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1

Brüntrup, Godehard, Michael Reder e Liselotte Gierstl, a cura di. Authenticity. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-29661-2.

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2

Madden, Deirdre. Authenticity. London: Faber and Faber, 2002.

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3

Lacoste, Véronique, Jakob Leimgruber e Thiemo Breyer, a cura di. Indexing Authenticity. Berlin, München, Boston: DE GRUYTER, 2014. http://dx.doi.org/10.1515/9783110347012.

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4

Davidov, Jonathan, e Pninit Russo-Netzer. Existential Authenticity. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-07842-2.

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5

David, Phillips. Exhibiting authenticity. Manchester: Manchester University Press, 1997.

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6

Gabr, Hisham S. Constructed authenticity. Berkeley, CA: Center for Environmental Design Research, University of California at Berkeley, 2004.

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7

Chen, Xunwu. Being and authenticity. Amsterdam: Rodopi, 2004.

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8

Steinvorth, Ulrich. Pride and Authenticity. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-34117-0.

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9

Beverland, Michael. Building Brand Authenticity. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230250802.

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10

Lindholm, Charles. Culture and authenticity. Malden, MA: Blackwell Pub., 2008.

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11

Baugh, S. Gayle, e Sherry E. Sullivan. Searching for authenticity. Charlotte, NC: Information Age Publishing Inc., 2015.

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12

Sweers, Britta, Thomas Claviez e Kornelia Imesch. Critique of authenticity. Wilmington, Deleware: Vernon Press, 2020.

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13

Leppard, Raymond. Authenticity in music. London: Faber, 1988.

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14

Patricia, Cranton, a cura di. Authenticity in teaching. San Francisco, CA: Jossey-Bass, 2006.

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15

Hackforth-Jones, Jocelyn, e Megan Brewster Aldrich. Art and authenticity. Farnham, UK: Lund Humphries, 2012.

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16

Elshahed, Mohamed. Hybridity and Authenticity. Berkeley, CA: University of California at Berkeley, 2006.

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17

László, Felföldi, e Buckland Theresa J, a cura di. Authenticity: Whose tradition? Budapest: European Folklore Institute, 2002.

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18

Authenticity. Fountainhead Press, 2013.

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19

Vivian, Bradford. Authenticity. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190611088.003.0003.

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Chapter 2 investigates a case in which large segments of the public praised a deeply suspect act of witnessing without critical scrutiny. Questions of historical authenticity (as well as authorship and authority) attend the rhetorically inventive nature of witnessing in Binjamin Wilkomirski’s fraudulent Holocaust memoir, titled Fragments. The author’s alleged childhood memories during his fictional imprisonment at Auschwitz were hailed as an instant classic in the genre for its apparent historical authenticity, and subsequently lauded with international literary awards, but historians and journalists who eventually questioned its historical accuracy proved, in the end, that the book was fake. The chapter examines why even actual Holocaust survivors celebrated Fragments as an authentic work of testimony insofar as Wilkomirski borrowed and recycled numerous tropes and images characteristic of postwar survivor memoirs, including the ethos of the survivor, fragmented memories, and recollections focused on trauma. Wilkomirski’s book illustrates potential dangers that attend the extensive public receptiveness for commonplace, and oftentimes unquestioned, tropes of authenticity in witnessing.
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20

Finney, Patrick, a cura di. Authenticity. Routledge, 2020. http://dx.doi.org/10.4324/9780429440588.

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21

Pasquini, John J. Authenticity. Xlibris Corporation, 2005.

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22

Pasquini, John J. Authenticity. Xlibris Corporation, 2005.

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23

Finney, Patrick. Authenticity. Taylor & Francis Group, 2018.

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24

Boyle, David. Authenticity. HarperPerennial, 2004.

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25

Medina, Yaneth. Authenticity. Fig Factor Media Publishing, 2021.

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26

Madden, Deirdre. Authenticity. Graywolf Press, 2005.

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27

Day, Lesley. Authenticity. Ink Soul Publishing, 2022.

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28

Day, Lesley. Authenticity. Ink Soul Publishing, 2022.

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29

Madden, Deirdre. Authenticity. Faber & Faber, 2003.

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30

Boyle, David. Authenticity. HarperPerennial, 2004.

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31

Madden, Deirdre. Authenticity. Faber & Faber, Limited, 2014.

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32

Madden, Deirdre. Authenticity. Faber & Faber, Limited, 2012.

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33

Harney, Sherry, e Bill Hybels. Authenticity. Zondervan Publishing Company, 1996.

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34

Toft, Mark, Jay Sunny e Rich Taylor. Authenticity. ABC-CLIO, LLC, 2020. http://dx.doi.org/10.5040/9798400615849.

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Brands are alienating customers by telling the wrong story and championing a false purpose. Your business can avoid the same fate, attract loyal customers, and out-narrate the competition by embracing authenticity. Equal parts provocation and exhortation, the insights of Authenticity apply to business, marketing, and life in general. Too many companies depend on marketing tactics that don't match the needs and concerns of their customers or embrace messaging and causes that don't connect. Authenticity is an anti-gimmick business book. It prescribes clear strategies that enable companies to communicate in a more genuine, emotional way. Authors Mark Toft, Jay Sunny, and Rich Taylor provide a series of approaches to help embrace and communicate the purpose of your brand with effectiveness. Whether you're a business executive who wants to be more persuasive or an advertising professional looking to grow your brand, this book combines the authors' successful experiences at top agencies into practical advice that can work for anyone in any business. Readers will learn the importance of purpose and conflict in marketing activities, how to approach advertising with clarity and passion, and how to plan content while avoiding the false allure of aspirational advertising and insincere corporate social responsibility. Inauthentic messaging can often spell failure for a business, but the company that tells a genuine, compelling story to its clients is the one that succeeds.
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35

Bull, Chris, e Jane Lovell. Authentic and Inauthentic Places. Taylor & Francis Group, 2017.

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36

KAVAJA, Ilia, e Emma Oliver SIMONE. Comfort: Authenticity. Independently Published, 2019.

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37

Sherwood, Alice. Authenticity Playbook. HarperCollins Publishers Limited, 2022.

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38

Gallagher, Shaun, Ben Morgan e Naomi Rokotnitz. Relational Authenticity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190460723.003.0008.

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In Chapter 8, the authors explore the notion of relational authenticity, arguing that to understand existential authenticity we must not return to the individuality celebrated by classical existentialism nor look for a reductionist explanation in terms of neuronal patterns or mental representations that would simply opt for a more severe methodological individualism and a conception of authenticity confined to proper brain processes. Rather, they propose, we should look for a fuller picture of authenticity in what they call the “4Es”—the embodied, embedded, enactive, and extended conception of mind. They argue that one requires the 4Es to maintain the 4Ms—mind, meaning, morals, and modality—in the face of reductionistic tendencies in neurophilosophy. The 4E approach, they contend, gives due consideration to the importance of the brain, taken as part of the brain-body-environment system, incorporating neuroscience and integrating phenomenological-existentialist conceptions that emphasize embodiment and the social environment.
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39

Ferrara, Alessandro. Reflective Authenticity. Routledge, 2002. http://dx.doi.org/10.4324/9780203005422.

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40

Mapes, Gwynne. Elite Authenticity. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197533444.001.0001.

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Food plays a central role in the production of culture and is likewise a powerful resource for the representation and organization of social order. Status is thus asserted or contested through both the materiality of food (i.e. its substance, its raw economics, and its manufacture or preparation) and through its discursivity (i.e. its marketing, staging, and the way it is depicted and discussed). This intersection of materiality and discursivity makes food an ideal site for examining the place of language in contemporary class formations, and for engaging cutting-edge debates in sociolinguistics and elsewhere on “language materiality.” In Elite Authenticity, Gwynne Mapes integrates theories of mediatization, materiality, and authenticity in order to explore the discursive production of elite status and class inequality in food discourse. Relying on a range of methodological approaches, Mapes examines restaurant reviews and articles published in the New York Times food section; a collection of Instagram posts from ©nytfood; ethnographically informed fieldwork in four renowned Brooklyn, New York, restaurants; and a recorded dinner conversation with six food enthusiasts. Across these varied genres of data, she demonstrates how a discourse of “elite authenticity” represents a particular surfacing of rhetorical maneuvers in which distinction is orchestrated, avowed/disavowed, and circulated. Elite Authenticity takes a multimodal critical discourse analysis approach, drawing on theories from linguistics, food and cultural studies, anthropology, sociology, and philosophy. Its presentation and analysis of aural, visual, spatial, material, and embodied discourse will be of interest to scholars and students of communication studies, critical discourse studies, sociolinguistics, linguistic anthropology, and cultural geography.
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41

Mock, Steven J. Mapping Authenticity. A cura di Angela M. Labrador e Neil Asher Silberman. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190676315.013.15.

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Debates in the study of public heritage are rooted in the field’s inherently interdisciplinary nature. Heritage is about both the past and the present; about tangible objects and intangible myths; about individuals, groups, institutions, and nations. Cutting through these challenges requires approaching heritage as the emergent product of dense interaction between diverse systems that operate on multiple levels of analysis. This chapter explores the utility of a method known as Cognitive-Affective Mapping, capable of tracking the interaction between tangible and intangible elements of the past and present where they must, by necessity, meet on common ground: as emotionally loaded representations in the human mind. Drawing from the examples of Switzerland and Israel, we examine how such a method can be used both to explain the authenticity of a given object to a national heritage, and to illuminate the emotional significance of this property in situations of inter-group conflict.
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42

Kucinskas, Jaime. Collective Authenticity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190881818.003.0008.

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With the rising popularity of mindfulness and other contemplative practices, a backlash has emerged. Critics have suggested that the contemplative movement has abandoned its Buddhist ethical roots, has lost authenticity, has been coopted by corporate interests, and has failed to initiate deep, structural social reform. This chapter shows how movement leaders have responded to such claims by performing collective authenticity in their meetings. They hearkened back to Buddhist sacred texts, teachers, and ethics and affirmed their sense of social responsibility and their commitment to social reform. The contemplatives showed how, as a movement, central organizations can enact authenticity as a process to confront external and internal threats, to reflect on and connect to their ideological roots, and to strengthen their collective identity.
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43

Pantuchowicz, Agnieszka, e Anna Warso, a cura di. Interpreting Authenticity. Peter Lang D, 2017. http://dx.doi.org/10.3726/b11653.

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44

Feldman, Simón. Against Authenticity. Lexington Books/Fortress Academic, 2014.

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45

Jazayeri, Solange. Chasing Authenticity. Authors Place Press, 2015.

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46

Pooley, Clare. Authenticity Project. Transworld Publishers Limited, 2020.

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47

Jazayeri, Solang. Chasing Authenticity. Momentum Makers, LLC, 2015.

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48

Ferrara, Alessendro. Reflective Authenticity. Routledge, 2002.

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49

Sebag, Yosef. Torah Authenticity. Independently Published, 2019.

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50

Jazayeri, Solang. Chasing Authenticity. Momentum Makers, LLC, 2015.

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