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1
Thibon, Gustave. Ils sculptent en nous le silence: Rencontres : Kierkegaard, saint Jean de la Croix, André Gide, Gabriel Marcel, Chateaubriand, Sénèque, Victor Hugo. Lanza del Vasto, Alain, Pascal, Racine, Maurras, Mistral, Olivier de Serres, Henri Moreau, Jacques Maritain, Simone Weil. Paris: F.-X. de Guibert, 2003.
2
Kamel-Toueg, Alain. Pitatou au pays des vendages: Une histoire de Alain Kamel-Toueg et Louise Pomminville. [Montréal]: Productions Le Jardin de la vie, 1995.
3
Alkin, Lee Everett. Kinds of loving: The autobiography of Lee Everett Alkin. London: Columbus Books, 1987.
4
Svec, Henry Adam. American Folk Music as Tactical Media. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462984943.
Abstract (sommario):
American folk music has long presented a problematic conception of authenticity, but the reality of the folk scene, and its relationship to media, is far more complicated. This book draws on the fields of media archaeology, performance studies, and sound studies to explore the various modes of communication that can be uncovered from the long American folk revival. From Alan Lomax's cybernetic visions to Bob Dylan's noisy writing machines, this book retrieves a subterranean discourse on the concept of media that might help us to reimagine the potential of the networks in which we work, play, and sing.
5
Leutrat, Jean-Louis. L’Année dernière à Marienbad. Bloomsbury Publishing Plc, 2001. http://dx.doi.org/10.5040/9781838712723.
Abstract (sommario):
A quintessential work of 1960s European art cinema, L’Année Dernière à Marienbad (Last Year in Marienbad, 1961) was a collaboration between director Alain Resnais and 'New Novel' enfant terrible Alain Robbe-Grillet. Three people, known only by their initials, move through the sprawling luxury of a mysterious hotel and its ornamental gardens. Perhaps M is A's husband and X her lover. Perhaps ''last year,' A promised X she would leave with him. Or is there something more terrible in the past? An abstract thriller, a love story, a philosophical puzzle, the film's deviations are, for Jean-Louis Leutrat, as complex as those of the human heart.
6
Hickman, Roger. More Sondheim. A cura di Robert Gordon. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195391374.013.0017.
Abstract (sommario):
Sondheim provided original music for five movies: one or more songs forThe Seven-Per-Cent Solution(1976),Dick Tracy(1990), andThe Birdcage(1996), and scores forStavisky(1974) andReds(1981). The two scores reflect divergent trends in this era. Warren Beatty’sRedsuses music sparingly, and Alain Resnais’sStaviskycontains a complicated score that reflects compositional trends of the 1930s. Sondheim’s songs for the other films are crafted to entertain and to further their respective stories. ForDick Tracy, Sondheim composed five songs; several accompany montages, others crosscut with live action, and two, both performed by Madonna, have multiple reprises. Among the latter is the Oscar-winning “Sooner or Later.”
7
Copeland, Jack, Jonathan Bowen, Mark Sprevak e Robin Wilson. The Turing Guide. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198747826.001.0001.
Abstract (sommario):
Alan Turing has long proved a subject of fascination, but following the centenary of his birth in 2012, the code-breaker, computer pioneer, mathematician (and much more) has become even more celebrated with much media coverage, and several meetings, conferences and books raising public awareness of Turing's life and work. This volume will bring together contributions from some of the leading experts on Alan Turing to create a comprehensive guide to Turing that will serve as a useful resource for researchers in the area as well as the increasingly interested general reader. The book will cover aspects of Turing's life and the wide range of his intellectual activities, including mathematics, code-breaking, computer science, logic, artificial intelligence and mathematical biology, as well as his subsequent influence.
8
Cohen, Richard I., a cura di. Alvin H. Rosenfeld (ed.), Deciphering the New Antisemitism. Bloomington: Indiana University Press, 2015. 568 pp. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190912628.003.0016.
Abstract (sommario):
This chapter reviews the book Deciphering the New Antisemitism (2015), edited by Alvin H. Rosenfeld. Deciphering the New Antisemitism discusses many of the new forms of antisemitism. It explores antisemitism in relation to Islamophobia and radical Catholicism, antisemitic ideology, and moral antisemitism (the philosophical aspect of the phenomenon) as well as apostasy, literary theory, antisemitism in France, and anti-Zionism within the anarchist tradition. It also looks at the uniqueness of the Holocaust, denial of the Holocaust, and generational changes among Holocaust deniers. Finally, it examines antisemitism in the United States, the European Union, and Iran. Discovering the New Antisemitism is highly recommended for scholars of contemporary Jewish history, Israeli history, and political science.
9
Tweedie, James. The Afterlife of Art and Objects. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190873875.003.0006.
Abstract (sommario):
Like the tableau vivant, the cinematic still life experienced a stunning revival and reinvention in the late twentieth century. In contrast to the stereotypically postmodern overload of images, the still life in film initiates a moment of repose and contemplation within a medium more often defined by the forward rush of moving pictures. It also involves a profound meditation on the relationship between images and objects consistent with practices as diverse as the Spanish baroque still life and the Surrealist variation on the genre. With the work of Terence Davies and Alain Cavalier’s Thérèse (1986) as its primary touchstones, this chapter situates this renewed interest in the cinematic still life within the context of both the late twentieth-century cinema of painters and a socially oriented art cinema that focuses on marginal people and overlooked objects rather than the hegemonic historical narratives also undergoing a revival at the time.
10
Gilbert, Margaret. Human Rights in Light of the Foregoing. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198813767.003.0015.
Abstract (sommario):
This chapter discusses the implications of the argument of this book for our understanding of human rights. On one common conception human rights are conceived of as moral rights, on another as legal or more broadly institutional rights. Within either conception, they may be conceived of as demand-rights. The argument of this book implies that if they are then conceived of as moral rights existing independently of human commitments, their possibility is moot. If they are conceived of as institutional rights, they are, as such, normatively inert. The outcome of the discussion is this: the way to gain the standing to demand actions to which one is understood to have a human right on either conception is by way of an appropriate joint commitment. Human rights theorists whose work is discussed include Henry Shue, Alan Buchanan, and Charles Beitz.
11
Greco, John. Knowledge of God. A cura di William J. Abraham e Frederick D. Aquino. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199662241.013.16.
Abstract (sommario):
Contemporary epistemology has taken an ‘externalist turn’ in its thinking about knowledge and related issues, and contemporary religious epistemology has followed suit in this respect. This is how we should understand Alvin Plantinga’s proper function view of religious knowledge, and William Alston’s view that we can have perceptual knowledge of God. Contemporary epistemology has more recently taken a ‘social turn’, and religious epistemology and the epistemology of theology might fruitfully follow this trend as well. For example, religious epistemology can benefit from recent work on epistemic authority and on the epistemology of testimony.
12
Payne, Emily. Intervention. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199355914.003.0015.
Abstract (sommario):
Collaboration is usually associated with the co-presence of those involved; but in this Intervention Emily Payne discusses a more complex and convoluted process extending over forty years, and involving different performers. Payne’s account of Antony Pay’s 2013 recording of Alexander Goehr’s Paraphrase for solo clarinet, premiered by Alan Hacker in 1969, reveals a ‘back story’ that casts new light on the network of distributed relationships that lies behind this unusual collaborative project.
13
Walls, Jerry L., e Trent Dougherty. Afterword*. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190842215.003.0027.
Abstract (sommario):
Alvin Plantinga shares his current thoughts on natural theology, including which arguments he thinks hold the most promise in this interview with Trent Dougherty at the “Two Dozen (or so) Theistic Arguments” Conference hosted by both the Baylor Institute for Studies of Religion and the Program for Philosophical Study of Religion at Baylor University. Plantinga cites the moral arguments as among the most compelling. He also addresses the reasons for various arguments’ strengths. Some are useful for helping people who don’t believe in God to come to believe in God. He also finds that some arguments are useful when it comes to shoring up one’s own belief. The interview also probes Plantinga’s personal experiences with employing these arguments with people, including atheists.
14
Adam Svec, Henry. American Folk Music as Tactical Media. Amsterdam University Press B.V., 2020. http://dx.doi.org/10.5040/9789048561346.
Abstract (sommario):
American folk music has long presented a problematic conception of authenticity, but the reality of the folk scene, and its relationship to media, is far more complicated. This book draws on the fields of media archaeology, performance studies, and sound studies to explore the various modes of communication that can be uncovered from the long American folk revival. From Alan Lomax's cybernetic visions to Bob Dylan's noisy writing machines, this book retrieves a subterranean discourse on the concept of media that might help us to reimagine the potential of the networks in which we work, play, and sing.
15
Santow, Leonard J. Do They Walk on Water? Praeger, 2008. http://dx.doi.org/10.5040/9798400641756.
Abstract (sommario):
A crowd gathers. People crane their necks. Cameras flash. The limo door opens. Who is it—Mick Jagger? Oprah? Tiger Woods? No. It's Alan Greenspan—and the crowd still goes wild. Many felt Greenspan walked on water during his lengthy term as Chairman of the Federal Reserve System. But was he a genius or, as Tolstoy might portray him, simply someone who could manifest confidence while attempting to captain an uncontrollable ship? In this book, economist Leonard Santow casts a steely eye on the Fed and its five most recent chairmen—Arthur Burns, G. William Miller, Paul Volcker, Alan Greenspan, and Ben Bernanke. Along the way, readers learn what function the Fed performs and why, how monetary policy differs from fiscal policy, which levers the Fed uses to change the money supply and control inflation, and more. This is one of the few books to explain the inner workings of the Fed and its Open Market Operations in layman's terms, while evaluating its most recent chiefs in their efforts to keep inflation at bay and the economy humming. Written in an easy and accessible style, the book also contains insights on the subprime mess and the securities that helped bring down the real estate house of cards, and it offers prescriptions for smoothing the choppy economic seas going forward.
16
Burns, Elizabeth D. The Ontological Argument. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190842215.003.0008.
Abstract (sommario):
William Rowe claims that Anselm’s ontological argument, as restated by Alvin Plantinga, begs the question because, in order to know the truth of the key premise—“It is possible that God exists in reality”—we must know, independently of the argument, that God exists in reality. This chapter argues that Rowe focuses on Plantinga’s restatement of Anselm’s argument at the expense of Plantinga’s own version of the argument, and that Plantinga anticipates and addresses Rowe’s objection. Although Plantinga concedes that a rational person could reject his argument’s central premise, it might be possible to build on Plantinga’s argument by adding a further step derived from Iris Murdoch, which shows that the existence of God is not only possible but necessary, and therefore actual. This reconstruction is not an ontological argument in its purest form, but a fusion of elements from ontological, moral, and cosmological arguments for the existence of God.
17
Dostoevsky, Fyodor, e William Leatherbarrow. The Idiot. A cura di Alan Myers. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199536399.001.0001.
Abstract (sommario):
Into a compellingly real portrait of nineteenth-century Russian society, Dostoevsky introduces his ideal hero, the saintly Prince Myshkin. The tensions subsequently unleashed by the hero’s innocence, truthfulness, and humility betray the inadequacy of his moral idealism and disclose the spiritual emptiness of a society that cannot accommodate him. Myshkin’s mission ends in idiocy and darkness, but it is the world that is rotten, not he. Written under appalling personal circumstances when Dostoevsky was travelling in Europe, The Idiot not only reveals the author’s acute artistic sense and penetrating psychological insight, but also affords his most incisive indictment of Russia’s struggling to emulate contemporary Europe and sinking under the weight of Western materialism. This new translation by Alan Myers is meticulously faithful to the original and has a critical introduction by W. J. Leatherbarrow.
18
Walls, Jerry L., e Trent Dougherty. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190842215.003.0001.
Abstract (sommario):
Alvin Plantinga is one of the seminal philosophers of religion of the latter half of the twentieth century. One of his most distinctive and important contributions to the philosophy of religion is his carefully articulated defense of the claim that belief in God can be properly basic. Despite his contention that arguments are not needed for rational belief in God, he has made the case that there are still lots of good ones available. This introduction outlines the development of Plantinga’s arguments, including their introduction at a 1986 conference. The arguments are compared and contrasted with Richard Swinburne’s more traditional (yet still innovative) approach to the topic. Plantinga’s two dozen arguments cover a wide range of approaches, including metaphysics, ontology, epistemology, morality, rationality, and others. In the spirit of Plantinga’s parenthetical “(or so),” the chapter introduces a handful of additional arguments not among his original two dozen.
19
Tallon, Philip. The Mozart Argument and (V) The Argument from Play and Enjoyment. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190842215.003.0020.
Abstract (sommario):
Many atheistic philosophers concede that the prevalence of natural beauty is much more likely on theism than on naturalism. It is fairly easy to argue that beauty counts as evidence for God's existence. But how strong is this evidence? And what account of beauty are we using? This chapter examines several versions of the argument from beauty for God's existence, evaluates them, and presents a modified version of the argument offered by Alvin Plantinga. The chapter contends that beauty, as well as play, fit into the picture of Christian theology, and do not fit well within naturalism. An open-minded investigator should infer that Christian theism provides the best explanation for them, and that Christianity provides the best hope for satisfying our desire for beauty and play. In addition, the chapter offers a brief appraisal of Plantinga’s argument from play, and attempts to further it.
20
Schneider, Robert A. Dignified Retreat. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198826323.001.0001.
Abstract (sommario):
Cardinal Richelieu, Louis XIII’s first minister and the architect of French absolutism, is often celebrated for his role in reviving the arts and letters in the crucial period in the formation of French classicism. This book looks less at him than at the writers and intellectuals themselves in the creation of a new culture distinguished by the rise of the French language over Latin and the emergence of a literary field. The author argues that even the French Academy, founded by Richelieu in 1635, was more the result of an already established literary and linguistic movement that he merely managed to co-opt. Dignified Retreat examines the work and activities of over one hundred writers and intellectuals, focusing especially on their place in the urban context of a revived Paris after several generations of religious warfare in the sixteenth century. The theme of “retreat”—a withdrawal from public engagement and certain modes of public expression—runs throughout the book as a leitmotif that captures the ambivalent position of these men (and a few women) of letters as they tried to establish the legitimacy of their calling outside the established institutions of the Church, the law, and the university. Building on the work of such French literary scholars and historians as Marc Fumaroli, Alain Viala, Hélène-Merlin Kajman, Christian Jouhaud, and others, Schneider offers a novel approach to this important period in French cultural history.
21
Lindseth, Peter. The Law of the European Union in Historical Perspective. A cura di Heikki Pihlajamäki, Markus D. Dubber e Mark Godfrey. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198785521.013.49.
Abstract (sommario):
This chapter focuses on EU public law—that is, on the structural and procedural law of public institutions, as well as their relation to each other and to private actors. It seeks to answer a specific question: whether, from a historical perspective, EU public law is best viewed as an extension of international, constitutional, or administrative law. It opts primarily for the latter rubric, setting out a historiographical theory for understanding the process of European integration as an extension of the development of modern administrative governance on the national level over the course of the twentieth century. By linking European governance to the development of administrative governance, one can begin to see the basic truth in Alan Milward’s famous, though controversial, assertion that European integration is really just ‘one more stage in the long evolution of the European state’.
22
Fox, Alistair. Confronting Domestic Violence and Familial Abuse: Once Were Warriors (Lee Tamahori, 1994). Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429443.003.0010.
Abstract (sommario):
This chapter points to the presence of three often-overlooked coming-of-age narrative strands in Lee Tamahori’s Once Were Warriors, in what is ostensibly a social problem film. A comparison with Alan Duff’s autobiographical novel from which the film was adapted, reveals strategies that Tamahori adopted to invest the story with a more standardized generic complexion that relates it to the Hollywood action films of filmmakers like Robert Aldrich and Sam Peckinpah and Sergio Leone’s spaghetti westerns for the sake of enlarging its box office appeal for an international audience. Finally, the discussion shows how Tamahori changed the ideological underpinnings of the story by converting Duff’s neoliberal vision of self-help into an assumption that a return to the values of traditional Māori culture is the remedy for the ills of socio-economically deprived Māori who have migrated to the city.
23
Dinan, Desmond. 15. The Historiography of European Integration. Oxford University Press, 2017. http://dx.doi.org/10.1093/hepl/9780199570829.003.0016.
Abstract (sommario):
This chapter reviews the historiography of European integration, focusing on how scholars have interpreted the process and explained key events and developments. It first considers the federalist narrative and its critique of intergovernmentalism, along with its claim that the Hague Congress of 1948 and the European Defence Community of the early 1950s were great opportunities lost; the nation state was in long-term decline; and the European Coal and Steel Community (ECSC) and the European Economic Community (EEC) presaged the eventual emergence of a United States of Europe. At the same time, some scholars and analysts of the European Community (EC) presented a more realistic picture of the process of European integration that foreshadowed the revisionism of Alan Milward in the 1980s. The chapter also examines the views of scholars such as Altiero Spinelli, Jean Monnet, Robert Schuman, and John Gillingham.
24
Schwieter, John W., e Zhisheng (Edward) Wen, a cura di. The Cambridge Handbook of Working Memory and Language. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108955638.
Abstract (sommario):
Bringing together cutting-edge research, this Handbook is the first comprehensive text to examine the pivotal role of working memory in first and second language acquisition, processing, impairments, and training. Authored by a stellar cast of distinguished scholars from around the world, the Handbook provides authoritative insights on work from diverse, multi-disciplinary perspectives, and introduces key models of working memory in relation to language. Following an introductory chapter by working memory pioneer Alan Baddeley, the collection is organized into thematic sections that discuss working memory in relation to: Theoretical models and measures; Linguistic theories and frameworks; First language processing; Bilingual acquisition and processing; and Language disorders, interventions, and instruction. The Handbook is sure to interest and benefit researchers, clinicians, speech therapists, and advanced undergraduate and postgraduate students in linguistics, psychology, education, speech therapy, cognitive science, and neuroscience, or anyone seeking to learn more about language, cognition and the human mind.
25
Morton, Jonathan. The Roman de la rose in its Philosophical Context. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816669.001.0001.
Abstract (sommario):
The Roman de la rose is one of the most erudite, complex works of poetry to have been produced in medieval Europe, rich with allusions to French and Latin literature and to Scholastic philosophy. Its second and more prominent author Jean de Meun wrote his lengthy continuation of the Rose in the 1260s and 1270s at a time of institutional and intellectual contestation at the University of Paris, which saw fierce polemic around the status of philosophy, provoked by controversies over the reception of Aristotle. This book reads the Roman de la rose against the philosophical traditions to which it makes reference, considering the possibilities of poetry as a vehicle for thought that is provisional, uncertain, and inescapably bound up with affective experience. It offers a re-evaluation of the entire work as an intellectually coherent text that does not offer philosophical solutions as much as it makes its readers reflect on three interwoven themes: art, nature, and ethics. Chapters consider the philosophical importance of paradox in the Rose, the relationship between art and nature, animality and human appetite, the myth of the Golden Age, the ethics of money and profit, and the intertwined themes of idolatry and psychology as they inform the Rose’s ethics of desire. Throughout, there is a sustained attention to the reception of philosophy, especially Aristotle and Boethius, and poetry, especially Alain de Lille and Ovid. Ultimately, it shows that all of the Rose’s theoretical games use particularly poetic ways to grapple with the text’s central focus: the intractable problem of human desire.
26
Kucinskas, Jaime. A Brief History of Buddhist-Inspired American Spirituality, 1830s–1970s. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190881818.003.0002.
Abstract (sommario):
This chapter introduces the historical cultural antecedents to the contemplative movement, showing that mindfulness builds upon the rhetoric and logics of prior religious liberal and spiritual thought in the United States. Americans were exposed to Buddhism, and its emphasis on cultivating inner spiritual life through solitude and reflection, in the mid-nineteenth century from the Transcendentalist literature of Henry David Thoreau and Ralph Waldo Emerson. In the late nineteenth century, the Theosophists and the World’s Parliament of Religions meetings brought additional attention to Buddhism, aligning it with science. Interest in Zen and solitary, reflective Buddhist practices surged in the mid-twentieth century based on the influence of D. T. Suzuki, Alan Watts, and the politicized literature of the Beats. These romanticized portrayals of Buddhism were then more widely popularized with the countercultural movements of the 1960s and 1970s. The contemplatives built upon the work of these prior streams of Buddhist-inspired American spirituality.
27
Cloud, Dana L., a cura di. The Oxford Encyclopedia of Communication and Critical Cultural Studies. Oxford University Press, 2019. http://dx.doi.org/10.1093/acref/9780190459611.001.0001.
Abstract (sommario):
106 scholarly articles This is a compendium of touchstone articles by prominent communication, rhetorical, and cultural studies scholars about topics of interest to scholars and critics of popular and political culture. Articles provide authoritative surveys of concepts such as rhetorical construction of bodies, Marxist, feminist, and poststructuralist traditions, materialisms, social movements, race and anti-racist critique, whiteness, surveillance and security, visual communication, globalization, social media and digital communication/cyberculture, performance studies, the “post-human” turn, critical organizational communication, public memory, gaming, cultural industries, colonialism and postcolonialism, The Birmingham and Frankfurt Schools, commodity culture, critical health culture studies, nation and identity, public spheres, psychoanalytic theory and methods, affect theory, anti-Semitism, queer studies, critical argumentation studies, diaspora, development, intersectionality, Islamophobia, subaltern studies, spatial studies, rhetoric and cultural studies, neoliberalism, critical pedagogy, urban studies, deconstruction, audience studies, labor, war, age studies, motherhood studies, popular culture, communication in the Global South, and more. The work also surveys critical thinkers for cultural studies including Stuart Hall, Antonio Gramsci, Jesus Martin Barbero, Angela Davis, Ernesto Laclau, Raymond Williams, Giles Deleuze, Jurgen Habermas, Frantz Fanon, Chandra Mohanty, Gayatri Spivak, Michel Foucault, Louis Althusser, Juan Carlos Rodriguez, Gloria Anzaldua, Paolo Freire, Donna Haraway, Georgio Agamben, Slavoj Zizek, W.E.B. DuBois, Sara Ahmed, Paul Gilroy, Enrique Dussel, Michael Warner, Lauren Berlant, Judith Butler, Jean Baudrillard, Walter Mignolo, Edward Said, Alain Badiou, Homi Bhabha, among others. Each entry is distinguished by lists of key references and suggestions for further reading. The collection is sure to be a vital resource for faculty, graduate students, and undergraduates seeking authoritative overviews of key concepts and people in communication and critical cultural studies.
28
Caps, John. Frustration. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036736.003.0014.
Abstract (sommario):
This chapter focuses on Mancini's work on the large-scale space alien film Lifeforce (1985). Mancini's handwritten sketches for his score to the film reveals how important the job was to him, coming at this stage of his career. At last someone was offering him the kind of blockbuster science fiction epic that John Williams, Jerry Goldsmith, and even the young guys like James Horner (Brainstorm [1984]) and Alan Silvestri (The Abyss [1989]) were getting. With Lifeforce he might join the new ruling class of film composers on its own terms. However, the film was being supervised by Cannon Pictures, part of the infamous movie brokerage firm the Cannon Group. They had made their money by funding quick and cheap genre films on a one-time basis, turning a profit by almost immediately handing them over to their video-release branch. It was decided that Lifeforce would be chopped down to a more manageable length and into a form where most of the long reflective or descriptive visual sequences would be truncated. Along with them, their music had to go.
29
Cohen, Ronald D., e Rachel Clare Donaldson, a cura di. Background in the United States and Great Britain to 1950. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038518.003.0002.
Abstract (sommario):
Throughout the twentieth century, folk music has had many definitions and incarnations in the United States and Great Britain. The public has been most aware of its commercial substance and appeal, with the focus on recording artists and their repertoires, but there has been so much more, including a political agenda, folklore theories, grassroots styles, regional promoters, and discussions on what musical forms—blues, hillbilly, gospel, Anglo-Saxon, pop, singer-songwriters, instrumental and/or vocal, international—should be included. These contrasting and conflicting interpretations were particularly evident during the 1950s. This chapter begins by focusing on Alan Lomax (1915–2002), one of the most active folk music collectors, radio promoters, and organizers during the 1940s. Lomax had a major influence on folk music in both the United States and Great Britain, tying together what had come before and what would follow. The chapter then discusses folk festivals and performers; British folk music, musicians, and trans-Atlantic musical connections; and Carl Sandburg's publication of the The American Songbag in 1927.
30
Haynes, Justin A. The Medieval Classic. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190091361.001.0001.
Abstract (sommario):
This book considers how ancient and medieval commentaries on the Aeneid by Servius, Fulgentius, Bernard Silvestris, and others can give us new insights into four twelfth-century Latin epics—the Ylias by Joseph of Exeter, the Alexandreis by Walter of Châtillon, the Anticlaudianus by Alan of Lille, and the Architrenius by John of Hauville. Virgil’s influence on twelfth-century Latin epic is generally thought to be limited to verbal echoes and occasional narrative episodes, but evidence is presented that more global influences have been overlooked because ancient and medieval interpretations of the Aeneid, as preserved by the commentaries, were often radically different from modern readings of the Aeneid. By explaining how to interpret the Aeneid, these commentaries directly influenced the way in which twelfth-century Latin epic imitated the Aeneid. At the same time, these Aeneid commentaries allow us a greater awareness of the generic expectations held by the original readers of twelfth-century Latin epic. Thus, this book provides a new way to look at the development of allegory and contributes to our understanding of ancient and medieval perceptions of the Aeneid while exploring the importance of commentaries in shaping poetic composition, imitation, and reading.
31
Nelson, Emmanuel S., a cura di. Contemporary Gay American Poets and Playwrights. Greenwood Publishing Group, Inc., 2003. http://dx.doi.org/10.5040/9798400631290.
Abstract (sommario):
Gay presence is nothing new to American verse and theater. Homoerotic themes are discernible in American poetry as early as the 19th century, and identifiably gay characters appeared on the American stage more than 70 years ago. But aside from a few notable exceptions, gay artists of earlier generations felt compelled to avoid sexual candor in their writings. Conversely, most contemporary gay poets and playwrights are free from such constraints and have created a remarkable body of work. This reference is a guide to their creative achievements. Alphabetically arranged entries present 62 contemporary gay American poets and dramatists. While the majority of included writers are younger artists who came of age in the post-Stonewall U.S., some are older authors whose work has continued or persisted into recent decades. A number of these writers are well known, including Edward Albee, Harvey Fierstein, and Allen Ginsberg. Others, such as Alan Bowne, Timothy Liu, and Robert O'Hara, merit wider recognition. Each entry is written by an expert contributor and includes a biography, a discussion of major works and themes, an overview of the author's critical reception, and primary and secondary bibliographies.
32
Muraskin, William. The power of individuals and the dependency of nations in global eradication and immunisation campaigns. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781526110886.003.0013.
Abstract (sommario):
I have intensively focused on the International Task Force on Hepatitis B Immunisation – led by James Maynard, Alfred Prince and Richard Mahoney; the Children’s Vaccine Initiative led by or influenced by Scott Halstead, Philip Russell and Roy Widdus; the Bill and Melinda Gates’ Children’s Vaccine Programme led by Mark Kane and James Maynard; the Global Alliance for Vaccines and Immunization created by Mark Kane, Tore Godal, Jacques-Francois Martin, Steve Landry and Amy Bateson; the Rockefeller Foundation’s Public-Private Partnership project single-handedly championed by Ariel Pablos-Mendez (with the support of Timothy Evans) – many of which were ultimately adopted by the Gates Foundation and (incorrectly) seen as originating with it; and the global polio eradication campaign conceived by William Foege, Alan Hinman, Ciro de Quadros and run by Bruce Alyward. Driven by a powerful moral imperative and social consciousness, these dozen and a half men fought to make things happen that under normal circumstances would not have happened in the fight to save the lives of countless children using vaccines and immunisation as their tools. Among their supporters have been many engaged and committed vaccine champions within the scientific community: scientist/activists working for what they believed was clearly the ‘Greater Good’.
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Goldman, Alvin I. Theory of Mind. A cura di Eric Margolis, Richard Samuels e Stephen P. Stich. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780195309799.013.0017.
Abstract (sommario):
The article provides an overview of ‘Theory of Mind’ (ToM) research, guided by two classifications. The first covers four competing approaches to mentalizing such as the theory-theory, modularity theory, rationality theory, and simulation theory. The second classification is the first-person/third-person contrast. Jerry Fodor claimed that commonsense psychology is so good at helping predict behavior that it is practically invisible. It works well because the intentional states it posits genuinely exist and possess the properties generally associated with them. The modularity model has two principal components. First, whereas the child-scientist approach claims that mentalizing utilizes domain-general cognitive equipment, the modularity approach posits one or more domain-specific modules, which use proprietary representations and computations for the mental domain. Second, the modularity approach holds that these modules are innate cognitive structures, which mature or come on line at preprogrammed stages and are not acquired through learning. The investigators concluded that autism impairs a domain-specific capacity dedicated to mentalizing. Gordon, Jane Heal, and Alvin Goldman explained simulation theory in such a way that mind readers simulate a target by trying to create similar mental states of their own as proxies or surrogates of those of the target. These initial pretend states are fed into the mind reader's own cognitive mechanisms to generate additional states, some of which are then imputed to the target.
34
Reverby, Susan M. Co-conspirator for Justice. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469656250.001.0001.
Abstract (sommario):
Alan Berkman (1945–2009) was no campus radical in the mid-1960s; he was a promising Ivy League student, football player, Eagle Scout, and fraternity president. But when he was a medical student and doctor, his politics began to change, and soon he was providing covert care to members of revolutionary groups like the Weather Underground and becoming increasingly radicalized by his experiences at the Wounded Knee takeover, at the Attica Prison uprising, and at health clinics for the poor. When the government went after him, he went underground and participated in bombings of government buildings. He was eventually captured and served eight years in some of America's worst penitentiaries, barely surviving two rounds of cancer. After his release in 1992, he returned to medical practice and became an HIV/AIDS physician, teacher, and global health activist. In the final years of his life, he successfully worked to change U.S. policy, making AIDS treatment more widely available in the global south and saving millions of lives around the world. Using Berkman's unfinished prison memoir, FBI records, letters, and hundreds of interviews, Susan M. Reverby sheds fascinating light on questions of political violence and revolutionary zeal in her account of Berkman's extraordinary transformation from doctor to co-conspirator for justice
35
McLaughlin, Jeff, a cura di. Graphic Novels as Philosophy. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496813275.001.0001.
Abstract (sommario):
In a follow-up to Comics as Philosophy, this book addresses two questions: which philosophical insights, concepts, and tools can shed light on the graphic novel? And how can the graphic novel cast light on the concerns of philosophy? Each chapter ponders a well-known graphic novel to illuminate ways in which philosophy can untangle particular combinations of image and written word for deeper understanding. The chapters examine notable graphic novels within the framework posited by these two questions. One chapter discusses how a philosopher discovered that the panels in Jeff Lemire's Essex County do not just replicate a philosophical argument, but they actually give evidence to an argument that could not have existed otherwise. Another chapter reveals how Chris Ware's manipulation of the medium demonstrates an important sense of time and experience. Still another describes why Maus tends to be more profound than later works that address the Holocaust because of, not in spite of, the fact that the characters are cartoon animals rather than human. Other works contemplated include Will Eisner's A Contract with God, Alan Moore and David Lloyd's V for Vendetta, Alison Bechdel's Fun Home, and Joe Sacco's Footnotes in Gaza. Mainly, each author, graphic novelist, and artist are all doing the same thing: trying to tell us how the world is—at least from their point of view.
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McHughen, Alan. DNA Demystified. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190092962.001.0001.
Abstract (sommario):
DNA, once the exclusive domain of scientists in research labs, is now the darling of popular and social media. With personal genetic testing kits in homes and genetically modified organism (GMO) foods in stores, DNA is an increasingly familiar term. Unfortunately, what people know, or think they know, about DNA and genetics is often confused or incorrect. Contrary to popular belief, for instance, genes don’t “skip a generation” and, no, human DNA is not “different” from DNA of other species. With such popular misconceptions proliferating in the news and on the internet, how can anyone sort fact from fiction? DNA Demystified satisfies the public appetite for and curiosity about DNA and genetics. Alan McHughen, an accomplished academic and public science advocate, brings the reader up-to-speed on what we know, what we don’t, and where genetic technologies are taking us. The book begins with the basic groundwork and a brief history of DNA and genetics. Chapters then cover newsworthy topics, including DNA fingerprinting, using DNA in forensic analyses, and identifying cold-case criminals. For readers intrigued by the proliferation of at-home DNA tests, the text includes fascinating explorations of genetic genealogy and family tree construction—crucial for people seeking their biological ancestry. Other chapters describe genetic engineering in medicine and pharmaceuticals, and the use of those same technologies in creating the far more controversial GMOs in food and agriculture. Throughout, the book raises provocative ethical and privacy issues arising from DNA and genetic technologies.
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Marshall, Catherine, Bernard Lightman e Richard England, a cura di. The Metaphysical Society (1869-1880). Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198846499.001.0001.
Abstract (sommario):
The Metaphysical Society was founded in 1869 at the instigation of James Knowles, editor of the Contemporary Review and then of the Nineteenth Century, as a private dining and debate club that gathered together a latter-day clerisy. Building on the tradition of the Cambridge Apostles, the founding members elected talented men from across the Victorian intellectual spectrum: bishops, one Cardinal, philosophers, scientists, literary figures, and politicians. There were liberals and conservatives, empiricists and intuitionists, and Protestants, Catholics, and unbelievers. It included in its 62 members the prominent intellectual superstars of the period, such as T. H. Huxley; William Gladstone; Walter Bagehot; Henry Edward Manning; John Ruskin; and Alfred, Lord Tennyson. The members of the Society discussed the reality of miracles, the status of evolution, and the nature of ethics. This collection moves beyond Alan Willard Brown’s 1947 pioneering study of the Metaphysical Society by offering a more detailed analysis of its inner dynamics and its larger impact outside the dining room at the Grosvenor Hotel. It casts light on many of the colourful figures that joined the Society and also examines, with fresh eyes, the major concepts that informed the papers presented at Society meetings. By discussing groups, important individuals, and underlying concepts, the chapters contribute to a rich, new picture of Victorian intellectual life during the 1870s, a period when intellectuals were wondering how, and what, to believe in a time of social change, spiritual crisis, and scientific progress.
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Johnson, David. Dreaming of Freedom in South Africa. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474430210.001.0001.
Abstract (sommario):
Dreaming of Freedom in South Africa examines for the first time the many different texts imagining the future after the end of apartheid. Focused on well-known and obscure literary texts from the 1880s to the 1970s, as well as the many manifestos and programmes setting out visions of the future, this book charts the dreams of freedom of five major traditions of anti-colonial and anti-apartheid resistance: the African National Congress (ANC), the Industrial and Commercial Workers Union (ICU), the Communist Party of South Africa (CPSA), the Non-European Unity Movement (NEUM) and the Pan-Africanist Congress (PAC). The works of a number of South African literary figures are discussed, including Olive Schreiner, S. E. K. Mqhayi, Alan Paton, Karel Schoeman, Jordan Ngubane, Winnifred Holtby, Ethelreda Lewis, Dora Taylor, Livingstone Mqotsi, Peter Abrahams, Richard Rive, Lauretta Ngcobo and Bessie Head. Political thinkers analysed include Nelson Mandela, R. F. A. Hoernlé, Albert Luthuli, Clements Kadalie, A. W. G. Champion, Edward Roux, James La Guma, Alfred Nzula, I. B. Tabata, Ben Kies, Anton Lembede, A. P. Mda and Robert Sobukwe. The theoretical dimensions of the study are orientated in relation to major Marxist critics of utopianism like Marx, Friedrich Engels, Leon Trotsky and Ernst Bloch, as well as to thinkers like Hannah Arendt, Immanuel Wallerstein, James C. Scott and Jay Winter. More than an exercise in historical excavation, Dreaming of Freedom in South Africa raises challenging questions for the post-apartheid present.
39
Jordan, Julia. Late Modernism and the Avant-Garde British Novel. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198857280.001.0001.
Abstract (sommario):
In the decades following the immediately post-war period in Britain, a loose grouping of avant-garde writers that included Alan Burns, Christine Brooke-Rose, B. S. Johnson, and Ann Quin worked against the dominance, as they saw it, of the realist novel of the literary mainstream. Late Modernism and the Avant-Garde British Novel: Oblique Strategies reassesses the experimentalism versus realism debates of the period, and finds a body of work engaged with, rather than merely antagonistic towards, the literary culture it sought to renovate. Charting these engagements, it shows how they have significance not just for our understanding of these decades but also for the broader movement of the novel through the century. Oblique Strategies takes some of the things we tend to say about experimental fiction—how it is unreadable, non-linear, elliptical, errant, plotless—and reimagines these descriptors as historically inscribed tendencies that express the period’s investment in the idea of the accidental. These novels are interested in the fleeting and the fugitive, in discontinuity and shock. The experimental novel cultivates an interest in methods of representation that are oblique; it attempts to conjure the world at an angle, or in the rear-view mirror; by ellipsis or evasion. These concepts—error, indeterminacy, uncertainty, accident—all bear a relation to that which evades or resists interpretation and meaning. Reading experimental literature in this light, Oblique Strategies finds it eloquent about the forms of not-knowing and uncertainty that mark late modernism more broadly.
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Meades, Alan. Arcade Britannia. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/12420.001.0001.
Abstract (sommario):
The story of the British amusement arcade from the 1800s to the present. Amusement arcades are an important part of British culture, yet discussions of them tend to be based on American models. Alan Meades, who spent his childhood happily playing in British seaside arcades, presents the history of the arcade from its origins in traveling fairs of the 1800s to the present. Drawing on firsthand accounts of industry members and archival sources, including rare photographs and trade publications, he tells the story of the first arcades, the people who made the machines, the rise of video games, and the legislative and economic challenges spurred by public fears of moral decline. Arcade Britannia highlights the differences between British and North American arcades, especially in terms of the complex relationship between gambling and amusements. He also underlines Britain's role in introducing coin-operated technologies into Europe, as well as the industry's close links to America and, especially, Japan. He shows how the British arcade is a product of centuries of public play, gambling, entrepreneurship, and mechanization. Examining the arcade's history through technological, social, cultural, biographic, and legislative perspectives, he describes a pendulum shift between control and liberalization, as well as the continued efforts of concerned moralists to limit and regulate public play. Finally, he recounts the impact on the industry of legislative challenges that included vicious taxation, questions of whether copyright law applied to video-game code, and the peculiar moment when every arcade game in Britain was considered a cinema.
41
DiPaolo, Marc, a cura di. Working-Class Comic Book Heroes. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496816641.001.0001.
Abstract (sommario):
The Occupy Wall Street protests popularized the notion that “We are the 99 percent” mobilized against the political and economic interests of “the top 1%.” Some protestors wore Guy Fawkes masks in honor of the anarchist hero V, from Alan Moore’s comic book V for Vendetta. The 2016 United States Presidential election saw further evidence of populist unrest, with Democratic Primary candidate Bernie Sanders and Republican Party nominee Donald J. Trump making the economic fears of the beleaguered working- and middle-classes centerpieces of their campaigns. Since populist movements play an increasingly important role in global politics, it is important to consider how the often dismissed and demonized members of the working-classes are represented in popular culture. This book is about how these individuals – and the class conflicts they face in their daily lives – are depicted in comic books and their high-profile film and television adaptations. The essays in this book examine the horror-westerns The Walking Dead and Preacher, and the superhero comics Daredevil, Luke Cage, Jessica Jones, Superman, The Fantastic Four, and Guardians of the Galaxy. Superpowered and non-superpowered comic book heroes provide a unique opportunity to reflect upon the emotionally charged issues surrounding “class” in a borderline safe space. The scholars who wrote these essays hope that, by discussing fictional working-class superheroes such as Spider-Man and Lois Lane in both an intellectual and entertaining manner, they will encourage more fruitful and enlightened ways of discussing vitally significant issues of wealth disparity and class identity in the real world.
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Cavecchi, Mariacristina. The Art Gallery on Stage. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350350519.
Abstract (sommario):
The Art Gallery on Stage is the first book to consider the representation of the art gallery on the contemporary British stage and to discuss how playwrights have begun to regard it as inspiration, location, focus or theme in an ever-more intense game of cross-fertilization. The study analyzes the impact on dramatic form and theatrical presentation of what has been a paradigmatic shift in the way art galleries and museums display their collections and how these are perceived, establishing a hitherto unexplored connection between modes of exhibiting and modes of representation. It traces a trajectory from plays that were initially performed in traditional theatres in accordance with a naturalistic play structure to plays that favour of a radical reconfiguration of visual representation. Indeed, since the beginning of the new millennium, playwrights and theatre-makers have increasingly experimented with new dramatic forms and site-specific venues, while forging collaborations with art makers and curators. The book focuses on plays from the 1980s onwards, such as Howard Barker’s Scenes from an Execution, Nick Dear’s The Art of Success, Alan Bennett’s A Question of Attribution, Timberlake Wertenbaker’s Three Birds Alighting on a Field and The Line, David Edgar’s Pentecost, Martin Crimp’s Attempt on Her Life, Rebecca Lenkiewicz’s Shoreditch Madonna and The Painter, David Leddy’s Long Live the Little Knife, and Tim Crouch’s My Arm, An Oak Tree and England, and considers the vital contribution to the field made by set designers. Ultimately, through this study, we come to understand how modern drama can offer a set of interpretative tools to enhance our understanding of the mechanisms underlying the social construction of art and, furthermore, the potential of theatre and the gallery space to question our fundamental cultural assumptions and values.
43
Boeckelman, Keith, e Martin Dupuis. Barack Obama, the New Face of American Politics. Praeger, 2007. http://dx.doi.org/10.5040/9798400616457.
Abstract (sommario):
Barack Obama's election to the U.S. Senate in 2004 is one of the most interesting and colorful political campaigns in recent history. His rousing keynote address at the Democratic National Convention that same year made his name a household word. The Obama for Illinois crusade offers important insights into American politics. The authors explore the role of money, political party, ethnicity, religion, and the issues facing our society today. Obama's straightforward policy recommendations, message of hope and inclusion, and charismatic style propelled him to the national spotlight. Obama has the potential to shape America and to reshape U.S. politics as he campaigns for the White House. Obama's state senate career and his decision to enter the U.S. Senate race are examined in this book. Despite a primary field of six competitors, Obama received more than half of the Democratic vote, defeating a multimillionaire and the state comptroller, a well-known figure in the Democratic Party. The general election imploded for the Republicans in the first few weeks of the campaign when it was revealed that their candidate was embroiled in a sex scandal. Alan Keyes, the ultraconservative, outspoken African American who had run for president twice and for the U.S. Senate from Maryland, was recruited to challenge Obama. But Obama, whose skill with the media and whose ability to raise funds was evident even in those early days of his career, easily won the race with 70 percent of the vote. The authors analyze Obama's ability to speak to the concerns of multiple constituencies by appealing to a coalition of voters that transcends race, class, and gender. At the start of his presidential run, Obama gives new meaning to the American dream.
44
Hopke, Jill E., e Luis E. Hestres. Communicating about Fossil Fuel Divestment. Oxford University Press, 2017. http://dx.doi.org/10.1093/acrefore/9780190228620.013.566.
Abstract (sommario):
Divestment is a socially responsible investing tactic to remove assets from a sector or industry based on moral objections to its business practices. It has historical roots in the anti-apartheid movement in South Africa. The early-21st-century fossil fuel divestment movement began with climate activist and 350.org co-founder Bill McKibben’s Rolling Stone article, “Global Warming’s Terrifying New Math.” McKibben’s argument centers on three numbers. The first is 2°C, the international target for limiting global warming that was agreed upon at the United Nations Framework Convention on Climate Change 2009 Copenhagen conference of parties (COP). The second is 565 Gigatons, the estimated upper limit of carbon dioxide that the world population can put into the atmosphere and reasonably expect to stay below 2°C. The third number is 2,795 Gigatons, which is the amount of proven fossil fuel reserves. That the amount of proven reserves is five times that which is allowable within the 2°C limit forms the basis for calls to divest.The aggregation of individual divestment campaigns constitutes a movement with shared goals. Divestment can also function as “tactic” to indirectly apply pressure to targets of a movement, such as in the case of the movement to stop the Dakota Access Pipeline in the United States. Since 2012, the fossil fuel divestment movement has been gaining traction, first in the United States and United Kingdom, with student-led organizing focused on pressuring universities to divest endowment assets on moral grounds.In partnership with 350.org, The Guardian launched its Keep it in the Ground campaign in March 2015 at the behest of outgoing editor-in-chief Alan Rusbridger. Within its first year, the digital campaign garnered support from more than a quarter-million online petitioners and won a “campaign of the year” award in the Press Gazette’s British Journalism Awards. Since the launch of The Guardian’s campaign, “keep it in the ground” has become a dominant frame used by fossil fuel divestment activists.Divestment campaigns seek to stigmatize the fossil fuel industry. The rationale for divestment rests on the idea that fossil fuel companies are financially valued based on their resource reserves and will not be able to extract these reserves with a 2°C or lower climate target. Thus, their valuation will be reduced and the financial holdings become “stranded assets.” Critics of divestment have cited the costs and risks to institutional endowments that divestment would entail, arguing that to divest would go against their fiduciary responsibility. Critics have also argued that divesting from fossil fuel assets would have little or no impact on the industry. Some higher education institutions, including Princeton and Harvard, have objected to divestment as a politicization of their endowments. Divestment advocates have responded to this concern by pointing out that not divesting is not a politically neutral act—it is, in fact, choosing the side of fossil fuel corporations.
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Worster, Donald. Wealth of Nature. Oxford University Press, 1994. http://dx.doi.org/10.1093/oso/9780195092646.001.0001.
Abstract (sommario):
Hailed as "one of the most eminent environmental historians of the West" by Alan Brinkley in The New York Times Book Review, Donald Worster has been a leader in reshaping the study of American history. Winner of the prestigious Bancroft Prize for his book Dust Bowl, Worster has helped bring humanity's interaction with nature to the forefront of historical thinking. Now, in The Wealth of Nature, he offers a series of thoughtful, eloquent essays which lay out his views on environmental history, tying the study of the past to today's agenda for change. The Wealth of Nature captures the fruit of what Worster calls "my own intellectual turning to the land." History, he writes, represents a dialogue between humanity and nature--though it is usually reported as if it were simple dictation. Worster takes as his point of departure the approach expressed early on by Aldo Leopold, who stresses the importance of nature in determining human history; Leopold pointed out that the spread of bluegrass in Kentucky, for instance, created new pastures and fed the rush of American settlers across the Appalachians, which affected the contest between Britain, France, and the U.S. for control of the area. Worster's own work offers an even more subtly textured understanding, noting in this example, for instance, that bluegrass itself was an import from the Old World which supplanted native vegetation--a form of "environmental imperialism." He ranges across such areas as agriculture, water development, and other questions, examining them as environmental issues, showing how they have affected--and continue to affect--human settlement. Environmental history, he argues, is not simply the history of rural and wilderness areas; cities clearly have a tremendous impact on the land, on which they depend for their existence. He argues for a comprehensive approach to understanding our past as well as our present in environmental terms. "Nostalgia runs all through this society," Worster writes, "fortunately, for it may be our only hope of salvation." These reflective and engaging essays capture the fascination of environmental history--and the beauty of nature lost or endangered--underscoring the importance of intelligent action in the present.
46
Bussing, Marie A. Money for Minors. Greenwood Publishing Group, Inc., 2008. http://dx.doi.org/10.5040/9798400687167.
Abstract (sommario):
Money. Debt. Interest rates. Bankruptcy. Billionaires. Students may understand that money makes the world go 'round, but most are a little shaky when it comes to explaining how and why. Using an A-Z format and containing over 400 entries, this reference book provides an essential foundation of business and economic knowledge for middle-school, high-school, and community college students. Short features scattered throughout the text add interest and fun, while helping students understand how economics affects their daily lives. Best, the entries are written in a style ideal for students just beginning to learn how economies work and function Teenagers spend over $100 billion annually in the U.S. and influence everything from clothing styles to music and movies to food and cell phones. Money for Minors will help them understand how their daily decisions have a huge impact on the economy. Special features will enable budding moguls to understand how they can become entrepreneurs and create economic value in various ways, evaluate offers from banks and credit card companies, read the business section of the newspaper, understand the importance of various government statistics, and more. And the book will not just prepare students for the higher-level economics courses they will take in high school and college—it will be a terrific guide for anyone doing research on everything from the Great Depression to credit card debt to real estate to inflation. Over 400 clearly written definitions will help students understand the essential concepts of economics and finance. In addition: -Short sidebars scattered throughout the text help students understand how economics affects their daily lives. Topics include reading stock quotes, icon economists like Alan Greenspan, monetary trivia, cool econ and monetary Websites, and the basics of entrepreneurship. -Six mini-lessons provide real-life applications of how the economy functions. Topics include The Federal Reserve System, Gross Domestic Product, Government Spending and Taxation, National Debt, Money, and The Business Cycle. Used as a stand-alone reference or in conjunction with an economics textbook, the definitions in the book will help students learn the language of economics—and help them understand the ways in which individuals, businesses, and government work together to form our $13 trillion economy.
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Kolb, Robert. The International Court of Justice. Hart Publishing Ltd, 2013. http://dx.doi.org/10.5040/9781509922109.
Abstract (sommario):
The International Court of Justice (in French, the Cour internationale de justice), also commonly known as the World Court or ICJ, is the oldest, most important and most famous judicial arm of the United Nations. Established by the United Nations Charter in 1945 and based in the Peace Palace in the Hague, the primary function of the Court is to adjudicate in disputes brought before it by states, and to provide authoritative, influential advisory opinions on matters referred to it by various international organisations, agencies and the UN General Assembly. This new work, by a leading academic authority on international law who also appears as an advocate before the Court, examines the Statute of the Court, its procedures, conventions and practices, in a way that will provide invaluable assistance to all international lawyers. The book covers matters such as: the composition of the Court and elections, the office and role of ad hoc judges, the significance of the occasional use of smaller Chambers, jurisdiction, the law applied, preliminary objections, the range of contentious disputes which may be submitted to the Court, the status of advisory opinions, relationship to the Security Council, applications to intervene, the status of judgments and remedies. Referring to a wealth of primary and secondary sources, this work provides international lawyers with a readable, comprehensive and authoritative work of reference which will greatly enhance understanding and knowledge of the ICJ. The book has been translated and lightly updated from the French original, R Kolb, La Cour international de Justice (Paris, Pedone, 2013), by Alan Perry, Solicitor of the Senior Courts of England and Wales. Winner of the 2014 American Society of International Law Certificate of Merit for High Technical Craftsmanship and Utility to Practicing Lawyers and Scholars: 'Robert Kolb's International Court of Justice provides a magisterial, lucid study of its subject. The breadth and depth of the treatment are impressive: Kolb takes the reader from the history of the Court, to its role in international society, to the more technical questions concerning its composition, powers and procedures, to the development of its jurisprudence, and to its future. The finely grained discussion provides much more than a mere survey of the Court's constitutive instruments and decisions. It engages the Court as an institution and asks how it actually operates, and secures efficacy and authority in doing so. The book's careful and detailed coverage of the Court's legal framework and operation will benefit practitioners and scholars alike. There is no doubt that Kolb's volume immediately takes a place among the authoritative references on the Court.' ASIL Book Awards Committee
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Thomason, Elizabeth. Novels for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Novels (Novels for Students). Gale Cengage, 2001.
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Thomason, Elizabeth. Novels for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Movels (Novels for Students). Gale Cengage, 2001.
50
Thomason, Elizabeth. Novels for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Novels (Novels for Students). Gale Cengage, 2001.