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Libri sul tema "African Protest poetry"

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Autore: Grafiati

Pubblicato: 27 luglio 2024

Ultima modifica: 28 luglio 2024

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1

Brutus, Dennis. Poetry & protest: A Dennis Brutus reader. Scottsville, South Africa: University of KwaZulu-Natal Press, 2006.

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2

Marolen, Daniel P. P. Imagine a land--: A collection of Black anti-apartheid protest poems. Owings Mills, Md: Watermark Press, 1991.

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3

(Group), Last Poets, a cura di. Vibes from the scribes: Selected poems. Trenton: Africa World Press, 1992.

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4

Neff-Mayson, Heather. Redemption songs: The voice of protest in the poetry of Afro-Americans. Bern: Francke Verlag, 1989.

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5

Williams, Brian. The wounded spear rises. Cape Town: Buchu Books, 1989.

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6

Hughes, Langston. Good morning revolution: Uncollected writings of social protest. Seacaucus, N.J: Carol Pub. Group, 1992.

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7

Smith, Laverne Byrd. Poems of indignation: Revisiting 20th century civil rights and Black awareness movements. Richmond, Va: NorthLight Publishing, 2005.

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8

(Group), Last Poets, a cura di. Vibes from the scribes: Selected poems. London: Pluto Press, 1985.

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9

1962-, Dardagan Britz Roxandra, a cura di. Slow fires. Johannesburg: Fourthwall Books, 2013.

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10

Sanchez, Sonia. Sonia Sanchez Afroamerican dream: La protesta diventa cultura. Roma: Aracne, 2011.

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11

Of poetry & protest: From Emmett Till to Trayvon Martin. W. W. Norton & Company, 2016.

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12

Unbreaking the rainbow: Voices of protest from new South Africa. East London, South Africa: The Poets Printery, 2012.

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13

Warr, Michael, e Phil Cushway. Of Poetry and Protest: From Emmett till to Trayvon Martin. Norton & Company, Incorporated, W. W., 2016.

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14

YEARS OF FIRE AND ASH - South African Poems of Decolonisation. Jonathan Ball Publishers, 2021.

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15

Mahomed, Ismail, Tracey Saunders e Siphindile Hlongwa. Hashtag Poetry. University of Kwazulu-Natal Press, 2021.

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16

Hashtag Poetry. University of Kwazulu-Natal Press, 2022.

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17

Chapman, Michael. Soweto Poetry: Literary Perspectives. Univ of Natal Pr, 2007.

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18

Reid, Margaret Ann. Black Protest Poetry: Polemics from the Harlem Renaissance and the Sixties (Studies in African and African-American Culture, Vol 8). Peter Lang Publishing, 2002.

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19

From the pyramids to the projects: Poems of genocide and resistance! Trenton, N.J: Africa World Press, 1990.

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20

Malibongwe: Poems from the Struggle by ANC Women. uHlanga, 2020.

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21

Antjie Krog and the Post-Apartheid Public Sphere: Speaking Poetry to Power. University of Kwazulu-Natal Press, 2015.

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22

Garman, Anthea. Antjie Krog and the Post-Apartheid Public Sphere: Speaking Poetry to Power. University of Kwazulu-Natal Press, 2015.

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23

Müller, Timo. The African American Sonnet. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496817839.001.0001.

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Abstract (sommario):

Some of the most famous African American poems are sonnets: Claude McKay’s “If We Must Die,” Countee Cullen’s “Yet Do I Marvel,” Gwendolyn Brooks’s “First fight. Then fiddle.” Few readers realize that these poems come from a rich tradition of more than a thousand sonnets written by African American poets over a century and a half. The African American Sonnet: A Literary History traces this forgotten tradition from the nineteenth century to the present. Based on extensive archival research, the study demonstrates that closer attention to the sonnet modifies our understanding of key developments in African American literary history. Each chapter addresses such a development: the struggle over the legacy of the Civil War, the trajectories of Harlem Renaissance protest, the tensions between folk art and transnational perspectives in the thirties, the vernacular modernism of the post-war period, the cultural nationalism of the Black Arts movement, and the disruptive strategies of recent experimental poetry. Throughout this rich history, the study argues, sonnets have been “troubling spaces” in more ways than one. The sonnet became a contested space when black poets appropriated the “scanty plot of ground” (Wordsworth) from which they had long been excluded. The sonnets written by these poets troubled the material and discursive boundaries African Americans have been facing in a society organized around racial inequality. The confrontation and subversion of boundaries is inscribed into the very structure of the sonnet, which made it a preferred testing ground for such strategies in the literary realm.

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24

Teutsch, Matthew, a cura di. Rediscovering Frank Yerby. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496827821.001.0001.

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Abstract (sommario):

During his career, Frank Yerby wrote 33 novels, numerous short stories, and poetry, making him one of the most prolific and financially successful African American authors of all time. However, while some critics such as Langston Hughes and Arna Bontemps initially praised Yerby, many began to become frustrated with his lack of overt engagement with segregation and racial oppression in his work and personal statements. Infamously, Robert Bone called Yerby “the prince of the pulpsters” in his 1958 The Negro Novel in America. Reconsidering Frank Yerby positions Yerby within the African American literary tradition and emphasizes his role, as Darwin Turner puts it, as the “debunker of myths.” Reconsidering Frank Yerby achieves these goals by highlighting Yerby’s shifting perceptions regarding his role as a writer throughout his career and through an examination of his work in relation to the social protest novels and literature of writers such as Richard Wright, the reactions of his readers, his exploration of religion and existentialism, his deconstruction of race, his transnational focus, and other topics.

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25

Rutter, Emily Ruth, Tiffany Austin, darlene anita scott e Sequoia Maner. Revisiting the Elegy in the Black Lives Matter Era. Taylor & Francis Group, 2019.

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26

Rutter, Emily Ruth, Tiffany Austin, darlene anita scott e Sequoia Maner. Revisiting the Elegy in the Black Lives Matter Era. Taylor & Francis Group, 2019.

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27

Revisiting the Elegy in the Black Lives Matter Era. Taylor & Francis Group, 2019.

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