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Articoli di riviste sul tema "Anarchism and anarchists – Collected works"

1

Damier, Vadim. "The Genoa Conference of 1922 Through the Eyes of Russian Anarchists". Novaia i noveishaia istoriia, n. 2 (2023): 86. http://dx.doi.org/10.31857/s013038640025099-6.

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In the article the author examines the attitude of Russian anarchists and anarcho-syndicalists to the 1922 Genoa Conference and the participation of representatives of Soviet Russia in it. This subject has not received much coverage in the works of anarchism scholars, who have so far focused primarily on the study of the general stance of Russian anarchism towards the Soviet regime and the issue of the New Economic Policy, on the problem of anti-anarchist repressions in Russia and on the ideological and organisational processes in the Russian anarchist emigration. The author made it his task to identify the place that the critique of the “Genoa policy” of the Soviet government enjoyed in the ideological concepts and political work of the anarchists, and to trace the main line of their reasoning. The main source for this article was the original, mainly émigré, press of the Russian anarchists between 1922 and 1923. The author demonstrates that the Russian anarchists' view of the Genoa Conference was primarily determined by ideological motives and their general analysis of the course and fate of the Russian Revolution itself. Being anti-statists, the anarchists had no particular conception of foreign policy and were indifferent to so-called state interests. The “Genoa policy” was perceived by them as a manifestation and confirmation of the new Bolshevik course, in which they saw an orientation towards restoring the positions of private capital within Russia itself and towards subordination to world capital on an international scale. Planned or real concessions on the part of the Soviet delegation at the Conference and repression of Russian anarchists and socialists were, in their eyes, two sides of the “Bolshevik counter-revolution”. The criticism of Bolshevism mounted by the anarchist emigration in connection with and after the Genoa Conference contributed to the demarcation in the international trade union revolutionary-syndicalist movement and the founding of the anarcho-syndicalist International.
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Мadej-Cetnarowska, M. "Christian “anarchism” of three cosmists (st. Francis of Assisi, N.F. Fedorov, Pope Francis)". Solov’evskie issledovaniya, n. 1 (31 marzo 2021): 42–57. http://dx.doi.org/10.17588/2076-9210.2021.1.042-057.

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The philosophy of three prominent Christian thinkers is considered: St. Francis of Assisi, Nikolai Fedorovich Fedorov and Pope Francis. Despite the time distance, each of them sets forth common ideas. It is claimed that the link between these individuals is the philosophy of cosmism. A typical representative of this trend is Nikolai Fedorov, but thinking in the categories of cosmism is also noted in the works of St. Francis of Assisi and Bishop of Rome. It is proposed to call them Christian anarchists who violate the fossilized structure of the church and society. The specificity of their anarchism is emphasized, devoid of negative features, built in the image of Christ and leading to the renewal of the sacred space, the Earth. The basic concepts of each of the three Christian anarchists are considered. The analysis of their philosophy allows for the formulation of the thesis that the ideas they propose to restructure the world and society are based on the principle of Christ – “not by force, but by love”.
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Brekhov, Gleb S. "Women and Anarchism: The Anarcha-Feminism Movement in Europe and the United States". RUDN Journal of Political Science 24, n. 1 (25 febbraio 2022): 90–106. http://dx.doi.org/10.22363/2313-1438-2022-24-1-90-106.

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As an ideology, anarchism has many currents formed through its symbiosis with various socio-political philosophies, including feminism. In the modern world, due to the growing support for feminism in Western countries, the study of anarcha-feminism as one of the most active anarchist movements seems to be useful for understanding the socio-political situation in Europe and the United States. The article examines the position of women in the anarchism ideology upon the development of the anarcha-feminist movement from the 19th century to the present day. Based on the works of the classics of anarcha-feminism (E. Goldman, W. De Claire) and modern research (D. Koval, M. Rachmaninova), the author conducted a comparative retrospective analysis of the relationship between anarchism and feminism within a single socio-political trend. The study revealed that despite the ideological similarity of anarchism and feminism in matters of equality and attitude to power, in classical anarchism women were assigned a rather insignificant, and even deprived, role. The fusion of feminism and anarchism, which came as a response to the unfair position of women in society, led to a change in the status of women in the understanding of anarchists, and also gave impetus to the development of modern anarcha-feminism (La Rivolta!, Eskalera Karakola, Wemoons Army, Radical cheerleading) including more and more men in the movement.
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Voronov, Yury. "Very Old and the Very Modern Clothing of Anarchism. Theory". Ideas and Ideals 15, n. 1-1 (28 marzo 2023): 105–33. http://dx.doi.org/10.17212/2075-0862-2023-15.1.1-105-133.

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This article discusses the main stages in the development of the theory of anarchism. The author started his examination of anarchist ideas from Errico Malatesta’s book “The System of Anarchism in Ten Conversations for the Peasants”. Then, the author considers the works of a French politician, philosopher and economist Pierre-Joseph Proudhon. The paper touches upon the problem of practical implementation of his theoretical principles up to the present time. The author also takes into account the works of the geographical school of anarchism (Elise’e Reclus and Peter Kropotkin). The paper analyses the anarchist origins of the classical school of political economy. It is noted that a significant part of Adam Smith’s ideas was previously expressed by his predecessor, anarchist William Godwin. In particular, it is shown that the category of ‘invisible hand’ originated from anarchist ideas about the inner world of a person, and not from the ideas that ‘the market will decide everything’. Some aspects of the history of the First International, the role of anarchists in the creation and activities of the First International are considered. The article describes the emergence and development of anarchism in Japan, it is shown that the Japanese branch of anarchism is closely connected with the works of M. Bakunin. The problem of long-term propaganda of the ideas of anarchism in US universities is touched upon. The main authors of anarchist works are singled out from among them. The author also considers Christian theological anarchism associated with the name of I. Illich, as well as the works of the followers and propagandists of anarcho-Islam that have appeared in recent years. According to the author, the ideas of anarchism are poorly analyzed by historians, which leads to many incorrect assessments of current events and erroneous predictions of the future, especially in recent decades. The reason for this is ignoring the role of anarchist thought in the socio-economic life of the world. It is noted that the penetration of anarchist ideas into social theories and political doctrines of very different directions takes place in such a way that they become an inseparable part of them and are no longer considered anarchist. Briefly, the main idea of the article can be expressed in the words: “Theoretical anarchism does matter”.
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Bishop, Wesley R. "The Collected Works of Errico Malatesta, Volume III, A Long and Patient Work: The Anarchist Socialism of L'Agitazione, 1897–1898". Journal for the Study of Radicalism 17, n. 2 (1 luglio 2023): 222–24. http://dx.doi.org/10.14321/jstudradi.17.2.0222.

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Zubarev, Ivan Yur'evich. "The disarmament of anarchists in the provinces of the Central Chernozem region in the spring of 1918 (based on the materials of the Orel and Voronezh provinces)." Исторический журнал: научные исследования, n. 6 (giugno 2023): 135–44. http://dx.doi.org/10.7256/2454-0609.2023.6.69253.

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The article examines the confrontation of the armed anarchist detachments of the "Black Guard" with the Bolsheviks in the spring of 1918. The causes and features of the emergence of anarchist detachments, the position of anarchists in the political arena of the country in 1917 - early 1918 are illustrated. The author gives an assessment of some early Soviet studies on "anarchist uprisings" in the provinces of the Central Chernozem region. After the February and October revolutions of 1917, anarchism in Russia embarked on a new path of development, which was characterized by attempts to unite and create a single combat force to protect the "revolutionary gains" from the interventionists and White Guard forces. The object of the study is the history of the anarchist movement in the Central Chernozem region during the establishment of Soviet power. The subject of the study is the armed actions of anarchists against the authorities in Orel and Voronezh in March-April 1918. The methodological basis is the consideration of historical phenomena and their interrelations in the context of the studied time (the principle of historicism). A comparative historical method was used to establish the similarities and distinctive features of the armed actions of anarchists in Orel and Voronezh. The article attempts to comprehensively study the history of the anarchist movement in the Central Black Earth region. The author analyzes only a small fragment of this topic. The spring of 1918 was a period of the defeat of anarchist detachments and organizations throughout Russia, these processes took place on the territory of the Central Chernozem region. Based on the works of his predecessors and memoir sources, the features of the defeat of the anarchist detachments in Orel and Voronezh are analyzed. During the analysis, it was possible to demonstrate that the anarchists were only part of the rebel forces, consisting of detachments arriving from the Ukrainian front, dissatisfied with the supply. Some Soviet authors often saw in these speeches a "Socialist-Revolutionary" conspiracy" or assigned the anarchists a leading role, making them the main instigators of uprisings. Which, according to the author, is an erroneous position.
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7

Shakoor, Abdul, e Mustanir Ahmad. "ANARCHO-PRIMITIVISM IN D.H. LAWRENCE’S POST WAR FICTION: AN ECO-CRITICAL ANALYSIS". Pakistan Journal of Social Research 04, n. 04 (31 dicembre 2022): 10–17. http://dx.doi.org/10.52567/pjsr.v4i04.782.

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Eco-criticism is an emerging area of investigation in literary and critical studies aiming at the analysis of the role and representation of nature and environment in literary works. Eco-critics speak for nature which, they believe, is silenced, and oppressed by anthropocentric mindset and human lust for profit and comfort. Critique of modern industrial civilization and celebration of pre-colonial primitive cultures are the important concerns in the contemporary eco-critical discourse. Anarchism aims at the eradication of modern civilization, advocating the restoration of pre-modern and pre-egalitarian primitive mode of existence. Anarcho-primitivism, combining anarchists’ distrust for modern civilization and authoritarianism with primitivists’ interest in simple and primitive mode of living, involves a critique of modern industrial civilization, advocating a return to non-civilized primitive ways of life. Anarchist and anarcho-primitivist elements are perceptible in Lawrence’s post-war fiction which exudes his aversion for modern industrial civilization for its barrenness, decay and sterility, and its unspeakable damage to the natural environment, and his predilection for non- European primitive cultures and societies which, in comparison to dead European existence, present a better alternative with their vitality and healthier mode of existence. This paper, by adopting the qualitative research method and using the key concepts of the representative anarchist, primitivist and ecocritical thinkers as theoretical framework, has attempted to analyse anarcho-primitivism in Lawrence’s post-war fiction from ecocritical perspective. Keywords: Eco-criticism, Anarchism, Primitivism, Anarcho-primitivism, Future primitive
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8

Panourgiá, Neni. "Recognition: Exarcheia, mon amour". Journal of Greek Media & Culture 5, n. 2 (1 ottobre 2019): 231–49. http://dx.doi.org/10.1386/jgmc.5.2.231_1.

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The human-scape of Europe has changed irrevocably since the intensification of extractive economies and the wars that they have engendered from the 1990s onwards. Greece, as a country, and Athens as its major city, have been caught in this web off-guard, even though any astute politician could have seen the changes coming. This altered human-scape comprises human subjects involved in a dynamic dialectic of recognition ‐ recognition of the self and the other, and recognition of the self by the self, in the process producing new subjectivities and hardening already existing ones. I am looking at three emblematic points in Athens ‐ Exarcheia, the Athenian Trilogy and Gerani ‐ through the eyes and the words of (primarily) anarchist and leftist activists, subjects who have been at the forefront of resistance both to hegemonic and authoritarian politics since the 1960s and to their extractive economies. Through raw material that I collected in the summer and winter of 2018 I examine the positions taken by these subjects as they try to re-negotiate their politics of recognition in a landscape that is constantly shifting.
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Damier, Vadim. "Isabelo de los Reyes and the Beginning of the Labour Movement in the Philippines". Novaia i noveishaia istoriia, n. 2 (2022): 69. http://dx.doi.org/10.31857/s013038640018556-9.

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The article focuses on the activities of the Filipino publicist, ethnographer, public, religious and political figure Isabelo de los Reyes (1864–1938). For the first time in Russian historiography, drawing upon de los Reyes' own works, it highlights his role in the movement for Philippine independence from Spain, in the formation of the labour movement, and in the initial dissemination of socialist ideas in the archipelago. A talented and prolific journalist, he rose to prominence among the progressive “ilustrados” - the educated class in the Spanish colony of the Philippines - at a very young age. Arrested by the colonial authorities after the outbreak of the 1896 anti-colonial rebellion, de los Reyes was exiled to Spain. While in prison in Barcelona, he was influenced by left-leaning fellow prisoners – anarchists, syndicalists and socialists. He was greatly impressed by his acquaintance with socialist literature. After his release from prison in 1898, de los Reyes took part in the activities of the Philippine emigration and the campaign against the capture of the Philippine Islands by the United States. In 1901 he returned to his homeland, bringing with him the works of anarchist and socialist theorists and propagandists, to which he introduced the country's leading labour activists. In 1902, at their request, he helped organise the Unión Obrera Democrática (UOD), which emerged as the first trade union association not only in the Philippines but also in the whole of Southeast Asia. At that time De los Reyes held socialist views, incorporating elements of Christian socialism, anarchism, and reformist syndicalism. He also initiated the creation of the Philippine Independent Church. After a major wave of strikes in 1902, de los Reyes was arrested by the US authorities in the Philippines and resigned as head of the UOD. After his release from prison, he published the organ of the labour movement, the newspaper “La Redención del obrero”. In the following years, de los Reyes withdrew from the trade union movement, focused on topics related to the Philippine Independent Church, and then became actively involved in political activities, being elected municipal councilor and senator.
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Petrovsky, Helen V. "The photogeny of revolution". Philosophy Journal 14, n. 2 (2021): 111–22. http://dx.doi.org/10.21146/2072-0726-2021-14-2-111-122.

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Drawing on the works of three authors, namely, Jean Epstein, Auguste Villiers de l’Isle-Adam and P.A. Kropotkin, the article attempts to lay the grounds for what might be called a semiotics of forces. Jean Epstein, a filmmaker and theorist of the new art form, is the au­thor of an original concept of photogénie where cinema is presented as an instru­ment re­vealing the transformations of matter itself. Erupting Etna stands for the trans­formations in question. Villiers de l’Isle-Adam is a symbolist writer, who also mentions Etna, associat­ing its explosive power with the chemical formulas of explosives. These formulas, inte­grated into his “least literary” novella, become special signs of social transformation: The writer, challenging the entire class of bourgeoisie that he deeply detests, makes use of the fear incited by the anarchists amongst it. Finally, P.A. Kropotkin, one of the leading theo­rists of anarchism but also an outstanding scientist and geographer, insists on the priority of transformative action over theory and every other speculation. In fact, he proposes his own version of the performative – of words changing the existing state of things – already at the end of the 19th century. In one way or another, all these writers are united by their understanding of the inherent connection between natural and social disasters (Kropotkin’s position is explicit). Described by Epstein and only once mentioned by Villiers de l’Isle-Adam, Etna becomes an element of a correlation, i.e., of a connection that is unapparent and necessary at the same time. What is implied is the relation between volcano and cin­ema as well as that between volcano and explosives. In both cases this relation becomes the designation of matter itself or, to be more exact, of matter in a state of flux and trans­formation. But this is also true of transformative action in the proper sense of the word (re­sulting in revolution, according to Kropotkin), whose verbal expressions always carry within themselves the energy of multidirectional forces. Etna is not merely a volcano and not just an element of a correlation; from the perspective of physics, it is synonymous with heat (scorching lava), which stands for changes in the properties of a substance, i.e., its transformation in purely physical terms. It is clear that transformation in cinema, literature as well as in social life cannot be represented directly; it is revealed only through a set of relations, namely, a semiotics of forces.
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Libri sul tema "Anarchism and anarchists – Collected works"

1

Paul Avrich Collection (Library of Congress). Ciao anarchici: Images d'une encontre internationale anarchiste = immagini di un incontro internazionale anarchico : Venise 1984 = Venezia 1984. Stockholm: Nordan Comunidad, 1986.

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2

S, Maciel Agnaldo, Enckell Marianne e Santin Fabio, a cura di. Another Venice: Images of an international anarchist meeting : im'agenes de un encuentro internacional anarquista : Venezia, 1984. Buffalo: Black Rose, 1986.

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3

Maciel, Agnaldo S. Another Venice: Images of an international anarchist meeting = imágenes de un encuentro internacional anarquista : Venezia 1984. Montréal: Black Rose Books, 1985.

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4

Joseph, Conrad. The Secret Agent: A Simple Tale. Oxford: Oxford University Press, 2004.

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Joseph, Conrad. The secret agent. Radford, VA: Wilder Publications, 2008.

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Joseph, Conrad. The secret agent. Peterborough, Ont: Broadview Editions, 2009.

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Joseph, Conrad. The secret agent. Mineola, N.Y: Dover Publications, 2001.

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Joseph, Conrad. The secret agent. New York: Barnes & Noble, 2006.

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9

Joseph, Conrad. The secret agent: A simple tale. Oxford: ISIS Large Print, 1988.

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10

Joseph, Conrad. The secret agent: And, Almayer's folly. New York: Bantam Books, 1995.

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Capitoli di libri sul tema "Anarchism and anarchists – Collected works"

1

Porton, Richard. "Introduction". In Film and the Anarchist Imagination, 1–8. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043338.003.0001.

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This introductory chapter provides a brief background of anarchism. The competing varieties of anarchism endeavor to reconcile the seemingly conflicting claims of individual autonomy and collective struggle. Despite significant differences between the classical anarchists, the term “communal individuality” allows one to recognize affinities between the evolving connotations of anarchy embedded in the works — and deeds — of Pierre-Joseph Proudhon, Mikhail Bakunin, and Peter Kropotkin. In addition, a productive tension between individuality and communal solidarity fuels the fascinatingly contradictory work of two thinkers sometimes not considered part of mainstream anarchism — William Godwin and Max Stirner. In the years since the first edition of this book was published in 1999, the so-called “post-anarchist” turn has posed a challenge, in both activist and academic circles, to the canonical anarchism of Proudhon, Bakunin, and Kropotkin. The book focuses on links between anarchist self-activity and films that not only reflect, but often actively promote, workplace resistance, anarchist pedagogy, and anti-statist insurrections. It also broadens the definition of “anarchist cinema” to include discussion of films not made and produced by anarchists.
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