Letteratura scientifica selezionata sul tema "Architects – portugal"
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Articoli di riviste sul tema "Architects – portugal"
1
Baker, Nick, Manuel Correia Guedes, Nabeel Shaikh, Luis Calixto e Ricardo Aguiar. "The LT-Portugal software: A design tool for architects". Renewable Energy 49 (gennaio 2013): 156–60. http://dx.doi.org/10.1016/j.renene.2012.01.041.
Testo completo
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Carvalho, Ricardo. "Ruy Jervis d'Athouguia. A Modern Architect in the Garden-City". Modern Lisbon, n. 55 (2016): 44–49. http://dx.doi.org/10.52200/55.a.nkyd6io5.
Testo completoAbstract (sommario):
In the 1950s, when the social, aesthetic and technological assumptions of the Modern Movement seemed to be consolidated, there was hesitation in Portugal. Two possibilities were open to what could be viewed as post-war understanding of modernity. Some architects focused on the possible confrontation between the heritage of tradition and avant-garde proposals, in tune with the international movement. Others assimilated the universal appeal of the Modern Movement and aimed to operate within those contexts, facing the shortage of technological tools and of scarce theoretical production. Ruy Jervis d'Athouguia (1917–2006), an important Portuguese architect, belonged to the latter.
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Baia, Pedro, Nuno Correia e Carolina Garcia Estevez. "Editorial Joelho 10". Joelho Revista de Cultura Arquitectonica, n. 10 (25 dicembre 2019): 005–15. http://dx.doi.org/10.14195/1647-8681_10_0.
Testo completoAbstract (sommario):
The title of this issue is composed by three moments of focus: Team 10 / Debate and Media / Portugal and Spain. The main focus addresses Team 10 as a group of architects who were dealing with the renovation process of Modern Architecture after the Second World War. Known as an informal group, Team 10 was however a platform of discussion, based on a complex network of several individual links with schools of architecture, architectural magazines, editors, writers and artists. That network is analysed in the second moment of focus. The last moment is a cultural and geographical one. In part because of their specific languages and political situations, Portugal and Spain were two countries geographically and culturally far from the centre of Europe. Although, despite that distance, there were many architects who managed to break this cultural detachment.
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Lopes Dias, Tiago, e Rui Jorge Garcia Ramos. "The notion of limit in architectural theory. Two case studies in Portugal". ZARCH, n. 14 (3 novembre 2020): 58–69. http://dx.doi.org/10.26754/ojs_zarch/zarch.2020144293.
Testo completoAbstract (sommario):
Modern Portuguese architecture has been seen as the result of an eminently empirical and intuitive practice, dissociated from any effort of theoretical structuring. This paper intends to contradict that predominant view, presenting the notion of spatial limit as a subject that earned particular consideration from a younger, more critical and intellectually demanding generation of architects. Firstly, it introduces two notions directly related to limit - ‘extensions of the dwelling’ and ‘transition-space’ - presented in theses by Nuno Portas (b. 1934) and Pedro Vieira de Almeida (1933-2011) respectively, two highly innovative works in the academic panorama of early 1960s. Next, it focuses on the fundamental role each of the notions taken in investigative works that are parallel in time but substantially different. The first, Habitação evolutiva, is a typological study reflecting the spirit of its time by claiming the ‘right to the city’ as the founding principle of a model critical of CIAM urbanism. The second is an essay stemming from a critical reflexion on the work of an eclectic architect that eludes categorization (Raul Lino, 1879-1974) which sheds light on the need for a critical approach to the history of modern architecture.
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Vaz Milheiro, Ana, e Filipa Fiúza. "Women Architects in Portugal: Working in Colonial Africa before the Carnation Revolution (1950–1974)". Arts 9, n. 3 (31 luglio 2020): 86. http://dx.doi.org/10.3390/arts9030086.
Testo completoAbstract (sommario):
How did women architects shape a modern world in the late period of Portuguese colonial Africa, just before the Carnation Revolution? The specific role of women in Portugal working in colonial African architectural culture has now started to be addressed by Portuguese and Lusophone-African historiography. During the 1950s, the presence of women in the metropolitan schools of architecture was reduced. Of those who could graduate, few actually worked as architects. Most were absorbed by the commonly feminine roles, resulting from marriage and from the ideal of family promoted by the Estado Novo dictatorship. To the ones that risked prosecution for working outside the family, the option of jobs associated with the feminine universe, such as teaching, was privileged. Among those who were emancipated from this pattern, the majority worked in familiar partnerships, regarded as an extension of marriage. The women architects that follow the husbands in their African emigration often ended up having the opportunities to work in their professional field partly due to the lack of qualified technicians, and to the high demand of commissions. This paper not only seeks to outline a perspective on these women, but also tries to understand the context of their work by presenting two case-studies in the late in the late period of Portuguese Colonisation: Maria Carlota Quintanilha and Maria Emilia Caria.
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Pérez-Moreno, Lucía C., e Patrícia Santos Pedrosa. "Women Architects on the Road to an Egalitarian Profession—The Portuguese and Spanish Cases". Arts 9, n. 1 (23 marzo 2020): 40. http://dx.doi.org/10.3390/arts9010040.
Testo completoAbstract (sommario):
The 1970s was a key decade in the path towards democracy in the Iberian Peninsula. Portugal and Spain suffered deep social, cultural and political changes, with Salazar’s and Franco’s Totalitarian Regimes ending in 1974 and 1975 respectively. In both countries, located side-by-side in the Western end of Southern Europe, democracy was finally established, marking a turning point in the liberties of all Iberian citizens, but especially in regard to women’s life and work. As the Editorial of the Special Issue ‘Becoming a Gender Equity Democracy: Women and Architecture Practice in Spain and Portugal’, this text aims to briefly present this panorama to appreciate the particularities of Portugal and Spain in relation with the delay incorporation of women to the architecture profession. It explains the gender stereotypes of Salazar’s and Franco’s Regime in order to understand the discrimination against women that they produced and how it maintained women far from the architecture profession. Therefore, it provides useful data on the incorporation of women into architectural studies in order to understand the feminization of this gendered profession in both countries. This Special Issue aims to create an opportunity for researchers and scholars to present discussions and ongoing research on how democracy affected women that wanted to practice architecture as well as architectural analysis of women architects.
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Mascarenhas-Mateus, João. "Construction History and the History of Construction Cultures: Between Architecture and Engineering in Portugal". Buildings 10, n. 4 (28 marzo 2020): 65. http://dx.doi.org/10.3390/buildings10040065.
Testo completoAbstract (sommario):
This paper aims to debate the epistemological boundaries of construction history, in relation to the fields of history of architecture and the history of engineering, using Portugal as a case study. The concept of construction culture is used to broaden the analysis, avoiding the old dichotomy between architects and engineers. Instead, construction history (understood as the history of construction cultures) aims to integrate the contributions of all actors in this sector of activity, such as contractors, materials and machine producers, traders, and public and private institutions. The history of architecture and the history of engineering in Portugal serves to illustrate the extent to which the study of how a community built in a particular space, at a particular time, is fragmented in the present age. The conclusions highlight the limits of a history that has been interpreted mainly from the point of view of the activity of architects and engineers. This paper also explores the potential of a history of construction cultures as a constructum in constant transition and under constant discussion, capable of explaining the set of problems involved in this millennia-old human activity.
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Novas-Ferradás, María, María Carreiro-Otero e Cándido López-González. "Galician Female Architects—A Critical Approach to Inequality in the Architectural Profession (1931–1986)". Arts 9, n. 1 (4 marzo 2020): 33. http://dx.doi.org/10.3390/arts9010033.
Testo completoAbstract (sommario):
The remoteness of Galicia, a cultural and linguistic bridge between Portugal and Spain, did not prevent it from playing a significant role in the history of female architects in the Iberian Peninsula. Nine Galician pioneers have carved the path since the first generation of Spanish female architects outlined the precedents during the Second Spanish Republic (1931–1939). They were also present in an initial period, even if housewifization theories were intensively fueled by the dictatorship (1939–1975); likewise during the continuity period in the transition to democracy (1975–1982), and the second wave of feminism. However, it would not be until progressive democratic institutionalization (1982–1986) that more women gained access to architectural studies in university (consolidation period); but what is the legacy of these pioneers? Are Galician female architects ‘in transition’ yet? Based on data primarily collected by research group MAGA and released publications, this piece explores how, despite their achievements, their recognition is still superficial. And even if the number of undergraduate students reached quantitative equality, female practitioners continue to leave architecture and these numbers are increasing. Towards a critical approach to inequality in the profession, this article researches the history—and stories—of Galician female architects to examine how far we are from effective equality in the Galician architectural world.
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Pinto, Paulo Tormenta. "Cassiano Branco. Modern Visions of an “Inconvenient” Architect". Modern Lisbon, n. 55 (2016): 30–37. http://dx.doi.org/10.52200/55.a.v6it95op.
Testo completoAbstract (sommario):
Cassiano Branco (1897-1970) belonged to the pioneer generation of modern Portuguese architects, who worked during the years of the dictatorship. During the 1930s, Cassiano produced an anti-conservative and eloquent architecture, contrasting with the guidelines of the regime. The discomfort about his personality came also from his ideological opposition to the government. Among his peers he has been considered “an exception to the rule”, working, mainly for private investors, on programs for rental housing, movie theaters and tourism facilities, which were built along the boulevards of Lisbon or in the natural and intact regional areas of Portugal.
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Fevereiro, António Francisco Arruda de Melo Cota. "THE ART NOUVEAU TILES AS FRAMES TO ARCHITECTURE IN LISBON". ARTis ON, n. 2 (12 febbraio 2016): 62–74. http://dx.doi.org/10.37935/aion.v0i2.44.
Testo completoAbstract (sommario):
The combination of tile with architecture has been used in Portugal for centuries. It achieved a unique level of artistry by the end of the 19th century and beginning of the 20th century. The use of new colours and modern stylizations were explored during the Art Nouveau period. The tile was used as a frame for architectural features in order to enhance the building. By then all the elements were intended to be harmoniously combined as a whole.A span of case studies, chronologically ordered, illustrates the role and evolution of tiles used during this period, when tiles were designed by academic painters or architects. The comparison of projects published, or kept in archives, with the actual buildings led to a new understanding about this artistic period in Portugal and, particularly, in Lisbon and its surroundings.
Tesi sul tema "Architects – portugal"
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Carvalho, Filipa Reis de. "Maria José Marques da Silva. Uma Arquiteta Pioneira em Portugal". Master's thesis, 2020. http://hdl.handle.net/10316/92537.
Testo completoAbstract (sommario):
Dissertação de Mestrado Integrado em Arquitetura apresentada à Faculdade de Ciências e TecnologiaMaria José Marques da Silva (1914-1994) foi a primeira mulher a obter o diploma de Arquitetura na Escola de Belas-Artes do Porto, em 1943, e a segunda em todo o país. Filha do arquiteto José Marques da Silva (1986-1947), Maria José começará, por trabalhar no atelier do seu pai, onde iria conhecer o arquiteto e urbanista David Moreira da Silva (1909-2002), com quem iria casar e partilhar a liderança do atelier onde trabalhariam durante mais de cinquenta anos.Já no final de vida, Maria José Marques da Silva, foi Presidente da Secção Regional Norte da Associação dos Arquitectos Portugueses (SRN/AAP), no triénio de 1984 - 1986. E, no âmbito dessas funções, iria fazer parte da organização do 4º Congresso AAP, celebrado no Porto em 1986; bem como da exposição J. Marques da Silva, Arquitecto. 1869 - 1947, realizada na Casa do Infante, de 1 a 6 de Abril, e integrada na celebração do Congresso. Esta exposição é uma homenagem importante à figura do seu pai, Marques da Silva, uma influência fundamental para a Arquiteta, e coincide com o momento em que surge a intenção de criar uma fundação de preservação e divulgação do seu trabalho - o Instituto José Marque da Silva – uma fundação, na época, ímpar em Portugal.Apesar deste contributo fundamental para a construção da História da Arquitetura, e apesar do seu papel pioneiro na Escola de Belas-Artes do Porto, nos ateliers de Arquitetura em Portugal e na Associação dos Arquitectos Portugueses, Maria José Marques da Silva é ainda uma figura desconhecida da Arquitetura Portuguesa. Esta investigação pretende recuperar a figura de Maria José Marques da Silva, uma arquiteta pioneira em Portugal.
Maria José Marques da Silva (1914-1994) was the first woman to obtain a diploma in Architecture from the School of Fine Arts of Porto, in 1943, and the second to do so in her country. Daughter of the architect José Marques da Silva (1986-1947), Maria José, would start her career in her father’s studio, where she would meet the architect and urbanist David Moreira da Silva (1909-2002), whom she would then marry. They would work and co-own the studio for more than fifty years.In the later years of her life, Maria José Marques da Silva, became President of the Northern Branch of the Association of Portuguese Architects, between the years of 1984 and 1986. In this role, she would contribute to the organization of the 4th APA Congress, held in Porto in 1986; as well as the exhibition J. Marques da Silva, Arquitecto, 1869 – 1947, held at Casa do Infante from 1 to 6 of April, integrated on the celebrations of the aforementioned Congress. This exhibition was an important tribute to her father, Marques da Silva, a fundamental influence for the Architect. It was also the moment when the idea for a foundation dedicated to the preservation and dissemination of his work would be announced. At the time, a unique institution in Portugal, that would later become the Fundação Instituto Arquitecto José Marques da Silva.In spite of this fundamental contribution to the History of Architecture, and her pioneering role in the School of Fine Arts in Porto, architecture studios in Portugal and the Association of Portuguese Architects, Maria José Marques da Silva is still an unknown figure of Portuguese Architecture. This work aims to recover the figure of Maria José Marques da Silva, a pioneer architect in Portugal.
2
Sousa, Renata Macedo de. "A promoção da arquitetura através da fotografia. Passagem para Norte : residências para investigadores". Master's thesis, 2016. http://hdl.handle.net/10071/13275.
Testo completoAbstract (sommario):
Este trabalho debruça-se sobre a relação de arquitetos e fotógrafos de arquitetura no território português e
tem como objetivo perceber o impacto que a fotografa tem na popularidade e volume de trabalho dos ateliers de
arquitetura, assim como perceber que outros meios de promoção e divulgação são explorados pelos arquitetos.
Para o estudo foram colocadas algumas questões base: Quão importante é a fotografa de arquitetura
para a arquitetura e quão válida é esta representação? Serão os fotógrafos críticos de arquitetura? Quais as
características que levam os arquitetos a escolher os fotógrafos com quem mais trabalham? Será realmente
necessário fotografar fora de Portugal? Qual a importância da presença humana na Fotografa de Arquitetura?
Quais os métodos de divulgação dos fotógrafos e arquitetos e qual o peso da fotografa nessa divulgação? Que
exigências impõem os fotógrafos e os arquitetos uns aos outros? E quão rentável será a fotografa de arquitetura?
Basicamente a grande pergunta a que tentamos responder é: Qual o papel da fotografa na promoção da
arquitetura?
Estas questões foram transformadas em entrevistas, divididas em três partes: A: Conhecimento de Fundo
sobre o Inquirido; B: Fotografa de Arquitetura; e C: Métodos de divulgação / promoção praticados. Para o efeito
foram contactados vinte e quatro arquitetos e dez fotógrafos de arquitetura para compreender esta realidade,
descrever como a fotografa de arquitetura é vista em Portugal nos dias de hoje e quão importante é o papel dos
fotógrafos na encomenda de arquitetura. Resumindo este estudo procura esclarecer quais as difculdades e quais
as vantagens para o arquiteto que quer dedicar a sua vida a fotografar arquitetura e perceber a potencialidade
que esta profssão tem no panorama atual, concluindo que talvez seja mais correto perguntar o que seria da
promoção de arquitetura sem a fotografa, uma vez que esta é o método mais efcaz de divulgação da mesma.
Palavras-chave: Fotografa de Arquitetura; Portugal; Divulgação; Arquitetura; Arquitetos; Fotógrafos.This work focuses on the relationship between architects and architecture photographers in the Portuguese territory and aims to understand the impact photography has in the architecture practices popularity and work volume, as well as understand what other means of promotion architects are exploring. For the study some base questions were asked: How important is architectural photography for architecture and how valid is this representation? Are photographers architecture critics? Which characteristics make Architects choose the photographers they work the most with? Is it really necessary to photograph out of Portugal? How important is the human presence in architectural photography? What promotion methods do photographers and architects use and what is the importance of photography on that promotion? What requirements do photographers and architects impose to each other? How proftable is architectural photography? Basically, the main question that we are trying to answer is: What is the role of photography in architecture promotion? These questions were converted in interviews, which were divided in three parts: A: Deep Knowledge about the Respondents; B: Architectural Photography; C: Promotion Methods. Twenty four architects and ten architectural photographers were contacted to better understand this reality, to describe how photography is seen in Portugal today and how important is the photographers role in an architecture contract. In summary, this study tries to clarify the difculties and advantages of an architect who wants to devote his life to architecture photography and to understand this job potential in the actual panorama, concluding that it would probably be more accurate to ask how would architectural promotion be without photography, once it is its most efective publicity method.
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Almeida, Tiago Alexandre Catarino de. "Arquitectura e Binário, 1940-1979 : as (in)visibilidades das mulheres na arquitectura portuguesa". Master's thesis, 2017. http://hdl.handle.net/10437/8626.
Testo completoAbstract (sommario):
Orientação: Patrícia
Alexandra Dias Santos PedrosaEsta tese tem como objectivo contribuir para a história das mulheres na arquitectura portuguesa, procurando traçar uma parte do seu percurso através da visibilidade das mulheres na imprensa da especialidade, em particular nas publicações realizadas nas revistas Arquitectura e Binário no período compreendido entre 1940 e 1979. É propósito desta dissertação procurar entender, através da análise do momento de publicação e da frequência e constância destas publicações no espaço de tempo em estudo, a evolução do envolvimento e aceitação da mulher no mundo da arquitetura em Portugal, procurando estabelecer uma relação com o contexto social, económico e político vivido no País ao longo das décadas em estudo. Numa primeira fase, é efectuada uma contextualização histórica da arquitetura em Portugal, seguida de uma recapitulização das publicações em arquitectura portuguesa. O tema da mulher é abordado através de noções da evolução do papel da mulher na Europa e posteriormente abordado o percurso do papel da mulher na sociedade portuguesa e na arquitetura em Portugal. Por fim, é apresentada a pesquisa efectuada nas duas publicações em estudo e analisados os resultados obtidos.
This thesis aims to contribute to the history of women in portuguese architecture by tracing a part of their path through the visibility of women in the specialized press, particularly in the articles that were published in Arquitectura and Binário magazines between 1940 and 1979. It is the goal of this dissertation to understand, through an analisis of the moment of publication, frequency and constancy of these publications in the period of time under study, the evolution of the involvement and acceptation of the woman in the field of architecture in Portugal, looking forward to establish a relation with the social, economic and political context of the country through the period of time under study. In a first phase, a historical contextualization of the architecture in Portugal is carried out, followed by a recapitulation of the publications in portugese architecture. The theme of the woman is approached through notions of the evolution of the role of women in Europe and later is addressed the course of the role of women in Portuguese society and architecture in Portugal. Finally, the research carried out in the two publications under study is presented and the results obtained are analyzed.
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Ribeiro, José António Salazar da Silveira. "Filipe Tércio Ingegnere e Architetto em Portugal 1577 - 1597". Master's thesis, 2016. https://hdl.handle.net/10216/86938.
Testo completo
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Ribeiro, José António Salazar da Silveira. "Filipe Tércio Ingegnere e Architetto em Portugal 1577 - 1597". Dissertação, 2016. https://hdl.handle.net/10216/86938.
Testo completo
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Contente, Joana Rita da Silva. "A representação do espaço doméstico da cozinha na Revista Panorama e na Revista Arquitectura (1941-1950)". Master's thesis, 2018. http://hdl.handle.net/10071/17722.
Testo completoAbstract (sommario):
O século XX foi marcado por inúmeros acontecimentos importantes para a história mundial
e, consequentemente, para a história da Arquitetura. Os efeitos subsequentes motivados pelos
conflitos bélicos e, anteriormente, pela revolução industrial, proporcionaram aos arquitetos e arquitetas uma nova conceção de arquitetura, apostando numa nova era de pensamento, que quebrava com os ideais anteriormente estabelecidos.
A arquitetura moderna reflete os novos modos de habitar a casa e a importância de conceber a arquitetura, adequada ás inúmeras condições essenciais para uma vida sã. A iluminação,
a ventilação, assim como, as noções de espaço suficiente e salubre, caracterizavam-se como
princípios fundamentais do novo pensamento arquitetónico, onde a presença da mulher como
pensadora e criadora, concebia uma nova arquitetura, idealizada de dentro para fora. Esta nova
arquitetura emergente no século XX, reflete-se, no presente ensaio, no espaço doméstico da
cozinha e na sua representação em publicações periódicas nacionais.
Primeiramente são abordadas três arquitetas, Lilly Reich, Margarete Schütte-Lihotsky e
Charlotte Perriand, e as suas três propostas de cozinhas mínimas modernas, que resolviam de
formas distintas as necessidades emergentes da população e da nova condição do habitar, assim como, do novo estatuto da mulher na sociedade daquela época. Posteriormente e tendo por
base a análise da conceção das cozinhas modernas, relaciona-se a sua representação com a
representação espacial das cozinhas em contexto português, expostas em duas revistas distintas, a Revista Portuguesa de Arte e Turismo, Panorama e a Revista de Arte e Construção, Arquitectura, entre 1941 e 1950. A Revista Panorama, distingue-se pelo seu conteúdo popular,
doutrinário e divulgador dos feitos do regime do Estado Novo, tendo sido a sua edição realizada pelo Secretariado da Propaganda Nacional, SPN, a entidade de comunicação do Estado. Contrariamente, a Revista Arquitectura caracteriza-se pelo seu conteúdo técnico, apresentando nos
seus artigos projetos de arquitetura variados, nacionais e internacionais, transmitindo aos leitores
e arquitetos, exemplos e pormenores de obras realizadas ou por realizar naquele período.
Deste modo, são analisados e comparados elementos referentes à representação do espaço doméstico da cozinha, enquanto qualidade de informação fotográfica, textual e publicitária,
objetivando compreender as características do espaço da cozinha nacional, assim como, o que
eram e, como eram publicadas as várias referências nacionais, naquela época.The 20th century was marked by countless important developments in the world history and, consequently, in the history of Architecture. The subsequent effects motivated by the warlike conflicts and, previously, by the industrial revolution, provided architects with a new conception of architecture, unveiling a new era of thought, which broke with the previously established ideals. Modern architecture reflects the new ways of inhabiting a home and the importance of designing architecture, suited to the many essential conditions of a healthy life. Lighting, ventilation, and notions of sufficient and salubrious space were characterized as fundamental principles of a new architectural thought, where the presence of women as the brain and creativity behind it, conceived a new architecture, idealized from the inside out. This new architecture emerging in the 20th century is reflected, in this essay, in the domestic kitchen space and its representation in periodical national publications. First, a close look into three female architects, Lilly Reich, Margarete Schütte-Lihotsky and Charlotte Perriand, and their proposals for modern and minimal kitchens, which differently dealt with the emerging needs of the population, with the new condition of inhabiting and with the new acquired status of women at the time. Subsequently, and based on the analysis of the conception of modern kitchens, we will related it with its representation within the spatial representation of kitchens in a Portuguese context, exhibited in two distinct magazines, the Revista Portuguesa de Arte e Turismo, Panorama and the Revista de Arte e Construção, Arquitectura, between 1941 and 1950. The Panorama magazine is distinguished by its popular, doctrinal and informative content of the achievements of the Estado Novo regime, and its edition was carried out by the Secretariado da Propaganda Nacional, SPN, the state communication entity. In contrast, the Arquitectura magazine is characterized by its technical content, presenting in its articles multiple architectural projects, national and international, which enlightened the readers and architects, with examples and details of works constructed or to be constructed in that period. In this way, elements related to the representation of the domestic kitchen space are analysed and compared, with respect to the quality of photographic, textual and advertising information, aiming to understand the characteristics of the national kitchen space, as well as, what they were and how the various national references were published at that time.
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Coelho, Teresa Maria da Trindade de Campos. "Os Nunes Tinoco, uma dinastia de arquitectos régios". Doctoral thesis, 2014. http://hdl.handle.net/10362/20258.
Testo completoAbstract (sommario):
Anexos para consulta na Biblioteca - TCD 3840Tese editada e premiada pela FCG não pode ficar em livre acesso
A presente tese de doutoramento tem por objectivo estabelecer o percurso biográfico e profissional dos Nunes Tinoco, uma das mais importantes famílias portuguesas de arquitectos régios do século XVII e inícios do século XVIII. Com uma actividade que se estendeu desde o domínio filipino até ao reinado de D. João V, marcariam a arquitectura portuguesa transmitindo, geracionalmente, toda uma tradição de conhecimentos teóricos e práticos, à semelhança do que aconteceria com outras famílias, como os Frias e os Couto, só para citar as mais importantes. Sistematizados os dados biográficos dos seus membros, tendo em atenção o contexto social e da actividade profissional em que se inseriram, pretendemos esclarecer algumas questões que considerávamos importantes sobre a prática e características da arquitectura neste período, salientando a importância que a estrutura familiar desempenhou nos aspectos por nós considerados fundamentais para essa mesma análise: passagem de mestre pedreiro a arquitecto e consequente emergência de um novo estatuto social; formação, desempenho e transmissão de cargos; contribuição do binómio família/formação para o discurso da arquitectura portuguesa. Por fim, pretendemos esclarecer ainda qual a evolução do seu estatuto profissional, relacionando-‐o com a evolução da própria arquitectura, e com as transformações culturais e sociais observadas ao longo do período em estudo.
The current doctoral thesis aims at tracing the life and career path of the Nunes Tinoco, one of the most important Portuguese families of royal architects, back to the 17th century and early 18th century. Their acctivity spanned from the reign of the Filipes to the reign of king John V and had a tremendous impact on the Portuguese architecture, transmitting, generation after generation, a whole tradition of knowledge and skills, as, in the future, it would be the case of other families, such as the Frias and the Couto, only to mention the most influential. After having systematized this family members´ biographical data and information about their professional activity, integrating it in the social context of that period, we intend to clarify some issues we consider important about the tecniques and characteristics of architecture during this time, pointing out the relevance of the family structure concerning the facts we considered fundamental for this study: the passage from head mason to architect and the resulting new social status; training, performance, posts assignment, contribution to the binomial family/tecniques Portuguese architecture speech. Finally, we purpose to establish the evolution of their professional status, linking it with the evolution of architecture itself and with the cultural and social changes occurred over this period.
Libri sul tema "Architects – portugal"
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1952-, Cannatà Michele, a cura di. Arquitectura portuguesa contemporânea, 1991-2001 =: Contemporary architecture in Portugal, 1991-2001. 2a ed. Porto: Edições Asa, 2001.
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Pedreirinho, José Manuel. Dicionário dos arquitectos activos eem portugal do século I à actualidade. Porto: Edições Afrontamento, 1994.
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1961-, Esposito Antonio, Leoni Giovanni 1958-, Daniele Monica e Maddaluno Raffaella, a cura di. Eduardo Souto de Moura. Milano: Electa Architecture, 2003.
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Anna, Nufrio, e Puente Moisés, a cura di. Eduardo Souto de Moura: Conversaciones con estudiantes. Barcelona: Gustavo Gili, 2008.
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1961-, Esposito Antonio, Leoni Giovanni 1958-, Daniele Monica e Maddaluno Raffaella, a cura di. Eduardo Souto De Moura. Milano: Electa, 2003.
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Luisella, Gelsomino, e OIKOS centro studi dell'abitare, a cura di. Eduardo Souto De Moura: Case, ultimi progetti. Firenze: Alinea, 2001.
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editor, Silva Bárbara, e Galeria de Arquitectura, a cura di. Eduardo Souto de Moura: Cadernos azuis. Lisboa: Note, 2019.
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1961-, Esposito Antonio, Leoni Giovanni 1958-, Daniele Monica, Maddaluno Raffaella e Turchi Filippo, a cura di. Eduardo Souto De Moura: Tutte le opere. 2a ed. Milano: Electa architettura, 2012.
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Moura, Eduardo Souto de. Eduardo Souto de Moura: 1995-2005 : la naturalidad de las cosas = the naturalness of things. Madrid, España: El Croquis Editorial, 2005.
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Moura, Eduardo Souto de. Eduardo Souto de Moura: Obra reciente = recent work. Barcelona (España): G. Gili, 1997.
Cerca il testo completoCapitoli di libri sul tema "Architects – portugal"
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b, a. "The architectural discourse of building bureaucracy: architects’ project statements in Portugal in the 1950s". In Industries of Architecture, 1–2. Taylor & Francis, 2015. http://dx.doi.org/10.4324/9781315670362-32.
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Krass, Urte. "Lisbon". In The Portuguese Restoration of 1640 and Its Global Visualization. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463725637_ch05.
Testo completoAbstract (sommario):
It is not only due to the destruction of the city of Lisbon by the earthquake of 1755 that we find hardly any architectural or urban planning traces of the Restoration. Other reasons for this void are the financial strain placed on the new dynasty by the Restoration War as well as the problem that many of the artists and architects who had previously worked in Portugal had become suspect through their cooperation with the Spanish Habsburgs. Furthermore, a conscious decision was made to continue using buildings that had been erected under the Castilian rulers and thus to “rewrite” them. The chapter discusses the difficulties of art patronage for a new dynasty that had to situate itself between tradition and innovation.
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Soeiro, Diana. "Siza Vieira, Álvaro (1933–)". In Routledge Encyclopedia of Modernism. London: Routledge, 2019. http://dx.doi.org/10.4324/9781135000356-rem2083-1.
Testo completoAbstract (sommario):
The architect Álvaro Siza Vieira (1933–) was born in Porto, Portugal. He graduated from the University of Porto (now known as the Faculdade de Arquitectura, Universidade do Porto – FAUP) in 1955. While still a student in 1954 he built four houses in his home town, Matosinhos, where he opened his own private practice. Between 1955 and 1958 he collaborated with his former teacher, Fernando Távora (1923–2005). During the 1960s he designed and built a swimming pool project (Leça da Palmeira, Porto) that caught the attention of the public. He was invited to lecture at the university from 1966–69. In 1976 he returned to teaching and shortly afterwards, in 1979, the university was renamed the FAUP, following the establishment of democratic government after the end of dictatorship (1926–74) under Oliveira Salazar (1889–1970). The FAUP sought to instigate the principles of Modernism based on the architect’s individual character, i.e. not according to the prevailing Soft Portuguese style. Three individuals became identified with the new FAUP, known as the Porto School of Architecture: Távora, Siza Vieira, and one of his students, Eduardo Souto Moura (1952–; winner of the Pritzker Prize in 2011). In the new era of democracy that flourished in Portugal, in 1977 he planned 1,200 low-cost housing units in Évora, for the national housing association, the Serviço Ambulatório de Apoio Local.
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Soeiro, Diana. "Telles, Gonçalo Ribeiro (1922–)". In Routledge Encyclopedia of Modernism. London: Routledge, 2019. http://dx.doi.org/10.4324/9781135000356-rem2082-1.
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Gonçalo Ribeiro Telles (1922–), landscape architect and politician, was born in Lisbon, Portugal. In 1942 he attended the Instituto Superior de Agronomia da Universidade Técnica de Lisboa where he studied Agricultural Engineering. On graduating, he heard that a new free course was being offered by Francisco Caldeira Cabral (1908–92) on Landscape Architecture. As this was the first time that the subject had been made available in Portugal, a group of students decided to take the course, among them Ribeiro Telles. In 1951 he started working at Lisbon’s City Hall, first as an office boy and two years later as a landscape architect. The institution was receptive to such professionals because the President’s son, António Viana Barreto (1924–2012), was one of them, and hence, President Álvaro Salvação Barreto (1890–1975), having previously hired Manuel Azevedo Coutinho, also hired Ribeiro Telles. He formed a team with Azevedo Coutinho, and together they started to promote urban green spaces in Lisbon.
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Trevisan, Alexandra, e Maria Helena Maia. "Architecture et photographie d’architecture au xixe siècle au Portugal". In Architectes et photographes au xixe siècle. Publications de l’Institut national d’histoire de l’art, 2016. http://dx.doi.org/10.4000/books.inha.7119.
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Avelar, Ana Paula Borghi de, Michel Toussaint e João Alves Da Cunha. "The chapel of Pampulha and the church of águas, a possible relationship of brotherhood". In DEVELOPMENT AND ITS APPLICATIONS IN SCIENTIFIC KNOWLEDGE. Seven Editora, 2023. http://dx.doi.org/10.56238/devopinterscie-065.
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This article aims to analyze two Catholic temples of the 20th century, one Brazilian and one Portuguese. These are the Pampulha Chapel, the first modern Brazilian church, and the Igreja de Águas, the first church to be considered modern in Portugal. The Pampulha Chapel project is by the Brazilian architect Oscar Niemeyer and was inaugurated in 1943. The Igreja de Águas project, by the Portuguese architect Nuno Teotónio Pereira, was inaugurated in 1957. Beyond the great distance of the church's inauguration date Brazilian for the Portuguese church, we can see points in common between them. Like the defense of modern religious architecture in their countries and a possible inspiration on the part of the Portuguese architect about modern Brazilian architecture. Relationships that we will discuss below. This article is part of a larger doctoral investigation, where the main focus is on proving a relationship between modern Brazilian religious architecture and modern Portuguese religious architecture.
Atti di convegni sul tema "Architects – portugal"
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Hipolito, Fernando, e Helena Botelho. "Skin, Architecture and Sustainability: Three houses in Alentejo, Portugal". In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005339.
Testo completoAbstract (sommario):
Sustainability is the topic of the moment. Most of the time, it's used wrongly or even just as easily consumed rhetoric.In the field of architectural research, and in the architect's work as an architectural professional who produces projects with the sole purpose of being realised/built, sustainability and its relevance require research in the field of "Project Thinking on Design" that speculates on other ways of acting and introduces alternative visions.Based on 3 case studies in Portugal, designed by 3 contemporary Portuguese architects, we propose, with this article, to study the relevance of the option of materiality, considered at the origin of the conceptual act and in the process of synthesis that is the architectural project and, with this, to legitimize the idea and open up space for architecture to be an integral part of the notion of culture as sustainability.
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Freitas, Tiago. "Summer houses in Portugal: the legacy of the Exitenzminimum and the work of Le Corbusier". In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.862.
Testo completoAbstract (sommario):
Abstract: The program of the summer house will mark the acceptance period of modern architecture in Portugal. The modern life is put into practice by a group of architects to an enlightened bourgeoisie clientele, in some summer resorts that will start to be developed in the Portuguese coastline. The Existenzminimum, will be a German expression used throughout the twentieth century, particularly after the First World War, where the concerns of social nature and housing, for a large number of people will be important issues to be discussed by architects. Petit cabanon was Le Corbusier’s summer house in Roquebrune-Cap-Martin. This small pavilion experienced new possibilities of living in minimum area, similar to the theories of the existenzminimum studied by Modern architects in the post-first world war period. New ways to dwell in minimum space are then reinterpreted in the early experiences of holiday houses in Portugal where a simple way of living started to be tested. Resumen: El programa de la casa de verano se cumplirá el plazo de aceptación de la arquitectura moderna en Portugal. La vida moderna se pone en práctica por un grupo de arquitectos a una clientela de burguesía, en algunos centros turísticos de verano que comenzarán a desarrollar en la costa portuguesa. El Existenzminimum, será una expresión alemana utilizado a lo largo del siglo XX, sobre todo después de la Primera Guerra Mundial, donde las preocupaciones de carácter social y vivienda, para un gran número de personas serán temas importantes a tratar por los arquitectos. Petit Cabanon fue la casa de verano de Le Corbusier en Roquebrune-Cap-Martin. Este pequeño pabellón experimentó nuevas posibilidades de vivir en área mínima, similar a las teorías de la Existenzminimum estudiados por arquitectos modernos en el periodo posterior a la primera guerra mundial. Nuevas formas de habitar el espacio mínimo son entonces reinterpretadas en las primeras experiencias de casas de vacaciones en Portugal, donde una forma moderna de habitar comenzó a ser testada. Keywords: Petit cabanon; Le Corbusier; Holiday houses; Existenzminimum; Arquitecture; Modern. Palabras clave: Petit cabanon; Le Corbusier; Casas de Verano; Existenzminimum; Arquitectura; Moderno. DOI: http://dx.doi.org/10.4995/LC2015.2015.862
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Luz Pinto, Pedro. "The Teaching Didactics of Álvaro Siza". In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.51.
Testo completoAbstract (sommario):
Álvaro Siza Vieira (1933) began his training at the Architecture Department of the School of Fine Arts in Porto (EBAP) in 1949, one year after the 1st Congress of Portuguese Architects (1948), which became known as the congress of modern architects. There were two fine arts schools at the time in Portugal, in Porto and Lisbon (EBAP and EBAL), both with an equivalent curriculum that was coordinated by the state. Siza attended the course based on the “beaux arts” programs of 1932, concluding the curricular part of his course in 1955 and presenting his final graduation design in 1965. But by this time, Portuguese education in the arts had already switched to “modern”curricula (1952-57 Reform). The following year, having already seen some of his important works built, Siza began his career as assistant professor at the school in Porto.
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Saraiva, Alexandra, Patrícia Bento Almeida e Teresa Marat-Mendes. "PROJETO SOCIAL PARTICIPATIVO: possíveis ensinamentos do SAAL". In Seminario Internacional de Investigación en Urbanismo. Universitat Politècnica de Catalunya, Grup de Recerca en Urbanisme, 2024. http://dx.doi.org/10.5821/siiu.12504.
Testo completoAbstract (sommario):
In Portugal, in the 1970s, the Local Outpatient Support Service (SAAL) constituted a progressive housing program, which instituted participatory democracy and a collaborative framework between the State, specialists and target populations, seeking to solve the urgent problem of homelessness. Focusing on three specific case studies [Távora: Prelada (Porto, 1975-1976), Hestnes Ferreira: Fonsecas e Calçada (Lisbon, 1974-1988) and Costa Cabral: Pego Longo (Queluz, 1975-1977)], possible reflections of the previous paths of these architects in their respective urban and housing project proposals. Basing the analysis on original material, deposited in various archives and specialized libraries, this article offers a first systematization of the collected information, promoting a methodology for analysing the relationship between research and the practice of architecture/urbanism, developed and experimented in Portugal. Finally, clues are offered for the recovery of these participatory social projects, as possible models to follow today. Keywords: Housing; SAAL; Investigation; Sustainability; Urban Metabolism Em Portugal, na década de 1970, o Serviço de Apoio Ambulatório Local (SAAL) constituiu um programa habitacional progressista, tendo instituído uma democracia participativa dentro de um quadro colaborativo entre o Estado, especialistas e a população, com o objetivo de solucionar o grave e urgente problema de falta de habitação. Centrando-nos em três casos de estudo [Távora: Prelada (Porto, 1975-1976), Hestnes Ferreira: Fonsecas e Calçada (Lisboa, 1974-1988) e Costa Cabral: Pego Longo (Queluz, 1975-1977)], examinamos possíveis reflexos dos percursos prévios destes arquitetos nas suas respetivas propostas de projeto urbano e habitacionais. Baseando a análise em material original, depositado em diversos arquivos e bibliotecas especializadas, o presente artigo oferece uma primeira sistematização da informação recolhida, promovendo uma metodologia de análise da relação entre investigação e prática da arquitetura/urbanismo, desenvolvida e experimentada em Portugal. Por fim, oferecem-se pistas para a recuperação destes projetos sociais participativos, como possíveis modelos a seguir na atualidade. Palavras-chave: Habitação; SAAL; Investigação; Sustentabilidade; Metabolismo Urbano
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Lopes Dias, Tiago. "La mirada de Pedro Vieira de Almeida a Le Corbusier: una visión desde Portugal en la segunda mitad del siglo XX". In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.732.
Testo completoAbstract (sommario):
Resumen: Pedro Vieira de Almeida (Lisboa, 1933 – Matosinhos, 2011) es uno de los más importantes críticos y teóricos de la arquitectura en la segunda mitad del siglo XX en Portugal. En 1963, presenta en la Escuela de Bellas Artes de Oporto una tesis titulada “Ensayo sobre el espacio de la arquitectura”, influida por el pensamiento de Bruno Zevi. Hasta la Revolución de los Claveles (1974), va a compaginar su práctica profesional como arquitecto con una intensa actividad crítica ejercida sobre todo en periódicos y revistas culturales. Desde sus primeros trabajos se evidencia una notable capacidad de utilizar conceptos críticos innovadores en el análisis de obras de arquitectura, lo que será fundamental en sus estudios historicos desarrollados a lo largo de su vida, dados a conocer en publicaciones y exposiciones retrospectivas sobre arquitectos clave. Este ensayo propone una reflexión sobre el legado de Le Corbusier poniendo el aciento en algunos artículos de Vieira de Almeida escritos entre 1965 y 1970, así como en la investigación que ha llevado a cabo en los últimos años de su vida. Esta lectura diacrónica pone de relieve el papel central del maestro franco-suizo en la lectura crítica de Vieira de Almeida del racionalismo, a través de las nociones por él manejadas: “estructura crítica como condición base de la creación”, las vertientes poético-simbólica y mítica de la arquitectura o el concepto de carácter más instrumental de la “espesura”. Abstract: Pedro Vieira de Almeida (Lisbon, 1933 – Matosinhos, 2011) is one of the most prominent critics and theorists of architecture in the second half of the 20th century in Portugal. In 1963, he presented at the Oporto School of Fine Arts a thesis entitled “Essay on architectural space”, clearly influenced by the thoughts of Bruno Zevi. Until the Carnation Revolution (1974), he will combine his professional practice as an architect with an intense critical activity, developed mainly in newspapers and cultural magazines. Since his early work, a remarkable ability to use innovative concepts in the critical analysis of buildings have been put forth, with major consequences in his historiographical studies, developed throughout his life through publications or retrospective exhibitions on key architects. The following paper proposes a reflection on the legacy of Le Corbusier based on Vieira de Almeida’s theoretical work, linking some texts written between 1965 and 1970 with his research carried out in his last years of life. This diachronic study highlights the central role of Le Corbusier in Vieira de Almeida’s critical approach to rationalism, by means of notions as: “criticism as a basic condition of creation”, poetic-symbolic and mythical aspects of architecture, or the more instrumental concept of “thickness”. Palabras clave: Crítica; Teoría; Pedagogía; Poética; Espesura; Ronchamp. Keywords: Critique; Theory; Pedagogy; Poetics; Thickness; Ronchamp DOI: http://dx.doi.org/10.4995/LC2015.2015.732
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Sousa Oliveira, Carlos, e Ana Luísa VIEIRA. "Frequency-amplitude of Vibration of Modern Aesthetic Footbridges for Walking and Cycling". In Footbridge 2022 (Madrid): Creating Experience. Madrid, Spain: Asociación Española de Ingeniería Estructural, 2021. http://dx.doi.org/10.24904/footbridge2022.236.
Testo completoAbstract (sommario):
<p>New urban developments are changing the traditional footbridges by contemplating (i) the new cyclic functionality of these structures, (ii) the wood and other light structural materials and, in many cases, (iii) the introduction of aesthetics. Previous studies were made on pedestrian footbridges composed by a simple supported beam with uniform distributed characteristics. The main objective of these past projects was to pass pedestrians across, safe and comfortably, with minimal cost of construction, without much aesthetics.</p><p>Nowadays, footbridges appeal to the best architects and engineering consortiums and each new one is viewed as entering in an aesthetic contest. The objective now is similar as referred before but, besides adding the cycling vehicles, they should look into aesthetics and to the environmental context. They span larger distances making use of more adequate materials. However, the dynamic characteristics might be a problem due to proximity of frequencies of the structure with the rhythm of the stepping of crossing. This is the objective of this paper to understand if more complex geometries and different materials pose problems. After looking into several cases in Portugal and Spain and, describing their main geometric and mechanical characteristics, the most important frequencies of vibration and amplitude of oscillation for various loadings were analyzed. Caution should be exercised to not excite resonance conditions. A case study of one of these structures is analysed in detail for deterministic conditions. Cycling is not a problem.</p>
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Pedreirinho, José Manuel, Michel Toussaint e Pancho Guedes. "The Porteguese Perspective". In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.4.
Testo completoAbstract (sommario):
ose Manuel Pedreirinho was born and educated in Lisbon, and has operated his own practice there since 1984. In addition to teaching the history of modern architecture and the theory of architecture at the universities of Lisbon, Coimbra, and Porto, Prof: Pedreirinho is also completing a PhD at the University of Bath (UK). The author of several articles and two books on Portuguese architecture and the teaching process, Prof: Pedreirinho is currently preparing a guide on the architecture of Porto. Michel Toussaint is an architect and educator in Lisbon, where he teaches the theory of architecture at the Universidade Tecnica de Lisboa and the Universidade Lusiada. Prof: Toussaint has published several essays, articles, and books on architectural topics, and has practiced in Portugal, Angola, and Macau. Pancho Guedes is an architect currently working in Lisbon ajler an extensive career in Mozambique and South Africa. A graduate of the University of Witwatersrand (South Africa), Prof: Guedes’ work is noted for it sculptural and expressionistic quality, influenced heavily by African art and the work of Gaudi. In addition to his academic career in Lisbon, Prof: Guedes has also taught at the Architectural Association in London. [Editor’s note: The text of these presentations was not available at the time of publication.]
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Pugliano, Antonio, Simone Diaz, Elisabetta Moriconi e Elettra Santucci. "L’antico sistema portuale ostiense: riconoscimento, interpretazione e divulgazione dei processi formativi edilizi e urbani". In International Conference Virtual City and Territory. Roma: Centre de Política de Sòl i Valoracions, 2014. http://dx.doi.org/10.5821/ctv.7980.
Testo completoAbstract (sommario):
La presente Relazione descrive l’esito delle ricerche svolte presso il Dipartimento di Architettura
dell’Università “Roma Tre”, in sinergia con il MiBAC, Soprintendenza Speciale ai Beni
Archeologici, e l’Ordine degli Architetti PPC della Provincia di Roma, circa lo studio storicocritico
del sistema portuale ostiense inserito nel perimetro della Riserva Naturale del Litorale
Romano. La finalità dello studio, condotto da chi scrive nell’ambito del “Programma di Azioni
integrate di Ricerca e Formazione per la conservazione e la valorizzazione dei siti di Ostia e
Portus (Dipsa-Mibac-SSBAR)”, è rivolto alla documentazione, a fini di restauro e valorizzazione,
di tali importanti contesti materiali. Lo studio condotto, pertanto, si è basato sullo svolgimento di
letture critiche delle fonti e del contesto materiale, applicando la metodologia propedeutica alla
progettazione del restauro architettonico, e sulla definizione di proposte operative utili alla
pratica della manutenzione e del restauro, oltre che alla programmazione degli interventi di
valorizzazione. Lo studio è rivolto alla creazione di una sistema informatizzato che consenta,
non solo di indagare gli aspetti storici, ma anche di essere utilizzato come strumento per la
programmazione della valorizzazione e la gestione della conservazione e del restauro dei siti
archeologici.