Letteratura scientifica selezionata sul tema "Art and literature – history – 20th century"
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Articoli di riviste sul tema "Art and literature – history – 20th century"
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B. Dhanalakshmi, S. Pavithra, D. Daniel Sebastian, K. Vishnu e K. Swarna. "The Rise of Expressionism: When Literature Meets Art in History". International Journal of Research Publication and Reviews 04, n. 01 (2023): 846–48. http://dx.doi.org/10.55248/gengpi.2023.4127.
Testo completoAbstract (sommario):
Expressionism was a literary and artistic avant-garde movement that originated in Germany at the turn of the 20th century. The expressionist writers and artists wanted to create and bring to life their reality, as well as their inner idea or vision of what they saw. Their approach to their subject matter was more creative. They thought it was completely pointless to make just an imitation of the world. Expressionism could be seen as the revival and development of the Romantic tradition because of this attitude turning away from physical reality. The expressionist drama introduced a novel method of directing, designing scenes, and staging. This study highlighted the journey of literature in terms of sharing knowledge and amazed the audience with greater visualization. The study of art's evolution and stylistic shifts over time in art history. Western art history, or the progression of art from the Renaissance to modern art, is the primary topic of this page. Many writers shared their thoughts, the truth behind the artwork, and the social and economic condition of the artist in the racing time of the 20th century
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Ulicka, Danuta. "Między światami. Rzeczywistość w literaturze – literatura w rzeczywistości – rzeczywistość literatury". Przestrzenie Teorii, n. 28 (8 maggio 2018): 21–75. http://dx.doi.org/10.14746/pt.2017.28.1.
Testo completoAbstract (sommario):
The author attempts to reconstruct a short history of modern Polish literary studies not from the perspective of schools or methodological orientations that are usually applied, but from the perspective of what is known in sociology as cultural themes. This point of view offers the opportunity to (re)construct the process of continuity /discontinuity in the whole field of research focused on the problem of reference, which has been recognized as the most important one in Polish studies (as well as in Polish literature, and art) since its beginning in the first decade of the 20th century. In the broader scope the article attempts to rearticulate the definition of the discipline conventionally called “the theory of literature”, and to propose a new way of writing its history.
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Belichko, Nataliia, e Nadiia Marchenko. "GRAPHIC LITERATURE: DEFINITIONS, HISTORY, COMPONENTS". Research and methodological works of the National Academy of Visual Arts and Architecture, n. 30 (9 dicembre 2021): 29–37. http://dx.doi.org/10.33838/naoma.30.2021.29-37.
Testo completoAbstract (sommario):
Abstract. The article defines for the first time the concept of graphic literature a special kind of book and magazine graphics, which has become widespread in world art practice over the past century. It emphasizes that graphic literature combines elements of fine arts, literature, and cinema. It reveals the essence of graphic literature in the narrative of history through a sequence of images. It reviews the history of formation and development of this art form in world and Ukrainian art history. It outlines the specific features of graphic literature in certain countries. It gives the names of personalities who influenced its origin and spread around the world. The article is mainly focused on the analysis of the history of graphic literature development in Ukraine. It outlines the contribution of Ukrainian artists of the 20th century to its development. It emphasizes the reasons for the negative attitude to graphic works of literature in Soviet times. It considers in detail the spread of works of graphic literature in Ukraine at the beginning of the 21st century. It names Ukrainian personalities and specialized publishing houses that actively develop modern graphic literature. It outlines the basic structure, some important elements, and technique of graphic works. It emphasizes the similarity of the design of works of graphic and fiction. It reveals the main purpose of graphic literature in the most effective way to convey the main idea of a literary work to the reader and to get him/her interested with the help of visual images. It examines the genre diversity of graphic literature in Ukraine in the last decade. It analyses the dependence of the genres of graphic works on the age restrictions of the readership. It reveals the necessity to further study and analyse such graphic works from the art point of view. Graphic literature combines publications in which the narration is conveyed through hand-drawn and textual images in a certain sequence.
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Luu, Thuy Trung. "Drama in Ho Chi Minh City literature and art life". Science and Technology Development Journal 18, n. 4 (30 dicembre 2015): 47–60. http://dx.doi.org/10.32508/stdj.v18i4.960.
Testo completoAbstract (sommario):
In the history of Vietnamese drama, Saigon was one of the places absorbing Western drama from the early time. Although drama in Saigon-Ho Chi Minh City didn’t develop in a smooth and straight way, it was a continuous and unbroken process. This process brought in strong development of drama in Ho Chi Minh city in two decades of the late 20th century and the early 21st century. However, in recent years, drama in Ho Chi Minh City seems to proceed slowly, which reflects some irrational aspects from drama script, performance art to performance operation. Therefore, it’s high time to review the whole history of drama in Saigon-Ho Chi Minh City to collect experiences for the steady development of drama in this City in the future.
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Stalmaszczyk, Piotr. "Celtic Studies in Poland in the 20th century: a bibliography". ZCPH 54, n. 1 (30 aprile 2004): 170–84. http://dx.doi.org/10.1515/zcph.2005.170.
Testo completoAbstract (sommario):
Introduction Celtic Studies are concerned with the languages, literature, culture, mythology, religion, art, history, and archaeology of historical and contemporary Celtic countries and traces of Celtic influences elsewhere. The historical Celtic countries include ancient Gaul, Galatia, Celtiberia, Italy, Britain and Ireland, whereas the modern Celtic territories are limited to Ireland, Scotland, Wales, Isle of Man, Cornwall and Brittany. It has to be stressed that Celtic Studies are not identical with Irish (or Scottish, Welsh, or Breton) Studies, though they are, for obvious reasons, closely connected.
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Bragina, Natalia, e Jelena Jermolajeva. "THE DOLL IN THE PAINTINGS OF THE LATE 19TH – EARLY 20TH CENTURIES: HERMENEUTIC ANALYSIS". SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 5 (20 maggio 2020): 616. http://dx.doi.org/10.17770/sie2020vol5.4859.
Testo completoAbstract (sommario):
The semantics of the doll in painting is not sufficiently investigated in art history and culture studies. The doll is never an accidental or unimportant component of a painting; it reveals deep psychological and symbolic undertones, complicates and concretizes the content of the painting. Each art style deals with this topic in its own way. The aim of the article is to analyse the interpretation of the image of the doll in various styles of painting of the second half of the XIX century – beginning of the XX century: in realistic painting, in symbolism, impressionism, and modernism. The research methods are the analysis of literature, the descriptive method, the hermeneutic method, and the comparative analysis method. The article may be useful for researchers in art and cultural studies, and can be used at school and university courses in the History of Art and Culture.
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Babunych, Yulia. "Ukrainian art studies of the 20th century: ways of development and main problems of research." Bulletin of Lviv National Academy of Arts, n. 51 (10 ottobre 2023): 4–13. http://dx.doi.org/10.37131/2524-0943-2023-51-1.
Testo completoAbstract (sommario):
It has been investigated that Ukrainian art history in its historical development has followed a path characteristic of European artistic thought. The tasks faced by Ukrainian art history at the beginning of the 20th century are considered. During 1905–1917, art history in Ukraine acquired signs of structure, the directions of research were quite clearly defined. Based on the analysis of art studies of the 1920s, it was determined that they are characterized by a combination of clear retrospective vision, methodically correct handling of iconographic sources. The fact that the problem of national peculiarities of Ukrainian art history, its origins, driving factors, and priorities is of fundamental importance has been revealed. The article states that the Soviet totalitarian regime initiated a new stage of the «state» approach to the development of national inversions of science, literature and, in particular, art history. It was found out that specific conclusions regarding the national style were removed from many works of domestic art researchers by censorship. The need to organize and harmonize with the national historical concept of chronology and periodization of Ukrainian art history remains an equally urgent task. In this regard, the publication is supplemented with tables with a chronology of cultural events and publications of art-historical publications. It was found that Ukrainian art history actively developed in the context of the general national revival. With the beginning of totalitarian repressions and the liquidation of literary and artistic associations in the Ukrainian SSR (1932), the development process moved to western Ukrainian lands, primarily to Lviv. It was noted that in the post-war period, after well-known socio-political and socio-cultural changes, art history, art criticism, as well as artistic creativity throughout the territory of Ukraine, were united under one ideological slogan of socialist realism. It is emphasized that an important role in this difficult period was played by Ukrainian figures of culture, science and art of the diaspora. It is revealed that Ukrainian art history of the second half of the 20th century developed in difficult socio-political and cultural conditions. It has been found that the second half of the 20th century, marked by the repeated "revival" of the socialist realist method, nevertheless proved the continuity of the development of the national concept in the field of art history. A new stage logically began during the years of independent Ukraine. It is highlighted that the national concept of the historical development of Ukrainian culture and art has become the leading one in the domestic humanitarian field. It is important that the revival of Ukrainian art criticism has begun.
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Shaulov, Sergey S. "The Idiom “Twice Two is Four” in Russian Literature of the 20th Century". Проблемы исторической поэтики 18, n. 3 (luglio 2020): 266–89. http://dx.doi.org/10.15393/j9.art.2020.8182.
Testo completoAbstract (sommario):
<p>The idiom “twice two is four” along with its variations is seen in the article as a marker of the situation of an “underground man”. In literature of the twentieth century the “underground” in its ethical and philosophical aspects has expanded its meaning, becoming the context of a utopian and antiutopian thought, absorbing the tragic experience of Russian culture after Dostoevsky. Of course, the widespread locution “as sure as twice two is four” does not always point at this variety of meanings, but it can be reached only in combination with the psychological type of the “underground man”. Thus, the image of Stalin in the novel “the First Circle” by Alexander Solzhenitsyn is considered as a variation of the “underground” consciousness. The problems of philosophical, history related to the evolution of this type of consciousness and actualized in this novel, remain important for modern literature. Another version of this philosophical collision is given in Victor Pelevin’s anti-utopian novel “S.N.U.F.F.”. In both of these cases, the situation of the underground person becomes a picture of a psychological and historical catastrophe. The negative development of the analyzed arithmetic formula in Russian literature of the 20th century encourages to look for another pole of tradition outside the “main” cultural domains. One of the variants of a moral escape from the trap of the “underground consciousness” can be found in the poetry of Alexander Bashlachev. The mythopoetical plot of the song “Verka, Nadka, Lyubka” is an exceptional variant of the development of the “underground man” topic. A starting point of the plot is just the formula “twice two is four”. The genre shift from lyricism to allegorical epic gives the poet an opportunity to reconstruct the Easter ideal of Russian culture, even if in a tragic and provocative form, close to the tradition of Russian foolishness for Christ.</p>
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Hryhorov, V. "Monumental and decorative art of the second half of the 20th century in specialized literature". Research and methodological works of the National Academy of Visual Arts and Architecture, n. 27 (27 febbraio 2019): 99–104. http://dx.doi.org/10.33838/naoma.27.2018.99-104.
Testo completoAbstract (sommario):
The article deals with a number of issues highlighted in the research of monumental painting during the 1960–2000s, and follows the development of art studies literature during the specified period. Ukrainian monumental painting during the second half of the 20th century evolved rather unequally, which affecte the art criticism reflections. In the 1960's and 80's the active and dynamic development of monumental art took place. Research in this area also reached the peak of its popularity. For example, the article of I. Pronina contains a review of publications from 1973–1974, and the author brought the statistics indicating more than 200 works. (180) Since the mid-1960's, academics have been increasingly focusing on monumental art. The attitude to monumental painting in the art history literature of the 1960's is ambiguous. However, most researchers are still critical of post-war practice and consider monumental works of the late 1950`s and 1960`s as a step forward. The distinctive differences between the 1960's and 1970's – 1980's lie in various attitudes towards themes and scenes of the monumental painting. In the 1960's the monumentality was associated with the laconic content, using a set of all understandable associative attributes. The expansion of the range of themes in monumental painting in the professional literature occured in the 1970's. Since the research problem stands at the crossroads of various branches of art, important scientific advancements were reflected in such prominent professional publications as: "Architecture of the USSR", "Decorative art of the USSR" and "Fine Arts". In the 1970's the publishing house "Soviet artist" released a series of articles compilations called "Soviet monumental art." The state of monumentalism significantly changes in 1990's as there was a significant decline in the activity of this artistic direction. At this time the monumental painting fell into the field of wide-scale artistic studies. In the professional literature of the last decade the scope of art study themes has changed to a certain extent as the art historians more often address the issues previously tabooed in Soviet times, and some of them partially or fully relate to the monumental painting. To such themes belong the Sixties and Boichukizm. Today the problem of the preservation of Soviet monumental works sharply appears. Many authors turn to the theme of monumental art in order to attract the attention of society to the rapid destruction of mosaics and wall murals, and to prove their value for Ukrainian fine arts.
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TRAYKOVA, Elka. "THE POSSIBLE AND IMPOSSIBLE HISTORIES OF BULGARIAN LITERATURE IN THE 20TH – 21TH CENTURY". Ezikov Svyat volume 22 issue 1, ezs.swu.v22i1 (23 febbraio 2024): 110–20. http://dx.doi.org/10.37708/ezs.swu.bg.v22i1.11.
Testo completoAbstract (sommario):
The article tries to present a possible literary-historical reconstruction of the histories of Bulgarian literature published in the 20th – 21th century. It traces how literary history is read and conceptualized through them in different sociocultural contexts. It marks the mechanisms through which literary history has built the canon of Bulgarian literature upholding its unique and unchangeable value. The study outlines the various ways in which sources from different periods sort and rearrange the authors of literature and their works chronologically or hierarchically in a complex historical megatext and how this megatext can reveal or forget, praise or deny some basic literary and aesthetics features. Attention is paid to the way they construct different models of national spiritual plot through their dialogue and polemics. This defines literary history not only as memory of the past and respect for the knowledge that is stored in documents and archive records, but also as individual authorial conceptions. In this sense, what is important in the creation of the literary-historical narrative is not only the aesthetic and sociopolitical context, but also the individuality of the author who creates both literature and history. Literary histories as a single author’s project or as a collective academic experience, presenting an attempt at a fundamental conceptualization of the processes in art or just fragmentary plots can be reminded of and read as objective or manipulated narratives about a national literature. They can be interpreted in a unique cultural context where many creative and existential plots meet, intersect, discuss and complement.
Tesi sul tema "Art and literature – history – 20th century"
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Bell, Pamela. "Art that never was : representations of the artist in twentieth-century Australian fiction". Thesis, The University of Sydney, 2003. http://hdl.handle.net/2123/7310.
Testo completoAbstract (sommario):
This thesis traces the development of the artist figure as a leading character in twentieth-century Australian novels. In Australia there have always been complex interconnections between the worlds of art and literature, perhaps the most obvious being the cluster of artists and writers centred on the journal Vision, co-edited by Norman Lindsay’s son Jack with Kenneth Slessor, who was heavily influenced by Lindsay. Slessor’s poem “Five Bells”, an elegy for his artist friend Joe Lynch, later became the subject of a mural painted for Sydney Opera House by John Olsen. Although this and other connections between poetry and art are of interest, this thesis concentrates on fiction only.
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Ferris, Natalie. "'Ludic passage' : abstraction in post-war British literature, 1945-1980". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:5b3034e6-3a32-4684-b8a0-eb91cfc756c6.
Testo completoAbstract (sommario):
This thesis traces a line of literary experimentation in post-war British literature that was prompted by the aesthetic, philosophical and theoretical demands of abstraction. Spanning the period 1945 to 1980, it observes the ways in which certain aesthetic advancements initiated new forms of literary expression to posit a new genealogy of interdisciplinary practice in Britain. It is the first sustained chronological study to consider the ways in which a select number of British poets, authors and critics challenged the received views of their post-war moment in the discovery of the imaginative and idealizing potential of abstraction. At a time in which Britain became conscious of its evolving identity within an increasingly globalised context, this study accounts for the range of Continental and Transatlantic influences in order to more accurately locate the networks at play. Exploring the contributions made by individuals, such as Herbert Read, Ian Hamilton Finlay and Christine Brooke-Rose, as well as by groups of practitioners, such as the British concrete poetry movement, small press initiatives and Art & Language, this thesis offers a comprehensive account of the evolving status of abstraction across cultural, institutional and literary contexts. The discussions build a vision of an era that increasingly jettisons the predetermined critical lexicon of abstraction to generate works of a more pragmatic abstract inspiration: the spatial demands of concrete poetry, language as medium in the conceptual artwork, the absence of linear plot in the new novel.
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Kennedy, Shane Michael. "Expressionist Art and Drama Before, During, and After the Weimar Republic". PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2508.
Testo completoAbstract (sommario):
Expressionism was the major literary and art form in Germany beginning in the early 20th century. It flourished before and during World War I and continued to be the dominant art for of the Early Weimar Republic. By 1924, Neue Sachlichkeit replaced Expressionism as the dominant art form in Germany. Many Expressionists claimed they were never truly apart of Expressionism. However, in the periodization and canonization many of these young artists are labeled as Expressionist.
This thesis examines the periodization and canonization of Expression in art, drama, and film and proves that Expressionism began much earlier than scholars believe and ended much later than 1924. This thesis examines the conflicts in Germany that led to Expressionism and which authors and artists influenced Expressionists. It will also show that after Expressionism ceased to be the dominant art form in Germany, many former Expressionists continued to use expressionistic form in their works but ceased to use expressionistic content. This thesis argues that both the periodization and canonization of Expressionism should be expanded to include all works that may be classified as having expressionistic form.
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Brazil, Kevin. "The work of art in postwar fiction, 1945-2001". Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:f8102451-09cf-4f92-8e6e-e7c1ced2641c.
Testo completoAbstract (sommario):
'The Work of Art in Postwar Fiction 1945-2001' explores the responses of postwar novelists to visual art by focusing on the work of Samuel Beckett, William Gaddis, John Berger and W.G. Sebald. In doing so, it opens up a new approach to understanding the relationship between fiction and art in the postwar period as a whole, for what distinguishes these writers is that they use an engagement with visual art in order to historicize their own work as distinctly 'postwar' fiction. This thesis shows that in the writings of these novelists, long running aesthetic issues in the study of the relationship between text and image are reformulated and transformed: medium specificity; ekphrasis; and visual representation as a model for literary realism. Drawing throughout on original archival research, The Work of Art in Postwar Fiction 1945-2001 traces what T.J. Clark terms the 'processes of conversion and relation' between art, its contexts and its commentators, and it is by studying these mediations that the literary consequences of the work of art for these writers are shown. With a historicizing approach throughout, and an interest in the ways in which postwar novelists mediate their engagement with art through history, this thesis contributes to a new understanding of the literature and art of the postwar era, or what Amy Hungerford has called 'the period formerly known as contemporary'. This thesis offers a revisionary account of a relationship previously subsumed under the dominant logic of postmodernism, which according to Fredric Jameson was defined by a 'waning of historicity'. In returning historicity as method and theme to the study of the relationship between literature and art since 1945, The Work of Art in Postwar Fiction 1945-2001 shows the diverse ways in which postwar writers historicized their writing, and reflected on their techniques, in dialogue with visual art. Concerning itself with the distinct challenges posed by focusing on what Hannah Ardent called the 'most recent' past, this thesis also develops new ways of thinking more broadly about the relationships between literature, art and history. Chapter 1, 'Reviewing Postwar Fiction', situates this thesis within recent debates in literary studies surrounding what Mark McGurl has termed a discipline-wide 'hegemony of history'. Chapter 2, on Samuel Beckett, argues that Beckett's postwar art criticism responds to a specific strand of Marxist humanist aesthetics developed after the war, and it studies Beckett's manuscripts to show the relationship between this criticism and the composition of The Unnamable. Chapter 3 discusses William Gaddis's 1955 novel The Recognitions, arguing that the novel pivots around some of the central cruxes of postwar American aesthetic debate: Clement Greenberg's theory of abstraction, and Michael Fried's identification of the problem of 'art and objecthood'. Chapter 4 discusses the work of the British art critic and novelist, John Berger. It shows that Berger's critical account of Cubism shaped the narrative forms of his novels A Painter of Our Time and G., and that these narrative innovations were central to his theory of the artistic and revolutionary 'moment'. Chapter 5 focuses on the relationship between photography, painting and aesthetics in the work of W. G. Sebald. It argues that aesthetic concepts such as 'the readymade' and 'objective chance' offer a better account of Sebald's engagement with art than accounts which draw on trauma theory. The thesis concludes with a short discussion of how the writers studied in this thesis have influenced the contemporary fiction of Jonathan Franzen, Teju Cole, and Tom McCarthy.
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Moore, Zachary Stephen. "Voices of the Exhibition:The Rise of Ekphrasis during the 20th Century through Imagism and Visual Art Museums". Wright State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=wright1431087392.
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Lin, Lidan. "The Rhetoric of Posthumanism in Four Twentieth-Century International Novels". Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278990/.
Testo completoAbstract (sommario):
The dissertation traces the trope of the incomplete character in four twentieth-century cosmopolitan novels that reflect European colonialism in a global context. I argue that, by creating characters sharply aware of the insufficiency of the Self and thus constantly seeking the constitutive participation of the Other, the four authors E. M. Forster, Samuel Beckett, J. M. Coetzee, and Congwen Shen all dramatize the incomplete character as an agent of postcolonial resistance to Western humanism that, tending to enforce the divide between the Self and the Other, provided the epistemological basis for the emergence of European colonialism. For example, Fielding's good-willed aspiration to forge cross-cultural friendship in A Passage to India; Murphy's dogged search for recognition of his Irish identity in Murphy; Susan's unfailing compassion to restore Friday's lost speech in Foe; and Changshun Teng, the Chinese orange-grower's warm-hearted generosity toward his customers in Long River--all these textual occasions dramatize the incomplete character's anxiety over the Other's rejection that will impair the fullness of his or her being, rendering it solitary and empty. I relate this anxiety to the theory of "posthumanism" advanced by such thinkers as Marx, Bakhtin, Sartre, and Lacan; in their texts the humanist view of the individual as an autonomous constitution has undergone a transformation marked by the emphasis on locating selfhood not in the insular and static Self but in the mutable middle space connecting the Self and the Other.
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Wilson, Rachelle. "Historical Memory and Ethics in Spanish Narrative". Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062813/.
Testo completoAbstract (sommario):
This study traces the current status of Spanish ethics as seen through the optics of historical memory. Starting from the Spanish Civil War in 1936, the thesis relates contemporary themes to their proposed origin throughout three additional distinctive eras of the 20th and 21st century in Spain: 1982-1996 (Socialist Spain), 1997-2010 (Post-modern Spain), and 2011-present (current Spain). Spanish narratives ranging from Los Abel by Matute, La magnitud de la tragedia by Monzó, "Fidelidad" of Ha dejado de llover by Barba and Las fosas de Franco by Silva are contextualized through their ethical architecture, in accordance with their socio-political context, and relationship to past historical traumas. This work proposes that the themes of anticlericalism, the pursuit of social equality, anti bureaucracy, and political distrust are trends culminating from Kohlberg's third level of morality. The thesis aims to be an exposition and legitimization of different ethical schemas that might otherwise be polarized as wrong and inferior by others.
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Kisawadkorn, Kriengsak. "American Grotesque from Nineteenth Century to Modernism: the Latter's Acceptance of the Exceptional". Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278030/.
Testo completoAbstract (sommario):
This dissertation explores a history of the grotesque and its meaning in art and literature along with those of its related term, the arabesque, since their co-existence, specifically in literature, is later treated by a well-known nineteenth-century American writer in Tales of the Grotesque and Arabesque- Theories or views of the grotesque (used in literature), both in Europe and America, belong to twelve theorists of different eras, ranging from the sixteenth century to the present period, especially Modernism (approximately from 1910 to 1945)--Rabelais, Hegel, Scott, Wright, Hugo, Symonds, Ruskin, Santayana, Kayser, Bakhtin, (William Van) O'Connor, and Spiegel. My study examines the grotesque in American literature, as treated by both nineteenth-century writers--Irving, Poe, Hawthorne, and, significantly, by modernist writers--Anderson, West, and Steinbeck in Northern (or non-Southern) literature; Faulkner, McCullers, and (Flannery) O'Connor in Southern literature. I survey several novels and short stories of these American writers for their grotesqueries in characterization and episodes. The grotesque, as treated by these earlier American writers is often despised, feared, or mistrusted by other characters, but is the opposite in modernist fiction.
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Balic, Iva. "Always Painting the Future: Utopian Desire and the Women's Movement in Selected Works by United States Female Writers at the Turn of the Twentieth Century". Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11060/.
Testo completoAbstract (sommario):
This study explores six utopias by female authors written at the turn of the twentieth century: Mary Bradley Lane's Mizora (1881), Alice Ilgenfritz Jones and Ella Merchant's Unveiling Parallel (1893), Eloise O. Richberg's Reinstern (1900), Lena J. Fry's Other Worlds (1905), Charlotte Perkins Gilman's Herland (1915), and Martha Bensley Bruère's Mildred Carver, USA (1919). While the right to vote had become the central, most important point of the movement, women were concerned with many other issues affecting their lives. Positioned within the context of the late nineteenth century women's rights movement, this study examines these "sideline" concerns of the movement such as home and gender-determined spheres, motherhood, work, marriage, independence, and self-sufficiency and relates them to the transforming character of female identity at the time. The study focuses primarily on analyzing the expression of female historical desire through utopian genre and on explicating the contradictory nature of utopian production.
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Sorrells, David J. "The Evolution of AIDS as Subject Matter in Select American Dramas". Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2600/.
Testo completoAbstract (sommario):
Dramatic works from America with AIDS as subject matter have evolved over the past twenty years. In the early 1980s, dramas like Larry Kramer's The Normal Heart, William Hoffman's As Is, and Robert Chesley's Night Sweat educated primarily homosexual men about AIDS, its causes, and its effects on the gay community while combating the dominant discourse promoted by the media, government, and medical establishments that AIDS was either unimportant because it affected primarily the homosexual population or because it was attributed to lack of personal responsibility. By the mid-eighties and early nineties, playwrights Terrence McNally (Love! Valour! Compassion!)and Paul Rudnick (Jeffrey)concentrated on relationships between sero-discordant homosexual couples. McNally's "Andre's Mother" and Lips Together, Teeth Apart explored how families and friends face the loss of a loved one to AIDS. Tony Kushner's Pulitzer Prize-winning Angels in America epic represents living beyond AIDS as a powerful force. Without change and progress, Angels warns, life stagnates. Angels also introduces the powerful drugs that help alleviate the symptoms of AIDS. AIDS is the centerpiece of the epic, and AIDS and homosexuality are inextricably blended in the play. Rent, the Pulitzer Prize-winning musical by Jonathan Larson, features characters from an assortment of ethnic and social backgrounds - including heterosexuals, homosexuals, bi-sexuals, some with AIDS, some AIDS-free, some drug users - all living through the diverse troubles visited upon them at the turn of the millennium in the East Village of New York City. AIDS is not treated as "special," nor are people with AIDS pandered to. Instead, the characters take what life gives them, and they live fully, because there is "no day but today" ("Finale"). Rent's audiences are as varied as the American population, because it portrays metaphorically what so many Americans face daily - not AIDS per se, but other difficult life problems, including self-alienation. As such, Rent defies the dominant discourse because the community portrayed in Rent is the American community.
Libri sul tema "Art and literature – history – 20th century"
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Michele, Bottalico, a cura di. Literature and the Visual Arts in 20th-Century America. Bari: Palomar, 2003.
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Gaff, Jackie. 20th century art, 1940-60: Emotion and expression. Milwaukee, WI: Gareth Stevens Pub., 2001.
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Oliver, Clare. 20th century art, 1960-80: Experiments and new directions. Milwaukee, WI: Gareth Stevens Pub., 2001.
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Cirlot, Lourdes. The key to modern art of the early 20th century. Tunbridge Wells, Eng: Search Press, 1993.
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Cirlot, Lourdes. The key to modern art of the early 20th century. Minneapolis: Lerner Publications, 1990.
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Cirlot, Lourdes. The key to modern art of the early 20th century. Tunbridge Wells, Eng: Search Press, 1990.
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Woolf, Felicity. Picture this century: An introduction to twentieth-century art. London: Hodder & Stoughton, 1992.
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Woolf, Felicity. Picture this century: An introduction to twentieth-century art. London: Hodder & Stoughton, 1993.
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Gaff, Jackie. 20th century art, 1900-10: New ways of seeing. Milwaukee, WI: Gareth Stevens Pub., 2001.
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Březina, Otokar. Hidden history. Prague: Twisted Spoon Press, 1997.
Cerca il testo completoCapitoli di libri sul tema "Art and literature – history – 20th century"
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Li, Zhiqiang, e Zengli Hu. "Рецепция русской литературы Серебряного века в Китае". In Biblioteca di Studi Slavistici, 69–82. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0238-1.07.
Testo completoAbstract (sommario):
Reception of Russian Literature of the Silver Age in China. In the late 20th century, there emerged a significant cultural fervor for the Russian literature of the Silver Age within Chinese academic circles, primarily focused on literary studies. This article examines the history of translating Russian literature of the Silver Age in China and its level of research development. It is revealed that, on one hand, the initial attempts at translating literary works of the Silver Age into Chinese began in the first half of the 20th century, with notable activity during the May Fourth Movement and towards the end of the 20th century. Consequently, works by well-known writers had more opportunities to be translated into Chinese and gain attention from the academic community, while many works by lesser-known authors remained overlooked. On the other hand, Chinese scholars’ research on Russian literature of the Silver Age encompasses various literary genres such as poetry, novels, and dramas, with a focus on individual writers and their works. However, comprehensive and systematic studies in this field are still lacking. The examination of the history of translation and the level of research on Russian literature of the Silver Age in China contributes to academic progress, facilitates exchange and collaboration among scholars, provides reference materials and recommendations, and establishes a foundation for further in-depth research.
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Körner, Hans. "Speared Heads. Portraits as Things in 20th-Century Sculpture". In Art History and Fetishism Abroad, 57–70. Bielefeld, Germany: transcript Verlag, 2014. http://dx.doi.org/10.14361/9783839424117-003.
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Kravagna, Christian. "Encounters with Masks: Counter-Primitivism in 20th-Century Black Art". In Art History and Fetishism Abroad, 189–204. Bielefeld, Germany: transcript Verlag, 2014. http://dx.doi.org/10.14361/9783839424117-010.
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Salmon, Edward T. "Literature and Art in the Early Second Century". In A History of the Roman World from 30 B.C. to A.D. 138, 326–32. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003480068-25.
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Xin, Qi. "From “Modernism” to “Post-modernism”—Fission of Literature, Arts and Society". In A Brief History of Human Culture in the 20th Century, 155–86. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-9973-2_8.
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Korovin, Andrey V. "The History of Icelandic Literature as a Subject of Art Work". In “The History of Literature”: Non-scientific sources of a scientific genre, 294–317. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0684-0-294-317.
Testo completoAbstract (sommario):
The article deals with the problem of acceptance of the national literature as an important and unique phenomenon by Icelanders in the beginning of 20th century, but in our days it is a major part of the Icelandic national self-conscience. The development of Icelandic nation is strictly connected to the literary tradition started in Middle Ages; there was a paradox situation, when the modern Icelandic society did not have any serious interest to the national heritage and the Old Norse books. The most prominent Icelandic philologist Sigurður Nordal made the influentional changes in the social perception of the literary tradition. He was an author of several volumes on Icelandic literature, the most important of them is “Icelandic Culture”. His main goal was to show Icelandic literature as a significant and outstanding part of European culture, to connect the Old Norse tradition with the modernity: he brought to academic texts the elements of fiction. The world-wide known Icelandic writer Halldór Laxness had the same aims in his novels “World Light” and “Iceland’s Bell”. The Icelandic literature in these texts is presented in its development, in the past and present, and became the subject of narration.
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Avidzba, Vasiliy Sh. "Abkhazia in books published by Russian authors of the 19th century". In Abkhazia in Russian Literature of the 19th — 20th Centuries: in 3 vols. Vol. 1, 13–91. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/arl-2021-1-13-91.
Testo completoAbstract (sommario):
An analytical review of books dedicated to Abkhazia written by the 19th century Russian authors is presented in the article. Information about the history and culture of Abkhazia as well as of other regions of the Caucasus and parts of southern Russia can be found in the publications. The material under review revealed a trend of increasing interest in Abkhazia among Russian authors. If in the first half of the said century, information about Abkhazia had been published only in two books, all other books date back to the second half of the century. Their authors include the military, state officials, publicists, scientists, people of civil professions and religious figures. As a rule, they would write about the history of Abkhazia, the ethnographic and religious condition of the region; they reported on the ethnic composition of the peoples (tribes), the number, borders, monuments of Christian architecture; to a lesser extent, they paid attention to the political structure of the Abkhazian principality. Many of them wrote about the dramatic events of the 1860s and 1870s. Despite the fact that the books included in the review are not scientifically and artistically equivalent, they can serve as a significant source for the study of the history and culture of 19th-century Abkhazia as a whole.
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Vinogradov, Igor A. "German Romantic W.G. Wakenroder and the 20th Century: Artistic Vision of N.V. Gogol". In Literary Process in Russia of the 18th–19th Centuries. Secular and Spiritual Literature. Issue 3, 273–313. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/lit.pr.2022-3-273-313.
Testo completoAbstract (sommario):
The article is devoted to the study of the religious and political aspects of the famous manifesto of European romanticism, i. e. the book of the German writer and musician V.G. Wackenroder “Fantasies Concerning the Art of an Art-Loving Monk” (1814). In 1826 this book was translated into Russian and influenced the development of Russian romanticism. The article examines in detail N.V. Gogol’s attitude to the works of German romantics and traces the evolution of the writer’s views on romantic literature, starting from the 1820s, when he created his first works, namely the prose satire “Something about Nizhyn, or the Law is not Written for Fools” (1826) and the poetic poem “Hanz Küchelgarten” (1827). The author of the article shows close connection of Gogol’s images of the German artisans Schiller and Hoffmann in the story “Nevsky Prospekt” (1835) with other satirical works of the writer and gives an analysis of the reformist ideas of Wakenroder’s book, which were developed in the writings of German romantics and the events of the subsequent 20th century. In addition, the research touches upon the history of the study and perception of “Nevsky Prospekt” and notes the unexpected discovery in Soviet Russia during the Great Patriotic War of the deep, “prophetic” meaning of Gogol’s work. The corresponding judgments about Gogol’s story are given by a number of critics, writers and scientists, such as F.M. Dostoevsky, D.I. Pisarev, V.V. Rozanov, Protopresbyter Vasily Zenkovsky, A.G. Dementiev, G.P. Makogonenko. The article emphasizes immutability of Gogol’s religious and patriotic views, which were formed thanks to family upbringing and school education; and made the conclusion about the fundamental polemic of the artist with the German romantics’ religious-renovationist ideas.
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Tsvizhba, Larisa I. "Pages of History in B.V. Shinkub’s Novel “The Last of the Departed”". In Abkhazia in Russian Literature of the 19th — 20th Centuries: in 3 vols. Vol. 2, 491–500. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/arl-2023-2-491-500.
Testo completoAbstract (sommario):
The historical novel by B.V. Shinkuba “The Last of the Departed” is based on the confession of the hundred-year-old Zaurkan Zolak, the last of the Ubykhs, who lived out his days in one of the Turkish villages. The novel conveys documented military clashes between the Russian army and the peoples of the Caucasus in the 19th century. Comparison of individual scenes of the novel and archival documents makes it possible to identify the coincidence of artistic descriptions of the tragic history of the Ubykhs with real events: their place of residence, lifestyle, raids, including on Abkhazia, disagreements in Ubykh society on the issue of attitude towards Russia, the role of the main Ubykh surname Berzek, to which Hadji Berzek and his nephew belong. Both in the novel and in archival documents, much attention is paid to the ruler of Abkhazia, Mikhail Shervashidze, who acted as an intermediary between the Ubykhs and Russian generals. Solving the key question for themselves: to submit and stay to live where the Russian generals indicate, or to move to Turkey, the Ubykhs chose resettlement, which entailed their complete disappearance. The identified historical sources confirm the authenticity of the events described in B. Shinkuba’s novel “The Last of the Departed.”
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Rolet, Serge. "Gorky through the Eyes of France Slavistics (Based on the History Of Russian Literature of the Paris Publishing House “Fayard”, 1987–1990)". In Maxim Gorky and World Culture: A Collection of Scientific Articles (Materials of the Gorky Readings 2018 “World Value of M. Gorky (on the 150th Anniversary of the Birth)”, 96–103. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0693-2-96-103.
Testo completoAbstract (sommario):
The article examines the interpretation of Gorky’s work in different volumes of the History of Russian Literature published by “Fayard” in France in 1987–1990. Gorky is mentioned in the volume called “The Silver Age”, but only in a general article devoted to the literature of the late 20th century. The article “Maxim Gorky” is placed in a volume analyzing Russian literature of the stalinist and post-stalinist periods. Gorky turns out to be primarily a “soviet” writer, in fact, alien to the search for the Silver Age and the 1920s. The creators of “Fayard”’s History of Russian Literature, who claimed to be a scientific method, freed from any ideological approach to art, actually adhere to the ideology of symbolists, which then dominated the emigrant intelligentsia.
Atti di convegni sul tema "Art and literature – history – 20th century"
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Zhuykova, E. "COMICS AND LITERATURE: THE HISTORY OF FRIENDSHIP". In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3761.rus_lit_20-21/353-358.
Testo completoAbstract (sommario):
The reputation of comics in Russia was seriously spoiled in the 90s, when they were viewed as a purely entertaining and mass form. But in fact, in the modern world, the graphic novel is becoming a completely serious genre: great artists are creating comics, scripts for them are written by Ph.D's, and they often touch on complex topics. Moreover, comics have a long history of relationship with literature (for example, in the 30s of the 20th century, during the first wave of emigration, Russian literary comics were valued throughout the world). And in the last decade, this line of interaction has only intensified: many graphic adaptations of classic literary works, comic book biographies of writers and poets are appearing, and descriptions of comic books are increasingly appearing in modern literature. The article will be devoted to the history of various forms of interaction between literature and comics.
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Genese-Plaude, Inta. "URBAN CULTURAL PRACTICES AS A MIRROR OF THE MODERNIZATION OF LATE 19TH CENTURY SOCIETY AND LIFESTYLE IN AUGUSTS DEGLAVS� NOVEL �RIGA�". In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.24.
Testo completoAbstract (sommario):
The study focuses on the late 19th century city as an equivalent of the formation of a modern society. In fiction, especially in novels, the depiction of the 19th/20th century city has always attracted attention as a reflection of the formation of modern society through portrayals of both daily life and the development trends of the era's ideas. Writer, publicist, social activist Augusts Deglavs (1862�1922) created a unique portrait of the modernization of the city in Latvian literature with his novel �Riga� (�Riga�) (part 1 in 1912, part 2 in 1921). The novel demonstrates the awakening of Latvians and their formation as a cultural nation in a multicultural society in the conditions of double colonialism in the second half of the 19th century. One of the focal points of the novel is the diverse spectrum of cultural practices in an emerging industrial and multicultural society. The novel shows that cultural practices are determined by power hegemony and confrontation, various social experiences, ethnic, professional, religious affiliations, ideologies, behavioural norms and mass cultural emancipation. The research was conducted in a culture-oriented perspective, involving the social sciences and the current interdisciplinary approach. The approach of Cultural Studies and New Historicism method are used, with which it is possible to discover how Augusts Deglavs� novel is rooted in the cultural practices, circulation of ideas and historical developments of the era. New Historicism looks at literature as one of the voices in the polyphony of history or an era, a voice which can sound just as powerful in content as the voice of history and culture itself, because literature is one of the links in the chain of cultural processes.
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Sallai, János, e Johanna Farkas. "21ST CENTURY CHALLENGES AND SOLUTIONS IN THE LIGHT OF HISTORY". In SECURITY HORIZONS. Faculty of Security- Skopje, 2021. http://dx.doi.org/10.20544/icp.2.4.21.p24.
Testo completoAbstract (sommario):
It is impossible to separate the public police organization from the modern state. King Louis XIV was the founder of the first centrally organized and uniform police force in 1667. A book related to the work of the police was first published in 1705 under the title "Traité de la police". It outlines the three main activities of the police, which are economic regulation, measures of the public order, and general rules of hygiene. The first head of Police and his 44 police commissioners' work was assisted by police inspectors beginning in 1709. The police also appeared on German territory, and the works of Lorenz von Stein, Otto Mayer, and Robert von Mohl are still dominant in Europe nowadays. This study examines books, journals, and legal documents to present the development of the law enforcement and the modern challenges of policing in Hungary. Our country celebrated the establishment of the central police last year. In the 20th century there was a development in modern policing and literature, as well as the emergence of modern police officer training. After World War II, a Soviet law enforcement model was imitated in which there was state security, secrecy, and Soviet police character. Although research of historical and theoretical studies of policing was forbidden, after the Revolution of 1989, the research of law enforcement theory was completed. Globalisation has created new sources of danger (e.g. terrorism, cybercrime), driven by a lack of borders and the expansion of international relations (Farkas, 2016). We can only meet the new challenges with the deepening of international law enforcement cooperation. Keywords: law enforcement, globalisation, data-transmission revolution, security
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Oktyabrskaya, O. "THE THEME OF HISTORY IN CHILDREN'S LITERATURE OF THE TWENTIETH CENTURY: THE PRINCIPLES OF THE EMBODIMENT OF ARTISTIC MATERIAL". In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3744.rus_lit_20-21/278-281.
Testo completoAbstract (sommario):
The article traces the ways of development and realization of historical prose in Russian children's literature from its very origins in the XIX century to modern literature of the XXI century. The types of narrative, genre diversity and thematic and problematic variability of works on a historical theme are analyzed. In addition, the author's strategies of writers who turn to the narrative of the past are investigated.
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Валуев, Демьян Валерьевич. "SMOLENSK FORTRESS WALL ON THE BORDER OF ERAS (1914 -1919). BASED ON THE MATERIALS OF V. I. GRACHEV". In Международная конференция «Феномен пограничного и трансграничного в истории и культуре». Crossref, 2023. http://dx.doi.org/10.54016/svitok.2023.94.49.024.
Testo completoAbstract (sommario):
В истории Смоленской крепостной стены наряду с широко известными эпизодами есть периоды мало изученные и слабо освещенные в литературе. К таковым относится судьба крепости в пограничный для страны и общества момент истории - время Первой мировой войны и революций 1917 года. Прояснению обстоятельств её существования в этот период на основе архивных материалов, содержащихся в фонде известного смоленского краеведа начала XX века Василия Ивановича Грачева, хранящемся в Отделе письменных источников Государственного исторического музея, посвящена эта статья. In the history of the Smolensk fortress wall, along with well-known episodes, there are periods little studied and poorly covered in the literature. These include the fate of the fortress at a borderline moment in history for the country and society - the time of the First World War and the revolutions of 1917. This article is devoted to clarifying the circumstances of its existence during this period on the basis of archival materials contained in the fund of the famous Smolensk local historian of the early 20th century Vasily Ivanovich Grachev, stored in the Department of Written Sources of the State Historical Museum, this article is devoted.
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Sipkina, N. "POETRY STYLE R.I. ROZHDESTVENSKY IN THE CONTEXT OF THE SIXTIES". In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3713.rus_lit_20-21/152-155.
Testo completoAbstract (sommario):
The article examines the stylistic features of the poetry of R.I. Rozhdestvensky, one of the founders and leaders of the literary movement of the sixties, who played a significant role in the Russian literary process of the second half of the twentieth century. And made a certain contribution with his creativity to the formation of the worldview of the sixties. It is noted that the work of R.I. Rozhdestvensky, as well as the work of all his associates (E.A. Evtushenko,A.A. Voznesensky, B.A. Akhmadulina, etc.) is an insufficiently studied page in the history of Russian literature, which has absorbed forty years experience in developing the artistic and social consciousness of the country. The significance of Rozhdestvensky’s poetry in the further evolution of Russian verse is determined: the development of oratorical verse; the presence of a plot of thought, which contributed to the reorganization of the category of time (free shift of time layers, “breakdown of time”, etc.); expanding the boundaries of lyricism, deepening epicness, etc. The stylistic features of the poetry of the sixties in Rozhdestvensky’s poems and poems are highlighted - this is the development of various types of poetry (rationalism, rationality, comparison, discussion of various ideas, identifying causes and consequences, etc.), which led to an increase in the role of the author, expressed in the individual image of the lyrical hero (bibliographic, ideological, linguistic coincidences, rapprochement, “replacement” of the hero by the author, etc.); numerous rhetorical figures, etc. It is argued that Rozhdestvensky’s individual style has its own, special appearance - a configuration that is easily guessed when reading his poems. It is revealed that this definition is associated with the portrait of social phenomena and personal experiences of the poet.
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Sheng, Yinghong, e Xiaowen Lin. "The Aesthetic Embodiment of Modernity in Chinese Literature in the 20th Century". In 8th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220306.052.
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Freimanis, Kristaps, e Maija Šenfelde. "Credit creation theory and financial intermediation theory: different insights on banks’ operations". In Contemporary Issues in Business, Management and Economics Engineering. Vilnius Gediminas Technical University, 2019. http://dx.doi.org/10.3846/cibmee.2019.033.
Testo completoAbstract (sommario):
Purpose – already for more than one hundred years there is an ongoing discussion about the role and function of banks, which subsequently has affected banking regulation. Three theories of banking were dominant in different periods of the 20th century: Credit creation theory (the oldest), Fractional reserve theory, Financial intermediation theory. Authors are contributing to the theoretical discussion with research showing that Credit creation theory and Financial intermediation theory reflect different insights on banks’ operations. Research methodology – literature review (regarding theories), financial ratio calculations (Loans-to-Deposits ratio); Findings – using Loans-to-Deposits ratio calculations for several banks researchers have found that banks’ lending process can be explained by Credit creation theory however banks’ Strategic Asset-Lability Management can be explained by Financial intermediation theory. Research limitations – (a) only domestic banks were selected as in this research it is important to get the needed relationship between deposits and lending. Subsidiaries of foreign banks could have not balanced balance sheet from Loansto-Deposits ratio perspective as their funding could come from abroad if the business model in Baltics is primarily lending oriented, (b) Baltic market was taken because of know-how of researchers about banks operations here and history of their transformation, (c) audited financial reports were used as they gave a sufficient picture of banks Loansto-Deposits ratio. Practical implications – theoretical discussion in this paper enlightens the role and function of the banks thereby improving understanding of better banking regulation. Authors propose to adjust the current banking regulatory framework which is focused on capital requirements. Originality/Value – current research provides some link between existing banking theories (Credit creation theory and Financial intermediation theory) shaping a new hybrid concept and proposing an adjusted regulatory framework based on this hybrid concept
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Dremel, Anita. "BOURDIEU ON POWER, CULTURE AND SOCIOLOGY OF TASTE: THE CASE OF MARIJA JURIĆ ZAGORKA". In European realities - Power : 5th International Scientific Conference. Academy of Arts and Culture in Osijek, J. J. Strossmayer University of Osijek, 2023. http://dx.doi.org/10.59014/lbxg3157.
Testo completoAbstract (sommario):
Refraining from reasoning in support of the universal taste and the experience of the beautiful, cultural sociology treats taste as socially contingent and constructed. The objective of this paper is to outline a social critique of different judgements of taste when it comes to different types of literary production based on the theoretical framework established by Pierre Bourdieu and on the example of the reception of popular literature, mainly historical romances written by Marija Jurić Zagorka. The methodological approach thereby applied includes the deconstruction of common distinctions based on Bourdieu’s concepts of habitus, field and doxa, genealogy of highbrow taste in the era of so called highly textual modernism, critical analysis of gender discourse underlying cultural evaluations of literary production by women and for women, and the practicing of the ethnographic shift towards the reader in her context. This empirically contextualized analysis of literary tastes expressed by various recipients in Croatian cultural history has led to the results that reveal a long persistence of popularity and adoration of Zagorka’s novels on the one hand and harsh, almost visceral, disgust with her production by official discourse on the other, confirming the thesis that judgments of taste are based on society (and class). However, these results do not suggest a linear (let alone causal) relationship between the class system and the system of cultural classifications as well as between consumerist desire and taste. Historical novels by Marija Jurić Zagorka, mainly written in the first half of the 20th century, contain a foundationally strong inscription of opposed social strata, thus providing a useful and relevant empirical basis for the analysis of complex processes of cultural modernization and accompanying changing forms of social power.
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Terziev, Venelin, e Silva Vasileva. "LITERATURE AS HISTORY AND EDUCATION IN THE MODERN BULGARIAN SOCIETY OF THE 20TH CENTURY". In ADVED 2022- 8th International Conference on Advances in Education. International Organization Center of Academic Research, 2022. http://dx.doi.org/10.47696/adved.202209.
Testo completoRapporti di organizzazioni sul tema "Art and literature – history – 20th century"
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Schacht, Kayley, Deidre Gonçalves, Aaron Schmidt e Adam Smith. A History and Analysis of the WPA Exhibit of Black Art at the Fort Huachuca Mountain View Officers’ Club, 1943–1946. Engineer Research and Development Center (U.S.), giugno 2023. http://dx.doi.org/10.21079/11681/47184.
Testo completoAbstract (sommario):
The 1943 art exhibition at the Mountain View Officers’ Club (MVOC), Fort Huachuca, Arizona should be considered one of the most significant events in the intersection of American art, military history, and segregation. Organizers of the event, entitled Exhibition of the Work of 37 Negro Artists, anticipated it would boost soldiers’ morale because Fort Huachuca was a predominately Black duty station during WWII. This report provides a brief history of Black art in the early 20th century, biographies of the artists showcased, and provides information (where known) about repositories that have originals or reproductions of the art today. The following is recommended: the General Services Administration (GSA) investigate the ownership of the pieces described in this report and if they are found to have been created under one of the New Deal art programs to add them to their inventory, further investigation be performed on the provenance and ownership of Lew Davis’s The Negro in America’s Wars mural, for the rehabilitation of the MVOC that the consulting parties agree upon the scope of the reproduction of the art, and request archival full reproductions of the pieces of art found in the collection of the Howard University Gallery of Art.