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Fisanov, Vоlоdymyr. "Immigration policy and the problem of renewal of multiculturalism practices in modern Canada." American History & Politics Scientific edition, no. 6 (2018): 50–59. http://dx.doi.org/10.17721/2521-1706.2018.06.50-59.
Testo completoAbstract (sommario):
The goal of the article is to analyze certain aspects of Canada’s immigration policy in the context of contemporary realities, considering the concept of multiculturalism. In the paper, there are outlined the main stages of Canadian immigration policy and its impact on the politics of multiculturalism. The author emphasizes that the policy of multiculturalism, proclaimed by the Government of Canada in its modern interpretation in the late 1980s, has transformed in the first decades of the 21st century. It was caused by such factors as the rise of terrorist attacks, illegal migration and the widening of migration from South-East Asia. It was shown that Canadian immigration policy evolved to more open and liberal since the end of World War II, but at the beginning of the 21st century, the situation radically changed. This trend was especially noticeable during the activities of the conservative governments of S. Harper (2006-2015). Conservative government policy was marked by the introduction of restrictive immigration laws and the extension of bureaucratic procedures. In particular, some provisions of the «Strengthening Canadian Citizenship Act» of June 19, 2014, were analyzed. It was emphasized that this legal action had been crushed by the Bar Association of Canada, as well as in the Open Letter of 60 well-known scholars and community members to the Prime Minister of Canada. Another trend of last developments in Canadian multicultural society was influenced by American negative attitudes towards Muslims. Today, the Government of Canada must review and substantially add a policy of multiculturalism. However, it should not become a hostage to the political struggle between liberals and conservatives in the contemporary difficult realities. The escalation of feelings of danger and intolerance, based on the dialectical thе «еnemy-friend» opposition, no longer works in a society. But people are looking for effective democratic dialogue in order to normalize relationships in the multicolored society of the early 21st century.
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Григорак, А. К. "Newest Historiographic Studies of the Ukrainian Icon-Painting of The Last Judgment." Grani 22, no. 3 (May 10, 2019): 5–11. http://dx.doi.org/10.15421/171926.
Testo completoAbstract (sommario):
The analysis of features of iconography, stylistics, coloring and manner of execution of compositions of the Last Judgment is devoted to many scientific works. Despite this, the issue of the peculiarities of symbolism and source potential of the Stranger Judgment icons remains inexhaustible. The article is devoted to the analysis of the latest scientific research of the XXI century. Dedicated to the Ukrainian iconography of the Last Judgment. The main achievements and discoveries in the Work of Researchers are described for the development of the research of the Contemporary Issues in the historical and artistic key words. The potential of Ukrainian iconography research is also determined in the article. Studying the historiographical aspect of the research of Ukrainian icons, the specificity of approaches and areas of analysis of iconographic samples as historical sources by historians and art historians of the XXI century is traced. Historiography of the plot of the Last Judgment of the modern age is presented by the works of several authors: Ivan Himki, Lilya Berezhnoy, Marty Fedak, Lyudmila Milyaeva, etc. Analyzing this topic, we should mention that the literature of the nineteenth and twentieth centuries more focuses on aesthetic, especially on the artistic meaning of icons. Actually, the iconography of this period is formed -first as a branch of history and archeology, and from the end of the nineteenth century, as a branch of art studies. Studies of the twentieth century have some disadvantages caused by the influence of the Soviet period, in which there was no place for the icon just as a spiritual sanctuary, as sources of religious outlook of society. Particularly, this was due to the Marxist-Leninist “methodology”, that is, the approach to the icon as a painting, without taking into account its symbolic significance. With the restoration of Ukraine’s political independence at the end of the ХХ century the anti-religious propaganda was stopped and the community began to return to the spiritual origins, one of which is Christianity, including its components to which icons also belong to the Orthodox tradition. And precisely because of the great importance of the Ukrainian icon painting of the Last Judgment, there are scientific works of the 21st century that make it possible to look at the icon with completely different approach.
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Wagner, Peter. "Max Weber and 21st-Century Modern." Sotsiologicheskoe Obozrenie / Russian Sociological Review 18, no. 4 (2019): 212–30. http://dx.doi.org/10.17323/1728-192x-2019-4-212-230.
Testo completoAbstract (sommario):
In a rather complicated manner, Max Weber’s writings contain general theoretical reflections that are now incorporated in the canon of sociological theory, in the analyses of social change in the form of historical and comparative sociology, and in reflections on political events, all in the guise of the diagnosis and critique of his own historical age. This article attempts to draw conclusions from the tensions between these aspects in Weber’s work by trying to discover how such a sophisticated combination of cognitive goals is possible today, and what limits it encounters. What the “light of great cultural problems” falls upon, what elements of the past determine the present, and what events are particularly important for understanding of a certain age are questions whose answers must regularly be sought anew. The author relies on the concept of “modernity”, or rather, on the field of interpretation arising around this term. He assumes that the given field is wide enough to better understand our present condition by means of this term. In the meantime, the author believes that for this understanding to be successful, present-day modernity must be appropriately positioned in this field theoretically, historically, and as the diagnosis of our age.
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Makliuk, D. "Ivan Mazepa’s personality as a cultural symbol: historicalperforming aspects." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 55, no. 55 (November 20, 2019): 61–76. http://dx.doi.org/10.34064/khnum1-55.05.
Testo completoAbstract (sommario):
Abstract. The article explores the image of I. Mazepa in the context of numerous sources devoted to the personality of the Ukrainian hetman in historical science, literature and music. The analysis shows that the ideas of the great Ukrainian in the works of art evolve: from a traitor to a patriot. If in the 18th – 19th centuries artists created this image being inspired by myths, then from the early 20th century and up to the present time the historical approach has been dominant. In this paper the author suggests performing aspect basing on the vocal and scenic image of I. Mazepa created by him on the stage of Kharkiv National Opera and Ballet Theater named after M. Lysenko. The interpretation of the extraordinary personality of the Ukrainian hetman gives the audience an opportunity to look at Mazepa from a historical perspective. It is noted that his image in this performance is not limited to a national vision, but acquires a universal character. I. Mazepa’s personality is of great interest to modern Ukrainians living both in their historical homeland and far beyond its borders. At present, contradictory assessments of Mazepa’s role in the chronicle of Ukrainian history require the establishment of historical and artistic truth. P. Tchaikovsky’s opera Mazepa is perceived as a fruitful material to search for a new interpretation of the image. It was first performed on the stage of Kharkiv National Opera and Ballet Theater named after N. V. Lysenko on July 2, 2017 to mark the 330th anniversary of Ivan Mazepa’s election as hetman of Ukraine. This fact gives a chance to bring into focus a relevant performing interpretation of the image of this outstanding figure in Ukrainian history. Among the numerous historians and literary critics cited in the article, we find a new interpretation of Mazepa’s image in contrast to music studies (N. Lupak’s dissertation). The method of analysis is conditioned by the creative practice of the KhNAOBTh and its own performance experience. The purpose of the study is to substantiate the reinterpretation of Mazepa’s vocal and scenic image in the production of the P. I. Tchaikovsky’s opera of the same name on the stage of KhNAOBTh named after M. Lysenko (2017) basing on the critical analysis of scientific historiography. The attitude towards I. Mazepa as a historical personality and a person has always been ambiguous. He combined the incomparable: on the one hand, he was a great military and political figure who fought for the creation of the Ukrainian state, on the other hand – a treacherous traitor; at his initiative, 26 Orthodox churches were created throughout Ukraine and, at the same time, he was an apostate devotee who took part in the destruction of Ukrainian cities and villages; a person capable of loving in the broadest sense of the word. He had everything that attracted and aroused great interest of writers, composers, artists, directors not only in our country but also far beyond its borders. And each author interpreted the image of Mazepa in their own way. In the 19th century, the image of the Ukrainian hetman fell into the area of artistic interests of M. Staritsky. He, like Voltaire and Byron, used the Western European legend of Mazepa in the novel “Mazepa’s Youth”, which was appropriate for its genre (historical-adventure). Naturally, the idea of “independent Ukraine” did not fit into Russia’s interests. In Tchaikovsky’s opera Mazepa (1883), based on A. Pushkin’s story (libretto by V. P. Burenin) everything is quite complex. It is important to note that many researchers of Tchaikovsky’s creativity believe that in Tchaikovsky’s Mazepa historical facts are sidelined while lyrical love scenes dominate. There were a number of questions when the image of Mazepa was ctreated in the original Ukrainian version of the opera on the stage of Kharkiv National Academic Opera and Ballet Theater named after N. Lysenko. The main one is how to maintain faithfulness not only to historical but also to the life’s truth? The times of the Hetmanate in Ukraine were silenced for about 300 years, and, in particular, the true life of one of its most famous representatives was unknown. But in order to create an image, it is important to know the smallest shades of your character’s psychotype. As the lyrical scenes of Mary and Mazepa are the central line in the opera, it is necessary to understand what kind of relationship they really had. Kharkiv stage directors of P. Tchaikovsky’s opera (director Armen Kaloyan and conductor People’s Artist of Ukraine Garkusha) sought to convey this very episode from the life of Mazepa, who openly loves his darling and suffers from having to cruelly deal with her father and hurt her badly. In addition, there was created their own version of the text (by Victor Marinchak, Svetlana Oleshko and Mikhail Barbara) and changes were made to the musical dramaturgy of the opera. The main idea of stage directors was to transform the content of the opera into another field – to reveal the image of the hetman as a significant figure in the history of Ukraine, which was much more important for Mazepa than the alliance with Peter I. The difficulty of creating a vocal and scenic image of Mazepa lies in its multi-vector character, which should not interfere with artistic unity and integrity: Mazepa-lover (in the tradition of Western European romanticism), Mazepastatesman (Ukrainian national tradition) and, at the same time, in the interpretation of Kharkiv theatre Mazepa-traitor had to be neutralized (an enemy that is characteristic of Russian imperial thinking). The motives of torments, sorrow and, along with this, the rebellious nature of the protagonist become considerable in the opera, rising to genuine symbolism. Thus, in the vast number of works dedicated to I. Mazepa, his image is not limited to the national framework, but acquires a universal significance. Conclusions. Analysis has shown the evolution of ideas about the great Ukrainian: from traitor to patriot and legendary hetman. If in the 18th century the image of the Ukrainian hero was interpreted in many ways by its creators on the basis of myths, then in the 20th – 21st centuries the historical approach prevails in understanding performing interpretation of Mazepa. The creation of a complex, extraordinary personality on the opera stage requires from the performer, in addition to knowledge of Mazepa’s vocal part, a thorough study of various axiological judgments. The above given interpretations of I. Mazepa’s image reflect the irreconcilable confrontation and “blood” belonging of one or another author to different systems of values of the worldview. Such interpretations indicate that the image of I. Mazepa is interpreted as a symbol, an archetype of the national opera tradition. Undertaking further study of the theme can involve performing analysis of Mazepa’s image on the stages of Kyiv and Odessa opera theaters with a view of understanding the performing principles when teaching young vocalists in the class of solo singing.
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PETRUSHYNA, TETIANA. "MULTIPLE FACTORS OF POVERTY IN THE 21ST CENTURY. METHODOLOGICAL ASPECTS." Sociology: Theory, Methods, Marketing, Stmm 2021 (1) (April 7, 2021): 25–41. http://dx.doi.org/10.15407/sociology2021.01.042.
Testo completoAbstract (sommario):
The article is devoted to the sociological understanding of the poverty analysis methodological aspects as a topical social problem of today. Despite the defining poverty eradication as the number one goal in the Millennium Declaration and the priority task of sustainable world development by 2030, numerous scientific/political discussions and practical recommendations for overcoming poverty, it remains one of the most acute socio-economic and moral-ethical problems of humankind. The manifestation of multiple poverty factors — situational, socio-demographic, socio-economic, socio-political, socio-cultural, institutional — only increases the need for a clear understanding of the root causes of the existence and reproduction of this phenomenon. Within capitalism, they consist of abandoning the principles of Keynesianism and the welfare state and the transition to the principles of neoliberalism, which determine the socio-economic essence of the society in today’s globalized world. It is no coincidence that analysts of all the most influential international organizations directly or indirectly recognize that the ineffectiveness of the fight against poverty is a consequence of the existing rules of modern social life. Poverty is an integral part of capitalism, one of the most acute and widespread forms of inequality and injustice inherent in this social order. The multifaceted nature of poverty phenomenon and the variety of approaches to its assessment led to the emergence of a giant thesaurus on these issues (absolute, relative, social, multidimensional poverty etc.). Identifying and assessing poverty, adequately to the complex realities of life, are essential points not only from a cognitive-analytical point of view but also for the elaboration of effective measures to overcome it.
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Pyrozhkov, Serhii, and Nazip Khamitov. "Ukraine in the 21st Century: Strengthening Civilisational Agency." Diplomatic Ukraine, no. XXI (2020): 595–604. http://dx.doi.org/10.37837/2707-7683-2020-28.
Testo completoAbstract (sommario):
The article addresses the issue of Ukraine’s civilisational agency in the modern world. The authors state that a civilisational destiny of a state is determined by geopolitical actors claiming a superpower status, the state’s own choice, people’s will, its political and intellectual elite. Then, a state becomes a unit of international relations and law, world geopolitics, science, art; a civilisational actor of history, the present, and the future. Ukraine strives to become such an actor, have its civilisational project, and implement it. Our country is located between the Euro-Atlantic and Eurasian civilisational societies, thus its capacity to be an actor in the modern globalised world is contingent on efficient cooperation with both of the societies. The authors believe that the implementation of the civilisational project of Ukraine as an actor and not as an object of modern world lies in systemic cooperation with the international actors which accept freedom and dignity of a human being as fundamental values. The authors single out the civilisational measures of such a society, which is a society of trust, social and political partnership, and balanced interaction of the rule of law and civil society. In its civilisational project of the 21st century, Ukraine should stand for a society of innovations and information, where a person can live up to her full potential. It is about the worldview transformation of consciousness and relations among people, countries, civilisations, and civilisational worlds. The implementation of this project is a fundamental condition for ensuring the national security and existence of Ukraine as an independent state. That is indeed a noble cause of Ukraine and its people in the multifaceted world of the 21st century. Keywords: Eurasian civilisational society, Euro-Atlantic direction, agency of Ukraine, independent state.
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Yurchenko, Ivan. "The Issue of Decossackization in Modern Historiography: History of Studying, Legal and Political Aspects, Bibliography and Statistics of Publications." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 4 (September 2019): 224–34. http://dx.doi.org/10.15688/jvolsu4.2019.4.19.
Testo completoAbstract (sommario):
Introduction. Decossackization is a complex issue of modern historiography of the Cossacks. The scientific relevance of the decossackization issue is caused by shortage of generalizing studies. The social and political relevance is connected with the Cossack Renaissance in modern Russia. It is possible to see a major boundary in decossackization, which divided traditional and modern history of the Cossacks. Methods. The author uses the method of analytical historiography, complex, structural and comparative analysis of historiographic sources, quantitative analysis of the nomenclature of studies. The bibliography statistics is received on the Russian Science Citation Index (RSCI) database. Analysis. Defining Decossackization: definitions, approaches, periodization. Soviet and post-Soviet historiography. The newest historiography of the 21st century. Alternative and expanded renderings of Decossackization. Approaches to how Decossackization should be determined in the legal systems of Russia and the USA. Determining Decossackization as the genocide of the Cossacks. Considering V.V. Putin and Patriarch Kirill’s expressed opinions on Decossackization; the influence of these opinions on the historiography in question. Emphasizing the topicality of researching Decossackization in the historical memory of the Cossacks. Most works on Decossakization were published already in the 21st century, but they amount to only about 1 % of the whole number of studies devoted to the Cossacks, which means that new studies into the question will be both topical and necessary. Results. The scholastic research into Decossackization stems from Soviet historiography. The post-Soviet period saw a wide range of opinions and suggested approaches to the problem of Decossackization. In the 21st century politicians, church leaders, lawyers, historians and the Cossacks themselves have reached a consensus on that Decossackization must be viewed as a tragedy. New researchers agree with the definition of Decossackization as genocide or a kind of cruel mass repression in the Soviet Russia.
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Rusakov, Serhii. "The art fairs in the context of the modern stage of art market development." Culturology Ideas, no. 19 (1'2021) (2020): 155–64. http://dx.doi.org/10.37627/2311-9489-19-2021-1.155-164.
Testo completoAbstract (sommario):
The article deals with the value-semantic, communicative and cultural aspects of the phenomenon of the art fair being defined as a space for updating the works of contemporary artists and the exchange of ideas and senses, considering historical preconditions for appearing of the art fair. It analyzes art fairs as the most various level of the modern stage of art market development. Based on Art Basel study, it identifies substantial changes of contemporary art fairs which contributed to the formation of a new model of the art market at the beginning of the 21st century. The new role acquired by the art market due to its unifying nature has been noted. The author reviews the cultural specifics of art exhibitions, galleries, the value of art works, the formation of artistic tastes of people as well. The importance of studying and considering of the art fairs for understanding of the new model of art market development is substantiated. The article outlines perspective directions of further culturological research of the art market and art fairs. The performed analysis of the international art fair Art Basel shows the approval of the fair model of the art market due to the globalization processes, the formation of a new leisure culture and the need for a new way of art actualization.
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Glazyrin, V. L., E. A. Timchenko, and V. A. Govorova. "FACTORS FORMING NEW CITIES IN THE 21ST CENTURY." Regional problems of architecture and urban planning, no. 14 (December 29, 2020): 22–30. http://dx.doi.org/10.31650/2707-403x-2020-14-22-30.
Testo completoAbstract (sommario):
The article describes and analyzes the current approach to urban planning on the example of two emerging cities: Iskandar, Malaysia and Songdo, South Korea. The aims and objectives of the modern city as a multifunctional, sustainable, flexible and competitive environment of the future. The article also describes forming factors and enterprise. The main ones are industrial enterprises, the intersection of roads and external transport. Examines the specific characteristics and problems of the cities of Songdo and Iskandar that are associated with the geography of the place, climate, socio-economic and cultural context, lack of resources, cultural values and other aspects. Special attention was paid to the description of the development planning strategies of cities and their common problems associated with the scale, speed of growth, development and management of complex and dynamic objects. It identifies the community in shaping the modern urban environment, regardless of climate, cultural, political and socio-economic contexts. The construction of a new city from scratch is not a new idea. In the XX century in the world of urban planning practice shows a huge number of examples. The most interesting foreign experience, where during the XX century was observed four waves of development of new towns, and were submitted to various concepts. New cities provide a unique opportunity to learn from the wisdom and functionality of the existing towns and avoid the mistakes of the past, allowing us to re-create ways of using cities. The ambitious projects of urban scale are subject to numerous risks associated with economic feasibility, suitability for housing and the lack of dynamism, as demonstrated by many post-war and the new colonial cities. New cities offer unprecedented opportunities to experiment with innovative ideas, learn from past mistakes, to reproduce the beauty and energy created by the city and integrate technologies from the earliest stages. Starting from scratch means that new cities have the potential to resolve and improve problems of existing cities to be more intelligent and less wasteful and more socially open and creative.
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Molnár, György. "Modern Digital Device Systems Supporting the Instruction of Digital Natives." Acta Universitatis Sapientiae, Communicatio 6, no. 1 (December 1, 2019): 107–19. http://dx.doi.org/10.2478/auscom-2019-0006.
Testo completoAbstract (sommario):
Abstract While in our accelerated world everything seems to change, basic values are here to stay. I believe one such aspect is education and training. Although our educational system is built on a relatively permanent basis, instructional methodology on the whole has undergone substantial changes despite that all of the educational system has preserved its role in transmitting, presenting, and preserving knowledge. Since in our fast 21st-century world myriads of facts and fake or questionable information is available, students require new knowledge along with new and perhaps different answers. We believe that education, due to its ability to provide scientifically sound answers to the respective challenges, is vital today. Recent paradigm shifts have led to fundamental alterations in the form of information and knowledge acquisition supported by modern, state-ofthe-art ICT-based methodological solutions and learning environments. The study focuses on the theoretical and practical aspects of such learning support schemes or solutions.
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Ismakova, Aigul, Nurdaulet Akysh, Ainur Akhmetova, Almira Kaliyeva, and Shokhan Shortanbayev. "Seven Aspects of the Great Steppe in the Modern Kazakh Prose – the National Conception of Eternal Nation and Art Discourse." Space and Culture, India 7, no. 3 (November 25, 2019): 68–75. http://dx.doi.org/10.20896/saci.v7i3.468.
Testo completoAbstract (sommario):
This research aims to identify the role and place of the ideological concepts of the “Eternal Nation” and “The Great Steppe” in Kazakh literature.
 For this, it uses methods of stylistic analysis of literary works from the perspective of identifying communication symbols in prose. Additional research methods are the method of historical analysis of the ideological concepts formation and a cross-disciplinary approach to the interpretation of the content of works.
 The reasons for the strong influence of these concepts on the culture of modern Kazakhstan are justified. A symbol code is discovered through which writers reflected the state of public life in Kazakhstan.
 The research is one of the first attempts to review and analyse the stories of Kazakh literature published in the 21st century. The stories are specially classified in the thematic and content context, the scientific conclusions for the artistic world of the works, language and style features of the works are presented, whereby the authors of the study set a precedent for systematising disparate knowledge of modern Kazakh literature.
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Portnova, Irina. "A Concept of Nature in the Modern Animalistic Art of Russia: An Environmental Aspect of the Genre." Space and Culture, India 7, no. 4 (March 29, 2020): 219–27. http://dx.doi.org/10.20896/saci.v7i4.558.
Testo completoAbstract (sommario):
The study deals with the concept of nature in modern local wildlife art from the perspective of environmental thinking. It is significant in both cultural and artistic aspects. Modern wildlife art has become a vehicle for pressing issues in nature studies and has demonstrated a variety of artistic solutions, creative manners, and approaches, from traditional realistic variants to stylistic interpretations in the spirit of previous epochs. The study reports that the passage of time has caused changes in the historically established genre structure; its boundaries have become vague and the very structure of an artistic image has become polysemic. Nowadays, local art criticism does not cover this issue adequately.
 Meanwhile, modern wildlife art represents a bright example of the thematic and stylistic variety of artistic techniques and has a fresh look at the world of animals in its entirety, which refers to a new perception of nature, human attitude to it and supplements the picture of the development of the entire local arts. Against this background, the study of current wildlife issues is quite relevant. The historical and artistic methods allow us to evaluate the originality of animalism, its different sides, in particular genre, species and stylistic diversity, as a characteristic and an iconic phenomenon of modern art, reflecting the concept of “nature" in its ecological perspective. The significance of wildlife art is stressed in moral respect. It is wildlife art, which is closest to nature that organically reflects the picture of the modern world with its current environmental issues and dire ecological situation. The wildlife art of the end of the 19th Century to the beginning of the 21st Century is characterised by the exploration of new vital issues of its time. Therefore, the material given in the article is important for art criticism since it enriches it with a unique perspective of study and in a wider cultural meaning, and, thus, forms a modern philosophical picture of human-nature-animals interrelations.
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Zhukenova, Zhazira D., and Zhazira Zh Zhekibaeva. "Development Stages of the Modern Jewelry Art in Kazakhstan." Observatory of Culture 16, no. 3 (July 19, 2019): 322–32. http://dx.doi.org/10.25281/2072-3156-2019-16-3-322-332.
Testo completoAbstract (sommario):
In the context of globalization of the modern world and the growth of intercultural interaction, the question of spiritual development of the nation, the issues of formation, establishment, and the main trends in the further evolution of its art become the subject of research by many art historians, who, through the use of their topical articles and speeches, have made conditions for the further improvement of art studies in Kazakhstan.Currently, the Republic of Kazakhstan is on the way of radical changes in its political, economic and cultural system, which became possible with the acquisition of Kazakhstan’s status as a sovereign state.Scientists of Kazakhstan — historians, ethnographers, culturologists, art experts of the 20th—21st centuries — conducted comprehensive studies of the history, culture and art of the Kazakh people. Special attention was paid to description of the traditional types of applied art (felting, weaving, embroidery), as well as the work of master jewelers.While the traditional types of applied art have been widely described and studied by art historians in ethno-cultural aspects, the professional jewelry art of Kazakhstan, the work of modern national masters are still insufficiently investigated, including the issues of archaic and traditional forms interpretation in today’s jewelry art.Contemporary jewelry artists working in the most topical forms keep the Kazakh traditions of jewelry craftsmanship: they use generally accepted techniques of metal processing in their works, creatively interpret traditional forms.The active use of the established techniques by modern masters is complemented by the latest technology.The artistic features of modern jewelry are based on the author’s interpretation of forms and techniques of traditional jewelry art; there is a kind of synthesis: a mixture of traditions of the Kazakh craft, techniques of folk applied art, and current artistic trends.
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Keshmirshekan, Hamid. "Modern Art in the Arab World, Primary Documents: A Review Essay." Review of Middle East Studies 54, no. 2 (December 2020): 342–51. http://dx.doi.org/10.1017/rms.2021.4.
Testo completoAbstract (sommario):
The study of modern and contemporary art from Islamic lands, and particularly the Arab world, is a developing field. Over the past few decades, a variety of publications on modern and contemporary art from the Arab world and its diasporas has appeared in art magazines, journals, and exhibition and auction catalogues. There is, however, still a lack of scholarly literature and reliable resources on the subject. Many such existing sources have focused on productions that are largely in line with certain interests or agendas pursued by the particular magazine/journal, exhibition, or art market in question. Therefore, although recent scholarly output has played a crucial role in introducing modern art in the Arab countries in the Middle East and North Africa, these publications have not sufficiently filled the gap of discussion regarding certain aspects of the subject. Modern Art in the Arab World, a collection of critical writings by Arab intellectuals and artists, offers an unparalleled source for the study of modernism in the Arab world. Mapping the primary documents with additional entries written by the editors and other scholars, this book addresses the major historical, conceptual, theoretical, and aesthetic issues that inform the modern art paradigm in the Arab world. Arranged largely in a chronological order, it explores the art of the Arab world by tracing the main discourses that have shaped artistic practices and transformations in the region from the mid-nineteenth century until the late 1980s.
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Gorinova, Natalia Vasilievna. "KOMI FEMALE DRAMA: SOME ASPECTS OF STUDYING THE QUESTION." Yearbook of Finno-Ugric Studies 13, no. 4 (December 25, 2019): 643–52. http://dx.doi.org/10.35634/2224-9443-2019-13-4-643-652.
Testo completoAbstract (sommario):
The beginning of the 21st century opened a new page in the development of Komi literature connected with the activity of female authors earlier unprecedented on a dramatic field. In the 2000s Nina Kuratova, Elena Kozlova and Nina Obrezkova addressed dramaturgic genres. By this time they had already been popular writers. Having addressed a dramaturgic genre, new to itself, each writer introduced organic features in a palette of dramaturgic poetics, enriching and updating national culture. We devoted this work to research the specifics of Komi female dramatic art. Gender approach and method of the comparative analysis allowed us to reveal features of Komi female dramatic art. The Komi female dramatic art is not stereotypical and cliched, there is no similarity in the creation of plots and the features of characters in plays by the playwrights. N. Kuratova's, E. Kozlova's and N. Obrezkova's plays differ on the one hand from each other, on the other hand from plays by male Komi playwrights. It is not only about female playwrights reproducing in plays the female character and especially female household reality, but also about reproduction of how women feel and understand the world. In the Komi female drama we see the desire of the woman to live in harmony with the world, to constantly feel safe, to arrange family cosiness, to keep and transfer to the subsequent generations family values, love and respect (Kuratova). Also female drama transmits that pain which is felt by the woman, building relations with men, feeling their pressure and even violence (Kozlova). The female drama reveals changes the woman in modern society experiences, her finding new social roles, finding male features against the background of spiritual weakening of men (Obrezkova). So, the female consciousness gets into Komi dramaturgic space, opening new ways in an artistic judgment of reality, enriching an aesthetic paradigm.
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Pirozhkova, Sophia. "PHILOSOPHY AS ELEMENT OF RUSSIAN SCIENTIFIC SYSTEM: HISTORICAL ASPECTS OF PROBLEM." Studia Humanitatis 17, no. 4 (December 2020): 4–14. http://dx.doi.org/10.15393/j12.art.2020.3661.
Testo completoAbstract (sommario):
The article offers a rational reconstruction of the history of the development of Russian philosophy as a scientific discipline. The relevance of this reconstruction is due to the need for a new self-determination of philosophy in the structure of scientific knowledge. This need is caused, on the one hand, by the world-wide transformations of science as a cognitive, social and cultural phenomenon, on the other hand, by the fact that Russian science is undergoing a period of reforms that pose urgent questions for Russian philosophy to fix its features, functions and tasks as a scientific discipline in new conditions. The article shows that philosophy appears in Russia as part of an integral system of rational knowledge, or rather as part of a kind of socio-cultural project of such system. This system inherits the Ch. Wolff’ project. It is characterized by the absence not only of the modern differentiation of sciences, but also of the later opposition between philosophy and science. In a short time by historical standards, the emancipation of natural science disciplines begins, seeking to privatize the status of scientific knowledge. However, since the beginning of the XIX century, it is not self-determination in opposition of science acquiring its modern face, but the socio-political context that determines the fate of Russian philosophy, setting various forms of its institutionalization. This dependence persists in the twentieth century, when the role in the Soviet socialist project returns philosophy to the central place in the structure of scientific knowledge, as it was in the Wolff’ system, while discrediting it as a scientific activity. It is proved that since the end of the 1950s, Russian philosophy has begun to partially rebuild itself as a scientific discipline, creating prerequisites for the retention of academic and university philosophy after the collapse of soviet ideology.
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Romanova, N., S. Kononov, А. Zhukov, and А. Zhukova. "Evolution of the concept “regional security” in the world political science." Transbaikal State University Journal 27, no. 1 (2021): 66–74. http://dx.doi.org/10.21209/2227-9245-2021-27-1-66-74.
Testo completoAbstract (sommario):
The relevance of the article is due to the growing importance of the regional security factor in modern conditions, where the level of regional self-awareness and the desire for relative autonomy are growing within the framework of the general process of developing the security system. The article is devoted to the analysis of the security concepts existing in the history of political doctrines in order to identify the evolution of ideas about “regional security”. The study uses comparative, systemic and hermeneutic methods, the action of which is aimed at identifying aspects of regional security in the texts devoted to the problems of state, national and public security. The novelty of the research is associated with the development of the ideas’ evolution about regional security from abstract ideas to various aspects of regional practice. The result of the study is the evidence that, being originally one of the aspects of general management theory, the ideas of regional security at the end of the twentieth century have become the core of the concept of “regional security complexes”. The next result was the substantiation that modern criticism of this concept is the basis of the theoretical constructions of regional security in the 21st century, which are based on a synthesis of ideas about the need to adopt rules adopted by states that support the stability of world security and the influence of regions with their own interests. The conclusion of the study is to assert that modern concepts of regional security are based on the synthesis of methodologies of the systemic and constructivist approaches. This methodology is used to substantiate the assertion that any state is forced to deal with the security problems of its regions, to pay attention to the existing threats and regional interests in them, which may be of a constructive nature, and may pose a real danger associated with challenges from the political, economic, military, environmental, social spheres
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Darasz, Zdzisław. "Plakat polityczny w chorwackiej ikonosferze." Poznańskie Studia Slawistyczne, no. 18 (April 28, 2020): 283–89. http://dx.doi.org/10.14746/pss.2020.18.17.
Testo completoAbstract (sommario):
The titular problem of Croatian political poster, regarded as an art of margins, is treated by the author, according to the order of chapters, in four main aspects: historical, aesthetic, socio-political, and cultural one. The development of poster art, correlated with national history in 19th and 20th century Croatia, is presented in the chapter “In the vapour of history”. In the next chapters some particular sections of the searching field are described. These sections are as follows: technique of montage of the pictures, modern iconoclastic practices, chaos vs. order, and the place (“From margin to centre”).
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Углева, Н. В. "Attribution of the Throne Chairs of Tsars Boris Godunov and Mikhail Romanov in the 19th–21st Centuries: Historical and Art Historical Aspects." Nasledie Vekov, no. 1(25) (April 22, 2021): 100–108. http://dx.doi.org/10.36343/sb.2021.25.1.008.
Testo completoAbstract (sommario):
Древние тронные кресла отечественных монархов из собрания Музеев Московского Кремля были неоднократно опубликованы на протяжении XIX — XXI вв., но и сегодня нельзя считать работу по их атрибуции законченной. Примером тому — о два древнейших артефакта — тронные кресла царей Бориса Годунова и Михаила Романова: вопрос определения времени и места их создания остается неразрешенным. Ошибка исследователей заключается в том, что их внимание сосредоточено на ювелирном декоре предметов, не был применен метод описания и анализа художественных и технических приемов изготовления артефактов в целом, а также архивная документация изучена в недостаточной степени. По мнению автора, упомянутые предметы являются образцами персидской работы XV–XVI вв., в то время как прежде кресло царя Бориса Годунова датировалось 1603-1605 гг., а атрибуция принадлежавшего царю Михаилу Романову варьировалась между второй половиной XVI — первой третью XVII вв., причисляя изделие к московской или иранской работе. The article examines two ancient throne chairs of Russian monarchs from the collection of the Moscow Kremlin Museums: the chair of Tsar Boris Godunov, which is believed to have been received at the beginning of the 17th century as part of the ambassadorial gifts from Shah Abbas I, and the chair which researchers associate with the name of Tsar Mikhail Fyodorovich. The aim of the article is a comprehensive study of these objects based not only on their external description, but also on the identification of their structure, parts hidden by metal and woven coatings. In addition, for the first time, the author considers the chairs as pieces of furniture art, trying to “embed” them into the line of the development of artistic styles. In the course of the research, the method of description and analysis of artistic and technical methods of making artifacts, methods of comparative analysis and interpretation of historical sources were applied. The materials of the study were archival documents, published sources and the results of research by Russian historians and museologists. Various historical evidence about the investigated artifacts and views on their dating, reflected in documents and research works, is analyzed. The author compiled descriptions of the throne chairs and made assumptions about the possibility of a later change in their appearance. The analysis of the form and decor made it possible to attribute the throne chair of Tsar Boris Godunov as an example of a Persian work of the 15th–16th centuries; the use of European heritage is clearly traced in the creation of its artistic image. The attribution of the chair of Tsar Mikhail Fyodorovich cannot be considered final, because today there are several versions of it (a sample of the work of the Moscow Kremlin Workshops of the 17th century, precious plates of Iranian production of, presumably, the 16th century were used in its decoration; Iran, Isfahan, second half of the 16th century (?); work of Iranian court masters of the first third of the 17th century). This throne chair presumably has a pair – the chair of Tsar Alexei Mikhailovich: outwardly these objects are remarkably similar and look like a set, in which, with the general logic of shaping, only the manner of decoration is somewhat different. The visual analysis of the monument allows classifying it as a sample of Persian work, made under the influence of the Renaissance art, which spread from Italy to Europe in the 15th–16th centuries. The need to study these rarities with the use of modern technologies and research methods is emphasized.
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Мордовцев, Андрей, Andrey Mordovtsev, Татьяна Мордовцева, and Tatyana Mordovtseva. "The legal mentality in the national cultural space: the era of transformation (on the example of the old believer writings of the XVII century)." Advances in Law Studies 4, no. 4 (November 29, 2016): 330–40. http://dx.doi.org/10.12737/23060.
Testo completoAbstract (sommario):
This article takes a look at various aspects of the national legal and political mindset: discreetly-structural, methodological, cultural, religious, functional, etc. The authors not only distinguish the nature and characteristics of domestic legal (wider politico-legal) mentality, identify its main functions, show the place and significance in the Russian public-legal, but to refract the main theoretical developments through the prism of the little studied in modern jurisprudence, old political and legal ideas, spiritual component which turns out to be extremely interesting and revealing in many ways to explore such a topical issue at the moment, as the legal mindset , political mentality, legal consciousness, legal culture in transition period of development of the state and law, still continuing in Russia early 21st.
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Ehrhart, Hans-Georg. "Postmoderne Kriegführung in der Weltrisikogesellschaft als Herausforderung für eine liberale Friedensordnung." Sicherheit & Frieden 37, no. 2 (2019): 68–73. http://dx.doi.org/10.5771/0175-274x-2019-2-68.
Testo completoAbstract (sommario):
Postmodern warfare in the 21st century can in simple terms be described as a combination of traditional and modern, indirect and direct, regular and irregular, symmetric and asymmetric, military and civilian components, following the postmodern motto of anything goes. On the one hand, its use is supposed to limit warfare. On the other hand, it tends to de-bound warfare due to its inevitable boomerang effects. New ways of warfare are due to minimize own casualties and to alleviate the waging of wars or interventions. The phenomenon of postmodern warfare raises a host of questions that comprise political, theoretical, conceptual, legal, ethical, and practical aspects.
22
Linden, Diana L. "Modern? American? Jew? Museums and Exhibitions of Ben Shahn's Late Paintings." Prospects 30 (October 2005): 665–84. http://dx.doi.org/10.1017/s0361233300002222.
Testo completoAbstract (sommario):
The year 1998 marked the centennial of the birth of artist Ben Shahn (1898–1969). Coupled with the approach of the millennium, which many museums celebrated by surveying the cultural production of the 20th century, the centennial offered the perfect opportunity to mount a major exhibition of Shahn's work (the last comprehensive exhibition had taken place at the Jewish Museum in New York City in 1976). The moment was also propitious because a renewed interest in narrative, figurative art, and political art encouraged scholarly and popular appreciation of Ben Shahn, whose reputation within the history of American art had been eclipsed for many decades by the attention given to the abstract expressionists. The Jewish Museum responded in 1998 with Common Man, Mythic Vision: The Paintings of Ben Shahn, organized by the Museum's curator Susan Chevlowe, with abstract expressionism scholar Stephen Polcari (Figure 1). The exhibition traveled to the Allentown Art Museum in Pennsylvania and closed at the Detroit Institute of Arts in 1999.Smaller Shahn exhibitions then in the planning stages (although not scheduled to open during the centennial year) were to focus on selected aspects of Shahn's oeuvre: the Fogg Museum was to present his little-known New York City photographs of the 1930s in relationship to his paintings, and the Jersey City Museum intended to exhibit his career-launching series, The Passion of Sacco and Vanzetti (1931–32). Knowing this, Chevlowe smartly chose to focus on the later years of Shahn's career and on his lesser-known easel paintings of the post-World War II era. In so doing, Chevlowe challenged viewers to expand their understanding both of the artist and his place in 20th-century American art.
23
Yudina, Natalia. "Language Personality in the Russian Linguistic Tradition: Diachronic-Synchronic Aspects." Respectus Philologicus 21, no. 26 (April 25, 2012): 110–19. http://dx.doi.org/10.15388/respectus.2012.26.15419.
Testo completoAbstract (sommario):
The article is devoted to the analysis of one of the most important terms in modern linguistic usage – the definition of a language personality. It was introduced in Russian-language scientific use in the 1930s by academician V. Vinogradov, and has been related to the ever-increasing interest in the anthropocentric factor in language, as well as to changes in the scientific linguistic paradigm, since the 1980s. Resuming some terminological and conceptual descriptions of language personality, as represented in the Russian-language linguistic literature, this article comes to the conclusion that language personality theory is presently reviewed in linguodidactics, linguoculturology, cognitive linguistics, ethnolinguoculturology, psycholinguistics, lexicography, stylistics, pragmatics, and other intra- and extralinguistic disciplines.The complex analysis makes it possible to identify verbal-semantic (lexicon), linguocognitive (thesaurus), motivational (pragmaticon; cf.Y. N. Karaulov), stylistic, communicative-pragmatic, linguoculturological, emotional, articulatory, and other levels. In addition to language personality, the terms verbal and communicative personality must also be specified and systematized. Further conceptual and terminological research in the description of language personality seems highly necessary for modern linguistics. The process of developing and establishing a language personality appears to be an essential component of the objective and subjective transformations of the information society. Further inquiry into the study of language personality will contribute to a better understanding of the social-political, economic, socio-cultural and linguistic processes occurring in the 21st century.
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Gulyaev, Alexander V., and Alexey A. Ivanov. "ON THE REVIVAL OF RELIGIOUS INSTITUTIONS: ALL-RUSSIAN TRENDS AND REGIONAL ASPECTS (late 20th – beginning of 21st century)." Historical Search 1, no. 4 (December 25, 2020): 18–27. http://dx.doi.org/10.47026/2712-9454-2020-1-4-18-27.
Testo completoAbstract (sommario):
On the basis of the latest research and data of sociological sources, the article examines the revival of religious institutions in Russia in the late 20th – early 21th century. The relevance of scientific research is due to the important role of religious institutions in the process of development of civilization, culture, ideological education and social consciousness. Religion has been and remains the basis of an ideological instrument in any state since its inception. The evolvement and development of a rule-of-law state largely depends on the level of civil society development and on the ideological orientation of the population, which, in turn, is an objective social basis of a democratic state. In the last few decades, the issues of religion have been very actively covered in the media, religious programs have been appearing on TV, clerics are invited to talk shows, and the internet is filled with religious sites. The relationship between the existence of religious associations and changes in the socio-political situation in the country in individual confessions, including by changing the dynamics of their number is shown. Like any social institution, religion has its own special cultural symbols, which in an extremely concentrated form create a religious picture of the world in public consciousness. The level of civil society development is largely determined by the existence of autonomous public associations that unite the society and ensure its effective interaction with the state. The conclusion about the development of a certain system of institutional norms in the change of ideological standards in the modern Russian Federation is formed. Special attention is paid to the regional aspect of the problem on the materials of the Mari El Republic.
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Khudoliy, Anatoliy. "Modern challenges in the Asia-Pacific." American History & Politics Scientific edition, no. 6 (2018): 72–82. http://dx.doi.org/10.17721/2521-1706.2018.06.72-82.
Testo completoAbstract (sommario):
The article deals with American-Chinese and American-Indian relationships in the 21st century. The researcher focused on political, military and economic aspects of cooperation between Washington and Beijing, Washington and New Deli over the last few years of the twenty-first century. The author of the article has analyzed major tendencies of development of American-Chinese relationships in the context of bilateral cooperation during the presidency of Barack Obama and Donald Trump. The economic and security activities of China, oriented to a strengthening of leadership positions of Beijing, as a key actor, in the regional policy were detailed. Along with it, the author shifted attention to Washington priorities in bilateral relations considering its pragmatic purposes and national interests which considerably influence foreign policy course of the United States. Despite close relations between the USA and the People’s Republic of China, there are factors that set limits for the strategic partnerships between the two countries. The author analyzed not only foreign policy of the United States but also the foreign policy strategy of China that hides interventionism behind the economic policy, trade, economic activity and projects such as ‘One belt, one road’. Some cases of conflict situations between China and its neighbors are analyzed in order to highlight problems. The author analyzed definite political and economic steps made by President Trump in order to strengthen American positions and regional security. Under the support of Washington, India, Japan, and Australia play more important roles as regional actors. India’s role in the regional confrontation between the United States and China is well depicted. Since 2017 India increased its positions in exporting goods and services to the United States, which is one of the main markets after China and the EU. Nevertheless, the USA is still a key player in the region. So, developing trade, financial and military relations, the USA is attempting not only to preserve, but also to strengthen its own positions in the Asia-Pacific and, as a result, to contain China.
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Dimitrijevic, Dusko. "The relations of Serbia and the People’s Republic of China at the beginning of the 21st century." Medjunarodni problemi 70, no. 1 (2018): 49–67. http://dx.doi.org/10.2298/medjp1801049d.
Testo completoAbstract (sommario):
The current relations of the Republic of Serbia with the People?s Republic of China (hereinafter: Serbia and China) are conditioned by many political, economic, legal and social factors. The mentioned factors point to the existence of asymmetry in many aspects which, however, is not an issue that implies that the two parties can not develop good and friendly relations. In the historical and international legal sense, the relations of the two countries are characterized by the continuity of diplomatic relations established on January 2, 1955, between the then Federal People's Republic Yugoslavia and the People's Republic of China. Serbia as the successor state of SFR Yugoslavia continues to treat China as one of its most important partners in international relations, which is manifested through the foreign policy course, according to which China is one of the main ?pillars? of Serbia's foreign policy alongside the European Union, Russia and the United States. The mere reference to the main ?pillars? in Serbia's foreign policy orientation indicates that China is a key player in world politics and a great power with which Serbia needs to build relations of a ?comprehensive strategic partnership?. It is not surprising, therefore, that the deepening of the Serbian-Chinese relations on a bilateral and multilateral level (especially within the UN, regional international organizations and political forums such as the 16 + 1 mechanism between China and the countries of Central and Eastern Europe) contributed to better strategic positioning of Serbia in modern international relations.
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Novik, Alexander. "GjirokastraFolklore Festival as the Main Ritual Event in Albanian Cultural Life at the Beginning of the 21st Century." Yearbook of Balkan and Baltic Studies 3 (December 2020): 157–82. http://dx.doi.org/10.7592/ybbs3.08.
Testo completoAbstract (sommario):
The paper presents an overview and analysis of the Gjirokastra National Folklore Festival (NFFoGj), one of the most important events in the cultural life of Albania. Global transformations that have affected all aspects of life have inevitably brought changes to traditional culture, traditional values and relations with the outside world, including across the Balkans. The majority of program issues were inspired by a common European practice of holding mass folklore events and measures aimed at nurturing and preserving cultural heritage. It is deeply connected to the process of revitalisation of old ritual practices and folk costume and to the socialisation of people who have professional and semi-professional associations with ethnic culture. Having analysed the materials collected in the run-up to the festival and during the event as well as during field studies in the Western Balkans in 1992–2019, I can acknowledge revitalisation of many, if not all, elements of folk culture. In this case revitalisation does not mean following the tradition literally, but rather an attempt to preserve it while adopting a modern perspective and advances in technology. The essential part of this process is the attempt to breathe new life into the components of traditional culture, and adapt them to the here and now. The NFFoGj has also become a major attempt to museificate the cultural heritage of the Albanians. Contests that have been held regularly over the past 70 years to reveal the best examples of folk art and support independent artists have encouraged interest in the roots of national culture and helped many generations not to forget what their predecessors valued. Thus, folk dance, music, songs and costume were reproduced – at times artificially – in various regions of the country to showcase the achievements of a locality (village, district, town, region) at the national festival as the main ritual cultural event.
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Suprihatin, Endang Wara, and Dyah Pratamawati. "Conservation Strategy in Preserving The Local Image Existence of Wayang Topeng." Harmonia: Journal of Arts Research and Education 19, no. 2 (December 13, 2019): 179–84. http://dx.doi.org/10.15294/harmonia.v19i2.24005.
Testo completoAbstract (sommario):
This research studies the strategic conservation efforts to preserve the local image of wayang topeng or mask puppet as a traditional art performance. Ten years into the 21st century shows a great effort from the artists who joined the Wayang Topeng Malang dance studio, Asmorobangun led by Tri Handaya (43), in preserving its existence. This research studies the strategy carried out in preserving the association’s existence so it can continue, not only wayang topeng as traditional art performance but also as the professions of its artist. The efforts carried out shows an action which is systematic and modern. Therefore, the researcher is interested in exploring Tri Handaya’s effort in preserving wayang topeng communities to be able to hold monthly regular performances, establishing cooperation with the government and private sector, and serving various training for general public. Research method used was qualitative approach of single instrumental case study, which is Sanggar Wayang Topeng Asmorobangun. Data was collected with the use of interview, observation, and documentation. Data verification to establish validity was using source and method triangulation. Research results show that there are three strategic aspects in preserving local image: (1) following the tradition patterns of its predecessors, (2) conducting training for young generations, (3) designing an extensive promotional media and building relationships with stakeholders.
29
Varga, Norbert, and Andrea Szikra. "Old and New Criteria for the Governance of Political and Economic Structures on the Basis of the Bible and the Quran." Acta Universitatis Sapientiae, European and Regional Studies 12, no. 1 (December 1, 2017): 61–76. http://dx.doi.org/10.1515/auseur-2017-0008.
Testo completoAbstract (sommario):
AbstractThis study presents a sociological analysis of the Holy Books of two world religions (the Bible and the Quran) since, according to prognoses and risk analyses, a political, economic, cultural, and religious confrontation between the world religions will be unavoidable. Special economic and political aspects also contribute to the up-to-datedness of the topic in the democratic world; in fact: the economic crisis at the beginning of the 21st century, the difficulties of managing the crisis with traditional micro- and macroeconomic tools as well as the Europe-wide issue of migration processes. These challenges have directed our attention to alternative economic solutions and policy options, including theories on ethical basis. Modern academic discourse has recently started to direct research at leadership skills as acknowledged forms of talent. The priority of moral talent is never disputed in the Bible and the Quran, more so by certain leaders holding political or economic positions.
30
Häßler, Miriam. "Moscow Merz and Russian Rhythm." Experiment 23, no. 1 (October 11, 2017): 117–26. http://dx.doi.org/10.1163/2211730x-12341305.
Testo completoAbstract (sommario):
Abstract The Erste Russische Kunstausstellung [First Russian Art Exhibition] of 1922 was a remarkable event not only for Berlin’s art lovers at that time, but also for the history of twentieth century art. Held at Galerie van Diemen, the show gave a comprehensive overview of Russia’s artistic achievements from late Tsardom to the Russian Civil War. Of all styles in the exhibition, the non-objective art movements of suprematism and constructivism provoked the greatest sensation among the visitors, many of whom were Western artists. Relating Russia’s variations of non-objectivity with their—assumed—political notions, Western modernists reacted in various ways. This article aims at tracking the long-lasting vestiges of the Erste Russische Kunstausstellung in the personal and artistic developments of two key-figures of Germany’s modern art scene: Kurt Schwitters and Hans Richter. While the role of El Lissitzky, who designed the catalogue’s cover, has already been canonized, this article wants to highlight lesser-regarded aspects.
31
Mohd. Shamsuddin, Salahuddin, and Siti Sara Binti Hj. Ahmad. "Art of the article and its technical characteristics in the modern age." Advances in Social Sciences Research Journal 7, no. 2 (February 23, 2020): 78–86. http://dx.doi.org/10.14738/assrj.72.7822.
Testo completoAbstract (sommario):
Art of the article is one of the expressive arts. It has its own origins, features, and importance. Art of the article can be defined as one of the prose genera that appeared in the modern Arabic literature after its connection to European literature in the eighteenth century, when the art of the article appeared as a separate literary genre, in which the writers deal with the issues related to the aspects of their individual, social, political, religious, literary and scientific lives and environments, with the criticism and analysis. Development of the press helped to develop this literary genus. Some writers became popular and famous through this art, but many of them misused it and failed to build a bridge between them and their readers through this artistic circumstance, which has a limited size, in which the writer can put a specific topic not exceeded from a few pages, where the writer finds a complete freedom in choosing the topic, so that the article contains various topics, but the writer must avoid lengthening in explaining the dimensions of the subject of his article, as the author often deals with what is limited to a specific idea around which the whole article revolves, and tries to reveal and clarify all dimensions that relate to it briefly. We try to shed light on the art of article, its types and forms in terms of its technical characteristics, using the descriptive approach that is more suitable for such topics of the expressive arts.
32
Schiwy, Freya. "Thresholds of the Visible. Activist Video, Militancy, and Prefigurative Politics." ARTMargins 8, no. 3 (October 2019): 7–28. http://dx.doi.org/10.1162/artm_a_00242.
Testo completoAbstract (sommario):
The formation of a Peoples' Assembly and occupation of the city of Oaxaca (Mexico) in 2006 has been widely considered a rebirth of the Commune and was also one of the first widely video-recorded uprisings of the 21st century. As media practice, activist videos approximate an identity of creative art/work and socio-political change but also warrant consideration of their formal aspects. How do stylistic choices help or hinder reflecting on the not-quite-here-yet of prefigurative politics? In contrast with video art, graffiti, and performance protest, activist videos overwhelmingly adhere to evidentiary forms. Carefully edited, they invite viewers to view crowdsourced footage as indexical traces of what “really” occurred in front of the lens but draw little attention to contingency or to the artifice of cinema. Activist videos' politics of truth and reliance on interviews underscore lingering, more hierarchical visions of revolution and risk inscribing what is there to the detriment of equality and potentiality. Even so, some activist videos playfully invoke a future already arrived.
33
Enders, Mark. "“Lack of interest in politics”: a result of non-democratic experiences or of the non-existence of the Kantian republican state in the 21st century?" Studies in Global Ethics and Global Education 10 (June 22, 2019): 57–71. http://dx.doi.org/10.5604/01.3001.0013.2507.
Testo completoAbstract (sommario):
This essay examines the appearance of distrust, disinterest and aversion to politics and political participation in today’s democracies by taking the Kantian concept of a republican state into account. The goal is to find out reasons for the lack of interest in politics by investigating certain aspects in today’s democracies that might be not in compliance with the Kantian understanding of republicanism. The essay will start with an examination of the republican state and why it is mostly referred to as being much as the parliamentary democracy we know today. Then, these results will be compared with modern democracies (USA, Switzerland and Germany) in order to find the underlying reasons for the lack of interest in politics and how it might be possible to overcome it.
34
Simpson, Juliet. "From Exquisite to Transgressive Moderns? The Goncourt's "Decadent" Eighteenth-Century Art Revival." Nordlit 15, no. 2 (March 26, 2012): 159. http://dx.doi.org/10.7557/13.2052.
Testo completoAbstract (sommario):
As avid collectors of French eighteenth-century art, the Goncourts' contribution to its nineteenth-century history is well-known. This article, however, explores a less welldocumented aspect of their L'Art du dix-huitième siècle (1858-1875): that is, its articulation of an art of latency and decadence prior to the term's fin-de-siècle association with explicitly transgressive cultures of modernity. Indeed, the paper argues that the Goncourts were amongst the first writers of their age to use the art of an age linked with political and cultural decay, to foreground latently decadent tendencies in mid nineteenth-century French art and culture. In so doing, they were to produce a paradigm of "decadence" defining not decline, but a new and highly modern artistry of heightened aesthetic expression. The article will explore these ideas in two principal ways. First, it considers neglected relations between the Goncourts' and Taine's ideas on art, and specifically, the Goncourts' use and exploitation of Tainean indicators of decadence, broached in Taine's study on La Fontaine (1861), for opposing artistically and culturally productive ends. Second it develops these ideas in a discussion of the three artist-studies in L'Art du dixhuitième siècle in which the Goncourts' developing theme of "decadence" is articulated with especial force and prescience: in "Boucher" (1861), "Greuze" (1863) and ‘Fragonard' (1864). These, as the paper argues, suggest particularly defined channels for the Goncourts' engagement with key Tainean ideas of the period, offering related opportunities for their promotion of corruption, vice and decline as aesthetically and culturally compelling. In repositioning Boucher's sensualism as "indécence", Greuze's "innocence" as "perverse" and Fragonard's Italianate expressivity as "impure", the Goncourts not only situate their "histories" in the vanguard of a new, transgressive aesthetic understanding of eighteenth-century art, they re-appropriate its Romantically exquisite aspects as emblems of an art of exquisite corruption and as triggers for recreation.
35
Beal, Jane. "Beauty and the Beast: The Value of Teaching Fairy Tales to University Students in the 21st Century." International Journal of English and Cultural Studies 5, no. 1 (April 28, 2021): 1. http://dx.doi.org/10.11114/ijecs.v5i1.5207.
Testo completoAbstract (sommario):
In this essay, I suggest that fairy tales have particular value for students studying at the university level. Assigning fairy tales allows students to read familiar stories from their childhood and reconsider them from critical perspectives. When teaching a college course on fairy tales, my students and I utilize three essential frameworks for understanding fairy tales, focusing on the psycho-social development and sexual maturation of the human person, feminist critique and the need for gender equality in a patriarchal world, and audience reception and reader responses leading to emotional progress and even spiritual enlightenment. Students primarily familiar with Disney film versions of fairy tales enlarge their understanding of multiple versions of tales, both early modern and contemporary. They become familiar with classic fairy tale writers and collectors, such as Charles Perrault, Madame d’Aulnoy, the Brothers Grimm, Hans Christian Anderson, Oscar Wilde, Andrew Lang, J.R.R. Tolkien, C.S. Lewis, Anne Sexton, Angela Carter, and J.K. Rowling as well as fairy tale scholars like Bruno Bettelheim, Maria Tartar, and Jack Zipes. Their study not only results in a firm grasp of the key aspects of story in general, but in the ability to see connections between the real-world problems of the 21st century – such as poverty, starvation, disease, inequality, child abuse, human trafficking, and abuses of political power, among others – and lessons learned from fairy tales. This essay analyzes “Beauty and the Beast” as a key example of the genre and identifies pedagogical strategies for teaching it.
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Manzoor, Saima. "HARDY AS A MODERN NOVELIST." Journal of Social Sciences and Humanities 54, no. 2 (December 31, 2015): 57–67. http://dx.doi.org/10.46568/jssh.v54i2.119.
Testo completoAbstract (sommario):
Hardy is the last of the Victorian and one of the most popular novelists of England. He, being an author of unique endowments, was not much esteemed in his life time. Hardy became the victim of stereotypical criticism and was badly ostracized by the ecclesiastical circles and the critics of his time as they merely focused on the depressing features of his fiction. This paper intends to reveal certain aspects of his work which remained neglected for a long time. The present study is designed to focus on those characteristics of his work which win the title of a modern novelist for him. Hardy was quite conscious of the shifting environment around him at the vogue of industrialization that left profound marks on his meditative temperament. His depiction of the 19th century scenario is dominated with clash and collision between innovation and tradition. His art deals with twofold aspects of modernity exposing the sanguine and gloomy consequences of modernity. Owing to such an approach of the writer he is regarded as a social realist and one of the earliest of the modern novelists. Hardy poignantly observes the pathetic condition of the labourers, on one hand, and the modern mechanical advancements, one the other, which were of little benefit for the common man in society. The current study is designed to focus upon his approach to the modern developments in the broad context of social and political changes. Hardy is a modern novelist as he concentrates on the current issues such as gender, class, social and psychological disorders, etc. He is a supporter of class and female liberation.
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Kauth, Jasper Theodor, and Desmond King. "Illiberalism." European Journal of Sociology 61, no. 3 (December 2020): 365–405. http://dx.doi.org/10.1017/s0003975620000181.
Testo completoAbstract (sommario):
Abstract“Illiberalism” has assumed an invigorated if unanticipated significance in the 21st century. Aspects of illiberalism populate not only states long known as indifferent to such principles as personal liberty, human equality and the rule of law but have expanded in “liberal” democracies as their rulers employ purportedly “illiberal” practices more frequently than in the recent past. Indeed, the term “illiberal” seems to have lost its negative aura in the context of state action. We contend that illiberalism represents either an opposition to procedural democratic norms—as disruptive illiberalism—or an ideological struggle—termed ideological illiberalism. We first discuss the term as used in the vast literature on regime types in the debate on authoritarian/democratic hybrid-regimes. We then turn to the key puzzle in what one may call “illiberalism studies”: the rise of illiberal practices and policies in liberal democracies. To inform our analysis empirically, we investigate the ways in which illiberal arguments and institutions (notably camps) were deployed historically and in immigration policy. We conclude with an example of illiberal policy from modern day Hungary.
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Motruk, Svitlana. "Migration of Ukrainians to the Czech Republic in the Context of European Integration processes of the 21st Century." European Historical Studies, no. 15 (2020): 61–76. http://dx.doi.org/10.17721/2524-048x.2020.15.5.
Testo completoAbstract (sommario):
On the basis of a large variety of documents and materials the article analyses the preconditions, main stage and consequences of the Ukrainian migration to the Czech Republic during the period of European integration. The article defines the problems of the migration and the prospects for its development in the 21st century. The author emphasises globalization, world conditions, scientific and technological progress, specialization of markets at regional level, social and public labor potential as the key factors of labor mobility, as well as geopolitical and geocultural factors, that changes people’s world outlook in the context of information society. The study focuses on the main reasons for migration from Ukraine to Czech Republic (relatively stable and positive situation in the Czech economy in comparison to the Ukrainian, position in the labor market, the cultural and linguistic similarities, the long history of mutual migration processes). In addition, the author points out at a number of the modern trends of the migration (the quantitative growth of migrant workers and students in absolute numbers as well as in percentage, the growing number of Ukrainians with the Czech residence permit, the transformation of the social structure of migrants, permanent illegal employment). The changes in the migration policy of the Czech Republic after accession to the EU, its political and social context, positive and negative effects, the contents of the so-called «Ukraine Project» and «Ukraine Mode» are examined. The growing impact of the Ukrainian migrants on the development of the Czech economy and society is underlined. The article identifies of the modern migration as a phenomenon, which is being institutionalized and which transforms from a traditional social movement into a structured social organism (diaspora, network of national public associations, infrastructure of the migration services market, etc.), and thus into the subject and instrument of regulation of the people’s economic activity. Some aspects of the Ukrainian diaspora life in Czech Republic are considered.
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Gomes, Karolina-Dzhoanna, and Tatyana A. Kruglova. "The phenomenon of conflicts around art in the context of the contemporary public sphere." Vestnik of Saint Petersburg University. Philosophy and Conflict Studies 37, no. 2 (2021): 268–80. http://dx.doi.org/10.21638/spbu17.2021.207.
Testo completoAbstract (sommario):
The article examines a new type of conflict in the form of public protests against contemporary art that appeared at the end of the 20th — beginning of the 21st century. Typical signs of contemporary conflicts are highlighted: the discourse of the offense is central, the protests are usually organized and collective, accusations are brought against art institutions, and collec-tive affective reactions and symbolic violence often become forms of conflict interaction. In the article, protests against contemporary art are examined through the prism of the analysis of the public as an actor in the conflict, transformations of the public sphere and relations in it as an autonomous field of art (the “art world”) and the fields of influence of other social forces. Relations between the art world and the public go beyond the framework of the educational paradigm, which was dominated by asymmetry and passive influence of consumers on the dynamics of the artistic field. The activization of a part of the public, for which the consumption of contemporary art is not a cultural norm, indicates that the origins of the conflict cannot be explained by the rules of artistic communication that has developed in modern society. Contemporary art spaces are turning into noticeable and important places for the manifestation of social tension and political struggle. Art in the public sphere is becoming the space of vulnerability (J. Butler). It is substantiated that one of the factors in the activation of public conflicts was a change in the structure of the side of the conflict which we call the “public” as opposed to the “audience of art”. In the framework of the concept of the public sphere as an agonistic space (Ch. Mouffe), the need for a review of the value orientations of art institutions and strategies for their interaction with the public is constituted.
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Dorofeev, Daniil Yu, and Vladislava N. Semenova. "The image of man and the visualization of political communication in the postmodern era." Vestnik of Saint Petersburg University. Philosophy and Conflict Studies 36, no. 4 (2020): 687–99. http://dx.doi.org/10.21638/spbu17.2020.407.
Testo completoAbstract (sommario):
The article is devoted to anthropological problems of the human image in the history of culture and philosophy of the twentieth century and in processes of visualization of political communication in the postmodern era. In the first part of the article, it is proposed to consider the transition from the modern era to the postmodern era in the context of the main stages in the history of the relationship between word and image, language and visuality in European culture of the XX century. The understanding of the visual image as defined by discursive practitioners and understood as a text in the semiotic paradigm of the mid-twentieth century, primarily in the works of R. Barth, is analyzed in detail. The liberation of the visual image from language discourse, which begins at the end of the last century, leads to the active development of visual anthropology, and radical changes in the reproduction technology to a change in the ways of perceiving the world. The article examines the features of the functioning of human images existing in the public space, problems of perception and modern visual communication. The second part of the article examines the tendencies of the development of political ideologies in the postmodern era. The authors describe three coordinates of system of postmodern political ideologies: the disappearance of traditional political ideologies, the revolution of technology, the political changes of the 1980s and formation of “monotonous politics”. It is shown that in the postmodern era political ideologies are forced to minimize the theoretical justification of their fundamental principles, turning instead to new visual and virtual forms of promoting their ideas. The main tendencies are change of the form of political practices, rejection of traditional methods of formulating political ideas, visualization and virtualization of the theoretical and practical components of political activity. The specific features of theatricalization of political and art activism are revealed in the article. In addition, the main aspects of modern political communication are highlighted: functionality, superficiality, and network character.
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MANOV, Boris. "„THE SILK ROAD“, ТHE EURASIAN PROJECT AND „GREAT EURASIA“ (GEOPOLITICAL READING)". Ezikov Svyat (Orbis Linguarum) 17, № 2 (31 грудня 2019): 170–81. http://dx.doi.org/10.37708/ezs.swu.v17.i2.20.
Testo completoAbstract (sommario):
The research is carried out through the prism of geopolitics and reveals the "logic" and the essence of „The Belt and Road Initiative“. It outlines its basic ideas and goals. The study justifies and proves the (hypo)thesis that despite the apparent "leadership" of the economic events, the political and geopolitical aspects (vectors) of the project are linked to the economy. The economy does not function on its own way, but is formulated, supported by policy and used for political purposes, i.e., the project in its deep essence is political. The political nature of „The Belt and Road Initiative“ is expressed in the following: it is an attempt to find in internal policy a mechanism to preserve the political power of the Communist Party and to continue the existence of the dominant political system - the totalitarian (one-party) political system in the PRC. The geopolitical task is to find the „place“ of modern China in the global world. The goal is to restore the central ("middle") location of China in the 21st century world. „The Silk Road“ is one of the directions for its realization and the means for its achievement are complex - the „most obvious“ are the actions in the economic sphere, but equally important are the military, diplomatic, cultural factors and impacts. In conclusion, it is argued that „The Belt and Road Initiative“ will be realized as an optimal, reasonable balancebetween the „desired“ and the „possible“ and will be specified in the adoption of the formula „Great Eurasia“, i.e., in the transformation of China into a regional (regional-global, global-regional) center, the „middle empire“ of the Eurasian super-continent, the largest and most powerful geopolitical and geo-economic power center in the future „multipolar“ or more likely „bipolar“ („West-Sea“ - „East-Еarth“) world from the middle and the end of the 21st century.
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Kabakhidze, Ekaterina L., Marina A. Belogash, and Elena L. Avdeeva. "The concept of just war in Russian and American linguistic cultures." SHS Web of Conferences 103 (2021): 02008. http://dx.doi.org/10.1051/shsconf/202110302008.
Testo completoAbstract (sommario):
The study examines the concept of just war in the military-political discourse and technologies of manipulating the mass consciousness used by the leaders of the Russian and American states in speeches based on the idea of just war. Lexical and semantic analysis of the lexemes “just” and “war” in Russian and English is carried out. The relevance of the study is determined by the increasing attention to the military-political discourse and actualization of the concept. It received consistent substantiation and development in the works of medieval scholastics. In the 21st century, it serves the purposes of moral and ethical justification of modern military conflicts. The purpose of the study was to analyze the concept of just war at the lexical and semantic level and describe its ontological foundations and implementation in the Russian and American mental lexicons. Based on the analysis, the authors have identified general and particular aspects of the just war concept in the Russian and American mental lexicons and described the mechanisms of mind control in the political discourses of B. Obama and V.V. Putin.
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Kelly, Marjorie, and Sara Essa Al-Ajmi. "From Invisible to Actualized: Imagery and Identity in Photos of Women in the Gulf." Hawwa 19, no. 1 (February 22, 2021): 51–75. http://dx.doi.org/10.1163/15692086-bja10017.
Testo completoAbstract (sommario):
Abstract After reviewing how Middle Eastern women have been photographed historically, the paper explores how contemporary Gulf women represent themselves, both behind and in front of the camera. Initially, women were invisible, then eroticized or exoticized in Orientalist photography, only to appear in early twentieth-century family portraits as both the repository of cultural values and as the new, modern woman. The reaction of contemporary Gulf female photographers to perceptions of themselves as jobless, nameless, faceless, and voiceless is presented in examples of art photography-cum-political commentary. The media coverage of Qatar’s Shaykha Mūza is analyzed in terms of her use of clothing as nonverbal communication and as a form of soft-power politics. It is followed by a discussion of the rules – formal and informal – for publishing photos of females. The paper concludes with a survey of Gulf females’ use of selfies. Thus, three aspects of photography – as art, as photojournalism, and as private communication – demonstrate how Gulf women visually represent their identities.
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Artem V., Zhukov, and Kononov Sergey V. "Formation of the Concept of “Regional Security” in the History of World Philosophical Thought." Humanitarian Vector 16, no. 2 (April 2021): 103–10. http://dx.doi.org/10.21209/1996-7853-2021-16-2-103-110.
Testo completoAbstract (sommario):
The relevance of the article is due to the increasing importance of the regional security factor in modern conditions, where the level of regional self-awareness and the desire for relative autonomy are growing within the framework of the general process of developing the security system. The article is devoted to the analysis of the security concepts existing in the history of philosophy in order to identify the evolution of ideas about “regional security”. The study uses comparative, systemic and hermeneutic methods, the action of which is aimed at identifying aspects of regional security in texts devoted to the problems of state, national and public security. The novelty of the research is associated with the development of the idea of the evolution of ideas about regional security from abstract ideas to various aspects of regional practice. The result of the study is evidence that, being originally one of the aspects of general management theory, the ideas of regional security at the end of the twentieth century became the core of the concept of “regional security complexes”. The next result was the substantiation that modern criticism of this concept is the basis of the theoretical constructions of regional security in the 21st century, which are based on a synthesis of ideas about the need to adopt rules adopted by states that support the stability of world security and the influence of regions with their own interests. The conclusion of the study is to assert that modern concepts of regional security are based on the synthesis of methodologies of the systemic and constructivist approaches. This methodology is used to substantiate the assertion that any state is forced to deal with the security problems of its regions, to pay attention to the existing threats and regional interests in them, which may be of a constructive nature and may pose a real danger associated with challenges from the political, economic, military, environmental, and social spheres. Keywords: regional security, philosophical discourse of security, state security, national security, social security, theory of regional security complexes
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Kholodova, M. V., and M. M. Chikhacheva. "OUTSTANDING FIGURES OF OPERA ART OF KRASNOYARSK: LARISA VLADIMIROVNA MARZOEVA." Northern Archives and Expeditions 5, no. 2 (June 30, 2021): 159–67. http://dx.doi.org/10.31806/2542-1158-2021-5-2-159-167.
Testo completoAbstract (sommario):
The study of the culture of various regions of Russia, including the musical culture of Siberia, is one of the intensively developing areas of modern russian art history and cultural studies. The history of the formation and development of the musical culture of Krasnoyarsk - one of the largest siberian centers — is a multi-faceted picture, already meaningful in a number of fundamental works, a series of scientific publications. At the same time, not all aspects of the musical life of Krasnoyarsk received comprehensive coverage, many of its pages are waiting for their researcher. The article presents the milestones of the creative biography of an outstanding singer, Honored Artist of Russia, professor of the Siberian State Institute of Arts named after Dmitry Hvorostovsky — Larisa Vladimirovna Marzoeva, whose name is known today far beyond Siberia. The focus of the author of the work is the way of becoming a talented artist, teacher in the musical and theatrical field, coverage of the activities of an outstanding person in the field of opera art. A talented graduate of the Leningrad State Conservatory named after N.A. Rimsky-Korsakov in 1978, at the invitation of the leadership, chooses a career in the only opening Krasnoyarsk State Opera and Ballet Theater (now bearing the name of the famous fellow countryman, baritone Dmitry Alexandrovich Hvorostovsky), the Siberian Theater has become a true "alma mater" for the singer, and her multifaceted creative activity has largely determined the development of opera art and marked an important milestone in the musical and theatrical life of Krasnoyarsk in the last third of the 20th — first quarter of the 21st century. The work presents materials of Krasnoyarsk periodicals and interviews with L.V. Marzoeva, on the basis of which the singer's contribution to the cultural life of Krasnoyarsk is analyzed, the results of her creative activities covering performing, pedagogical, musical and educational work are summed up.
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Tasente, Tanase. "The 4 phases of evolution of political communication systems: from the golden age of the parties to the golden age of the users." Technium Social Sciences Journal 2 (January 8, 2020): 76–83. http://dx.doi.org/10.47577/tssj.v2i1.50.
Testo completoAbstract (sommario):
The political media communication system began to develop, in a first phase, in the first two decades after the Second World War, this period being called by Blumler and Kavanagh (1999) as "the golden age of the parties" or as “the age of the newspapers”. In the 1960s, a new stage in the evolution of political communication systems began, when few national televisions put a monopoly on the media market, becoming the dominant medium in which political communication unfolded. This stage was named "the television era" or "the modern period of electoral campaigns". Two new aspects to the previous period of evolution are due to the diminution of the voters' loyalty and trust towards the political parties and the shift from direct communication to prime-time communication. The third phase of the evolution of political communication systems began to take shape at the end of the 20th century and the beginning of the 21st century and was called the "postmodern period" or "digital era". Major changes in this period of political communication development have occurred both in technology, consumer behavior of voters, and in communication strategies. After 1990, for many other democratic countries and after 2000, for other totalitarian countries, political communication has undergone a strong transformation into its three points: (1) changing the communication channel and its characteristics far different from classical means, (2) related to the content of the message and the political discourse and, perhaps, the most important aspect (3) the public's ability to actively participate in government acts or protest actions challenging government acts.
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Konfederat, Olga, and Natalia Dyadyk. "Hedonistic ontology of the film: generative models." Socium i vlast 3 (2020): 74–84. http://dx.doi.org/10.22394/1996-0522-2020-3-74-84.
Testo completoAbstract (sommario):
Introduction. Observing the production and consumer area of modern cinematography makes it possible to draw conclusions about the value dominants of modern society, to conduct its sociocultural analysis. Cinema, both auteur and mass, is a way of reflecting and modeling the society spiritual state and its analysis makes it possible to draw quite serious and justified philosophical and social conclusions. The film in a philosophical sense is ontologized by the dominant intention of the era. Such a dominant intention of modernity is hedonism. Pleasure, enjoyment, happiness, according to the humanities, is the basic values of the 21st century society. Cinema is the most comprehensive reaction to the needs of hedonism, since hedonistic prerequisites are to some degree laid down in its technical (movement, photographic phenomenology) and social nature (art and entertainment). In this regard, it seems relevant to conduct a philosophical analysis of the ontological level of modern cinema. The aim of the study is to conduct a philosophical analysis of the ontological level of modern cinema; identify ontological models, variations and combinations of which provide its artistic diversity. Methods: the authors use the general scientific methods of analysis and synthesis, the phenomenological method, since they identify the sensory intentions that underlie modern cinema. The authors also use the hermeneutic method, since they reveal the hidden meanings of the film, determined by the time and conditions of its creation, as well as the semiotic approach, which makes it possible to analyze the structural-semiotic whole of the film. The scientific novelty of the study lies in the fact that the authors analyze films from philosophical aspects, and not just cultural studies, as is customary. In modern cinema, the authors look for a reflection of the “social soul”, identify those intentions that underlie modern cinema, both auteur and mass. This makes it possible to deduce a typology of film models that have not previously been applied to the analysis of the film process. Results. During the analysis, the authors developed a hedonistic-ontological typology of cinematic models, identified five generative models of cinema, four of which have a hedonistic orientation: an alimentary model that pleases the recipient by intensively stimulating his perceptual sphere; a parkour model that gives pleasure to light and unhindered movement, minimizing the severity and resistance of the environment; an arcade model that provides the viewer the pleasure of victory through virtual immersion in the ups and downs of the “action film”; a detective model that gives the viewer pleasure through the removal of cognitive uncertainty. The fifth model, tentatively called existential, should lead the viewer into a complex philosophical state of being-with-self-self, an experience of one’s own fulfillment, associated with the experience of suffering. However, due to the hedonistic orientations of modern culture, this model is not relevant in the first decades of the 21st century. Conclusions. Philosophical analysis of modern cinema has revealed that at the ontological level it is based on the philosophy of hedonism. Modern cinema delivers the following types of pleasures to the recipient: enjoyment of the flesh of the world, enjoyment of bodily freedom in motion, enjoyment of peace, cognitive enjoyment.
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Chirico, Robert. "From Cave to Caféé: Artists' Gatherings." Gastronomica 2, no. 4 (2002): 33–41. http://dx.doi.org/10.1525/gfc.2002.2.4.33.
Testo completoAbstract (sommario):
Historical documentation regarding public festivals and banquets continually acknowledges the alliance of painting, poetry, music, and design, but in contrast to these records, accounts of artists personal revelries remain scarce. This article discusses the festive, social, political, and artistic aspects of notable gatherings that took place over the past five centuries. Among the examples mentioned are the serious gatherings of Baccio Bandinelli's Academy and the meetings of the Dutch Rhetoricians (Rederijkers); the lavish parties of the 16th century artist Rustici and the modern-day Art Students League;the scandalous doings of the Dutch painters guild (Bentvueghels) in Rome and the antics of the Swedish sculptor Sergel. It also touches upon pre- and postwar banquets in Paris,Futurist and Dadaist gatherings, and the socializing of the New York School.
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Shatunova, Olga, Galina Bozhkova, Bulent Tarman, and Elena Shastina. "Transforming the Reading Preferences of Today’s Youth in the Digital Age: Intercultural Dialog." Journal of Ethnic and Cultural Studies 8, no. 3 (May 27, 2021): 62. http://dx.doi.org/10.29333/ejecs/347.
Testo completoAbstract (sommario):
The article deals with the transformation of readers’ preferences and the formation of a “new reader” at the end of the 20th and beginning of the 21st century. In the study, the authors draw attention to the shift in the priority of the format of youth reading in favor of digital, to the loss of the former role of libraries as centers of non-formal education, as well as to the need to provide assistance to children and young people on the part of “teacher of literature”. An international study undertaken in Russia, the U.S., and the Czech Republic touches upon socio-cultural changes that influenced the reading process among the youth of these countries and the particular interest of the analyzed age group in the fantasy genre, which indicates a change in the reading preferences of young people and the need for understanding this process both in theoretical aspects and taking into account the results of empirical research. The authors conclude that it is advisable to determine the scale of values of a modern person by means of literary pedagogy, to bring it to a common denominator in the intercultural space. As the leading genre of revealed reader preferences, fantasy is becoming a multimedia phenomenon and is shifting the age boundaries of potential readers around the world.
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Zhivitere, Marga, and Viktoriia Riashchenko. "PROMOTING SOCIAL ENTREPRENEURSHIP PRODUCT." Environment. Technology. Resources. Proceedings of the International Scientific and Practical Conference 1 (June 15, 2017): 309. http://dx.doi.org/10.17770/etr2017vol1.2647.
Testo completoAbstract (sommario):
The object of the research are the social entrepreneurs and its business development. The aim of the research is to discuss existing marketing strategies applied to social entrepreneurship and to offer possible ways of their improvement. The research is relevant and consistent with the increasing role of social entrepreneurship taking the full power throe the fast changing political, economic, socio cultural and technological circumstances of the 21st century. While marketing the social entrepreneurship, the focus on marketing strategies must be revised. The research methodology includes both traditional and modern elements of marketing, such as marketing mix, strategies, customer segmentation and targeting, pricing altogether with the main elements of social entrepreneurship, such as social and economic aspects.
 The results present thet in standard marketing strategies, the strategy for social entrepreneurs should include segmentation of the customers and consumers by taking into consideration standard criteria (such as geographical, demographical, psychographic and behavior segmentation) but also implementing own criteria most adequate for the products they are currently interested to produce. It is important which factors are significant enough to take decisions of expansion, harvest or liquidation of products.