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1
Taylor, John J. "Joseph John Talbot Hobbs (1864-1938) : and his Australian-English architecture". University of Western Australia. Faculty of Architecture, Landscape and Visual Arts, 2010. http://theses.library.uwa.edu.au/adt-WU2010.0100.
Testo completoAbstract (sommario):
Architect and soldier Sir J.J. Talbot Hobbs was born on 24 August 1864 in London. After migrating from England to Western Australia in the late 1880s, Hobbs designed many buildings that were constructed in Perth, Fremantle, and regional areas of the State. Although Talbot Hobbs has previously been recognised as a significant and influential contributor to architecture in Australia, his development as an architect has not been documented, nor has his design output undergone critical analysis. A number of problems confront attempts to interpret Hobbs' contribution to architecture. One is that a number of his most prominent building designs have been demolished. Another is that national recognition for his achievements as a First World War Army General have overshadowed his extraordinarily productive pre and post-war career as an architect. Military service was intrinsic to his character, and thus is woven in to this architectural biography. The thesis examines Hobbs' life and work, filling the gap in documented evidence of his contributions, and fitting it within the context of Australian architectural and social history. The main proposition to be tested is whether Hobbs' Australian architecture, of English derivation, combined with vast community service, warrants his recognition as an architect and citizen of national significance. Completely new important issues, information, discussion and facts that have resulted from the research for this thesis are: 1. Biographical knowledge about Hobbs' life including his upbringing, education and training in England, and his fifty years of comprehensive work and community service in and for Australia; 2. The elucidation of the late nineteenth and early twentieth century architectural issues that were relevant to Hobbs and other architects in Western Australia; 3. Examination of the important works of Hobbs' architect predecessors and contemporaries in Perth, and the setting of his own work within this context; 4. Revelation of his primary and pivotal role in war memorial design and organisational work for the far-flung theatres of Australian Army conflicts and selected personal design works within Australia itself during 1919-38; and 5. A chronology and summary of Hobbs' life, with thorough documentation of his output as a sole practitioner in the period 1887-1904 by development of a detailed web-based database - an extremely valuable tool for future researchers.
2
Orr, Kirsten School of Architecture UNSW. "A force for Federation: international exhibitions and the formation of Australian ethos (1851-1901)". Awarded by:University of New South Wales. School of Architecture, 2006. http://handle.unsw.edu.au/1959.4/23987.
Testo completoAbstract (sommario):
In 1879 the British Colony of New South Wales hosted the first international exhibition in the Southern Hemisphere. This was immediately followed by the Melbourne International Exhibition of 1880 in the colony of Victoria and the success of these exhibitions inspired the Melbourne Centennial Exhibition, which was held in 1888 to celebrate the centenary of white settlement in Australia. My thesis is that these international exhibitions had a profound impact on the development of our cities, the evolution of an Australian ethos and the gaining of nationhood. The immense popularity and comprehensive nature of the exhibitions made them the only major events in late nineteenth-century Australia that brought the people together in an almost universally shared experience. The exhibitions conveyed official ideologies from the organising elites to ordinary people and encouraged the dissemination of new cultural sentiments, political aspirations, and moral and educational ideals. Many exhibition commissioners, official observers and ideologues were also predominantly involved in the Federation movement and the wider cultural sphere. The international exhibitions assisted the development of an Australian urban ethos, which to a large extent replaced the older pastoral / frontier image. Many of the more enduring ideas emanating from the exhibitions were physically expressed in the consequent development of our cities ??? particularly Sydney and Melbourne, both of which had achieved metropolitan status and global significance by the end of the nineteenth century. The new urban ethos, dramatically triggered by Sydney 1879, combined with and strengthened the national aspirations and sentiments of the Federation movement. Thus the exhibitions created an immediate connection between colonial pride in urban development and European and American ideals of nation building. They also created an increasing cultural sophistication and a growing involvement in social movements and political associations at the national level. The international exhibitions, more than any other single event, convinced the colonials that they were all Australians together and that their destiny was to be united as one nation. At that time, Australians began to think about national objectives. The exhibitions not only promulgated national sentiment and a new ethos, but also provided opportunities for independent colonial initiatives, inter-colonial cooperation and a more equal position in the imperial alliance. Thus they became a powerful impetus, hitherto unrecognised, for the complex of social, political and economic developments that made Federation possible.
3
Hart, Susan. "Widowhood and remarriage in colonial Australia". University of Western Australia. School of Humanities, 2009. http://theses.library.uwa.edu.au/adt-WU2010.0023.
Testo completoAbstract (sommario):
Widowhood and remarriage affected a majority of people in colonial Australia, yet historians have given them scant attention. Today, widowhood primarily concerns the elderly, but in the mid-nineteenth century a considerable proportion of deaths were amongst young adults. Thus many widows and widowers had children to care for, who were also affected by the loss of a parent and the possible remarriage of their surviving parent. Extended families might be called on for support, while communities, at the local and government level, were confronted with the need to provide welfare for the widowed and orphaned, including the older widowed. This thesis considers how widowhood impacted on men and women at all levels of society in the nineteenth-century Australian colonies, especially Western Australia and Victoria, taking into account the effects of age, class and numbers of children of the widowed. When men were the chief family earners and women were dependent child bearers the effects of widowhood could be disastrous, and widows had to employ a range of strategies to support themselves and their families. Men too were affected by widowhood, for the loss of a wifes housekeeping skills could cause serious financial consequences. One response to widowhood was remarriage, and the thesis discusses the advantages and disadvantages of remarriage for men and women. Historians have regarded remarriage as the best option for the widowed, especially for women. Research into remarriage, especially in Britain and Europe, has focussed on demography. Assuming that all widowed wished to remarry, demographers have compared remarriage rates for men and women, within the context of the relative numbers of marriageable men and women in a given community.
4
Lawrence, Snezana. "Geometry of architecture and freemasonry in 19th century England". Thesis, Open University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395263.
Testo completo
5
Muller, Elizabeth M. "Absorption and Assimilation: Australia's Aboriginal Policies in the 19th and 20th Centuries". Thesis, Boston College, 2011. http://hdl.handle.net/2345/1959.
Testo completoAbstract (sommario):
Thesis advisor: Hiroshi NakazatoSince initial contact between white settlers and Australian Aborigines began in the late 18th century the Aboriginal population has been exploited, abused, and controlled by governmental authorities. The two policies which dominated government approach to the Aboriginal population in the past were biological absorption and cultural assimilation. Through examining what caused such a massive shift in Aboriginal policy it is clear that events and their outcomes affect the ideas, beliefs, and worldviews of policymakers, activists, and the public
Thesis (BA) — Boston College, 2011
Submitted to: Boston College. College of Arts and Sciences
Discipline: College Honors Program
Discipline: International Studies
6
Aspin, Philip. "Architecture and identity in the English Gothic revival 1800-1850". Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669903.
Testo completo
7
Malone, Hannah Olivia. "Nineteenth-century Italian cemeteries : the social and political basis of funerary architecture". Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648217.
Testo completo
8
Onori, Maurizia. "Neo-Mamluk and Neo-Norman funerary architecture in Palermo, 19th-20th century". Thesis, SOAS, University of London, 2018. http://eprints.soas.ac.uk/30295/.
Testo completo
9
Divis, Katherine E. "On hallowed ground : the church architecture of the Indiana gas boom". Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1314221.
Testo completoAbstract (sommario):
East Central Indiana's Gas Boom began when natural gas was discovered in 1886 and lasted until 1906 when the supply fell too short to meet the demand. The resource brought magnificent wealth to the region, as industries developed in the area and drew thousands of workers. The incredible population growth resulted in a building boom, creating new churches, houses, industrial buildings, and civic buildings. Although the resource ran out and many towns quickly decreased in population, the buildings remained as a testament to the Gas Boom years. Several styles of architecture were popular during this period, and for churches the predominant styles were Gothic Revival and Romanesque Revival. Using a sample of Gothic Revival and Romanesque Revival churches located across the nation as models, this thesis studies the Gas Boom churches of Alexandria, Elwood, and Hartford City to determine if they represented the national trends in church architecture during this period.Department of Architecture
10
Smith, Katherine. "Continuity and Change in a 19th Century Illustrated Devi Mahatmya Manuscript From Nepal". VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3564.
Testo completoAbstract (sommario):
In the Hindu tradition of the Indian subcontinent, worship of the goddess has long been practiced as supreme embodiment of the divine. Around the second century, a Sanskrit Purana (ancient Hindu text that extols deities) titled the Markandeya Purana details the battles of the supreme Goddess Durga against the illusions and negative energy in the universe. This textual version of the Devi Mahatmya “Praise of the Goddess” serves as the foundation for the nineteenth century Nepalese illustrated Devi Mahatmya, commissioned by Tej Bahadur Rana from Pokhara district in Nepal. Because the folios closely follow the textual Devi Mahatmya, the illustrations’ amalgamation of styles demonstrates a double entendre of religious and political frameworks represented through Indian religious iconography with localized motifs and styles from Nepal. In this study, I argue that the illustrated Nepalese Devi Mahatmya indicates a shift in power from the Shah aristocracy to Rana oligarchy. This Devi Mahatmya contextualizes the social, religious, and historical events of nineteenth century Nepal, as a unique extension to the current scholarship about the Devi Mahatmya since it is dated and has a known patron.
The intentional amalgamation of previous Newar styles, localized elements, and European décor reveals the mythical being contemporized, that is, drawing from English modernism to empower the Rana family, adding a unique flair to this manuscript as opposed to previous Devi Mahatmyas of Indian Guler or Newar style. Within the nineteenth century Nepali Devi Mahatmya, the background of this Devi Mahatmya is Guler-inspired, utilizing lightly hued backgrounds and landscapes, suggesting that the artist(s) had observed Guler compositions prior to this commission. The Nepali and Newar motifs contextualizes the Devi Mahatmyas commissioning in Pokhara, as these elements comment on the clan patriarch Jung Bahadur Rana and uncle of the patron usurping power from the Shah king, asserting a new Rana oligarchy that would last until 1951. As a result, this Devi Mahatmya is used as an offering to the goddess to legitimize Prime Minister Jung Bahadur Rana and the nephews that would follow his legacy.
11
Hoene, Katherine Anne. "Tracing the Romantic impulse in 19th-century landscape painting in the United States, Australia, and Canada". Thesis, The University of Arizona, 2000. http://hdl.handle.net/10150/278748.
Testo completoAbstract (sommario):
The purpose of this thesis is to identify essential characteristics of the first generation of Romantic landscape painters and painting movements in a given English-speaking country which followed the generation of Turner, Constable and Martin in England, and then trace how the second generation of Romantic-realist painters represents a different paradigm. For a paradigmatic construct of the first generation, the focus is on the lives and major works of the American arch-Romantic landscape painter Thomas Cole (1801--1848) and the Australian Romantic landscape painter Conrad Martens (1801--1878). The second generation model features the American Frederic Edwin Church (1826--1900), the Australian William Charles Piguenit (1836--1914), and the British Canadian Lucius Richard O'Brien (1832--1899). Cole and Martens, closer to their predecessors in England, created dynamic paradigm shifts in their new countries. Following them, the second generation of Romantic-realists produced a synthesis of romanticism, scientific naturalism, and nationalistic symbolism.
12
Tejeira-Davis, Eduardo. "Roots of modern Latin American architecture the Hispano-Caribbean region from the late 19th century to the recent past /". Heidelberg : Deutscher Akademischer Austauschdienst, 1987. http://books.google.com/books?id=LNBPAAAAMAAJ.
Testo completo
13
Vick, Malcolm John. "Schools, school communities and the state in mid-nineteenth century New South Wales, South Australia and Victoria /". Title page, contents and abstract only, 1991. http://web4.library.adelaide.edu.au/theses/09PH/09phv636.pdf.
Testo completo
14
Albo, Frank. "Freemasonry and the nineteenth-century British Gothic Revival". Thesis, University of Cambridge, 2013. https://www.repository.cam.ac.uk/handle/1810/283920.
Testo completo
15
Kirkendoll, Ceri Danika, e n/a. "The slab houses of Canberra: A comparative analysis of design, form, and meaning". University of Canberra. Arts & Design, 2004. http://erl.canberra.edu.au./public/adt-AUC20081204.124329.
Testo completoAbstract (sommario):
This thesis represents the first effort to catalogue extant timber slab houses of 19th century
Canberra and its outlying regions. From an archaeological viewpoint, it looks at slab
houses as above-ground artefacts that possess ingrained information about the culture that
built them and analyses them as material culture through an investigation of their: history,
material, construction, function and design. It is inspired by the work of folk historian,
Henry Glassie, and focuses on form and pattern, through a comparison of floor plans, in
order to understand the needs, minds and behaviours of early Canberrans. The thesis also
draws on the historic documentary record of a similar local group of houses, those resumed
by the Commonwealth in 1912-13.
16
Mckenna, Eugene. "The influence of ecclesiastical and community cultures on the development of Catholic education in Western Australia, 1846-1890". Murdoch University, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20070326.142406.
Testo completoAbstract (sommario):
Historians have generally tended to represent the pioneering Catholic mission in Western
Australia as an homogenous ecclesiastical entity with little cultural diversity. With a few notable
exceptions the nature of the Western Australian colonial Catholic mission is portrayed as a
'hibernised' form of Catholicism with an Irish clergy taking care of the pastoral needs of a
predominantly working class Irish Catholic constituency. This thesis challenges the traditional
paradigm as restrictive, and argues that it ignores significant contextual influences and veils the
wider cultural tapestry in which the Western Australian pioneering Catholic mission proceeded.
The traditional analysis of the internal dynamics of the Catholic mission implies that there
was a beneficial, almost symbiotic relationship between sympathetic bishops and their 'valiant
helpers.' Internal conflicts concerning administrative issues have been represented as little more
than mere personality clashes.
The thesis takes a more critical contextual approach and argues that the manifestation of
internal dissension during this period can only be fully explained by taking account of external
influences rather than local conditions. These influences include both Gallican and Ultramontane
ecclesiastical perspectives as well as the individual community cultures that were transported
from Europe to the Perth diocese by missionary personnel.
This new perspective corrects the more traditional approach which overlooked the different
ecclesiastical approaches, orientations and community cultures that were represented within the
colonial Catholic mission. This expansion of the existing interpretative paradigm through which
historians view the West Australian Catholic mission in general and the development of the
school system in particular marks a significant shifi in the existing historiography. As a
consequence, scholars will in future take a more critical approach to the study of not only the
Catholic education system but also the Western Australian Catholic mission in general. Rather
than representing the definitive closing chapter it is intended that this work will invigorate
renewed historical interest in the development of the Australian Catholic mission.
17
Jackson, Kerry Marie. "Peeling back the layers stratification studies in a 19th century mill building /". Amherst, Mass. : University of Massachusetts Amherst, 2009. http://scholarworks.umass.edu/theses/310/.
Testo completo
18
Suarez, Mauricio C. "Mayan-inspired architecture : a study of the revival movements in late 19th and 20th century Mexico". Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/21673.
Testo completo
19
Mueller-Heubach, Oliver Maximilian. "From Kaolin to Claymount: Landscapes of the 19th-Century James River Stoneware Industry". W&M ScholarWorks, 2013. https://scholarworks.wm.edu/etd/1539623630.
Testo completoAbstract (sommario):
This dissertation will examine the James River stoneware tradition, which encompasses parts of Henrico, Dinwiddie, Prince George, and Charles City Counties, south and east of the Falls of the James at Richmond, Virginia. This area has one of the richest histories in American ceramics. The essential elements of stoneware production will be examined. This dissertation will provide the only comprehensive overview of this regional industry with in depth descriptions of the relevant potteries, potting families and their environment. Detailed description of ceramic forms and decorations specific to individual potters will be provided. The archaeological research done at the potting sites, much of it participated in by the author will be presented. This will allow future attribution and dating of James River stoneware.;Landscapes of the 19th century James River stoneware industry will be explored and the nature of the potters' craft and community will be analyzed within the Meshwork as used by Tim Ingold. Through applications of both structural and semiotic approaches the production, relationships, and landscapes of the potteries will be organized and problematized. An effort will be made to provide as deep and broad a context as possible including social, political, and economic conditions. Archaeological, historical, and oral data will be used to understand the potters' habitus and the roles of artisans, their neighbors, landscapes and artifacts in actively creating that world.
20
Makhrov, Alexei Vasilievich. "The architecture of Nikolai L'vov : a study of the architectural relationships between Britain and Russia at the end of the eighteenth century". Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/15265.
Testo completoAbstract (sommario):
The thesis offers a reassessment of the works of the Russian architect Nikolai Alexandrovich L'vov (1751-1803). His designs are examined in the context of European architecture. Sources of inspiration for his advanced Neo-Classical style are found in monuments of Greek and Roman antiquity, Renaissance architecture and works of British, French and Italian architects, such as Charles Cameron, Adam Menelaws, Ennemond-Alexandre Petitot and Giacomo Quarenghi. The comparative analysis of L'vov's works with designs of his Russian and foreign contemporaries, for instance Matvei Kazakov, Adrean Zakliai'ov, John Soane, Claude-Nicolas Ledoux and others, highlights the innovative character of L'vov's designs. The investigation of the works produced by L'vov for Catherine the Great, Paul I and the powerful statesman Alexander Bezborodko demonstrates that the architect was entrusted to express political concepts, such as the 'Greek Project', Catherine's plan to liberate Constantinople from the Turks. It is argued that his public buildings and garden scenery of the park of Bezborodko in Moscow were designed as propaganda tools to influence people. The discussion focuses on the consideration of L'vov's interpretation of the ideas derived from European architecture. For example, L'vov was the first Russian architect to declare himself a follower of Palladio. The pioneering study of the Medieval architecture of Moscow produced by L'vov was parallel to the development of the preservationist attitude to national heritage in Britain. He produced ingenious engineering ideas, such as that of the double-shelled dome influenced by the examples of antique and French architecture and adapted to the requirements of Russian climate. He also introduced to Russia the modernised method of building from earth, derived from a French source and modified with the assistance of his Scottish associates. By analysing the relationships between the architecture of L'vov and that of Britain and other European countries, this study seeks to establish his reputation as one of the outstanding European architects of the late eighteenth century.
21
Bertram, Aldous Colin Ricardo. "Chinese influence on English garden design and architecture between 1700 and 1860". Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610795.
Testo completo
22
Morris, Jacob J. "Relationships between woodworking technology and residential millwork in the nineteenth century : with an appendix on the implications for the evaluation of historic millwork". Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1348353.
Testo completoAbstract (sommario):
This document is an examination of the millwork industry in the nineteenth century and its influence upon the residential built environment. This study explores influences and results in relation to the development of millwork in the United States. The first is the technological divergence that developed between the United States and Europe, as America introduced different technologies to exploit the vast amounts of timber accessible to the New World. The second development occurred as the New World slowly developed a taste for the type of elaborate millwork previously associated with wealthy patrons. Low cost of materials and new technologies made more complicated wood finishes available to those of modest means. The third situation reflects the struggle between an elite class of architects and pattern book designers, who advocated restraint in design, and carpenter-builders and their clients, who wanted to display their talent or status through the use of a high level of ornamental millwork.Department of Architecture
23
Wallace, Aurora. "The architecture of news : nineteenth century newspaper buildings in New York". Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37723.
Testo completoAbstract (sommario):
This thesis is an investigation of the relationship between the mass media and urban space, which takes as its object of analysis the concentration of newspaper buildings on Park Row in New York in the second half of the nineteenth century. By analysing five major New York newspapers and the architecture which housed them, commonalities in form, style and structure are revealed which are based on notions of display, spectacle, advertisement, order, and sensationalism. As daily newspapers achieved greater status in nineteenth century cities, their buildings increasingly took on Italian Renaissance, French Second Empire and Gothic forms, and became among the first skyscrapers in America. This thesis documents the designs and decisions of the construction process, as well as the interpretations and justifications of the chosen styles that were offered in the newspapers, in order to explain the form and meaning of this important phenomenon of American media history.
24
Rosenfeld, Jean. "A noble house in the city, domestic architecture as elite signification in late 19th century Hamilton". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/NQ61986.pdf.
Testo completo
25
Gardos, Amy. "The historical archaeology of the Old Farm on Strawberry Hill : a rural estate 1827-1889, Albany, Western Australia". University of Western Australia. Archaeology Discipline Group, 2004. http://theses.library.uwa.edu.au/adt-WU2005.0032.
Testo completoAbstract (sommario):
This thesis presents the results of historical archaeological research at the Old Farm on Strawberry Hill in Albany, Western Australia. The site is an important colonial farm in Western Australia’s history; the location for the first farm in Western Australia (1827) and linked to many important individuals in the state’s colonial past. The site is owned and managed by the National Trust of Australia (W.A.) and is registered on both the West Australian, Heritage Council Register of Historical Places and the Australian Heritage Commission’s National Estate. Past historical and cultural biases had created an incomplete interpretation of this site that did not represent all social groups, including indentured servants, convict and Aboriginal labourers and women. The research has provided a holistic site interpretation that identified all social groups living and working on this site in the 1800s by analysing historical documents and archaeological excavated materials. The historical documentary record included both personal and official correspondence, diaries and drawings, as well as two valuable farm log books that documented the day to day events on the farm in the early to mid 1800s. The archaeological excavation was restricted to small area excavations in habitation areas still present on the site or in areas identified from 19th century surveyor maps. Both of these data sources were analysed to identify social and economic relationships, such as gender, status, class and ethnicity so that a comparison could be made between historical and archaeological data and a complementary interpretation created. The research was divided into three main periods of site occupation, firstly by convict gardeners during the government farm period from 1827 to 1832. The Spencer family period from 1833 to 1889, which is further defined by two phases, the six years from their arrival until Richard Spencer’s death in 1839 and the dispersal of the family and the property decline until it was sold in 1889. The third period of occupation by the Bird family was not discussed due to the discontinuation of a farming subsistence that distinguished it from a rural rather than an urban property. This study provides the current heritage managers with an updated interpretation of the site’s past and changing social and economic relationships on site and with the early town of Albany. It is hoped that this interpretation will be used to improve the site’s current representation and becomes the basis for a heritage conservation plan which not only recognises the importance of existing site structures, but also sub surface remains. This thesis also identifies a number of avenues for future research that will further enhance the site’s interpretation.
26
Hembree, Bridget. "Designing Victorian London : the career of James Bunstone Bunning, city architect". Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708992.
Testo completo
27
Giguere, Joy M. ""The Dead Shall be Raised": The Egyptian Revival and 19th Century American Commemorative Culture". Fogler Library, University of Maine, 2009. http://www.library.umaine.edu/theses/pdf/GiguereJM2009.pdf.
Testo completo
28
Cooper, Leanne Rosa. "The emergence of a mixed economy : the Buandig of the lower South-East of South Australia in the mid-19th century /". Title page, contents and introduction only, 2001. http://web4.library.adelaide.edu.au/theses/09AR/09arc7776.pdf.
Testo completo
29
Puodžiukienė, Dalė. "Evolution of wooden architecture of manor houses in Lithuania (from the middle of the 16th century till the middle of the 19th century)". Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110808_093850-01870.
Testo completoAbstract (sommario):
Doctoral thesis Evolution of wooden architecture of manor houses in Lithuania (from the middle of 16th century till the middle of 19th century) explore and present an evolution of the wooden architecture of manor houses since the middle of the 16th century till the middle of the 19th century. The thesis investigates the existing and not existing (known from the sources) wooden residential buildings of Lithuanian nobility, identifies their dominant types and reasons, which influenced the change of architecture, and reveals the singularities of the architecture and the relation of a manor’s house with ethnic and professional architecture. The research has shown that the architectural evolution of the manor house owned by nobility of different rank was developing differently. The development of great and middle-class nobility’s manor house was intense, especially influenced by the changes in style architecture. The small noblemen‘s houses were changing a little, their construction followed the ethnic traditions. According to the layout and shape of structures and forms of the buildings set on the manors of great and middle-class nobility, three stages of their architectural evolution were singled out: the period of early formation (till the middle of the 17th century), “baroque” period (from the middle of the 17th century till the seventh decade of the 18th century) and the “classicism” period (from the end of 18th century till the end of the 19th century). The doctoral thesis... [to full text]Disertacijoje nagrinėjami Lietuvos bajorijos mediniai gyvenamieji pastatai, darbe vadinami ponų namais. Darbo tikslas – išaiškinti ir pateikti Lietuvos bajorų namų medinės architektūros raidą nuo Valakų reformos iki 1861 Valstiečių reformos. Darbe tirti esami bei neišlikę (žinomi dėka šaltinių) mediniai bajorijos namai, nustatyti vyravę pastatų tipai, priežastys, lėmusios tipų kaitą, atskleidžiami architektūros ypatumai, ponų namo santykis su etnine ir profesionaliąja architektūra. Tyrimai parodė, kad skirtingų bajorijos sluoksnių ponų namų architektūros raida vyko skirtingai. Stambių ir vidutinių bajorų namų raida buvo intensyvi, ją ypač veikė stilinės architektūros pokyčiai. Smulkių bajorų namai kito mažai, statyboje laikytasi etninių tradicijų. Pagal stambių ir vidutinių bajorų XVI a. vidurio– XIX a. vidurio pastatų planines ir tūrines –erdvines struktūras ir formas, išskirti trys architektūrinės raidos etapai: ankstyvasis- formavimosi (iki XVII a. vidurio), „barokinis“ (XVII a. vidurio – XVIII a. septinto dešimtmečio); „klasicistinis“ (XVIII a. pabaigos – XIX a. vidurio). Pirmajame etape iš esmės pakito gyvenamosios erdvės sankloda ir namo įvaizdis: vietoje kelių skirtingų funkcijų namų, skirtų bajoro šeimai ir jo svečiams (gyvenamojo, pokylių namo, ir kt.) susiformavo vienas daugiafunkcinis, parterinis, simetriškos kompozicijos ponų namas. Antrajame ir trečiajame etapuose daugiafunkcinis ponų namas buvo tobulinamas pagal etiketo (gyvenimo būdo) ir vyravusių stilių... [toliau žr. visą tekstą]
30
Downs, Jill D. "The evolution of drug store architecture in the United States". Virtual Press, 2002. http://liblink.bsu.edu/uhtbin/catkey/1231399.
Testo completoAbstract (sommario):
This research studied the changes in the design of the American drug store from the 1800s to the present. The changing demands of the customer primarily have driven the design evolution. Drug stores of the nineteenth century were typically located on busy street corners alongside storefronts with similar architecture. Inside, they were long, dark, and narrow, and pharmaceuticals and goods were sold from behind glass display cases. During the first half of the twentieth century, modernization and convenience for the customer transformed the drug store into a large, bright, and open store in mall space featuring self-service, food service, and a wider variety of retail goods. The later years of the century saw a loss of food service, the construction of freestanding buildings with ample parking space at busy intersections, and drive-thru pharmacies. These changes were seen in most drug stores regardless of their geographical location in the United States.Department of Architecture
31
Smart, Bonnie Jane. "Leon Caron and the music profession in Australia". Connect to thesis, 2003. http://repository.unimelb.edu.au/10187/1427.
Testo completoAbstract (sommario):
Leon Francis Victor Caron (1850-1905) was one of the major figures in Australian nineteenth-century opera and orchestral circles. He was a well-known and well-liked public figure, regarded with respect and affection by musicians and audiences alike. Little has been written concerning Caron’s career. Given the amount he contributed to the Australian stage, an assessment of his importance within the music profession is warranted. Most areas of Caron’s life are, as yet, totally unexplored; it falls outside the ambit of this thesis to present every detail pertaining to his varied and extensive musical career. Nevertheless, new information about a selection of Caron’s ventures is drawn upon here for the first time. Much of this material is used to examine the impact of Caron’s conducting on the orchestral profession in Melbourne and Sydney. Many of Caron’s performances (orchestral or otherwise) often featured the popular music of the day. The popular aspect of Caron as a composer is also considered, with particular reference to the incredibly successful pantomime Djin Djin. An examination of Caron’s performances gives great insight not only into the part he played in the wider profession; but it also sheds light on orchestral standards, performance practices and public tastes of the time. His contribution to the music profession in nineteenth-century Australia is extremely significant.
32
Hoeffler, Michelle Leah. "The moment of William Ralph Emerson's Art Club in Boston's art culture". Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/67166.
Testo completoAbstract (sommario):
Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2000.Includes bibliographical references (p. 183-225).
This thesis will analyze the architect William Ralph Emerson's (1833-1917) Boston Art Club building (1881-82) and its station within Boston and New York's art culture. Even though there has been considerable research on the Gilded Age in general and certain art clubs specifically, this club remains a neglected element in art's social history. During the rising development of art culture, a small group of artists founded the Boston Art Club (1854-1950) as a vehicle for production, education and promotion of the arts. To assert their club's presence within patrons' circles, the members commissioned a flagship clubhouse adjacent to Art Square (now known as Copley Square). Emerson, primarily a residential architect and the first Shingle Style architect, won the competition with a unique amalgamation of Queen Anne and Richardson Romanesque styles, an alliance with the nearby Museum of Fine Arts and the Ruskin and the English Pre-Raphaelites. The resultant clubhouse was a declaration of the club's presence amid America's established art culture. Through this building design the Club asserted its status for the thirty years that the arts prevailed on Boston's Art Square. The Art Club's reign, along with the building's prominence, ended when the Museum deemed their building's architectural style out of date, among other reasons. That faithful decision to abandon Art Square and the revival Ruskinian Gothic style would take with it the reverence for the Art Club's building and, eventually, the club itself. Within forty years and through several other struggles the Art Club closed its doors, ending a chapter that began with the need for art in Boston, thrived within the culture of the Gilded Age and sank from the changing trends in architecture.
by Michelle Leah Hoeffler.
S.M.
33
Flores, Carol Ann Hrvol. "Owen Jones, architect". Diss., Georgia Institute of Technology, 1996. http://hdl.handle.net/1853/20841.
Testo completo
34
Elston, Jacqueline Ann. "Communication, trade and steamship operation between Britain and Australia in the Mid 19th century: what were the problems faced by steamship operators on the long distance run to Australia?" Thesis, University of Bristol, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.492455.
Testo completoAbstract (sommario):
This thesis examines the effect that mid 19th century steamship development had on long distance trade and communication between Britain and Australia. It takes a holistic approach, drawing together a number of diverse but related themes and using much previously unseen material to challenge many former assumptions. This thesis examines in detail the role of one particular steamship, the S.S Great Britain, as pivotal to the development of Australian trade over many years, rather than ts brief period on the trans-Atlantic run, which previous commentators have focused on.
35
Lawrence, Ranald Andrew Robert. "Cultural climates : the municipal art school and the reformulation of civic identity in Victorian Britain". Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709252.
Testo completo
36
Merwood, Joanna. "Towards the architecture of the future : César Daly and the science of expression". Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23202.
Testo completoAbstract (sommario):
The writing of the French architectural theorist and critic Cesar Daly (1811-1894), editor of the influential Parisian journal, the Revue generale de l'architecture et des travaux publics, may be considered to be representative of the ambivalence of the supposed 19th century dialectic between scientism and metaphysical idealism. For Daly the physical and representational needs of society expressed in architecture were always and forever inextricably linked by the universal and permanent pattern of History. Although it was his fundamental thesis that the human sensibility was more important than any other consideration in the creation of architecture, his theory is paradigmatic of the contemporary ideology which attempted to define and systemise the expressive role of architecture according to rational scientific principles, and resulted in the concept of architecture as a prescriptive and predictive process.Given the separation of architectural form and content, presence and meaning, and the consequent challenge to the possibility of shared experience initiated in the Enlightenment which is still an inherent part of our contemporary architectural thought, it is crucial to re-examine the architectural theory of the 19th century as the origin of the modern condition. This thesis is a critical examination of Daly's collections of polemical articles from the Revue as artifacts of architectural knowledge, through an analysis of their form and content in relation to other significant 19th century architectural texts.
37
White, Deborah. "Masculine constructions : gender in twentieth-century architectural discourse : 'Gods', 'Gospels' and 'tall tales' in architecture". Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phw5834.pdf.
Testo completoAbstract (sommario):
Includes 2 previously published journal articles by the author: Women in architecture: a personal reflection ; and, "Half the sky, but no room of her own", as appendices. Includes bibliographical references (p. 233-251) An examination of some texts influential in the discourse of Australian architecture in the twentieth century. Explores from a feminist standpoint the gendered nature of discourse in contemporary Western architecture from an Australian perspective. The starting point for the thesis was an examination of Australian architectual discourse in search of some explanation for the continuing low numbers of women practitioners in Australia. Hypothesizes that contemporary Western architecture is imbued with a pervasive and dominant masculinity and that this is deeply imbedded in its discursive constructions: the body housed by architecture is assume to be male, the mind which produces architecture is assumed to be masculine. Given the cultural location of Australian architecture as a marginal participant in the wider arena of contemporary Western / international discourses, focuses on writing about two iconic figues in Western architecture; Le Corbusier, of international reknown; and, Glenn Murcutt, of predominantly local significance.
38
Clarke, Patricia, e n/a. "Life Lines to Life Stories: Some Publications About Women in Nineteenth-Century Australia". Griffith University. School of Arts, Media and Culture, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040719.150756.
Testo completoAbstract (sommario):
This thesis consists of an introduction and six of my books, published between 1985 and 1999, on aspects of the history of women in nineteenth-century Australia. The books are The Governesses: Letters from the Colonies 1862-1882 (1985); A Colonial Woman: The Life and Times of Mary Braidwood Mowle 1827-1857 (1986); Pen Portraits: Women Writers and Journalists in Nineteenth Century Australia (1988); Pioneer Writer: The Life of Louisa Atkinson, Novelist, Journalist, Naturalist (1990); Tasma: The Life of Jessie Couvreur (1994); and Rosa! Rosa! A Life of Rosa Praed, Novelist and Spiritualist (1999). At the time they were published each of these books either dealt with a new subject or presented a new approach to a subject. Collectively they represent a body of work that has expanded knowledge of women's lives and writing in nineteenth-century Australia. Although not consciously planned as a sequence at the outset, these books developed as a result of the influence on my thinking of the themes that emerged in Australian social and cultural historical writing during this period. The books also represent a development in my own work from the earlier more documentary-based books on letters and diaries to the interpretive challenge of biographical writing and the weaving of private lives with public achievements. These books make up a cohesive, cumulative body of work. Individually and as a whole, they make an original contribution to knowledge of the lives and achievements of women in nineteenth-century Australia. They received critical praise at the time of publication and have led to renewed interest and further research on the subjects they cover. My own knowledge and expertise has developed as a result of researching and writing them. The Governesses was not only the first full-length study of a particular group of letters but it also documented aspects of the lives of governesses in Australia, a little researched subject to that time. A Colonial Woman, based on a previously unpublished and virtually unknown diary, pointed to the importance of 'ordinary' lives in presenting an enriched view of the past. Pen Portraits documented the early history of women journalists in Australia, a previously neglected subject. Three of the women I included in Pen Portraits, Louisa Atkinson, Tasma and Rosa Praed, the first two of whom were pioneer women journalists as well as novelists, became the subjects of my full-length biographies. In my biographies of women writers, Pioneer Writer, Tasma, and Rosa! Rosa!, I recorded and interpreted the lives of these important writers placing them in the context of Australian cultural history as women who negotiated gender barriers and recorded this world in their fiction. My books on Louisa Atkinson and Tasma were the first full-length biographies of these significant but largely forgotten nineteenth-century women writers, while my biography of Rosa Praed was the first for more than fifty years. Each introduced original research that changed perceptions of the women's lives and consequently of attitudes to their creative work. Each provided information essential for further research on their historical significance and literary achievements. Each involved extensive research that led to informed interpretation allowing insightful surmises essential to quality biography.
39
Orrin, Geoffrey. "Church building and restoration in Victorian Glamorgan, 1837-1901". Thesis, University of Wales Trinity Saint David, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683172.
Testo completo
40
McPherson, Ailsa School of Theatre Film & Dance UNSW. "Diversions in a tented field : theatricality and the images and perceptions of warfare in Sydney entertainments 1879-1902". Awarded by:University of New South Wales. School of Theatre, Film and Dance, 2001. http://handle.unsw.edu.au/1959.4/18264.
Testo completoAbstract (sommario):
This thesis examines the theatricality which accompanied the establishment, development and deployment of the colonial army in New South Wales during the last two decades of the nineteenth century. It investigates the transfer to the colony of the military ethos of the Imperial power, and explores the ways in which performances of military spectacle, in both theatrical and paratheatrical contexts, were interpreted by the colonists. The primary sources for the research are the Sydney press and the Mitchell `Australiana' collection of the State Library of New South Wales. The framework of the argument is presented in five chapters. The first, Displaying, investigates the relationship between civilians and the military forces at training camps, and then the performances of sham fights. The second, Committing, explores the attitudes of civilians and soldiers at the departures of New South Wales troops to the Soudan and Boer Wars. Informing, thirdly, investigates how the Imperial military ideology was conveyed through performance, and how this information was interpreted in the colony. Accommodating analyses songs and theatre performances which first reflected colonial anticipations at the commitment to conflict and then attempted to accommodate the actuality of the experience. Lastly, Desiring, explores the colonists' endeavours to invent traditions which satisfied the discrepancy between their hopes and their experiences of Imperial war. This thesis asserts that the colonial reinterpretation of military ideology was influenced by concepts both of service to the Imperial power and of national identity. The interplay between these influences led to the colonists' idealising the Imperial association. This ideal was not demonstrated in the practice of association. The result of this experience was a defining of the differences between colonial and Imperial perceptions, rather than a reinforcement of their similarities. Much of the exploration of thesis also prepares the ground for a fuller cultural understanding of the issues at play in the final emergence of the Anzac tradition at the engagement of colonial soldiers against Turkish troops at Gallipoli in April, 1915.
41
Jackson, Julianna Geralynn. "The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia". W&M ScholarWorks, 2017. https://scholarworks.wm.edu/etd/1516639577.
Testo completoAbstract (sommario):
This project uses archaeology, architecture, and the documentary record to explore the ways in which one family, the Tayloes, used Georgian design principals as a way of exerting control over the 19th-century landscape. This project uses two Tayloe homes as the units of study and investigates architectural choices at the Octagon House in Washington, DC, juxtaposed with its Richmond County, Virginia counterpart, Mount Airy, to examine architectural features and contexts of slavery on the landscape. Archaeological site reports, building plans, city maps, and various historic documents are used to identify contexts of slavery and explore the relationship between slavery, social values, and architecture at the Octagon House and Mount Airy, as well as look critically at the function of Georgian architectural features in 19th-century society.
42
Gillin, Edward John. "The science of Parliament : building the Palace of Westminster, 1834-1860". Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:65863190-6063-4320-813e-e60dd1a11fb2.
Testo completoAbstract (sommario):
This thesis examines science's role in the construction of Britain's new Houses of Parliament between 1834 and 1860. Architecturally the Gothic Palace embodies Victorian notions of the medieval and romanticized perceptions of English history. Yet in the mid-nineteenth century, the building not only reflected, but was involved in, the very latest scientific knowledge. This included chemistry, optics, geology, horology, and architecture as a science itself. Science was chosen, performed, trusted, displayed, contested, and debated through the physical space of government. Parliament was a place where science was done. Not only was knowledge imported to guide architectural construction, but it was actively produced within the walls of Britain's new legislature. I argue that this attention to science was not coincidental. Rather, it was a crucial demonstration of the changing relationship between science and politics. Science was increasingly asserted to be a powerful form of knowledge, and to an institution struggling to secure authority in the uncertainty of reformed British politics, it appeared a valuable resource for credibility. Contextualizing the use of science at Parliament in the political instability of the 1830s and 1840s emphasizes how the use of new knowledge was a potent practice of constructing political authority.
43
Allaback, Sarah. "The writings of Louisa Tuthill : cultivating architectural taste in nineteenth-century America". Thesis, Massachusetts Institute of Technology, 1992. http://hdl.handle.net/1721.1/12669.
Testo completoAbstract (sommario):
Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, June 1993.Includes bibliographical references (leaves 206-218).
This dissertation discusses the architectural writings of Louisa Tuthill ( 1798-1879), a little known nineteenth-century American author. Tuthill has been acknowledged for her History of Architecture from the Earliest Times (1848), the first history of architecture published in the United States. However, her numerous other books dealing with architecture have been largely ignored. As early as 1830, Tuthill published Ancient Architecture, a concise history of architectural origins for young readers. This volume was followed by three fictional works for juveniles describing the adventures of model Americans--an architect, an artist and a landscape architect. Tuthill also edited The True and the Beautiful, the first American collection of selections from Ruskin's work (reprinted twenty three times). Like her famous contemporaries, Downing and Ruskin, Tuthill associates architectural principles with moral qualities. Her educational books move beyond the sophisticated architectural and social theory of such authorities by presenting aesthetic ideas in popular literary forms for the common reader. While a tradition of male architectural writers addressed eager builders and wealthy patrons, Tuthill wrote for the American public of all classes and ages. In contrast to the tradition of builders' guides and style books, Tuthill contributed histories, advice books, children's stories and edited collections. When the History is placed within the context of Tuthill's other writings r it becomes part of a larger plan for elevating national morals, a plan requiring education in architecture history.
by Sarah Allaback.
Ph.D.
44
Ruiz, Christopher L. 1974. "The Archaeology of a 19th Century Post-Treaty Homestead on the Former Klamath Indian Reservation, Oregon". Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11079.
Testo completoAbstract (sommario):
xvi, 148 p. : ill. (some col.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.The preservation of architecture associated with underrepresented communities has been hindered by traditional biases in preservation. The post-contact history of Native Americans of the Klamath Basin has not been exempt from this trend. Archaeologists have begun to uncover evidence of post-contact lifeways of Native Americans on the former Klamath Indian Reservation in southern Oregon. This thesis examines the influence of 19th and 20th century federal policies on reservation households, using data from archaeological investigations at a 19th century Native American homestead (the Beatty Curve Site, 35KL95). This information, coupled with historical research, is used to reconstruct the homestead and cultural setting on paper and will be useful in identifying similar properties. More importantly, this thesis adds to a regional and national narrative on Native survival, adaptation, and cultural persistence in the face of new social realities in the post-contact period. This thesis includes previously published and unpublished co-authored material.
Committee in charge: Dr. Kingston Wm. Heath, Chairperson; Dr. Rick Minor, Member
45
Wilcox, Ralph S. "Jeepers, creepers! how 'bout them Beezers? : the history of the Beezer Brothers architecture firm, 1892-1932". Virtual Press, 1997. http://liblink.bsu.edu/uhtbin/catkey/1041908.
Testo completoAbstract (sommario):
The architectural practice of Michael and Louis Beezer, identical twin brothers, lasted from 1892 until 1932. They practiced in Altoona, Pennsylvania, from 1892 until 1899; Pittsburgh, Pennsylvania, from 1900 until 1906; and in Seattle, Washington, from 1907 until 1932. During their practice, they produced a wide variety of designs including homes, banks, churches, rectories, schools, and hospitals. Today, seventy-two confirmed designs still exist around the country in Pennsylvania, Washington, Oregon, California, Montana, and Alaska. This creative project documents the Beezer Brothers' surviving buildings through current and historic photographs and a short amount of text with information on the history, style, and features of each building. A history of the firm, supplemented with biographical information, is also included.Department of Architecture
46
Chateau-Dutier, Emmanuel. "Le Conseil des bâtiments civils et l’administration de l’architecture publique en France, dans la première moitié du XIXe siècle". Thesis, Paris, EPHE, 2016. http://www.theses.fr/2016EPHE4068/document.
Testo completoAbstract (sommario):
À l’issue de la Révolution, la rationalisation de la politique architecturale opérée au moyen d’une centralisation des affaires qui s’appuie sur un découpage administratif très hiérarchique allait permettre, en moins d’un demi-siècle, de fournir aux nouvelles institutions les édifices nécessaires à leur exercice et d’inscrire leur existence symbolique dans le bâti. Comme commission consultative établie auprès du ministre de l’Intérieur en 1795, le Conseil des bâtiments civils fut appelé à se prononcer sur l’ensemble des questions relatives à l’architecture que lui soumettait le ministre. Ses compétences portaient tout autant sur l’examen sous le rapport de l’art de tous les projets d’architecture construits aux frais de l’État que sur des sujets aussi divers que le règlement des honoraires, les alignements de voirie ou la liquidation des sommes dues aux entrepreneurs. Principal outil de la politique architecturale de l’État, le Conseil des bâtiments civils allait être à l’origine d’une pratique encadrée de l’architecture. En commandant l’accès à la commande publique la plus rémunératrice et la plus importante pour la notoriété de l’architecte, et par la normalisation du processus de production architectural, le Conseil et l’administration des bâtiments civils furent à l’origine, selon le mot de Georges Teyssot, d’un véritable « système des bâtiments civils » dont le rôle fut sans doute plus déterminant encore que celui de l’École et de l’Académie des Beaux-Arts dans la première moitié du XIXe siècleAt the end of the Revolution, the rationalization of the architectural policy that engendered a centralisation based on a strict hierarchical administrative division would, in less than a century, allow to give to the new institutions the buildings they needed and to inscribe their symbolic existence in the built. As a consultative commission established next to the Interior ministry in 1795, the Conseil des bâtiments civils was called to decide on all architectural matters submitted to it by the Minister. His competences were equally relevant to the examination of all architectural projects built at public expense under the art point of view, or on topics as diverse as the payment of fees, road alignments or liquidation of amounts due to contractors. Main tool of the architectural policy of the State, the Conseil des bâtiments civils would frame the architectural practice. By controlling access to the most lucrative public command and the most determinant for the reputation of the architect, the standardization of architectural production process that the Conseil des bâtiments civils introduced, was a true "system of civil buildings" whose role was probably even more important than that of the École des Beaux Arts or the Académie in the early nineteenth century
47
Kenneally, Rhona Richman. "The tempered gaze : medieval church architecture, scripted tourism, and ecclesiology in early Victorian Britain". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19609.
Testo completoAbstract (sommario):
This dissertation explores how architecture is valorized by the cultural artifacts, both visual and text-based, which present and describe it. It examines aspects of the Gothic Revival in early Victorian Britain, to consider the assimilation of models of evolving architectural discourse by one organization with specialized interest in its promotion, and adaptations of that discourse in the realm of popular culture. The dissertation focuses on the ideology of the Cambridge Camden Society, from its inception in 1839 through to 1850. The Society advocated an appreciation of Gothic churches both for aesthetic, and for religious and moral reasons. A key dimension of its mandate, captured in the rhetoric of ecclesiology, was to prioritize an empirical investigation of extant medieval churches. Findings were to be recorded on specially-devised questionnaires, called "church schemes," using a text-based, specially-encoded taxonomy. Given the availability both of extensive documentation by the Society concerning these schemes, and of almost seven hundred completed forms, areas of conformity and divergence between the prescriptive, instructional material, and the descriptive material which indicates the actual reception of the architecture, may be discerned. "Church visiting" hence became the primary means of personal engagement with the architecture, enacted through the elaborate ritual of scripted tourism spelled out by the church schemes and attendant pedagogical documents. The importance, and the implications, of tourism to members of the Cambridge Camden Society are addressed through an evaluation of travel theories and methodologies, developed, especially, since the 1990s. An understanding of ecclesiology in terms of travel theory enables it to be evaluated in a wider context, namely as part of an emerging tourist ethos based on expanding opportunities and incentives to travel through Britain. From this perspective, the Cambridge Camden Society is to be perceived as part of a larger consortium of advocates of tourism to sights of medieval architecture, who employed similar inducements and terminology, and who created such markers of architectural authenticity as travel guides to mediate the traveller's reception of a given sight. As a result, the possibilities of the widespread dissemination of at least the architectural components of ecclesiological ideals, as part of the groundswell of promotional material devoted to all things Gothic, were enhanced.
48
Bodin, Anders. "Helgo Zettervalls arkitektur". Doctoral thesis, KTH, Arkitekturens historia och teori, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-206814.
Testo completoAbstract (sommario):
Helgo Zettervall (1831–1907) was one of Sweden’s principal architects and design talents. He was professionally active for 40 years, from the late 1850s to the mid-1890s – a period of intensive building activity in Sweden. For the first twenty years of his career, he had his practice in Lund, and in the subsequent twenty years he lived in Stockholm as head of Sweden’s state authority for public buildings. Zettervall was very productive. His portfolio contains 281 projects, of which 160 were executed, ranging from large cathedral restorations with thousands of detailed drawings and large public buildings to porch extensions and smaller residences. This dissertation highlights Zettervall’s works by putting them in a context and by analysing their qualitative aspects. Carried out as a historiographical case study, the framework for the dissertation is the architectural monograph. The individual architectural projects are the core of the presentation, assembling and making archive material readily accessible, and the method is leaning towards that of an oeuvre complète raisonné. The method includes three distinct approaches: a factual accounting of documents and drawings, a context-setting frame story that provides the conditions, and an architectural analysis. Zettervall belonged to the first generation of architects who could receive a well-planned and broad training in Sweden. All of this training took place against a backdrop of what a specific assignment demanded in terms of responsiveness and understanding. Zettervall developed a special talent for utilizing new construction methods and materials. Each assignment was a challenge to investigate new design principles and new spatial ideas. The investigation shows that every project was unique for Zettervall, and that his various solutions depended on the specific situation, regarding site and program. Zettervall was a distinct pragmatic. Every assignment had its unique conditions, and thus had a unique solution.QC 20170511
49
Marmion, Robert J. "Gibraltar of the south : defending Victoria : an analysis of colonial defence in Victoria, Australia, 1851-1901 /". Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/4851.
Testo completoAbstract (sommario):
During the nineteenth century, defence was a major issue in Victoria and Australia, as indeed it was in other British colonies and the United Kingdom. Considerable pressure was brought to bear by London on the self-governing colonies to help provide for their own defence against internal unrest and also possible invasions or incursions by nations such as France, Russia and the United States.From 1851 until defence was handed over to the new Australian Commonwealth at Federation in 1901, the Victorian colonial government spent considerable energy and money fortifying parts of Port Phillip Bay and the western coastline as well as developing the first colonial navy within the British Empire. Citizens were invited to form volunteer corps in their local areas as a second tier of defence behind the Imperial troops stationed in Victoria. When the garrison of Imperial troops was withdrawn in 1870, these units of amateur citizen soldiers formed the basis of the colony’s defence force. Following years of indecision, ineptitude and ad hoc defence planning that had left the colony virtually defenceless, in 1883 Victoria finally adopted a professional approach to defending the colony. The new scheme of defence allowed for a complete re-organisation of not only the colony’s existing naval and military forces, but also the command structure and supporting services. For the first time an integrated defence scheme was established that co-ordinated the fixed defences (forts, batteries minefields) with the land and naval forces. Other original and unique aspects of the scheme included the appointment of the first Minister of Defence in the Australian colonies and the first colonial Council of Defence to oversee the joint defence program. All of this was achieved under the guidance of Imperial advisors who sought to integrate the colony’s defences into the wider Imperial context.
This thesis seeks to analyse Victoria’s colonial defence scheme on a number of levels – firstly, the nature of the final defence scheme that was finally adopted in 1883 after years of vacillation, secondly, the effectiveness of the scheme in defending Victoria, thirdly, how the scheme linked to the greater Australasian and Imperial defence, and finally the political, economic, social and technological factors that shaped defence in Victoria during the second half of the nineteenth century.
50
Slayton, Jessica M. "A Par/ergon For Poe: Arthur Rackham And The Fin De Siècle Illustrators". ScholarWorks @ UVM, 2018. https://scholarworks.uvm.edu/graddis/866.
Testo completoAbstract (sommario):
This project began in Dr. Anthony Magistrale’s graduate seminar focused on the works of Edgar Allan Poe. It is the result of our common interests in Poe’s textual canon, and furthermore in the nineteenth- and twentieth-century illustrative works that were inspired by it. After performing significant research, the conclusion was reached that despite the extensive collection of visual works, catalogued by Burton Pollin, little work had been done that actually explored the relationship between these works and the text. I found myself asking what role this canon of illustrations played in shaping the public understanding of and reception towards the Poe tales that are so widely known today.
“A Par/ergon for Poe: Arthur Rackham and the Fin de Siècle Illustrators” is intended as an introduction for further study on the extent of influence that nineteenth- and twentieth- century artists had in promoting and supplementing Poe’s work. Given that the earliest prominent illustrator of the canon, Édouard Manet, began illustrating “The Raven” at the request of Charles Baudelaire, Poe’s first translator and the man who communicated Poe’s work to the world, the fin de siècle illustrations were produced concurrently to Poe’s burgeoning popularity. In the first chapter, I engage in a literary history of the fin de siècle artistic movements and major figures and their exposure to Poe, including Manet, Gustave Dore, and the Symbolists, Aubrey Beardsley, Harry Clarke, and the Decadents, and finally, Arthur Rackham and the Modernists. I track Poe’s influence after his death, exploring the question of why such prominent artists were interested in representing Poe’s work, specifically, in the first place. Subsequently, this thesis also discovers what elements of their work and aesthetics could be seen as representative of Poe’s. Then, using Jacques Derrida’s ekphrastic theory of the parergon/ergon supplementary relationship, I deconstruct the textual “lack” in Poe’s tales as that which sets up an availability to the illustration. Through this “lack,” the supplemental illustration can insert itself and exert its own power, altering the way the text is received based on the style and time of its reception.
My second chapter turns to Poe’s tales and the subsequent illustrations by Rackham. I place particular emphasis on texts and images of “The Cask of Amontillado” and “The Fall of the House of Usher,” with supplementary references to “Hop-Frog,” “Ligeia,” “The Domain of Arnheim,” and “Landor’s Cottage.” I use textual analysis and visual case studies to demonstrate the way in which the illustrations fill the “lack” present in their respective texts, and build out precisely where this lack can be seen. I explore the way the images both mimic and change the reader’s relationship with the tales and characters, altering the reader’s response and thus, the overarching canonical interpretation. By doing this, my project demonstrates how strong of an impact Arthur Rackham and the fin de siècle illustrators made on the public perception of and reception to the tales of Edgar Allan Poe.