Letteratura scientifica selezionata sul tema "Âge roman"
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Articoli di riviste sul tema "Âge roman":
Delage-Béland, Isabelle. "Une conquête problématique". Études françaises 48, n. 3 (3 maggio 2013): 95–113. http://dx.doi.org/10.7202/1015391ar.
Jurković, Miljenko. "L'architecture du premier âge roman en Croatie". Hortus Artium Medievalium 6 (gennaio 2000): 83–92. http://dx.doi.org/10.1484/j.ham.2.305182.
Arseneau, Isabelle. "Au pied de la lettre. La mise en soupçon du romanesque dans L’Enchanteur de René Barjavel". Tangence, n. 110 (23 dicembre 2016): 59–79. http://dx.doi.org/10.7202/1038498ar.
Abensour, Corinne, Bertrand Legendre e Marie-Pier Luneau. "Entrer en littérature : premiers romans et primo-romanciers au Québec, 1998-2008". Documentation et bibliothèques 59, n. 1 (23 settembre 2015): 36–47. http://dx.doi.org/10.7202/1033119ar.
Abd-Elrazak, Loula. "Guillaume d’Orange : de l’épopée au roman". Voix Plurielles 10, n. 2 (28 novembre 2013): 230–43. http://dx.doi.org/10.26522/vp.v10i2.860.
Tarnowski, Andrea. "Le temps signifiant et le Moyen Âge français". Studia Romanica Posnaniensia 48, n. 1 (15 marzo 2021): 5–15. http://dx.doi.org/10.14746/strop.2021.481.001.
Labère, Nelly. "La dame des Belles Cousines en son manège". Visages de femmes dans la littérature bourguignonne (XIVe-XVIe siècles), n. 36 (1 ottobre 2021): 269–84. http://dx.doi.org/10.54563/bdba.299.
Orset, Anne. "Pour un roman du savant (1850-1900)". Romantisme 200, n. 2 (15 giugno 2023): 123–38. http://dx.doi.org/10.3917/rom.200.0123.
Durand, Geneviève. "Les églises rurales du premier âge roman dans le Rouergue méridional". Archéologie du Midi médiéval 7, n. 1 (1989): 3–42. http://dx.doi.org/10.3406/amime.1989.1187.
Rauwel, Alain. "Théologie de l'Eucharistie et valorisation de l'autel à l' âge roman". Hortus Artium Medievalium 11 (gennaio 2005): 177–82. http://dx.doi.org/10.1484/j.ham.2.305341.
Tesi sul tema "Âge roman":
Tcho, Hye-Young. "La survie du roman d'Artus de Bretagne du Moyen Âge au XIXe siècle". Paris 4, 1994. http://www.theses.fr/1994PA040017.
The novel of Artus de Bretagne arose a great amount of interest till the 19th century. In the Middle Ages about ten manuscripts mention it. Later in the renaissance about 15 editions of it mere published. And finally during the 18th and 1th centuries several excerpts of the novel went into print. During this time, the original novel underwent several modifications sometimes important. This book is a love story, the story of the search of the ideal woman and its ideal through the eyes of their particular period and not in the context of the Middle Ages. This is why the novel they describe reflects the spirit of their time and not the original one. But it is this quest for an ideal, constantly changing, that made this novel such a success through the ages and contributed to it surviving in an ever changing renewal
Gomes, C. Antunes Maria de Fatima. "Le "Roman de Flamenca" : humour, religion et sensualité". Bordeaux 3, 1987. http://www.theses.fr/1987BOR30072.
This is a study of the various aspects of the religious commitment in the central core of the novel, of the reversal of religious and moral values and their replacement by the theories of "fin'amor". This deals with their impact on the imaginative contents of the novel : the imagery, the symbolism, the formulas and rituals, which proceed from two imaginative fields. The religious and the erotic cut across each other in a bold and clever confrontation, fraught both with solemnity and simplicity. The expression of the narrator and the sensuous inclination for wordly society (seen through the five senses) reinforce an original vision of the sacred with regard to courtly love and chevaleresque
Duc, Thierry. "Le roman populaire français à sujet médiéval de 1830 à 1850". Paris 4, 1995. http://www.theses.fr/1995PA040089.
After having been vilified from the renaissance up until the eighteenth century, the middle ages became a choice topic for the romantics. Popular literature took over medieval subjects and, influenced by Walter Scott, by the gothic novel or by texts taken from the "bibliothèque bleue de Troyes" (pedlary literature), offered to its readers a picture of the middle ages quite different from the affected one proposed by the "genre troubadour". Giving form to this rediscovered national past is rendered by redundant form sense elements, true icons that are clues to a codified spatiality and temporaneousness. A reflection on history or a political discourse can occur. Moreover, the craving of the popular novel for manichaeism and hyperbole promotes the creation of a true myth, which responds to a social desire of reappropriation of the origins : the later denunciation of the stereotypes will not affect this myth which still today sends us back to some of our frustrations in a society where the "acceleration of history" makes us suffer a feeling of loss and induces within us the nostalgia of a coherent and stable civilization, ritualized and reassuring
Ritz, Simon. "Senon-Amel (Meuse) : contribution d’une agglomération bipolaire à l’histoire du fait urbain dans le nord-est de la Gaule, du second âge du Fer au haut Moyen Âge". Thesis, Université de Lorraine, 2020. http://www.theses.fr/2020LORR0164.
Interdisciplinary investigations combining prospection techniques (field survey, aerial photography, geophysics, Li¬DAR) and excavations (preventive and university-led excavations) have been carried out for almost 15 years on the ar¬chaeological site of Senon-Amel. They have revealed the bipolarity of this roman town, which is split into two urban cen¬tres located 1.5 km apart, simultaneously inhabited during most of the Antiquity, from the middle of the 1st century A.D. to the middle of the 4th century at least. This urban layout is very unusual among the roman towns of northern Gaul and thus needs to be explained. Its most striking feature is the duplication of public monuments: both urban centres include temples, public baths and a theatre. This thesis discusses the origin and evolution of the bipolar frame. It highlights the role of the integration of Gallic civitates into the roman provincial administration, and the impact of a religious economy in the shap¬ing of the city. These processes obviously have an interest per se – they contribute to illustrate the varied origins of urban features in norther Gaul –, but they also have broader implications. Indeed, the closeness of the two urban centres allows us to study quite precisely their specific features and their origins, thanks to the consistency of the documentation. This comparison reveals two very different urban trajectories: broadly speaking, evidence suggests that Senon was preceded by an Iron Age settlement, which stayed occupied during the roman period and expanded thanks to the existence of a wide range of crafts and trade activities. On the other hand, Amel seems to have been created at the beginning of the Empire as a sanctuary, which only later aggregated dwelling houses and other private facilities. The juxtaposition of these two urban entities is very unusual, but the mechanisms that drove their setting-up and further evolution are certainly common to many other roman towns. As a result, the case study of Senon-Amel evidences processes that are of more general significance
Dubois, Elsa. "Le personnage gidien : la (ré)conciliation du roman et du mythe". Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040173.
Nowadays, Gide is not much studied in France in secondary education, as if the « essential contemporary’s » thought had become esoteric or even obsolete. Our thesis intends to point out the necessity of reading Gide : by thwarting the self-absorbtion present in the late 20th and in the early 21st century, when the I is being complacently observed, and thus prevents the other from talking, our author re-establishes a golden age in a problematical period. While certainly being very anxious to trouble his reader – though a conciliatory purpose –, Gide manages to reconcile myth and novel. Our thesis shows first of all how some myths, that haunt the author so much so that they become personal, merge with is the form of the novel, which he has to reconsider in order to evade its conventions, its tricks and its pitfalls. So, the “I” we see constantly in Gide’s work is spurred by this twofold personal and mythical motivation – and therefore universal –.Urged by this motivation, Gide creates a many-sided protean “I”, that manages to elude individuality and the closure of definition which is the ferment of separation. Through his narrative choices and his options taken of enunciation, and through the mediation of this “I”, Gide creates harmony between the character, the other protagonists, the diegesis and above all with the reader. Like the persona of the ancient theatre and of the myth – but far from being an imposed, transcendent figure – the character in Gide’s work can be opposed to the mythified, narcissistic individual – which sanctions the disagreement with the outside world which is so detrimental to the reader – and creates the humanist myth of the “person”
Crécy, Marie-Claude de. "Édition critique du Roman de Ponthus et Sidoine". Paris 4, 1988. http://www.theses.fr/1988PA040031.
Séguy, Mireille. "Monstrances du graal : l'inscription du signe dans la littérature romanesque des XIIe et XIIIe siècles, du "Conte du Graal" au "Lancelot-Graal"". Paris 3, 1999. http://www.theses.fr/1999PA030064.
Reading the grail romances of the twelfth and thirteenth centuries, two important observations may be made. First, there is a frequent link between late-twelfth- and thirteenth-century romance "literature" and the grail. Second, the grail is essentially an "object" which signifies something other than itself, which appeals to inquiry and meaning. This double observation immediately invites question concerning the nature of the connection between romance and the graal understood as a sign: in the intellectual climate of the period, is this connection fortuitous or, rather, in some way necessary ? my work tests the hypothesis of its necessity. Detailed analysis of scenes in which the grail appears, from the conte du graal to the estoire del saint graal, brings to light the central place of robert de boron's roman de 1'estoire dou graal. This pivotal work is not only at the junction of the rewritings that have modified chretien de troyes inaugural scene, but it also turns the grail into a spiritual sign, simultaneously relic {remembrance} and revelation (demonstrance) in so doing, this work transfers into the realm of romance fiction an image charged with the weighty and complex legacy of christian semiology, i propose that this transferral brings to literature the possibility of stating and representing the ineffably divine in the space of arthurian fiction, as well as the ability to directly confront the model of the scriptures. By laying claim to truth, imitating the efflorescence of the world in their narrative interlaces, and trying to shape human history and divine time, the grail romances attempt to put into place a writing which, because it is both inexhaustible and universal, is potentially infinite
Jhit-E-Mon, Kanogwan. "Structures spatiales dans le roman des XIIe et XIIIe siècles. Intérieur - Extérieur". Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040274.
For a reader of medieval narratives the literary of the scenery, is in the first place an imaginary experience introduced by the act of reading and only subsequently it serves the role of an instrument necessary to reconstruct the image. In the present study, I discuss and reflect upon the natural and architectural elements of description and also the visions of the scenery recurrent in the medieval novel. The medieval language is extremely efficient in its descriptions of subject. The stereotypes are ever present, though punctuated by beautiful, short, yet vivid, descriptions of castles and cities. The elements of the landscape at times form a coherent panoramic setting for the action. Brief descriptions and mentions of the elements of the scenery, both natural and urban, appear as they are called for by the narrative. Such short indications appear to best show the reality of the castles or cities of XII and XIII century
Ducret, Sophie. "La fabrique de la création artistique : Approche historiographique et épistémologique du processus de la commande au Moyen Âge : l’exemple des peintures murales du Midi de la France aux âges romans (XIe-XIIe siècle)". Electronic Thesis or Diss., Montpellier 3, 2023. http://www.theses.fr/2023MON30047.
Since its 'rediscovery' in the 19th century, the practice of wall painting in the Romanesqueages has benefited from a long tradition of study in France and Europe. This historiography is based on developments in a fairly recent field of study, but has been enriched by epistemological developments in related disciplines, such as history and the social sciences more generally. Following on from recent research into the players involved in artistic creation, particularly in the field of mural painting, our thesis focuses on an essential player in production traditionally referred to as the 'patrons'. On the basis of a corpus of 30 ensembles preserved in the South of France, most of which date from the twelfth century, and faced with a silence in the historical sources, we have confronted the question of 'commissioning'. The historiographical approach enables us to put into perspective certain knowledge we have gained on the subject, and to propose a new vision of artistic creation
Martinez, Gilles. "Des gestes pour combattre. Recherches et expérimentations sur le combat chevaleresque à l'époque féodale : l'exemple du Roman de Jaufré (Paris, BnF, ms. fr. 2164)". Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30006.
Historians traditionally wear a look at the very feudal fight ... and sliced very opposite. For some, we will never know how they fought in feudal times (Anglo, Bonfa ...) for others, the reality was not to be so far from the literature (Flori ...). These conflicting opinions reveal, we believe that the feudal struggle was not analyzed precisely and that the right questions were not asked, both on the history of the plan that sport and martial arts . So rather than wondering if literature gives a fair reflection or not the battle of the twelfth-thirteenth century, it belongs rather to the question in terms of "fighting principles", and see from there it is right and what is exaggerated. The result is a much more nuanced view, much more accurate and can be used for a wider societal analysis. Indeed, by asking for these "principles", that leads to understand how the authors of the time, as well as artists for the image, managed to transcribe movement in their respective works: what tools did they create, which have been copied, improved resumed ... in sum, beyond the gestural aspect, it is a history of thought that is emerging. The last crucial step allows to link with the following period, which saw the emergence of the treaties of weapons and combat books, literature on either fictitious fight, but technical. This research was interested recently four doctoral work, the latter has just been born (September 2016). In sum, our work - by standing in front of the treaty period weapons - shows which tools courtly literature and essentially religious imagery from the period of XII-XIII centuries have helped to bring to the creation of the first pounds of weapons. Naturally, these are not the only contributions. Other tools to know, like diffusion in the literate environment of scholastic or Aristotelian thought, influences these technical books. Moreover, these also appear following a favorable context seeing the development of armories, dissemination of fencing in society (especially in the bourgeois middle) and the professionalization of the weapons master function / fencing. But our work shows the significant influence of courtly literature, which had long before the books of weapons, "showing" the warrior gesture to public and has evolved over the three centuries preceding the emergence of the genre technical. This warning signs in these first examples, traces that explain some blunders and which he never freed gradually
Libri sul tema "Âge roman":
Jacob, Fabienne. Mon âge: Roman. Paris]: Gallimard, 2014.
Chabin, Laurent. L' âge d'or: Roman. Mont-Saint-Hilaire, Québec: Éditions Point de fuite, 2001.
Lanzmann, Jacques. L' âge d'amour: Roman. [Paris]: J.C. Lattès, 1986.
Chabin, Laurent. L' âge de plomb: Roman. Montréal: Éditions Point de fuite, 2003.
Côté, Jocelyne. L' âge n'y change rien: Roman. Moncton, N.-B: Éditions de la Francophonie, 2005.
Martin, Jean-Clet. Ossuaires: Une anatomie du Moyen Âge roman. Paris: Editions Payot & Rivages, 1995.
Duquesne, Jacques. Yvonne-Aimée n'a pas son âge: Roman. [Paris]: Albin Michel, 2007.
Haasse, Hella S. En la forêt de longue attente: Le roman de Charles d'Orléans. Paris: Seuil, 1993.
Adhémar, Jean. Influences antiques dans l'art du Moyen Âge français. Paris: Editions du C.T.H.S., 1996.
Delisle, Paul-Claude. Pierre, l'aigle et le cactus: Roman nouvel-âge. Montréal: Presses d'Amérique, 1995.
Capitoli di libri sul tema "Âge roman":
Pogossian, Zaroui. "The Armenian reaction to the concept of the primacy of the Roman church in the twelfth and thirteenth centuries". In Textes et Etudes du Moyen Âge, 259–90. Turnhout: Brepols Publishers, 2006. http://dx.doi.org/10.1484/m.tema-eb.4.00246.
Mora-Lebrun, Francine. "Digressions savantes, ekphraseis et fabulae : l'héritage de l'école de Chartres dans la tradition manuscrite du Roman d'Eneas (XIIe-XIVe siècles)". In Bibliothèque d'histoire culturelle du Moyen Âge, 229–42. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.bhcma_eb.5.109797.
Conley, Tom. "Roman de fragment: amorces de L’Amadis de Gaule (1548)". In Rhétorique et littérature en Europe de la fin du Moyen Âge au XVIIe siècle, 49–59. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.rrr-eb.4.00439.
Hirschbiegel, Jan, e Sven Rabeler. "Residential Cities in the Holy Roman Empire (1300-1800). Urbanism as a Network of Integrative and Competing Relationships between Seigniorial Rulership and Civic Community". In La cour et la ville dans l’Europe du Moyen Âge et des Temps Modernes, 91–100. Turnhout: Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.seuh-eb.5.103473.
Gaullier-Bougassas, Catherine. "Perrinet du Pin et le mécénat de la duchesse de Savoie Anne de Lusignan : Le Roman de Philippe de Madien et les rêves orientaux d’une princesse chypriote". In Les femmes, la culture et les arts en Europe entre Moyen Âge et Renaissance, 345–55. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.tcc-eb.5.107674.
Gasparri, Stefano. "Le élites romane di fronte ai Longobardi". In Haut Moyen Âge, 143–66. Turnhout: Brepols Publishers, 2006. http://dx.doi.org/10.1484/m.hama-eb.3.493.
Mora-Lebrun, Francine. "Les romans d'antiquité et la pensée chartraine". In Bibliothèque d'histoire culturelle du Moyen Âge, 49–62. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.bhcma_eb.5.109786.
Wijffels, Alain. "La procédure romano-canonique: un algorithme médiéval?" In Textes et Etudes du Moyen Âge, 431–65. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.tema-eb.3.2135.
Lévy, Carlos. "La transmisión del escepticismo en la tradición filosófica romana". In Textes et Etudes du Moyen Âge, 39–55. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.tema-eb.4.2017115.
Quaglioni, Diego. "Dante e la tradizione giuridica romana nel libro II della Monarchia". In Textes et Etudes du Moyen Âge, 253–66. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.tema-eb.4.000227.
Atti di convegni sul tema "Âge roman":
Petit, Adrienne. "L’Histoire éthiopique au prisme de ses tables : la modélisation rhétorique du roman grec". In « S’asseoir à la table ». La table des matières, du Moyen Âge à nos jours. Fabula, 2021. http://dx.doi.org/10.58282/colloques.7276.
Dionne, Ugo. "Comment lire la table d’un roman qu’on n’a pas lu.Éléments pour une poétique de la table des chapitres au XVIIIe siècle". In « S’asseoir à la table ». La table des matières, du Moyen Âge à nos jours. Fabula, 2021. http://dx.doi.org/10.58282/colloques.7286.
Maruggi, Maria. "L'eau comme élément symbolique dans La Chartreuse de Parme de Stendhal, Les Années de Virginia Woolf et dans Le Guépard de Tomasi di Lampedusa". In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3132.