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Letteratura scientifica selezionata sul tema "Australians – Portraits"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 1 febbraio 2022

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Articoli di riviste sul tema "Australians – Portraits"

1

Hayes, Susan, Peter Caputi, T. S. Zaracostas, Maggie Henderson, Julie Telenta, Elspeth McCombe, Kim Christopher et al. "Likeness, Familiarity, and the Ambient Portrait Average". Perception 49, n. 5 (7 aprile 2020): 567–87. http://dx.doi.org/10.1177/0301006620905420.

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This artist-led research project involved 10 visual artists producing 10 ambient portraits and a portrait average of a locally familiar Sitter, and 10 ambient portraits and a portrait average of a less locally familiar Sitter. All were then assessed for likeness by more than 150 members of the general public attending an exhibition during Australia’s 2018 National Science Week. The results of this study are that portrait averages can be highly shape accurate and tend to be seen as a good likeness by all viewers. However, the portrait average is not necessarily the best likeness. Extending and validating our previous findings regarding the relationship of likeness, familiarity, and shape accuracy (as measured using geometric morphometrics) in portraiture, unfamiliar viewers favouring shape accurate depictions of a Sitter attained statistical significance. Familiar viewers, however, although also tending to view shape accurate depictions a good to very good likeness, were shown to have a stronger preference for portraits that exaggerate a Sitter’s facial distinctiveness, including an exaggeration of their head pose, providing such exaggerations are in approximate proportional agreement.

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2

Baker, Alison. "Battle for truth: poetic interruptions into symbolic violence through sound portraits". Qualitative Research Journal 19, n. 1 (4 febbraio 2019): 29–40. http://dx.doi.org/10.1108/qrj-d-18-00043.

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PurposeRacialised misrepresentation circulated en masse can be understood as a form of symbolic and cultural violence. Such misrepresentations create a dominant cultural narrative that positions people of African background as violent and troubled and therefore incompatible with Australian society. Young people from various groups have been using arts-for-social-change to challenge and dismantle these imposed misrepresentation and reconstruct narratives that reflect their lived experiences. The purpose of this paper is to explore sound portraits, both the process and product, by tracing the journey of New Change, arts collective comprised of young women of African heritage, who have been pushing for social change.Design/methodology/approachThis collaborative research mobilises arts methodologies, bringing together sound arts, audio documentary and narrative research methods. Data gathering included arts artefacts and interviews with the young women and sound recordings from news media to craft a sound portrait entitled “Battle for truth”.FindingsBattle for Truth is a sound portrait that serve as the findings for this paper. Sound portraits privilege participants’ voices and convey the complexity of their stories through the layering of voices and other soundscapes. This sound portrait also includes a media montage of racialised misrepresentation.Social implicationsThrough their restorying, sound portraits are a way to counter passive and active forgetting and wilful mishearing, creating a space in the public memory for polyphonic voices and stories that have been shutout. Sound portraits necessitate reflexivity and dialogue through deep listening, becoming important sites for reimagining possibilities for social change and developing new activist avenues.Originality/valueThis paper brings together sonic methods, liberation arts and social justice perspectives to attend to power, race, gender and voice.

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3

Overton, J. H. "Book Review: Portraits in Australian Health". Anaesthesia and Intensive Care 17, n. 2 (maggio 1989): 240. http://dx.doi.org/10.1177/0310057x8901700222.

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4

Hobbs, Mitchell. "`More paper than physical'". Journal of Sociology 43, n. 3 (settembre 2007): 263–81. http://dx.doi.org/10.1177/1440783307080106.

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When Rupert Murdoch announced in April 2004 that he intended to see his company, News Corporation, reincorporated in the United States, two competing representations of the `media mogul' came to dominate the press's interpretation of this event. The first of these `Murdoch representations' was the most common, and painted an image of a successful entrepreneur, a `celebrity CEO'. Yet, the second `Murdoch representation' painted a different image, a more detailed portrait, with critical attention paid to the modus operandi of the world's most notorious media proprietor. This article deconstructs these representations of Murdoch, a mythic fracturing of image resulting from the political economy of the Australian press. In essence, the article explores issues of media diversity, myth and ideology, and the propensity of the press for critical, impartial, journalism. The empirical data are drawn from an analysis of two of Australia's pre-eminent newspapers: The Australian and the Sydney Morning Herald.

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Bramble, Tom. "A Portrait of Australian Trade Union Officials". British Journal of Industrial Relations 39, n. 4 (dicembre 2001): 529–37. http://dx.doi.org/10.1111/1467-8543.00213.

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Solare, Carlos María. "A Portrait of Brett Dean". Tempo, n. 217 (luglio 2001): 22–25. http://dx.doi.org/10.1017/s0040298200017277.

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It surely must take a lot of courage to resign from one of the most prestigious (and best remunerated) positions in the musical world to pursue a career as an independent, free-lance composer. But this is precisely what the Australian Brett Dean did a year ago, when he left the Berlin Philharmonic's viola section after 15 years and went back to his native Queensland. And for all that, composing hadn't even been a part of Dean's training at the Conservatory in Brisbane, or had it?

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Brigid Magner. "Shantaram: Portrait of an Australian Bestseller". Antipodes 28, n. 1 (2014): 213. http://dx.doi.org/10.13110/antipodes.28.1.0213.

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8

Teo, Hsu-Ming. "An Imperial Affair: Portrait of an Australian Marriage". Australian Historical Studies 45, n. 3 (2 settembre 2014): 473–74. http://dx.doi.org/10.1080/1031461x.2014.946584.

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Fox, Karen. "An Imperial Affair: Portrait of an Australian Marriage". Journal of Australian Studies 39, n. 1 (2 gennaio 2015): 111–12. http://dx.doi.org/10.1080/14443058.2014.996953.

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Downey, Georgina. "Armchair tourists: Two ‘furniture portraits’ by expatriate South Australian women artists". Journal of Australian Studies 27, n. 80 (gennaio 2003): 87–98. http://dx.doi.org/10.1080/14443050309387915.

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Più fonti

Tesi sul tema "Australians – Portraits"

1

Burke, Janine, e mikewood@deakin edu au. "A Portrait of Albert Tucker, 1914-1960". Deakin University. School of Contemporary Arts, 2001. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050915.161937.

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2

Fiveash, Tina Dale Media Arts College of Fine Arts UNSW. "The enigma of appearances: photography of the third dimension". 2007. http://handle.unsw.edu.au/1959.4/44259.

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The Enigma of Appearances is an examination into the medium of three-dimensional photography, with particular focus on the technique of stereoscopy. Invented in the mid-Victorian era, stereoscopy was an attempt to simulate natural three-dimensional perception via a combination of optics, neurology, and a pair of dissimilar images. Whilst successful in producing a powerful illusion of spatial depth and tangibility, the illusion produced by stereoscopy is anything but ??natural??, when compared to three-dimensional perception observed with the naked eye. Rather, stereoscopic photography creates a strange and unnatural interpretation of three-dimensional reality, devoid of atmosphere, movement and sound, where figures appear frozen in mid-motion, like waxwork models, or embalmed creatures in a museum. However, it is precisely stereoscopic photography??s unique and enigmatic interpretation of three-dimensional reality, which gives it its strength, separating it from being a mere ??realistic?? recording of the natural world. This thesis examines the unique cultural position that stereoscopy has occupied since its invention in 1838, from its early role as a tool for the study of binocular vision, to its phenomenal popularity as a form of mass entertainment in the second half of the 19th century, to its emergence in contemporary fine art practice in the late 20th and 21stt centuries. Additionally, The Enigma of Appearances gives a detailed analysis of the theory of spatial depth perception; it discusses the dichotomy between naturalia versus artificialia in relation to stereoscopic vision; and finally, traces the development of experimental studio practice and research into stereoscopic photography, undertaken for this MFA between 2005 and 2007. The resulting work, Camera Mortuaria (Italian for ??Mortuary Room??), is a powerful and innovative series of anaglyptic portraits, based upon an experimental stereoscopic technique that enables the production of extreme close-up three-dimensional photography. Applying this technique to the reproduction of the human face in three-dimensional form, Camera Mortuaria presents a series of ??photo sculptures??, which hover between reality and illusion, pushing the boundaries of stills photography to the limit, and beyond.

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Swann, Jill. "The Berkeley, Hill and Gilbert families : images of childhood and domesticity in colonial South Australia (1836-1870)". 2002. http://web4.library.adelaide.edu.au/theses/09ARM/09arms972.pdf.

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Libri sul tema "Australians – Portraits"

1

Faigan, Julian. Uncommon Australians: Towards an Australian portrait gallery. Sydney, N.S.W., Australia: Art Exhibitions Australia, 1992.

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2

Frank, Moorhouse, e White Jill, a cura di. Dupain's Australians. Neutral Bay, N.S.W: Chapter & Verse, 2003.

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3

Clark, Julia. Australians of the Year. [Canberra, A.C.T.?]: National Portrait Gallery, 1995.

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4

Art Gallery of New South Wales, a cura di. Half light: Portraits from black Australia. Sydney, NSW: Art Gallery of New South Wales, 2008.

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5

John, Ogden. Australienation: Portrait of a bi-cultural country. Avalon Beach, N.S.W: Cyclops Press, 1999.

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6

John, Ogden. Australienation: Two decades in the life after the dreaming. Victoria: Art School Press, 1991.

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7

Indigenous Australia standing strong. Australia: Simon & Schuster, 2001.

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8

Portraits from a land without people: A pictorial anthology of indigenous Australia, 1847-2008. Sydney: Cyclops Press, 2008.

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9

(Australia), National Portrait Gallery. The companion. A cura di Gilmour Joanna author. King Edward Terrace, Australian Capital Territory: National Portrait Gallery, 2014.

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Weight, Greg. Australian artists: Portraits. Neutral Bay, N.S.W: Chapter & Verse, 2004.

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Più fonti

Capitoli di libri sul tema "Australians – Portraits"

1

McQuilton, John. "Portrait of a Region". In Australia's Communities and the Boer War, 5–15. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-30825-8_2.

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2

Borowski, Allan. "A Portrait of Australia’s Children’s Courts: Findings of a National Assessment". In Australia's Children's Courts Today and Tomorrow, 165–85. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-5928-2_10.

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3

"An Australian Anarchist:". In Anarchist Portraits, 260–68. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctv173f13b.26.

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4

Hollyfield, Jerod Ra'Del. "Those Other Victorians: Cosmopolitanism and Empire in Jane Campion’s The Portrait of a Lady". In Framing Empire, 56–71. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429948.003.0004.

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Abstract (sommario):

Jane Campion’s adaptation of Henry James’ 1881 novel The Portrait of a Lady met with mixed reception upon its release in 1996. While scholars continue to view the film in a postcolonial context, little attention has been paid to its examinations of settler colonial identity in the wake of the 1992 Mabo decision that served as the first official acknowledgement of Indigenous land rights in Australia. Hailing from New Zealand, but working in Sydney, Campion has often meditated on her own transnational settler status in films such as The Piano(1993) and Holy Smoke!(1999). As the first film Campion made afterMabo, The Portrait of a Lady engages in the process of “backtracking” through Australian history via comparative analysis of its settler colonial characters as they inherit fortunes and form family alliances throughout England and Italy. In addition, it serves as a unique example of a postcolonial adaptation of an American Victorian novel, opening a space for Campion to address the Americanization of Australia’s film industry as Hollywood productions increasingly shoot on location in the nation and Australian talent such as Nicole Kidman continue to transition to Hollywood.

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"Performing Creative Identity: Bohemia, Self-portraits and Dressing-up". In Identity, Community and Australian Artists, 1890–1914. Bloomsbury Visual Arts, 2019. http://dx.doi.org/10.5040/9781501332876.ch-005.

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6

Di Mattia a, Michael A., e Jan Grant b. "Counselling Psychology in Australia: History, status and challenges". In A Global Portrait of Counselling Psychology, 23–33. Routledge, 2019. http://dx.doi.org/10.4324/9781315193717-2.

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7

"The Lure of London: Portraits, Performances and the Australian Brethren of the Brush". In Identity, Community and Australian Artists, 1890–1914. Bloomsbury Visual Arts, 2019. http://dx.doi.org/10.5040/9781501332876.ch-004.

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8

"A portrait of adult learning participation in Australia". In Getting Skills Right, 11–38. OECD, 2019. http://dx.doi.org/10.1787/468674aa-en.

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9

Phimister, Ian. "Frenzied Finance". In Global History of Gold Rushes, 139–62. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520294547.003.0006.

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Abstract (sommario):

This chapter, by Ian Phimister, examines the global financial dynamics of the southern African and “Westralian” gold-mining share manias of the 1890s. Examination of both mining share markets suggests that, contrary to the conventional portrait painted of gold rushes, the defining picture is less one of prospectors rushing to pan for gold or peg claims than it is one of company promoters scurrying to fleece investors. The most frenzied activity was on the floor of the London Stock Exchange, not on the South African Highveld or the dry, dusty plains of Western Australia. More minted gold was found in London and the Home Counties than mined gold was located in Southern Africa or Western Australia. It is an exercise that once again questions the efficiency of late Victorian capital markets, even as it points to the consequences of the “portal of globalization” opened by finance.

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Manning, Jane. "SADIE HARRISON (b. 1965)Easter Zunday (2008)". In Vocal Repertoire for the Twenty-First Century, Volume 2, 96–98. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780199390960.003.0031.

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Abstract (sommario):

This chapter highlights Australian-born composer Sadie Harrison’s Easter Zunday (2008). This poem by William Barnes paints a lively portrait of an Easter celebration in the West Country, and is set with artful, infectious relish—an ingenious amalgam of the rustic and the sophisticated. It undoubtedly needs a tenor of special histrionic gifts, one unencumbered by inhibition, able to assume and sustain a ripe Dorsetshire accent with confidence. As the piece nears its climax, stamina will be put to the test—phrases expand, and an exhilarating final surge of energy could prove dauntingly strenuous. The composer’s indications aptly confirm the uplifting spirit of both text and music. Like the voice part, the accompaniment is rhythmically complex, and both performers will need intense concentration in order to coordinate perfectly.

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Atti di convegni sul tema "Australians – Portraits"

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Thavaruban Thavapragasam, Xavier. "ERP Systems and User Perceptions: An Approach for Implementation Success". In InSITE 2004: Informing Science + IT Education Conference. Informing Science Institute, 2004. http://dx.doi.org/10.28945/2830.

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The growth of Enterprise Resource Planning (ERP) systems since the 90’s has been immense. Their organisational wide functionality is vast and overall capabilities are enormous but their success, usability and the user perception is questioned in the information systems (IS) literature. This paper looks at an implemented ERP system in a large Australian University. The core aspect of the paper is the user perception on the implemented system, which is measured by two criteri-ons: user satisfaction and post-implementation factors. The author is using interviews, documentary analysis and observation techniques for data gathering. Based on the gathered findings, the author portrays the use of participatory design (PD) methods as a possible tool for successful ERP implementation. User-Centred Design (UCD) and Joint Application Development (JAD) were compared as part of the PD approach and it was concluded that the UCD approach would best suit for the development and the implementation of an ERP system.

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