Letteratura scientifica selezionata sul tema "Arid regions ecology South Australia Far North Region"

Patterns of distribution are described for the three subgenera and nine sections that make up the Australian Acacia flora. Subgenus Phyllodineae (833 species) is widespread and contains 99% of the species; subgenus Acacia (six species) and subgenus Aculeiferum (one species) are poorly represented and virtually confined to the north of the continent. The geographic patterns of species-richness are strongly influenced by sections Phyllodineae (352 species), Juliflorae (219 species) and Plurinerves (178 species). Section Phyllodineae has centres of richness south of the Tropic of Capricorn in temperate and adjacent semiarid areas of eastern, south-eastern and south-western Australia. The section is poorly represented in the tropics. The closely related sections Juliflorae and Plurinerves predominate in the north of the continent, semiarid areas of the south-west, many rocky tablelands of the Arid Zone and along the Great Dividing Range and adjacent inland riverine lowland areas in eastern Australia. The remaining four sections contribute little to the overall patterns of species-richness. The principal speciespoor areas are sandy and fluvial lowland regions of the Arid Zone. In eastern Australia, sections Botrycephalae, Juliflorae, Phyllodineae and Plurinerves show discontinuous patterns of species-richness along the Great Dividing Range. All sections have species whose ranges terminate in the area of the McPherson-Macleay Overlap region.

The impression has been given in previous studies that there are few bird conservation problems in the arid zone, particularly because not one of a total of 230 species has become extinct. In stark contrast, almost half of the native terrestrial mammalian fauna of the Australian arid zone has become extinct on the mainland since European occupation. Here we show that the status of one half of the avifauna has changed since European occupation, and conclude there are many threats to avian biodiversity at the regional scale in the arid zone. There are 19 species (8%) in the arid zone classified as rare and threatened nationally. Twelve more (5%) are uncommon species which have declined or are at risk in two or more regions. A further 40 species (17%) have declined in at least one arid region, although many of these remain common and some have increased elsewhere in arid Australia. At least 45 species (20%) have increased in range or abundance, including a suite of ground-feeding birds associated with degraded landscapes. Striking patterns emerged from analysis of 29 threatened and declining species: • birds associated with chenopod shrublands and grassy, riparian or floodplain environments have been most affected whereas mulga inhabitants and canopy-dwellers of riparian woodland have been little affected; • birds generally with a northem distribution have declined in the south of the arid zone and birds with a southern distribution have declined in the north of the arid zone, and these patterns contrast with many birds with a southern or continental distribution which have declined more in southern semiarid regions than within the arid zone itself; • birds which feed at ground and low shrub height have been most adversely affected; • sedentary bushbirds (passerines) are more at risk than nomads and their limited mobility seems to be a risk factor; • among non-passerines, parrots, cockatoos and pigeons are most at risk, while three passerine families stand out, namely wrens, quail-thrushes, and thornbills and allies; • contrary to findings for mammals, size does not generally appear to be an important risk factor. Land degradation and habitat alteration such as shifts in abundance or dominance of plant species caused by the introduction of exotic herbivores appear to be the principal factors causing change in status while the provision of reliable water sources in pastoral districts is also important. Introduced predators are implicated in some cases and altered fire regimes may have played a part in spinifex and mallee habitats. Competitive interactions between increasing and declining species, although not demonstrated, appear to be likely for some species. We have documented a hitherto unsuspected degree of change in avian biodiversity in the Australian arid zone. In the absence of widespread regeneration of dominant plant species in the southern arid zone, the decline of many arid zone birds will accelerate dramatically. Also, unless better management ensues, the next major drought could cause accelerated declines and extinctions. We advocate a range of measures designed to improve the conservation prospects for arid Australian birds, including lower stocking rates on pastoral properties, rehabilitation of critical habitats and their protection from exotic herbivores, experimental research on the impact of grazing and predation, and monitoring of both threatened species and a range of sedentary passerines typically associated with representative habitats in the arid zone.

The helminth fauna from 124 water-rats, Hydromys chrysogaster, collected from 33 localities in Queensland was analysed. A total of 45 species of helminths was found, comprising 2 acanthocephalans, 2 cestodes, 13 nematodes and 28 trematodes. The helminth community of the water-rats in the region north of latitude 18˚ (far north) was different from that of water-rats south of 18˚ (central); Sorensen’s Index 45·8% similarity, whereas Holmes and Podesta’s Index gave 32·1% similarity. Comparisons with data from water-rats from southern and Tasmanian regions showed that they were different from each other and from both Queensland regions. The helminth communities were characterised by high diversity, dominated by trematodes in the central and Tasmanian regions, but with nematodes becoming more prominent in the far northern and southern regions. No core or secondary species were found in the Queensland helminth communities, the southern community was suggestive of a bimodal distribution and the Tasmanian had two core species. A checklist of helminth species occurring in water-rats from eastern Australia is provided.

Trigonella suavissima Lindl. is an Australian native legume belonging to the tribe Trifolieae. It is an ephemeral species that is widely distributed in the arid interior of the continent where it occurs, following periodic inundation, on clay soils of the watercourse country of the Channel Country (far-western Queensland, north-east South Australia and north-western New South Wales). T. suavissima is the only member of its tribe that is endemic to Australia. Likewise, its root-nodule bacteria (Sinorhizobium sp.) may be the only member of its taxonomic group (S. meliloti, S. medicae) that is an Australian native. The distribution and frequency of occurrence of T. suavissima and the size of soil populations (density) of Sinorhizobium were monitored at 64 locations along inland river systems of the Channel Country. Measurements were made of (i) the nitrogen-fixing effectiveness of the symbioses between T. suavissima and strains of its homologous Sinorhizobium and (ii) the nitrogen-fixing effectiveness of the symbioses between legumes symbiotically related to T. suavissima and diverse strains of Sinorhizobium. It was concluded that the distribution and frequency of occurrence of T. suavissima is soil related. The species is most widespread on fine-textured clay soils with deep, self-mulching surfaces and high moisture-holding capacity. By contrast, the occurrence of T. suavissima is sporadic in the upper reaches of the inland river systems where the soils are poorly structured clays with lower moisture-holding capacity. Sinorhizobium is most abundant where the plant is most common. The nitrogen-fixing symbioses between T. suavissima and strains of Sinorhizobium isolated from soils across the region were consistently effective and often highly effective. Some of these strains fixed a little nitrogen with lucerne (Medicago sativa L.). T. suavissima also had some symbiotic (nitrogen-fixing) affinity with an exotic Trigonella (T. arabica Del.). The economic value of T. suavissima (and its symbiosis with Sinorhizobium) to the beef industry in the Channel Country is discussed.

Grossplots are compilations of globally distributed palaeotemperature data onto latitude versus age plots, which are then contoured. The results specifically show the distribution of temperature over the globe and its variations over the Cretaceous to Middle Miocene interval. Data for continents and oceans are plotted separately in this investigation, and each such grossplot is in accord with the known climate changes of this time. The general scarcity of quantitative palaeotemperature information for Australia can be rectified by deriving, from the global continental grossplot, the relationship between mean annual temperature and latitude. When these are applied to the latitude band progressively occupied by Australia, the following observations can be made: (1) during the Early Cretaceous, the south-east of the continent was subjected to freezing wintertime temperatures; (2) peak warming of northern Australia was attained in the Turonian–Santonian, but this was followed by cooling later in the Cretaceous; (3) Early Tertiary warming until the Late Eocene particularly affected the northern half of the continent, but this region then underwent the most severe cooling in the Early Oligocene; (4) subsequently, the whole of the continent cooled uniformly from conditions only slightly warmer than at present. Despite Australia’s equatorward march, the Late Cretaceous to Palaeocene climates of the continent have been influenced more effectively by changes in the global climate state. However, global cooling since the Eocene has been less effective than drift in controlling the warming climate of Australia. The time–space distribution of precipitation over Australia is estimated from the global relationship between terrestrial temperature and rainfall. The Eocene experienced the heaviest rainfall (> 1560 mm year-1, in the north only), and the Eocene to Middle Miocene experienced moderately high rates (> 500 mm year-1 in the northern three-quarters of the continent). Tertiary brown coals in southern regions were formed in proximity to areas of high rainfall. Continentwide low rates (< 500 mm year-1; semi-arid) are suggested for the Cretaceous, except for wet conditions in the north during the Albian–Santonian and the Late Maastrichtian. Estimates of precipitation are subject to factors such as continentality and location of moisture sources, which cannot be evaluated at present.

AbstractThe circumscription of the lichenized ascomycete genus Icmadophila Trevis. in the family Icmadophilaceae Triebel was investigated. Sequences of the internal transcribed spacer (ITS) region and large subunit of nuclear ribosomal DNA (nuLSU) were generated for the five Icmadophila species and additional members of Icmadophilaceae from the genera Dibaeis, Endocena, Knightiella, Siphula, Siphulella and Thamnolia. Phylogenetic analyses indicate that three Icmadophila species are closely related: the type, I. ericetorum (L.) Zahlbr., which is widespread in Eurasia and North America, I. aversa (Nyl.) Rambold & Hertel from Central and South America, and I. japonica (Zahlbr.) Rambold & Hertel, which is restricted to Far East Russia and Japan. The genus Knightiella Müll. Arg. is reinstated to accommodate I. splachnirima (Hook.f. & Taylor) D. J. Galloway emend. L. Ludw., which occurs in New Zealand and Australia. Two further species of Knightiella, K. eucalypti (Kantvilas) Kantvilas and K. queenslandica Kantvilas, are found to be unrelated to K. splachnirima, and are accommodated in two newly described genera, Knightiellastrum and Siphulopsis respectively. Knightiellastrum L. Ludw. & Kantvilas is characterized by a squamulose, erhizinate, whitish to pale grey thallus with a green, coccoid photobiont and by containing thamnolic acid. Siphulopsis Kantvilas & A. R. Nilsen is similarly characterized by an erhizinate, whitish to pale grey thallus, with a green, coccoid photobiont and containing thamnolic acid, but is instead fruticose. This study reveals considerable diversity within Australasian Icmadophilaceae; ongoing work in the Southern Hemisphere and tropical regions may reveal additional species in this family and clarify the relationships of these newly described genera.

The Astrakhan region, one the most arid region of Russia, is mainly a plain territory with the unique mountain Bolshoe Bogdo, where the Bogdinsko-Baskunchaksky natural reserve was founded, including the adjacent plains and Baskunchak Lake. So far syntaxonomy of arid regions of Russia are rather poor, only the Lower Volga valley is described in detail (Golub, 1994; Golub, Maltsev, 2013). The aim of present study was to carry out floristic classification of desert-steppe vegetation of the reserve territory. The study is based on the authors’ 133 relevés, made in 2019, and 41 published ones (Safronova, 2013). Cluster analysis was carried out (Ward’s method, Chekanovsky-Dyce-Sørensen coefficient). Two dendrograms, built on the species presence-absence and their cover, allowed to distibguish phytocenons and determine their differential species. At the first step, the dendrogram based on the species presence-absence was analyzed (Fig. 3). At levels from 2 to 8 clusters, the number of differential species with IV-V class constancy (Table 1) were assess. At the level of 3 clusters all relevés were divided into petrophytic, psammophytic and zonal communities (Table 2). According to large number of differential species two classes (Artemisietea lerchianae V. Golub 1994 — petrophytic desert-steppe communities and Festucetea vaginatae Soó ex Vicherek 1972 — psammophytic steppes) were distinguished. Also desert-steppe communities on fine soils which belong to the first class without own differential species were distinguished and their relevés were included in further analysis. Class Artemisietea lerchianae V. Golub 1994 unites the northern desert and desert steppe communities. Diagnostic species (D. s.): Alyssum turkestanicum, Anabasis aphylla, A. salsa, Artemisia lerchiana, Bassia prostrata, Camphorosma monspeliaca, Nitrosalsola dendroides, Ceratocarpus arenarius, Ceratocephala testiculata agg., Eremopyrum orientale, Ferula caspica, Medicago medicaginoides, Meniocus linifolius, Peganum harmala, Petrosimonia oppositifolia, Poa bulbosa, Zygophyllum fabago. Order Agropyretalia desertorum ord. nov. includes desert steppes, widely spread in the southern part of the steppe zone, with domination of semishrubs and bunchgrasses. Holotypus hoc loco — ass. Artemisio lerchianae–Stipetum sareptanae ass. nov. D. s.: Agropyron desertorum, Allium inderiense, A. tulipifolium, Astragalus pseudotataricus, A. testiculatus, Ephedra distachya, Erysimum leucanthemum, Euphorbia undulata, Galatella tatarica, Prangos odontalgica, Rochelia retorta, Serratula erucifolia, Sterigmostemum caspicum, Stipa lessingiana, S. sareptana, Tanacetum achilleifolium, Tragopogon marginifolius, Tulipa patens, T. biflora. Alliance Agropyrion desertorum all. nov. Holotypus hoc loco — ass. Artemisio lerchianae–Stipetum sareptanae ass. nov. D. s. of the alliance = D. s. of the order. Ass. Artemisio lerchianae–Stipetum sareptanae ass. nov. hoc loco (Table 4, rel.1–34), holotypus hoc loco: Table 4, relevé 1 (field number 19-077), Astrakhan region, Akhtubinskiy district, to the south of the Nizhny Baskunchak village, Bolshoe Bogdo Mt., 48.13294° N, 46.83287° E, convex near-top part of NNE slope, 22.05.2019, author: A. Yu. Korolyuk is central in the alliance. D. s.: Agropyron desertorum, Ephedra distachya, Erysimum leucanthemum, Prangos odontalgica, Stipa lessingiana, S. sareptana, Tanacetum achilleifolium, Tulipa biflora. Сommunities occupy large areas at foothills and gentle slopes of ridges, occasionally occur on moderately steep slopes. Ass. Artemisio pauciflorae–Atraphaxietum replicatae ass. nov. hoc loco (Table 5, rel. 1–13), holotypus hoc loco: Table 5, relevé 1 (field number 19-081), Astrakhan V. Golub 1994, Akhtubinskiy district, to the south of Nizhny Baskunchak village, Bolshoe Bogdo Mt., 48.13597° N, 46.84192° E, plain area, slight depression, 22.05.2019, author: A. Yu. Korolyuk.­ D. s.: Anabasis salsa, Artemisia pauciflora, A. semiarida, Atraphaxis replicata, Atriplex cana, Camphorosma monspeliaca, Catabrosella humilis, Ferula caspica. Communities occur on convex slopes of various exposition, often with active erosion. Ass. Stipo lessingianae–Artemisietum tauricae ass. nov. hoc loco (Table 5, rel. 14–37), holotypus hoc loco: Table 5, relevé 14 (field number 19-085), Astrakhan region, Akhtubinskiy district, to the south of Nizhny Baskunchak village, Bolshoe Bogdo Mt., 48.13558° N, 46.84563° E, gentle foothill of the eastern slope, 22.05.2019 author: A. Yu. Korolyuk. D. s.: Artemisia taurica, Elaeosticta lutea, Galatella villosa, Tulipa gesneriana, Veronica multifida. Relatively closed ommunities are most often common at foothills, also they occur on tops of ridges and their slopes of various steepness and exposition. Order Artemisietalia lerchianae V. Golub 1994, central in the class, unites zonal northern desert communities, at least within the Caspian region. D. s.: Alyssum turkestanicum, Anabasis aphylla, A. salsa, Artemisia lerchiana, Camphorosma monspeliaca, Caroxylon dendroides, Ceratocarpus arenarius, Ceratocephala testiculata agg., Eremopyrum orientale, Ferula caspica, Bassia prostrata, Medicago medicaginoides, Meniocus linifolius, Peganum harmala, Petrosimonia oppositifolia, Poa bulbosa, Zygophyllum fabago. Alliance Artemision lerchianae V. Golub 1994. D. s. of the alliance = D. s. of the class and order. Ass. Poo bulbosae–Artemisietum lerchianae ass. nov. hoc loco (Table 6, rel. 1–39), holotypus hoc loco: Table 6, relevé 34 (field number 19-135), Astrakhan region, Akhtubinskiy district, to the north-west of Nizhny Baskunchak village, 48.23968° N, 46.81434° E, 24.05.2019, author: A. Yu. Korolyuk. D. s.: Alyssum turkestanicum, Anabasis aphylla, Artemisia lerchiana, Ceratocarpus arenarius, Eremopyrum orientale, Meniocus linifolius, Poa bulbosa. Communities dominated by Artemisia lerchiana and Poa bulbosa develop on fine soils within the subzones of northern deserts and desert steppes. Subass. P. b. –A. l. typicum subass. nov. hoc loco (Table 6, rel. 34–39). Communities are widely spread in the northern part of the desert zone and less common in the subzone of desert steppes. Subass. P. b.–A. l. tanacetosum achilleifolii subass. nov. hoc loco (Table 6, rel. 1–33), holotypus hoc loco: Table 6, relevé 12 (field number 19-008), Astrakhan region, Kharabalinskiy district, to the NW from the Volnoe village, the upper part of gentle slope, 47.16164° N, 47.59213° E, 17.05.2019, author: A. Yu. Korolyuk. D. s.: Astragalus dolichophyllus, Gagea bulbifera, Holosteum umbellatum, Medicago orthoceras, Tanacetum achilleifolium, Veronica triphyllos. Within subassociation, which is common within the desert steppe subzone, two variants are distinguished: typica (Table 6, rel.12–33) and Artemisia taurica (Table 6, rel.1–11). Alliance Anabasio salsae–Artemision pauciflorae Lysenko in Lysenko et Mucina 2015 unites communities dominated by Anabasis salsa and Artemisia pauciflora on solonetz soils (Lysenko, Mucina, 2015), common in the subzones of dry and desert steppes as well as in the north of the desert zone. D. s.: Anabasis aphylla, A. salsa, Artemisia pauciflora, Atriplex cana, Leymus ramosus, Suaeda physophora. Community Anabasis salsa (Table 6, rel. 40–45) dominated by nameforming species occur on eroded slopes of clay saline deposits at the territory of Bogdinsko-Baskunchaksky reserve and adjacent landscapes.

Austral summer estimates of abundance are obtained for humpback whales (Megaptera novaeangliae) in the Southern Ocean from the IWC’s IDCR and SOWER circumpolar programmes. These surveys have encircled the Antarctic three times: 1978/79–1983/84 (CPI), 1985/86–1990/91 (CPII) and 1991/92–2003/04 (CPIII), criss-crossing strata totalling respectively 64.3%, 79.5% and 99.7% of the open-ocean area south of 60°S. Humpback whales were absent from the Ross Sea, but were sighted in all other regions, and in particularly high densities around the Antarctic Peninsula, in Management Area IV and north of the Ross Sea. Abundance estimates are presented for each CP, for Management Areas, and for assumed summer feeding regions of each Breeding Stock. Abundance estimates are negatively biased because some whales on the trackline are missed and because some humpback whales are outside the survey region. Circumpolar estimates with approximate midpoints of 1980/81, 1987/88 and 1997/98 are 7,100 (CV = 0.36), 10,200 (CV = 0.30) and 41,500 (CV = 0.11). When these are adjusted simply for unsurveyed northern areas, the estimated annual rate of increase is 9.6% (95% CI 5.8–13.4%). All Breeding Stocks are estimated to be increasing but increase rates are significantly greater than zero only for those on the eastern and western coasts of Australia. Given the observed rates of increase, the current total Southern Hemisphere abundance is greater than 55,000, which is similar to the summed northern breeding ground estimates (~60,000 from 1999–2008). Some breeding ground abundance estimates are far greater, and others far lower, than the corresponding IDCR/SOWER estimates, in a pattern apparently related to the latitudinal position of the Antarctic Polar Front.

IntroductionRegional identity is a constant construction, in which landscape, human activity and cultural imaginary build a narrative of place. For the Tasmanian Midlands, the interactions between history, ecology and agriculture both define place and present problems in how to recognise, communicate and balance these interactions. In this sense, regionality is defined not so much as a relation of margin to centre, but as a specific accretion of environmental and cultural histories. According weight to more-than-human perspectives, a region can be seen as a constellation of plant, animal and human interactions and demands, where creative art and design can make space and give voice to the dynamics of exchange between the landscape and its inhabitants. Consideration of three recent art and design projects based in the Midlands reveal the potential for cross-disciplinary research, embedded in both environment and community, to create distinctive and specific forms of connectivity that articulate a regional identify.The Tasmanian Midlands have been identified as a biodiversity hotspot (Australian Government), with a long history of Aboriginal cultural management disrupted by colonial invasion. Recent archaeological work in the Midlands, including the Kerry Lodge Archaeology and Art Project, has focused on the use of convict labour during the nineteenth century in opening up the Midlands for settler agriculture and transport. Now, the Midlands are placed under increasing pressure by changing agricultural practices such as large-scale irrigation. At the same time as this intensification of agricultural activity, significant progress has been made in protecting, preserving and restoring endemic ecologies. This progress has come through non-government conservation organisations, especially Greening Australia and their program Tasmanian Island Ark, and private landowners placing land under conservation covenants. These pressures and conservation activities give rise to research opportunities in the biological sciences, but also pose challenges in communicating the value of conservation and research outcomes to a wider public. The Species Hotel project, beginning in 2016, engaged with the aims of restoration ecology through speculative design while The Marathon Project, a multi-year curatorial art project based on a single property that contains both conservation and commercially farmed zones.This article questions the role of regionality in these three interconnected projects—Kerry Lodge, Species Hotel, and Marathon—sited in the Tasmanian Midlands: the three projects share a concern with the specificities of the region through engagement with specifics sites and their histories and ecologies, while also acknowledging the forces that shape these sites as far more mobile and global in scope. It also considers the interdisciplinary nature of these projects, in the crossover of art and design with ecological, archaeological and agricultural practices of measuring and intervening in the land, where communication and interpretation may be in tension with functionality. These projects suggest ways of working that connect the ecological and the cultural spheres; importantly, they see rural locations as sites of knowledge production; they test the value of small-scale and ephemeral interventions to explore the place of art and design as intervention within colonised landscape.Regions are also defined by overlapping circles of control, interest, and authority. We test the claim that these projects, which operate through cross-disciplinary collaboration and network with a range of stakeholders and community groups, successfully benefit the region in which they are placed. We are particularly interested in the challenges of working across institutions which both claim and enact connections to the region without being centred there. These projects are initiatives resulting from, or in collaboration with, University of Tasmania, an institution that has taken a recent turn towards explicitly identifying as place-based yet the placement of the Midlands as the gap between campuses risks attenuating the institution’s claim to be of this place. Paul Carter, in his discussion of a regional, site-specific collaboration in Alice Springs, flags how processes of creative place-making—operating through mythopoetic and story-based strategies—requires a concrete rather than imagined community that actively engages a plurality of voices on the ground. We identify similar concerns in these art and design projects and argue that iterative and long-term creative projects enable a deeper grappling with the complexities of shared regional place-making. The Midlands is aptly named: as a region, it is defined by its geographical constraints and relationships to urban centres. Heading south from the northern city of Launceston, travellers on the Midland Highway see scores of farming properties networking continuously for around 175 kilometres south to the outskirts of Brighton, the last major township before the Tasmanian capital city of Hobart. The town of Ross straddles latitude 42 degrees south—a line that has historically divided Tasmania into the divisions of North and South. The region is characterised by extensive agricultural usage and small remnant patches of relatively open dry sclerophyll forest and lowland grassland enabled by its lower attitude and relatively flatter terrain. The Midlands sit between the mountainous central highlands of the Great Western Tiers and the Eastern Tiers, a continuous range of dolerite hills lying south of Ben Lomond that slope coastward to the Tasman Sea. This area stretches far beyond the view of the main highway, reaching east in the Deddington and Fingal valleys. Campbell Town is the primary stopping point for travellers, superseding the bypassed towns, which have faced problems with lowering population and resulting loss of facilities.Image 1: Southern Midland Landscape, Ross, Tasmania, 2018. Image Credit: Patrick Sutczak.Predominantly under private ownership, the Tasmanian Midlands are a contested and fractured landscape existing in a state of ecological tension that has occurred with the dominance of western agriculture. For over 200 years, farmers have continually shaped the land and carved it up into small fragments for different agricultural agendas, and this has resulted in significant endemic species decline (Mitchell et al.). The open vegetation was the product of cultural management of land by Tasmanian Aboriginal communities (Gammage), attractive to settlers during their distribution of land grants prior to the 1830s and a focus for settler violence. As documented cartographically in the Centre for 21st Century Humanities’ Colonial Frontier Massacres in Central and Eastern Australia 1788–1930, the period 1820–1835, and particularly during the Black War, saw the Midlands as central to the violent dispossession of Aboriginal landowners. Clements argues that the culture of violence during this period also reflected the brutalisation that the penal system imposed upon its subjects. The cultivation of agricultural land throughout the Midlands was enabled by the provision of unfree convict labour (Dillon). Many of the properties granted and established during the colonial period have been held in multi-generational family ownership through to the present.Within this patchwork of private ownership, the tension between visibility and privacy of the Midlands pastures and farmlands challenges the capacity for people to understand what role the Midlands plays in the greater Tasmanian ecology. Although half of Tasmania’s land areas are protected as national parks and reserves, the Midlands remains largely unprotected due to private ownership. When measured against Tasmania’s wilderness values and reputation, the dry pasturelands of the Midland region fail to capture an equivalent level of visual and experiential imagination. Jamie Kirkpatrick describes misconceptions of the Midlands when he writes of “[f]latness, dead and dying eucalypts, gorse, brown pastures, salt—environmental devastation […]—these are the common impression of those who first travel between Spring Hill and Launceston on the Midland Highway” (45). However, Kirkpatrick also emphasises the unique intimate and intricate qualities of this landscape, and its underlying resilience. In the face of the loss of paddock trees and remnants to irrigation, change in species due to pasture enrichment and introduction of new plant species, conservation initiatives that not only protect but also restore habitat are vital. The Tasmanian Midlands, then, are pastoral landscapes whose seeming monotonous continuity glosses over the radical changes experienced in the processes of colonisation and intensification of agriculture.Underlying the Present: Archaeology and Landscape in the Kerry Lodge ProjectThe major marker of the Midlands is the highway that bisects it. Running from Hobart to Launceston, the construction of a “great macadamised highway” (Department of Main Roads 10) between 1820–1850, and its ongoing maintenance, was a significant colonial project. The macadam technique, a nineteenth century innovation in road building which involved the laying of small pieces of stone to create a surface that was relatively water and frost resistant, required considerable but unskilled labour. The construction of the bridge at Kerry Lodge, in 1834–35, was simultaneous with significant bridge buildings at other major water crossings on the highway, (Department of Main Roads 16) and, as the first water crossing south of Launceston, was a pinch-point through which travel of prisoners could be monitored and controlled. Following the completion of the bridge, the site was used to house up to 60 male convicts in a road gang undergoing secondary punishment (1835–44) and then in a labour camp and hiring depot until 1847. At the time of the La Trobe report (1847), the buildings were noted as being in bad condition (Brand 142–43). After the station was disbanded, the use of the buildings reverted to the landowners for use in accommodation and agricultural storage.Archaeological research at Kerry Lodge, directed by Eleanor Casella, investigated the spatial and disciplinary structures of smaller probation and hiring depots and the living and working conditions of supervisory staff. Across three seasons (2015, 2016, 2018), the emerging themes of discipline and control and as well as labour were borne out by excavations across the site, focusing on remnants of buildings close to the bridge. This first season also piloted the co-presence of a curatorial art project, which grew across the season to include eleven practitioners in visual art, theatre and poetry, and three exhibition outcomes. As a crucial process for the curatorial art project, creative practitioners spent time on site as participants and observers, which enabled the development of responses that interrogated the research processes of archaeological fieldwork as well as making connections to the wider historical and cultural context of the site. Immersed in the mundane tasks of archaeological fieldwork, the practitioners involved became simultaneously focused on repetitive actions while contemplating the deep time contained within earth. This experience then informed the development of creative works interrogating embodied processes as a language of site.The outcome from the first fieldwork season was earthspoke, an exhibition shown at Sawtooth, an artist-run initiative in Launceston in 2015, and later re-installed in Franklin House, a National Trust property in the southern suburbs of Launceston.Images 2 and 3: earthspoke, 2015, Installation View at Sawtooth ARI (top) and Franklin House (bottom). Image Credits: Melanie de Ruyter.This recontextualisation of the work, from contemporary ARI (artist run initiative) gallery to National Trust property enabled the project to reach different audiences but also raised questions about the emphases that these exhibition contexts placed on the work. Within the white cube space of the contemporary gallery, connections to site became more abstracted while the educational and heritage functions of the National Trust property added further context and unintended connotations to the art works.Image 4: Strata, 2017, Installation View. Image Credit: Karen Hall.The two subsequent exhibitions, Lines of Site (2016) and Strata (2017), continued to test the relationship between site and gallery, through works that rematerialised the absences on site and connected embodied experiences of convict and archaeological labour. The most recent iteration of the project, Strata, part of the Ten Days on the Island art festival in 2017, involved installing works at the site, marking with their presence the traces, fragments and voids that had been reburied when the landscape returned to agricultural use following the excavations. Here, the interpretive function of the works directly addressed the layered histories of the landscape and underscored the scope of the human interventions and changes over time within the pastoral landscape. The interpretative role of the artworks formed part of a wider, multidisciplinary approach to research and communication within the project. University of Manchester archaeology staff and postgraduate students directed the excavations, using volunteers from the Launceston Historical Society. Staff from Launceston’s Queen Victorian Museum and Art Gallery brought their archival and collection-based expertise to the site rather than simply receiving stored finds as a repository, supporting immediate interpretation and contextualisation of objects. In 2018, participation from the University of Tasmania School of Education enabled a larger number of on-site educational activities than afforded by previous open days. These multi-disciplinary and multi-organisational networks, drawn together provisionally in a shared time and place, provided rich opportunities for dialogue. However, the challenges of sustaining these exchanges have meant ongoing collaborations have become more sporadic, reflecting different institutional priorities and competing demands on participants. Even within long-term projects, continued engagement with stakeholders can be a challenge: while enabling an emerging and concrete sense of community, the time span gives greater vulnerability to external pressures. Making Home: Ecological Restoration and Community Engagement in the Species Hotel ProjectImages 5 and 6: Selected Species Hotels, Ross, Tasmania, 2018. Image Credits: Patrick Sutczak. The Species Hotels stand sentinel over a river of saplings, providing shelter for animal communities within close range of a small town. At the township of Ross in the Southern Midlands, work was initiated by restoration ecologists to address the lack of substantial animal shelter belts on a number of major properties in the area. The Tasmania Island Ark is a major Greening Australia restoration ecology initiative, connecting 6000 hectares of habitat across the Midlands. Linking larger forest areas in the Eastern Tiers and Central Highlands as well as isolated patches of remnant native vegetation, the Ark project is vital to the ongoing survival of local plant and animal species under pressure from human interventions and climate change. With fragmentation of bush and native grasslands in the Midland landscape resulting in vast open plains, the ability for animals to adapt to pasturelands without shelter has resulted in significant decline as animals such as the critically endangered Eastern Barred Bandicoot struggle to feed, move, and avoid predators (Cranney). In 2014 mass plantings of native vegetation were undertaken along 16km of the serpentine Macquarie River as part of two habitat corridors designed to bring connectivity back to the region. While the plantings were being established a public art project was conceived that would merge design with practical application to assist animals in the area, and draw community and public attention to the work that was being done in re-establishing native forests. The Species Hotel project, which began in 2016, emerged from a collaboration between Greening Australia and the University of Tasmania’s School of Architecture and Design, the School of Land and Food, the Tasmanian College of the Arts and the ARC Centre for Forest Value, with funding from the Ian Potter Foundation. The initial focus of the project was the development of interventions in the landscape that could address the specific habitat needs of the insect, small mammal, and bird species that are under threat. First-year Architecture students were invited to design a series of structures with the brief that they would act as ‘Species Hotels’, and once created would be installed among the plantings as structures that could be inhabited or act as protection. After installation, the privately-owned land would be reconfigured so to allow public access and observation of the hotels, by residents and visitors alike. Early in the project’s development, a concern was raised during a Ross community communication and consultation event that the surrounding landscape and its vistas would be dramatically altered with the re-introduced forest. While momentary and resolved, a subtle yet obvious tension surfaced that questioned the re-writing of an established community’s visual landscape literacy by non-residents. Compact and picturesque, the architectural, historical and cultural qualities of Ross and its location were not only admired by residents, but established a regional identity. During the six-week intensive project, the community reach was expanded beyond the institution and involved over 100 people including landowners, artists, scientists and school children from the region (Wright), attempting to address and channel the concerns of residents about the changing landscape. The multiple timescales of this iterative project—from intensive moments of collaboration between stakeholders to the more-than-human time of tree growth—open spaces for regional identity to shift as both as place and community. Part of the design brief was the use of fully biodegradable materials: the Species Hotels are not expected to last forever. The actual installation of the Species Hotelson site took longer than planned due to weather conditions, but once on site they were weathering in, showing signs of insect and bird habitation. This animal activity created an opportunity for ongoing engagement. Further activities generated from the initial iteration of Species Hotel were the Species Hotel Day in 2017, held at the Ross Community Hall where presentations by scientists and designers provided feedback to the local community and presented opportunities for further design engagement in the production of ephemeral ‘species seed pies’ placed out in and around Ross. Architecture and Design students have gone on to develop more examples of ‘ecological furniture’ with a current focus on insect housing as well as extrapolating from the installation of the Species Hotels to generate a VR visualisation of the surrounding landscape, game design and participatory movement work that was presented as part of the Junction Arts Festival program in Launceston, 2017. The intersections of technologies and activities amplified the lived in and living qualities of the Species Hotels, not only adding to the connectivity of social and environmental actions on site and beyond, but also making a statement about the shared ownership this project enabled.Working Property: Collaboration and Dialogues in The Marathon Project The potential of iterative projects that engage with environmental concerns amid questions of access, stewardship and dialogue is also demonstrated in The Marathon Project, a collaborative art project that took place between 2015 and 2017. Situated in the Northern Midland region of Deddington alongside the banks of the Nile River the property of Marathon became the focal point for a small group of artists, ecologists and theorists to converge and engage with a pastoral landscape over time that was unfamiliar to many of them. Through a series of weekend camps and day trips, the participants were able to explore and follow their own creative and investigative agendas. The project was conceived by the landowners who share a passion for the history of the area, their land, and ideas of custodianship and ecological responsibility. The intentions of the project initially were to inspire creative work alongside access, engagement and dialogue about land, agriculture and Deddington itself. As a very small town on the Northern Midland fringe, Deddington is located toward the Eastern Tiers at the foothills of the Ben Lomond mountain ranges. Historically, Deddington is best known as the location of renowned 19th century landscape painter John Glover’s residence, Patterdale. After Glover’s death in 1849, the property steadily fell into disrepair and a recent private restoration effort of the home, studio and grounds has seen renewed interest in the cultural significance of the region. With that in mind, and with Marathon a neighbouring property, participants in the project were able to experience the area and research its past and present as a part of a network of working properties, but also encouraging conversation around the region as a contested and documented place of settlement and subsequent violence toward the Aboriginal people. Marathon is a working property, yet also a vital and fragile ecosystem. Marathon consists of 1430 hectares, of which around 300 lowland hectares are currently used for sheep grazing. The paddocks retain their productivity, function and potential to return to native grassland, while thickets of gorse are plentiful, an example of an invasive species difficult to control. The rest of the property comprises eucalypt woodlands and native grasslands that have been protected under a conservation covenant by the landowners since 2003. The Marathon creek and the Nile River mark the boundary between the functional paddocks and the uncultivated hills and are actively managed in the interface between native and introduced species of flora and fauna. This covenant aimed to preserve these landscapes, linking in with a wider pattern of organisations and landowners attempting to address significant ecological degradation and isolation of remnant bushland patches through restoration ecology. Measured against the visibility of Tasmania’s wilderness identity on the national and global stage, many of the ecological concerns affecting the Midlands go largely unnoticed. The Marathon Project was as much a project about visibility and communication as it was about art and landscape. Over the three years and with its 17 participants, The Marathon Project yielded three major exhibitions along with numerous public presentations and research outputs. The length of the project and the autonomy and perspectives of its participants allowed for connections to be formed, conversations initiated, and greater exposure to the productivity and sustainability complexities playing out on rural Midland properties. Like Kerry Lodge, the 2015 first year exhibition took place at Sawtooth ARI. The exhibition was a testing ground for artists, and a platform for audiences, to witness the cross-disciplinary outputs of work inspired by a single sheep grazing farm. The interest generated led to the rethinking of the 2016 exhibition and the need to broaden the scope of what the landowners and participants were trying to achieve. Image 7: Panel Discussion at Open Weekend, 2016. Image Credit: Ron Malor.In November 2016, The Marathon Project hosted an Open Weekend on the property encouraging audiences to visit, meet the artists, the landowners, and other invited guests from a number of restoration, conservation, and rehabilitation organisations. Titled Encounter, the event and accompanying exhibition displayed in the shearing shed, provided an opportunity for a rhizomatic effect with the public which was designed to inform and disseminate historical and contemporary perspectives of land and agriculture, access, ownership, visitation and interpretation. Concluding with a final exhibition in 2017 at the University of Tasmania’s Academy Gallery, The Marathon Project had built enough momentum to shape and inform the practice of its participants, the knowledge and imagination of the public who engaged with it, and make visible the precarity of the cultural and rural Midland identity.Image 8. Installation View of The Marathon Project Exhibition, 2017. Image Credit: Patrick Sutczak.ConclusionThe Marathon Project, Species Hotel and the Kerry Lodge Archaeology and Art Project all demonstrate the potential of site-based projects to articulate and address concerns that arise from the environmental and cultural conditions and histories of a region. Beyond the Midland fence line is a complex environment that needed to be experienced to be understood. Returning creative work to site, and opening up these intensified experiences of place to a public forms a key stage in all these projects. Beyond a commitment to site-specific practice and valuing the affective and didactic potential of on-site installation, these returns grapple with issues of access, visibility and absence that characterise the Midlands. Paul Carter describes his role in the convening of a “concretely self-realising creative community” in an initiative to construct a meeting-place in Alice Springs, a community defined and united in “its capacity to imagine change as a negotiation between past, present and future” (17). Within that regional context, storytelling, as an encounter between histories and cultures, became crucial in assembling a community that could in turn materialise story into place. In these Midlands projects, a looser assembly of participants with shared interests seek to engage with the intersections of plant, human and animal activities that constitute and negotiate the changing environment. The projects enabled moments of connection, of access, and of intervention: always informed by the complexities of belonging within regional locations.These projects also suggest the need to recognise the granularity of regionalism: the need to be attentive to the relations of site to bioregion, of private land to small town to regional centre. The numerous partnerships that allow such interconnect projects to flourish can be seen as a strength of regional areas, where proximity and scale can draw together sets of related institutions, organisations and individuals. However, the tensions and gaps within these projects reveal differing priorities, senses of ownership and even regional belonging. Questions of who will live with these project outcomes, who will access them, and on what terms, reveal inequalities of power. Negotiations of this uneven and uneasy terrain require a more nuanced account of projects that do not rely on the geographical labelling of regions to paper over the complexities and fractures within the social environment.These projects also share a commitment to the intersection of the social and natural environment. They recognise the inextricable entanglement of human and more than human agencies in shaping the landscape, and material consequences of colonialism and agricultural intensification. Through iteration and duration, the projects mobilise processes that are responsive and reflective while being anchored to the materiality of site. Warwick Mules suggests that “regions are a mixture of data and earth, historically made through the accumulation and condensation of material and informational configurations”. Cross-disciplinary exchanges enable all three projects to actively participate in data production, not interpretation or illustration afterwards. Mules’ call for ‘accumulation’ and ‘configuration’ as productive regional modes speaks directly to the practice-led methodologies employed by these projects. The Kerry Lodge and Marathon projects collect, arrange and transform material taken from each site to provisionally construct a regional material language, extended further in the dual presentation of the projects as off-site exhibitions and as interventions returning to site. The Species Hotel project shares that dual identity, where materials are chosen for their ability over time, habitation and decay to become incorporated into the site yet, through other iterations of the project, become digital presences that nonetheless invite an embodied engagement.These projects centre the Midlands as fertile ground for the production of knowledge and experiences that are distinctive and place-based, arising from the unique qualities of this place, its history and its ongoing challenges. Art and design practice enables connectivity to plant, animal and human communities, utilising cross-disciplinary collaborations to bring together further accumulations of the region’s intertwined cultural and ecological landscape.ReferencesAustralian Government Department of the Environment and Energy. Biodiversity Conservation. Canberra: Commonwealth of Australia, 2018. 1 Apr. 2019 <http://www.environment.gov.au/biodiversity/conservation>.Brand, Ian. The Convict Probation System: Van Diemen’s Land 1839–1854. Sandy Bay: Blubber Head Press, 1990.Carter, Paul. “Common Patterns: Narratives of ‘Mere Coincidence’ and the Production of Regions.” Creative Communities: Regional Inclusion & the Arts. Eds. Janet McDonald and Robert Mason. Bristol: Intellect, 2015. 13–30.Centre for 21st Century Humanities. Colonial Frontier Massacres in Central and Eastern Australia 1788–1930. Newcastle: Centre for 21st Century Humanitie, n.d. 1 Apr. 2019 <https://c21ch.newcastle.edu.au/colonialmassacres/>.Clements, Nicholas. The Black War: Fear, Sex and Resistance in Tasmania. St Lucia: U of Queensland P, 2014. Cranney, Kate. Ecological Science in the Tasmanian Midlands. Melbourne: Bush Heritage Australia, 2016. 1 Apr. 2019 <https://www.bushheritage.org.au/blog/ecological-science-in-the-tasmanian-midlands>.Davidson N. “Tasmanian Northern Midlands Restoration Project.” EMR Summaries, Journal of Ecological Management & Restoration, 2016. 10 Apr. 2019 <https://site.emrprojectsummaries.org/2016/03/07/tasmanian-northern-midlands-restoration-project/>.Department of Main Roads, Tasmania. Convicts & Carriageways: Tasmanian Road Development until 1880. Hobart: Tasmanian Government Printer, 1988.Dillon, Margaret. “Convict Labour and Colonial Society in the Campbell Town Police District: 1820–1839.” PhD Thesis. U of Tasmania, 2008. <https://eprints.utas.edu.au/7777/>.Gammage, Bill. The Biggest Estate on Earth: How Aborigines Made Australia. Crows Nest: Allen & Unwin, 2012.Greening Australia. Building Species Hotels, 2016. 1 Apr. 2019 <https://www.greeningaustralia.org.au/projects/building-species-hotels/>.Kerry Lodge Archaeology and Art Project. Kerry Lodge Convict Site. 10 Mar. 2019 <http://kerrylodge.squarespace.com/>.Kirkpatrick, James. “Natural History.” Midlands Bushweb, The Nature of the Midlands. Ed. Jo Dean. Longford: Midlands Bushweb, 2003. 45–57.Mitchell, Michael, Michael Lockwood, Susan Moore, and Sarah Clement. “Building Systems-Based Scenario Narratives for Novel Biodiversity Futures in an Agricultural Landscape.” Landscape and Urban Planning 145 (2016): 45–56.Mules, Warwick. “The Edges of the Earth: Critical Regionalism as an Aesthetics of the Singular.” Transformations 12 (2005). 1 Mar. 2019 <http://transformationsjournal.org/journal/issue_12/article_03.shtml>.The Marathon Project. <http://themarathonproject.virb.com/home>.University of Tasmania. Strategic Directions, Nov. 2018. 1 Mar. 2019 <https://www.utas.edu.au/vc/strategic-direction>.Wright L. “University of Tasmania Students Design ‘Species Hotels’ for Tasmania’s Wildlife.” Architecture AU 24 Oct. 2016. 1 Apr. 2019 <https://architectureau.com/articles/university-of-tasmania-students-design-species-hotels-for-tasmanias-wildlife/>.

Accompanying CD-ROM inside back cover, includes Appendices. Bibliography: leaves 242-266. This thesis examines the effects on vegetation at selected sites in northern South Australia of excluding various herbivores over a four and a half year period and of two intense but controlled grazing pulses over a six month period followed by an 18 month recovery period in a dune-swale land system. These changes are compared with changes recorded over an 11-year period at the Olympic Dam mine site. It found that short-term changes in vegetation revealed by ordination of periodical cover, density and species richness, are attributable to the periodicity of rainfall and that, under present grazing regimes, rainfall effects override grazing effects. Differences between the effects of sheep and cattle hoof damage are worthy of further investigation, as is the impact of kangaroo grazing. These two factors may have important implications for the management of Australian rangelands. System requirements for accompanying CD-ROM: IBM compatible computer with Pentium processor or higher and Windows 95, 98 or NT ; 4 MB or RAM. Other software: Acrobat Adobe Reader.

Accompanying CD-ROM inside back cover, includes Appendices.
Bibliography: leaves 242-266.
System requirements for accompanying CD-ROM: IBM compatible computer with Pentium processor or higher and Windows 95, 98 or NT ; 4 MB or RAM. Other software: Acrobat Adobe Reader.
xv, 266 p. : maps, charts ; 30 cm. + 1 CD-ROM (4 3/4 in.)
This thesis examines the effects on vegetation at selected sites in northern South Australia of excluding various herbivores over a four and a half year period and of two intense but controlled grazing pulses over a six month period followed by an 18 month recovery period in a dune-swale land system. These changes are compared with changes recorded over an 11-year period at the Olympic Dam mine site. It found that short-term changes in vegetation revealed by ordination of periodical cover, density and species richness, are attributable to the periodicity of rainfall and that, under present grazing regimes, rainfall effects override grazing effects. Differences between the effects of sheep and cattle hoof damage are worthy of further investigation, as is the impact of kangaroo grazing. These two factors may have important implications for the management of Australian rangelands.
Thesis (Ph.D.)--University of Adelaide, Dept. of Environmental Biology, 2002