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Wijaksono, Sigit, Sasmoko ., Yasinta Indrianti e Samuel Anindyo Wid. "Competencies of Indonesian Architects with Sosio Cultural Ecology: Anatomy based on Architect Background". International Journal of Engineering & Technology 7, n. 3.30 (24 agosto 2018): 208. http://dx.doi.org/10.14419/ijet.v7i3.30.18230.
Testo completoAbstract (sommario):
The architect's background becomes a key factor determining its success which is reflected through the competence of the architect itself. And the diversity of architectural backgrounds provided the basis for this research. The study aims to see if there are differences in the competence of Indonesian architects if distinguished based on demographic background and architectural work, and what architect's background is the most powerful in determining its competence. A neuroresearch method is a method applied in this research. The results showed that there are differences in the competence of Indonesian architects if differentiated based on demographic background and architectural works. The second research result is the number of projects handled by Architects is a very decisive variable to realize the Indonesian architects become more competent.
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Arora, Oorja, Shiba Das, Shruthi Siva E S, Saaral A S e Shruti Nagdeve. "Client expectations in the purview of architecture". International Journal of Students' Research in Technology & Management 9, n. 4 (30 dicembre 2021): 40–53. http://dx.doi.org/10.18510/ijsrtm.2021.944.
Testo completoAbstract (sommario):
Purpose of the study: From the conceptualisation to the construction stage, clients have a wide range of expectations from architects, and sometimes not addressing or meeting these expectations can land both of them in conflicts of interest, which might affect the architect’s career. This study attempts to unfold the dynamics of the client-architect relationships, emphasizing clients’ expectations from architects.
Methodology: This research has been conceptualised to cover various aspects of the client-architecture relationships through an in-depth literature review, followed by undertaking a survey. The literature review has touched upon different factors that shape the client-architect relationships, various architects’ theories, and how clients feel. The survey was conducted online amongst 29 architects and 12 clients to get their perspectives on the issue, giving more detailed insights into the topic.
Main Findings: The findings have revealed that clients who’ll be personally occupying and using the space have the maximum expectations from the architects who’re designing that space, with these expectations spanning the entire process starting right from their initial interactions to post-occupancy. Most of these expectations and their consequent circumstances become complex where the budgets are strict and tight, as it is difficult for the clients and the architects to compensate for the losses.
Novelty/Originality of this study: Architectural practice is an ever-evolving profession, where relationships between architects and clients are not static, but dynamic as per the changing working styles. This study represents a fresh angle of current practicing architects and their views, which may prove beneficial for architects stepping out from colleges to working industry.
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Melnikova, Olga, e Svetlana Shuvalova. "Descriptive geometry as a tool for the development of future architects’ imaginative abilities". E3S Web of Conferences 110 (2019): 02104. http://dx.doi.org/10.1051/e3sconf/201911002104.
Testo completoAbstract (sommario):
The article gives a brief overview of the types of perspective. The importance of perspective’s construction from the real point of view is noted. An attempt to clarify the significance of spatial thinking and crea-tive imagination in teaching an architect’s profession is made in this paper. The methods of descriptive geometry affecting the accuracy of visual clari-ty are determined. The importance of creative and professional characteris-tics of a student-architect and a practicing architect are examined. Stu-dents-architects and practicing architects with different working experience were presented as the respondents. The similarity in the designation of high importance of imagination and creative thinking in all groups of respond-ents in professional work was revealed.
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Tamariska, S. R., M. J. Siregar e A. T. Widya. "Collaboration settlement improvement program: Case study Kampung Tematik, Semarang". IOP Conference Series: Earth and Environmental Science 881, n. 1 (1 novembre 2021): 012007. http://dx.doi.org/10.1088/1755-1315/881/1/012007.
Testo completoAbstract (sommario):
Abstract The architect’s profession is very close to things related to design. The face of the metropolis, which is now entering the modern era, contrasts with the faces of lower strata towns that are unable to catch up. Because of this, local governments in Indonesia have launched several initiatives to improve settlements by including architects in the planning process. According to a case study completed in Semarang, one of the government’s efforts to improve settlements is the Kampung Tematik program. This program provides new collaboration between architect organizations, governments, and communities. In performance, the architect serves many clients, and there are several design negotiations. However, due to the large number of people engaged and the time constraint, the design eventually gained concept dispersion. What was envisioned or planned is not synonymous with what was constructed or implemented. This study aims to examine how architects engage with several clients during the Kampung Tematik program’s phases and have to deal with the design and build phase. Architects who work with the community need special skills to communicate with many clients. The concept of the collective agreement may be realized not just as an architect’s work but also as a collaborative all actors thought.
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Zhilskiy, Nicolay, Emma Shariapova e Marina Matveeva. "Protection of intellectual property of an architect". E3S Web of Conferences 91 (2019): 05029. http://dx.doi.org/10.1051/e3sconf/20199105029.
Testo completoAbstract (sommario):
In the paper, the authors raise the issue of protecting the copyright of an architect. One of the ways to protect it is the trial. The RF Constitution guarantees judicial protection of rights and freedoms. Recently, in the Russian Federation, the number of appeals to the court for copyright protection has increased, indicating a large number of infringements of intellectual property rights of architects. The study of the authors showed that often the cause of litigation is the discrepancy of the values of the objects of copyright of the architect. To interpret such concepts as “architectural solution”, “architectural design”, “architect’s concept”, “architect’s idea” and others, the court is forced to involve specialists whose opinions in the court decision become the source of law, which contradicts the theory of state and law. The authors believe that the legislative consolidation of clear, certain essential features of the conceptual and categorical framework used in architectural activity is the improvement of the protection mechanism for the works of architects that are the result of their creative activity.
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Handayani, Irma Rosalia, e Rhian Indradewa. "The Effect Of Subjective Norms, Competence And Professional Code Of Ethics In Increasing Job Satisfaction Through The Mediation Of Motivation Variables In The Professional Association Of The Indonesia Architecture Link". Cakrawala Repositori IMWI 6, n. 5 (23 ottobre 2023): 1851–65. http://dx.doi.org/10.52851/cakrawala.v6i5.505.
Testo completoAbstract (sommario):
In an organization, employee job satisfaction is an important factor in the management of human resources so it must be optimized, because job satisfaction determines the success of the organization's strategic goals and is able to contribute economically. Job satisfaction in an organization needs to be improved considering the current level of competition which is also getting tighter, so it is quite important to conduct research on the factors that affect the job satisfaction of architects. This research aims to analyze and explain the influence of competence on architect's motivation and the influence of professional code of ethics, competence, subjective norms and architect's motivation on architect's job satisfaction. This research uses an explanatory survey method approach with a questionnaire as a primary data collection tool online through google form. The research was conducted on May 20, 2023 until the Questionnaire was distributed to 100 members of the IAI Professional Association-Indonesian Architects Association. Multivariate statistical method namely Partial Least Square-Structural Equation Modeling (PLS-SEM) was used to answer the research hypothesis. The results of the research prove that competence has a positive influence on motivation, competence has a positive influence on job satisfaction, subjective norms have a significant influence on Job Satisfaction and Motivation has a significant influence on Job Satisfaction. While the professional code of ethics does not have a significant effect on Job Satisfaction. The implications of the results of this research for the organization should be able to increase the job satisfaction of architects, that is, by increasing their competence and work motivation. Competence can be done by improving their work skills with a variety of more challenging tasks. The same goes for work motivation, such as giving wide powers to the architect to organize his work team to always coordinate well. As for the organization of IAI as a container of architects' bonds, it should be more active in socializing the public/clients, by educating them on the importance of using the services of certified or licensed architects. For IAI, it should give strict sanctions to its members who practice by violating the code of ethics of the profession of an architect.
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Consoli, Giustina. "The Architect's Dilemma: A Self Reflection in Understanding Prison Design and Construction in Private Prison Projects". Construction Economics and Building 6, n. 2 (22 novembre 2012): 1–10. http://dx.doi.org/10.5130/ajceb.v6i2.2979.
Testo completoAbstract (sommario):
Australia embarked upon a number of private prison projects during the 1990's. These projects involved the competitive bidding for prison projects by consortia, which generally consisted of a correctional operator, contractor and architect. The architect's role in such projects was to satisfy the needs and desires of the operator, contractor and government assessors.As a result, the architect became acritical element in the successful delivery of the prison projects.Intensive interviews with such architects have shown that a number of issues were experienced as a result of their inclusion in the projects.These architects reported: (a) uncertainty in undertaking large specialist projects,(b) grappling with their own expectations and those of other participating parties as to the role of the prison architect, (c) a desire to acquire a working knowledge of the philosophies of incarceration and prison design and construction, and (d) difficulties in working within an environment where suspicions were raised in regards to conflicting and underlying objectives of the operators and contractors.
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Kelly, Madeleine Jane Swete, e Glenda Amayo Caldwell. "Responsible Reconstruction: The Architect’s Role". Open House International 39, n. 3 (1 settembre 2014): 17–27. http://dx.doi.org/10.1108/ohi-03-2014-b0003.
Testo completoAbstract (sommario):
This paper investigates the role of the architect in post-disaster reconstruction and questions their ability to facilitate permanent building solutions. There is an ever-increasing population of refugees and internally displaced persons due to disasters and conflicts who have a basic need for shelter. To date, housing solutions for such people has tended to focus on short-term, temporary shelter solutions that have been largely unsuccessful. This increasing demand for shelter has led to an emerging group of architects skilled in post-disaster reconstruction. These architects acknowledge that shelter is critical to survival, but believe architects should focus on rebuilding in a manner that is quick, durable but permanent. They believe that an architect skilled in post-disaster reconstruction can produce solutions that meet the requirement of the emergency phase, through to semi-permanent and even permanent homes, without wasting time and money on interim shelters. Case Study Research was used to examine and evaluate the assistance provided by Emergency Architects Australia (EAA) to the Kei Gold community in the Solomon Islands after the 2007 earthquake and tsunami. The results indicate that an architect’s response to a disaster must go beyond providing temporary shelter; they must create permanent building solutions that respond to the site and the culture while servicing the needs of the community. The vernacular reconstruction methods implemented by EAA in Kei Gold Village have been successful in developing permanent housing solutions. Further research and development is required to gain a broader understanding of the role of the architect in disasters of varying scales and typologies.
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Van Assche, Pierre. "Taliesin West, 1972". lieuxdits, n. 25 (10 giugno 2024): 20–25. http://dx.doi.org/10.14428/ld.vi25.84173.
Testo completoAbstract (sommario):
Résumé. Au cours d’un road trip aux États-Unis en 1972, la découverte fortuite et la visite d’un lieu mythique de l’histoire de l’architecture – la résidence et l’atelier d’hiver de Frank Lloyd Wright en Arizona – avec la rencontre étrange des deux personnages les plus proches du plus grand des architectes américains, décédé 13 ans plus tôt. Une anecdote singulière vécue comme un coup du destin dans le chef de l’auteur, jeune architecte fraîchement diplômé. Abstract. During a road trip to the United States in 1972, the chance discovery and visit of a mythical place in the history of architecture – Frank Lloyd Wright's residence and winter studio in Arizona – with the strange meeting of the two characters closest to the greatest of American architects, who died 13 years earlier. A singular anecdote experienced as a stroke of fate by the author, a young, freshly graduated architect.
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Lukacher, Brian. "A Dark Portrait: John Britton’s Denunciation of John Soane". Architectural History 66 (2023): 57–72. http://dx.doi.org/10.1017/arh.2023.4.
Testo completoAbstract (sommario):
ABSTRACTThis article presents hitherto overlooked documents at Vassar College in the United States relating to the character and reputation of the architect John Soane (1753–1837). The antiquarian and topographic author John Britton (1771–1857), a lifelong friend and associate of Soane, planned to write a ’tell-all’ biography in which he would reveal the malicious nature of the architect, and his obsession with remembrance and veneration, to scandalous effect. The scope and purpose of Britton’s intended exposé are established here through notes and correspondences that describe the resentful microclimate of the architects, writers, employees and family members in Soane’s orbit. A further manuscript by Britton, which satirises his devotion to Soane and the architect’s house museum, is also analysed. In the process, the article broaches the role of architectural journalism in fashioning the reputations of architects and their private and public personas in early Victorian London. It also considers the relationship of temperament to architectural invention and historiographic permutations in the controversial appraisal of Soane.
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Butvilaitė, Rasa. "Architektas XVIII amžiaus Lietuvos Didžiosios Kunigaikštystės visuomenėje". Lietuvos Didžioji Kunigaikštystė Luomas. Pašaukimas. Užsiėmimas, T. 5 (1 gennaio 2021): 254–70. http://dx.doi.org/10.33918/23516968-005012.
Testo completoAbstract (sommario):
ARCHITECT IN THE SOCIETY OF THE 18TH CENTURY GRAND DUCHY OF LITHUANIA The article deals with the problem of professional field of activity of an architect, the place of his profession in the system of crafts, sciences and arts, architects’ position in the society of the eighteenth century. Before the education reform undertaken by the Education Commission, architecture had not been developed into a separate subject that provided professional training in the schools of the Grand Duchy of Lithuania. The course in architecture was only a part of general education in Vilnius Jesuit Academy, in nobility schools of a military type, and Jesuit and Piarist Collegium Nobilium. There was not enough focus on architectural studies in these most important educational institutions of the Grand Duchy of Lithuania: a short course of up to two years provided only general and technical basis of the theory of architecture based on classical orders, and it was not capable of training high ranked professionals-practitioners. Until the eighties of the 18th century, to become an independent professional architect one had to continue his studies abroad. It is argued that the Enlightenment concept of a creator serving to the state and society as well as representing them has provided an important impetus to the growth of the value of the architect’s profession and its social status. While many eighteenth-century artists were still very close to craftsmen in terms of social status (it was considered, that they used to do specific tasks and earn a living by employing manual / physical, not intellectual / mental powers), architects, due to the specifics of their education – studies at the university and military careers (they were mostly employed as engineers) were granted titles of nobility. In the eighteenth century, the social and material position of the architect-creator, who had been liberated from the crafts guild system, had evolved considerably and created conditions for privileges and for the establishment in the rank of nobility. The nobilitation of architects, who usually also had the rank of an officer and executed significant orders in large estates, intensified especially during the period of the partitions of the Polish–Lithuanian Commonwealth. Experienced architects were desired and welcome guests in the manors of the nobles. Successful architects used to invest accumulated funds in real estate and manors with land. The architect was no longer just a hired employee but became a patron himself – the one who was initiating and partly financing construction. Keywords: architect, engineer, social status of an architect, Enlightenment, nobilitation.
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Dijokienė, Dalia, Eglė Navickienė e Edita Riaubienė. "Self-Awareness of Soviet Lithuanian Architects in Their Creative Power and Social Significance". Buildings 12, n. 1 (21 dicembre 2021): 1. http://dx.doi.org/10.3390/buildings12010001.
Testo completoAbstract (sommario):
The field of contemporary Lithuanian architecture is influenced by architects from different periods with different attitudes. This is manifested by increasing miscommunication between generations of architects and a crisis of values. Various tensions in the community of architects triggered the idea to look to the past and examine the self-awareness of professional architects in Soviet society. In this study, we delved into their understanding of the architect’s mission, role, status, and significance in society through their expectations, powers, impact, and perceived responsibility. This study is based on semi-structured in-depth interviews with 9prominent and influential architects who received their professional education in post-war Lithuania and were actively working in the Soviet period (1955–1990) and later. In general, Lithuanian architects managed to withstand Soviet doctrine and remained loyal to Western cultural values. The study’s findings reveal five components of the architect’s self-awareness, which define the dual scope of this field, where architects perform their direct professional tasks and where they express themselves as people of culture. The self-awareness crisis becomes prominent in the main axis of the architect’s choice of art creator vs. service provider, where Lithuanian modernists position themselves as artist–creator’, leading to frustration regarding the current reality.
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Metz, Christopher. "A Township Complete in Itself: The London County Council Architects and the Building of Becontree, 1919–34". Architectural History 65 (2022): 39–60. http://dx.doi.org/10.1017/arh.2022.3.
Testo completoAbstract (sommario):
ABSTRACTBetween the first and second world wars, the London County Council (LCC) provided 82,000 working-class cottages and flats, of which 25,000 were built on the vast Becontree estate in the east of the metropolis. With these immense housing operations in hand, the LCC drastically increased its technical and administrative staff, becoming one of the largest municipal housing authorities in the world. This article sheds light on the organisation and functioning of the LCC Architect’s Department through analysis of the Becontree estate. Despite the extensive literature on municipal housing in the inter-war years, the council’s own architects during this period have remained almost entirely unknown. Contrary to the widespread preconception of the ‘official architect’, the LCC Architect’s Department evaluated and revised its organisational structure and managed to maintain a remarkable variety and complexity in its urbanistic approach — despite the overarching principles of standardisation and simplification, and despite its limited influence in relation to other departments within the LCC. Analysis of archival sources reveals the identity of these official architects and questions whether the organisational structure of the LCC Architect’s Department as a bureaucracy was reflected in the character of its housing estates.
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Alkan Bala, Havva. "Reading of the Architectural Identity via Cinema". CINEJ Cinema Journal 4, n. 1 (13 luglio 2015): 79–109. http://dx.doi.org/10.5195/cinej.2014.118.
Testo completoAbstract (sommario):
This study focused on the identity and proficiency of the profession of architecture via characters of “architect”, “student of architecture” and “having ambition to become an architect” in various films. Conclusions have been drawn about the professional applications and architectural life from the cinematographic level regarding the architect characters and their jobs via the seven films and a total of eleven different architect characters studied. This study aims to revise, through the cinema, the questions of what does an architect do? How does an architect work? What are the tools that an architect uses? How does an architect create their works? What is the mental map of an architect like? In short, who is an architect? New conclusions have been drawn, via a total of eleven different characters of architects in seven films, about architects and architects’ job from the cinematographic level to Professional practiceand architectural life.
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Stauskas, Vladas. "KAI KURIE ŠIUOLAIKINĖS ARCHITEKTŪROLOGIJOS ASPEKTAI". JOURNAL OF ARCHITECTURE AND URBANISM 33, Supplement (31 dicembre 2009): 270–78. http://dx.doi.org/10.3846/1392-1630.2009.33.270-278.
Testo completoAbstract (sommario):
The paper presents and analyses in detail the content and significance of the new definition of architecture “as the art and science of designing the environment (space)” for contemporary architecturology and architectural practice. It discusses in greater detail the social and ecological tasks of architecture in contemporary society as well as the responsibility of the architect and new research trends in architecturology. The paper also focuses on the importance of regionality trend in the context of modern globalization and touches upon the questions of architects’ professional training specialization. Santrauka Straipsnyje plačiau pristatomas ir detalizuojamas naujojo architektūros apibrėžimo „Architektūra – tai menas ir mokslas formuoti aplinką (erdvę)“ – turinys ir reikšmė šiuolaikinei architektūrologijai ir architektūros praktikai. Detaliau aptariami socialiniai ir ekologiniai architektūros uždaviniai dabartinėje visuomenėje, architekto atsakomybė, naujos tyrimų kryptys architektūrologijoje. Atskirai aptarta regionalumo krypties svarba dabartinės globalizacijos fone. Paliesti architektų profesinio rengimo specializacijos klausimai.
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Stauskas, Vladas. "KAI KURIE ŠIUOLAIKINĖS ARCHITEKTŪROLOGIJOS ASPEKTAI". JOURNAL OF ARCHITECTURE AND URBANISM 33, Supplement (31 dicembre 2009): 270–78. http://dx.doi.org/10.3846/13921630.2009.33.270-278.
Testo completoAbstract (sommario):
The paper presents and analyses in detail the content and significance of the new definition of architecture “as the art and science of designing the environment (space)” for contemporary architecturology and architectural practice. It discusses in greater detail the social and ecological tasks of architecture in contemporary society as well as the responsibility of the architect and new research trends in architecturology. The paper also focuses on the importance of regionality trend in the context of modern globalization and touches upon the questions of architects’ professional training specialization. Santrauka Straipsnyje plačiau pristatomas ir detalizuojamas naujojo architektūros apibrėžimo „Architektūra – tai menas ir mokslas formuoti aplinką (erdvę)“ – turinys ir reikšmė šiuolaikinei architektūrologijai ir architektūros praktikai. Detaliau aptariami socialiniai ir ekologiniai architektūros uždaviniai dabartinėje visuomenėje, architekto atsakomybė, naujos tyrimų kryptys architektūrologijoje. Atskirai aptarta regionalumo krypties svarba dabartinės globalizacijos fone. Paliesti architektų profesinio rengimo specializacijos klausimai.
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Devlin, Ann Sloan. "Architects: Gender-Role and Hiring Decisions". Psychological Reports 81, n. 2 (ottobre 1997): 667–76. http://dx.doi.org/10.2466/pr0.1997.81.2.667.
Testo completoAbstract (sommario):
To examine architects' judgments of male and female applicants represented by the information in resumes, 204 architects, 156 men and 48 women, licensed in the state of Connecticut participated in a 2(job level) by 2(sex) between-subjects study. Architects were asked how they would rate applicants' potential (including the decision to hire) and gender-role characteristics judged on the basis of one-page resumes. Architects randomly assigned resumes for one of four evaluation conditions (intern or senior architect; male or female), rated the applicant on seven job-related characteristics, e.g., technical skill, potential for advancement, and completed the Bern Sex-role Inventory as they thought items applied to the applicant. Analysis indicated that male architect respondents were more likely to hire male applicants than female applicants as senior architects and that female applicants were judged to be as masculine-typed as were male applicants.
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Ahmad, Saya H., Lawen A. Karim, Binay O. Rahim e Ashkan Azad. "An Inquiry About the Roles and Duties of Architects in the Public Sector: Sulaimani Governorate as the Study Field". Journal of Studies in Science and Engineering 1, n. 1 (25 agosto 2021): 11–19. http://dx.doi.org/10.53898/josse2021112.
Testo completoAbstract (sommario):
Architects throughout the time being experienced many roles in different times, while there have always been unclear what architects underwent and practised was their actual duty. This research tries to find proper answers about architects' duties, roles, and struggles in the Iraqi Kurdistan region. For this reason, questionnaires were applied to ask both the architects and administrative managers in Sulaimani governorate/department of building construction. We find out that the main role of an architect in the Sulaimani governorate is mainly designing projects. However, they are involved in managerial roles as project supervisors destined by the governorate and also another role of the architect is checking the drawings of the projects designed outside of this administration office. Another finding was that the architects in the Sulaimani governorate or Iraqi Kurdistan region generally face the problem that their works are done by other specialists, which sometimes cause some domain faults in the works and do not have enough or proper area to work in.
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Mácêl, Otakar. "Modern Architecture and Modern Furniture". Designing Modern Life, n. 46 (2012): 14–19. http://dx.doi.org/10.52200/46.a.9rk52tg1.
Testo completoAbstract (sommario):
Modern architecture and Modern furniture originated almost during the same period of time. Modern architects needed furniture compatible with their architecture and because it was not available on the market, architects had to design it themselves. This does not only apply for the period between 1920 and 1940, as other ambitious architectures had tried before to present their buildings as a unit both on the inside and on the outside. For example one can think of projects by Berlage, Gaudí, Mackintosh or Horta or the architectures of Czech Cubism and the Amsterdam School. This phenomenon originated in the 19th century and the furniture designs were usually developed for the architect’s own building designs and later offered to the broader consumer market, sometimes through specialized companies. This is the reason for which an agreement between the architect and the commissioner was needed, something which was not always taken for granted.
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Hallas-Murula, Karin. "Eižens Habermanis (1884–1944) un Herberts Johansons (1884–1964) – no studijām Rīgas Politehniskajā institūtā līdz Igaunijas arhitektūras virsotnēm". Inženierzinātņu un augstskolu vēsture 6 (26 settembre 2022): 34–54. http://dx.doi.org/10.7250/iav.2022.003.
Testo completoAbstract (sommario):
Graduates from Riga Polytechnic Institute Eugen Habermann (1884–1944) and Herbert Johanson (1884–1964) became the most active architects in Estonia of the 1920s and 1930s. E. Habermann was the city planning architect of Tallinn (1914–1923), the same time he headed the Construction Board of the Ministry of the Interior (1919–1923). H. Johanson lead the Tallinn city architect’s project bureau (1924–1944). From 1935, he also run the Tallinn municipal architecture office. Both architects were the founders of the Estonian Association of Architects (1921) and its chairmen, E. Habermann from 1921 to 1936, H. Johanson in the 1930s. The extensive list of E. Habermann’s and H. Johanson’s works consists around 200 projects, covering nearly all typologies of buildings. The article, using quotes from their fellows’ memories, characterises E. Habermann and H. Johanson as persons, and brings out the main features and stylistic development of their architecture.
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Liu, Wei, e Bo Yang. "Comprehensive Competency Evaluation on the National Class1 Registered Architects". Applied Mechanics and Materials 584-586 (luglio 2014): 2730–34. http://dx.doi.org/10.4028/www.scientific.net/amm.584-586.2730.
Testo completoAbstract (sommario):
the National Registered Architect Qualification Exam has held a total of 18 times since the National Registered Architect Qualification System was established,which has a history of nearly 20 years since 1995. The test system played an important role in promoting the development of architectural design industry and improving the competency of architects. But for some reasons, there are still some deficiencies and problem in the system. The biggest problem is that how to determine whether the practicing ability of National Registered Architects can meet the requirements of architectural industry and market. This thesis analyzes the status of examinees and the quality of examination questions based on the exam data of the National Registered Architects Qualification. The comprehensive competency evaluation on the National Registered Architects has been obtained using AHP-fuzzy comprehensive evaluation model.
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Erkan, ilker. "Early Design Stage Analysis with Brain Imaging Method". Interaction Design and Architecture(s), n. 44 (10 maggio 2020): 53–70. http://dx.doi.org/10.55612/s-5002-044-003.
Testo completoAbstract (sommario):
This study focuses on the early design phase in architectural design and aims to examine how participants transform their knowledge to make the initial decisions regarding design. A total of 100 volunteers, 50 architects and 50 non-architects, participated in the study. Architect and non-architect participants were to make mobile phone designs, while brain activities were being monitored during the research. All designs were rated by an independent group of 12 people. Supporting architectural education methods relating to the study; the aim is to make conclusions that help explain the early design stage and the overall design process which effects how the design ideas begin to take form. The study reveals the contribution of the early stages of design regarding architectural education and also that architects versus non-architects begin to create more meaningful designs during/at this stage.
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Parolek, Karen. "Architects and Information Architects". Bulletin of the American Society for Information Science and Technology 27, n. 1 (31 gennaio 2005): 27–28. http://dx.doi.org/10.1002/bult.189.
Testo completo
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Dasyapu, Adyathan, Greeshmika Nagubilli, Jayanth V. Kutcharlapati, Hari Prasad Guntuku e Shruti S. Nagdeve. "Role of an architect in projects involving EPC contracts". International Journal of Students' Research in Technology & Management 9, n. 4 (30 dicembre 2021): 01–15. http://dx.doi.org/10.18510/ijsrtm.2021.941.
Testo completoAbstract (sommario):
Purpose: Engineering, procurement, and construction (EPC) contracts are on their way to becoming the most common type of contract used by the private sector for large-scale infrastructure projects. Every project requires a strong relationship between all of the experts participating in EPC projects and the client. This relationship must be solidly established by an architect; otherwise, the project may fail for all parties involved, including the client, contractor, lenders, government, and others. The purpose of this study is to identify if the working of the EPC contracts is favourable for the architectural profession, and to identify the way in which the working could be improved.
Methodology: A qualitative approach was applied to analyze the critical points of EPC contracts based upon reviews of related case studies from the public sector and supplementary interviews with professionals in the field.
Main Finding: The architect's role in an EPC contract is not crucial and is equal to other stakeholders involved in the project. Also, EPC contractors have the power to dictate the workflow of the project and hence, architects might have to compromise in terms of the design, compensation, etc.
Implications: It is very important for every project to have an outcome based on each stakeholders/consultants inputs specially on larger projects, this article is a step towards understanding the role of architects under an EPC contract as the future projects will come under its purview.
Novelty: The study is done under the lens of a newly graduated architect and not as any other professional, thereby trying to develop an understanding for fresh architects.
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Humphris, Adrian, e Geoff Mew. "Carpenter, Artisan, Architect; Status In Late Nineteenth Century Wellington". Architectural History Aotearoa 4 (31 ottobre 2007): 28–33. http://dx.doi.org/10.26686/aha.v4i0.6737.
Testo completoAbstract (sommario):
The distinction between a minor professional architect and a leading builder in Wellington was considerably more blurred in the late nineteenth century than it would be today. However, busy architects could make a lot of money and the term "architect" carried status that might open more doors than would be available to a mere builder. Late nineteenth century Wellington is now apparently only represented by a handful of buildings by prominent architects. Most people automatically think of the CBD and names like Thomas Turnbull & Son, William Chatfield, Frederick de Jersey Clere, John Campbell and perhaps William Crichton. Clayton, Toxward and Tringham were dead or almost gone, and new generation architects were barely emerging. We contend, however, that this picture is an oversimplification and considerably more of 1890s Wellington remains, as does the evidence for a much longer roll-call of architects, some of whom practised on the fringes, both of the city and of their profession. The architects we discuss here did not generally design large, flamboyant buildings, nor did they cater for rich company clients. Many of the lesser-known architects were particularly susceptible to boom-bust cycles and were forced to seek other employment in lean times - hence their rapid arrivals and departures from the trade listings in the directories of these years
26
Indrosaptono, Djoko, Tri Susetyo Andadari e Alfanadi Agung Setiyawan. "The Studies of Architectural Design Method". Journal of Architectural Design and Urbanism 3, n. 2 (24 aprile 2021): 84–96. http://dx.doi.org/10.14710/jadu.v3i2.10711.
Testo completoAbstract (sommario):
The design processes and strategies applied to each architect in carrying out their design tasks are different. The stages in producing architectural work can be based on the theory of certain design methods, intuition or design experience from each architect. As an architect, it is mandatory to know the design process in accordance with existing methods. There are several variables in the design method according to Jones and Schmitt. And this study aims to find the variables most widely used by 8 architects in designing. Including the average of the variables it uses. The method used in this research is quantitative method with one way ANOVA (analysis of variant) as its statistical analysis, by examining the mean difference between the research objects. The literature study was used to obtain an analysis of the design process and the methods used by 4 well-known architects as their secondary empirical data source, while field observations in the form of direct interviews were carried out to obtain the reality of the design process for 4 local architects with various backgrounds and characteristics as well as different architectural works. The end result shows that the average level of architects in the use of research variables is not much different and the design process variables that are most often used by architects in carrying out architectural designs, are the clarity of the need for the design function, the use of the drawing system and the design results that are meaningful and logical.
27
Butt, Amy. "‘Endless forms, vistas and hues’: why architects should read science fiction". Architectural Research Quarterly 22, n. 2 (giugno 2018): 151–60. http://dx.doi.org/10.1017/s1359135518000374.
Testo completoAbstract (sommario):
Most of an architect's life is concerned with that which has not yet taken place, both foreseeing the near future and expressing an intention of how this future world should be remade. However small the intervention, all design proposals are utopian works. With this in mind, this article is a celebration of the utopian potential of reading science fiction (SF); to make the familiar strange, to reveal fears about the future, to confront us with ourselves, and to shape the world we inhabit. It is an unabashed call from an architect and avid SF reader, for architects to raid the bookshelves for the most lurid cover and glaring font and lose themselves in the exuberant worlds of science fiction.
28
Salcedo Rahola, Tadeo Baldiri, e Ad Straub. "The role of the architect using integrated contracts for social housing renovation projects". Journal of Engineering, Design and Technology 14, n. 4 (3 ottobre 2016): 802–17. http://dx.doi.org/10.1108/jedt-02-2015-0008.
Testo completoAbstract (sommario):
Purpose This paper aims to gain more in-depth knowledge in the tendering procedures and organisational typologies of consortia working with integrated contracts for social housing renovation projects and especially in the inherent changes in the role of the architect and his or her relations with the client and consortium members. Design/methodology/approach In total, 21 Dutch social housing renovation projects using an integrated contract with the involvement of an architect were identified in the period 2005-2013. The study is based on interviews with 13 from 21 architects working in these projects. Findings The findings indicate that in the majority of these projects, the architect is contracted by the main contractor rather than by the client, the social housing organisation. The new contractual relationship has no significant effect on the relationship of the architect with the social housing organisation and improves the relationship of the architect with the main contractor, consultants, advisors and other consortium members, such as specialist contractors. The architect switches from the role of designer to that of technical and aesthetic advisor, compared to traditional design-bid-build projects. Research limitations/implications The findings are based on the first experiences of architects working with integrated contracts for social housing renovation projects. Results may be different for other types of projects. Practical implications Architects involved in integrated contracts for housing renovation projects can foresee the implications for their daily work. The study provides useful insights for educational reform to prepare students and practising architects to make the most of the new situation. Originality/value The few studies into integrated contracts that refer to the role of the architect have flagged up changes in this role relative to the traditional design-bid-build approach. This study provides in-depth knowledge of the role of the architect in integrated contracts.
29
Shanken, Andrew M. "Breaking the Taboo: Architects and Advertising in Depression and War". Journal of the Society of Architectural Historians 69, n. 3 (1 settembre 2010): 406–29. http://dx.doi.org/10.1525/jsah.2010.69.3.406.
Testo completoAbstract (sommario):
Breaking the Taboo: Architects and Advertising in Depression and War chronicles the fall of a professional interdiction in architecture, precipitated by the Second World War. For much of the history of their profession in the United States, architects——unlike builders and engineers, their main competition——faced censure from the American Institute of Architects if they advertised their services. Architects established models of professional behavior intended to hold them apart from the commercial realm. Andrew M. Shanken explores how the Great Depression and the Second World War strained this outdated model of practice, placing architects within consumer culture in more conspicuous ways, redefining the architect's role in society and making public relations an essential part of presenting the profession to the public. Only with the unification of the AIA after the war would architects conduct a modern public relations campaign, but the taboo had begun to erode in the 1930s and early 1940s, setting the stage for the emergence of the modern profession.
30
Farjami, Ghazal, e Guita Farivarsadri. "LATEST ATTEMPTS IN CONTEMPORARY IRANIAN ARCHITECTURE IN SEARCH FOR AUTHENTICITY". JOURNAL OF ARCHITECTURE AND URBANISM 44, n. 2 (27 novembre 2020): 176–87. http://dx.doi.org/10.3846/jau.2020.12165.
Testo completoAbstract (sommario):
The conflictions between homogeneity and universal values suggested by Modernism and traditional values resulted in a variety of ideas generated as a search for authenticity all over the world. Iran is known as one of the countries which imported the modern ideas directly to a society, which was still living with and respecting the traditional values. This challenge between the two seemingly conflicting poles of tradition and modernism resulted in three periods in the history of contemporary Iranian architecture. Now, it seems that Iranian architecture has entered to a new period regarding the interpretation of authenticity. Since novelty and relation with the past are known as the main indicators of the concept of authenticity, in this research it is tried to explore the ideas of seven pioneers of the new generation of architects in Iran around these concepts. These architects are amongst the most well-known young architects of Iran who have won more than 3 prizes in Memar (Architect) competition which is the most prestigious architectural competition in the country. To find out the interpretation of these architects about the concept of authenticity, inclusive interviews have been realized with these architects. Then, using recursive abstraction method, it is tried to find out the main points in definition of the concept of authenticity by each architect. In addition, some of the completed projects of theses architects have been visited and analyzed to find out the reflection of their ideas related to authenticity in their projects.
31
Popova, O., e N. Malik. "ARCHITECTURAL EDUCATION AS A NEW STAGE OF DEVELOPMENT". Municipal economy of cities 6, n. 159 (27 novembre 2020): 97–102. http://dx.doi.org/10.33042/2522-1809-2020-6-159-97-102.
Testo completoAbstract (sommario):
The article considers the peculiarities of improvement and principles of the strategy of architectural education and the training peculiarities of modern specialists-architects for a new social order to improve the quality of professional activity. The need to improve the quality of architectural education and training of specialists is described. Implementation of programs of environmental ecological protection, rational using of natural resources, formation of a full-fledged human living environment by means of garden and park architecture, preservation of the natural environment in the city and creation of anthropogenic landscapes is a professional task of architects. New forms of creative activity are ahead of the theory and methodology of architectural design, which include everything new in technical and cultural progress. Digital technologies have penetrated into all spheres of human activity and today it is impossible to imagine modern architecture without their use. The introduction of digital technologies in the educational process in higher education in the training of future architects has become a matter of time. Computer and information technology are only a tool, but not a universal tool that can replace all areas of educational activity in the field of higher architectural education. The potential and creative capabilities of modern information technology in the training of future architects is not fully used, which shifts the emphasis of vocational education towards technocratization to the detriment of the creative, artistic component. Architecture is both art, and engineering, and construction. Digital systems are no longer only amplifiers of the speed of human action, not only new means of analysis, formation and perception, but also integral components of design, which is understood as creative activity. A special place in the training of an architect is occupied by creative design. Science and the broad humanity education are becoming a breeding ground for architectural creativity. This determines the tasks of training and education of the architect. The organization of architectural education as a holistic system of architect’s activities must take into account the fundamental changes that under the influence of social development and scientific and technical, economic and social forecasts occur in the activities of the architect. Ideological and social views of the architect, his spatial, constructive and aesthetic ideas are expressed in the artistic form and stylistic nature of the architectural work. Architectural and artistic image of architecture is invariably formed from the worldview; current issues of the time, from ideas about what should be an artificial space and what requirements it must meet.
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Petrušonis, Vytautas. "SOCIALINIO SOLIDARUMO MOTYVAI ARCHITEKTO VYTAUTO LANDSBERGIO-ŽEMKALNIO KŪRYBOJE". JOURNAL OF ARCHITECTURE AND URBANISM 34, n. 3 (30 settembre 2010): 128–37. http://dx.doi.org/10.3846/tpa.2010.13.
Testo completoAbstract (sommario):
In contemporary society marginalization, alienation of social groups is increasing. Among other things, it is related to changes in the phenomenon of social solidarity, which are influenced by the processes of individualization, diversification, globalization, segmentation. Architectural works of modern architects, that together with customers represent the attitudes of nowadays, often reflect the desire to dominate. While educating young architects it is important to provide them not only with technical and artistic skills, but also to make them understand how architecture can take part in the the actualization of harmonic social behaviour stereotypes, the psychological attitude to encourage the pursuit of social solidarity. It is therefore important to learn how architectural composition can ensure a harmonious social interaction. The related adequate experience is worth studying. It is particularly important to evaluate the works of different periods of our country’s famous architects. V. Landsbergis-Žemkalnis could be distinguished as one of such architects to whom responsibility to society was particularly significant. Analysis revealed that V. Landsbergis-Žemkalnis‘ works are characterized by predominance of an organic compositional type what means that the programming of social solidarity attitudes by architectural compositional measures is ensured. In particular, these properties are characteristic of V. Landsbergis-Žemkalnis‘ buildings realized in the heart of Kaunas city. These buildings are better harmonizing with adjacent buildings and the whole street space. Moving away from the center, in the buildings erected by V. Landsbergis-Žemkalnis design, the number of vertical elements increases, separate parts of a building have a more distinct height, the silhouette becomes more active, more dynamic. Typologically such a building could be assigned to the hierachical compositional type. In contrast to ’’buildings of the street”, ”of the city”, these buildings represent ’suburban” buildings, what claims to be a local compositional center. Altogether V. Landsbergis-Žemkalnis‘ works illiustrate his ability to ”read” the situation in an urban context and use properly selected compositional building parameters, especially properly chosen measures operating in a dense group of existing buildings where the solidarity phenomenon is of great importance. Santrauka Šiuolaikinėje visuomenėje didėja atskirtis, socialinių grupių nesusikalbėjimas, užsisklendimas, kuriant grupinius idealus, siekiant nereikšmingų tikslų. Greta kitų dalykų, tai susiję su socialinio solidarumo kaita, kuri veikiama tokių šiuolaikinės civilizacijos reiškinių kaip individualizacija, diversifikacija, globalizacijos procesas, segmentacija. Šiuolaikinės kartos architektų, kartu su užsakovais esančių savojo laikotarpio atstovais, darbai ypač dažnai atspindi siekį dominuoti, išsiskirti bet kokioje miesto dalyje, bet kokioje pastatų apsuptyje, todėl ugdant šiuolaikinius architektus svarbu perteikti jiems ne tik meninio komponavimo įgūdžius, bet suvokimą, kaip architektūra gali prisidėti prie harmoningos socialinės elgsenos stereotipų aktualizavimo, ypač skatinant socialinį solidarumą (nes tai susiję su visuomenės grupių santykių harmonizavimo užtikrinimu). Todėl svarbus kompozicinių priemonių, galinčių užtikrinti harmoningos socialinės sąveikos nuostatų aktualizavimą, socialinio solidarumo nuostatų įtvirtinimą, pažinimas, o tam ypač svarbu šiuo aspektu įvertinti mūsų šalies įvairių laikotarpių įžymių architektų kūrybą. Vienu iš tokių architektų yra V. Landsbergis-Žemkalnis, kuriam architekto atsakomybė visuomenei buvo ypač svarbi. Architekto V. Landsbergio-Žemkalnio darbų analizė parodė, kad jo kūrybai būdingas organiškojo kompozicinio tipo vyravimas, o kartu – socialinio solidarumo programavimą užtikrinančių architektūrinių kompozicinių priemonių dominavimas. Ypač šiomis programuojančiomis savybėmis pasižymi V. Landsbergio-Žemkalnio pastatai, esantys pačioje Kauno miesto širdyje – Naujamiestyje. Tai pasireiškia tuo, kad šie pastatai yra daugiau miestietiško tipo, aktyviai „bendradarbiauja“ su gretimais pastatais, su visa gatvės erdve. Tolstant nuo centro, pastatuose gausėja vertikalių elementų, daugiau skiriasi atskirų pastato dalių aukštis, siluetas darosi aktyvesnis, dinamiškesnis. Tipologiškai tai būdingi priemiesčių ar užmiesčio pastatų, kurie pretenduoja į lokalinio kompozicinio centro vaidmenį, bruožai. V. LandsbergioŽemkalnio kūryba liudija apie jo sugebėjimą suprasti urbanistinę situaciją ir joje deramai parinkti statinio kompozicinius parametrus, ypač – tankiai užstatytoje aplinkoje, kur solidarumo vaizdinis reprezentavimas yra itin aktualus.
33
S. Kharsade, Bhalchandra, Sakshi Shah e Farrukh Ali. "Postural Awareness Among Architects with Musculoskeletal Pain - A Cross Sectional Study". International Journal of Health Sciences and Research 13, n. 6 (19 giugno 2023): 282. http://dx.doi.org/10.52403/ijhsr.20230645.
Testo completoAbstract (sommario):
Musculoskeletal pain is a substantial health concern for architects. To meet a work requirement, the architect must adjust and adapt to various postures at work. So, the current research aimed to find postural awareness among architects with musculoskeletal pain. Material and Method: This cross-sectional study included 97 participants with backgrounds as architects. Both male and women participants were included in this cross-sectional study. Participants ranged in age and gender. A postural awareness scale is used to measure postural awareness. Results: Data were analyzed employing the Statistical Chi-square test and One-Sample-t test. In our investigation, the t-test produced a significant statistical result with a p-value below the 5% significance level (i.e., 0.001 < 0.05). Conclusion: Based on the current findings, it can be concluded that architects with musculoskeletal pain were significant awareness of their posture. Key words: postural awareness, musculoskeletal pain, architects
34
Kohlrausch, Martin. "The Syrkus couple and the global cause of modernism". Journal of Modern European History 18, n. 4 (30 luglio 2020): 494–508. http://dx.doi.org/10.1177/1611894420943797.
Testo completoAbstract (sommario):
This article discusses the role of modernist architects in Poland during the first half of the twentieth century. The article argues that against the background of economic catching-up processes and the establishment of a new nation state and capital, modernist architects could enter into a close relationship with the modernising state. This relationship could partially survive World War II, albeit under different auspices. By employing the example of Poland’s foremost modernist architect Szymon Syrkus and his wife Helena, and their extensive correspondence with other Congrès Internationaux d’Architecture Moderne architects, the article discusses, moreover, the impact of the deep breaks coming with the rise of authoritarian regimes in the 1930s, the coming World War and the Holocaust, and finally the establishment of communist regimes on modernist architects.
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Obralic, Ahmed, e Fuad Catovic. "The Impact of Personal Characteristics of Architects on Their Architectural Work". International Journal of Learning and Development 6, n. 1 (30 gennaio 2016): 42. http://dx.doi.org/10.5296/ijld.v6i1.8181.
Testo completoAbstract (sommario):
The aim of this paper is to show an influence of human personalities on their professions and to try to find the best model of an architect. By reviewing the literature related to human competences and project management, the research model is created to find the connection between the influence of human (an architect) characteristics on a profession and the characteristics and personalities that are required for design and architecture in general. The study was conducted among the fourteen architects already involved in the designing process. The findings of study point out that in order to reach high productivity, the personal traits have a very big impact on every segment of job performing. The management of the companies should encourage their employees in maintaining their obligations and provide them with appropriate environment in order to fulfill all challenges. We hope this research will help other researchers, architects in A-eling Company, management and students at International Burch University to be aware of the fact that the personalities (characteristics) influence architects in their architectural work. Keywords—Personal Characteristics, Architect, Architectural Work, Impact
36
Adewunmi Oluwatayo, Adedapo, Eziyi Ibem e Dolapo Amole. "Satisfaction of first-time residential clients with architectural services". Journal of Engineering, Design and Technology 12, n. 3 (1 luglio 2014): 316–35. http://dx.doi.org/10.1108/jedt-03-2012-0012.
Testo completoAbstract (sommario):
Purpose – The aim of this study was to investigate the factors which define and predict the satisfaction of first-time residential clients of architects in Nigeria using Lagos as a case study. Design/methodology/approach – The study was based on the notion that satisfaction of first-time residential clients with architectural services is a combination of satisfaction with service, design and relationship qualities as well as reputation of the architect. A cross-sectional survey of randomly selected first-time residential clients of architects in the study area was conducted using pre-tested questionnaire as the principal data gathering instrument. Data were analyzed using descriptive statistics, factor and regression analyses. Findings – Of the seven factors identified, the factors which best define the satisfaction of the first-time residential clients were personalization of service, reliability of, confidence inspired by and personality of the architect. The best predictors of the satisfaction of the first-time residential clients of architects in Nigeria varied with the nature of service. However, it was observed that the experience of the architect cut across all service types as a significant predictor of client satisfaction. Research limitation/implication – Only residential clients were considered in the study. Other categories of clients may be considered in further studies. Practical implications – There is need for architects to consider the nature of services provided in their quest to satisfy their first-time residential clients. Originality/value – Previous studies have focused on experienced and mostly public sector clients. This study provides empirical data on the factors that influence the satisfaction of first-time private clients who engaged the services of architects for their personal homes.
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Saarinen, Stina, Hüseyin Emre Ilgın, Markku Karjalainen e Teemu Hirvilammi. "Individually Designed House in Finland: Perspectives of Architectural Experts and a Design Case Study". Buildings 12, n. 12 (16 dicembre 2022): 2246. http://dx.doi.org/10.3390/buildings12122246.
Testo completoAbstract (sommario):
This article provides a comprehensive understanding of small house practices, including the perspective of Finnish architectural experts, by conducting semi-structured in-depth interviews and proposing an individually designed house case study with a particular focus on cost and quality. Key findings based on main themes including the role and qualifications of the architect, architect’s involvement, architect’s fee, reasons to hire an architect, implementation, quality, and cost, highlighted that: (1) architect can assist small house projects in many ways, such as accurately identifying the client’s needs, choosing the most suitable layout, and applications for building permits; (2) allocating sufficient time for planning an average of six months is critical for the thoughts of both the architect and the client to mature in peace; (3) the share of architectural design in the total cost of the project is around 3–5%; (4) it is estimated that the total amount of small houses designed by an architect is between 10–20%; (5) an architect’s typical client is reported to be those who dream of a long-term home and are concerned with aesthetics as well as functional quality; (6) the client is always satisfied with the quality of the house designed by the architect; (7) while an individually designed home may seem more costly than a prefab home, an architect-designed home can be affordable as long as the budget is known from the start of the project. It is believed that this paper will encourage the participation of architects in small house projects that will be expanded and established in the Finnish residential construction industry.
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Lidin, Konstantin, Elena Grigoryeva, Konstantin Antipin, Valentina Kazakova, Roman Malinovich, Anastasia Malko, Mark Rusanov et al. "“With human happiness…” PB Discussion Club". проект байкал, n. 73 (21 ottobre 2022): 22–31. http://dx.doi.org/10.51461/pb.73.01.
Testo completoAbstract (sommario):
The connection between the work of the architect and the citizens’ happiness was discussed at a round table in the editorial office of the Project Baikal journal. Does the professional ethics of an architect and an urbanist include concern for the “amount of happiness” of the inhabitants of the city? What approaches and methods are used by architects to increase this amount? How can we be sure that we do not increase the amount of happiness of some groups of the population, while infringing on the “right to happiness” of other groups? Both young architects and experienced masters have expressed their opinion.
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Hasan, Ramly, Noriah Othman e Faridah Ismail. "Choosing Tree for Urban Fabric: Role of Landscape Architect". Environment-Behaviour Proceedings Journal 3, n. 7 (2 marzo 2018): 199. http://dx.doi.org/10.21834/e-bpj.v3i7.1234.
Testo completoAbstract (sommario):
This study explored the role of landscape architect in choosing trees for urban fabric. Two objectives have been formulated (i) to examine the process in selecting tree species among landscape architects and (ii) to determine the relationship between process and environmental constraints in selecting tree species for urban fabric. The findings showed that certain criteria of the environmental constraints are positively correlated and have strong relationship with tree selection process. The role of landscape architect is pertinent in tree selection. The findings of this research will contribute to process improvement in selecting tree species by landscape architects in the future.
40
Hasan, Ramly, Noriah Othman e Faridah Ismail. "Environmental Constraints in Selecting Urban Trees: Landscape Architect’ Views". Asian Journal of Environment-Behaviour Studies 4, n. 12 (4 dicembre 2018): 37–46. http://dx.doi.org/10.21834/aje-bs.v4i12.337.
Testo completoAbstract (sommario):
This research explored the environmental constraints based on landscape architect’s views in selecting urban trees. Two objectives have been formulated (iurban views of the landscape architect are pertinent in tree selection practice. The findings of this research will contribute to practise improvement in selecting urban tree species by landscape architects in the future.
Keywords: environmental; constraints; urban trees; landscape architect
eISSN 2514-751X © 2019. The Authors. Published for AMER ABRAcE-Bs by e-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) andcE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.https://doi.org/10.21834/aje-bs.v4i12.337
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Kaihoul, Ahmed, Leila Sriti e Insaf Boudabia. "Islamic Aesthetics in Architecture: From East To West - The Work of Fernand Pouillon in Algeria". Journal of Islamic Architecture 8, n. 1 (20 giugno 2024): 199–223. http://dx.doi.org/10.18860/jia.v8i1.22931.
Testo completoAbstract (sommario):
The existing monuments and heritage could inspire the principles of Islamic aesthetics in architecture. We cannot simply copy the same ancient buildings; rather, we should apply the same principles. Western architects always find ways to design Islamic architecture and present its aesthetics. This study offers an overview of Islamic aesthetics in architecture as interpreted by Fernand Pouillon (FP). This study explores the architect through his thoughts, concepts, philosophy, social studies, construction materials, morphology, and selected case studies in the south of Algeria. The methods used for data collection include analyzing the architect’s writings and architectural designs using standardized thematic axes. This proposal aims to provide a comprehensive qualitative and analytical study of a pioneering Western architect influenced by Islamic architecture who worked in Algeria during the 20th decade, specifically focusing on his work in the south of Algeria.
42
Woodwark, John. "Architects of a wonderland for architects". Computer-Aided Design 25, n. 7 (luglio 1993): 394. http://dx.doi.org/10.1016/0010-4485(93)90001-5.
Testo completo
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Kelly, Crispin. "Working with Architects: Working with Architects". Architectural Design 89, n. 6 (novembre 2019): 64–67. http://dx.doi.org/10.1002/ad.2503.
Testo completo
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Hallas-Murula, Karin. "Eugen Habermann (1884–1944) and Herbert Johanson (1884–1964) – from Studies at Riga Polytechnic Institute to the Top of Estonian Architecture". History of Engineering Sciences and Institutions of Higher Education 6 (27 settembre 2022): 35–55. http://dx.doi.org/10.7250/hesihe.2022.003.
Testo completoAbstract (sommario):
Graduates of Riga Polytechnic Institute Eugen Habermann (1884–1944) and Herbert Johanson (1884–1964) became the most active architects in Estonia in the 1920s and 1930s. E. Habermann was the City Planning Architect of Tallinn (1914–1923), at the same time, he headed the Construction Board of the Ministry of the Interior (1919–1923). H. Johanson led the project bureau of the City Architect of Tallinn (1924–1944). From 1935, he also ran the Tallinn Municipal Architecture Office. Both architects were the founders of the Estonian Association of Architects (1921) and its chairmen, E. Habermann – from 1921 to 1936 and H. Johanson – in the 1930s. The extensive list of projects of E. Habermann and H. Johanson consists of around 200 projects, including buildings of nearly all types. The article aims to characterize E. Habermann and H. Johanson as personalities based on the memories of their fellows, it also reflects on the main features and stylistic development of their architecture.
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Mujahed, Layla. "The Visual Perception of Residential Buildings: Le Corbusier’s Modernism and Zaha Hadid’s Parametric Architecture". International Journal for Research in Applied Science and Engineering Technology 10, n. 10 (31 ottobre 2022): 1476–88. http://dx.doi.org/10.22214/ijraset.2022.47178.
Testo completoAbstract (sommario):
Abstract: This research paper studies visual perception by focusing on the material functionality of residential buildings in the different architectural style periods, which are the modernism and parametric styles periods. Two pioneer architects of these architectural style periods were selected to study and focus study on their works, Le Corbusier, a pioneer architect of the modernism architectural style period, and Zaha Hadid, a pioneer architect of the Parametric architectural style period. This research uses a mixed-methods approach including quantitative and qualitative approaches, represented by a survey directed at architects to study and analyze the visual perception of the selected architects’ building designs. Besides, this research studies the material functionality of each selected case study. The results showed that the residential buildings designed during the modernist architectural style period by Le Corbusier were characterized by simplicity, comfortability, and regularity. However, the residential buildings of the parametric design style period designed by Zaha Hadid were characterized by complexity, uncomfortability, and irregularity but meaningful.
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Holmes, Mark J., James Mitchell e Brian Silverstone. "Architects as Nowcasters of Housing Construction". National Institute Economic Review 210 (ottobre 2009): 111–22. http://dx.doi.org/10.1177/0027950109354414.
Testo completoAbstract (sommario):
For more than four decades, the New Zealand Institute of Economic Research (NZIER) has conducted a two-question, quarterly survey of architect forecasts of public and private sector construction expenditure. This qualitative survey is published one week after the end of each quarter and nine weeks ahead of the official quantitative data thereby giving architect opinion nowcasting status. This paper covers selected aspects of this unexplored series with particular reference to residential housing construction and the value-added information from architects as nowcasters. Specifically, we consider several qualitative-to-quantitative conversion methods, in-sample and out-of-sample performance, cyclical features and respondent dynamics. Although our work relates to architects — a sub-sector of the service industry — our results have a wider application to business survey questions using ordered qualitative responses.
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Ünal, Faruk Can, e Yüksel Demir. "LOCATION BASED DATA REPRESENTATION THROUGH AUGMENTED REALITY IN ARCHITECTURAL DESIGN". International Journal of Architectural Research: ArchNet-IJAR 12, n. 3 (4 novembre 2018): 228. http://dx.doi.org/10.26687/archnet-ijar.v12i3.1675.
Testo completoAbstract (sommario):
Architects conduct site visits prior to a design activity to understand existing conditions. If the architect’s position and orientation are known on site, and augmented reality system has access to a location based content database of the site, then augmented reality system can display the content in 3D directly upon the architect’s view. Generally, architects use augmented reality as a visualization tool for presentation. It is also possible to collect data of a site and represent it in situ for architectural design. This paper is a survey of location based data representation in augmented reality systems to use in early stages of architectural design related to site. Initially, it describes the field of augmented reality including the characteristics and requirements. Then it surveys the state of the art by reviewing featured applications of location based augmented reality technology. Developments to the recent conditions from the first implementations have been revealed with components. At the same time, this paper aims to find common links between these featured applications and architectural site survey. Thus, it discusses opportunities of augmented reality to provide the needs of an architect as a site visit. However, it suggests which augmented reality components are more suitable in recent conditions for use in architectural design related to site. As a survey paper, it focuses on how location based augmented reality can be used in architectural design instead of presenting a model or an application.
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Wood, Peter. "One Man's Plan: The Story of Gerald Melling's Tenure as Editor of New Zealand Architect, and some Implications Thereof". Architectural History Aotearoa 6 (30 ottobre 2009): 78–85. http://dx.doi.org/10.26686/aha.v6i.6758.
Testo completoAbstract (sommario):
In late 1983 Gerald Melling replaced Gordon Moller as editor of the New Zealand Institute of Architects' journal, New Zealand Architect. The appointment of Melling was not contentious, Moller was stepping aside after a lengthy term, and while Melling brought less architectural experience to the job he added weight as a noted writer and editor. Melling edited New Zealand Architect for 11 issues, from No.4, 1983, through to issue No.2, 1986, and, as the NZIA might have expected, the first issues under Melling's influence displayed a far greater degree of creative and editorial urgency than had been the case previously. Yet, the end, when it came, was sharp, with Melling stepping down from the role in the aftermath of legal threats, and there are still rumours that the Institute abandoned its editorial association to the journal as a direct result of Melling's editorial control. This is not true, and this paper traces the circumstances of that myth. During Melling's supervision New Zealand Architect entered into a brief period of critical commentary in which New Zealand's buildings were viewed as a responsible to a wider public, and accountable to that audience through criticism. In his first editorial Melling wrote of the need for openness where architects get things right, and an honest reflection on where they get them wrong. Unfortunately the principle audience for New Zealand Architect, New Zealand's architects, did not always feel quite so happy about discussing their failures. Indeed, in one key instance they felt compelled to defend their work through legal channels. In his 1985 end-of-year Wellington BLAND Awards (Blatantly Limpwristed Acceptance of Nondescript Design) Melling erroneously named the architects responsible for the "Gross, overbearing, cheap and nasty" Control Data Building as Williams Developments. The architects, understandably perhaps, reacted immediately to what they perceived as a harmful association and demanded a retraction. One was offered, in the next issue, but it must be added that the sceptical tone of Melling's withdrawal, which involved reiterating his condemnation of the Control Data Building, was not helped by another mistaken attribution. The next issue, in which authorship was finally resolved, was to be Melling's last. Behind the print of the BLAND Awards was a flurry of threats, legal and otherwise, which called into attention the financial responsibility held by the NZIA in the advent of legitimate claims of slander being upheld, soon after Melling stepped down. This paper reviews the editorial content of New Zealand Architect immediately prior to, during the period of, and subsequent to Gerald Melling's dismissal as editor. Attention is given to the circumstances of his departure from, and the NZIA's subsequent dissolution of any legal relationship with the journal. I suggest that after Melling the journal's intellectual attention focused on the successful activities of architects and has not since seriously discussed wider issues regarding the social and public responsibilities of buildings, or architects. As Gerald Melling wrote in his first editorial, architects are seldom held to public account for their failures. Sadly, the Institute's response to one editor's attempt to rectify this oversight set its own journal on a course of social disengagement from which it has never been able to recover.
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Neméthová, Lucie. "Antonín Goller, Stephan Tragl, Johann Koch: Méně známí architekti ve službách severočeské a východočeské šlechty ve druhé polovině 19. století". AUC PHILOSOPHICA ET HISTORICA 2021, n. 1 (23 giugno 2023): 55–72. http://dx.doi.org/10.14712/24647055.2023.5.
Testo completoAbstract (sommario):
In the second half of the 19th century, many architects worked for noble members of the house of Morzin and subsequently the house of Czernin-Morzin in Vrchlabí and other mansions in North Bohemia. Among these architects, famous names such as Achille Wolf or Josef Schulz can be found; this text, however, concerns itself with these lesserknown, namely Antonín Goller (1833–1880), Stephan Tragl (1845–1891), and Johann Koch (1850–1915). The main objective of this text is to give the most comprehensive view possible of the work and personalities of these three very diverse architects. The oldest of the three, Antonín Goller, was an active member of the Association of Architects and Engineers in the Kingdom of Bohemia and author of numerous conversions of aristocratic residences. Second architect, Stephan Tragl, established a successful architectural studio in Prague-Smíchov in the 1880s and was the author of many impressive buildings, among which excels a group of sacral buildings in neo-Gothic and neo-Romanesque style. Unlike the previous two, the work of Johann Koch is, for the most part, concentrated abroad in Latvian Riga. Here he was an architect of many highly representative public buildings in Italian neo-Renaissance style and even today is highly appreciated.
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YILDIZ KUYRUKÇU, Emine, e Tuğba ÖZDEMİR ERDOĞAN. "PERCEPTIONAL DIFFERENCES IN ARCHITECTURAL FACADE PERCEPTION DUE TO ARCHITECTURAL EDUCATION". INTERNATIONAL REFEREED JOURNAL OF DESIGN AND ARCHITECTURE, n. 23 (2021): 0. http://dx.doi.org/10.17365/tmd.2021.turkey.23.04.
Testo completoAbstract (sommario):
Aim: In this study, the façades of tourism buildings designed with different currents (universalism, regionalism, syncreticism, contextualism, neovernakularism) on the Antal-ya coastline, in terms of 'taste', 'chaos', 'affection', 'familiarity', by groups of architects and non-architects. It is aimed to examine how it is perceived. Method: For this purpo-se, the fronts of 20 tourism buildings from 5 different styles, designed with a modern and postmodern approach, were analyzed by 60 people through a questionnaire. In the survey, adjective pairs such as impressive / ordinary, original / imitation, coarse / elegant, modest / flamboyant, complex / plain, familiar / unfamiliar, modern / outdated, questio-ning the façade features for tourism buildings were evaluated with a five-digit semantic differentiation scale. The analysis of the data sets obtained through the questionnaire was performed with the IBM Statistical Package For The Social Sciences (SPSS) 23 For Windows statistical software package program. At the beginning of the study, it was thought that the subjects would have perception-behavioral performance differences depending on the architectural education. Results: Unlike the non-architect profession, the architect group liked the universalism, neo-natalism and regionalism movements, found it impressive and original; It was determined that he did not like the synchterism and contextualism movements as complex, rude and outdated. Conclusion: In the analysis, it was seen that the differences between architects and non-architects are statis-tically significant. As a result of the study, it was determined that there are significant differences between architects and non-architects in evaluating the adjectives of expres-siveness, complexity, familiarity and originality. İndividuals who do not have an archi-tectural education are familiar with the traditional inspired structures, and they find the-se structures impressive It is for the individuals who study architecture to find modern and regionalist structures impressive and original.