Letteratura scientifica selezionata sul tema "Archivio del moderno"
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Articoli di riviste sul tema "Archivio del moderno"
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Mancebo Roca, Juan Agustín. "Breve historia de la cocina italiana de la primera mitad del siglo XX". Res Mobilis 12, n. 15 (28 gennaio 2023): 309–13. http://dx.doi.org/10.17811/rm.12.15.2023.309-313.
Testo completo
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Livingston, Daisy. "Documentary Constellations in Late-Mamlūk Cairo: Property- and Waqf-Related Archiving on the Eve of the Ottoman Conquest of Egypt". Itinerario 44, n. 3 (dicembre 2020): 528–51. http://dx.doi.org/10.1017/s0165115320000315.
Testo completoAbstract (sommario):
AbstractThe scholarly discussion of archives in the premodern Islamicate world is beset by problematic generalisations. Such a view to some degree stems from a top-down view of archiving that focuses on state archives at the expense of practices of archiving occurring outside a chancery context. This article challenges the assumptions that support an enduring narrative of paucity, by examining non-chancery archival practices in Mamlūk Cairo on the eve of the Ottoman conquest in 922/1517. In doing this, it looks to some of the surviving original documentary material: legal property deeds with connections to waqf endowments whose potential to shed light on archival history has largely remained untapped. Surviving in large numbers in modern collections in Cairo, these documents contain abundant traces of their own archival histories. By presenting a micro-scale case study drawn from this material, this article shows the energetic and meticulous documentary and archival practices that surrounded property transactions in late-Mamlūk Cairo.
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Paliienko, Maryna. "THE ROLE AND IMPORTANCE OF ARCHIVES IN THE TRANSFORMATION OF MODERN UKRAINIAN SOCIETY". Atlanti + 29, n. 1 (15 marzo 2019): 19–25. http://dx.doi.org/10.33700/2670-4579.29.1.19-25(2019).
Testo completoAbstract (sommario):
The article is devoted to the analysis of the role that archives played in the process of state and national building in Ukraine at the end of 20th – at the beginning of the 21st centuries. The crucial moment in the modern history of our country – proclamation of the Ukrainian independence in 1991 – was closely connected with democratization of society and liberalization of memory policy as well as access to archives. New democratic organization of the Ukrainian nation guarantees the right to information. Thousands of archival files were declassified and became available not only for scientific research but also for wider use. There is an accent on the importance of free access and openness of archives of totalitarian regimes’ repressive institutions. In this respect particular attention is paid to the analysis of the Law of Ukraine “On Access to the Archives of Repressive Bodies of the Communist Totalitarian Regime of 1917–1991” (2015). Archives are the essential sources of collective memory which represent a multifaced nature of the historical development of the state, nation, and society. Furthermore, they give an opportunity to preserve and reproduce the images of different epochs, trace people’s fates. The transformation of society set new challenges for the Ukrainian archival community. The role of archivists evolved from the custodians of the records to mediators between their institutions and society. It has been pointed out that modern technology in archiving open up new possibilities for democratization in communication and free dissemination of information. Nowadays, the establishment of the databases for archival documents, preparation of on-line documentary exhibitions as well as support of public relations is among the main activities of archivists. Ukrainian archivists made significant contribution to the collection and preservation of documentary evidence of the Orange Revolution (2004–2005) and Revolution of Dignity (2014). It should be emphasized that social responsibility of archivists is growing, particularly in open democratic society, because they have to satisfy the right to know, to access to information as well as to protect state security and personal rights of citizens. Finally, it is necessary to mention that archivist is an extremely important, noble and always relevant profession, designed to keep and update the documentary evidence of the past in the modern world for the sake of the future, for historical development continuity, genetic links of generations.
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Pivovar, Efim I., Irina E. Khanova e Marya V. Katagoshchina. "Archiving in the Azerbaijan Republic: The Stage of Modernization, 1999–2021". Herald of an archivist, n. 4 (2022): 1082–93. http://dx.doi.org/10.28995/2073-0101-2022-4-1082-1093.
Testo completoAbstract (sommario):
The paper is devoted to the development of archiving in Azerbaijan in the period after the adoption in 1999 of the Law of the Republic of Azerbaijan "On the National Archival Fund,” which marked the transition to a consistent renewal of the state policy of Azerbaijan in the archival sphere, and up to the present. The purpose of the article is to review the most important aspects of archival construction in modern Azerbaijan, including the modernization of the regulatory base and material and technical base for the work of archives, increasing their importance in the system of public administration and social development. The authors note that, having gone through a difficult initial stage of reforms in the 1990s, the archival system of the Republic of Azerbaijan has retained its institutional structure that had developed during the Soviet period and the basis of qualified archivists personnel. The 1999 law created a legal platform for organizing orderly acquisition, accounting, storage, and use of documents of the National Archival Fund of Azerbaijan, and also served as an incentive to update the scientific and methodological foundations of archiving. The Decree of the first President of Azerbaijan Heydar Aliyev "On the improvement of archives in the Republic of Azerbaijan" issued in 2002 confirmed the intension of the leadership of Azerbaijan to increase the role of the archival service in the system of state institutions and public life of the country, which was reflected in a number of practical measures highlighted in the article. Among the achievements of archival construction in Azerbaijan in the 21st century are expansion and modernization of storage facilities, transition to planned acquisition, introduction of electronic forms of accounting and of scientific reference apparatus. Currently, Azerbaijan is implementing the “State Program for the Development of Archival Work in the Republic of Azerbaijan for 2020-2025,” which involves further modernization of regulatory and technological foundations of archiving, including digitization of the NAF, as well increasing the archives’ role in the scientific and cultural life of the country. The data of the sources allows us to conclude that archiving in Azerbaijan in the 21st century is going through a successful stage of modernization. The archival service of Azerbaijan has the potential to effectively resolve current problems existing in the industry: need for new premises and to replenish the state archives with personnel with special archival education, etc. The paper provides information on the development of archiving and the training of archivists in the Nakhchivan Autonomous Republic of Azerbaijan in the 2010s.
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Millar, Laura. "Managing “the shapeless mass” in the digital age". Archeion 124 (12 dicembre 2023): 10–34. http://dx.doi.org/10.4467/26581264arc.23.013.18493.
Testo completoAbstract (sommario):
In his 1927 “Archeion” article, On issues of modern Polish archival science (Z zagadnień nowożytnej archiwistyki polskiej), the renowned Polish archivist Kazimierz Konarski wrote of the challenge of managing the “shapeless mass” of modern archives in the 20th century. In this presentation, Canadian archival consultant and independent scholar Laura Millar examines the records and archives management challenge of the 21st century: managing the “shapeless mass” of electronic records inundating governments and organizations in the digital age. The “flood” of physical and textual documentation that Dr. K. Konarski faced a century ago has become a torrent of invisible, omnipresent, elusive electronic records – photographs, audio recordings, databases, AI-generated data, and more – stored in countless computer hard drives, cloud storage systems, and personal digital devices. How can the archivist manage digital sources that are both ephemeral and eternal at the same time? To ensure society has the documentary evidence it needs, L. Millar argues that archivists must our shift attention away from the care of static, “old” archives and focus more directly on the work of capturing and recording the present. The digital age may transform our methods, but our mission remains the same: to help society capture, protect, and make available for use essential sources of documentary proof.
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Gruss, Susy. "conciencia documentaria de los sefardíes en los archivos personales: el caso de Judá Haim Perahiá". Meldar: Revista internacional de estudios sefardíes, n. 2 (15 dicembre 2021): 9–21. http://dx.doi.org/10.46661/meldar.5552.
Testo completoAbstract (sommario):
La empresa de coleccionar y archivar materiales entre los intelectuales sefardíes puede considerarse un fenómeno moderno en el campo de la cultura material. Este proceso tardío, que comenzó entre los sefardíes sólo a finales del siglo XIX, es uno de los resultados directos del impacto de la Ilustración judía, la Haskalá. El presente artículo se centrará en la descripción y el análisis del Archivo Perahiá, custodiado en la Biblioteca Ben-Zvi de Jerusalén. Este estudio de caso, que ofrece un corpus significativo para reflexionar sobre la autoconciencia documentaria de los sefardíes en el período moderno, podrá servir de modelo para estudiar otros archivos similares.
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Pivovar, Efim I., Alexander V. Gushchin e Alexander S. Levchenkov. "Archival Heritage as an Instrument of Historical and Educational Activities in Modern Uzbekistan: The Main Trends of 2010-2018". Herald of an archivist, n. 4 (2018): 1188–205. http://dx.doi.org/10.28995/2073-0101-2018-4-1188-1205.
Testo completoAbstract (sommario):
The article studies the main ways of using archives as an instrument of popularization of historical and cultural heritage in modern Uzbekistan and assesses the prospects of the Russo-Uzbek archival communications. The history of archives formation and development in Uzbekistan counts many centuries, traditions of archival science in this country are among most ancient in Central Asia. Today the leading archives of Uzbekistan are working on introduction of latest information and communication technologies, sometimes in collaboration with foreign partners. Thus, the archival institutions of Uzbekistan are transforming from places of storages of documents into full-fledged scientific and educational centers that actively participate in promoting national historical and cultural heritage. The most important task that is currently being solved at the highest state level is to increase the level of coordination and systematization of archival materials usage in order to promote national historical and cultural heritage and to shape a modern concept of the genesis and development of the Uzbek state. Uzbekistan archival institutions and fonds are more and more used by its leaders to deal with important social and political challenges facing Uzbekistan (primarily related to achievement of social consensus, development of Uzbek statehood, cultural, and religious spheres). Naturally, the work in this direction is largely aimed at imbuing the population with stable ideas on features of historical development of Uzbekistan and views on international relations, intercultural dialogue, and interreligious interaction. An important task of Russia in this context is to widen cooperation with Uzbekistan in the archival sphere. Publications on the current state of Uzbek archives ignore the use of archival heritage for educational purposes and to solve most urgent social and political task of national development. Moreover, Russian historians and archivists do not receive the necessary information on significant trends in the archival development of Uzbekistan in 2010s; and yet it was a time when informatization proceeded and state interest in popularization of archival heritage grew. Similar methods of training archivists in the two countries should play an important role in the development of Russo-Uzbek cooperation in archiving.
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Moiseev, Vladimir V., e Constantine V. Zakharov. "SIBERIAN ARCHIVES IN THE MODERN INFORMATION SOCIETY". History and Archives 5, n. 2 (2023): 101–15. http://dx.doi.org/10.28995/2658-6541-2023-5-2-101-115.
Testo completoAbstract (sommario):
The article attempts to conceptualize the place of archival institutions in Siberia in the process of the information society formation and development, the degree of their adaptation to unstable, sometimes turbulent processes in the contemporary world. The authors contemplate if the archives reflect the interests of citizens and respond to the state requests regarding the information stored in archival institutions. The article shows the forms and methods of work used by the archives – those forms and methods that can provide an optimal contact of archival institutions with the society and its citizens. Analyzing the trends in the development of archives in Siberia, the authors claim that the role of archives is changing as they become involved in the modern information space, in the processes of creating and distributing digital information, and including archives in the e-government activities. Speaking about the involvement of archival institutions in the perspective work on using the tools of the modern information society, the implementation of virtual, online, technological forms of work, the authors emphasize that the archives of Siberia continue to fulfill their traditional functions of the custodians of significant paper arrays of documentary information and provide services for its use.
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Dmitrus, Željka. "Studiing Modern Archival Science in Croatia". Atlanti 27, n. 2 (17 ottobre 2017): 87–95. http://dx.doi.org/10.33700/2670-451x.27.2.87-95(2017).
Testo completoAbstract (sommario):
By definition, archival science is a set of knowledge about archival material and archival activity. Archival scienceis a young science because it has been developing for the past hundred years. More recently, theory, practice and methodology have been formed. When we talk about archival material, we need to know that it’s not just a pile of old paper preserved in the dark archive storage rooms. Archival material is a record in continuity - from the moment it is created, until the moment someone searches for that record. Today it is a common belive that archives are the memory of society and a part of cultural heritage. Today, documents are mostly generated in electronic form. From a practical point of view, modern archival science deals with answers to contemporary issues such as: How to organize digitalisation of archival material? How to keep digital content in the long run? How to organize digital archives? How to care for data security? These are just some questions that will have to be answered by the generations that come - young archivists. To be able to protect contemporary archives for the future we will have to find abwers to above questions, than only by protecting the present we will be able to preserve it for the future.
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Fernández Ortiz, Guillermo. "El archivo del monasterio cisterciense de Nuestra Señora de Belmonte (Asturias, España) en vísperas de la Reforma (1560) = The Archive of the Cistercian Monastery of Belmonte (Asturias, Spain) on the Eve of the Reformation (1560)". Espacio Tiempo y Forma. Serie III, Historia Medieval, n. 32 (11 aprile 2019): 187. http://dx.doi.org/10.5944/etfiii.32.2019.22057.
Testo completoAbstract (sommario):
Con la llegada de la Edad Moderna, los monasterios cistercienses de la Corona de Castilla fueron sometidos a un proceso de reforma. Uno de los elementos en el que los reformadores fijaron su atención fue el archivo. En Belmonte la imagen que se da de él es la de un fondo desarticulado. En el presente artículo se trata de demostrar cómo esa probable desorganización estaba motivada por acontecimientos recientes y no era consecuencia de un estructural desinterés. De este modo, se lleva a cabo el estudio del archivo del monasterio cisterciense de Belmonte antes de 1560. Se realiza un recorrido por los principales procesos de producción, conservación y refacción documental y se atiende a las prácticas archivísticas desarrolladas por los monjes en la Edad Media y los primeros años de la Edad Moderna.AbstractIn the Early Modern Age, the Cistercian monasteries of the Crown of Castile were obliged to undergo a reformation process. The reformers paid special attention to the archives. The image that prevails for the Belmonte monastery is one of a disorganized archive. This article aims to demonstrate that this purported disorganization was induced by recent events of this period rather than caused by systematic neglect. We will focus on Belmonte’s archive since its origins in the Middle Ages until 1560. We will examine the main process of production, conservation and diplomatic rewriting, as well as the archival practices applied in Belmonte during the Middle and Early Modern Ages.
Tesi sul tema "Archivio del moderno"
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RAIMONDO, VALENTINA. "L'ARCHIVIO NINO FRANCHINA. DOCUMENTI E IMMAGINI PER LA RICOSTRUZIONE CRITICA DI UNA VICENDA ARTISTICA". Doctoral thesis, Università degli Studi di Milano, 2012. http://hdl.handle.net/2434/172666.
Testo completoAbstract (sommario):
Nino Franchina Archive. Documents and images for a critical reconstruction of an artistic event.
PhD thesis by Valentina Raimondo
The purpose of the research was to reconstruct the artistic path of the Sicilian sculptor Nino Franchina considering his work from the beginning of his career during the Thirties until 1987 when he died.
The author of the text have tried to consider the most relevant events that occurred in the sculptor’s life, the main artworks he have realized and, in the meantime, to show which artists have inspired his work.
The fundamental instrument, used by Raimondo, to achieve the aim of the research is the consultation of the materials preserved in Nino Franchina Archive in Rome. Thanks to the numerous documents, drawings, sculptures and photos that the writer has found inside the archive it was possible to evaluate in an appropriate manner the artist’s figure and to unearth it from the oblivion of the past twenty years.
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Solidoro, Cristina. "Frammenti latini tra le carte estensi : riflessioni sul contesto di riuso e catalogo descrittivo". Electronic Thesis or Diss., Université Paris sciences et lettres, 2024. http://www.theses.fr/2024UPSLP008.
Testo completoAbstract (sommario):
Cette recherche se concentre sur les fragments de manuscrits conservés aux Archives d'État de Modène et provenant de l'Archivio Estense. Il a été révélé qu'un nombre significatif de ces fragments proviennent des reliures des volumes qui composent le complexe d'archives de la Maison d'Este, la plus grande collection détenue aux Archives d'État de Modène. Ce fonds d'archives s'étend de 1317 à 1797 et comprend une grande variété de documents en termes de quantité et de types, mais il reste cohérent en raison de son origine dans un seul contexte institutionnel. La thèse commence par fournir une analyse détaillée de l'histoire archivistique de la collection de fragments, traçant ses origines et explorant les pistes de recherche antérieures. De plus, elle suggère une expansion idéale de la collection grâce à un recensement mené pendant la recherche, ce qui a conduit à la découverte et à l'identification d'environ 50 nouveaux fragments latins réutilisés dans les registres de l'Archivio Estense, toujours in situ. Ainsi, cette étude sera la première à révéler une part importante de l'héritage des manuscrits médiévaux qui a survécu sous une forme fragmentaire et qui est largement restée inédite. Contrairement aux recherches précédentes qui se sont concentrées sur l'analyse d'exemplaires individuels ou de groupes de fragments présentant des caractéristiques similaires (par exemple, les fragments hébreux ou ceux avec des notations musicales), cette thèse adopte une approche globale en examinant les éléments fragmentaires attribuables au même contexte de réutilisation. Le cœur de la thèse se concentre sur la méthodologie développée pour reconstruire les provenances définies comme "archéologiques", c'est-à-dire liées au contexte matériel de la découverte des fragments, en mettant particulièrement l'accent sur les témoins réutilisés dans les reliures des registres de l'Archivio Estense. De plus, la thèse inclut des fragments documentaires - généralement exclus des études sur la fragmentologie - offrant ainsi des opportunités de recherche supplémentaires et fournissant des perspectives significatives sur les aspects systématiques de la réutilisation, en particulier dans les domaines gouvernés par la famille d'Este. Cette approche interdisciplinaire met en évidence l'importance des études archivistiques et diplomatiques dans l'examen des fragments de manuscrits, qui étaient traditionnellement considérés principalement du point de vue paléographique et codicologique. Un catalogue partiel des fragments de parchemin en latin attribués aux Archives Estense est présenté, suivant le modèle de fiche descriptif établi dans la base de données Fragmentarium. L'analyse des fragments comprend l'identification du contenu, la datation, l'origine, ainsi que des aspects matériels et historico-contextuels. Dans certains cas, l'origine commune de plusieurs fragments a été reconnue, permettant ainsi la reconstruction de membra disiecta. Parallèlement à cette recherche, un projet pilote de numérisation de fragments des Archives d'État de Modène a été réalisé en collaboration avec le Centre d'études ARCE de l'Université de Bologne. Ce projet s'est concentré sur des spécimens sélectionnés pour la catalogation, avec une coordination des métadonnées réalisée par l'auteur de la thèse. Un rapport sur les activités menées dans le cadre du projet est inclus dans la thèse, ainsi que des réflexions sur les méthodologies adoptéesThis research focuses on manuscript fragments preserved in the State Archives of Modena which originate from the Archivio Estense: it has been revealed that a significant number of these fragments come from the bindings of volumes that make up the archival complex of the House of Este, the largest collection held at the State Archives of Modena - this archival fund spans from 1317 to 1797 and comprises a diverse range of documents in terms of quantity and types, yet it remains coherent due to its origin from a single institutional context.The thesis begins by providing a detailed analysis of the archival history of the fragment collection, tracing its origins and exploring its previous research paths. Additionally, it suggests an ideal expansion of the collection through a census, conducted during the research, that has led to the discovery and identification of approximately 50 new Latin fragments reused in the registers of the Archivio Estense, still in situ. Hence, it will be the first study to disclose a significant portion of the medieval manuscript heritage that has survived in fragmentary form and largely remained unpublished.In contrast to previous research that focused on the analysis of individual exemplars or groups of fragments with similar characteristics (for example, the Hebrew fragments or those with musical notation), this thesis offers a comprehensive approach by examining fragmentary evidence attributable to the same context of reuse. The core of the thesis focuses on the methodology developed for reconstructing provenances defined as "archaeological", i.e. related to the material context of fragment discovery, particularly focusing on witnesses reused in the bindings of the Archivio Estense registers.Furthermore, the thesis includes documentary fragments - typically excluded from fragmentology studies - providing additional research opportunities and offering significant insights into systematic aspects of reuse, especially within the domains ruled by the Este family. This interdisciplinary approach highlights the importance of archival and diplomatic studies in examining manuscript fragments, which were traditionally considered primarily from paleographical and codicological perspectives.A partial catalog of Latin parchment fragments attributed to the Estense Archives is presented, following the descriptive sheet model established in the Fragmentarium database. The analysis of the fragments includes the identification of content, dating, location, as well as material and historical-contextual aspects. In some cases, the common origin of multiple fragments has been recognized, allowing for the reconstruction of membra disiecta.Parallel to this research, a pilot project for digitizing fragments from the State Archives of Modena was carried out in collaboration with the ARCE Studies Center at the University of Bologna. This project focused on selected specimens for cataloging, with metadata coordination undertaken by the thesis author; a report on the activities conducted within the project is included in the thesis, along with reflections on the adopted methodologies
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YE, FACHENG. "THE MICROSTRUCTURE OF MODERN AND FOSSIL BRACHIOPOD ARCHIVES". Doctoral thesis, Università degli Studi di Milano, 2019. http://hdl.handle.net/2434/625022.
Testo completoAbstract (sommario):
Due to their high biodiversity and widespread distribution in the Phanerozoic oceans, brachiopods are very important tools for research in palaeontology and related fields in Earth Sciences to investigate the past and present global change. Their biominerals have been considered the best carbonate archives of proxies for extending climate and environmental records on a broad geographical scale over long periods of time. Their fidelity as archives is supported by the following: 1) they record the physical and chemical composition of the seawater in which they live without, or with very limited, vital effects; 2) they precipitate a low-Mg calcite shell, which withstands post-depositional alteration; and 3) they are low metabolic and physiologically unbuffered animals sensitive to change in the physicochemical composition of the ambient seawater. However, there is still insufficient knowledge of the microstructures of these biomineral archives and their biomineralization processes during the evolutionary history of the phylum. The aims of the present thesis, focused on solving these issues, are to: 1) examine the micro- and morpho- structural diversity of modern and fossil brachiopods, 2) assess the microstructure variation in different environmental conditions; and 3) reconstruct the evolutionary changes and fabric differentiation of the main brachiopod classes through geological time.
A multidisciplinary approach was used for the microstructural analyses: 1) a comprehensive dataset was established based on detailed microstructural observations of modern and fossil brachiopods analysed by Scanning Electron Microscopy (SEM); 2) new measurement methods were developed based on SEM observations to quantitatively describe the morphology and size of the structural units (fibres) of the shell secondary layer, the thickness of the primary layer, and the density and size of endopunctae of modern brachiopod shells; 3) new measurement methods were developed to describe the structural units (laminae and fibres) of fossil brachiopod shells; 4) statistical analyses of the acquired data were performed, i.e. independent-sample t-tests, frequency distribution plots, principal component analysis, and symmetric and asymmetric variants analyses; 5) stable isotope compositions (δ13C and δ18O) were tested from the secondary shell layer along shell ontogenetic increments in both dorsal and ventral valves of modern brachiopod shells; and 6) Transmission Electron Microscope (TEM) and Electron Backscatter Diffraction (EBSD) were performed in collaboration with other researchers to investigate the micro- and nanoscale features of modern brachiopod shells.
Through these approaches, details of microstructural patterns were described and compared of twenty-nine specimens of six recent brachiopod species [Notosaria nigricans (Sowerby, 1846), Liothyrella neozelanica (Thomson, 1918), Liothyrella uva (Broderip, 1833), Magasella sanguinea (Leach, 1814), Gryphus vitreus (Born, 1778), Calloria inconspicua (Sowerby, 1846)] from different environmental conditions. Based on the morphology and size of the shell secondary layer fibres, the following conclusions were reached:
1) There was no significant difference in the shape and size of the fibres between ventral and dorsal valves of the same specimen;
2) An ontogenetic trend in the morphology of the fibres was found, as they become larger, wider, and flatter with increasing age. This change in size and shape indicated that the animal produced a fibrous layer with a different organic content during the ontogeny.
3) The relationship between size and shape of fibres and environmental conditions was clear when comparing two species of the same genus (L. neozelanica, L. uva) living in seawater with different carbonate saturation state and temperature, i.e. the fibres of L. uva are narrower and rounder than those of L. neozelanica. This in turn indicated a higher shell organic content in L. uva.
Additional investigations were performed on the species Magellania venosa (Dixon, 1789), grown in the natural environment and in controlled culturing experiments in different pH conditions (7.35 to 8.15 ±0.05), and led to following conclusions:
1) Under low pH conditions, M. venosa produced a more organic-rich shell with larger and higher density endopunctae, and smaller secondary layer fibres, when subjected to about one year of culturing.
2) Increasingly negative δ13C and δ18O values were recorded by the shell produced during culturing and are related to the CO2–source in the culture setup.
3) Both the microstructural changes and the stable isotope results supported the value of brachiopods as robust archives of proxies for studying ocean acidification events in the geologic past.
Finally, the measurements made on the size of structural units (laminae/fibres) of Cambrian to Devonian fossil brachiopod shells coupled with very detailed qualitative micro-scale observations, allowed the following conclusion:
1) The fossil organocarbonate brachiopod shells produced two main secondary layer fabrics: a laminar fabric in the Strophomenata, and a fibrous fabric in the Rhynchonellata. The Strophomenata laminar fabric shells appeared to be more variable and complex in their structural organization, but the thickness of the laminae was rather uniform and much thinner than that of the fibres. The Rhynchonellata fibrous fabric was more simple and uniform in its organization, but the size of the fibres was much more variable and comparable to the fabric of modern brachiopods.
2) Brachiopods with a fibrous secondary layer were mostly associated with biconvex shells, whereas brachiopods with a laminar secondary layer are associated with a variety of shell shapes.
3) Detailed microstructural studies were shown to be a very useful tool to construct the phylogenetic tree of the Phylum Brachiopoda. For example, the recorded gradual change in thickness of laminae from Billingselloidea to Productida could be important evidence to support the hypothesis that taxa with laminar microstructure diverged from the Billingsellida. Microstructural observation on the Chonetidina suggested that their shells had already evolved a laminar fabric during the Devonian.
In summary, this new multidisciplinary and quantitative approach to describe the microstructure of brachiopod shells is a powerful tool to interpret microstructural variations of brachiopod shells in different ontogenetic stages and environmental conditions. Moreover, using the microstructure of brachiopod shells as a biomineral archive is a very promising tool for studying climate and environmental change and reconstructing the state of the oceans over the long history of geological time, and may be used to constrain the evolutionary history of the Phylum Brachiopoda.
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Barbosa, Camila Cornutti. "A bossa nova, seus documentos e articulações: um movimento para além da música". Universidade do Vale do Rio do Sinos, 2008. http://www.repositorio.jesuita.org.br/handle/UNISINOS/2637.
Testo completoAbstract (sommario):
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A presente dissertação tem como tema “A Bossa Nova, seus documentos e suas articulações: um movimento para além da música”. Trata-se, mais especificamente, de selecionar documentos relativos à Bossa Nova, entre os anos de 1958 e 1964, para a composição do corpus de pesquisa e articulá-los sob o processo metodológico de rede para observação. Assim sendo, faz-se uma retomada de como o movimento da Bossa Nova é formalmente contado, buscando pontuar sua história, bem como o contexto social e político de quando surgiu. Nesta seqüência faz-se uma exploração parcial do arquivo de documentos selecionados da Bossa Nova a partir de anúncios publicitários, materiais jornalísticos, capas de LPs, letras de canções e o som das músicas do movimento, fotografias dos personagens da Bossa Nova e os movimentos artísticos contemporâneos ao gênero, buscando pistas, traços comuns e oposições, partindo do movimento musical, também no Cinema Novo, nas Artes Plásticas, no Design, na Arquitetura e na Poesia Concreta. Já no último capí
The theme of the present work is "Bossa Nova, its documents and unfoldings: a movement beyond the music”. More specifically, it is about selecting Bossa Nova related documents from 1958 to 1964 to compose the research corpus and articulate them under a methodological network process for observation. Thus, a recollection is made on how the Bossa Nova movement is formally spoken, aiming at punctuating its history, as well as the social and political context at the time it appeared. In this sequence, a partial exploration is made on the archive of Bossa Nova documents previously selected from the point viewpoint of commercial advertising, journalistic materials, LP covers, song lyrics and the movement sounds, photographs of Bossa Nova personalities and contemporaneous artistic movements, searching for evidences, common and oppositional threads, starting from the musical movement, but also in the Cinema Novo, plastic arts, design, architecture and the concrete poetry. Yet in the last chapter, this series of docu
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Frey, Pierre. "Histoire & archives architecturales : éléments méthodologiques & informatiques : le fonds Alphonse Laverrière aux Archives de la Construction Moderne /". Lausanne, 1998. http://library.epfl.ch/theses/?nr=1794.
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Yugami, Ryo <1975>. "Gli archivi e la fiscalità: l’organizzazione delle informazioni amministrative nella Repubblica di Venezia nel Settecento". Doctoral thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/6516.
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Questa ricerca intende affrontare l'organizzazione dell'amministrazione veneziana nel campo fiscale davanti all’incremento esponenziale documentario nel Settecento, focalizzando al modo nel quale l’amministrazione affronta le questioni fiscali dal punto di vista archivistica.Nell’epoca di diritto consuetudinario, la burocrazia veneziana ha saputo sviluppare magistrature specifiche e strumenti di lavoro burocratico efficaci. Infatti, ciò che una volta è stata ammirata dagli altri stati in maniera quasi mitica per la sua efficienza, è diventata un peso per la corrente gestione amministrativa. Nella prima metà del Settecento, circondata da stati assoluti e dopo le guerre con l’impero ottomano, Venezia ebbe difficoltà nella gestione dell'entrate. A fronte di questa crisi, la Repubblica cercò di riorganizzare i documenti attraverso rigorosi lavori di revisioni fiscali. Affidò l’incarico a numerose magistrature con la conseguente produzione esponenziale di nuove carte che impediva l'efficienza tra gli uffici. Questa ricerca traccia le fasi differenti dei tentativi di organizzare i documenti, e dei cambiamenti delle abitudini archivistiche.
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Battezzati, C. "L¿ARCHIVIO DI GIROLAMO LUIGI CALVI. SPUNTI PER ALCUNE RICERCHE DI STORIA DELL¿ARTE MODERNA IN LOMBARDIA". Doctoral thesis, Università degli Studi di Milano, 2016. http://hdl.handle.net/2434/452282.
Testo completoAbstract (sommario):
La ricerca verte sulla ricognizione delle carte, in gran parte conservate presso il Centro Apice dell’Università degli Studi di Milano, di Girolamo Luigi Calvi (1791-1872), pittore dilettante ed erudito, autore della prima storia dell’arte lombarda, seppur limitata da un punto di vista cronologico (Notizie sulla vita e sulle opere dei principali architetti scultori e pittori che fiorirono in Milano durante il governo dei Visconti e degli Sforza, I-III, 1859-1869). La pubblicazione delle Notizie sancisce la conclusione di un percorso, iniziato già dalla metà del Settecento, teso a colmare il vuoto lasciato nella storiografia artistica e a superare il complesso di inferiorità che gli storici dell’arte lombardi a lungo avevano nutrito nei confronti della produzione delle altre regioni della penisola. In particolare, ci si è indirizzati sulla trascrizione e sul commento del manoscritto che avrebbe dovuto costituire il quarto volume delle Notizie dedicato ai cosiddetti leonardeschi, impresa rimasta incompiuta a causa della morte di Girolamo Luigi Calvi.
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Blake, C. "Use of fossil and modern coralline algae as a biogenic archive". Thesis, Queen's University Belfast, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426957.
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Knezevic, Nina. "Interpreting the autobiographical archive". Phd thesis, Sydney College of the Arts, 2009. http://hdl.handle.net/2123/13893.
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Menezes, Iara Peres de. "Avaliação arquivística: reflexões sobre a constituição do patrimônio documental". reponame:Repositório Institucional do FGV, 2015. http://hdl.handle.net/10438/13685.
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Esta dissertação tem como objetivo refletir sobre a teoria e as práticas que envolvem a avaliação arquivística, a partir da análise de alguns autores influentes no tema. Apresenta um breve histórico sobre a Gestão Documental e destaca os princípios norteadores da avaliação arquivística, na visão de alguns teóricos, sobressaindo o conceito de arquivo, documento e o perfil do arquivista. Debate a questão das possibilidades de leitura/interpretação nas práticas arquivísticas, e por consequência na avaliação de documentos, destacando alguns fundamentos da Teoria do Discurso de linha francesa. Apresenta os marcos legais em relação à avaliação e a estreita relação com a constituição da memória. Busca-se observar, através da análise de entrevistas os principais fundamentos e as práticas envolvidas no processo de avaliação de documentos.
Libri sul tema "Archivio del moderno"
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Fondazione Archivio del Moderno (Mendrisio, Switzerland), a cura di. Archivio del Moderno: Archives, conventions, research, conferences, exhibitions, publications : 1996-2007. Mendrisio: Fondazione Archivio del Moderno, 2018.
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Marzocchini, Vincenzo. Oltre il visibile: Moggio e dintorni ; percorsi di lettura per un moderno archivio del tempo e dello spazio. Udine: Campanotto, 1998.
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Press, Oxford University, a cura di. The social history of the archive: Record-keeping in early modern Europe. Oxford: Oxford University Press, 2016.
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Gallo, Francesca. Le opere e gli archivi: Works and archives : Mara Coccia. Cinisello Balsamo, Milano: Silvana editoriale, 2020.
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Felice, Raffaele De. L' archivio contemporaneo: Titolario e classificazione sistematica di competenza nei moderni archivi correnti pubblici e privati. Roma: Nuova Italia scientifica, 1988.
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Itelman, Ana. Archivo Itelman. Buenos Aires: Libros del Rojas, Universidad de Buenos Aires, 2002.
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1921-, Mercier Luc, a cura di. Archives situationnistes. Paris: Contre-Moule, 1997.
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Boschiero, Nicoletta, e Duccio Dogheria. Intermedia: Archivio di nuova scrittura. Bozen: Museion, 2020.
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Schellenberg, T. R. Modern archives: Principles & techniques. Chicago, IL: Society of American Archivists, 2003.
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Santo Domingo de Silos (Benedictine abbey), a cura di. Silo: Archivo F.X. Madrid, Spain]: Museo Nacional Centro de Arte Reina Sofía, 2009.
Cerca il testo completoCapitoli di libri sul tema "Archivio del moderno"
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Alam, Ishrat. "Reconstructing Pre-Modern Economic History from the Dutch Archives". In Archives and Archiving in the 21st Century, 11–20. London: Routledge India, 2024. http://dx.doi.org/10.4324/9781003499794-3.
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Арзютов, Д. В., e М. К. Амелина. "Хождение канинского самоедина Якушки Пирчикова самовольством в Аглинскую землю и обратно". In Siberica et Uralica, 415–51. Szeged: University of Szeged, 2022. http://dx.doi.org/10.14232/sua.2022.56.415-451.
Testo completoAbstract (sommario):
The present paper deals with the microhistorical, anthropological and linguistic analysis of one archival document dated 1637. Through its careful reading, we reveal the story of the Kanin Samoyed (“Samoyedin”) Yakushko Pirchikov who had to flee Arkhangelsk along with two reindeer to England by ship in 1631. Later he found himself again in Arkhangelsk where he was caught by official authorities and eventually imprisoned. The documented interrogations preserved in the Russian State Archive of Ancient Acts (RGADA) allowed us to reconstruct the wider context of the Nenets-Russian-English contacts in the Arkhangelsk area in the early modern times. The appendix to the article contains the full-text archival documents (photocopy) supplemented by the cursive transcript, their translation into Modern Russian and the detailed commentary.
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Forné, Anna, e Patricia López-Gay. "Autofiction and Film: Archival Practices in Post-millennial Documentary Cinema in Argentina and Spain". In Palgrave Studies in Life Writing, 227–46. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78440-9_12.
Testo completoAbstract (sommario):
AbstractThis chapter examines three recent autofictional documentaries produced in Argentina and Spain—Albertina Carri’s Cuatreros (Rustlers), Mercedes Álvarez’s Mercado de futuros (Futures Market), and Víctor Erice’s Vidros partidos (Broken Windows)—which share a distinctive “archival impulse.” These films propose a meaning in a specific political sense which we read in relation to the contexts of the Iberian financial crisis and the memories of political violence during the last dictatorship in Argentina. We address the autofictional strategies through which the filmmakers “re-stage” the archive by adopting an aesthetics of ambiguity that unsettles the modern paradigm of the archive as static evidence of a given reality, revolving instead around a conception of the archive as a self-reflective process that becomes the subject matter in its own right.
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Kujamäki, Pekka. "Chapter 4.2. Archives". In A History of Modern Translation Knowledge, 247–50. Amsterdam: John Benjamins Publishing Company, 2018. http://dx.doi.org/10.1075/btl.142.31kuj.
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Hunt-Kennedy, Stefanie. "Disability History in Slavery's Archive". In Early Modern Medicine, 258–75. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003094876-19.
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Bloom, Jonathan, e Catherine Rovera. "Introduction: Archival Revelations". In Genesis and Revision in Modern British and Irish Writers, 1–16. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-50277-5_1.
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Catana, Leo. "The German Enlightenment: Modern Interpretations". In International Archives of the History of Ideas Archives internationales d'histoire des idées, 1–19. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-20511-9_1.
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Skrubbe, Jessica Sjöholm. "Histories and Archives". In Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art, 171–209. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003098935-6.
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Delsalle, Paul. "Being an archivist in early modern Europe". In A History of Archival Practice, 131–50. Milton Park, Abingdon, Oxon; New York, NY: Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315564821-11.
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Catana, Leo. "Afterword. Schleiermacher and Modern Plato Scholarship". In International Archives of the History of Ideas Archives internationales d'histoire des idées, 165–69. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-20511-9_6.
Testo completoAtti di convegni sul tema "Archivio del moderno"
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Hiarnovich, T. "Digital technologies in modern historical and archival research and education". In Historical research in the context of data science: Information resources, analytical methods and digital technologies. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1843.978-5-317-06529-4/420-427.
Testo completoAbstract (sommario):
The article discusses the main vectors of the application of digital technologies in the archival field. It is noted that the digitization of documents and the development of open access technologies have created favorable conditions for the use and preservation of archival documents. The creation of popular science projects contributes to the expansion of the audience of archive users and forms a respectful attitude towards documentary heritage in society. The main trend in the application of digital technologies in scientific research remains the improvement of methods for creating digital editions.
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Veciana, Stella. "Espacios de memoria virtual como laboratorios de investigación artística". In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.4971.
Testo completoAbstract (sommario):
Esta comunicación hace una reflexión teórica sobre metodologías artísticas en la generación de ‘espacios de memoria en línea’, la influencia de códigos y valores culturales sostenibles en estos espacios y expone dos casos particulares de archivos digitales dinámicos en el contexto de conferencias científicas para la sostenibilidad y de una biblioteca pública como ejemplos de laboratorios de investigación científico-artística de tipología a/sincrónica y de tipología virtual. El archivo clásico analógico pasa del espacio del museo a la memoria dinámica en redes de bancos de datos hasta nuevos entornos híbridos de realidades mixtas. ¿En qué se diferencia el modelo de archivo moderno como la biblioteca presencial de los modelos de archivo de bases de datos y su conectividad por las tecnologías de Internet? ¿Cómo se caracteriza la memoria social que se sirve de sistemas de base de datos interactivas? Los ‘espacios de memoria online’ transforman el concepto de archivo, que cumplía funciones de conservación de patrimonio cultural, para convertirse asimismo en centro de producción estético-científica como en los experimentos de participación colectiva en ‘monumentos virtuales’ que activan procesos de memoria social. Sobre la base de esta transformación histórica y enfoques metodológicos artístico-científicos interculturales el objetivo de la comunicación será presentar el espacio de la memoria dinámica online como laboratorios futuros de investigación científico-artística.http://dx.doi.org/10.4995/ANIAV.2017.4971
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Alba Castro, José Miguel. "EL URBANISMO MODERNO EN EL MUNICIPIO DE BOGOTÁ. Del City Planning y la Ciudad Jardín al Plan de Obras." In Seminario Internacional de Investigación en Urbanismo. Bogotá: Universidad Piloto de Colombia, 2022. http://dx.doi.org/10.5821/siiu.10127.
Testo completoAbstract (sommario):
The modern urban ideas arrived in Bogota in 1917, three decades before the Modern Architecture Movement. The ideas burst in with the principles of the Garden City through the US City Planning. They based themselves on Raymond Unwin’s 1909 Town Planning in Practice. Were made evident with Patrick Geddes’ 1915 concept of conurbation. They took advantage of the First Congresses of National Improvements between 1917 and 1920, and materialized in the Bogotá Futuro Plan 1923-25. The Department of Urban Planning (1933), directed by Karl Brunner, and the Work Plan for the Commemoration of Bogotá’s IV Centennial in 1938 consolidated the ideas for the Garden City. These ideas were made explicit in the Urban Planning Manual of 1939-40. The Modern Movement was outlined in the Municipal Archive and Registry and in 1936 the Faculty of Architecture of the National University in Bogota was established.
Keywords: Modern Urbanism, City Planning, Garden City, Work Plan.
Topic: City theory and history. Las modernas ideas urbanas llegaron a Bogotá en 1917, tres décadas antes del Movimiento Moderno de la Arquitectura. Irrumpieron con los principios de la Ciudad Jardín a través del City Planning estadounidense. Se fundamentaron en La Practica del Urbanismo de Raymond Unwin en 1909. Hicieron evidente el concepto conurbación de Patrick Geddes en 1915. Aprovecharon los Primeros Congresos de Mejoras Nacionales, 1917 y 1920, concretándose en el Plano Bogotá Futuro 1923-25. Con el Departamento de Urbanismo de Bogotá en 1933, el nombramiento de Karl Brunner en su dirección y en la del Plan de Obras para la Conmemoración del IV Centenario de Bogotá en 1938, se consolidaron las ideas de la Ciudad Jardín y se hicieron explícitas en su Manual de Urbanismo de 1939-40. El Movimiento Moderno se reseñó en el Registro y Archivo Municipal y en 1936 se constituyó la Facultad de Arquitectura de la Universidad Nacional en Bogotá.
Palabras clave: Urbanismo moderno, City Planning, Ciudad Jardín, Plan de Obras.
Bloque temático: Teoría e historia de la ciudad.
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Saco, Daniela Yanina. "La otredad en el Archivo General de Indias a través de las obras de Adriana Bustos". In VI Congreso Internacional de Investigación en Artes Visuales ANIAV 2024. València: Editorial Universitat Politècnica de València, 2024. http://dx.doi.org/10.4995/aniav2024.2024.18225.
Testo completoAbstract (sommario):
La muestra Archivos activos (26/10/2023- 25/1/2024) realizada en el Archivo General de Indias (Sevilla, España) en el marco de Bienalsur, una red global expositiva creada por la Universidad Nacional de Tres de Febrero (Buenos Aires, Argentina), resulta de relevancia ya que en ella por primera vez el Archivo General de Indias exhibió arte contemporáneo. Tal exposición propuso un diálogo activo entre el arte latinoamericano actual, encarnado en seis artistas, y los dispositivos de construcción de la memoria histórica sobre el proceso de colonización de América, presentes en los documentos contenidos en el archivo. En este marco, las dos obras de la artista Adriana Bustos (Bahía Blanca, Argentina, 1965) parecen problematizar la construcción de la otredad desde la periferia colonial del Nuevo Mundo ampliando el sentido de la historia que se cuenta en el espacio del Archivo. En el presente trabajo nos proponemos estudiar críticamente las obras Híbridos (2020-2021) y Planisferio celeste. Constelación Venus (2018) de Adriana Bustos, expuestas en la mencionada muestra, a partir de la convergencia teórica de la semiótica de la cultura y la teoría decolonial con el objetivo de indagar en los sistemas significantes y en las construcciones de sentido que problematizan. De este modo, planteamos como hipótesis que ambas obras critican la construcción de la otredad elaborada por la modernidad occidental, desde la conquista de América, a través de las figuras de lo no humano y de lo femenino, permitiendo ampliar el relato histórico del Archivo. En este sentido, las obras reflexionan sobre la representación de la otredad evidenciando su importancia como elementos necesarios del relato hegemónico moderno y, de esta manera, contribuyen a nuevas lecturas sobre un archivo legitimador de un orden histórico que admite múltiples metamorfosis.
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Català Nacher, Roberto. "Los soportes de árbol como estrategia estética". In VI Congreso Internacional de Investigación en Artes Visuales ANIAV 2024. València: Editorial Universitat Politècnica de València, 2024. http://dx.doi.org/10.4995/aniav2024.2024.17430.
Testo completoAbstract (sommario):
Esta investigación surge a partir de cuestionarnos de que forma actuan los algoritmos que intervienen en el proceso de preparación de una impresión 3D, en concreto, aquel que gestiona la construcción de los soportes en forma de árbol y como estos crean cierto interés estético.Centramos nuestro punto de atención en las formas que se generan de forma aleatoria sobre los archivos 3D al colocarlos en algún software de laminación, para posteriormente poder imprimir este archivo preparado mediante técnicas de impresión 3D. Estos soportes se generan sobre nuestro diseño en los puntos que sobresalen de 45o en el plano horizontal del archivo, en este caso, nos interesa centraremos en realizar un análisis estético de los soportes llamados en forma de ̈ arbol ̈, y como estas estructuras se integran en nuestros archivos dependiendo de los comandos que apliquemos en el momento de preparar el archivo o modelo digital mediante el laminado para imprimirlo en 3D.Para este estudio tomaremos como piezas de experimentación los escaneados 3D de distintas piezas clásicas con el objetivo de encontrar distintas formas de interés estético actual al fusionar la escultura clásica con las estructuras de construcción 3D mas novedosas encargadas de ocupar los espacios en los que vivimos en la actualidad y como estas se pueden integrar en una estética cognitiva en la visión de nuestro futuro plástico.En definitiva nos interesamos por como de forma ̈ aleatoria ̈, bajo ciertos criterios informáticos la máquina genera unas estructuras que desde la visión del artista, pueden servirse como estrategia estética del arte generativo, mediante este tipo de investigaciones accedemos a una apertura del campo escultórico hacia la actualidad mas avanzada en la tecnología futura, buscando así, mediante el arte generativo y la fusión del criterio humano estético con los algoritmos de IA, un porvenir escultórico con el que seguir avanzando adaptados a la mayor innovación tecnológica e informática.
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Styrikovich, M. A. "HEAT AND MASS TRANSFER IN MODERN ENERGY SYSTEMS. International Seminar 1975". In Archives of Heat Transfer. Washington: Hemisphere, 1988. http://dx.doi.org/10.1615/ichmt.1988.20thaht.150.
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Styrikovich, M. A. "HEAT AND MASS TRANSFER IN MODERN ENERGY SYSTEMS. International Seminar 1975". In Archives of Heat Transfer. Connecticut: Begellhouse, 1988. http://dx.doi.org/10.1615/ichmt.1988.aht.150.
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Крулица, Анна. "Conversation with the past in contemporary choreography". In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.18.
Testo completoAbstract (sommario):
My article examines the problem of the archival turn in scientific works and discourse that affects artistic practice, including the choreographic one. In recent years, we can find several attempts to reconstruct the performances of famous choreographers who worked in the 1920s and 1930s. Modern choreographers have recalled forgotten performances of the former era, but recalling these choreographic works, they want to give them a modern meaning. This attempt is similar to rewriting history. In this context of rewriting history, I want to emphasize the importance of bodily memory and bring the perspective of viewing the body as an archive. In my article, I pose questions about how to find traces of former works? How modern choreographers work with memory and with the body. The concept of the body as an archive and the experience of past generations associated with choreographic practice is at the center of my work. The body can hide the secret of trauma, the unconscious determination of behavior in bodily, physical play. The second problem raised in the article is about the relationship between the present and the past. Why do we need a turn in the past now? I consider Yanka Rudskaya’s biography and her approach to dance as an example. This article shows the role of feminine artistic practices in the space of choreography. Recent reflections concern the problem of transferring modern dance to modernity and its discovery.
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La Spina, Vincenzina, M. T. Palomares Figueres, F. Iborra Bernard e F. Usó Martín. "The heritage consideration of the Virgen del Carmen Group (Valencia): a historical reinterpretation". In 3rd Valencia International Biennial of Research in Architecture, VIBRArch. València: Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/vibrarch2022.2022.15224.
Testo completoAbstract (sommario):
The conservation of Modern Movement architecture as a built architectural heritage requires also its renovation to reach today's standards of comfort and efficiency. It is even more necessary when it is still in use, as in the case of residential architecture. Moreover, it is a living heritage that, to be understood holistically, requires consideration of the experiences of its inhabitants. The Virgen del Carmen Group in Valencia is a residential complex designed and built by GO-DB Arquitectos between 1958 and 1963, and included in the DOCOMOMO Ibérico database. This architectural complex has been taken as an object of study to analyse the interpretation of its past based on exhaustive historical and archival research. This is the necessary first step towards its heritage consideration on which its future revitalisation and energy upgrading will be supported. This paper will detail the main results of the historical and archival research carried out. The changes and transformations, that the Virgen del Carmen Group has undergone over the years, have been evidenced by comparing the original project, the renovation projects, and its current state.To this end, the documents kept in the main national archives and those of the Valencian Community and the city of Valencia were consulted, as well as various historical photographic, newspaper and video sources.
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Lomonosova, Marina, e Aleksandr Bykov. "UNDERSTANDING FAMINE THROUGH VISUAL AND DIGITAL MEDIA: WESTERN PERSPECTIVES ON THE 1921-22 FAMINE IN RUSSIA". In 4th International Conference Modern Culture and Communication. Institute for Peace and Conflict Research, 2024. http://dx.doi.org/10.31312/978-5-6048848-7-4-01.
Testo completoAbstract (sommario):
In the contemporary era, the intersection of history, technology, and the politics of memory has grown increasingly vital. Nations with technological prowess wield history as a potent tool to shape present ideologies. This dynamic has intensified ideological battles in the digital domain, where virtual policies can diverge from reality. Memory institutions, governmental and private, have harnessed digital platforms to disseminate their interpretations of history, often linked to political agendas. While these institutions hold significant sway, they remain underexplored in Russian academia. Developing post-Soviet states have established institutions such as the Polish Institute of National Remembrance and the Hungarian Historical Service to shape historical narratives. These entities emerged after the USSR's dissolution or the EU's formation, infusing an anti-Soviet stance into the politics of memory. This has led to the rise of "post-truth" journalism, distorting historical truths for narrative purposes. However, the need for similar institutions in Russia remains an underexplored topic in academic circles. Visual documents play a crucial role in sociological exploration, offering glimpses into historical realities. While often overlooked within Russia, they have been used abroad for political and ideological purposes. Addressing this void, the State Archive Service of the Samara Region published a two-volume documentary collection on the 1921-22 famine, providing a crucial resource for scholars. Russian researchers possess a distinct advantage in accessing archival materials, enabling them to counter myths and influence memory politics. Their engagement safeguards historical memory and shapes societal values. Western researchers, despite challenges, employ digital platforms extensively, influencing narratives disproportionately.
Rapporti di organizzazioni sul tema "Archivio del moderno"
1
Buchanan, Riley, Daniel Elias, Darren Holden, Daniel Baldino, Martin Drum e Richard P. Hamilton. The archive hunter: The life and work of Leslie R. Marchant. The University of Notre Dame Australia, 2021. http://dx.doi.org/10.32613/reports/2021.2.
Testo completoAbstract (sommario):
Professor Leslie R. Marchant was a Western Australian historian of international renown. Richly educated as a child in political philosophy and critical reason, Marchant’s understandings of western political philosophies were deepened in World War Two when serving with an international crew of the merchant navy. After the war’s end, Marchant was appointed as a Protector of Aborigines in Western Australia’s Depart of Native Affairs. His passionate belief in Enlightenment ideals, including the equality of all people, was challenged by his experiences as a Protector. Leaving that role, he commenced his studies at The University of Western Australia where, in 1952, his Honours thesis made an early case that genocide had been committed in the administration of Aboriginal people in Western Australia. In the years that followed, Marchant became an early researcher of modern China and its relationship with the West, and won respect for his archival research of French maritime history in the Asia-Pacific. This work, including the publication of France Australe in 1982, was later recognised with the award of a French knighthood, the Chevalier d’Ordre National du Mèrite, and his election as a fellow to the Royal Geographical Society. In this festschrift, scholars from The University of Notre Dame Australia appraise Marchant’s work in such areas as Aboriginal history and policy, Westminster traditions, political philosophy, Australia and China and French maritime history.
2
Author, Unknown. DTRS56-02-T-0005 Digital Mapping of Buried Pipelines with a Dual Array System. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), marzo 2005. http://dx.doi.org/10.55274/r0011943.
Testo completoAbstract (sommario):
The technical goal of the Dual Array Project was to develop new technology for non-invasive mapping of buried pipelines, down to depths of 10 meters or more, using modern electromagnetic sensors and signal processing. A major proposed innovation in the work was the integration of the sensor arrays and software into a mobile system capable of mapping underground utility networks (and other buried infrastructure) efficiently over large areas. Ultimately, the goal is to have a non-invasive system that can produce an accurate infrastructure map of an entire urban or suburban utility network in digital form. This goal requires the development of new geophysical remote sensing technologies to create underground images down to the depths of most buried utilities in the United States and the development of software to extract features from the images to create digital maps that can be archived electronically - for example, in Geographic Information Systems. Key components of each of these goals were developed and demonstrated during the Dual-Array Project.
3
Flandreau, Marc. Pari Passu Lost and Found: The Origins of Sovereign Bankruptcy 1798-1873. Institute for New Economic Thinking Working Paper Series, giugno 2022. http://dx.doi.org/10.36687/inetwp186.
Testo completoAbstract (sommario):
Verdicts returned by modern courts of justice in the context of sovereign debt lawsuits have upheld a ratable (proportional) interpretation of so-called “pari passu” clauses in debt contracts which, literally, promise creditors they will be dealt with equitably. Such verdicts have given individual creditors the right to interfere with payments to others, in situation where the sovereign had failed to make proportional payments. Contract originalists argue that this interpretation of pari passu clauses has no historical foundation. Historically, they claim, pari passu clauses never granted individual creditors a unilateral right to block payments to other bondholders assenting to a government debt restructuring proposal. This article shows this claim is incorrect. Drawing on novel archival research, it argues that pari passu clauses find one potent historical origin in the operation of a now forgotten sovereign bankruptcy tribunal, the London stock exchange. Under the law of the stock exchange, departure from ratable payments did create a unilateral right for individual creditors to interfere with sovereign debt discharges. In fact, ratable distributions provided the touchstone for the stock exchange sanctioned sovereign debt discharge system. What is more, sophisticated contract drafters availed themselves of the logic. The result was a weaponization of pari passu clauses, and their inscription into sovereign debt covenants in the 19th century. The article concludes that the modern debate on the role of clauses in sovereign debt contracts cannot be held without thorough reconsideration of the history of sovereign bankruptcy.
4
Garton, Timothy. Data enrichment and enhanced accessibility of waterborne commerce numerical data : spatially depicting the National Waterway Network. Engineer Research and Development Center (U.S.), dicembre 2020. http://dx.doi.org/10.21079/11681/39223.
Testo completoAbstract (sommario):
This report provides methodologies and processes of data enrichment and enhanced accessibility of Waterborne Commerce and Statistics Center (WCSC) maintained databases. These databases house tabular and statistical data that reports on The U.S. Army Corps of Engineers (USACE) Civil Works Division National Waterway Network (NWN), which geospatially represents approximately 1,000 harbors and 25,000 miles of channels and waterways. WCSC is a division of The Institute for Water Resources (IWR). They have been tasked with the international collection, maintenance, and archival of all records involving commercial movements and commerce that occur on federal waterways. The current records structure is a large, tabular dataset and limited to the systems and processes put in place prior to the computing standards and capabilities available today. Methods have been tested and utilized to bring the tabular datasets into an optimized, modern geospatial network and expanded upon to create a higher resolution than previously maintained by the WCSC. This report will expand upon the applied methodologies to optimize data queries and the overall enhancement of the data system to allow for linkages to various other sources of information for commerce data enhancement for decision support assistance.