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Articoli di riviste sul tema "Architecture, Modern Philosophy"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 1 agosto 2024

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1

Becheru, Raluca. "The philosophy of architecture in analytic tradition: An enquiry on the possibility of the field and its themes." SAJ - Serbian Architectural Journal 8, no. 2 (2016): 309–21. http://dx.doi.org/10.5937/saj1602309b.

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The paper focuses on the new field of philosophy of architecture in analytic tradition. The research presented in this paper is part of an ongoing doctoral research concerning the connection between ethics and aesthetics in architecture. The connection between architecture and philosophy is not a novelty. Architectural theory has always looked up to philosophy for inspiration but only recently philosophers have started to study architecture in detail. Architectural theory is still a field that is in search of a better conceptual frame after the failure of the theoretical premises of the Modern

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2

Budi Santosa, Revianto. "Recharting The Philosophy of Technology in Contemporary Architecture." SHS Web of Conferences 41 (2018): 04012. http://dx.doi.org/10.1051/shsconf/20184104012.

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Technology is an indispensable aspect of architecture. In fact, it is being an essential part of the human effort in making architecture. Since the early modern era, technology that rapidly change has been seen as the sign of progress, not only pertaining to the technology itself, but also architecture and even civilization. Modern architectural theoreticians, from Sant’Elia to Le Corbusier, enthusiastically embraced the progressive side of technology and engineering. Philosophically, however, modern technology is regarded pessimistically. Heidegger and Jaspers considered technology as the sou

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3

Grebinnyk, T. O., V. V. Belopoly, and O. I. Plaksina. "Philosophy in architecture: a modern view." Bulletin of Prydniprovs’ka State Academy of Civil Engineering and Architecture, no. 6 (December 27, 2018): 83–88. http://dx.doi.org/10.30838/j.bpsacea.2312.261218.83.452.

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4

Suharjanto, Gatot. "Konsep Arsitektur Tradisional Sunda Masa Lalu dan Masa Kini." ComTech: Computer, Mathematics and Engineering Applications 5, no. 1 (June 30, 2014): 505. http://dx.doi.org/10.21512/comtech.v5i1.2644.

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It is known that traditional architectures are a product of human conception full of culture and philosophy, while modern architectural concepts prioritize functionality and simplicity that tends to be simple or quick. Now the architectural concept slowly changes according to the conditions of time, then so is the existence of works of architecture that also changes. This condition can be found in almost major cities in Indonesia, where many houses or buildings built still in traditional architecture theme but combined and matched with modern architecture concept. One of many diverse cultures

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Rabboh, Emad H., and Ali A. Elmansory. "The Correlation of Deconstruction Architecture to Arab Architectural Identity." Academic Research Community publication 2, no. 4 (January 1, 2019): 319. http://dx.doi.org/10.21625/archive.v2i4.369.

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The Arab architectural identity is characterized by the originality of the various Arab cultures. Islamic culture is what makes Arab societies unique and it is what inspired Arab architecture. Consequently, the Arab architecture encounters contemporary challenges. If modern architectural trends influenced Arab civilization, it could then obliterate its identity over the years. Moreover, positively interacting with modern architectural trends must take place rather than negative interactions. The aforementioned reasons leave this phenomenon the subject of discussio

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Šuvaković, Miško. "Architecture and philosophy: Relations, potentialities and critical points." SAJ - Serbian Architectural Journal 4, no. 2 (2012): 160–75. http://dx.doi.org/10.5937/saj1202160q.

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In the debate "Architecture and Philosophy / the relations, potentialities and critical points" the notions of "philosophy of architecture" and "aesthetics of architecture" will be discussed. The differences between traditional and contemporary philosophy and aesthetics of architecture will be introduced. In a separate sub-chapter the status of "theory" and "theorizing" during the times of late modernism and postmodern culture will be discussed. It has been pointed to the modalities of theory outside philosophy and aesthetics. The discourses from philosophy, humanities, free theorizing and arc

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7

Jász, Borbála. "Architectural Theory and Analytic Philosophy in the Interwar Period." Acta Universitatis Sapientiae, European and Regional Studies 14, no. 1 (December 1, 2018): 41–53. http://dx.doi.org/10.2478/auseur-2018-0010.

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Abstract The basis of the connection between analytic philosophy and architecture theory was developed in the interwar period. The results of analytic philosophy – especially the neo-positivism of Vienna Circle – and modern, functionalist architecture theory were utilized in an interdisciplinary approach. The comparison was based on language puzzles, science-based building processes, the method of justification and verification, and designing an artificial language in order to express the theoretical (philosophical) and the practical (architectural) approach as well. The functionality was base

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8

Negulyaeva, T. V., and S. F. Dyadchenko. "Architecture and philosophy of antiquity: The formation of classical architecture." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 23, no. 1 (February 26, 2021): 73–84. http://dx.doi.org/10.31675/1607-1859-2021-23-1-73-84.

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The classical architecture is being constantly developed in time, and, consequently, is relevant nowadays. The paper deals with the development of classical architectural in antiquity up to the present time. This is necessary for further study of modern architecture. The aim of this work is to identify the most stable formation of the classical antique architecture. Scientific novelty lies in the systematic approach to the studying the evolution of ancient architectural theory, taking into account a variety of external factors and based on ancient philosophy. The main level of scientific knowl

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9

De Clercq, Rafael. "The Legitimacy of Modern Architecture." Philosophical Forum 35, no. 2 (June 2004): 135–46. http://dx.doi.org/10.1111/j.0031-806x.2004.00166.x.

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10

Maciuika, John. "Review of: Architecture and Nihilism: On the Philosophy of Modern Architecture." Modernism/modernity 3, no. 2 (1996): 115–17. http://dx.doi.org/10.1353/mod.1996.0027.

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11

Al mosawi, Aqeel Qusay. "Sustainable Architectural Concepts (Green Architecture) and its Application in Modern Iraqi Architecture." Kufa Journal of Engineering 3, no. 1 (May 6, 2014): 1–25. http://dx.doi.org/10.30572/2018/kje/311265.

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Sustainable design… Green architecture… Sustainable constructions…Green Buildings these are all new ways and methods for designing and constructing. The environmental and economical challenges of this era are affecting many sectors. New buildings are being designed and executed and operated by modern technologies which reduces the environmental impact and at the same time leads to reduction in cost especially running costs and it participates in providing a safe and comfortable architectural environment so the need to develop the concept of sustainability in the architectural sector does not d

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12

Stępnik, Małgorzata. "The House that Lars Built. The Architecture of Transgression." Arts 9, no. 4 (December 8, 2020): 127. http://dx.doi.org/10.3390/arts9040127.

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This article discusses the motif of the “architecture of transgression”, which is present most implicitly, in Lars von Trier’s The House that Jack Built. The analysis concerns both the construction of cinematic narrative itself and the subtle allusions, inserted in the script, to two architectural metaphors: the Nietzschean (and Jungian) labyrinth and the Heideggerian die Hütte. Von Trier’s film may be read as an oeuvre immersed in literary tradition—from Dante’s Divine Comedy to the modern Bildungsroman—as well as inspired by modern philosophy, particularly George Bataille’s philosophy of tra

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13

Šuvaković, Miško. "Revisionist philosophy of architecture: Fundamental dispositives." SAJ - Serbian Architectural Journal 6, no. 1 (2014): 119–35. http://dx.doi.org/10.5937/saj1401119q.

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The discussion points to the issue of defining and re-defining the notion of the "critical theory". The notion of critical theory has been considered since the introduction of the notion at the Institute for Social Research in Frankfurt until the modern, postmodern and contemporary theories of critical and decentering of the critical. The notion of critical theory is associated with the problem of politicization of architecture and urbanism. It is pointed to the case of critical theory of the Frankfurt circle. Particular attention is paid to the art/architecture theory of Theodor Adorno and to

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14

Park, Sung Chun, Yun Sook Oh, and Sun hee Moon. "A study on the characteristics of Zaha Hadid's architecture from a multi-perspective perspective." Korea Institute of Design Research Society 9, no. 2 (June 30, 2024): 223–42. http://dx.doi.org/10.46248/kidrs.2024.2.233.

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Zaha Hadid began to make a name for herself with deconstructionist architecture in the post-structuralist era of the 1980s, and led the way in organic, non-linear architecture as digital architecture became common after the 2000s. The numerous buildings she left behind before her death left a significant mark on the development of modern architecture. The multi-semantic perspective is a model used as an analysis framework for deconstructivist architecture in space philosophy. It is a perspective that can recognize modern architecture inherent in the pluralistic diversity of modern society by d

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De Clercq, Rafael. "The Dehumanization of Architecture." Journal of Aesthetic Education 56, no. 4 (December 1, 2022): 12–28. http://dx.doi.org/10.5406/15437809.56.4.02.

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Abstract Modern buildings do not easily harmonize with other buildings, regardless of whether the latter are also modern. This often-observed fact has not received a satisfactory explanation. To improve on existing explanations, this article generalizes one of Ortega y Gasset's observations concerning modern fine art and then develops a metaphysics of styles that is inspired by work in the philosophy of biology. The resulting explanation is that modern architecture is incapable of developing patterns that facilitate harmonizing because such patterns would humanize buildings, and modern archite

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Zhang, Ning. "The Role of Ancient Chinese Philosophy in the Designs of Chinese Buildings." Open House International 41, no. 3 (September 1, 2016): 81–85. http://dx.doi.org/10.1108/ohi-03-2016-b0014.

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Buildings are the condensation of the national, ethnic, or cultural identity. They are also the specific materialized form of the national social systems, folk customs, and ideologies. Architectural design and philosophy constitute an isomorphic relationship with each other. This study focuses on the Chinese traditional philosophy. Using Kuanzhai Alley in Chengdu as an example, philosophical expressions, such as “holistic thinking,” “group form layout,” “heaven and man,” “yin–yang and the five elements,” “ancient architecture design,” “good” aesthetic concepts, and “conformal”rationalism, are

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17

De Clercq, R. "Modern Architecture and the Concept of Harmony." British Journal of Aesthetics 51, no. 1 (January 1, 2011): 69–79. http://dx.doi.org/10.1093/aesthj/ayq053.

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Hayward, Richard. "Cacciari, Massimo, "Architecture and Nihilism: On the Philosophy of Modern Architecture" (Book Review)." Town Planning Review 66, no. 1 (January 1995): 115. http://dx.doi.org/10.3828/tpr.66.1.2052079h6j375561.

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Zhao, Zhi Qing, and Li Tao. "Differences of Philosophy and Culture between Chinese and Western Reflected in Construction." Advanced Materials Research 953-954 (June 2014): 1533–36. http://dx.doi.org/10.4028/www.scientific.net/amr.953-954.1533.

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Globalization had the great influence on architectural culture. Rational and fighting spirit, the individual and subject consciousness, religion and willpower of Western culture were represented on buildings. And Confucianism and Taoism, with other various internal and foreign Buddhist, complement each other, became the main line of ancient China thought, were penetrated and cohered in all aspects of Chinese buildings. In the globalized world, the architect should explore the rational core and objective laws of architectural development, and consciously promote the continuous development of tr

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20

Sun, Yuran. "ARCHITECT YO MING PEI. THE ART OF ARCHITECTURE OF MUSEUM BUILDINGS." Scientific and analytical journal Burganov House. The space of culture 19, no. 6 (November 15, 2023): 17–30. http://dx.doi.org/10.36340/2071-6818-2023-19-6-17-30.

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Famous Chinese-American architect I.M. Pei was born in Guangdong, China in 1917.He traveled to the United States in 1935. Initially educated at the University of Pennsylvania, he continued his studies at the Massachusetts Institute of Technology (Bachelor of Architecture in 1940) and Harvard Graduate School of Design (Master of Architecture in 1946). I.M. Pei is widely praised for his bold design and clear geometric forms in his project. His career spanned 60 years and left many outstanding architectural works. I.M. Pei, revered as "the consummate master of modern architecture," his architectu

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21

Opolev, Pavel. "Naturalistic Turn in Modern Philosophy: Philosophy and Neuroscience." Ideas and Ideals 15, no. 2-1 (June 28, 2023): 49–71. http://dx.doi.org/10.17212/2075-0862-2023-15.2.1-49-71.

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The development of biology stimulates a naturalistic turn within the framework of philosophy, actualizes the problem of the dialogue between philosophical and scientific knowledge. In modern philosophy there is a tendency to imitate the empirical sciences. An attempt to conceptualize the empirical knowledge accumulated in modern brain sciences finds its expression within the neurophilosophy project. In classical philosophy, there was a skeptical assessment of the idea of a total reduction of the life of consciousness to the forms of motion of matter, which contributed to the preservation of du

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22

Daraban, Adria. "Representations of the fragmentary in modern architecture." SAJ - Serbian Architectural Journal 10, no. 3 (2018): 157–72. http://dx.doi.org/10.5937/saj1802157d.

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The notion of the fragmentary in philosophical and artistic discourses marks the beginning of modern aesthetics and their detachment from the concept of the whole. This paper illustrates possible resonance fields of the concept of the fragmentary in architecture raising questions such as: Can architecture be a form of expression of the modern condition fragmentaire? Does the notion of fragment develop in architecture in a similar way it did in visual arts, philosophy and literature, or is it being reduced in architecture to a mere form of representation of the fracture? Can the fragmentary be

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Ma, Ting, Nong Wu, Zhi Xiong Yang, and Yue Xi Ai. "A Study on the Colors of the New Tang Dynasty Architectural Style." Applied Mechanics and Materials 438-439 (October 2013): 1786–90. http://dx.doi.org/10.4028/www.scientific.net/amm.438-439.1786.

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As the outerwear of a building, its color is one of the most significant features of a city. During thousands years of development the colors not only served for protection and decoration, but have been endowed with many intensions in the field of philosophy, politics, religion, culture and so on. Hence there has been formed a unique and integrated culture of colors. As many other cities, Xian is faced with the problem of maintaining its feature in the course of its development. On the basis of protecting the original style and features of the old town, delivering the profound cultural deposit

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Figurny, George N. "Phenomenological Approaches in the Theory of Architecture in the Context of Modern Cognitive Science." Voprosy Filosofii, no. 6 (2021): 65–73. http://dx.doi.org/10.21146/0042-8744-2021-6-65-73.

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The article is a fragment of the scientific research devoted to the analysis of modern approaches to the understanding of architecture. It considers the problems of phenomenological approach to architecture. Applied to architectural issues, the phenomenological approach can be considered as very productive and promising, but only as it appears to be practiced by K. Norberg-Schulz and J. Pallasmaa. The article notes the fundamental unity of views, which is demonstrated by representatives of the phenomenological approach, despite the individual specificity of the each representative’s positio

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Arana, Andrew. "The architecture of modern mathematics." Mathematical Intelligencer 30, no. 4 (September 2008): 57–61. http://dx.doi.org/10.1007/bf03038097.

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Cukic, Iva, Ksenija Pantovic, and Jasna Kavran. "Methodology and philosophy of architecture and urban planning: Analysis of three methodological models in the field of architectural discourse." Facta universitatis - series: Architecture and Civil Engineering 13, no. 2 (2015): 87–96. http://dx.doi.org/10.2298/fuace1502087c.

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Architecture reflects on itself since Vitruvius, but it is difficult to define its epistemological base, so interpretations are sometimes developed in other disciplines. Thinking about architecture is about reflection on and extension of architectural concepts, cultural practices, and interrelated areas of art, philosophy, politics, etc. Incompleteness of understanding is obvious, and it points us toward a paradigm of complex thinking. Contemporary theoretical field of architecture is largely a product of postmodern architectural thought. This paper examines the position from which to build a

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Lægring, Kasper. "Exemplification as explanation: The negative reception of modern architecture revisited." SAJ - Serbian Architectural Journal 10, no. 1 (2018): 25–36. http://dx.doi.org/10.5937/saj1801025l.

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What are the reasons for the negative reception of modern architecture in the 1960s and 1970s? If we consult the critics themselves, the counter-reaction is a result of the overflow of new semantic insights from disciplines such as psychology and sociology in architecture. But if we turn to philosophy of architecture, Nelson Goodman's notion of exemplification might provide some answers; not only to the critiques of modern architecture but also to the epistemic turn affecting architecture. This article argues that it was the extensive use of a formalist aesthetics of exemplification which led

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Suhanov, V., and O. Tyurikova. "MODERN ARCHITECTURAL PROCESS AND CURRENT TASKS OF ARCHITECTURAL ACTIVITY." Modern construction and architecture, no. 7 (March 6, 2024): 58–65. http://dx.doi.org/10.31650/2786-6696-2024-7-58-65.

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The article is devoted to the identification of the features of the modern architectural process and the establishment of actual tasks of architectural activity. Today's society, science, and practice are experiencing phenomena that radically change the approaches and paradigms of the architectural process. The paper highlights the contradictions in the theory and practice of architecture that need to be resolved; considers aspects of the modern ideology of architecture; develops certain provisions of the theory of the environmental approach, namely, the features of "understanding" design, the

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Igibayeva, M. S., and R. U. Chekayeva. "Determination of virtual reality as an architectural tool." BULLETIN of L.N. Gumilyov Eurasian National University. Technical Science and Technology Series 134, no. 1 (2021): 50–57. http://dx.doi.org/10.32523/2616-7263-2021-134-1-50-57.

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The subject of study is the phenomenon of "virtual reality" in architectural industry. The article provides an overview of VR (virtual reality) ideas in the connection with science, philosophy and architecture. The flow of metaphorical content at various levels of the humanitarian approach is examined in detail. The article focuses on the theoretical issues of the emergence of the term, the characteristic features of VR and interaction with architectural foundations, as a new trend, both philosophical and fundamental theories. Also, there is considered a new concept of digital and technical th

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Kwaśniewski, Artur. "The origins of "healthy architecture". Health, hygiene and the quality of life in theory and practice of pre-modern architecture – an outline of research issues." BUILDER 284, no. 3 (February 24, 2021): 12–14. http://dx.doi.org/10.5604/01.3001.0014.7363.

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The article presents the research issues related to the origins of healthy architecture – methodological assumptions, scope of the study, objectives, and main theses. The subject of study is the issue of human health, hygiene, and psychophysical well-being from the perspective of theory of pre-modern architecture, as well as the philosophical and medical basis of solutions proposed by architects and hygienists in the modern period (16th-19th centuries). The research is based on a critical analysis of source texts – such as architectural treatises, manuals of hygiene, and written statements con

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Wihardyanto, Dimas, and Sudaryono Sudaryono. "ARSITEKTUR KOLONIAL BELANDA DI INDONESIA DALAM KONTEKS SEJARAH FILSAFAT DAN FILSAFAT ILMU." LANGKAU BETANG: JURNAL ARSITEKTUR 7, no. 1 (April 20, 2020): 42. http://dx.doi.org/10.26418/lantang.v7i1.35500.

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Arsitektur merupakan salah satu produk budaya hasil pemikiran manusia yang mampu menggambarkan secara komprehensif bagaimana hubungan dirinya dengan konteks sosial maupun seting lingkungan yang ada. Tidak terkecuali arsitektur kolonial Belanda di Indonesia. Kolonialisasi di Indonesia terutama yang dilakukan oleh Belanda merupakan salah satu babak sejarah penting di Indonesia karena mampu merubah cara berfikir arsitektur di Hindia Belanda semakin modern mendekati yang terjadi di Barat. Pengaruh modernisme dalam arsitektur tersebut tentunya tidak dapat dilepaskan dari perkembangan cara berfikir

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Frohburg, Jan. "Ellington under Glass." BAc Boletín Académico. Revista de investigación y arquitectura contemporánea 9 (November 4, 2019): 45–68. http://dx.doi.org/10.17979/bac.2019.9.0.4582.

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In November 1957 Mies van der Rohe’s Crown Hall at IIT broke with convention when it became the venue for a jazz concert by Duke Ellington and his orchestra. This extraordinary event is reconstructed based on personal recollections, campus newspapers and other archival material. In the context of architectural pedagogy Crown Hall is appreciated as a supreme expression of Mies’s architectural philosophy, both for its spatial openness and its spiritual character. Here, influences from Mies’s own evolution as an architect intersected with developments in modern music and performance art it inspir

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Stillman, Damie, and Alberto Perez-Gomez. "Architecture and the Crisis of Modern Science." Journal of Interdisciplinary History 16, no. 2 (1985): 309. http://dx.doi.org/10.2307/204183.

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Abu-Hammad, Numan. "MODERN ARCHITECTURAL APPROACHES TO SMART CITIES AND EDUCATIONAL FACILITIES." Architecture and Engineering 8, no. 3 (September 29, 2023): 3–13. http://dx.doi.org/10.23968/2500-0055-2023-8-3-3-13.

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Introduction: This article aims to provide readers with an overview of significant modern architectural approaches to creating sustainable smart city models. Different architectural approaches have piqued the interest of many researchers that study ancient and modern buildings, specifically their characteristics and execution methods. Purpose of the study: Interest toward smart architecture has grown due to the extensive development of technology and its integration into all aspects of human and city life, including the learning environment, the psychological effect of various spaces, and envi

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Savrey, Valery. "Philosophy of the Modern Era and Postmodernism." Ideas and Ideals 15, no. 4-1 (December 25, 2023): 11–26. http://dx.doi.org/10.17212/2075-0862-2023-15.4.1-11-26.

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In the history of philosophical thought the past twentieth century was marked by a great turning point caused by the collapse of the previous intellectual, cultural, and attitudinal paradigm characteristic of the classical modern era. Acting as the destroyer of this paradigm, postmodernism prioritized the “effectiveness of language”, freeing it from morality and truth, and reducing it to the transmission of information regardless of the degree of honesty or dishonesty of the position taken by the interested party. It is in the philosophy of postmodernism that language in its functional and esp

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Gruzdeva, Evgeniya. "Directions of the research into a style in wooden architecture of Siberia." проект байкал, no. 69 (November 13, 2021): 68–71. http://dx.doi.org/10.51461/projectbaikal.69.1852.

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Globalization and widespread active introduction of architectural forms, techniques, materials and building technologies pose a problem of finding regional identity, particularity and uniqueness of the style in architecture. Consideration of history and traditions of regional architecture is one of the ways to reveal this identity and uniqueness. Wooden architecture is traditional for Siberia. It has hardly evolved stylistically since the 1920s. Studying stylistic formation in wooden architecture of Siberia in the late 19th – early 20th centuries, including modern, will help to identify the pe

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Hurol, Yonca, and Ashraf M. Salama. "Editorial: Urban Transformations in Rapidly Growing Contexts." Open House International 44, no. 4 (December 1, 2019): 4. http://dx.doi.org/10.1108/ohi-04-2019-b0001.

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Cities have always been sources of inspiration for poetry. However, the modern western cities, which are the origins of secularity, have inspired poets in different ways. Charles Baudelaire captured the poetic dimensions of modernity in Paris in the 19th century. He wrote about the night life of Paris which became possible after street lighting. He wrote about corruption. Baudelaire also wrote about the changing character of commercial places in cities and tried to grasp the feelings of people as a ‘flaneur': an individual stroller at city streets. The philosopher Walter Benjamin got inspired

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Tyapin, Igor N. "The Revival of the Russian Idea Ethic and Aesthetic Traditions in the Anthropologic Social and Conservative Paradigm." Almanac “Essays on Conservatism” 64 (June 30, 2021): 471–79. http://dx.doi.org/10.24030/24092517-2021-0-2-471-479.

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Russian idea formation in the framework of mental and artistic forms largely determines its ethic and aesthetic trends. The following philosophic conceptualization of the Russian idea turned out to be connected not only with the empire project, but also with the expression of national traditions in the classic culture, from architecture to philosophy. Under the conditions of the global technological crisis of spiritual culture that has captured the quasi-westernized modern Russia, the conservative progress understanding implies in fact the integration of anthropological and social conservatism

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Hu, Yin An, Yong Ping Wang, and Yun Xue. "Influence on Design Education by the Architectural Trend of Deconstructivism." Applied Mechanics and Materials 638-640 (September 2014): 2222–25. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2222.

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The ideology of deconstructivisim is a relatively new design style, and has a profound philosophical connotation. Deconstruction works usually pay attention to reflecting the diversity of buildings, and their design techniques are more exaggerated and weird to make people unable to understand their law. By the study of the deconstructive architects' design career, we can conclude as follow: the kind of trend has a great influence on architecture, also deeply affects modern design education; education philosophy of many famous architectural colleges in America and Europe with their students’ de

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Lillie, Kate. "Modern hospice design: the architecture of palliative care." Mortality 15, no. 2 (May 2010): 187–88. http://dx.doi.org/10.1080/13576270903573414.

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Noelle, Louise. "Modern architecture since 1900, de William J.R. Curtis." Anales del Instituto de Investigaciones Estéticas 14, no. 55 (August 6, 1986): 270. http://dx.doi.org/10.22201/iie.18703062e.1986.55.1295.

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Tafahomi, Rahman. "Tracing Hegel’s Philosophy and Thoughts in Educational Styles of Architecture Design Studios." Journal of Design Studio 5, no. 1 (July 20, 2023): 119–44. http://dx.doi.org/10.46474/jds.1292904.

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Abstract (sommario):

This paper aims to trace the influences of Hegel’s philosophical thoughts and ideas on the architecture design studios’ activities. Hegel is a key figure in the modern history of philosophy that lived in the time of establishing Beaux Art on the skeleton of Academie d’Architecture. Despite the many developments in different areas of education, seemingly, there are still some common grounds between Hegelian philosophy and architecture design studio activities that need to be highlighted and criticized. Content analysis and storytelling based on the structured observation applied in this researc

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Viazinkin, Aleksei, and Irina Vladimirovna Dvukhzhilova. "Conservative approach towards aesthetics of architecture: Roger Scruton's philosophy." Архитектура и дизайн, no. 2 (February 2019): 1–6. http://dx.doi.org/10.7256/2585-7789.2019.2.32686.

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The subject of this research is the conservative approach towards aesthetics of architecture in the philosophy of British thinker, aesthetician and theorist of conservatism Roger Scruton. The cultural situation of postindustrial society &ndash; consumerism and commodification of culture &ndash; requires new approaches in art history, which are capable of establishing protective trends in the social life. Scruton offers an alternative approach towards art, which represents not so much a return to the traditional values, as revival of cultural situation. Such situation implies the existe

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Kursova, Marina, and Evgeniya Repina. "CATEGORY OF EMPTINESS IN THE WORLD ARCHITECTURE: JAPAN, WEST, RUSSIA." INNOVATIVE PROJECT 4, no. 10 (December 2019): 20–25. http://dx.doi.org/10.17673/ip.2019.4.10.2.

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The article analyzes the philosophical and psychological meaning of the category of emptiness and its reflection in art and architecture. The sacred meaning of emptiness in Zen Buddhism and its influence on Japanese architecture are considered. Differences in interpretations of the concept of “emptiness” in Eastern, Western and Russian philosophy and architecture are analyzed, it is highlighted how echoes of Zen teachings and the category of emptiness contributed to the emergence of the empty canon in the avant-garde. The devaluation of “emptiness” in the aesthetics of modernity and its transf

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MATTENS, FILIP. "The Aesthetics of Space: Modern Architecture and Photography." Journal of Aesthetics and Art Criticism 69, no. 1 (February 2011): 105–14. http://dx.doi.org/10.1111/j.1540-6245.2010.01451.x.

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Nabiyev, Abdulkhalyk. "El fenómeno de la arquitectura digital: los problemas y las perspectivas." Innovaciencia 10, no. 1 (December 1, 2022): 1–14. http://dx.doi.org/10.15649/2346075x.2967.

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Introduction: The article discusses the current problems of the digital age in nonlinear formation, the problems of digital formation arising in the context of digital architecture, the prerequisites for new synergies between architecture and digitalization. The problems of the influence of digital culture on the formation of architecture are revealed. The concepts of architectural theorists in the development of nonlinear architecture based on the topic under study are presented. Contradictory aspects of modern design related to the limitations of new technologies and the difficulties of thei

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Williamson, James F. "Louis I. Kahn, teacher." Architectural Research Quarterly 17, no. 3-4 (December 2013): 313–24. http://dx.doi.org/10.1017/s1359135514000128.

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Abstract (sommario):

Louis I. Kahn was not only an architect of powerful buildings; he was also an unconventional teacher and a radical philosopher whose influence on his students was far-reaching. It is through his many former students, especially those in his Master's Class at the University of Pennsylvania, 1960–74, that Kahn's distinctive philosophy of education and unique pedagogy have continued to influence the teaching and making of architecture in the late modern era.Focusing on a neglected area of Kahn scholarship, the author argues that Kahn's legacy as a teacher should be remembered as among his greates

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Meenakumari, P. "THE HUMANITIES THROUGH ARCHITECTURE." International Journal of Engineering Technologies and Management Research 5, no. 2 (February 8, 2020): 190–93. http://dx.doi.org/10.29121/ijetmr.v5.i2.2018.162.

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Abstract (sommario):

Architecture has taken various impression and expression of what it is and its intent through the perspective of man, by the reflection of the place and its existence through time. The architecture being viewed as humanities was one progressive perspective by man, spanning from the period when buildings were erected in the past to the present. Architecture is a peculiar public art with buildings having a social function, and many buildings have public interface. The paper discusses architecture as discipline, which personifies man as the important entity and is define through primary humanisti

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Trachtenberg, Marvin. "Architecture and Music Reunited: A New Reading of Dufay's Nuper Rosarum Flores and the Cathedral of Florence." Renaissance Quarterly 54, no. 3 (2001): 741–75. http://dx.doi.org/10.2307/1261923.

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The proportions of the voices are harmonies for the ears; those of the measurements are harmonies for the eyes. Such harmonies usually please very much, without anyone knowing why, excepting the student of the causality of things.—Palladio(1567)The chiasmatic themes of architecture as frozen music and music as singing the architecture of the world run as leitmotifs through the histories of philosophy, music, and architecture. Rarely, however, can historical intersections of these practices he identified. This study proposes a transient nexus of architecture, sacred music, and theology in early

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Heynickx, Rajesh. "Conceptual Debts: Modern Architecture and Neo-Thomism in Postwar America." European Legacy 22, no. 3 (March 2017): 258–77. http://dx.doi.org/10.1080/10848770.2017.1288440.

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