierarchical Bayesian Model for Text Corpora". Applied Mechanics and Materials 687-691 (novembre 2014): 1237–40. http://dx.doi.org/10.4028/www.scientific.net/amm.687-691.1237.
Abstract (sommario):
We propose a new generative probabilistic Dirich- let Author-Topic (DAT) Model for extracting information about authors and topics from large text collections. DAT is a three-level hierarchical Bayesian model. The model builds on the Author Topic (AT) model, adding the key attribute that distribution over author is conditioned on a Dirichlet prior. The probability distribution over topics in a multi-author document is a mixture of the distributions associated with the authors. The three level distributions including document-author, author-topic and topic-word are learned from data in an unsupervised manner using a Gibbs sampling algorithm. We give results on a large corpus which contains 1740 papers from the Neural Information Processing Systems Conference (NIPS). Experiments based on perplexity scores for test documents are used to illustrate systematic differences between the proposed model and a number of alternatives.
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Kosova, Marina. "Development of Theoretical Approaches to Modern Document Studies in Linguistic School of Professor Sofiya P. Lopushanskaya". Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, n. 6 (febbraio 2024): 66–79. http://dx.doi.org/10.15688/jvolsu2.2023.6.5.
Abstract (sommario):
The article presents fundamental positions of the linguistic school by Sofiya P. Lopushanskaya, Professor of Volgograd State University, and describes their theoretical advancement as being applied in the discourse studies on "Document text: history and modern state". It explains that the study of business and administrative communication should be based on a clarified definition of the term document as its main constituent. The major goal of documental linguistics is to process a diverse linguistic analysis, discover objective knowledge and reason linguistic comprehension of the documental nature of communication. Within the framework of this review, some general principles of the document text analysis are presented. Firstly, they are statements on: the unity of the speech-making process approach; the interaction and coordination between language phenomena and speech production processes; extralinguistic determination of the modern document. Secondly, these statements were particularized in the linguistic school of Volgograd State University with the aim of introducing basic approaches to the study of the document text. They involve identifying the research object and its characteristics, analyzing a diverse range of texts to assess the genre and style productivity of the document text equally, and defining linguistic categories that are manifested in textual and lingual specificity. The article presents renewed facts on discursive and linguistic features of modern documents united by such text properties as consistency, structure, locality, peculiarities of the language representation of the author and addressee. It is noted that the text of the document can contain information of various qualitative types (factual, conceptual, subtextual), and it is the main constituent of the documental system and the business and administrative communication act. As the text reflects an objective and social reality, its compositional structure and semantic realization greatly depend on extralinguistic constrains. The profiles of the author (addresser) and addressee are presented as being reconstructed with the detailed observation of multi-level lingual and discursive means. The variability of the addressee profiles (the document text addressability) is presented in models of lexical, style, and text adaptation. The principles and methods of detailed description of the documet text specified in the article open up new opportunities and directions for studying document typology and distinguishing relevant features of the document communication.
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Paiva, Sara. "A Fuzzy Algorithm for Optimizing Semantic Documental Searches". International Journal of Web Portals 6, n. 1 (gennaio 2014): 50–63. http://dx.doi.org/10.4018/ijwp.2014010104.
Abstract (sommario):
Search for documents is a common and pertinent task lots of organizations face every day as well as common Internet users in their daily searches. One specific document search is scientific paper search in reference manager systems such as Mendeley or IEEExplore. Considering the difficult task finding documents can sometimes represent, semantic search is currently being applied to improve this type of search. As the act of deciding if a document is a good result for a given search expression is vague, fuzziness becomes an important aspect when defining search algorithms. In this paper, the author present a fuzzy algorithm for improving documental searches optimized for specific scenarios where we want to find a document but don´t remember the exact words used, if plural or singular words were used or if a synonym was used. The author also present the application of this algorithm to a real scenario comparing to Mendeley and IEEExplore results.
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Mykhailovska, Ye V., e A. O. Lymonko. "On the technique of drafting administrative and legal documents". Analytical and Comparative Jurisprudence, n. 6 (27 dicembre 2023): 478–81. http://dx.doi.org/10.24144/2788-6018.2023.06.82.
Abstract (sommario):
The article is devoted to the study of the key aspects of administrative and legal document drafting techniques, since the creation of administrative and legal documents is an integral part of the activities of state bodies and institutions, and the quality of document execution, legal effectiveness, and content of the document depend on the document drafting technique. The author examines the technique of creating administrative and legal documents, their structure, style, and rules for using terminology and official language.
Attention is focused on a detailed description of the structure of administrative and legal documents and the requirements for each part of the document.
The peculiarities of formulating headings to the text of the document; construction of the preamble and its components; design of the main and final parts of the document; style of writing administrative and legal documents are considered.
The author analyzes the use of terminology in administrative and legal documents; the terms should be defined accurately and unambiguously, meet the requirements of current legislation and leave no room for interpretation.
The author offers recommendations for eliminating errors in the drafting of administrative and legal documents: the use of the official language (language terms, means and phrases) when writing the text of the document, which directly affect the conciseness and understanding of the text of the document, the correct use of terms and phrases, makes it possible to avoid stylistic and grammatical errors in the drafting of administrative and legal documents. Compliance with the standards of document execution will ensure that the content of the document is understood and has legal effect, such standards include maintaining the appropriate structure of the document, using defined and commonly used terms, following the rules of punctuation, etc. Checking spelling and grammar before starting the process of sending the document is mandatory, as errors in the document can lead to misunderstandings, misinterpretation of the text of the document and even legal consequences, the document must comply with the requirements of the law and legal regulations, some administrative and legal documents may contain confidential information that should not be available to everyone, it is important to ensure the right conditions for maintaining the confidentiality of information and proper protection of documents.
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Kusmayadi, Iwan, Djoko Suprayetno, Muhammad Mujahid Dakwah e Muhammad Ahyar. "Analisis Bibliometrik Pada Riset Keuangan Inklusif Dalam Tiga Dekade". JURNAL SOSIAL EKONOMI DAN HUMANIORA 8, n. 1 (30 marzo 2022): 154–60. http://dx.doi.org/10.29303/jseh.v8i1.51.
Abstract (sommario):
Research on financial enclusion was first indexed in Scopus in 1984, in the form of a conference paper. This study aims to explain the development of inclusive financial literature in the form of scientific publicist indexed by scopus in the last three decades. The population of this study was recorded as many as 1,681 documents indexed by scopus from 1984 to 2020 in the form of articles, conference papers, book chapters, reviews and other publications. This research includes descriptive quantitative using bibliometric analysis approach. Data is analyzed using VOSviewer software. Research findings based on bibliometric analysis: recorded 3,013 authors, and 4,462 different keywords; Publications relevant to this topic, of which the highest number in 2020 are 372 articles; the most publicity sources containing related topics are Economic and Political Weekly; The most productive author is Munene J.C with 17 documents; The largest number of affiliates come from the Faculty of Finance, Risk Management and Banking, University of South Africa, South Africa. The largest number by author's country of origin is from India. Research conclusions: First, scientific research on inclusive financial topics has experienced very significant developments, especially in the last 1 decade from 2011 to 2020 consistently experiencing growth every year. Second, bibliometric visualization of network maps based on: a) author (document = 22 clusters, country = 12 clusters), b) keywords (10 clusters), c) citations (document =181 clusters, authors = 14 clusters), d) bibliography couplings (document = 104 clusters, author = 3 clusters), and co-citation (cited author = 6 clusters).
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Noel, Steven, Chee-Hung Henry Chu e Vijay Raghavan. "Co-Citation Count vs Correlation for Influence Network Visualization". Information Visualization 2, n. 3 (settembre 2003): 160–70. http://dx.doi.org/10.1057/palgrave.ivs.9500049.
Abstract (sommario):
Visualization of author or document influence networks as a two-dimensional image can provide key insights into the direct influence of authors or documents on each other in a document collection. The influence network is constructed based on the minimum spanning tree, in which the nodes are documents and an edge is the most direct influence between two documents. Influence network visualizations have typically relied on co-citation correlation as a measure of document similarity. That is, the similarity between two documents is computed by correlating the sets of citations to each of the two documents. In a different line of research, co-citation count (the number of times two documents are jointly cited) has been applied as a document similarity measure. In this work, we demonstrate the impact of each of these similarity measures on the document influence network. We provide examples, and analyze the significance of the choice of similarity measure. We show that correlation-based visualizations exhibit chaining effects (low average vertex degree), a manifestation of multiple minor variations in document similarities. These minor similarity variations are absent in count-based visualizations. The result is that count-based influence network visualizations are more consistent with the intuitive expectation of authoritative documents being hubs that directly influence large numbers of documents.
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Wang, Binglu, Yi Bu e Win-bin Huang. "Document- and Keyword-based Author Co-citation Analysis". Data and Information Management 2, n. 2 (14 agosto 2018): 70–82. http://dx.doi.org/10.2478/dim-2018-0009.
Abstract (sommario):
AbstractIn the field of scientometrics, the principal purpose for author co-citation analysis (ACA) is to map knowledge domains by quantifying the relationship between co-cited author pairs. However, traditional ACA has been criticized since its input is insufficiently informative by simply counting authors’ co-citation frequencies. To address this issue, this paper introduces a new method that reconstructs the raw co-citation matrices by regarding document unit counts and keywords of references, named as Document- and Keyword-Based Author Co-Citation Analysis (DKACA). Based on the traditional ACA, DKACA counted co-citation pairs by document units instead of authors from the global network perspective. Moreover, by incorporating the information of keywords from cited papers, DKACA captured their semantic similarity between co-cited papers. In the method validation part, we implemented network visualization and MDS measurement to evaluate the effectiveness of DKACA. Results suggest that the proposed DKACA method not only reveals more insights that are previously unknown but also improves the performance and accuracy of knowledge domain mapping, representing a new basis for further studies.
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Shvetsova-Vodka, G. N. "Document classification as a theoretical problem of documentology". Scientific and Technical Libraries, n. 9 (4 ottobre 2022): 147–68. http://dx.doi.org/10.33186/1027-3689-2022-9-147-168.
Abstract (sommario):
The changes and amendments to the general document classification as a theoretical problem of document studies and documentology, are discussed. The document in the meaning “recorded information” is the subject of classification. The author examines the faceted-block classification of document based on various characteristics united into six clusters: “Types of documents physical carrier”, “Types of documents by document acquisition circumstances”, “Types of documents by information representational and transfer tools (by signative component)”, “Types of documents by information reception (perceptive component)”, “Types of documents by their environmental circumstances”. The document classification within each facet is independent which enables to characterize any document in various parameters. The changes and amendments are made to the general document classification based on increasing number and weight of electronic documents including digital versions of originally non-digital documents. The refined general classification is to facilitate special classification in particular types (classes, groups) of documents. The general document classification is applicable to various scientific disciplines within documentology, and to teaching documentological disciplines.
Tesi sul tema "Author and Document":
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Curcio, Mariateresa. "Le problème de l'auteur dans la culture artistique romaine : originalité et imitation". Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010502/document.
Abstract (sommario):
Normalement, la première question que l'observateur se pose quand il se trouve en face d'une image, d'une œuvre visuelle est "De qui est-ce?". Comme si l'auteur était la première condition pour attribuer à un objet une valeur artistique. Il n'y a pas d'art sans auteur, ni de chef-d'œuvre qui n'ait été conçu à partir d'un artiste singulier, en assurant l'originalité. D'une certaine manière, la prérogative autorielle est le sceau qui transforme J'image en une œuvre d'art, considérée par les spécialistes et appréciée par les utilisateurs, par le public. Il semblerait donc que l'auteur soit le sujet actif de la production artistique, acteur principal du besoin expressif des hommes, c'est du moins ce que l'on a longtemps pensé. En vérité, l'autorialité (difficile traduction de l'anglais autorship) et toutes les pistes sémantiques qui s'y réfèrent (comme la dichotomie original/faux) ne sont que des significations modernes, nées pendant la période de la modernité. Mais d'abord il faut faire quelques remarques de méthode. Dans ma recherche, je ne veux pas annuler le rôle de l'autorialité dans le production visuelle, ni proclamer la mort de l'auteur. Le but de mon travail sera de déconstruire la notion d'auteur considérée comme l'expression d'un sujet unique dans l'acte de création (dans ce cas artistique). Il s'agit de comprendre quels sont les différents acteurs qui ont contribué à définir le travail artistique (dans ses caractéristiques formelles et sémantiques) dans la complexité de la culture visuelle romaine. Mon travail de recherche porte sur la culture artistique romaine située dans la structure sociale et politique spécifique de Rome. Pour atteindre cet objectif, il faut d'abord essayer de «déconstruire» certains axiomes qui définissent la structure du langage visuel romain. À cet effet, j'ai essayé d'entreprendre un travail d'analyse qui, partant de la question de l' originalité artistique dans le cadre de la culture romaine, retrouve l'origine du problèmeThe topic of my research has been to deconstruct the authorship as expression of a unique subject within the artistic creation. act, in order to understand the different elements composing an art-work in the elaborated Roman visual culture. I tried to investigate how the modern concept of author has influenced the analysis of Roman art and I have offered new paradigms useful for dealing with the investigation of some components of the Roman artistic culture. Now it's widely recognized that the aesthetic paradigms that consider the art-work separated from contexts (whether cultural or physics) can't thoroughly read Rome's artistic production. For that reason, redefining the authorial contents and introducing in the artistic vocabulary words such as emulation and reproduction, allows to analyze the who le artistic culture under a different interpretative point of view. Indeed the preponderance of the author in the creative process has influenced the modem study of the ancient works of art: an author has argued and verified the idea that any art-work has only a style, a period, and a unique culture. If we go beyond this reasoning, we can understand that the production of certain artistic categories, above all in Roman cultural world, is the result of a mix of formals features and cultural models that can't be isolated within a style, a period or geographical borders. As a consequence, my work tried to propose new contents and theories more suitable for the understanding of the Ancient cultural processes. Thus I have analyzed a specific sculptural group (the honorary nude-portraits), which generally isn't particularly appealing as work of art, in order to understand its cultural and social value, turning away from a purely aesthetic assessment
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Julien, Dimitri. "Les voix de l'histoire : polyphonie du récit historique français dans la première moitié du XIXe siècle". Thesis, Lille 3, 2019. http://www.theses.fr/2019LIL3H001/document.
Abstract (sommario):
Les modes de composition et de narration de l’histoire ont été profondément bouleversés dans la première moitié du XIXe siècle français. Le récit historique doit alors répondre à de nouveaux enjeux et façonner une historiographie nouvelle qui devra conduire à l’établissement d’une discipline scientifique moderne : l’histoire. Les écrivains de cette période conçoivent par conséquent un récit historique dans lequel sont inscrites les nouvelles modalités démocratiques du rapport à la cité politique : il ne s’agit plus seulement pour l’historien d’entretenir de l’histoire, mais de faire entendre les voix de l’histoire, celles des contemporains tout autant que celles du passé, en les inscrivant dans un régime communicationnel. Autrement dit, il ne s’agit pas seulement de les faire entendre, mais aussi de procéder à un vaste système d’interactions des différentes temporalités : à l’image d’un vaste parlement, les temps communiquent et tiennent la narration pour donner à lire une histoire polyphonique dans laquelle l’instance narrative et auctoriale qui assurait autrefois le rythme et la cohérence du récit se démultiplie, et dans laquelle l’histoire se fragilise pour mieux se faire entendre. Le récit historique de la première moitié du siècle s’institue ainsi comme un vaste laboratoire dans lequel les historiens expérimentent les nouveaux modes d’expression d’une histoire démocratiqueThe history’s narrative has been deeply shaked during the first half of the nineteenth century. The historical narrative have to meet new challenges and make a new historiography to institute a modern and a scientific discipline : history. Therefore writers of this period form an historical narrative which includes new democratic procedures for the management of politics : historian have not only to talk about history, but have also to get the voices of history heard, past’s voices as well as contemporary’s. History becomes a communication. In other words, voices don’t only have to get heard : they have to interact each others through time. Like a parliament, times communicate each others and lead the narrative to make a polyphonic history, in which the narrative and auctorial instance – which, in the past, led the rhythm and the coherence of the narrative – stretch themselves. Therefore history weaks itself to become more listenable. The history’s narrative of the first half of the nineteenth century becomes thus a wide laboratory for historians to experiment new narrative devices of a democratic history
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Guzda-Rivière, Frédéric. "L' au(c)torité de l'artiste et ses paradoxes : tentative de relecture historique, critique et poïétique du statut de l'artiste". Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H303/document.
Abstract (sommario):
Le premier travail de cette thèse a consisté à envisager l'artiste, essentiellement, comme un auteur. Il nous a conduit à suggérer, quant à l'auteur, que sa mort jadis annoncée imposait de penser sa résurrection à partir d'autres catégories et outils conceptuels que ceux qui ont permis de constater son décès. Après avoir démontré, d'une part, que l'auctorité (authorship) définissait exemplairement l'artiste, et s'être acquitté, d'autre part, d'un indispensable rappel historique permettant de comprendre les conditions de son apparition, nous avons tâché de faire jouer entre eux (au double sens de mettre en relation et de donner du jeu) les éléments qui structurent le phénomène artistique, ses doctrines et ses discours associés. Nous avons cherché à déceler, dans cet espace non ajusté, propice aux paradoxes et aux contradictions, le lieu d'une possible redéfinition de l'artiste-auteur, bâtie sur une rationalité plus large que celle d'une simple causalitéThe initial task of this thesis consisted in considering the artist mainly as an author. As for the author, this led us to suggest that his death, once announced, required to think of his resurrection from other criteria and conceptual tools than those which made it possible to bury him. Having established, on the one hand, that authorship defines the intrinsic status of the artist, and put forward, on the other hand, a necessary historical reminder in order to encompass the conditions of its emergence, we attempted to clear up (in the sense of displaying interactions and leaving a clearance between) the elements which structure the artistic phenomenon, its doctrines and related discourses. We sought to uncover, in this unadjusted space full of paradoxes and contradictions, the place of a possible redefinition of the artist-author, built on a rationality broader than that of a mere causality
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Balcerek, Alexandra. "L'existence d'une expression autobiographique au théâtre : la présence émouvante de l'auteur dramatique dans son oeuvre". Thesis, Lille 3, 2013. http://www.theses.fr/2013LIL30004/document.
Abstract (sommario):
L'autobiographie pose problème quand elle est envisagée dans le genre théâtral. Du fait que l'auteur dramatique s'exprime par la bouche d'êtres fictifs, la parole des personnages ne pourrait être assimilée à la sienne. Pourtant, il semble que, tant dans les dialogues qu'elles donnent à entendre que dans les situations, personnages et lieux qu'elles mettent en scène certaines pièces, en particulier à partir du XVIIIe siècle, qui constitue une étape majeure dans l'expression de soi, portent en elles les signes d'une expression autobiographique. Si l'autobiographie n'existe pas au théâtre dans les termes dégagés par des théoriciens comme P. Lejeune ou G. Gusdorf, nous étudions ici les modalités sous lesquelles elle se manifeste néanmoins, quasiment toujours de manière cachée, implicite, ambiguë, détournée mais affective. En plus d'une méthode qui permettrait, au lecteur d'une part, au spectateur d'autre part, d'identifier et d'attester cette expression autobiographique en dégageant certains aspects textuels et scéniques, nous nous attachons à réfléchir à l'expression autobiographique avec la relation qu'entretiennent les oeuvres de notre corpus avec le public, une relation toute entière épanouie dans l'émotion. Des sentiments qu'accompagnent des réactions physiques ressenties par le lecteur/spectateur sont donc générées par la reconnaissance de la voix de l'auteur dans un drame qui mêle autobiographie et fiction. Nous nous intéressons à l'expression autobiographique de l'auteur dramatique dans la perspective d'une relation particulière de celui-ci avec le public, relation qui contraste avec les principes brechtiens qui ont dominé la création théâtrale au XXe siècleThe autobiographical genre is a problem when it is considered inside the theatral genre. Because the dramatical author express himself through the mouth of fictional characters, the words of the characters could not be considered as the expression of the author himself. However, it seems that through the dialogues that can be heard, the situations, the characters and the places that are staged, some plays, especially since the 18th century, which represents a major step in self-expression, contains the signs of an autobiographical expression. Although the autobiographical genre as defined by P. Lejeune or G. Gusdorf does not exists in the theatre genre, we will study here how it nevertheless expresses itself, that is to say almost always in a hidden, implicit, ambiguous, diverted, but probable way. We will think of a method allowing the reader, but also the member of the audience, to identify and testify the presence of this autobiographical expression by emphazising some textual and scenic aspects. We will also work on connecting the autobiographical expression with the relationship that live the authors of the new work contained in our corpus with the audience. This relationship being fully opend up in emotion. Some feelings, coming with physical reactions felt by the reader/audience, are created by the recognition of the author's voice in a drama that mixes autobiographical and fiction. We will take an interest in the autobiographical expression of the dramatical author through the perspective of his particular relationship with the audience, relationship that contrasts with Brecht's principles, which have ruled the theatrical creation in the 20th century
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Aebi, Delphine. ""Il faut trouver un modus vivendi" : le scandale au théâtre des années 1940 aux années 1960". Thesis, Grenoble, 2011. http://www.theses.fr/2011GRENL025/document.
Abstract (sommario):
L'ensemble de notre démarche se fonde sur un constat : le scandale, souvent abordé à travers des discours moraux le condamnant ou le célébrant, est en réalité un évènement protéiforme et profondément ambigu. Il trouve sur la scène le lieu par excellence de son déclenchement, le théâtre étant étroitement lié aux idées de surgissement et d'immédiateté. Le théâtre et le scandale, communément associés aux notions du spectaculaire, de l'exhibition et du conflit, ne sauraient toutefois s'y réduire pour des auteurs en quête d'une définition de leur identité et de leur relation aux autres. Les années 1940 à 1960 en France constituent une période troublée et instable qui mène des dramaturges pourtant très différents à converger vers un même but : la création d'une communauté dynamique. Le scandale représente pour eux un moyen de communication privilégié entre la scène et la salle, offrant l'espoir d'un théâtre capable de concilier l'individu et la citéOur whole approach is based on the observation that scandal, often addressed through moral discourses that condemn or celebrate it, is actually a protean and profoundly ambiguous event. Because drama is closely linked to the concepts of emergence and immediacy, scandal finds on stage the perfect place for its release. However, in the eyes of authors seeking a definition of their identity and their relationship to others, drama and scandal, although commonly associated with notions of the spectacular, exhibition and conflict, should not be reduced to this trope. The years 1940 to 1960 in France are a troubled and unstable period, leading playwrights from different horizons to converge towards the same goal: creating a vibrant community. Scandal represents for them a privileged means of communication between the stage and the audience, offering hope of a theatre capable of reconciling the individual and the city
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Beltrame, Alberto. "Una politica autorialista е un giovanе cinеfilo : la crеazionе е lo studio dеll’archivio Yvеs Kovacs alla Cinémathèquе françaisе". Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100041/document.
Abstract (sommario):
Ce document constitue l'aboutissement d'une recherche effectuée en cotutelle avec l'Université d'Udine et l'Université Paris Ouest Nanterre La Défense, dans le cadre des respectives écoles doctorales des Études Audiovisuelles et des Arts du Spectacle. Le point central de cette recherche repose sur la création et l'analyse des archives Yves Kovacs, constituées au sein de la Cinémathèque française, avec une attention particulière sur l'activité de critique et cinéphile, entre les années Cinquante et Soixante, de celui qui est responsable de cette collection. A travers ces archives, nous avons cherché à approfondir la question de l'auteur, qui structure la réflexion d'une certaine partie de la critique française des années Cinquante, période de formation cinéphile pour Kovacs. Cette thèse se présente donc comme l'aboutissement, d'une part, d'un travail d'archivage au sens strict (traitement physique et intellectuel d'un fonds, du recensement jusqu'à la mise à disposition) et, d'autre part, d'une étude sur Yves Kovacs à l'époque de sa jeunesse cinéphile, partagée entre la critique spécialisée et les premières collaborations sur les plateaux de cinéma et de télévision. De cette façon, l'analyse d'un fonds d'archives se déplace au niveau du contexte d'origine, de l'étude de celui qui l'a constitué et enfin des raisons même qui nous ont emmené à nous y intéresser. Tout cela suivant l'idée selon laquelle un fonds d'archives n'est pas seulement le lieu où trouver des documents et des information, mais représente aussi, par son existence même, un symptôme de différentes pratiques, idées et besoins d'une époqueThis document consists of the culmination of research carried out under the co-supervision of the University of Udine and the University Paris Ouest Nanterre La Défense, in accordance with the respective doctoral schools of Audiovisual Studies. The focal point of this research lays in the creation and analysis of the archives of Yves Kovacs. These developed at the Cinémathèque française, paying particular attention to the critique and cinéphilie between the fifties and the sixties and of the individual responsible for this collection. Through theses archives, we have sought to deepen the question of the auteur, which structures the thinking process of a certain part of the French critique of the fifties, this being a cinéphile formation phase for Kovacs. This thesis presents itself as the culmination, on one side, of an archiving effort in the strict sense of the word (physical and intellectual handling of the archive, from the inventory to the disposition of the archive), and on the other side, a study about Yves Kovacs at the time of his cinéphile youth, shared between the specialized critique and the first collaborations on film and TV sets. In this way, the analysis of an archive moves to the level of the context of the origin, of the study of the man that constituted it and ultimately, for the same reasons that lead us to be interested in it. All of this in line with the idea that an archive is not only the place to find documents and information, but also a representation, in its very existence, a manifestation of different practices, ideas and needs of an era
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Raizon, Hélène. "La contractualisation du droit moral de l'auteur". Thesis, Avignon, 2014. http://www.theses.fr/2014AVIG2041/document.
Abstract (sommario):
L’œuvre est le reflet de la personnalité de l’auteur. Dès lors, nul ne peut légitimement dissocier de l’œuvre l’esprit qui en est à l’origine, ni la dénaturer. A ce titre, L’article L. 121-1 du Code de la propriété intellectuelle dispose en son troisième alinéa que le droit moral de l’auteur d’une œuvre de l’esprit est inaliénable, de sorte que sa contractualisation semble exclue. Pourtant, l’étude des pratiques contractuelles montre, en réalité, que le droit à la paternité, ainsi que le droit au respect de l’œuvre, deux des prérogatives le constituant, font fréquemment l’objet de conventions. Ainsi, l’on peut en déduire que l’on assiste à une contractualisation du droit moral. Toutefois celle-ci ne s’opérera que de manière indirecte, soit à l’occasion d’une cession des droits patrimoniaux de l’auteur ou à l’occasion de la vente du support de l’œuvre ; soit par application du droit commun des contratsThe work is the reflection of the personality of the author. From this, nothing may be legitimately dissociated or changed from the spirit of the original. To this end article L. 121-1 of the Code of intellectual property shews in its third paragraph that the moral right of the author of a work of the intellect is inalienable, in that contractualisation would seem to be excluded. All the same, the study of contractual practises shows, in reality, that the right of authorship as well as the rights in respect of the work, both of these constituant prerogatives, are often the subject of contract. Therefore one may deduce that it may be seen as a contractualisation of the moral right. Often this only operates in an indirect manner, as in a surrender of these rights of the author as in, perhaps, the sale of the work ; or by application of the common rights of contract
8
Bargel, Antoine. "Jorge Semprun, le roman de l’histoire". Thesis, Lyon 2, 2010. http://www.theses.fr/2010LYO20037/document.
Abstract (sommario):
Jorge Semprun, survivant de Buchenwald, entend « faire [du] témoignage un espace de création ». L’inventivité formelle du roman lui permet d’exprimer la vérité de l’expérience vécue, en créant un espace textuel réflexif où auteur et lecteur, l’un mis en scène dans l’acte d’écriture, l’autre appelé à prendre conscience de son rapport actif à la constitution du sens du récit, se rencontrent dans la relation éthique du témoignage. Mon travail concerne les caractéristiques formelles de ce roman de l’histoire, pour expliciter sa relation au discours politique en particulier, et mettre en relief l’autonomie esthétique du roman, sur laquelle repose la spécificité du rapport littéraire à l’histoire. Semprun met en place cette esthétique au moyen de multiples innovations narratives et d’une conception du récit comme performance, où le Dire est distinct du Dit (Levinas) : cette dimension performative du récit est décrite dans cette étude au moyen d’une approche phénoménologique de la lecture, centrée sur les dynamiques interprétative et imaginaire mises en œuvre par le sujet lisant. Le contraste entre esthétique narrative et discours idéologique définit non seulement les stratégies d’écriture de Semprun, mais également le rôle attribué au lecteur : ce dernier, prenant conscience des motivations et procédés rhétoriques de l’auteur, qui multiplient explicitement les trajectoires interprétatives au sein du texte, réalise que l’enjeu du témoignage réside dans l’acte de lecture, une lecture engagée, participative et en perpétuel renouvellementJorge Semprun, survivor of Buchenwald, intends to « make testimony a space of creation ». The formal inventiveness of the novel allows him to express the truth of his experience, by creating a reflexive textual space in which the author is presented in the act of writing, and the reader is called to realize his/her active part in the constitution of narrative meanings. Author and reader thus collaborate on establishing the ethical relationship of testimony. My dissertation examines the formal characteristics of this novel of history, to describe its relationship to political discourse in particular, and to highlight the aesthetic autonomy of the novel, which defines the specificity of literature’s approach of history. Semprun develops this aesthetics through multiple narrative innovations and a conception of narration as performance, where Saying is distinct from the Said (Levinas) : this performative dimension of the narration is described in this work through a phenomenological notion of reading, centered on the interpretative and imaginary activities brought into play by the reading subject. The contrast between narrative aesthetics and ideological discourse does not only define Semprun’s writing strategies, but also the function attributed to the reader in these texts. Becoming aware of the author’s motivations and rhetorical processes, which explicitly multiply interpretative trajectories within the text, the reader realizes that the stakes of testimony reside in the act of reading, a reading that is engaged, participative, and perpetually renewed
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Boulanger, Grégoire. "Au seuil de l'Etoile de la Rédemption : être en relation avec la pensée nouvelle de Franz Rosenzweig". Thesis, Strasbourg, 2013. http://www.theses.fr/2013STRAC015/document.
Abstract (sommario):
Le but premier de notre travail est de restituer la complexité des relations qui existent entre Franz Rosenzweig, son œuvre "l'Étoile de la Rédemption", et son lectorat. L'"Étoile de la Rédemption" est connue pour être un livre difficile, dont le langage est aussi conceptuel que littéraire. Mais la véritable difficulté de la pensée de Rosenzweig dans l'"Étoile" est d'arriver à garder liées une dimension dialogale qui participe d'une existence vivante à travers la correspondance que Rosenzweig a écrite à destination de ses amis et la dimension textuelle qui tend à se constituer comme un monde en tant que tel – un livre est toujours quelque chose qui se suffit à lui-même. Pouvons-nous être satisfaits par l'idée que l'"Étoile" est seulement une transition entre deux états : entre un point de vue philosophique - où ne se trouve nul espoir – et un point de vue révélé – où existe uniquement l'espoir ? L'"Étoile" est plus qu'une simple transition. Rosenzweig parle aussi d'un seuil et d'un porche. Avec ces deux termes, une tension se trouve au sein de l'"Étoile" entre une vie révélée qui se dévoile à l'intérieur même de celle-ci et une vie révélée qui ne peut commencer qu'au-delà de celle-ci. Auteur, œuvre et lecteurs auront un rôle important à jouer important pour élucider ce problèmeThe entire point of our work is to give back the complexity of the relations between Franz Rosenzweig, his work, The "Star of Redemption", and his readership. The "Star of Redemption" is known as a difficult book, whose language is as many conceptual as literary. But the very difficulty of the Rosenzweig's thought in The "Star" is to keep in bound the dialogical dimension,which is participating to a lively existence through the letters he wrote to his friends -, and the textual dimension, which tend to be a world in itself - a book is something that is self-sufficient. Can we be satisfied by the idea that The Star is only a transition between two states: between a philosophical point of view – where is no hope – and a revealed one – where is hope and orientation? The Star is more as simply a transition. Rosenzweig speaks also of a Threshold and a Gate. With these two terms a tension inhabits The "Star" between a revealed life which begins inside the book and a revealed life which begins outside the book. Author, work and readership will have a significant role to play in this problem
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Wiener, Hélène. "Le Péri Parrhêsias de Philodème de Gadara et la parrhêsia dans les Actes des Apôtres". Thesis, Strasbourg, 2017. http://www.theses.fr/2017STRAK014/document.
Abstract (sommario):
Le traité Péri Parrhêsias (PHerc. 1471) de Philodème de Gadara représente une source majeure pour la compréhension de la parrhêsia épicurienne. Malgré l’état fort dégradé du papyrus, cependant contrebalancé par les ébauches d’éditions transmises par Henry, l’éditeur actuel, et par les résultats de la recherche bibliologique effectuée par White, une interprétation thématique du manuel Péri Parrhêsias, Sur la franchise, a été rendue possible, de telle sorte qu’elle peut désormais servir de fondement pour examiner la place de la parrhêsia dans les Actes des apôtres. En comparant la manière dont Luc utilise la parrhêsia avec celle de Philodème, il apparaît que la première s’appuie sur la seconde, tous les thèmes philodémiens étant présents dans quasiment toutes les péricopes lucaniennes. Néanmoins, Luc adapte la parrhêsia à son propre projet narratif, tout en lui donnant un rôle stratégique pour décrire l’expansion de l’évangile jusqu’aux extrémités de la terreThe Peri Parrhêsias treatise (PHerc. 1471) of Philodemus of Gadara represents a major source for the comprehension of Epicurean parrhêsia. In spite of the extremely deteriorated condition of the papyrus, nevertheless compensated by the draft editions transmitted by the current editor, Henry, and by the results of the bibliological research effectuated by White, a thematic interpretation of the manuel Peri Parrhêsias, On frankness, has been made possible, in such a way as to provide henceforth a basis to examine the role of parrhêsia in the Acts of the Apostles. When comparing the manner in which Luke employs parrhêsia with that of Philodemus, it is apparent that the first relies on the latter, all of the Philodemus themes being present in practically all of the Lucan pericopae. However, Luke adapts the parrhêsia to his own narrative project, all while giving it a strategic role in describing the expansion of the Gospel unto the end
Libri sul tema "Author and Document":
1
Inc, SoftQuad, a cura di. SoftQuad Author/Editor Version 3.0 for Microsoft Windows. Toronto: SoftQuad Inc., 1994.
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Linden, Sonja. I have before me a remarkable document given to me by a young lady from Rwanda. [London]: Aurora Metro, 2004.
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Linden, Sonja. I have before me a remarkable document given to me by a young lady from Rwanda. London]: Bloomsbury, 2017.
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Booth, Pat F. Documents, authors, users, indexers. [London]: Society of Indexers, 1988.
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Booth, Pat F. Documents, authors, users, indexers. 2a ed. [London]: Society of Indexers, 1990.
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Schendel, Arthur van. Jeugdherinneringen: Een document. Amsterdam: Meulenhoff, 1989.
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Smith, Joan M. The Standard Generalized Markup Language (SGML): Guidelines for authors. Boston Spa, Wetherby, West Yorkshire: Distributed by the British Library Publications Sales Unit, 1987.
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M, Smith Joan. The standard generalized markup language (SGML): Guidelines for authors. [London]: British National Bibliography Research Fund, 1987.
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Bryan, Martin. SGML: An author's guide to the standard generalized markup language. Wokingham, England: Addison-Wesley Pub. Co., 1988.
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Nachbar, Martin. Tracing Sense/Reading Sensation. A cura di Mark Franko. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199314201.013.22.
Abstract (sommario):
Dance archives, like other archives, store documents of past events. They are particular in that the documents they store document dances or choreographies, which are also stored in the memories of the dance artists involved. This chapter examines the relations between documents of dances and bodily movement memories by tracing the processes of two dance pieces that dealt with these issues in very different ways. The first is the author’s reconstruction of Dore Hoyer’s dance cycle Affectos Humanos, for which a dance archive provided film and other documents of this cycle. The second piece is a duet the author made with his father, in which he experienced the reality of movement patterns and habitual postures that get stored in one body and passed on to the next through imitation. The dance archive is a particularly productive place to explore und understand the relations between document, body, and movement.
Capitoli di libri sul tema "Author and Document":
1
Mamgain, Sunakshi, Rakesh C. Balabantaray, Ajit K. Das e Srikant Kumar. "Author Profiling: Predicting Gender from Document". In Advances in Data Science and Management, 99–108. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0978-0_10.
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López-Monroy, Adrián Pastor, Manuel Montes-y-Gómez, Luis Villaseñor-Pineda, Jesús Ariel Carrasco-Ochoa e José Fco Martínez-Trinidad. "A New Document Author Representation for Authorship Attribution". In Lecture Notes in Computer Science, 283–92. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-31149-9_29.
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Markov, Ilia, Helena Gómez-Adorno, Juan-Pablo Posadas-Durán, Grigori Sidorov e Alexander Gelbukh. "Author Profiling with Doc2vec Neural Network-Based Document Embeddings". In Advances in Soft Computing, 117–31. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-62428-0_9.
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Nundy, Samiran, Atul Kakar e Zulfiqar A. Bhutta. "Who Should Be An Author?" In How to Practice Academic Medicine and Publish from Developing Countries?, 167–77. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5248-6_14.
Abstract (sommario):
AbstractAn author is a person who creates a manuscript or paper. He is the one who initiates the process of crafting the document. He is also called a writer, a person who begins the process or plan or an idea. Before venturing into the authorship of biomedical research, one should know if one is entering ‘a sweet fruit of inspiration’ or drifting ‘towards a bitter fruit of the trade’. Stephen Lock has summed up authorship as not being ‘a bread ticket; it is an intellectual responsibility’. Incidence of inappropriate authorship even in Cochrane review has increased.
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Zhang, Haowen, Peng Nie, Yanlong Wen e Xiaojie Yuan. "Authorship Attribution for Short Texts with Author-Document Topic Model". In Knowledge Science, Engineering and Management, 29–41. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-99365-2_3.
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Lindberg, Kasper, e Christian Damsgaard Jensen. "Document and Author Promotion Strategies in the Secure Wiki Model". In IFIP Advances in Information and Communication Technology, 247–52. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-29852-3_20.
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Dwinal, Catherine. "Document Cameras". In Interactive Visual Ideas for Musical Classroom Activities, 119–37. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190929855.003.0005.
Abstract (sommario):
In this chapter the author explains that a document camera is a commonly forgotten tool that usually collects dust in a lot of music classrooms. Document cameras are an untapped tool to add more to the learning experiences in the classroom. This chapter offers lower-tech activities such as displaying manipulatives or a puppet show. The document camera can also be hacked to use as a video camera for video conferencing or as a regular camera to take regular photos.
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U., Athira, e Sabu M. Thampi. "Authorship Analysis". In New Threats and Countermeasures in Digital Crime and Cyber Terrorism, 173–94. IGI Global, 2015. http://dx.doi.org/10.4018/978-1-4666-8345-7.ch010.
Abstract (sommario):
Authorship Analysis is the process of examining documents to determine the stylistic details underlying the document and hence inferring about the characteristics of the author of document in order to attribute the authorship to a particular author or to confirm the authenticity of a claimed authorship. The popularity of online communications has paved way to the promotion of numerous fraudulent acts. These illegal activities can be curbed to an extent by identifying the source of the postings, which is made possible by finding the real authors of online documents.Applicability of authorship analysis in the field of forensic linguistics also gathers great importance today. The automation of, process aimed at analyzing the authorship of forensic documents, eases the linguists of the high manual effort spent in analyzing documents and is also advantageous in terms of its accuracy. Here we discuss about the existing methods that have been used so far to deal with automation of authorship analysis and the challenges faced by them.
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Farzindar, Atefeh. "Social Network Integration in Document Summarization". In Advances in Data Mining and Database Management, 139–62. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-5019-0.ch006.
Abstract (sommario):
In this chapter, the author presents the new role of summarization in the dynamic network of social media and its importance in semantic analysis of social media and large data. The author introduces how summarization tasks can improve social media retrieval and event detection. The author discusses the challenges in social media data versus traditional documents. The author presents the approaches to social media summarization and methods for update summarization, network activities summarization, event-based summarization, and opinion summarization. The author reviews the existing evaluation metrics for summarization and the efforts on evaluation shared tasks on social data related tracks by ACL, TREC, TAC, and SemEval. In conclusion, the author discusses the importance of this dynamic discipline and great potential of automatic summarization in the coming decade, in the context of changes in mobile technology, cloud computing, and social networking.
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Chiang, Chia-Chu. "Engineering Information Into Open Documents". In Open Information Management, 9–19. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-60566-246-6.ch002.
Abstract (sommario):
Documents are perfectly suited for information exchange via the Internet. In order to insure that there are no misunderstandings, information embedded in a document needs to be precise and unambiguous. Having a (de facto) standard data model and conceptual information model insures that the involved parties will agree on what the information means. XML (eXtensible Markup Language) has become the de facto standard format for representing information in documents for document exchange. Many techniques have been proposed to create XML documents, including the validation and transformation of XML documents. However, very little is discussed when it comes to extracting information from non- XML documents and engineering the information into XML documents. The extraction process can be a highly labor intensive task if it is done manually. The use of automated tools would make the process more efficient. In this chapter, the author will briefly survey document engineering techniques for XML documents. Then, the author will present two techniques to extract data from Windows documents into XML documents. These two techniques have been successfully applied in two industrial projects. He believes that techniques that automate the extraction of data from non-XML documents into XML formats will definitely enhance the use of XML documents.
Atti di convegni sul tema "Author and Document":
1
"Author index". In Proceedings Workshop on Document Image Analysis (DIA'97). IEEE, 1997. http://dx.doi.org/10.1109/dia.1997.627100.
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"Author index". In Proceedings Seventh International Conference on Document Analysis and Recognition. IEEE, 2003. http://dx.doi.org/10.1109/icdar.2003.1227863.
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"Author Index". In 2009 10th International Conference on Document Analysis and Recognition. IEEE, 2009. http://dx.doi.org/10.1109/icdar.2009.285.
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"Author Index". In 2011 International Conference on Document Analysis and Recognition (ICDAR). IEEE, 2011. http://dx.doi.org/10.1109/icdar.2011.308.
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"Author index". In 2016 12th IAPR Workshop on Document Analysis Systems (DAS). IEEE, 2016. http://dx.doi.org/10.1109/das.2016.84.
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"Author index". In 2019 International Conference on Document Analysis and Recognition (ICDAR). IEEE, 2019. http://dx.doi.org/10.1109/icdar.2019.00257.
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"Author Index". In Eighth International Conference on Document Analysis and Recognition (ICDAR'05). IEEE, 2005. http://dx.doi.org/10.1109/icdar.2005.55.
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"Author index". In Proceedings of 3rd International Conference on Document Analysis and Recognition. IEEE, 1995. http://dx.doi.org/10.1109/icdar.1995.599052.
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"Author index". In Proceedings of 3rd International Conference on Document Analysis and Recognition. IEEE, 1995. http://dx.doi.org/10.1109/icdar.1995.602144.
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"Author Index". In Proceedings of Sixth International Conference on Document Analysis and Recognition. IEEE, 2001. http://dx.doi.org/10.1109/icdar.2001.953984.
Rapporti di organizzazioni sul tema "Author and Document":
1
None, None. Test Document--None in author fields with affiliation. Office of Scientific and Technical Information (OSTI), novembre 2020. http://dx.doi.org/10.2172/1706709.
2
Nelson, Gena. Special Education Math Interventions. Boise State University, marzo 2021. http://dx.doi.org/10.18122/sped_facpubs/133/boisestate.
Abstract (sommario):
The purpose of document is to provide readers with the coding protocol that authors used to code 22 mathematics intervention meta-analyses focused on participants with or at-risk of disabilities. The author drafted this coding protocol based on the meta-analysis quality indicators recommended by Talbott et al. (2018, pp. 248–249); specifically, the author considered the variables presented in Table 1 of Talbott et al. and supplemented the information so that the variables and definitions were specific to the purpose of this systematic review. We coded each meta-analysis for 53 variables across eight categories, including: Quality of Clear Research Questions, Quality of Eligibility Criteria, Quality of Search Procedures, Quality of Screening Criteria, Quality of Coding Procedures, Quality of Research Participants and Contexts, Quality of Data Analysis Plan, and Quality of Reporting Results. The mean interrater reliability across all codes using this protocol was 87.8% (range across categories = 74% –100%).
3
Choquette, Gary. PR-000-23COMP-R04 Aboveground Tank Corrosion Comprehensive Compendium. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), maggio 2023. http://dx.doi.org/10.55274/r0000019.
Abstract (sommario):
This compendium is a selection of past PRCI research related to aboveground tank corrosion. Metadata is provided for each resource (when available) including the length of the report, its abstract, author(s), and company that performed the research. The process of identifying reports for this compendium involved keyword searches of all PRCI research documents (and in some cases, research by others). The list of documents identified in that keyword match was then manually reviewed for relevance. Documents that had content that was not directly relevant to the topic of this compendium, had minimal information, or duplicated information were excluded. Specifically, this study reviewed 73 documents and only selected 18 documents that were deemed relevant. Key excerpts and/or notes were taken from those documents and are included here. In many cases, the excerpt/notes are adequate such that the source document does not need to be read separately. However, there are some documents that contain much more content than can be adequately summarized herein. In those cases, the note recommends reviewing that document in its entirety. Links to each of the reports are provided to help facilitate quick access to the related reports. A valid PRCI account is needed to access these links on the PRCI website.
4
Choquette, Gary. PR-000-22COMP-R03 Potential Impact Radius Compendium. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), settembre 2022. http://dx.doi.org/10.55274/r0012240.
Abstract (sommario):
This compendium is a selection of past PRCI research and technical resources related to the calculation of the potential impact radius. Reports were selected based on their final report abstracts and does not include further analysis or an additional technical review of the final report. Meta data is provided for each resource (when available) including the length of the report, its abstract, author(s), and company that performed the research. This list of documents includes PRCI funded research as well as research that PRCI has rights to access including cofunded work and information in the public domain. The reports are grouped by the related research category assigned to each document.
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Choquette, Gary. PR-000-22COMP-R04 Cathodic Protection Shielding Compendium. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), settembre 2022. http://dx.doi.org/10.55274/r0012241.
Abstract (sommario):
This compendium is a selection of past PRCI research and technical resources related to cathodic protection shielding. Reports were selected based on their final report abstracts and does not include further analysis or an additional technical review of the final report. Metadata is provided for each resource (when available) including the length of the report, its abstract, author(s), and company that performed the research. This list of documents includes PRCI funded research as well as research that PRCI has rights to access including cofunded work and information in the public domain. The reports are grouped by the related research category assigned to each document.
6
Martinelli, Luiz Antonio. Ecosystem Services and Agricultural Production in Latin America and Caribbean. Inter-American Development Bank, febbraio 2012. http://dx.doi.org/10.18235/0008988.
Abstract (sommario):
This document discusses Latin America's dual role as a conservator of natural resources and producer of agricultural services. The author addresses the expansion of agriculture across the region and intensification of agriculture in Latin America. The environmental impact of this expansion and intensification is a major focus of this study as well as an assessment of agricultural and ecosystem services.
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Choquette, Gary. PR-000-22COMP-R02 Pipe Hard Spot Management Compendium. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), settembre 2022. http://dx.doi.org/10.55274/r0012239.
Abstract (sommario):
This compendium is a selection of past PRCI research on the subject of hard spots and is meant to be used a knowledge resource. Reports were selected based on their final report abstracts and does not include further analysis or an additional technical review of the final report. Metadata is provided for each resource (when available) including the length of the report, its abstract, author(s), and company that performed the research. This list of documents includes PRCI funded research as well as research that PRCI has rights to access including cofunded work and information in the public domain. The reports are grouped by the related research category assigned to each document.
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Choquette, Gary. PR-000-23COMP-R05 Pipe Wrinkles Comprehensive Compendia. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), maggio 2023. http://dx.doi.org/10.55274/r0000020.
Abstract (sommario):
This compendium is a selection of past PRCI research related to the formation and management of pipe with wrinkles. Metadata is provided for each resource (when available) including the length of the report, its abstract, author(s), and company that performed the research. The process of identifying reports for this compendium involved keyword searches of all PRCI research documents (and in some cases, research by others). The list of documents identified in that keyword match was then manually reviewed for relevance. Documents that had content that was not directly relevant to the topic of this compendium, had minimal information, or duplicated information were excluded. Specifically, this study reviewed 163 documents and only selected 61 documents that were deemed relevant. Key excerpts and/or notes were taken from those documents and are included here. In many cases, the excerpt/notes are adequate such that the source document does not need to be read separately. However, there are some documents that contain much more content than can be adequately summarized herein. In those cases, the note recommends reviewing that document in its entirety. Links to each of the reports are provided to help facilitate quick access to the related reports. A valid PRCI account is needed to access these links on the PRCI website. It is recommended that when logging onto PRCI's website, the 'keep me logged in' feature is enabled. Not all the links will be assessable to non-PRCI members.
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Navajas, Fernando. Long Term Strategic Policies for Global Competition: Comments. Inter-American Development Bank, novembre 2005. http://dx.doi.org/10.18235/0006861.
Abstract (sommario):
This presentation comments on Charles Sabel's "Long Term Strategic Policies for Global Competition." The document points out a series of insights, methodologies, and suggestions on three aspects: new stylized facts of economic development, developing economies as Toyoda systems, and clues to guide a search for suitable development policy. Then, the author expands and comments using Argentina as a case. This presentation was presented at the LAEBA Second Annual Conference, held on November, 2005 in Buenos Aires, Argentina.
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Dourojeanni, Marc J. IDB Investments in Brazilian Protected Areas during the 1990s. Inter-American Development Bank, gennaio 2000. http://dx.doi.org/10.18235/0011229.
Abstract (sommario):
This essay attempts to document the funds invested by the IDB and its counterparts and how the resources were used in the restricted field of protected areas in Brazil, during the period 1990-1999. For this purpose, all relevant documents regarding loans, technical cooperation and small projects approved or executed since 1990 were reviewed. The goal of the exercise was to fine-tune a search on the subject of protected areas, as defined by the World Commission on Protected Areas (WCPA) of the World Conservation Union (IUCN) and by the Brazilian legislation on the matter. On the basis of the results, the author discusses the viability of this kind of exercise, the perception of other institutions regarding IDB investments on biodiversity in Brazil and, briefly, the role of the IDB in assisting Brazil in the field of protected areas.